Podcasts about south asian history

Did you know that up to the Partition of India in 1947, Kashmiri Muslims lived in conditions that very much resembled serfdom? Exploitation of Kashmiri Muslims was particularly notable during the Dogra Dynasty, which ruled the princely state of Jammu and Kashmir from 1846 to 1947.Since their partition in 1947, India and Pakistan have fought four wars: in 1947, 1965, 1971 and 1999. Based on research and information, three of these wars were specifically about the Kashmir region. In this interview, I bring historical perspective to conflicts and crises about Kashmir by asking my guest scholar the following questions: ►Is Jammu and Kashmir different than Kashmir?►Who are Kashmiris?►Why did Persian missionaries visit Kashmir?►What happened to Kashmir after the Mughal Empire?►What does it mean that Kashmir was a princely state?►Did the British introduce a more egalitarian system in Kashmir? If so, why?►Why Kashmir was an autonomous region under British rule and until recently in the Republic of India?►Why is Kashmir called the Indian Administered Kashmir?►How did Kashmir become a part of India?►What was the Kashmir massacre that happened in 1947?►How are Kashmiris 'othered' in India?►What is it about Kashmir that makes it different from all other Indian states?►Is Kashmir an integral part of India?►Would my guest scholar be able to freely talk about Kashmir's history in India?

Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800–1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies. Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800–1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies. Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800–1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies. Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800–1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies. Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Can an oppressed people who gain independence, end up becoming the oppressor of others? Hafsa Kanjwal, associate professor of South Asian History at Lafayette College, examines this in a hotly contested area of the world. Hafsa Kanjwal is an associate professor of South Asian History at Lafayette College. As a historian of modern Kashmir, she […]

In this episode, we look back on the work and impact of McKim Marriott, Professor Emeritus at the University of Chicago, who passed earlier this year on July 3, 2024. Initially, we recorded this conversation as a celebration of work and impact, but after his passing this summer, we wanted to share this as a celebration of work and a remembrance. Joining us today in conversation on the life and work of McKim Marriott is Nita Kumar, Brown Family Professor Emerita of South Asian History at Claremont McKenna College, Ralph W. Nicholas, William Rainey Harper Professor Emeritus of Anthropology and of Social Sciences at the University of Chicago, Gloria Raheja, Professor Emerita of Anthropology at the University of Minnesota, and Ann Gold, Thomas J. Watson Professor Emerita at Syracuse University.Produced by AIISIntro and Outro music: “Desh” by Stephen Slawek

"Princess of Champa" is a theatrical production that celebrates Indonesian history, featuring a diverse ensemble including individuals from Indonesian, Vietnamese, Turkish, and Indian backgrounds. In a recent podcast, Ruchi Sharma, a prominent cast member, and Iwan Wibisono, the producer, discuss how the play explores the intersections of these cultures and emphasises the significance of embracing diversity through artistic expression.

Patreon: https://bit.ly/3v8OhY7 Vijay Prashad is a historian and journalist. He obtained his PhD in history at the University of Chicago and was most recently the George and Martha Kellner Chair in South Asian History at Trinity College in Hartford, Connecticut. Vijay is a Marxist, and much of his work and writing has been devoted to critiques of capitalism and colonialism, and this notably includes research on Israel, Palestine, and the Middle East. In this episode, Robinson and Vijay discuss the Israel-Palestine conflict as a problem of anti-semitism and colonialism, and touch on various other dimensions of the issue, such as how the war might end, Noam Chomsky's contributions to the discussion, and the legitimacy of Palestine. Tricontinental: https://thetricontinental.org/institutes/ OUTLINE 00:00 Introduction 04:20 Human Rights and the Crisis in Palestine 10:50 Decolonizing Palestine and the Problem of European Antisemitism 19:33 Is Israel a European Colonialist Enterprise? 31:06 Is Palestine a Legitimate Nation?  43:14 On Noam Chomsky and a One-State Solution to Israel-Palestine 53:26 Communism, Israel-Palestine, and Dreams of Utopia 59:46 Is There a Practical Solution to the War in Gaza? Robinson's Website: http://robinsonerhardt.com Robinson Erhardt researches symbolic logic and the foundations of mathematics at Stanford University. Join him in conversations with philosophers, scientists, weightlifters, artists, and everyone in-between.  --- Support this podcast: https://podcasters.spotify.com/pod/show/robinson-erhardt/support

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan. Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians' lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan. Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians' lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan. Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians' lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan. Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians' lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan. Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians' lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan. Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians' lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947.

What is the history of Kashmir's path to self-determination? In this episode, we speak with Dr. Hafsa Kanjwal, an assistant professor of South Asian History at Lafayette College. We talk about Dr. Kanjwal's new book Colonizing Kashmir: State-building Under Indian Occupation. The book interrogates how Kashmir was made "integral" to India through a study of the decade long rule of Bakshi Ghulam Mohammad, the second Prime Minister of the State of Jammu and Kashmir. We discuss the historical context of the conflict in Kashmir through the book's chapters.This podcast is produced in partnership with the Pearson Institute for the Study and Resolution of Global Conflicts. For more information, please visit their website at ThePearsonInstitute.org Access the transcript here.Podcast Production Credits:Interviewing: Nishita Karun and Julia HigginsEditing: Nishita KarunProduction: Hannah Balikci

Amrita Ghosh talks to Kashmiri scholar and academic Hafsa Kanjwal her new book Colonizing Kashmir: State-building Under Indian Occupation (2023). The episode presents Kashmir and its long conflict in a new narrative. Kanjwal resets the usual ways of understanding Kashmir's past and looks at the immediate postcolonial years of 1950s and 1960s in which Kashmir was slowly integrated into India with various nation-building strategies. Kanjwal questions binary terms like colonial and postcolonial, and offers a way of rethinking the Partition as the dominant trope for understanding the conflict in Kashmir. She talks about the ways through which an idea of Kashmir was presented within frameworks of statist integration politics through film, tourism, pamphlets, the use of emotionality and affect, and through racial connotations of a Kashmiri identity. Ghosh and Kanjwal discuss the representation of Kashmir within contemporary cultural productions and the recent slew of Bollywood films and online series that are once again deploying Kashmir to erase and reframe conflict in specific ways. Hafsa Kanjwal is an assistant professor of South Asian History in the Department of History at Lafayette College in Easton, Pennsylvania, where she teaches courses on the history of the modern world, South Asian history, and Islam in the Modern World. As a historian of modern Kashmir, she is the author of Colonizing Kashmir: State-building Under Indian Occupation (Stanford University Press, 2023)Amrita Ghosh is Assistant Professor of English, specializing in South Asian literature at the University of Central Florida. She is the co-editor of Tagore and Yeats: A Postcolonial Reenvisioning (Brill 2022) and Subaltern Vision: A Study in Postcolonial Indian English Text (Cambridge Scholars 2012). Her book Kashmir's Necropolis: New Literature and Visual Texts is forthcoming with Lexington Books. She is the co-founding editor of Cerebration, a bi-annual literary journal.

Satyajit Ray once said, “There is always room for improvisation”. I think this needs a lot more investigation. Referring to Ray's comment on the room of improvisation, today we have the honour to have Dr Trina Banerjee with us on Audiogyan. We'll talk about improvisation in the context of Theatre, Plays, Playwriting, and performing arts at large. Trina is an Assistant Professor in Cultural Studies at the Centre for Studies in Social Sciences, Calcutta. Her research interests include Gender, Performance, Political Theatre, Theories of the Body, Postcolonial Theatre and South Asian History. She has also been a theatre and film actress, as well as a journalist and fiction writer. Questions What according to you is improvisation? In how many ways do you see it manifesting? Where do we see it mostly happening? On streets? In life? or just creative endeavours? When do people improvise? What's the motivation? Is it expressing themselves in different ways? Is it to communicate better with the other (State, society, individual)? Why do they do? Can you give any examples? What does it mean to improvise in the context of performing arts (Theatre, Dance, and more)? Are there categories or genres of improvisation which can be studied systematically? Did different forms of Theatre like the Theatre of Absurd or Pantomime and more emerge due to improvisation? When and why do people improvise on stage? When do we fail or when do we do something over and over again? Is it the boredom? Is it uncovering deeper layers as they keep performing or revisiting the text? When and how do improvisations become part of the main setup? As in, no longer be called improvisations? Has it happened that the playwright made changes to the original text as the years passed by? Reference reading https://www.cssscal.org/faculty_trina_nileena_banerjee.php https://www.instagram.com/trinanileena/ https://www.youtube.com/watch?v=OtYA-zEkMjI https://www.youtube.com/watch?v=Ti-bOIuUrwM https://www.youtube.com/watch?v=eArQSc9KDKo https://www.youtube.com/watch?v=T53FQ-m74Xg https://www.youtube.com/watch?v=DmPiN2Tp3W0 https://www.youtube.com/watch?v=oi-owRniSBM https://www.youtube.com/watch?v=5lX2_2cV9lY https://www.amazon.in/Books-Trina-Nileena-Banerjee/s?rh=n%3A976389031%2Cp_27%3ATrina+Nileena+Banerjee

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande's cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande's cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande's cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande's cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande's cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande's cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Scribal Practice and the Global Cultures of Colophons, 1400–1800 (Palgrave Macmillan, 2022) is the first to chart the global diversity of colophons between 1400 and 1800. The volume presents a new approach to scribal cultures that expands traditional definitions. Moving from the paradigm of codicological information towards a thorough interpretation of the wider social worlds of colophons in Africa, Asia, Europe, and North America, this volume uncovers the fascinating cultural history of early modern scribes. Chapters examine how those engaging in the composition and distribution of colophons shaped scribal identities, group cultures and bookish communities in a world in which manuscripts mattered. Authors build on approaches from anthropology, cultural studies, codicology, history, and philology to offer a new conceptual framework that studies colophons as scribal practices embedded in their changing social and cultural worlds. As a new contribution to the history of the book, this volume's global approach pushes the boundaries of what constitutes a colophon. Christopher Bahl is an Assistant Professor in South Asian History, Durham University, UK. He is interested in the social, cultural, and political histories of the early modern western Indian Ocean world and studies them through its surviving manuscript cultures. Stefan Hanß is a Professor in Early Modern History at the University of Manchester, UK, and winner of a British Academy Rising Star Engagement Award and a Philip Leverhulme Prize. Hanß has published widely on material culture and global history. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scribal Practice and the Global Cultures of Colophons, 1400–1800 (Palgrave Macmillan, 2022) is the first to chart the global diversity of colophons between 1400 and 1800. The volume presents a new approach to scribal cultures that expands traditional definitions. Moving from the paradigm of codicological information towards a thorough interpretation of the wider social worlds of colophons in Africa, Asia, Europe, and North America, this volume uncovers the fascinating cultural history of early modern scribes. Chapters examine how those engaging in the composition and distribution of colophons shaped scribal identities, group cultures and bookish communities in a world in which manuscripts mattered. Authors build on approaches from anthropology, cultural studies, codicology, history, and philology to offer a new conceptual framework that studies colophons as scribal practices embedded in their changing social and cultural worlds. As a new contribution to the history of the book, this volume's global approach pushes the boundaries of what constitutes a colophon. Christopher Bahl is an Assistant Professor in South Asian History, Durham University, UK. He is interested in the social, cultural, and political histories of the early modern western Indian Ocean world and studies them through its surviving manuscript cultures. Stefan Hanß is a Professor in Early Modern History at the University of Manchester, UK, and winner of a British Academy Rising Star Engagement Award and a Philip Leverhulme Prize. Hanß has published widely on material culture and global history. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Scribal Practice and the Global Cultures of Colophons, 1400–1800 (Palgrave Macmillan, 2022) is the first to chart the global diversity of colophons between 1400 and 1800. The volume presents a new approach to scribal cultures that expands traditional definitions. Moving from the paradigm of codicological information towards a thorough interpretation of the wider social worlds of colophons in Africa, Asia, Europe, and North America, this volume uncovers the fascinating cultural history of early modern scribes. Chapters examine how those engaging in the composition and distribution of colophons shaped scribal identities, group cultures and bookish communities in a world in which manuscripts mattered. Authors build on approaches from anthropology, cultural studies, codicology, history, and philology to offer a new conceptual framework that studies colophons as scribal practices embedded in their changing social and cultural worlds. As a new contribution to the history of the book, this volume's global approach pushes the boundaries of what constitutes a colophon. Christopher Bahl is an Assistant Professor in South Asian History, Durham University, UK. He is interested in the social, cultural, and political histories of the early modern western Indian Ocean world and studies them through its surviving manuscript cultures. Stefan Hanß is a Professor in Early Modern History at the University of Manchester, UK, and winner of a British Academy Rising Star Engagement Award and a Philip Leverhulme Prize. Hanß has published widely on material culture and global history. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scribal Practice and the Global Cultures of Colophons, 1400–1800 (Palgrave Macmillan, 2022) is the first to chart the global diversity of colophons between 1400 and 1800. The volume presents a new approach to scribal cultures that expands traditional definitions. Moving from the paradigm of codicological information towards a thorough interpretation of the wider social worlds of colophons in Africa, Asia, Europe, and North America, this volume uncovers the fascinating cultural history of early modern scribes. Chapters examine how those engaging in the composition and distribution of colophons shaped scribal identities, group cultures and bookish communities in a world in which manuscripts mattered. Authors build on approaches from anthropology, cultural studies, codicology, history, and philology to offer a new conceptual framework that studies colophons as scribal practices embedded in their changing social and cultural worlds. As a new contribution to the history of the book, this volume's global approach pushes the boundaries of what constitutes a colophon. Christopher Bahl is an Assistant Professor in South Asian History, Durham University, UK. He is interested in the social, cultural, and political histories of the early modern western Indian Ocean world and studies them through its surviving manuscript cultures. Stefan Hanß is a Professor in Early Modern History at the University of Manchester, UK, and winner of a British Academy Rising Star Engagement Award and a Philip Leverhulme Prize. Hanß has published widely on material culture and global history. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Blending travelogue, history, and archaeology, Searching for Ashoka: Questing for a Buddhist King from India to Thailand (SUNY Press, 2023) unravels the various avatars of India's most famous emperor, revealing how he came to be remembered—and forgotten—in distinctive ways at particular points in time and in specific locations. Through personal journeys that take her across India and to various sites and cities in Sri Lanka, Myanmar, and Thailand, archaeologist Nayanjot Lahiri explores how Ashoka's visibility from antiquity to the modern era has been accompanied by a reinvention of his persona. Although the historical Ashoka spoke expansively of his ideas of governance and a new kind of morality, his afterlife is a jumble of stories and representations within various Buddhist imaginings. By remembering Ashoka selectively, Lahiri argues, ancient kings and chroniclers created an artifice, constantly appropriating and then remolding history to suit their own social visions, political agendas, and moral purposes. Nayanjot Lahiri is Professor of History at Ashoka University. Her previous books include Finding Forgotten Cities: How the Indus Civilization was Discovered; Marshalling the Past: Ancient India and Its Modern Histories; and Ashoka in Ancient India, which was awarded the John F. Richards Prize in South Asian History in 2016. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

If you grew up in Philly, you probably took a field trip to the Liberty Bell, City Hall or even the Betsy Ross house. This is American history that gets talked about a lot. But there are other important local figures you may have never heard about. Host Trenae Nuri speaks with Samip Mallick, executive director of South Asian American Digital Archive, about how he documents and shares the stories of South Asian Americans who lived in Philly and changed the world.  To learn more about the "Revolution Remix" walking tours, visit: https://www.saada.org/walkingtour Want some more Philly news? Then make sure to sign up for our morning newsletter. We're also on Twitter and Instagram! Follow us @citycastphilly. Have a question or just want to share some thoughts with the team? Leave us a voicemail or send us a text at 215-259-8170. Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pashtuns are perhaps the largest ethnic group in the world without a country of their own. They inhabit a continuous stretch of land from the Hindu Kush to the Indus, across Pakistan and Afghanistan. Pakistan used the Pashtun-dominated areas in Federally Administered Tribal Areas (FATA) as a launching pad against the Soviet occupation of Afghanistan in the 1980s and later during the US-led War on Terror. In the process FATA was kept in a constitutional and informational black hole. The discontent finally burst in 2018 when the extra-judicial killing of a Pashtun youth led to widespread protests. In this episode of BIC Talks, veteran analyst Tilak Devasher speaks to Ambassador PS Raghavan, chairperson of the National Security Advisory Board of India about his book The Pashtuns in an attempt to fill the gap in the geopolitical understanding of South Asia, given the US withdrawal from Afghanistan and the shifting power equations in the region. This conversation was part of the Bangalore Literature Festival 2022. Subscribe to the BIC Talks Podcast on your favourite podcast app! BIC Talks is available everywhere, including iTunes, Spotify, Google Podcasts, Castbox, Overcast and Stitcher.

We recently welcomed Chandra Mallampalli, historian of religion and India, to Upper House. In this conversation we hear about his vocation as a historian and the dynamic history of religion in India, including the growth of Pentecostal Christianity in recent decades. Chandra talks with longtime friend and Upper House's Fellows Program Director (and fellow historian) Eric Carlsson. Chandra Mallampalli is the Fletcher Jones Chair of Social Sciences and Professor of History at Westmont College. He received his Ph.D. in South Asian History from the University of Wisconsin–Madison.  He is the author of four books and many scholarly articles. The basis for today's episode is Chandra's recently released book, South Asia's Christians: Between Hindu and Muslim. As always we invite you to leave us a rating on your favorite podcast app or send us a comment at podcast@slbrownfoundation.org. Credits: Music by Micah Behr, audio engineering by Jesse Koopman, graphic design by Madeline Ramsey.

Hi, I'm Sukhraj Singh from SikhArchive and welcome to the 56th episode of our Podcast series of conversations with historians, authors, academics, researchers, and activists on topics related to their areas of expertise on Sikh or Panjabi history. In this episode, we are joined by Radha Kapuria, who is an Assistant Professor in South Asian History at the University of Durham. Her current research analyses the impact of the 1947 Partition on musicians' lives India and Pakistan, with her interests centring around South Asian social, cultural and gender history; migration, displacement and borderlands, and conflict, decolonisation and culture. Today we will be discussing her book, Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, which examines music's social history for the entire Punjab region. The book is based on her PhD at King's College London, which was shortlisted for the Royal Asiatic Society's 2019 Bayly Prize. NB: correction at 28:59 mins: “Flora Annie Wilson” ought to have been “Flora Annie Steele” 

In the premiere episode, Neha divulges how she found out the harsh truth about one of the darkest moments in South Asian History: the Partition of India in 1947, when she was 27 years old. Neha talks to her grandpa, great aunt, and mother to get their perspectives on this truly traumatic event. 2022 marks the 75th anniversary, and it is high time this story is told to the masses.  Sources/Links:  Follow Neha on Instagram and Twitter Follow Partition on Instagram and Twitter The Great Partition by Yasmin Khan ‘We Were Friends, and Then We Started Killing Each Other.' India Recalls Partition. Carefully. - NY Times Cyril Radcliffe: The man who drew the partition line - BBC Video  https://socfilms.com/ - Sharmeen Obaid - Chinoy site Voiceover for Akbarali Merchant is provided by Aziz AkbaraliSee omnystudio.com/listener for privacy information.

In a conversation moderated by Simon Longstaff, historians Joya Chatterji and Stephen Fry discuss whether the age of Enlightenment is truly coming to an end. They share varying Enlightenment narratives that cross geographical, cultural and class borders and challenge the attempt to define an era of history as linear, with a definitive start and end point. Joya Chatterji is a Professor of South Asian History.  Stephen Fry is an English actor, screenwriter, author, playwright, journalist, poet, comedian, television presenter and film director. Produced by The Festival of Dangerous Ideas, The Ethics Centre and Audiocraft.

The first challenge to Canada's discriminatory “Continuous Journey” regulation took place on February 14, 1908, less than a month after the regulation was put on the books. Six South Asian passengers onboard the S.S. Aorangi made their voyage to Canada via Fiji but were denied entry because they did not come to Canada via their country of origin. In this episode, Milan, Paneet and Naveen – with special guest Anita Singh – share insight into Fiji and the indentured labour system, and discuss how South Asians from anywhere in the British Empire were restricted from coming to Canada.The Nameless Collective Podcast SPECIAL EPISODE 05 is a Canadian History podcast episode. The show is hosted and researched by Naveen Girn, Milan Singh and Paneet Singh in Vancouver, Canada. Music: A Melodic Shade of Blu ft. Keerat Kaur, by WiseChild.For photo references and more information on the show, visit thenameless.co. Send your history questions and comments to team@thenameless.co.Follow The Nameless Collective Podcast on Instagram, Twitter, and Facebook, and use hashtag #thenameless.Subscribe to The Nameless Collective, a Canadian history podcast, available on Apple, Google, Spotify, Stitcher, and wherever you find your podcasts. South Asian History and Vancouver History.

In 1911, the British Raj hosted a party that became the site of a huge international scandal. The premiere episode of MISREPRESENTED investigates: was the incident an act of resistance…or a simple mistake? MUSIC CREDITS (in order of appearance)Slow Down by AkrtiWithout You  by KumailGotta Be by SickflipClass Sikh Maut Vol II by Prabhe Deep, Seedhe Maut & Sez on the BeatDilli Darshan  by GHZI PURANNOTATED TRANSCRIPTVisit www.kahaani.io/durbar-incident to view an annotated transcript with timestamps.VISUALSA photo of the sparkly, sparkly crownFootage from the 1911 Delhi DurbarTEACHER'S GUIDEAre you a teacher that wants to use this episode in your history classroom? Go to www.kahaani.io/durbar-incident to download a free teacher's guide with discussion questions and extension activities.LEARN MOREWe get it, you are now fascinated by all things Delhi Durbar and deconstructing Empire. Here is where you should start:Julie Codell's essay “On the Delhi Coronation Durbars, 1877, 1903, 1911.”Chapter 4 in Manu Pillai's latest book False Allies: India's Maharajas in the Age of Raja Ravi VermaManu Bhagavan's article “Demystifying the Ideal Progreassive: Resistance through Mimicked Modernity”SPECIAL THANKSDiane BouisHarry GiffinMeghna RaoSUPPORT THE PODCASTMISREPRESENTED is produced by Kahaani, a media organization that tells stories to widen the historical narrative.  In order to make more episodes, we need your friends, your time and/or your money. Click here to help us out. FOLLOW US ON INSTAGRAM 

In recent years, Indian history is being rewritten. Cities are being renamed, historical events are being reinterpreted, and old books are being discarded for portraying what is called 'discarded history.' Naturally, historians are aghast and are challenging this tendency to overwrite past history. But, what does all of this mean? Does it mean that there is a campaign or are these local assertions?On this episode, host Sidharth Bhatia is joined by Dilip Menon, a historian of modern India, a Professor of South Asian History at the University of Witwatersrand in South Africa. He has been observing these things mentioned above happening for some time. Dilip calls himself a historian who engages in writing and conceptualising history beyond the map of India inherited from colonialism. Dilip helps us interpret the war-borne history in India, as she is being taught and learnt for generations.Follow Dilip on LinkedIn: https://www.linkedin.com/in/dilip-menon-2606ab6Follow Sidharth Bhatia on Twitter and Instagram @bombaywallahbombaywallah and https://instagram.com/bombaywallahYou can listen to this show on The Wire's website, the IVM Podcasts website, app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.

This podcast is part of the celebration of South Asian History Month here at the Royal College of Psychiatrists. Dr Santosh Mudholkar explores thoughts on the interaction between culture, music and the brain. Historically, art and music have played a prominent role in South Asian culture in bringing people together and lifting mental wellbeing.

Special Podcast Alert: The impact of the Farmer's protest has reverberated around the world. This week Milan, Paneet and Naveen examine The Trolley Times - a multilingual publication recording the stories of the protest through poetry, editorial, and journalism. They discuss The Trolley Times as part of a longer tradition of revolutionary publications like Gadhar Dj Goonj and highlight the nuanced look at gender and caste that sets it apart.The Nameless Collective Podcast SPECIAL EPISODE 04 is a Canadian History podcast episode produced by JugniStyle.com and Manjot Bains. The show is hosted and researched by Naveen Girn, Milan Singh and Paneet Singh in Vancouver, Canada. Music: A Melodic Shade of Blu ft. Keerat Kaur, by WiseChild.For photo references and more information on the show, visit thenameless.co. Send your history questions and comments to team@thenameless.co.Follow The Nameless Collective Podcast on Instagram, Twitter, and Facebook, and use hashtag #thenameless.Subscribe to The Nameless Collective, a Canadian history podcast, available on Apple, Google, Spotify, Stitcher, and wherever you find your podcasts. South Asian History and Vancouver History.

We're back! Season 2 of The Nameless Collective Podcast is here after a long hiatus, and we've got five episodes full of surprises, stories, and a few mysteries. This season, we talk about crime & criminality, and what constitutes criminal behaviour amongst early South Asian settlers in and around Vancouver, Canada. In Episode 1, we look at a book of mugshots, which include Louis Seville, listed as a "Hindoo" in the file, and accused of stealing a purse and $15. We also delve deep into the newspaper archives to piece together stories about South Asians accused of crimes in the early 1900s, and try and fill in the gaps. *Cover art image is a photo of Louis Seville from the City of Vancouver archive.The Nameless Collective Podcast Season 2 is a Canadian History podcast produced by JugniStyle.com and Manjot Bains. The show is hosted and researched by Naveen Girn, Milan Singh and Paneet Singh in Vancouver, Canada. Music: A Melodic Shade of Blu ft. Keerat Kaur, by WiseChild.For photo references and more information on the show, visit thenameless.co. Send your history questions and comments to team@thenameless.co.Follow The Nameless Collective Podcast on Instagram, Twitter, and Facebook, and use hashtag #thenameless.Subscribe to The Nameless Collective, a Canadian history podcast, available on Apple, Google, Spotify, Stitcher, and wherever you find your podcasts. South Asian History and Vancouver History.

S02E03: Who really was William C. Hopkinson? We try to demystify the complicated man and his obsession with the local South Asian community. And did he really fool anyone when he put on a costume and spied on the community at the gurdwara? We also follow a trail of documents and diaries to fill in the blanks and figure out what happened to the children of Bibi Harnam Kaur and Bhai Bhag Singh. Aaannnddd we solve a mystery! In Season 2 of The Nameless Collective Podcast, we talk about crime & criminality, and what constitutes criminal behaviour amongst early South Asian settlers in and around Vancouver, Canada. *Cover art image is from Harnam Kaur, a graphic novel by Milan Singh with art by Keerat Kaur, published by the South Asian Canadian Histories Association, 2019.The Nameless Collective Podcast Season 2 is a Canadian History podcast produced by JugniStyle.com and Manjot Bains. The show is hosted and researched by Naveen Girn, Milan Singh and Paneet Singh in Vancouver, Canada. Music: A Melodic Shade of Blu ft. Keerat Kaur, by WiseChild.For photo references and more information on the show, visit thenameless.co. Send your history questions and comments to team@thenameless.co.Follow The Nameless Collective Podcast on Instagram, Twitter, and Facebook, and use hashtag #thenameless.Subscribe to The Nameless Collective, a Canadian history podcast, available on Apple, Google, Spotify, Stitcher, and wherever you find your podcasts. South Asian History and Vancouver History. 

S02E04: Activist. Preacher. Harvard graduate. Anti-British. We follow the intriguing life of Teja Singh; from an anti-British activist in a 3-piece suit living in Vancouver and travelling across North America, to a quiet life as a sant or holy person in India in the 1960s. Complementary to Teja Singh was Ghadar revolutionary Balwant Singh. The political activist was a priest at the Vancouver gurdwara who was active in Indian independence movements across the world. In Season 2 of The Nameless Collective Podcast, we talk about crime & criminality, and what constitutes criminal behaviour amongst early South Asian settlers in and around Vancouver, Canada. *Cover art image is of Sant Teja Singh, courtesy Library of Congress Archives.The Nameless Collective Podcast Season 2 is a Canadian History podcast produced by JugniStyle.com and Manjot Bains. The show is hosted and researched by Naveen Girn, Milan Singh and Paneet Singh in Vancouver, Canada. Music: A Melodic Shade of Blu ft. Keerat Kaur, by WiseChild.For photo references and more information on the show, visit thenameless.co. Send your history questions and comments to team@thenameless.co.Follow The Nameless Collective Podcast on Instagram, Twitter, and Facebook, and use hashtag #thenameless.Subscribe to The Nameless Collective, a Canadian history podcast, available on Apple, Google, Spotify, Stitcher, and wherever you find your podcasts. South Asian History and Vancouver History.

S03E05: The Indian independence movement was seen as seditious and illegal, and supporting this movement and any anti-British activism from abroad was monitored closely. We reached really deep into the past for this one. Two freedom movements based in vancouver that no one ever really heard about, because sometimes, they couldn't reach quorum. In Season 2 of The Nameless Collective Podcast, we talk about crime & criminality, and what constitutes criminal behaviour amongst early South Asian settlers in and around Vancouver, Canada. *Cover art image is of Balwant Singh, photographer unknown. 1914. Retrieved from http://komagatamarujourney.ca/node/4536.The Nameless Collective Podcast Season 2 is a Canadian History podcast produced by JugniStyle.com and Manjot Bains. The show is hosted and researched by Naveen Girn, Milan Singh and Paneet Singh in Vancouver, Canada. Music: A Melodic Shade of Blu ft. Keerat Kaur, by WiseChild.For photo references and more information on the show, visit thenameless.co. Send your history questions and comments to team@thenameless.co.Follow The Nameless Collective Podcast on Instagram, Twitter, and Facebook, and use hashtag #thenameless.Subscribe to The Nameless Collective, a Canadian history podcast, available on Apple, Google, Spotify, Stitcher, and wherever you find your podcasts. South Asian History and Vancouver History.