Podcasts about sound arts

Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor? In today's episode, we get to find out what such an innovative scholarly audiobook would sound like–because our guest has created the first one! Jacob Smith‘s ESC (University of Michigan Press) is a fascinating sonic exploration of postwar radio drama and contemporary sound art, as well as a meditation on how humans have reshaped the ecological fate of the planet. Before we listen to an excerpt of ESC, Mack interviews Jake about how his skills as a former musician came in handy for his work as an audio academic. You can listen to ESC: Sonic Adventure in the Anthropocene in its entirety for free courtesy of the University of Michigan Press. You can also watch Jake's 90s band The Mysteries of Life perform in the “bad music video” Jake mentions or on Conan O'Brien. Jacob Smith is founder and director of the Master of Arts in Sound Arts and Industries, and professor in the Department of Radio/Television/Film at Northwestern University. He is the author of three print-based books on sound: Vocal Tracks: Performance and Sound Media (University of California Press 2008); Spoken Word: Postwar American Phonograph Cultures(University of California Press 2011); and Eco-Sonic Media (University of California Press, 2015). He writes and teaches about the cultural history of media, with a focus on sound and performance. Today's show was edited by Craig Eley and featured music by Blue Dot Sessions. Our intern is Gina Moravec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor? In today's episode, we get to find out what such an innovative scholarly audiobook would sound like–because our guest has created the first one! Jacob Smith‘s ESC (University of Michigan Press) is a fascinating sonic exploration of postwar radio drama and contemporary sound art, as well as a meditation on how humans have reshaped the ecological fate of the planet. Before we listen to an excerpt of ESC, Mack interviews Jake about how his skills as a former musician came in handy for his work as an audio academic. You can listen to ESC: Sonic Adventure in the Anthropocene in its entirety for free courtesy of the University of Michigan Press. You can also watch Jake's 90s band The Mysteries of Life perform in the “bad music video” Jake mentions or on Conan O'Brien. Jacob Smith is founder and director of the Master of Arts in Sound Arts and Industries, and professor in the Department of Radio/Television/Film at Northwestern University. He is the author of three print-based books on sound: Vocal Tracks: Performance and Sound Media (University of California Press 2008); Spoken Word: Postwar American Phonograph Cultures(University of California Press 2011); and Eco-Sonic Media (University of California Press, 2015). He writes and teaches about the cultural history of media, with a focus on sound and performance. Today's show was edited by Craig Eley and featured music by Blue Dot Sessions. Our intern is Gina Moravec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor? In today's episode, we get to find out what such an innovative scholarly audiobook would sound like–because our guest has created the first one! Jacob Smith‘s ESC (University of Michigan Press) is a fascinating sonic exploration of postwar radio drama and contemporary sound art, as well as a meditation on how humans have reshaped the ecological fate of the planet. Before we listen to an excerpt of ESC, Mack interviews Jake about how his skills as a former musician came in handy for his work as an audio academic. You can listen to ESC: Sonic Adventure in the Anthropocene in its entirety for free courtesy of the University of Michigan Press. You can also watch Jake's 90s band The Mysteries of Life perform in the “bad music video” Jake mentions or on Conan O'Brien. Jacob Smith is founder and director of the Master of Arts in Sound Arts and Industries, and professor in the Department of Radio/Television/Film at Northwestern University. He is the author of three print-based books on sound: Vocal Tracks: Performance and Sound Media (University of California Press 2008); Spoken Word: Postwar American Phonograph Cultures(University of California Press 2011); and Eco-Sonic Media (University of California Press, 2015). He writes and teaches about the cultural history of media, with a focus on sound and performance. Today's show was edited by Craig Eley and featured music by Blue Dot Sessions. Our intern is Gina Moravec. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor? In today's episode, we get to find out what such an innovative scholarly audiobook would sound like–because our guest has created the first one! Jacob Smith‘s ESC (University of Michigan Press) is a fascinating sonic exploration of postwar radio drama and contemporary sound art, as well as a meditation on how humans have reshaped the ecological fate of the planet. Before we listen to an excerpt of ESC, Mack interviews Jake about how his skills as a former musician came in handy for his work as an audio academic. You can listen to ESC: Sonic Adventure in the Anthropocene in its entirety for free courtesy of the University of Michigan Press. You can also watch Jake's 90s band The Mysteries of Life perform in the “bad music video” Jake mentions or on Conan O'Brien. Jacob Smith is founder and director of the Master of Arts in Sound Arts and Industries, and professor in the Department of Radio/Television/Film at Northwestern University. He is the author of three print-based books on sound: Vocal Tracks: Performance and Sound Media (University of California Press 2008); Spoken Word: Postwar American Phonograph Cultures(University of California Press 2011); and Eco-Sonic Media (University of California Press, 2015). He writes and teaches about the cultural history of media, with a focus on sound and performance. Today's show was edited by Craig Eley and featured music by Blue Dot Sessions. Our intern is Gina Moravec. Learn more about your ad choices. Visit megaphone.fm/adchoices

Avantgardistische Elektronika und frickelige Klangexperimente. ## NOKO 106 - Applied Sound Arts Last year Editions Mego's Peter Rehberg starts, in cooperation with Christian Zanési and François Bonnet, the revivalism of the impressive GRM archive. now Recollection GRM offers as sublabel the opportunity to get a selection of merits for witness pressed in vinyl. ongoing with Pierre Schaeffer, initiator of the Groupe de Recherches Musicales, the republishing launched in 2012. first with works of Guy Reibel, Bernard Parmegiani, Luc Ferrari, Ivo Malec and Traces One, a compilation. in march 2013, Traces Two follows plus a further member - Iannis Xenakis and his GRM Works 1957-1962. In this mind, we pursue early electro-acoustic sounds and their pioneers even perceived as musique concrète. That's the point of origin, other composers of the unlasting widen in decades past will know too well how to conduct electric current - a concert of sounds. Applied Sound Arts - a night of applied arts and adventurous music presented by Fervent Dots Audio in cooperation with contentual historic emphases by Freundeskreis Grassi Museum. acousticians are Kanding Ray (Raster-Noton), Ben Lucas Boysen aka Hecq (Hymen), Architect (Hymen) and Signalstörung aka Fervent Dots (GNM). ASA 2013 - 22 february at Grassi Museum für angewandte Kunst in leipzig, germany. 1. Robert Normandeau | Bédé | Cat116Cd (1990) 2. François Bayle | Petite Polyphonie | Mgcb0392 (1973) 3. Pierre Bastien Ft. The Insects Orchestra | Entomology | Wormrec4278 (2012) 4. Bernard Parmegiani | Dedans-Dehors (Excerpt) | Regrm003 (1977) 5. Luc Ferrari | Presque Rien Avec Filles | Regrm005 (1989) 6. Bernard Parmegiani | Matières Induites | Am714.01 (1975) 7. Vladimir Ussachevsky | Wireless Fantasy | Cd813 (1960) 8. Francis Régnier | Chemins D'avant La Mort | Regrm004 (1968) 9. Ilios | The Continuum Of Emanation From The One | Sr290 (2009) 10. Eleh | Rotational Change For Windmill | To:80 (2010) 11. Tod Dockstader | Part One | St-201 (1963) 12. Tom Dissevelt | Gamelan | Phs600-189 (1963) 13. Ø + Noto | Melodie | Cdr039 (1998-2000) 14. Bernard Parmegiani | Points Contre Champs | Am714.01 (1975) 15. Danny De Graan | O Super Mom (Laurie Anderson Remixed) | Stcd162, Erscd006 (2003) 16. Ivo Malec | Triola 3: Nuda | Regrm006 (1978) 17. Autechre & The Hafler Trio | Æo³ (Excerpt) | Ds82 (2005) 18. François Bayle | Polyrythmie | Mgcb0392 (1973) 19. Jean-François Pauvros | Les Oiseaux N'aiment Pas Le Bleu | Kkkp1 (2004) 20. Helm | Arcane Matters | Pan27 (2012) 21. Luc Ferrari | Presque Rien N°2, Ainsi Continue La Nuit Dans Ma Tête Multiple (Excerpt) | Regrm005 (1977) # Nokogiribiki Weird broadcast radio since 2005. Eine Sendeübernahme von Radio Blau aus Leipzig. * https://nokogiribiki.tumblr.com/

If you've ever felt stumped as to what to do with all those field recordings you've been making… Or like experimental music sometimes lacks a human touch… this episode is a must listen because Isobel is joined by Cathy Lane, an artist, composer and academic inspired by everyday experiences and, in particular, how ‘hidden histories' can be investigated from a feminist perspective. Inside, Cathy shares so many gems from her vast experience and knowledge as one of the most highly regarded artists and academics in her field.Cathy has worked with composed sound for the last three decades and has developed a practice that combines oral history, archival recordings, spoken word and environmental recordings in formats ranging from gallery installations to books, essays and concert presentations. A Professor of Sound Arts at University of the Arts London and directs Creative Research in Sound Arts Practice (CRiSAP), Cathy shares how this work is also deeply influenced by her beginnings in grass-roots community-run learning spaces.This episode is a real treat so get comfy and plug in!EPISODE HIGHLIGHTS{00:00} Intro{05:08} How Cathy got started using music technology{09:29} Cathy on the women-only groups she was involved in, and the acceptability of these spaces.{14:55} Her PhD and access to technology{18:59} What is electroacoustic music?{27:06} Cathy's PhD thesis, on using space in composition{34:47} Using field recordings in composition to convey meaning{38:37} Her discovery of field recording{45:07} Cathy on her piece, Am I Here?{51:43} Cathy on her piece, Here We All Are{59:41} Using field recordings as part of the compositional process{01:09:09} Cathy's technology setup{01:16:05} Episode SummaryCheck out Cathy's Website >> Cathy's CRiSAP profile >> Find Cathy on Facebook >> Say hello to Cathy on Instagram >>Boss it in the recording studio

Curiosity is one of the most endearing things that we have as children – the never ending barrage of “why?”. It's also one of the things, along with playfulness and adaptability, that can get kicked out of us as we get older. Stephen Mallinder is one of the most prolific, influential and pioneering DIY sound, art and writing radicals, from opening up new sound terrains with Cabaret Voltaire to making soundtracks, experimental filmography, forming DIY record labels, radio shows, festivals, solo stuff, remixes, collaborations such as the brilliant Wrangler, Ku-Ling Bros, getting himself a PhD, writing academic journals and now lecturing in Digital Music and Sound Arts at the Uni of Brighton. In a nutshell, he has constantly explored those unknown spaces where intense curiosity is not only possible but essential for constant development.https://www.heysunday.co/i-wanna-jump-like-dee-deeI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you by Hey Sunday, the mothership of the experimental mindset™- logo and art by Tide Adesanya, Coppie and Paste

Joshua is an award-winning actor, comic, writer, beatboxer, and educator whose path into the arts was punctuated by overcoming a speech impediment. The episode also includes his live improv soundscape performance as a meditation for 2021.   Joshua's various performances have received admiration from Norman Lear to Prince. He has collaborated with artists such as Slash (Guns and Roses), poet Ursula Rucker, and Wayne Brady. Joshua has dropped beats for Drop the Mic, a segment of The Late, Late Show with James Corden. This episode was originally released in February 2021. More episode visuals and Liner Notes about this episode are available the Agile Vocalist web site.

Playlist ARP demonstration. Roger Powell and Harry Coon, the ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 7:38 ARP demonstration. Roger Powell and Harry Coon, the ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 6:20 ARP demonstration, Dave Fredericks, “I Can See Clearly Now” from The ARP Pro Soloist Synthesizer (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, EP. 2:24 ARP demonstration, unknown artists, The First Symphonic Keyboard - ARP Omni (1976 ARP Instruments). Flexi-disc, 7", Promo, 33 ⅓ RPM, Single Sided. 5:05 ARP demonstration, Dave Fredericks, “Zarathustra” from The ARP Pro Soloist Synthesizer (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, EP. 2:58 ARP demonstration, Music and Narration By Roger Powell from side 1 of The ARP Family Of Synthesizers (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, Stereo Music By Dave Fredericks, Harry Coon. The narrator is credited as being musician Roger Powell, but I don't think that's true. Powell was an ARP sponsored artist around this time and some of his works from Cosmic Furnace are played on the disc, though. 7:08 PAiA Synthesizers demonstration. “Selections From Epsilon Boötis” by Richard Bugg from PAiA Synthesizers (1974 PAiA Electronics, Inc.). Flexi-disc, 7", 33 ⅓ RPM, Single Sided, Promo, Red.Uses the Paia 2720 and Paia 4700 synthesizers. Interesting demonstration that also includes instruments being processed through PAiA modules. PAiA demonstration record which included an 18-page booklet with pictures and schematics of the featured composition. 6:17 Electro-Harmonix demonstration of guitar pedals and effects. The Electro-Harmonix Work Band. “Fame and Fortune” from State-Of-The-Art Electronic Devices (1976 Electro-Harmonix). Vinyl LP. Directed by Elliott Randall who organized a band of studio musicians recruited to play a variety of Electro-Harmonix effects boxes and pedals. Bass, Will Lee; Drums, Gary Mure; Engineer, Joe Vanneri; Guitar, Dan White, Jim Miller; Producers, Dan Gershon, Elliott Randall, Mike Matthews; Vocals, Piano, Philip Namanworth. Record was basically made to feature and promote high-end electronic guitar/bass/voice effect devices by Electro-Harmonix. Detailed explanations of each device and its role in each given track are given in the liner notes on the sleeve. This track features the Golden Throat, a mouth filter device running guitar sound through a tube into the player's mouth; and Octave Multiplexer, a downward octave displacer with tone control possibilities, used here on voice. 5:08 Electro-Harmonix demonstration of guitar pedals and effects. The Electro-Harmonix Work Band. “I Am Not a Synthesizer” from State-Of-The-Art Electronic Devices (1976 Electro-Harmonix). Vinyl LP. Directed by Elliott Randall who organized a band of studio musicians recruited to play a variety of Electro-Harmonix effects boxes and pedals. Bass, Will Lee; Drums, Gary Mure; Engineer, Joe Vanneri; Guitar, Dan White, Jim Miller; Producers, Dan Gershon, Elliott Randall, Mike Matthews; Vocals, Piano, Philip Namanworth. This track features the Hot Foot universal pedal, “allowing real-time foot control of any potentiometer (knob) on any other device; Frequency Analyzer, or ring modulator; Memory Man, a solid state echo/analog delay line; Electric Mistress, a flanger; Doctor Q, an envelope follower and voltage controlled filter; and Big Muff Pi, a harmonic distortion and sustain device. Not synthesizer was used in the making of these sounds. 8:19 The Elektor Music Synthesiser demonstration , no artist, (1977 ESS). Flexi-disc, 7", 33 ⅓ RPM, Single Sided. This was a small, analog synthesizer with 3 VCO's, 1 VCF, and a dual VCA.The Elektor Formant had a three octave keyboard and was made in the Netherlands and available by kit. From the manual: “Formant is not a suitable project for the beginner. The complexity of the synthesiser demands a high degree of competency in soldering p.c. boards and interwiring if an unacceptably large number of faults are not to arise.” 7:35 RMI Keyboard Computer demonstration. Mike Mandel, “Mandel Does it” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Mike Mandel, RMI Keyboard Computer. 1:58 RMI Keyboard Computer demonstration. Clark Ferguson, “Voices” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Clark Ferguson, RMI Keyboard Computer. 1:38 RMI Keyboard Computer demonstration. Clark Ferguson, “Strings” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Clark Ferguson, RMI Keyboard Computer. 3:00 Prophet 5 demonstration. Part 1, Performed by John Bowen from The Prophet (1978 Sequential Circuits). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. Recorded at Music Annex, Menio Park, CA. 3:27 Prophet 5 demonstration. Part 2, “Sinfonia No. 11 in G minor” (Bach) performed by Dan Wyman from The Prophet (1978 Sequential Circuits). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. John Bowen, Recorded at Sound Arts, Los Angeles, CA. 2:23 Synclavier demonstration. Denny Jaeger and Patrick Gleeson, side 1 from The Incredible Sounds Of Synclavier II (1981 New England Digital Corp.). Vinyl, LP, Compilation, Stereo, Blue Translucent. Demonstration disc for Synclavier sampling system. Includes “Untitled,” composed, programmed, and performed by Denny Jaeger; additional programming, composition, and performances by Bill Keenan. 14:23 Equinox 380 MusiComputer demonstration , Bob Snyder, “Heaven Came Down” from Equinox - Featuring The Amazing Equinox 380 MusiComputer Electronic Keyboard (1982 CBS). Vinyl LP. Equinox 380.” All selections were recorded 'Live" with a standard production model of the Gulbransen Equinox 380 MusiComputer. No "over-dubbing" was utilized in the production of this album.” Snyder himself recorded the following demo tracks that are different than the album I am sourcing for this podcast, Here is that recording of a YouTube video that demos this organ synthesizer with added narration and audience clapping. 2:46 Equinox 380 MusiComputer demonstration, Danny Saliba, “Runaway” from Equinox - Featuring The Amazing Equinox 380 MusiComputer Electronic Keyboard (1982 CBS). Vinyl LP. Equinox 380.”All selections were recorded 'Live" with a standard production model of the Gulbransen Equinox 380 MusiComputer.” 2:18 LinnDrum demonstration. Side 1 from The Ultimate Drum Machine (1982 Linn Electronics, Inc.). Red Flexi-disc, 7", 33 ⅓ RPM, Single Sided, Promo. 2:25 Emulator Demonstration, Side 1, “The Andrew Wilson Emulator Demo” (written by Andrew Thomas Wilson); and “Batteries Not Included” (written by Marco Alpert); narrated by Marcus Hale from Emulator Demonstration (1982 E-mu Systems, Inc.). Flexi-disc, 8.” Featuring the E-mu Emulator sampler. 6:51 Fairlight Computer Music Instrument demonstration. Don Blacke, narrator. Side 1 of the cassette, Just Fairlight - Number Three (1982 Fairlight Instruments Pty Ltd). Cassette. “Cassette released by Fairlight Instruments Pty Ltd promoting the Fairlight Computer Musical Instrument - the first polyphonic digital sampling synthesizer. Cassette was available when purchasing the synthesizer from the company. Printed information and tracklisting included on a separate sheet of paper. Side A includes informative narration explaining the Fairlight CMI and features various samples and short compositions. The last quarter of Side A includes recording of a presentation by Dr Robert Moog commenting on the Fairlight CMI. Side B contains all musical extracts from Side A, though without the commentary.” 20:02 Yamaha Electone demonstration. Claude Dupras, “Pulstar” from Interface Yamaha FX-1 (1983 Yamaha). Vinyl LP. Dupras, a longtime Yamaha Electone user, recorded this album for Yamaha to showcase the features of the latest model, the digital Electone FX-1. Here he plays the Vangelis piece “Pulstar.” 3:21 Yamaha DX7 demonstration. Side 1 from DX7 Sound Sensation (1983 Yamaha). Flexi-disc, 33 ⅓ RPM, Stereo. Tracks: Bell, Female Voice (2); Bagpipe, Snare Drum, Footsteps (3); Stardust (1); Harp, Cello (2); Electric Guitar (2); Church Organ (1); Violin (1); Train, Banjo, Fiddle, Honky-Tonk Piano (4); Volcano (1); Pan-Flute, Timpani, Shimmer, Chinese Organ (4). Notes on DX7 settings per track: (1) Signal processors used on this recording: Reverb, Delay, Graphic Equalizer, Parametric Equalizer, Flanger (used on 'Guitar'); (2) Number in parentheses indicate the number of overdubs used for the corresponding voice; (3) The entire recording was made with a single Yamaha DX7." 6:37 Background Music Excerpts from the Moog 900, RCA Music Synthesizer, Sound of Moog, ARP family of instruments, E-mu Emulator, demonstration recordings. Blue Marvin, “Release Time” from the album With Arp Sinthesyzer 2600 (1973 Joker). Blue Marvin is Alberto Baldan Bembo in this Italian release of ARP Odyssey tracks. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Nuts And Bolts Podcast is back with the first episode of Season #4, where host Jessica Sligter interviews composer, sound artist, and researcher Cathy van Eck (1979 Belgium/Netherlands), whose work combines elements from performance art, electronic music, and visual arts.  Cathy teaches at the Department for Sound Arts of the University of the Arts in Bern, Switzerland. In 2017 her seminal book Between Air and Electricity was published, detailing how musicians have explored how to transform microphones and loudspeakers from “inaudible” technology into genuinely new musical instruments.  https://cathyvaneck.net This episode was edited and mixed by Jessica Sligter. Made possible with the support of Norsk Kulturfond.  Go to https://nutsandbolts.space for information about all Nuts And Bolts' activity, such as tutorial videos and workshops, and to become a member of Nuts And Bolts association. © Nuts And Bolts 2021

Today we present the first episode of Jacob Smith’s new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling.  Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter.   In recent years, Jacob Smith’s work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019’s ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein.

In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by sound artist and disability advocate - Andy Slater from Chicago, US. Andy Slater is a Chicago based media artist and disability advocate. He is the founder of the Society of Visually Impaired Sound Artists and director of the Sound As Sight accessible field recording project. His current work features the sounds of antiquated assistive technology, field recordings, spatial audio design for virtual and augmented reality, video games, and films. He works with analogue and FM synthesis in his sound design process with a lean towards retro-futurism, Classic sci-fi and video game sound, and blurry analogue tape charm. Andy has a masters in Sound Arts and Industries from Northwestern University and holds a BFA from the School Of the Art Institute of Chicago.  In this episode, Andy shares his unique journey full of frustrating battles and success stories. You will hear excerpts of Andy’s conceptual artwork and find out about his mission of making the world of audio tech for blind and visually impaired people more accessible. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-48-andy-slator/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com

Part of Mutant Promise's online series (https://auth-somerset.axis12.com/whats-on/mutant-promise) for progressive music-making, including introduction courses to coding and sound software, digital field recording, interior soundscape composition, and remote hardware workshops for DIY synth building at home.  Note: At 30.25 the artist uses the word 'centralised' in place of the intended word 'de-centralised'. ABOUT THE ARTISTS Jessica Ekomane (https://jessicaekomane.com/) is a French-born and Berlin-based electronic musician and sound artist. Her practice unfolds around live performances and installations. Her quadraphonic performances, characterized by their physical affect, seek a cathartic effect through the interplay of psychoacoustics, the perception of rhythmic structures and the interchange of noise and melody. Her ever-changing and immersive sonic landscapes are grounded in questions such as the relationship between individual perception and collective dynamics or the investigation of listening expectations and their societal roots. One of six composers chosen as collaborators by Natascha Süder Happelman for her installation at the German pavilion of the Venice Biennale 2019, her debut album, Multivocal was released on Important Records in 2019. Her work has been presented in various institutions worldwide such as CTM festival (Berlin), Ars Electronica (Linz), Dommune (Tokyo) or Bemis Center for Contemporary Arts (Omaha). Annie Goh (https://www.arts.ac.uk/research/ual-staff-researchers/annie-goh) is an artist and researcher working primarily with sound, space, electronic media and generative processes within their social and cultural contexts. She is a Lecturer in XD Pathway in BA Fine Art at CSM and an Associate Lecturer in Sound Arts at LCC. Her work takes a critical approach to contemporary debates in the fields of digital technologies, media arts, generative and computational processes and communication studies, with a particular focus on sound, intersectional feminism, decolonial theory and the politics of knowledge production.

DRAF Broadcasts: Podcast with Lina LapelytėLina Lapelytė and Ned McConnell were supposed to meet for an Artist Talk at DRAF on 18 March 2020, which was cancelled due to the COVID-19 pandemic. Following this, the podcast is a space to initially reflect on the immense changes to making, presenting, or thinking about art during lockdown. It has changed time management and pace, as well as underscoring the importance of touring and re-staging large performance works. The pair also discuss the performance that was planned for Glasgow International - similarly postponed due to the ongoing health crisis. Lapelytė, together with collaborators Vaiva Grainytė (libretto) and Rugilė Barzdžiukaitė (director), composed an opera called Sun & Sea (Marina). This was their second collaboration together, after Have a Good Day!, created between 2011 and 2013 which still tours today. Sun & Sea (Marina) was presented at the Lithuanian pavilion during the 2019 Venice Biennale, in a project curated by Lucia Pietroiusti, and won the Golden Lion for best pavilion, one of the festival's top two awards. Taking this big project as a departure point, McConnell and Lapelytė trace her practice back through earlier operatic and music-based works such as Have A Good Day! and Candy Shop. Often working with non-classically trained performers, composed music and visual art elements, Lapelytė asserts that staging “improvised music can be like abstract painting”, whilst making an opera equates to other kinds of painting (21:01).   BIOLina Lapelytė (b.1984, Lithuania) is an artist living and working in London and Vilnius. She holds a BA in classical violin (2006), BA in Sound Arts (2009) and MA in Sculpture from the Royal College of Art, London (2013). Her performance-based practice is rooted in music and flirts with pop culture, gender stereotypes, aging and nostalgia. Throughout her artistic career, Lapelytė has explored various forms of performativity, crossing genre boundaries while entwining folk rituals with popular music and opera formats, frequently using stylized expression, grotesque and conceptual musicality.linalapelyte.com Have questions, comments or want to see more of what DRAF does? Reach us via davidrobertsartfoundation.com, @draf_art and subscribe to our newsletter! 

To coincide with Graduate Show 2020, which has moved online this year due to COVID-19, we caught up with three students involved in the virtual exhibition: Sophie Walker (Illustration), Sarahlouise Newman (Visual Culture and History of Art and Design) and Josh Bell (Digital Music and Sound Arts) to discuss the show itself, their work and to reflect on their time at the University of Brighton. Take a look around the virtual Graduate Show. Find out more about Sophie's work on Instagram and visit her website. Find out more about Sarahlouise's work on Instagram, Twitter and her website. Find out more about Josh's work on Instagram, YouTube, Spotify and his website.

“The world is small? No, we’re small and it’s up to us to explore.” -Mogli Maureal We speak with our friend multi-talented, Anthony “Mogli” Maureal, from Oakland, CA. Anthony embodies creativity, as a graduate of SAE Expression College with a degree in Sound Arts, he has gone on tour with his award-winning band, MAD NOISE and has performed and produced for the theater/film/band troupe, RADIX. Anthony is a man of many talents, he is an audio engineer, sound designer, music producer, and drummer. He is also a professional photographer. His talents have allowed him to travel and see many different parts of the world. Listen to how Anthony finds the connection between creativity and culture to better understand a more united world. Connect with Mogli! Instagram @themogli https://www.instagram.com/themogli/ Website https://www.themogli.com Contact us on Instagram and Facebook! https://www.instagram.com/tgt.podcast/ https://www.facebook.com/tgt.podcast/

In February 2020, 74 universities affiliated to the UCU (University and College Union) began 14 days of industrial action, launching ‘Four Fights’ over casualisation of labour, unsafe workloads, falling pay, and gender and ethnicity pay gaps. The strikes became national news, supported by staff and students alike, with vibrant picket lines at many “art schools” across the country speaking out against exorbitant tuition fees, massive pay gaps between vice chancellors and lecturers, the punitive and racist Prevent programme introduced to stop student ‘radicalisation’, the digitalisation of courses and much more. Juliet Jacques – herself a visiting lecturer at the Royal College of Art, where 90% of staff are casualised – spoke to artist and researcher Dr Annie Goh, a lecturer in Fine Art at Central Saint Martins and an Associate Lecturer in Sound Arts at London College of Communication, and Kyran Joughin, lecturer in film and critical practice at Wimbledon College of Art (part of the University of the Arts London) about the recent strikes, how the coronavirus crisis might lead to further digitalisation and casualisation, and how staff and students might organise against it. They also discussed the legacy of Thatcher’s assault on the idea of cultural democracy, the marketisation of education and privatisation of knowledge under the New Labour government, and the student protests after the Liberal Democrats broke their promise to abolish tuition fees on joining the Conservative-led coalition in 2010. As usual, a full list of references from this episode is available to subscribers – please visit https://www.patreon.com/suite212 to sign up for as little as $3 per month.

Casanora heisst mit bürgerlichem Namen Nora Ringgenberg. Die junge Soundkünstlerin hat als junges Mädchen beim FFC Bern Fussball gespielt und später ein Studium in Sound Arts absolviert. Sie mag Musik von Miley Cyrus und The Kills - alles ganz normal. Eigentlich... Unter ihrem Künstlernamen Casanora hat die Bernerin nun ihre Debüt-EP mit dem Titel «Happiness is mostly soldout» veröffentlicht. Es ist schwer vorstellbar, dass dahinter dieselbe Frau steckt, die privat gerne Musik von Miley Cyrus hört. Die fünf Songs auf der EP haben allesamt etwas Abgründiges. Die EP ist ein Hörerlebnis zwischen einlullender Traumwelt und unangenehmer Realität. Ihre Debutplatte ist wie ein guter Psychothriller, bei dem man sich hinter einem Kissen verstecken muss und trotzdem nicht abschalten kann.  Casanora live: Casanora wird ihre EP live spielen! Vorher reden wir noch über ihr musikalisches Schaffen und ihre Beweggründe.  Track ID's DJ Set John Bürgin (23 - 00H): Black Light Smoke The Right Way J Chrysalis A Kind Robin Skrimz Pom Pom ItaloJohnson ITJO5B1 (Bambounou Remix) Jacques Greene Let Go Mor Elian Farewell to the Snare Jacques Greene Do it without you Artist Code 4B4D59 The Man With A FM Milk Ben Sims Forever Beats Cadans Pierce Truncate The Bell Ross From Friends Epiphany Black Light Smoke Hustle

Encyclopedia Britannica’s "Guardians of History" is an educational adventure game that guides the narrative through voice commands with an Alexa or Google Home device. It provided a unique creative process for sound designer and Sound Arts and Industries alum Jeffrey Nils Gardner of Audacious Machine Creative. Listen as Jeffrey discusses the development, collaboration, and gameplay for "Guardians of History."

Ele Matelan is a sonic storyteller working in Chicago as a Foley artist for both live theater and films. She has years of experience devising the perfect sound effects to propel a story forward. Listen as Sound Arts and Industries student Jeffrey Nils Gardner guides us through Ele’s view on Foley’s place in audio storytelling, and audio drama communities in Chicago.

On February 28, 2019, Northwestern University Professor Jacob Smith hosted and led Ryan and Chris in discussion on campus in the Annie May Swift Hall Auditorium in Evanston, IL. Professor Smith is the founder and director of the Master of Arts in Sound Arts and Industries program at the University. In this episode, hear Ryan, Chris, and Jacob talk about the origin of Take It Away, what it takes to produce and market a podcast of your own, and much more. You will get an inside scoop on the nuts and bolts of becoming your own podcast entrepreneur. Stick around until the end to hear Ryan and Chris comment on a few of their favorite clips from the show as well as a fascinating Q&A from the audience. Special thanks to Jacob Smith, Elizabeth Mathis, Katherine Lelek, Brad West, and Northwestern University for having us. It was an honor.Email us: takeitawaypodcast@gmail.com See acast.com/privacy for privacy and opt-out information.

What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor?In today's episode, we get to find out what such an innovative scholarly audiobook would sound like--because our guest has created the first one! Jacob Smith's ESC (University of Michigan Press) is a fascinating sonic exploration of postwar radio drama and contemporary sound art, as well as a meditation on how humans have reshaped the ecological fate of the planet.  Before we listen to an excerpt of ESC, Mack interviews Jake about how his skills as a former musician came in handy for his work as an audio academic. You can listen to ESC: Sonic Adventure in the Anthropocene in its entirety for free courtesy of the University of Michigan Press. You can also watch Jake's 90s band The Mysteries of Life perform in the "bad music video" Jake mentions or on Conan O'Brien.Jacob Smith is founder and director of the Master of Arts in Sound Arts and Industries, and professor in the Department of Radio/Television/Film at Northwestern University. He is the author of three print-based books on sound: Vocal Tracks: Performance and Sound Media (University of California Press 2008); Spoken Word: Postwar American Phonograph Cultures(University of California Press 2011); and Eco-Sonic Media (University of California Press, 2015). He writes and teaches about the cultural history of media, with a focus on sound and performance.Today's show was edited by Craig Eley and featured music by Blue Dot Sessions. Our intern is Gina Moravec.  Transcript [ethereal music plays] [CRIS CHEEK]This…is…Phantom Power. [MACK HAGOOD]Episode 12. [CRIS]A book unbound. [MAN ANNOUNCER]Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you escape. Escape, designed to free you from the four walls of today. For a half hour of high adventure. [old, dramatic music plays. In between are people listing off natural disasters.] [MACK]Hey everyone. Welcome back to another episode. This is Mack Hagood. My partner chris cheek is out, so you just got me today. What you just heard is an excerpt from ESC. A fascinating project that’s one part podcast, one part audiobook. And it’s produced by my guest today, Jacob Smith. Jake is the founder and director of the Master of Arts in Sound Arts and Industries program at Northwestern University, where he’s also a professor in the Department of Radio, Television, and Film. So, for those of you who are regular listeners to the show, you know that I work in this disciplinary space that gets called sound studies. So we have all these folks working in this space of sound studies. And yet, how do we publish all of this research that we generate? We publish it in print, or in pixels on the screen, right? We do it via the written word. And that’s why I was so excited about having Jake Smith on today because he is challenging that paradigm, working in sound, and doing something that really could only be done in sound. His new project ESC is an audio native audiobook. [guitar music plays] So what do I mean by that? So basically, this is a book length critical reading of a CBS radio drama from the 1940s and 50s called Escape. But instead of just reading about the radio drama, we actually hear the radio drama itself. And through Jake’s excellent production techniques, we also hear his criticism, and we hear these sounds sort of matched up against the work of contemporary sound artists. The through line argument of the the piece is that this moment in the 40s and 50s, after World War Two, when this radio drama was being produced, is also the moment that was sort of a tipping point in the Earth’s geological history. It’s the moment when human beings start having a larger impact on the Earth’s ecology...

Listen to Chicago improviser Matt Young about performing improv in podcasts like "Hello from the Magic Tavern," from an interview by Sound Arts and Industries student Jeffrey Nils Gardner.

In this episode we conclude our series on radio producer Sarah Geis' course, The Art of the Podcast. Listen as Sound Arts and Industries student Julia Ferguson guides us on the quarter-long journey through the course that led her and her classmates to explore the medium of audio storytelling.

Sound Arts and Industries student Brad Robin created the electroacoustic composition “Steam” after gaining inspiration from one of our core courses in sound studies. “Steam” was accepted into the New York City Electroacoustic Music Festival, where it was programmed for a concert at the Abrons Art Center. Listen as Robin discusses his process of creating the piece, followed by the complete recording of “Steam.”

Ali Aftab Saeed (@aliaftabsaeed) is one of the most influential sound artists working in Pakistan today, becoming an international viral sensation with his band Beygairat Brigade’s biting satirical pop song “Aalu Anday” in 2011. Listen as he and bandmate Saad Sultan discuss the stories behind some of their most controversial hits and their experience working with Northwestern faculty and students to record a new song in the soundstage of the MA in Sound Arts and Industries. "Jagay Koi" https://soundcloud.com/aliaftabsaeed/jagay-koi "Jagay Koi" Music Video https://www.youtube.com/watch?v=F8fo5Db7dVQ

Listen to projects from the new course Communicating Sound Science with Sound Media, where students use sound design to present topics in sound science so that they are accessible to a wide audience. The course is a microcosm of the unique interdisciplinary curriculum offered at Northwestern’s MA in Sound Arts and Industries and draws upon the expertise of some of its key faculty in sound arts, sound science, and sound studies.

Hear about the fascinating world of Foley art from Sandra Fox of the world-renowned Footsteps Post-Production Sound. Fox describes some tricks of the trade in an interview, and you can hear her in action at a recent workshop with Northwestern students sponsored by the MA in Sound Arts and Industries.

Northwestern University held a conference called Sonic Boom: Sustaining Sound Studies, which brought together artists, scientists, storytellers, and scholars who share a focus on sound. Hear how the conference led to the creation of the unique master’s program in Sound Arts and Industries at Northwestern.