History of the Germans

This week we talk about what happens after the fight for independence is won. As had happened countless times before in history, precious freedoms gained in bloody struggles can be lost easily in the subsequent peace, not to the old adversary, but to new, homegrown usurpers. That is at least one way of telling the story, the other being, that every major political upheaval is followed by a period of consolidation that embeds the gains made and truncates the excesses that appeared during the revolutionary period.Something like that happened following the Saxon wars when Lothar of Supplinburg, a hitherto minor count from Westphalia is raised to ducal authority in 1106. Before he took the reins of the duchy, Saxony had turned into a free for all. Whenever a rich count or margrave fell victim to the various dangers a civil war generated, his cousins and peers would race to first seize his wife or daughter and then use their claim to grasp as much of his property as possible. A process not much more dignified than the opening of the doors on a Black Friday pre-pandemic.Lothar established a central authority for the duchy that calms things down considerably. It is during this time that four of the five great princely dynasties in the North get established, the Welf, the Wettins, the Ascanier and the counts of Holstein. The rise of these four was however not a given. There were others, like the counts of Stade and Wiprecht of Groitzsch whose burning ambitions came to nought as they stumbled in the race between reproduction and their near inevitable violent death. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

In today's episode we finally get closer to the history of the Hanseatic League. We will take a look at some of the fundamental changes in the Saxon policy towards the east that were ushered in during the reign of Lothar of Supplinburg and shaped events for a long period thereafter. It is in these decades that the Saxon magnates will realise that raiding and plundering of the lands east of the Elbe is no longer the financially most attractive option. A great organised migration from the overpopulated Rhineland, Holland and Flanders into Northern Germany begins.What we will look at specifically is the county of Holstein and its brand-new counts, the lords of Schauenburg. These ambitious and proactive family will develop these lands and found or re-found two of the most significant cities of the Hanseatic League, Lubeck and Hamburg. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

This week we will look at one of the great mysteries of German medieval history, how Lübeck could become the second largest City in the Holy Roman empire within just 100 years from its foundation. Lübeck lies on a small river, the Trave that goes into a small Sea, the Baltic. Not only is the Baltic comparatively small, the peoples who live on its shores are no slouches. They have been famed for travelling as far south as Constantinople and as far north as Greenland for centuries. So how did the future capital of the Hanseatic League manage to grow so fast? We will go through the different theories and maybe we can find out…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

This week we continue our walkabout of the major centres of power in the North of Germany that emerged during the 12th and 13th century. We talked about Holstein and Lübeck and now it is time to talk about the march of Brandenburg which means we need to talk about a character that had bit part roles on the podcast for quite some time, Albrecht the Bear. He was one of the longest lasting protagonists in the story of the German Middle Ages, playing a role in the reigns of Henry V, Lothar III, Konrad III and Frederick Barbarossa, though his lasting impact was on the Eastern European stage where he founded the March of Brandenburg, the political entity that through a lot of twists and turns becomes the Kingdom of Prussia and the heart of the Second Empire. So, let's see what he was up to.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

If you ever come to Dresden, and if you like art, architecture and history, you very much should, you may want to turn into Augustusstrasse right by the Residenzschloss. What you fnd there is the largest porcelain artwork in the world, 102 metres long and made from 23,000 Meissen porcelain tiles. This is the “Fürstenzug”, the procession of princes. It was made to celebrate 800 years of the House of Wettin who ruled over what we now know as the land of Saxony. It portrays 35 margraves, electors, dukes and kings from 1127 to 1904. Being essentially a 19th century artwork, it depicts all these Saxon rulers as powerful military leaders surrounded by their fighting men and important nobles, all in contemporary costume. There are 94 depictions and only one female figure in the whole procession. So, was the lasting rule of the House of Wettin built upon their martial prowess? Well they did fight a lot, but the true source of their power is depicted in one of the very last figures of the procession coming after the princes, the army, the intellectuals and the artists and largely obscured by the images of the carpenter and the builder involved in the project. What that figure represents and what lay at the heart of the Wettiner success, we will find out…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

These last few episodes you may have wondered how all this hangs together. This week we will try to resolve this question. What we will talk about is how the great stem duchy of Saxony fell apart. And there are two stories about that. One is the story of Henry the Lion and his fall in 1180. That story has been repeated over and over again and put into a context of rivalry between the Welf and the Hohenstaufen, between Guelfs and Ghibellines. It makes for a great story of betrayal and revenge. But it is also partly wrong and more importantly, not the whole story. The whole story is one about princely opposition against centralising tendencies, about an antagonism between the south and the north and about a broad trend of fragmentation of power that engulfed not just the empire but also Italy, Poland, Denmark and others. It is the resulting environment of warring mid-sized principalities that allowed alternative structures like the Hanseatic League and the Teutonic Knights to emerge. So let's get straight into it.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

If I put the word Hanseatic into Google Search I get as result number 4 “Hanseatic King's Lynn -Visit West Norfolk”. I can say with absolute confidence that there is not a single German individual, place or organisation that a small town in England would choose to not just associate with but incorporate itself into its history, safe for the Hanseatic League. They may play Zedoch the Priest at the coronation but that is because both Handel and Price Charles are considered English with German roots. Kings Lynn calling itself a Hanseatic city is a different thing. And it happens in many other places, Bergen is proud of its Hanseatic past as is Visby in Gotland or the Dutch former members of the League.The love of all things Hanseatic goes so far that it even overrides the German fascination with all things car related. As you may know, the German system of numberplates is strictly hierarchical. The first 1, 2 or 3 letters indicate the place where the vehicle is registered at the time. The more letters, the smaller the town or county of registration. For instance, WES stands for Wesel and STD for Stade, two of the smaller members of the Hanseatic League. The two-letter cities are plentiful and some, like LG stands for Lüneburg and BS for Brunswick. Only the largest cities get to proudly display just one single letter – for instance K for Cologne, B for Berlin and F for Frankfurt. But what about Germany's second largest city, the Free and Hanseatic City of Hamburg? Does your honourable Hamburg merchant drive round in a car ostentatiously displaying a proud single H? No, of course he doesn't. His numberplate is HH, standing for Hansestadt Hamburg, leaving the single H to the inland Hanoverians. Other Hanseatic cities like Bremen, Lübeck, Wismar, Rostock, Greifswald and Stralsund also proudly carry an additional H on their numberplate, a subtle reminder to everyone that their hometowns are different and dare one say, superior to other cities.How can an organisation that had hardly any permanent institutions traded rather pedestrian commodities like grain, Hering, furs and beeswax and ceased to exist in 1669 still stir so many peoples' hearts with pride, that is what we will try to figure out in this podcast series.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansBibliography:Philippe Dillinger: Die HanseDie Hanse, Lebenswirklichkeit und Mythos, curated by Jürgen Bracker, Volker Henn and Rainer PostelRolf Hammel-Kieslow: Die HanseAnd special thanks for the translation of the Artlenburg Privileg to Dr. Jenny Benham. And special thanks to Dr. justyna Wubs-Montzewicz whose research I found eye-opening

“In the monastery of Segeberg there was a man of worthy life, and with venerable gray hair, Meinhard by name, a priest of the Order of Saint Augustine. He came to Livonia with a band of merchants simply for the sake of Christ and only to preach. For German merchants, bound together through familiarity with the Livonians, were accustomed to go to Livonia, frequently sailing up the Daugava River.” So begins the chronicle of Henry of Livonia, a German missionary who tells about the foundation of the bishopric and city of Riga, the conversion of the pagan population of what is today Latvia and Estonia, and the cruel antics of the Livonian brotherhood of the sword. In this episode we will touch upon the Livonian Sword brothers and we take a first glimpse at the Teutonic knights, but this is the history of the Hanseatic League and so what we really focus on are the merchants, specifically the merchants from the “Society of German merchants who frequently travel to Gotland”, the Gotlandfahrer who we have met last week.Because the tale we hear today adds the other important streak to the structure of the Hanseatic League, its willingness to use military force in the pursuit of profits.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansFor this episode I relied heavily on:Philippe Dollinger: Die HanseDie Hanse, Lebenswirklichkeit und Mythos, htsg. von Jürgen Bracker, Volker Henn und Rainer PostelRolf Hammel-Kieslow: Die HanseEric Christiansen: The Nordic CrusadesAnd since we are at it, I came across a really interesting article about the trade in beeswax in the Middle Ages by Dr. Alexandra Sapoznik titled “Bees in the medieval economy”. I have put a link in the transcript that you can find on the History of the Germans Website. A bit niche and geeky but quite fascinating: Bees in the medieval world: economic, environmental and cultural perspectives - King's College London (kcl.ac.uk)

“on itseastern side the sea breaks through and cuts off the western side of Skaane; and this sea commonly yields each year an abundant haul to the nets of the fishers. Indeed, the whole sound is apt to be so thronged with fish that any craft which strikes on them is with difficulty got off by hard rowing, and the prize is captured no longer by tackle, but by simple use of the hands.” So writes the the late 12th century Danish chronicler Saxo Grammaticus about Zealand, the island he believed to be the most delightful province and heart of Denmark. In the year 1400, 550 ships arrived in Lübeck, bringing 65,000 barrels of salted Herring to the city at the mouth of the Trave River. But that was only a fraction of the total that is estimated to have been as much as 300,000 barrels of herring a year that were caught in the narrow sound between Copenhagen and Malmo and then processed in a giant temporary market town on the Skanör peninsula. All these vast quantities of fish were needed to feed the European population who had not only acquired a good dose of piety but also as many as 140 fast days per year when the consumption of hot-blooded animals was banned. How the trade in Baltic Herring became a monopoly of the Hanseatic league and the backbone of its trading network is what we will discuss in this episode. No worries, it is not just about salting techniques and the difficulties of shipping a load of fish over thousands of miles. There will be a battle with knights and everything…..and an extended detour into the largest copper mine in Europe that funded the 30-years war. I hope you will enjoy it.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansFor this episode I again reliedheavily on:Philippe Dollinger: Die Hanse –definitely my go-to-book for this seasonDie Hanse, Lebenswirklichkeit und Mythos, herausgegeben von Jürgen Bracker,Volker Henn and Rainer PostelRolf Hammel-Kieslow: Die HanseIf you want to know more about the story of the Swedishcopper mining have a look at the Falu Gruva website Falu Gruva - Upptäck tusen år av historiaor go to the Unesco world heritage site about Falu Gruva and look through theapplication for the inclusion on the World heritage List which gives a verydetailed account of the mining activities there: Mining Area of theGreat Copper Mountain...

This week we will kick off with the string of cities along the Baltic Coast from Lübeck up to Königsberg (modern day Kaliningrad). Who founded them and why? And why so many? Who were the people who came to live there, how did they organise themselves and most importantly, what did they produce and what did they trade? We will dwell on the most splendid of those, Gdansk or Danzig in German, the one city in the Baltic that could give Lübeck a run for its money, a place that developed as six separate cities and only became one entity in the late 15th century. And as we talk about Gdansk, we will also talk about the Vistula River, Europe's nineth longest that connected Gdansk not just to many of Poland's great cities, but also to the agricultural wealth of the Prussia of the Teutonic Knights, to the Ukraine and to ancient Lithuania. And all that foodstuff is put on ships and goes to the growing cities of Flanders, the Rhineland, England, Northern France and even Spain. For the first time since the fall of the Roman empire do we hear about large scale grain shipments that sustain urban centres, urban centres that couldn't otherwise exist.But grain is not the only thing that the Hansa become famous for. The other is Germany's most popular drink and best-known export, beer. The economics there are even more fascinating, since people did not only drink vast quantities of beer in the Middle Ages, they also cared a lot about where it came from, and Einbecker was Europe's favourite beer. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansFor this episode I again reliedheavily on:Philippe Dollinger: Die Hanse –definitely my go-to-book for this seasonDie Hanse, Lebenswirklichkeit und Mythos, herausgegeben von Jürgen Bracker,Volker Henn and Rainer PostelRolf Hammel-Kieslow: Die Hanse

Today we will talk about the Bryggen, the famous Hanseatic Kontor or trading post in Bergen in western Norway. Bergen itself was never a member of the Hanseatic League, but like The St. Peter's yard in Novgorod, the steelyard in London and the Kontor of Bruges, the Bryggen in Bergen was a key element of the Hanseatic trading network.The trade in stockfish from Bergen was never on the same scale as the herring trade off Scania or the trade in beeswax and furs from Novgorod, but it was an important springboard for members of the lower classes to join the long-distance merchants. And the way the Hanse was able to gain a stranglehold over the proud Vikings of Norway is a cautionary tale of failed macro-economic policies. If you think the Norwegians are unique in falling prey to aggressive Hanseatic trade policies, think again. Even the mighty Bruges, the warehouse of the medieval world” was made to grant these merchants from the Holy Roman empire far reaching privileges.Some have considered these events as the beginnings of a long process of specialisation in Europe that condemned the East to become the giant breadbasket that fed the industrialising West. I doubt things are that simple, but let's have a look at the different arguments….The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

If like many of you, you are listening to this podcast on your morning or evening commute and you happen to live in London, you may be one of the 20 million souls going through Cannon Street Station every year. Few of them will be aware that under their feet lay the vestiges of the great Hanseatic Kontor in London that goes back to 1176. If people know about the Steelyard, it is mainly through the portraits of merchants painted by Holbein between 1532 and 1536 at a time when the Kontor had only about 60 years left. But there is a lot to tell about this now vanished building, its inhabitants and trade. It is a story of infighting between the various cities that were still to officially form the Hanseatic league, of trading privileges granted to fund first a crusade and then the hundred year's war, andit is also a great opportunity to introduce the oldest, largest and richest member of the Hanseatic League, the city of Cologne. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

By the end of the 13th century the key foundations of the Hanseatic League are laid. The trade routes that connect the Baltic to Western Europe are largely under the control of merchants who had come from Northern Germany and settled along the Baltic shore. Four great Kontors in Novgorord, Bergen, Bruges and London have been set up. The cities that make up the League, from Tallin to Cologne have gained city laws, built their walls and selected their city councils. We are now entering the Calamitous 14th Century, a time of war, spiritual disorientation, plague and deteriorating climate. These four riders of the apocalypse devastate formerly flourishing lands and cities across Western Europe, delivering a sucker punch that brings 300 years of economic expansion to a screeching halt. But, as they say in Asterix, “all of Europe is occupied with the challenges of the 14th century. Well not entirely. There is a corner of the world where a league of merchant cities is heading for the zenith of its economic, financial and military power…”The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

The Hanseatic League is first and foremost an organisation driven by commerce and commerce rarely sees the necessity of war. But in 1360 the organisation that had only just transitioned from a community of merchants to an alliance of cities found itself in gridlock with Waldemar Atterdag, Waldemar Dawn, king of Denmark. Waldemar's objective throughout his 35-year reign was to rebuild the kingdom of Denmark that had virtually disintegrated under his predecessors. And for that he needed money. That money he got from the two sources of wealth of the state of Denmark, taxing the trade in herring and the tolls for passing through the Oresund. The Hansards who dominated the herring trade and the traffic through the Oresund were the ones who were supposed to pay for that.If that had not breached the tolerance levels of even the most sober Hanseatic merchant, the attack on Gotland and occupation of the Hanseatic city of Visby did. A fleet leaves Lübeck in 1362 to put the Danish tyrant back into his box…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

The Hanseatic League undergoes a fundamental transformation in the second half of the 14th century. It turned from a guild of merchants trading across the Baltic and the North Sea into an alliance of trading cities. An alliance that has proven that it can fight and win wars against major territorial powers. That sits quite uncomfortably with the existing European rulers who wonder what to do with this alien inside their body politic.The Hanse had acquired a wide range of trading privileges in their main Kontors in England, Flanders, Norway and the Republic of Novgorod. These privileges did not only disadvantage the locals who were unsurprisingly hostile but also challenged the authority of the princes. That was just about bearable as long as this was just a community of grubby merchants from the Empire. Now that these merchants had built formidable cities, commanded great navies and toppled kings, it became an entirely different ballgame.Furthermore, the legitimacy of the Hansa was fragile. The Hanseatic Cities, apart from Lübeck and Dortmund weren't free imperial cities, making them at least formally subject to their territorial lords. As such they could not form an actual league of cities as the Northern Italian republics had done a hundred years earlier. Nor were they allowed to conduct foreign policy against their territorial lord, though they sometimes did. These fault lines will become ever more apparent as we go forward with our history. This week we will get a first glimpse at what will lead to the ultimate demise of the League as we get into the year 1388, a year when the cities face off against three of the most powerful political entities in Northern Europe, the kingdom of England, the county of Flanders and the Republic of Novgorod. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

In 1878 workmen building the Speicherstadt, the magnificent city of warehouses in the harbour of Hamburg made a gruesome discovery. In the mud of the Grasbrook, an island at the entrance of the medieval harbour of Hamburg emerged two piles of wood connected by a wooden bar. An ancient beacon guiding ships. What made it so special was what was nailed on to the bar, human skulls. Whoever these men were, they had been decapitated and their heads displayed as a warning. One of these skulls was quickly identified as that of Klaus Störtebecker, the notorious pirate. The skulls were brought to the Museum für Hamburgische Geschichte, the Museum for the history of Hamburg. There they reconstructed the facial features of Klaus Störtebecker so that vistors can get a better picture of what Hamburg's greatest nemesis looked like.If you leave the museum and turn right you quickly get to Simon von Utrecht Strasse, named after the man who captured Störtebecker on his agile small cog, the Bunte Kuh, the painted Cow. Störtebecker was brought to the Grasbrook where he and his 72 companions were beheaded on October 20, 1401. As his last wish, Störtebecker asked that all the men he could walk past after his head had fallen should be freed. That wish was granted, but when the headless pirate had passed 11 of his shipmates, one of the members of the city council tripped him up and in the end all of his men were killed, including those he had walked past.Hundreds of books have been and will still be written about Störtebecker and Simon von Utrecht. Some of those I have devoured as a child and this is why it hurts so much to have to tell you – all a lot of nonsense. Störtebecker lived and robbed until 1413, 12 years after his execution, which is a long time for a headless corpse. And Simon von Utrecht was just a lad when he allegedly seized Hamburg's greatest adversary. The story may be a tall tale, but piracy and the Victual Brothers were real and they were a real threat to the Hanse, or at least I believe it was.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

That was the question king Edward IV asked the representatives of the Steelyard in 1469. And he had a good reason to ask, because tensions between the English and the Hansa had escalated, ships were captured, and people got killed. He wanted to know who to negotiate with and in particular, who could sign a binding agreement that would put an end to this. The answer he got was not very satisfactory.... The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansAnd finally, bibliography. I would like to add a few worksto our usual list, in particular:Jahnke,Carsten: Die Hanse | Reclam VerlagJahnke, Carsten: Netzwerke in Handel und Kommunikation ander Wende vom 15. zum 16. Jahrhundert am Beispiel zweier Revaler Kaufleute. Netzwerke(hansischergeschichtsverein.de)JustynaWubs-Mrozewicz and Stuart Jenks, eds. The Hanse in Medieval and Early ModernEurope. The Northern World: North Europe and the Baltic c. 400–1700 AD:

1531-1535, a period of just 4 years is enough to capsize Lübeck's position as the diplomatic heart of the Baltic Sea, general secretary of the Hanse, ally of both the king of Denmark and the king of Sweden and early member of the Schmalkaldic League. How can that happen?As Edward Gibbon would say: History, in fact, is no more than a list of crimes of humanity, human follies and accidents”. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansBibliography:Rainer Postel: Der Niedergang der Hanse in Hanse, Lebenswirklichkeit und Mythos: RIOPAC (regesta-imperii.de)Jahnke, Carsten: Die Hanse | Reclam VerlagPhilipp Dollinger: Die Hanse

The last two episodes may have left you with a sense of gloom and foreboding about the great Hanseatic cities. But here is the counterintuitive fact, the Hanse may continuously loose political power and economic relevance, but the cities that make up the association are flourishing. Not all of them but some, Hamburg and Danzig in particular. Why it is that the Hanse declines, but the Hansards are doing mightily well is what we are looking into this week. So let's see….The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansBibliography:J.K. Dunlop, Hamburg 800-1945, Published by the Anglo-German Club E.V.Philippe Dollinger, Die Hanse, 6. Auflage, 2012

Bremen was geographically and politically quite different from the other cities, ploughing its own furrow. In response the other Hansards did not trust the citizens of Bremen. There is also the minor issue that Bremen sheltered a lot of pirates. Still as the Hanse declined politically, Bremen took on an ever-larger role until becoming one of the last three Hanseatic Cities that kept that long-dead medieval relic plodding along until the late 19th century. A story of rebellion, stubbornness, piracy and emigration to America, I thought worth telling.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

Our history of the Hanse has come to an end, not with a bang but with a whimper. Of the things that have remained we have already talked a lot, the ideal of the honourable Hanseatic merchant, the cultural and political links to Scandinavia and the stories. The stories of the famous pirates, Klaus Störtebecker and Hans Benecke, the heroics of the wars fought with Denmark and the antics of Jurgen Wullenwever. But there is something that reminds us of the days when traders speaking low German fed Europe fish, beer and grain. And that are the cultural achievements, the town halls, weighing houses and stores that became symbols of civic pride, the artists whose works adorn churches and palaces across the Baltic sea and last but not least the brick churches that shaped the way these cities still appear..…let's have a look.And since podcasting is a most unsuitable medium to talk about visual art, I have added a few images to the episode webpage which you can find at Episode 127 - Art & Culture of the Hanse • History of the Germans PodcastThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

Professor Carsten Jahnke, one of the leading historians on the Hanse has kindly granted us an interview where we discuss how the Hanse network functioned and how the perception of the Hanse has changed dramatically over the last 200 years, a story that almost as interesting as the history of the Hanse itself.As listeners of the last season of the History of the Germans might have noticed, I have been relying heavily extensively on Carsten Jahnke's work. many of the episodes discussing the economic structure and the way money transfers worked in the network are based on his research. So if you liked those episodes, you will certanly enjoy this interview. Listen in!And here are some links to research Carsten recommends for those of you who want to follow up further:Christian Manger, Behind the scenes: Urban secretaries as managers of legal and diplomatic conflicts in the Baltic region, c.1470–1540: https://www.tandfonline.com/doi/full/10.1080/03044181.2022.2098528Carsten Jahnke, Von Mandeln, Narde, Curcuma und Kümmel. Herkunft, Handel und Verbrauch von „exotischen“ Gewürzen und Lebensmitteln im nördlichen Europa, in: Die Ausgrabungen im Lübecker Gründungsviertel II. Archäoparasitologie, Handelsgeschichte, Paläopathologie und Anthropologie, ed. by Dirk Rieger, Lübeck 2022, s. 131-164Carsten Jahnke, Hansische Kaufleute und deren Religiosität ausserhalb ihrer Heimat, i: Zapiski Historyczne, Tom LXXXIV, Rok 2019, Zeszyt 1, s. 7-41.There is also a lecture Cartsen gave at the German Historical institute in London on teh perception history: https://www.ghil.ac.uk/publications/podcasts/the-hanseatic-league-as-a-national-projectThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

Hello and welcome to a new season of the History of the Germans, the Teutonic Knights or to give them their full title, the knights of the hospital of St. Mary of the House of the Germans in Jerusalem. Even though the state they had created in Prussia has been wiped off the map with all its cultural markers, the Teutonic Knights are not forgotten. Less shrouded in nonsense than the Templars, less devoted to social causes than the Knights of St. John they still loom large not just in German history but even more so in Polish and Russian history. Both of these nations have placed victories over the Teutonic Knights at key junctions of their national narrative. But were the Teutonic knights these near invincible, cruel faceless war machines that Sergei Eisenstein had charging over the ice to the sound of Prokofiev brilliant score? That is what we will try to find out over the next few episodes. Expect your fair share of heroic battles, chivalric entertainment all intermingled with twisted theology and astute commercial activity. I hope you will enjoy it.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansHere is the link to the article by Cory Doctorow: https://www.wired.com/story/tiktok-platforms-cory-doctorow/Bibliography:Steven Runciman: A history of the CrusadesEric Christiansen: The Northern CrusadesWilliam Urban: The Teutonic Knights - A mlitary HistoryJurgen Sarnowsky: Der Deutsche orden

“.. the far-sighted planning of Grand Master Brother Hermann von Salza had so strengthened the Teutonic Order that it had many members and such power, riches and honour that word of its fame and good reputation had spread the length and breadth of the empire.” So describes the chronicler Nicolaus von Jeroschin the role of the fourth and arguably most influential of the grand Masters of the Teutonic Knights. His role in promoting and expanding the order is hard to exaggerate. Without his skill and energy, the Teutonic Knights would have ended up like the Order of the Knights of St. Thomas. Have you have never heard of the Knights of St. Thomas, a English chivalric military order founded as a field hospital during the siege of the city of Acre in 1191? Well, that is the difference one man can make, at least very occasionally.Episode website with transcript is hereThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

Last week weheard about Konrad of Masovia's offer of the Kulmer Land to the Teutonic knight. This week we will talk about what they did once they had accepted the offer. The first knights arrived in 1226 but it would take almost 6o years before their new principality of Prussia was fully established. The Prussians, despite initially being lightly armed and disunited were no pushover. Rarely successful in open battle they disappeared into the dense forest or swampy marches before they could be routed. Again and again they rose up, reclaiming their freedom and again and again did the Teutonic Knights and the German and Polish crusaders pushed them back into submission. Do not worry, this will not be an endless litany of battles and raids, but we will look at the relative military strength, the political structure they established and as you would expect, the economic underpinnings of the effort.....For Book recommendations, go here: Book Recommendations • History of the Germans PodcastThe translation of Nicolaus of Jeroschin is here: Jeroschin N. The Chronicle of Prussia (2016), OCR.pdfThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

Last week we left the action after the Teutonic Knights had signed the peace of Christburg in 1249 to put an end to the first Prussian revolt. The local population had risen up with the help of duke Swantopolk of Pomerelia who feared for the commercial success of his main city, the city of Danzig/Gdansk. After 7 years of war and devastation the pope had forced both sides to the negotiating table and made them sign a peace agreement intended to be a long term settlement. It constrained the Teutonic Order and gave the converted Prussians civil rights on par with the settlers who had come from the German lands. Things should therefore be calm and peaceful from here – well they weren't. The fighting continued as the order expanded further north and inland and soon the Prussians and Pomerelains rose up again, and again…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

This week we look at the activities of the Teutonic order in Livonia during the 13th century. The situation in Livonia was profoundly different to Prussia and posed a number of new challenges for the brothers. In Livonia there were the powerful bishops of Riga to contend with who had led the crusade there since its inception in the 1180s. The Hanse merchants who have settled in Riga, Reval and Dorpat are no pushovers. Like in Prussia, the Lithuanians are a formidable force able to inflict painful defeats on the brothers as are some of the Baltic peoples who didn't enjoy conversion at swordpoint as much as the planners back in Bremen, Marburg and Acre had hoped. And let's not forget some new neighbors, the Danes in Northern Estonia and the great republic of Novgorod. In 1240 a great effort gets under way to forcibly convert the orthodox Rus'ian states, including Novgorod that are already under pressure from the Mongols. In their distress the boyars of Novgorod make the second son of the grand duke of Vladimir becomes their military leader, a man we know as Alexander Nevsky. On April 5, 1242 Alexander Nevsky and his men stand on the shore of Lake Peipus staring at a squadron of heavily armored cavalry thundering across the ice towards them… Whilst the riders almost certainly weren't accompanied by Prokofief's amazing soundtrack, they may have brought an organ, but that, like everything else about the Battle on the Ice is subject to intense debate, a debate we will examine in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

In the century that followed the last of the Prussian and Livonian uprisings the states of the Teutonic Order in the Baltic experienced a period of economic growth and internal and external stability that is almost unique in the chaotic 14th century. Whilst Europe was in the grip of the Hundred-Years War, an incessant merry go round of internecine feuds, the Black Death, Papal Schisms and a deteriorating climate, this theocracy on the Northern Baltic shore became a beacon of prosperity and peace. How was it possible that a religious order became an astute manager of its estates, a de-facto member, if not by its own claim head of the Hanseatic League and the organizer of the greatest chivalric adventure holidays for Europe's aristocracy? That is what we try to find out in this episode..You can find the transcript for this episode as wella s maps and lots more here: https://historyofthegermans.com/teutonic-knights/The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansBibliography:Werner Paravicini Die Preußenreisen des europäischen Adels : https://perspectivia.net/receive/ploneimport_mods_00009997Eric Christiansen: The Northern Crusades

This week we look at the reasons the golden age of the Teutonic knights came to an abrupt end at the beginning of the 15th century. It is a sequence of events that involve some remarkable Polish and Lithuanian princes, the Templars, and of course – The brothers of the house of St. Mary of the Germans in Jerusalem. Ah, and a very famous battle.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansPodcasts on Poland:BBC Radio 4 - In Our Time, The Polish-Lithuanian CommonwealthPoland Is Not Yet Lost — WDFpodcast.comThe History of Poland Podcast (libsyn.com)

Last week we ended with the famous battle of Tannenberg or as the Poles would call it Grunwald and the Lithuanians Zalgiris. This battle is not just famous for its outcome but also for the various accounts of what happened. There is a Polish version there is a Lithuanian version and there's obviously a German version, actually 2 German versions. Though the one German version that blames the defeat on betrayal by Polish vassals is now debunked. With that exception I find it rarely matters who did what during the battle but what the outcome was and what happened afterwards.And afterwards the Grand Master Ulrich von Jungingen and all his major officers were dead as well as hundreds of Knights brothers and thousands of secular knights, crusaders, squires and mercenaries. What was also lying there prostrate on the battlefield was the notion of the invincibility off the Teutonic Order. As the Polish and Lithuanian troops pursued what remained of the order's forces, the Prussian cities and castles opened their gates to the winners. A complete victory? Well as it happened it would take another nearly 60 years before Poland would regain control of Pomerelia and its capital Gdansk. And even that wasn't the end of the Teutonic Knights. Despite the devastating defeat, the loss of its purpose, and the fundamentally changed political structure inside their state, the Teutonic order soldiered on, how they managed is what we will explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

The theocratic state of the Teutonic Knights had survived the devastating defeat at Tannenberg with most of its territory intact. But underneath the foundations of the edifice are crumbling. The economy is in tatters, the theological justification for their existence has disappeared and their power as a military force has failed to keep up with the changing times. The order needs a new business model for absence of a suitable term. How well or badly it did in this attempt is what we will be looking at in this episode.For the episode website with transcripts and links to maps, book recommendations etc. go here: Episode 136– 13 years of war • History of the Germans PodcastThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

This week we will talk about the end of the rule of the Teutonic Knights in Prussia. Instead of a land ruled by a chivalric order answering to the pope, Prussia became a secular state, ruled by a protestant prince and run by a newly created class of land-owners, the famous Prussian Junkers whose impact on German history stretched well into the 20th century. But the conversion of the last Grand Master and his submission to the Polish crown wasn't the end of the order. In fact the order still exists to this day, though on a fundamentally different form, which is another fascinating history we will explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

This episode is something I never thought I would do, it is a run through the history of the Holy Roman Empire from 919 AD to 1250, pretty much most of the periods I have covered so far. Why do it? If you're one of those who have listened religiously to all 137 episodes so far and feel completely up to date with what happened in the past, this will not contain much news. However it has been a year since we last talked about the emperors and you may like a refresher about the Ottonians, Salians and Hohenstaufen. Just to get your bearings. Or if you have only recently joined the HotGPod family – welcome. These next 40 minutes or so should give you a solid rundown of “The story so far”. And if you follow by reading the transcript on my website historyofthegermans.com, you can find links in the text that connect you to episodes that go deeper into the stories behind the short summaries you find here.Here is the link to the epsisode webpage: https://historyofthegermans.com/2024/02/29/hre-919-12150/The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

On October 1, 1273 seven princes elected a new king of the Romans. Their choice was a momentous one that set European history further down its path away from a universal empire to separate kingdoms and principalities. The pope had demanded that they come to a unanimous decision so that the empire could again participate in a crusade to stop the remains of the Kingdom of Jerusalem to be swept away for good. So why did they chose a modest count from what is now Northern Switzerland called rudolf von Habsburg and not any of the kings, dukes and princes who had been vying for the job and who could count on support from Naples, Rome, Prague and Paris is what we will look into in this episode, the first of our new season “from the Interregnum to the Golden Bull – the Holy Roman empire 1250-1273.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

This week we will look at what the poor count Rudolf of Habsburg does once he had been elected King of the Romans. This is not the first time the electors have chosen a man of much more modest means than themselves. William of Holland and Hermann von Salm had failed to leverage their elevated status into tangible gains. But Rudolf is different. Through a combination of charm, cunning and fecundity he managed to wrestle the duchies of Austria, Styria and Carinthia from its current owner, the immeasurably rich and profoundly vain king Ottokar II of Bohemia. A story of political acumen, personal bravery and dishonourable tactics on the Marchfeld.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

Martin Rady in his highly amusing and exceptionally well written book on the Habsburg said: “The remainder of Rudolf's reign up to his death in 1291 was a failure. He did not manage to have himself crowned emperor by the pope and had to make do with the title of king…it was a false dawn, both for the Holy Roman empire and for the Habsburgs” I most humbly disagree. The 13 years following the battle of Durnkrut are some of the most transformative for the Empire and the fledgling concept of German and Germany. This episode will try to make the case for Rudolf I, founder of the house of Habsburg and one of the most impactful medieval rulers of the empire.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

After the death of Rudolf von Habsburg the Prince Electors chose another, now truly impecunious count, Adolf von Nassau to be king. They chose him over Rudolf's son Albrecht and over the overwhelmingly most powerful prince in the empire, King Wenceslaus II of Bohemia. This cultured and competent man became known to German history as a Schattenkönig, a shadow of a king, unable to wiggle out of his ties to the overbearing Electors. Acting as mercenary in the pay of king Edward of England and failing to create his own Hausmacht in Thuringia, many history books skip over his six years on the throne.Nevertheless, the events of his election and deposition form another crossroads in the history of the German lands that set the Holy Roman empire further down the path to become neither Holy, nor Roman nor an Empire.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

The late 13th century was the sniper's alley for many a powerful family. The disappearance of great dynasties, the Arpads of Hungary, the Premyslids of Bohemia, the Zaehringer, Babenbergs, the counts of Holland to name just a few wasn't down to lack of fertility but down to violence. Murder became so common, even those who did not have swords sticking out of their chest were presumed poisoned. To save them, some were suspended from the ceiling to flush out harmful substances. Violence was not limited to temporal princes, even the pope was getting slapped down for declaring that every Christian ruler was subject to the Roman Pontiff. The fact that Albrecht I von Habsburg the new King of the Romans is murdered is therefore not the most interesting thing about him. What is astonishing is how far this man “with only one eye and a look that made you sick” got in his ambitions. Pressured from all sides, the Prince Electors, his own vassals in Austria, the Pope, the Bohemians, still he ploughed on, picking up principalities like others picking daisies. And a wrath of daisies is what did for him in the end…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians: The Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

On November 27th, 1308 the prince electors chose Henry VII, count of Luxemburg to be their new king of the Romans and future emperor. Little did they know that this decision will give rise to a dynasty that will rule the empire for as many decades as the Ottonian, the Salian and the Hohenstaufen had. A dynasty that featured such emblems of chivalric pride as the blind king John of Bohemia, builders of cities and empires like Charles IV and finally, in a faint mirror image of the height of medieval imperial power, an emperor who engineers the deposition of three popes and the appointment of a new one, whilst foreshadowing the wars of religion by murdering the reformer Jan Hus. Today's episode explores the backstory of the house of Luxemburg who have been around since Carolingian times. They were the “Where is Wally“ of the rich tapestry of High Medieval History, always somewhere in the picture, but never really in the foreground. Two women feature highly, the empress Kunigunde, wife of emperor Henry II and Ermesinde, who successful ruled the county for 47 years. But the real step up came when Henry VII, barely 30 years old and running a county much diminished after the disastrous battle of Worringen became the only viable candidate to kingship. How that happened is what we will talk about in this episode..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians: The Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

Henry, the new king of the Romans, just 30 years of age, tall and blond, every inch his forebearer the great Charlemagne had a one track mind. There was one thing he wanted and that was the imperial crown. It is now 60 years since there last had been a crowned emperor. We had such an interregnum before, in the 10th century between the death of emperor Berengar of Friuli, yes, me neither, and the coronation of Otto the Great in 962. This, even shorter gap, had resulted in the transfers of the imperial honour from the Carolingians to the rulers of the German Lands. It was high time to go to Rome and be crowned emperor. Otherwise more people will ask as John of Salisbury had: Who appointed the Germans to be judges over the peoples of the earth? Who gave these brutish, unruly people the arbitrary authority to elect a ruler over the heads of the people?But to get to Rome for a medieval imperial coronation requires more than just picking up a plane ticket. First our new Barbarossa needs to assert his position in the empire, gather followers for the journey and establish peace and justice. He needs to convince the pope to send an invitation and the king of France not to send an army to stop him. Most of all he needs to calm down the Empire sufficiently so that it does not fall into anarchy whilst he is away. And whilst he is busy making peace between the warring factions, convincing them that all he cares about is being semper Augustus, always augmenting the empire and reassuring everyone that he is not just enriching his family as his predecessors had done, that is when he walks away with the most valuable prize of them all, the kingdom of Bohemia.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians: The Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

Hello and welcome to, well an absence of an episode of the History of the Germans. This is just a short message to let you know that unfortunately there will not be an episode of the History of the Germans this week. It is all the fault of a guy called Rafael Miranda who runs the worlds best wine tasting at the Quinta de San Tiago over in Rede in the Douro valley in Portugal.No worries, normal service will resume next week.To explain what happened, let me briefly describe how the process to create a new episode for the History of the Germans works.Here are some of the Portuguese wineries I recommend:Quinta de S. TiagoThe great Rafael Miranda and his estate at S. Tiago in Rede 281, 5040-494 Mesão Frio, Portugal)

In the winter of 1310 the emperor elect Henry VII not yet 40 years of age and every inch a king appears in Italy. An Italy torn apart by incessant violence, between and within the cities. Allegedly it is a struggle between the pro-imperial Ghibellines and the pro-papal Guelphs, but 60 years after the last emperor had set foot on Italian soil and seven years after the pope has left for Avignon, these designations have become just names without meaning, monikers hiding the naked ambitions of the powerful families.The poet Dante Aligheri projects the hopes of many desperate exiles on Henry when he prays that “we, who for so long have passed our nights in the desert, shall behold the gladness for which we have longed, for Titan shall arise pacific, and justice, which had languished without sunshine at the end of the winter's solstice, shall grow green once more”.A lot to get done for our Luxemburg count and his army of 5,000 men. Certainty of death, small chance of success, what are we waiting for?Here is the link to Syrom‘s article: https://generativeai.pub/knowledge-graph-extraction-visualization-with-local-llm-from-unstructured-text-a-history-example-94c63b366fedThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

Henry VII had gained control of most of Northern Italy in less than three months. It will take him 9 months to lose it all again. How did he go from bringer of peace and justice and all out saviour of Italy to brutal conqueror and godless tyrant? Let's find out.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

The year is 1312 and Henry VII is finally embarking on his journey to Rome that will bring about the first imperial coronation in almost a century and hence the formal end to the Interregnum, the time without emperors. Becoming emperor is hard enough, but being emperor is even harder, as the first Luxemburger to ascend the throne of Charlemagne will find out. Hope for an end to the never ending civil wars in Italy lay buried under the rotting corpses before Brescia. Henry VII is no longer a unifying figure in Italy, just simply the leader of the Ghibelline faction. And as such he has to tackle the Guelphs led by the commune of Florence and king Robert of Naples. Doing that triggered a domino effect that not only left him dead but also reopened the ancient struggle between the pope and the emperor, now with a new “je ne sais quoi” mixed in. Sounds ominous – come along and find out..Here is the link to Dan and Spencer's excellent podcast I mentioned: Podcast | Not So Quiet On The Western Front! (battleguide.co.uk)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

This was supposed to be an episode where we talk about the challenges the Hanse was facing after the victory over the Danes and the Peace of Stralsund. But that is not to be. Listeners Mehmet and Nina pointed out a few gaps in what I had been talking about last week and now these need to be filled. It is all good talking about the trading network and the flow of goods across the Baltic and northern Germany. But what about the opposing flow, the flow of money? How do the Merchants get paid? How can they pay for all the goods they, or their agents, are buying way down in Flanders and England? How do they cope with the sometimes erratic monetary policies of late medieval rulers?After all, it is money that makes the world go round!The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansThis episode relied heavily on:Jahnke, Carsten: Die Hanse | Reclam VerlagJahnke, Carsten: Netzwerke in Handel und Kommunikation ander Wende vom 15. zum 16. Jahrhundert am Beispiel zweier Revaler Kaufleute. Netzwerke(hansischergeschichtsverein.de)Stuart Jenks: War die Hanse kreditfeindlich? on JSTORHistorical documents of Hanseatic League added to UNESCO archival heritage list | Tallinn

By the end of the 14th century the Hanse is at the top of its game. The Cologne Confederation had shown that they could act in unison if the need arises, can defeat the largest and best run kingdom in Scandinavia. And even the mighty duke of Burgundy had to yield to the power of the merchant cities.But just 10 years into the new century the association faces a mortal crisis. Not because of retaliation from the outside but due to internal tensions. Not everyone in the great trading cities is happy about the war efforts and the impressive infrastructure projects…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

In 1435 the Hanse can look back at a string of successes. Another war with Denmark won, the patrician regime in Lübeck and elsewhere restored, conflicts with Burgundy and England settled in their favour. But as Winston Churchill once remarked, “The problems of victory are more agreeable than those of defeat, but they are no less difficult.”And these problems are raising their ugly heads….The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

1474-1531 was a time of immense change and upheaval for the Hanseatic League, and not just for them. The Habsburg empire is bedded into being, England's war of the Roses is over, in the North the Polish-Lithuanian commonwealth stretches all the way from Kyiev to Gdansk. The kingdoms and princes are getting stronger. Columbus tries to sail to India and Vasco da Gama actually sails to India. Luther nails his 95 theses on the doors of the churches of Wittenberg. All is in flux, and so is the Hanse and Lübeck, its most important city.Well, is it still the most important city? What about Danzig/Gdansk and Hamburg who take advantage of shifting trade flows whilst Lübeck finds itself on the sidelines. Who do they blame? The Dutch and the Danes. Cometh the time, cometh the man – his name is Jürgen Wullenwever and he has all the solutions, or does he?..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

A few months after emperor Henry VII had died in the Tuscan village of Buonconvento and before a successor had been elected, a young man, Ludwig, second son of the duke of Upper Bavaria made his name defeating a much larger Habsburg force. This success could not have come at a more opportune time as it propelled him into contention for the title of King of the Romas and ultimately, emperor. His rule, constantly contested but lasting 33 years would become a major turning point in German, if not European history as it triggered the modern notion of the separation of church and state. I know that I cannot always maintain a completely unbiased position in this podcast, but I rarely succumb to my personal bugbears. But this time I will have to expose you to one of my biggest, and that is the weird romanticization of Ludwig II of Bavaria, the mentally ill recluse who built the three kitsch palaces of Neuschwanstein, Herrenchiemsee and Linderhof in the deluded hope of resurrecting an absolutist regime in a kingdom he had sold to Prussia. Don't get me wrong. The three palaces are worth visiting, if not for their somewhat morbid charm, but what irritates me is that this politically and artistically inconsequential monarch overshadows the more interesting, more complex and more consequential Bavarian rulers, chief amongst them his namesake, Ludwig IV the Bavarian. Let's see whether HotGPod cannot right this misconception…..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

The 14th century is a time of fundamental change in practically all areas of social, political and economic life. It is a time when the certainties of the Middle Ages are replaced by a process of trial and error, sometimes successful, but almost always violent. We see new frameworks of how society and in particular the religious authorities should operate, how political power should be distributed and how economic growth could be preserved at a time when the climatic benefits of the medieval warming period has come to an end. Ah, and then there was the Black Death.In this episode we will talk about the political dimension of this change. First how the conflict between the three dominating houses, the Habsburgs, the Wittelsbachs and the Luxemburg pans out, though whilst the mighty lords believe it is all about marriage alliances and knights dominating the battlefield, the ground on which their mighty warhorses are galloping is shifting….The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

This week we look at the central intellectual debate of the 14th century, did Jesus own property? If yes, then it was right and proper that the church owned land, privileges, entire counties and duchies, yes that the pope was not just the spiritual but also the secular ruler of all of Christianity. And if not, then the pope as a successor to the apostles should rescind all worldly possessions and all political power. The follow-on question from there was even more hair raising: if indeed power does not come from the grace of god as determined by the Holy church, then where does it come from. One thinker, Marsilius of Padua goes as far as stating the obvious, power comes from election by the people…This is what pope John XXII, Michael of Cesena, William of Ockham and the cast of Umberto Eco's the Name of the Rose discuss. But there was also a politician, Ludwig IV, elected emperor who took these ideas – and put them into actions….let's find out just how radical this ruler they call “the Bavarian” really was.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

“The twelve-year-old Margarete, Princess of Carinthia and Tyrol, was travelling from her seat near Meran to Innsbruck for her wedding with the ten-year old Prince Johann of Bohemia. [..]Still and serious she sat, in ceremonial pomp. Her bodice was so tight that she had had to be laced into it; her sleeves of heavy green satin, in the very extreme of fashion, fell to her feet ; she wore one of the new jeweled hair-nets which an express courier had had to bring from Flanders, where they had recently appeared. A heavy necklace sparkled on her bosom, and large rings on her fingers. So she sat, serious and perspiring, weighed down with magnificence, between the peevish, grumbling women. She looked older than her twelve years. Her thick-set body with its short limbs supported a massive misshapen head. The forehead, indeed, was clear and candid, the eyes quick and shrewd, penetrating and sagacious ; but below the small flat nose an ape-like mouth thrust forward its enormous jaws and pendulous underlip. Her copper colored hair was coarse, wiry and dull, her skin patchy and of a dull greyish pallor.”That is how the author Lion Feuchtwanger described Margarete, the countess of Tirol who is better known as Margarete Maultasch, the ugly duchess. This historic novel that became a huge bestseller in the 1920s describes how a bright and ambitious, but monstrously ugly woman is crushed by society's habit to judge the inside of a person by its appearance. I still have a copy of this book from the 1980s when I first read it, and on its cover is the same image I used for this episode's artwork. The picture was painted by Quentin Matsys in 1513 and according to the National Gallery's catalogue is called a Grotesque Old Woman. It is not a portrait of Margarete Maultasch who had died 150 years earlier. The identification of the sitter as Margarete Maultasch goes back the idea of a postcard seller in Meran in the 1920s. Matsys picture also made its way into the depiction of the Duchess in Alice in Wonderland. But it is all hokum. Chroniclers who knew Margarete personally, like Johann von Viktring either do not mention her appearance at all, or call her beautiful, if not extremely beautiful. So, as much as I love Lion Feuchtwanger's novel, which btw. is available in an English translation, its premise is simply false. The truth is much more interesting. Her actions to defend her inherited county of Tyrol were the changes that tilted the complex equilibrium between the Habsburgs, the Wittelsbachs and the House of Luxemburg out of kilter with unpredictable, violent results. So, let's find out why and how and what…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon:

“In the same way that Jerusalem is the navel of the world, is Nurnberg the navel of Germany” is how Matthäus Dresser described the city in 1581. The astronomer Johannes Regiomontanus moved to Nurnberg in 1471 because there" ...one can easily associate with learned men wherever they live. Because of the cosmopolitanism of its merchants, this place is regarded as the center of Europe”. How did this city grow within 200 years from an imperial castle far from the main transport links, without a harbour and on famously poor soil into one of the three most important urban centres in Germany whose merchants were well regarded in all corners of the world, whose printers published the works of Europe's leading intellectuals, whose artists were and remain of global renown and whose engineers produced breakthrough after breakthrough.Let's find outThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

The noble and gallant King of Bohemia, also known as John of Luxemburg because he was the son of the Emperor Henry of Luxemburg, was told by his people that the battle had begun. Although he was in full armour and equipped for combat, he could see nothing because he was blind. He asked his knights what the situation was and they described the rout of the Genoese and the confusion which followed King Philip's order to kill them. Ha,' replied the King of Bohemia. 'That is a signal for us.' […] 'My lords, you are my men, my friends and my companions-in-arms. Today I have a special request to make of you. Take me far enough forward for me to strike a blow with my sword.Because they cherished his honor and their own prowess, his knights consented. [..] In order to acquit themselves well and not lose the King in the press, they tied all their horses together by the bridles, set their king in front so that he might fulfil his wish, and rode towards the enemy.There also was Lord Charles of Bohemia, who bore the title and arms of King of Germany, and who brought his men in good order to the battlefield. But when he saw that things were going badly for his side, he turned and left. I do not know which way he went.Not so the good King his father, for he came so close to the enemy that he was able to use his sword several times and fought most bravely, as did the knights with him. They advanced so far forward that they all remained on the field, not one escaping alive. They were found the next day lying round their leader, with their horses still fastened together. "Anyone with even a passing interest in late medieval history will remember this scene from Froissart's description of the Battle of Crecy on August 26th, 1346. The Blind King of Bohemia, the epitome of chivalric culture riding into the midst of a battle striking at an enemy he cannot see, relying on his comrades to guide him. This deed made such an impression on the Edward, the Prince of Wales, known as the Black Prince that he honored his foe by adding the Bohemian ostrich feathers and the dead king's motto “Ich Dien”, to his own coat of arms. So to this day the Blind King's heraldic symbols and German motto features on Prince William's coat of arms, the Welsh Rugby Union Badge, some older 2p coins and various regiments in Britain, Australia, Canada and even Sri Lanka. But this death, call it heroic or foolish, was only the end of an astounding life. John Of Bohemia, very much against his own intentions, played a crucial role in the establishment of the key counterweight to French hegemony in Europe. No, not England, but a power centered on Prague, Vienna, Buda and Pest.Let's dive into this story…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon:

You have heard me complaining regularly over the last 154 episodes that what we report as political ambitions or strategic plans of the kings and emperors was pure conjecture derived from their actions and public statement. But we could never know what they were really thinking because none of them kept a diary, or if they did they did not survive to today. The subject of today's episode however did write an autobiography, which is believed to have been written by the emperor himself, at least in large parts. So, for the first time we hear an emperor telling his own story. Do you want to hear it? Well, here he describes what he called the most seminal moment of his youth:That night, as sleep overcame us, a vision appeared to us: an angel of the Lord stood beside us on our left side, where we lay, and struck us on the side, saying, "Rise and come with me."We responded in spirit, "Lord, I do not know where or how to go with you." And taking us by the hair of the front part of our head, he lifted us into the air over a great line of armed knights who were standing before a castle, ready for battle. Holding us in the air above the line, he said to us, "Look and see." And behold, another angel ascending from the sky, holding a fiery sword in his hand, struck one in the middle of the line and cut off his genital member with the same sword, and he, as if mortally wounded, agonized while sitting on his horse.Then the angel holding us by the hair said, "Do you recognize him who was struck by the angel and mortally wounded?" We said, "Lord, I do not know him, nor do I recognize the place." He said, "You should know that this is the Dauphin of Vienne, who, because of the sin of lust, has been struck by God in this way; therefore, beware and tell your father to beware of similar sins, or worse things will happen to you." [..]”There you go, the emperor Karl IV has divine visions. Not quite what you were expecting, but as it happened a good window into his way of thinking. But do not worry, Karl wasn't just an excessively devout collector of relics, he was at the same time an astute and often ruthless politician who gave the Holy Roman empire its constitution and placed his heirs on the throne for the next centuries. So let's talk about Karl's journey from his youth to becoming the King of the Romans.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who

The year is 1346 and we have, yes, another succession crisis. Without checking through my 1500 pages of transcripts, I have counted a total f 14 contested imperial elections in the 427 years we have covered so far. Henry the Fowler, Herny II, Henry IV, Henry V, Lothar III, Konrad III, Philip of Swabia, Otto IV, Frederick II, Konrad IV, Richard of Cornwall, Adolf of Nassau, Albrecht of Habsburg and Ludwig the Bavarians all had to contend with anti-kings or severe opposition to their ascension to the throne. I guess you are bored with these and so were the citizens of the empire. But here is the good news. From Karl IV's reign onwards these succession crises will become fewer and fewer. Why? One reason is of course the Golden Bull we will discuss in a few episodes time. But there is another one, which had to do with the way Karl IV overcome the opposition. He claimed it was divine providence, but modern historians point to a much more temporal force that tied the imperial title to the heirs of the house of Luxemburg… The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

In around 1320 near the lake Issy-Kul in Kyrgysistan the rats started dying. Shortly after the inhabitants became affected with terrible diseases. Some started coughing up blood and all who did, died within 3 days. Others developed swellings of the lymph nodes, particularly in the groins and armpits. Roughly half of them died within five days. A small number saw their feet and fingertips turn black. All of those died.Everyone who could still leave sought refuge in towns and villages that had not been affected. The disease travelled with them. By 1330 Chinese chroniclers recorded a plague affecting the Mongol hordes. In 1346 a Mongol army besieging the Genoese trading city of Caffa on Crimea succumbed to the disease. In their final push to cow the defenders they catapulted the diseased corpses of their comrades into the city. The siege lifted grain transports from Caffa to Italy resumed. The disease reached Messina in Sicily in 1347. In 1348 it had enveloped most of Italy. 1349 it crossed the alps, by 1350 people died in their thousands in Northern Germany and Scandinavia. It took until 1353 before this wave of the plague petered out, leaving between 20 and 60% of the population of Europe dead. The disease returned in 1361-1363, 1369-71, 1374-75, 1390 and 1400. After that intervals became longer but the plague never went away completely and still today a couple of 100 people die worldwide of Plague every year.Despite having lived through a pandemic only recently, we have all realised that the impact of such an event goes far beyond the gruesome statistics. It is much too recent an event to get a grasp of the impact COVID 19 had on the economy, political system and society in general, but clearly something has changed. Now imagine the plague, which in terms of death toll was between 10 and 30 times worse and crucially affected young and old equally. The fallout was exponentially greater not least because it came on the back ofseveral other calamities. It is these impacts we will mainly focus on in this episode. So let's dive in..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture Controversy

“Karl, by the grace of God, King of the Romans, ever august, and King of Bohemia [ ] We have turned over in careful contemplation, and have been diligently pondering howour hereditary kingdom of Bohemia may flourish in all its beauty, thrive in peace, and not fear the loss of its riches to its enemies, and how the general good and benefit of the said kingdom may prosper, how its' governance may grow from good to better, and how it could plant a new seed for the faith in god. To soundly provide for these things, neither sparing our labours nor expenses, we have decided to extend, expand, and newly delineate the city of Prague, recently elevated to metropolitan status at our insistence and request, situated in the midst of the kingdom and in a most fertile place, frequented by peoples from various regions and parts of the world, whose houses and buildings, inhabitants, and the multitude of people surrounding it, as well as the influx of people to it, which no one can count, especially because of the general study that we have decided to establish in the said city, cannot conveniently accommodate.”So begins the charter that founded one of the Middle Ages most ambitious infrastructure projects, the creation of Prague's New Town, the third city to be created near the ancient castles of the kings of Bohemia, making the combined city larger in surface area than Cologne, only surpassed by Constantinople and the eternal city. A new Rome was to rise on the shores of the Vitava River, a place adorned with churches and monasteries evoking the holiest places of Christianity and squares on such a monumental scale that reminds one more of the 19th century than the 14th. Prague still today attracts “people to it which no one can count”This is what we will talk about today. Not just what he built, but why and how….The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early Hohenstaufen