Podcasts about sabine fr

Für eine klimaneutrale Zukunft sind Luft- und Grundwasserwärmepumpen auf dem Vormarsch. Neue Wärmequellen sind Seen, Flüsse und das Abwasser. Aber dafür braucht es Pioniergeist. Von Berit Breitsamer und Sabine Frühbuss

e127 »Die erste Staffel 2020. Der Rückblick, dritter Teil.« Dieter Leistner, Boris Eldagsen, Florian Jaenicke, Dr. Rupert Pfab, Nora Klein und Sabine Fröhlich, Kerstin Hacker, Matthias Weich, Daniel Kempf-Seifried. In diesem dritten Teil des Rückblicks der ersten Staffel 2020 rekapituliert Andy Scholz. Die erste Staffel mitten in der COVID19-Pandemie hat für ihn und das FESTIVAL FOTOGRAFISCHER BILDER Geschichte geschrieben. Aus Episode 018 bis 024 präsentiert Andy Scholz Gedanken und Kommentare rund um das fotografische Bild, die bis heute immer wieder im Podcast, beim INTERNATIONALEN FESTIVAL FOTOGRAFISCHER BILDER und seit 2023 auch im Zusammenhang mit dem Deutschen Fotobuchpreis diskutiert werden. In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2023. Andy Scholz wurde 1971 in Varel am Jadebusen geboren. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom INTERNATIONALEN FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtete er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum, seit 2022 auch an der Pädagogischen Hochschule Ludwigsburg. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ https://www.instagram.com/festivalfotografischerbilder/ Https://deutscherfotobuchpreis.de/ http://andyscholz.com/ https://www.instagram.com/scholzandy/

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara.

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck's own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.” The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films. As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations' archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “'Japan' is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.” Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Im Mai 1931 vernimmt der Rechtsanwalt Hans Litten Adolf Hitler vor Gericht - und bringt ihn zur Weißglut. Litten hat es später zu büßen. In der Nacht des Reichstagsbrandes wird er verhaftet. Im KZ Dachau nimmt er sich im Februar 1938 das Leben. Rezension von Stefan Berkholz. Wallstein Verlag, 384 Seiten, 26 Euro ISBN 978-3-8353-5159-2

Episode Notes Olga Dror is interviewed by Sabine Frühstück about Olga's monograph, Making Two Vietnams: War and Youth Identities, 1965-1975. Support Society for the History of Children and Youth Podcast by contributing to their Tip Jar: https://tips.pinecast.com/jar/shcy Find out more at https://shcy.pinecast.co This podcast is powered by Pinecast.

Show Notes This week, we review and analyze Mobile Suit Gundam ZZ (機動戦士ガンダムΖΖ) episode 24 - “Sibling Love Blooms in the Southern Seas” (南海に咲く兄妹愛), discuss our first impressions, and provide commentary and research on the history of childhood in Japan, and how children and childhood are characterized in the Gundam universe so-far. - Articles: Copeland, Rebecca. “Fashioning the Feminine: Images of the Modern Girl Student in Meiji Japan.” U.S.-Japan Women's Journal, no. 30/31, 2006, pp. 13–35. JSTOR, www.jstor.org/stable/42771942. Accessed 26 Jan. 2021. Endō, Mika. “Repurposing Poetry: The Emergence of Working-Class Children's Expression in Interwar Japan.” Japanese Language and Literature, vol. 50, no. 1, 2016, pp. 25–52., www.jstor.org/stable/24891978. Accessed 20 Jan. 2021. Ghanbarpour, Christina. “Home Education in Rural Japan: Continuity and Change from Late Edo to the Early Postwar.” U.S.-Japan Women's Journal, no. 41, 2011, pp. 25–51. JSTOR, www.jstor.org/stable/42772313. Accessed 27 Jan. 2021. Sofue, Takao. “Childhood Ceremonies in Japan: Regional and Local Variations.” Ethnology, vol. 4, no. 2, 1965, pp. 148–164. JSTOR, www.jstor.org/stable/3772726. Accessed 26 Jan. 2021. Uno, Kathleen. “Civil Society, State, and Institutions for Young Children in Modern Japan: The Initial Years.” History of Education Quarterly, vol. 49, no. 2, 2009, pp. 170–181. JSTOR, www.jstor.org/stable/40648076. Accessed 20 Jan. 2021. - Chapters from "Child's Play: Multi-Sensory Histories of Children and Childhood in Japan" (which is available for free through Jstor, and as a free kindle download, and was an enjoyable read - I recommend it!): Frühstück, Sabine. “‘. . . And My Heart Screams’: Children and the War of Emotions.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 181–202. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.14. Accessed 26 Jan. 2021. Moore, Aaron William. “Reversing the Gaze: The Construction of ‘Adulthood’ in the Wartime Diaries of Japanese Children and Youth.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 141–159. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.12. Accessed 26 Jan. 2021. Piel, L. Halliday. “Outdoor Play in Wartime Japan.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 160–180. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.13. Accessed 27 Jan. 2021. Porath, Or. “Nasty Boys or Obedient Children?: Childhood and Relative Autonomy in Medieval Japanese Monasteries.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 17–40. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.6. Accessed 27 Jan. 2021. Roberts, Luke S. “Growing Up Manly: Male Samurai Childhood in Late Edo-Era Tosa.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 41–59. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.7. Accessed 26 Jan. 2021. Walthall, Anne. “For the Love of Children: Practice, Affect, and Subjectivities in Hirata Atsutane’s Household.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Anne Walthall and Sabine Frühstück, 1st ed., University of California Press, Oakland, California, 2017, pp. 60–80. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.8. Accessed 27 Jan. 2021. Yuki, Jinno. “Consumer Consumption for Children: Conceptions of Childhood in the Work of Taisho-Period Designers.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, by Emily B. Simpson, 1st ed., University of California Press, Oakland, California, 2017, pp. 83–101. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.9. Accessed 27 Jan. 2021. - Wikipedia articles for shichi-go-san (7-5-3), genpuku, and teeth blackening. - Wikipedia article on education in Japan in the post-war period, and the "Kyoiku Mama" or "Education Mama." - Background information about "Hagakure," and reference for the translation I quote: Yamamoto, Tsunetomo. Hagakure: The Book of the Samurai. Translated by William Scott Wilson, Kodansha International, 2002. - Reference for the episode of "Dark" that I quote toward the end of the research piece: Friese, Jantje, and Ronny Schalk. “Dark.” Season 2, episode 5, Netflix, 21 June 2019. - Library of Congress reference for Japan's current age of majority, legal voting age, and legal smoking and drinking age. - Paper on Japan's post-war labor force (includes some limited data on labor-force participation of 15-18 year olds). - Overview of Japanese labor law from the International Labour Organization, which includes a section on child labor limitations/restrictions. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. 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Nora Klein und Sabine Fröhlich. Vortragsreihe: »Mal gut, mehr schlecht.« Nora Klein wurde 1984 in Rostock geboren. Sie fasziniert das Unaussprechliche sichtbar zu machen. So entstand ihr Projekt »Mal gut, mehr schlecht.« Eine Vielzahl an Menschen überall auf der Welt leiden an Depressionen. Nora Kleins Neugier dem Unbekannten gegenüber, motivierte sie zur Auseinandersetzung mit dem Phänomen. Seit 2013 setzt sie sich mit der Depression auseinander und fungiert als Projektinitiatorin und -leiterin. Sie lebt und arbeitet in Erfurt. Sabine Fröhlich litt viele Jahre an einer episodenhaft auftretenden Depression bevor 2013 ihre Zusammenarbeit mit Nora klein begann. Zuerst als Teilnehmende am Buchprojekt und bis heute als Projektpartnerin bei der Vortragsreihe. Mit Offenheit und Authentizität lässt sie andere Menschen an ihrem persönlichen Weg durch die Depression und die Veränderungen, die in ihrem Leben notwendig waren, teilhaben. Sie lebt und arbeitet vor den Toren Kölns als psychosoziale Beraterin und Referentin für seelische Gesundheit. Sie ist verheiratet und hat zwei erwachsene Töchter. Der Vortrag »Mal gut, mehr schlecht.« wird im Rahmenprogramm vom FESTIVAL FOTOGRAFISCHER BILDER am 25. Oktober 2020 präsentiert. Die Vortragsreihe wird von der Deutschen DepressionsLiga e.V. und der BARMER Selbsthilfeförderung unterstützt. Die Fotografin Nora Klein hat eine Ausdrucksform gefunden, die jenseits der Worte vermittelt, wie depressive Menschen die Krankheit erleben. Eineinhalb Jahre stand sie im vertrauensvollen Austausch mit Betroffenen. https://festival-fotografischer-bilder.de/portfolio/nora-klein-referent/ https://noraklein.de/ Weitere Informationen zur deutschlandweiten Vortragsreihe und Termine unter: https://malgutmehrschlecht.de/vortrag/ https://www.depressionsliga.de/ - - - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Nora Klein Idee, Produktion, Redaktion und Moderation: Andy Scholz http://fotografieneudenken.de/ Save the Date: 22. Oktober bis 15. November 2020 FESTIVAL FOTOGRAFISCHER BILDER Regensburg Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020. Das FESTIVAL FOTOGRAFISCHER BILDER ist eine Kooperation mit dem Kulturamt der Stadt Regensburg. Der Initiator des Podcasts ist Andy Scholz, Jahrgang 1971, geboren in Varel am Jadebusen und aufgewachsen in Wilhelmshaven. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Fotografie in Essen an der Folkwang Universität der Künste (ehemals Gesamthochschule Duisburg-Essen) u.a. bei Jörg Sasse und Bernhard Prinz. Andy Scholz ist freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 hatte er verschiedene Lehraufträge u.a. Universität Regensburg, Fachhochschule Würzburg, Philipps-Universität Marburg, Ruhr Universität Bochum. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ http://andyscholz.com/

Claude Michel-Lesne, spécialiste du théâtre musical japonais, fait la lumière sur un projet scénique unique au Japon et dans le monde. Site de la compagnie Takarazuka :https://kageki.hankyu.co.jp/english/index.htmlCrédits musicaux : © Takarazuka Kagekidan, usage loyal dans un but non lucratif d'éducation et de recherche.Classic Medley (A), adaptation des Danses polovtsiennes d'Aleksander Borodin, extrait du spectacle Wonderland, 2005, Snow Troupe.I Love Revue, extrait du spectacle The Revue '99, 1999, Aika Mire & Flower Troupe.Nazotoki no gêmu, extrait du spectacle The Scarlet Pimpernel, 2008, Yuzuki Reon & Toono Asuka (Star Troupe).Futatsu no ai, reprise de la chanson d'Henri Varna et Vincent Scotto. Extrait du spectacle Chanson d'amour, 1931, Miura Tokiko & Snow Troupe.Fantomu no fûga, extrait du spectacle Phantom, 2011, Flower Troupe.Victory, chanson-titre du spectacle Trafalgar, 2010, Ôzora Yûhi & Cosmos Troupe.Kurotokage no rakuen, extrait musical du spectacle Kurotokage : Akechi Kogorô no Jikenbô, 2007, Flower Troupe.As Time Goes By, extrait du spectacle Casablanca, 2009, Ôzora Yûhi & Cosmos Troupe.Tamashii no rufuran, reprise d'une chanson du film d'animation Evangelion : Death & Rebirth, extrait du spectacle Misty Station, 2012, Kiriya Hiromu & Moon Troupe.Give you up, reprise de la chanson de Rick Astley, extrait du dinner-show Starlight Fantasy, 1989, Suzukaze Mayo & Moon Troupe.Pour aller plus loin : Roland Domenig, “Takarazuka and Kobayashi Ichizō's idea of Kokumingeki”, in Sepp Linhart et Sabine Frühstück (dir.), The Culture of Japan as seen through its leisure, pp. 267-284, State University of New York Press, 1998. Claude Michel-Lesne, « La question de la mixité dans le théâtre Takarazuka : jeux d'ombre et de lumière », in Cipango : Cahiers d'études japonaises, n° 20, pp. 165-230, 2013. En ligne : http://journals.openedition.org/cipango/1944.Karen Nakamura et Hisako Matsuo, “Female masculinity and fantasy spaces: Transcending genders in the Takarazuka Theatre and Japanese popular culture”, in James E. Roberson et Nobue Suzuki (dir.), Men and Masculinities in Contemporary Japan – Dislocating the Salaryman Doxa, pp. 59-76, New York, Routledge, 2002.Jennifer Robertson, Takarazuka: Sexual Politics and Popular Culture in Modern Japan, Berkeley, University of California Press, 1998. 278 p. Leonie R. Stickland, Gender Gymnastics: Performing and Consuming Japan's Takarazuka Revue, Trans Pacific Press, 2008. 281 p.

In Playing War: Children and the Paradoxes of Modern Militarism in Japan (University of California Press, 2017), Sabine Frühstück shows how children and childhood have been used in twentieth century Japan as technologies to moralize war, and later, in the twenty-first century, to sentimentalize peace. Through examining Japanese children’s war games both in the field and on paper, Fruhstuck explores in the first half of the book how “children’s little wars” are connected and interacted with the “grand game” of the Imperial Army and Japan’s wars in Asia. In the second half of the book, Fruhstuck investigates various modes of “queering war”, as well as directing our attention to a move from the infantilization of war to the infantilization of peace in twenty-first century Japan. As one of the few books that looks into the role of affect in modern Japanese militarism, Playing War exposes the “emotional capital” that has been attributed to children and the “use value” of their vulnerability and innocence in both times of war and in times of peace. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. She mainly researches on Buddhism in twentieth-century Inner Mongolia and Manchuria. Her research interests also include the role Buddhism plays in modernity, colonialism, and transnational/transregional networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Playing War: Children and the Paradoxes of Modern Militarism in Japan (University of California Press, 2017), Sabine Frühstück shows how children and childhood have been used in twentieth century Japan as technologies to moralize war, and later, in the twenty-first century, to sentimentalize peace. Through examining Japanese children’s war games both in the field and on paper, Fruhstuck explores in the first half of the book how “children’s little wars” are connected and interacted with the “grand game” of the Imperial Army and Japan’s wars in Asia. In the second half of the book, Fruhstuck investigates various modes of “queering war”, as well as directing our attention to a move from the infantilization of war to the infantilization of peace in twenty-first century Japan. As one of the few books that looks into the role of affect in modern Japanese militarism, Playing War exposes the “emotional capital” that has been attributed to children and the “use value” of their vulnerability and innocence in both times of war and in times of peace. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. She mainly researches on Buddhism in twentieth-century Inner Mongolia and Manchuria. Her research interests also include the role Buddhism plays in modernity, colonialism, and transnational/transregional networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Playing War: Children and the Paradoxes of Modern Militarism in Japan (University of California Press, 2017), Sabine Frühstück shows how children and childhood have been used in twentieth century Japan as technologies to moralize war, and later, in the twenty-first century, to sentimentalize peace. Through examining Japanese children’s war... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In Playing War: Children and the Paradoxes of Modern Militarism in Japan (University of California Press, 2017), Sabine Frühstück shows how children and childhood have been used in twentieth century Japan as technologies to moralize war, and later, in the twenty-first century, to sentimentalize peace. Through examining Japanese children’s war games both in the field and on paper, Fruhstuck explores in the first half of the book how “children’s little wars” are connected and interacted with the “grand game” of the Imperial Army and Japan’s wars in Asia. In the second half of the book, Fruhstuck investigates various modes of “queering war”, as well as directing our attention to a move from the infantilization of war to the infantilization of peace in twenty-first century Japan. As one of the few books that looks into the role of affect in modern Japanese militarism, Playing War exposes the “emotional capital” that has been attributed to children and the “use value” of their vulnerability and innocence in both times of war and in times of peace. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. She mainly researches on Buddhism in twentieth-century Inner Mongolia and Manchuria. Her research interests also include the role Buddhism plays in modernity, colonialism, and transnational/transregional networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Playing War: Children and the Paradoxes of Modern Militarism in Japan (University of California Press, 2017), Sabine Frühstück shows how children and childhood have been used in twentieth century Japan as technologies to moralize war, and later, in the twenty-first century, to sentimentalize peace. Through examining Japanese children’s war games both in the field and on paper, Fruhstuck explores in the first half of the book how “children’s little wars” are connected and interacted with the “grand game” of the Imperial Army and Japan’s wars in Asia. In the second half of the book, Fruhstuck investigates various modes of “queering war”, as well as directing our attention to a move from the infantilization of war to the infantilization of peace in twenty-first century Japan. As one of the few books that looks into the role of affect in modern Japanese militarism, Playing War exposes the “emotional capital” that has been attributed to children and the “use value” of their vulnerability and innocence in both times of war and in times of peace. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. She mainly researches on Buddhism in twentieth-century Inner Mongolia and Manchuria. Her research interests also include the role Buddhism plays in modernity, colonialism, and transnational/transregional networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

[Adatta a un pubblico adulto]Una puntata dall'altissimo spessore storico e culturale! Lo avreste mai detto?!Per scoprire le origini dello yaoi, ci tufferemo nel medioevo giapponese: è proprio nella sua letteratura, nei suoi monasteri e nei suoi teatri che sono state gettate le basi di tutto ciò di cui parliamo oggi!Ringraziamo quindi monaci buddhisti, attori di teatro kabuki e samurai, e scopriamo insieme… A Hole New World!BIBLIOGRAFIA E APPROFONDIMENTIArticoli e pubblicazioni accademiche:Childs, Margaret H. “Chigo Monogatari. Love Stories or Buddhist Sermons?” Monumenta Nipponica, vol. 35, no. 2, 1980, pp. 127- 151. JSTOR, JSTOR, www.jstor.org/stable/2384336.“Nasty Boys or Obedient Children?: Childhood and Relative Autonomy in Medieval Japanese Monasteries.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 17–40. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.6.Schmidt-Hori, Sachi. “The New Lady-in-Waiting Is a Chigo: Sexual Fluidity and Dual Transvestism in a Medieval Buddhist Acolyte Tale.” Japanese Language and Literature, vol. 43, no. 2, 2009, pp. 383–423. JSTOR, JSTOR, www.jstor.org/stable/20720572.Atkins, Paul S. “Chigo in the Medieval Japanese Imagination.” The Journal of Asian Studies, vol. 67, no. 3, 2008, pp. 947–970. JSTOR, JSTOR, www.jstor.org/stable/20203430.Che cos'è il Buddhismo, di Donald S. Lopez Jr., Ubaldini editore1000 years of pretty boys, di JRBrown - http://www.hoodedutilitarian.com/2010/08/1000-years-of-pretty-boys/Buddhism, Sexuality, and Gender, a cura di Jos Ignacio Cabezhttps://books.google.it/books?id=IyI_SSNXaVsC&pg=PA216&lpg=PA216&dq=%22Kobo+Daishi+Book%22&source=bl&ots=nanHP2UlBv&sig=dPPVWL0HV0guIQMmLPoFAVaBsDE&hl=it&sa=X&ved=2ahUKEwiQsILkk5DfAhVQDOwKHXuyBVgQ6AEwAXoECAQQAQ#v=onepage&q=%22Kobo%20Daishi%20Book%22&f=falseLetteratura:Ihara Saikaku, Il grande specchio dell'Omosessualità Maschile, Frassinelli editore, 1997Mori Ogai, Vita Sexualis, Feltrinelli Editore, 2001Arte:Chigo no Soshi (il libro dei Chigo), Archivio del British Museumhttps://www.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspx?partid=1&assetid=1359319001&objectid=3505566Aki no yo nagamonogatari (La lunga storia di una notte d'autunno), Archivio del MET Museumhttps://www.metmuseum.org/toah/works-of-art/2002.459.1/Attore Kabuki nell'atto di avere un rapporto sessuale on un cliente, Archivio del British Museumhttps://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=778806&partId=1

[Adatta a un pubblico adulto] Una puntata dall’altissimo spessore storico e culturale! Lo avreste mai detto?! Per scoprire le origini dello yaoi, ci tufferemo nel medioevo giapponese: è proprio nella sua letteratura, nei suoi monasteri e nei suoi teatri che sono state gettate le basi di tutto ciò di cui parliamo oggi! Ringraziamo quindi monaci buddhisti, attori di teatro kabuki e samurai, e scopriamo insieme… A Hole New World! BIBLIOGRAFIA E APPROFONDIMENTI Articoli e pubblicazioni accademiche: Childs, Margaret H. “Chigo Monogatari. Love Stories or Buddhist Sermons?” Monumenta Nipponica, vol. 35, no. 2, 1980, pp. 127- 151. JSTOR, JSTOR, www.jstor.org/stable/2384336. “Nasty Boys or Obedient Children?: Childhood and Relative Autonomy in Medieval Japanese Monasteries.” Child's Play: Multi-Sensory Histories of Children and Childhood in Japan, edited by Sabine Frühstück and Anne Walthall, 1st ed., University of California Press, Oakland, California, 2017, pp. 17–40. JSTOR, www.jstor.org/stable/10.1525/j.ctt1w8h25q.6. Schmidt-Hori, Sachi. “The New Lady-in-Waiting Is a Chigo: Sexual Fluidity and Dual Transvestism in a Medieval Buddhist Acolyte Tale.” Japanese Language and Literature, vol. 43, no. 2, 2009, pp. 383–423. JSTOR, JSTOR, www.jstor.org/stable/20720572. Atkins, Paul S. “Chigo in the Medieval Japanese Imagination.” The Journal of Asian Studies, vol. 67, no. 3, 2008, pp. 947–970. JSTOR, JSTOR, www.jstor.org/stable/20203430. Che cos'è il Buddhismo, di Donald S. Lopez Jr., Ubaldini editore 1000 years of pretty boys, di JRBrown - http://www.hoodedutilitarian.com/2010/08/1000-years-of-pretty-boys/ Buddhism, Sexuality, and Gender, a cura di Jos Ignacio Cabez https://books.google.it/books?id=IyI_SSNXaVsC&pg=PA216&lpg=PA216&dq=%22Kobo+Daishi+Book%22&source=bl&ots=nanHP2UlBv&sig=dPPVWL0HV0guIQMmLPoFAVaBsDE&hl=it&sa=X&ved=2ahUKEwiQsILkk5DfAhVQDOwKHXuyBVgQ6AEwAXoECAQQAQ#v=onepage&q=%22Kobo%20Daishi%20Book%22&f=false Letteratura: Ihara Saikaku, Il grande specchio dell’Omosessualità Maschile, Frassinelli editore, 1997 Mori Ogai, Vita Sexualis, Feltrinelli Editore, 2001 Arte: Chigo no Soshi (il libro dei Chigo), Archivio del British Museum https://www.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspx?partid=1&assetid=1359319001&objectid=3505566 Aki no yo nagamonogatari (La lunga storia di una notte d’autunno), Archivio del MET Museum https://www.metmuseum.org/toah/works-of-art/2002.459.1/ Attore Kabuki nell’atto di avere un rapporto sessuale on un cliente, Archivio del British Museum https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=778806&partId=1

In this episode, Dr. Barbara Molony (Santa Clara), Dr. Sabine Frühstück (UCSB), and Dr. Hillary Maxson (Oregon) trace how gender norms and the position of women and children changed during the Meiji, Taishō, and Shōwa Periods.  We deconstruct notions of masculinity, femininity, and childhood, map the unevenness of the "Good Wife Wise Mother" ideology, and debate postwar disruptions of prewar and wartime norms.

In this workshop, Dr. Barbara Molony (Santa Clara), Dr. Sabine Frühstück (UCSB), Dr. Sharalyn Orbaugh (UBC), and Dr. Hillary Maxson (Oregon) present their recent research and discuss the transwar positionality of women and children, resisting the tendency to see 1945 as a breakpoint and to instead analyze longer-term developments in years of both war and peace. This workshop was held on March 9, 2018 as part of the Meiji at 150 Workshop Series, hosted by the Centre for Japanese Research, the Department of History, and the Department of Asian Studies, with the support of the UBC Faculty of Arts.

Today we talk about war and children in Japan. My guest is Sabine Frühstück, a Professor of Modern Japanese Cultural Studies at the University of California, Santa Barbara, where she also directs the East Asia Center. She has published a new book called Playing War: Children and the Paradoxes of Modern Militarism in Japan. It is a cultural history of the naturalized connections between childhood and militarism. In the book, Sabine analyzes the rules and regularities of war play, from the hills and along the rivers of 19th century rural Japan to the killing fields of 21st century cyberspace. It is a timely book that addresses the red-hot debates in Japan over its imperial past, its imposed pacifism, and its creeping militarization today. www.freshedpodcast.com

ein Film von Gülin Özdel, Sabine Fröwis und Sabrina Grabher / Video Grundlagen Wintersemester 2010 InterMedia Bachelor / FH Vorarlberg

ein Film von Gülin Özdel, Sabine Fröwis und Sabrina Grabher / Video Grundlagen Wintersemester 2010 InterMedia Bachelor / FH Vorarlberg