Podcast appearances and mentions of steven stucky

Episode 327."The Invitation"Film Composer: Dara Taylor.Dara Taylor is a Sundance Institute alumna and HMMA-Winning composer for film and television based in Los Angeles. She has composed music for a wide variety of Independent thrillers, dramas, comedies such as the Karen Allen starred Colewell and Turner Risk, and has contributed additional music and score production for large studio productions like A Bad Mom's Christmas, Shaft, Amazon's The Boys, Netflix's Lost in Space, and more.In 2015, she was nominated for a Hollywood Music in Media Award for her score on the film Undetectable. In 2016, she was one of the composers asked to take part in Women in Film's Women Composers in Media concert. In 2018, Dara was chosen as a fellow for the Sundance Institute Composers Lab. In 2019, Dara was chosen as one the BMI Conducting for Composers Fellows and won a Hollywood Music in Media Award for her score for Colewell.Dara, born in Poughkeepsie, NY and raised in Lockport, NY, spent most of her formative years in gospel church choirs as well as school choruses, bands, and musicals. Primarily a vocalist, she studied classical voice as a Mezzo-Soprano under Judith Kellock at Cornell University. Throughout college Dara became increasingly drawn towards composition and studied independently with Zachary Wadsworth and Pulitzer Prize winner Steven Stucky. After graduating cum laude in Music and Psychology from Cornell in 2009, Dara went on to study Film Music Composition under Mark Suozzo at New York University where she received a Masters of Music in 2011.Dara is a member of the Television Academy, Society of Composers and Lyricists, Composers Diversity Collective, Alliance of Women Film Composers, Women in Media, and BMI.Welcome, Dara Taylor!Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:@mdmcriticEmail: Mondaymorningcritic@gmail.com]YouTube: Monday Morning Critic Podcastwww.mmcpodcast.com

Award-winning pianist talks her career as a classical performer specialized in contemporary repertoire and her many collaborations with John Williams, including her solos on Munich and The Adventures of Tintin, and the recent premiere of ‘Prelude and Scherzo' for Piano and Orchestra Hosted by Maurizio Caschetto Pianist Gloria Cheng belongs in the category of instrumentalists who are true favourites of John Williams to the point of being even an inspiration for the composer. One of the most acclaimed musicians of his generation and an advocate of the contemporary repertoire and new-music, Gloria Cheng performed as pianist for John Williams in many film scores since the mid-2000s and has been spotlighted as soloist on such scores as Munich (2005), The Adventures of Tintin (2011) and War Horse (2011). She also performed on other Williams' scores including The BFG, The Post, and the Star Wars sequel trilogy. In addition to the film work, Cheng also had the unique honour of performing Williams' rare piano compositions for the concert hall: the 4-movement Conversations for solo piano (written and dedicated to her between 2013 and 2014), and the Prelude and Scherzo for piano and orchestra, which premiered in Barcelona in 2021 with the Orquesta Sinfónica del Vallès under Marc Timón, and later for its American premiere with the Albany Symphony Orchestra conducted by David Alan Miller. Gloria Cheng is one of the world's leading interpreters of piano works by major composers and a true advocate for new music, establishing fruitful partnerships with such contemporary music icons as Gyorgy Ligeti, Pierre Boulez, Esa-Pekka Salonen, Terry Riley, Thomas Adès and Steven Stucky. Gloria Cheng also works frequently as pianist and keyboardist for film scores and has performed on soundtracks by by such composers as Randy Newman, James Horner, Michael Giacchino. In 2005, she began a fruitful association with John Williams that continues until this day. In this conversation, Gloria talks about her career as a classical performer and her path that led to perform as pianist for film scores; she recollectes her first experience playing for John Williams on Munich, the challenges of playing the solo on Tintin and her views on the Maestro's style when writing for piano, reflecting upon her experiences playing Conversations and the Prelude and Scherzo. For more information, visit https://thelegacyofjohnwilliams.com/2022/08/05/gloria-cheng-podcast/

LooseLeaf NoteBook provides a safe space to talk about mental health challenges and modes of healing, including therapy, medication, and at-home self-care practices, as well as examining the complex and often misunderstood relationship between mental health and creativity. I share why I started this project, and how my composition professor, Steven Stucky, created a safe space for me to talk during our lessons, ultimately enabling me to seek professional help for my anxiety at the age of 19.   Questions or comments may be shared on Julia Adolphe's YouTube Channel

Allan McMurray enjoyed a 35 year career as the Director of Bands at the University of Colorado. Over the course of his remarkable career he has earned numerous honors and awards and is a past president of CBDNA. Topics: Allan’s background in music and his early influences. The influence of H. Robert Reynolds on Allan’s career and some thoughts about the importance of finding great models to emulate. Thoughts about motivating students and showing them that you care and pursuing excellence in your career. “Imitation is the greatest form of flattery but the lowest form of artistry.” The relationship between composers and conductors and how that collaboration can bring out the best in the music. Biography: Allan McMurray is Distinguished Professor and Professor of Conducting Emeritus at the University of Colorado. He served for 35 years as Director of Bands and Chair of the Conducting Faculty before retiring from CU at the end of the 2013 academic year. Prior to this position, he was on the faculty of the University of Michigan, Southern Illinois University-Edwardsville and University of Wisconsin-Whitewater. Considered one of the world’s leading teachers of conducting, Professor McMurray has guest conducted and taught conductors in 48 states and 15 foreign countries. He has been a featured visiting professor and conductor at over 200 universities and conservatories internationally. During his tenure at Colorado, the University of Colorado Wind Symphony performed by invitation at major conferences and conventions, including The First International Conference for Symphonic Bands in Manchester, England; the All-Japan Band Conference in Nemo Nu Sato, Japan; the College Band Directors National Association Convention (twice); and the World Association of Symphonic Bands and Ensembles in Hamamatsu, Japan. The ensemble also has released two CDs on the Klavier label featuring original works by composers Daniel Kellogg, Carter Pann and Frank Ticheli and collaboration with the Takacs String Quartet, Patrick Mason, Baritone and Jennifer Bird-Arvidsson, Soprano. With a strong commitment to new music, Allan McMurray has been a strong proponent in commissioning and performing new compositions by American composers. He has won praise for his interpretive and expressive conducting by many composers including Pulitzer Prize winners Michael Colgrass, George Crumb, John Harbison, Karel Husa and Steven Stucky. Professor McMurray has performed with the St. Louis Symphony, the Wisconsin Chamber Orchestra, and the Los Angeles Debut Orchestra and has guest conducted the Colorado Symphony, the Thai Philharmonic Orchestra and the Colorado Music Festival Orchestra. He also conducted the Prague Chamber musicians in a festival featuring the music of George Crumb in Prague and subsequently in the US. McMurray also completed four seasons with the Colorado Ballet Orchestra as conductor of Philip Feeney’s Dracula. Professor McMurray’s internationally acclaimed DVD series on the Art of Conducting includes three DVDs: “Conducting from the Inside Out: Gesture and Movement” published by GIA; “Conducting from the Inside Out: Conductor and Composer with Frank Ticheli” published by Manhattan Beach Music; and “Kindred Spirits” with friends and well-known conductors Richard Floyd, Craig Kirchhoff and Robert Reynolds also published by GIA. He is currently working on a companion textbook to the DVD series. Allan McMurray has received numerous honors and awards. He is a Past-President of the College Band Directors National Association, he is a recipient of the Bohumil Makovsky Award for Outstanding College Band Directors from the National Band Fraternity, Kappa Kappa Psi, and has been recognized by California State University Long Beach as “Distinguished Artist in Classical Music.” In December 2004, the Board of Regents of the University of Colorado designated Allan McMurray as the university’s 25th “Distinguished Professor” in recognition of his lifetime professional achievement in the teaching of conducting. ------- Are you planning to travel with your group sometime soon? If so, please consider my sponsor, Kaleidoscope Adventures, a full service tour company specializing in student group travel. With a former educator as its CEO, Kaleidoscope Adventures is dedicated to changing student lives through travel and they offer high quality service and an attention to detail that comes from more than 25 years of student travel experience. Trust Kaleidoscope’s outstanding staff to focus on your group’s one-of-a-kind adventure, so that you can focus on everything else!

Pianist Gloria Cheng discusses how she and her students grew closer together while facing the unique challenges of virtual music education, how incorporating new recording exercises provided surprising gifts, and how she returned to her own daily artistic practice during the pandemic. We also share memories of the late composer Steven Stucky, and how Gloria channeled her grief at his passing into a creative tribute, her album entitled "Garlands for Steven Stucky," which includes my composition, "Snowprints." Grammy and Emmy Award-winning pianist GLORIA CHENG has long been devoted to a process of creative collaboration, having worked extensively with such internationally renowned composers as John Adams, Terry Riley, Thomas Adès, and the late Steven Stucky. Ms. Cheng has appeared as a concerto soloist with the Los Angeles Philharmonic under Zubin Mehta and Pierre Boulez, and on its acclaimed Green Umbrella series with Esa-Pekka Salonen and Oliver Knussen. She has been a recitalist at the Ojai Music Festival (where she first appeared in 1984 with Pierre Boulez), the Chicago Humanities Festival, William Kapell Festival, and Tanglewood Festival of Contemporary Music. Ms. Cheng inspired and premiered such notable compositions as Esa-Pekka Salonen's Dichotomie (of which she is the dedicatee), John Adams' Hallelujah Junction for two pianos (written for her and Grant Gershon), and Steven Stucky's Piano Sonata. Partnering with composers in duo-recitals, she premiered Thomas Adès's two-piano Concert Paraphrase on Powder Her Face and Terry Riley's Cheng Tiger Growl Roar. Ms. Cheng received a Grammy Award for her 2008 recording, Piano Music of Salonen, Stucky, and Lutosławski, and a second Grammy nomination for her 2013 disc, The Edge of Light: Messiaen/Saariaho. On screen, Ms. Cheng's film, MONTAGE: Great Film Composers and the Piano — documenting the recording of works composed for her by Bruce Broughton, Don Davis, Alexandre Desplat, Michael Giacchino, Randy Newman, and John Williams — aired on PBS SoCal and captured the 2018 Los Angeles Area Emmy Award for Independent Programming. Her most recent disc, Garlands for Steven Stucky, is a star-studded tribute to the late composer by 32 of his friends and former students. After obtaining a Bachelor's degree in Economics from Stanford University, Ms. Cheng studied in Paris on a Woolley Scholarship and earned graduate degrees in performance from UCLA and the University of Southern California, where her teachers included Aube Tzerko and John Perry. Ms. Cheng now is on the faculty at the UCLA Herb Alpert School of Music where she has created courses and programs designed to unite performers, composers, and scholars. www.gloriachengpiano.com   Questions or comments may be shared on Julia Adolphe's YouTube Channel  

Keturah interviews Gene Scheer about his time on tour with Cats, his eclectic body of work, his collaboration with Jake Heggie, his upcoming premiere with Joby Talbot, and adapting libretti from existing work.

Craig Kirchhoff is emeritus professor of conducting at the University of Minnesota. He joins the show to offer advice about conducting and teaching, and to discuss a career that included working with Frederick Fennell and the Tokyo Kosei Wind Orchestra. Topics: Craig’s lakefront cabin on the Canadian border and the legacy of Jim Croft. Craig’s background and training growing up in Milwaukee, some early teachers that influenced his career, and his first teaching jobs. Thoughts about teacher preparation and what young teachers need to be successful. Meeting Frederick Fennell, some thoughts about the great conductor, and how that changed the course of Craig’s career. Working with the Tokyo Kosei Wind Ensemble. Conducting skills and advice for young band directors who want to become better at their craft as conductors. The 80/20 rule. Links: Craig Kirchhoff Tokyo Kosei Wind Orchestra Mozart: Serenade No. 10 "Gran Partita" Holst: First Suite in E-flat Schwantner: Sparrows Biography: Craig Kirchhoff is professor emeritus of conducting at the University of Minnesota. Born and educated in Wisconsin, Mr. Kirchhoff brings to his position a wide knowledge of both traditional and contemporary literature. He has won critical acclaim from composers Warren Benson, Henry Brant, Michael Colgrass, Karel Husa, Libby Larsen, George Perle, Vincent Persichetti, Stephen Paulus, Verne Reynolds, Gunther Schuller, Joseph Schwantner, Steven Stucky, Elliott Schwartz, Chen Yi, and others. Mr. Kirchhoff is past president of the College Band Directors National Association and is a member of the American Bandmasters Association, the National Band Association, the World Association of Symphonic Bands and Ensembles, and the Music Educators National Conference, and he served as the founding editor and principal advisor of the College Band Directors National Association Journal. Professor Kirchhoff has appeared as guest conductor, clinician, and lecturer throughout the United States, Australia, Canada, Japan, Taiwan, Europe, and Scandinavia. Mr. Kirchhoff is a frequent guest conductor of the Tokyo Kosei Wind Orchestra and has recorded with them on the Kosei Publishing label. ------- Are you planning to travel with your group sometime soon? If so, please consider my sponsor, Kaleidoscope Adventures, a full service tour company specializing in student group travel. With a former educator as its CEO, Kaleidoscope Adventures is dedicated to changing student lives through travel and they offer high quality service and an attention to detail that comes from more than 25 years of student travel experience. Trust Kaleidoscope’s outstanding staff to focus on your group’s one-of-a-kind adventure, so that you can focus on everything else!

David Biedenbender is an Assistant Professor of Composition at Michigan State and a member of the Blue Dot Collective. He joins the show to talk about his music and share his thoughts about composing for band. Topics: David’s background growing up in Michigan and learning music by watching his mother play organ, and how a high school band director gave him his first big break that led to him studying music. Studying at Central Michigan University and how he didn’t write a single band piece while studying with David Gillingham The story of how he wrote Melodius Thunk and bringing in popular elements such as jazz and rock and roll into the concert band medium. Influences on his compositional style, a conversation about development in band music, and why he self-publishes his music and distributes it through Murphy Music Press. Links: David Biedenbender Murphy Music Press Biedenbender: Melodious Thunk Beidenbender: Cyclotron Abide With Me Biography: David Biedenbender (b. 1984, Waukesha, Wisconsin) is a composer, conductor, performer, educator, and interdisciplinary collaborator. David’s music has been described as “simply beautiful” [twincities.com], “striking” and “brilliantly crafted” [Times Argus] and is noted for its “rhythmic intensity” [NewMusicBox] and “stirring harmonies” [Boston Classical Review]. “Modern, venturesome, and inexorable…The excitement, intensity, and freshness that characterizes Biedenbender’s music hung in the [air] long after the last note was played” [Examiner.com]. He has written music for the concert stage as well as for dance and multimedia collaborations, and his work is often influenced by his diverse musical experiences in rock and jazz bands as an electric bassist, in wind, jazz, and New Orleans-style brass bands as a euphonium, bass trombone, and tuba player, and by his study of Indian Carnatic music. His present creative interests include working with everyone from classically trained musicians to improvisers, acoustic chamber music to large ensembles, and interactive electronic interfaces to live brain data. David has had the privilege of collaborating with many renowned performers and ensembles, including Alarm Will Sound, the PRISM Saxophone Quartet, the Stenhammar String Quartet (Sweden), the New Jersey Symphony Orchestra, the Aspen Contemporary Ensemble, the United States Navy Band, the Philharmonie Baden-Baden (Germany), VocalEssence, the Eastman Wind Ensemble, the Music from Copland House Ensemble, Detroit Symphony Orchestra bass trombonist Randall Hawes and pianist Kathryn Goodson, the Juventas New Music Ensemble, the Washington Kantorei, the Atlantic Chamber Ensemble, the Boston New Music Initiative, Ann Arbor Dance Works, Composer’s Inc. (San Francisco), and the Grand Valley State New Music Ensemble. dsc_3680Recent recognition for his work includes two ASCAP Morton Gould Young Composer Awards (2011, 2012) and the 2012 Suzanne and Lee Ettelson Composers Award. His music has been heard in many diverse venues, including Carnegie Hall, Gaudeamus Muziekweek/TivoliVredenberg (Netherlands), Symphony Space (New YorkCity), the Smithsonian Museum, the German Embassy (Washington, DC), the Antonín Dvořák Museum (Prague), the Old First Church (San Francisco), Harris Hall (Aspen Music Festival), the Interlochen Center for the Arts, Hill Auditorium (Ann Arbor, MI), the University of Michigan Museum of Art, as well as at numerous universities and conservatories, and it has been broadcast on NPR stations around the country, including on WNYC’s Soundcheck with John Schaefer and on Center Stage from Wolf Trap. David’s music can also be heard on many commercially available recordings, including recent albums by the U.S. Navy Band, Akropolis Reed Quintet, H2 Saxophone Quartet, Khemia Ensemble, PUBLIQuartet, and the North Texas Wind Symphony. Recent and upcoming commissions and projects include works for yMusic, the New York Virtuoso Singers, the Cabrillo Festival of Contemporary Music, San Francisco Symphony principal trombonist Tim Higgins, the Albany (NY) Symphony Orchestra, the Edge Ensemble, the Donald Sinta Saxophone Quartet, the Akropolis Reed Quintet, Kevin Sedatole and the Michigan State University Wind Symphony, and pianist Jeannette Fang. In addition to composing, David is a dedicated teacher. He is Assistant Professor of Composition in the College of Music at Michigan State University, and he previously taught composition and theory at Boise State University, Eastern Michigan University, Oakland University, Madonna University, the Music in the Mountains Conservatory, and the Interlochen Arts Camp. He has also taught an interdisciplinary course in creativity and collaboration in the Living Arts program at the University of Michigan. His composition students have achieved regional and national recognition for their creative work, including numerous awards and acceptance into renowned summer music festivals and undergraduate and graduate composition programs. He received the Doctor of Musical Arts and Master of Music degrees in composition from the University of Michigan, Ann Arbor and the Bachelor of Music degree in composition and theory from Central Michigan University. He has also studied at the Swedish Collegium for Advanced Study in Uppsala, Sweden with Anders Hillborg and Steven Stucky, the Aspen Music Festival and School with Syd Hodkinson, and in Mysore, India where he studied South Indian Carnatic music. His primary musical mentors include Stephen Rush, Evan Chambers, Kristin Kuster, Michael Daugherty, Bright Sheng, Erik Santos, Christopher Lees, David R. Gillingham, José Luis-Maurtúa, John Williamson, and Mark Cox.

Hello and welcome back to The Band Director's Lounge! If you have been keeping up in real time with episode releases, you will know that there has been a bit of a lag time between the past few episodes due to the wrap up of the end of the school year. However, after listening to today's guest I think that you will find that the delay has been worth the wait!   Originally from Wisconsin Rapids, Wisconsin, Dr. Heidi Johanna Miller currently serves on the faculty at Gustavus Adolphus College, where she conducts the Gustavus Wind Symphony and teaches courses in music education. Her previous appointment was as artist-in-residence in Winds at Williams College in Williamstown, Massachusetts, where she conducted and coordinated the wind ensemble.  She has also taught classes and conducted ensembles at the University of Massachusetts-Amherst, Ithaca College, and the University of Minnesota. Her first teaching position was at Spring Lake Park High School, right here in Minnesota!  While working on her doctorate, she and her husband James co-founded the Minneapolis-St. Paul based Sapphire Chamber Consort, which gave several performances in Minnesota and Wisconsin. While in New England she served as the assistant conductor with the Pioneer Valley Symphony Orchestra and Chorus for one year, and continued to co-conduct the Amherst Community Band while on faculty at Williams College. Heidi is passionate about the intersection between vocal an instrumental music of all types, as well as the interconnectedness of music and art with everything else in our daily lives.  As a performer, she remained active in many community and semi-professional ensembles through the years; as a trumpet player with the Metropolitan Symphony orchestra in the cities, and as a singer, with the Minnesota Chorale, the Saint Paul Chamber Orchestra Chorale, the Cornell Chorale while in Ithaca, and Novi Cantori and the Flux Ensemble in New England.  She is currently searching for a place to sing, but has been studying ballet to feed her soul artistically. Heidi is also active as a guest conductor and clinician, having worked with ensembles in Minnesota, Massachusetts, Vermont, New Hampshire, Connecticut, Rhode Island, California, and Scandinavia.  Some of her recent guest conducting includes concerts with the Rhode Island Wind Ensemble this past April, the Gustavus Wind Orchestra on their 2018 tour of Sweden and Norway as well as their performance at the Minnesota Music Educators convention, the 2018 Minnesota Intercollegiate Honor Band, the 2016-2017 Ordway High School Honor Band, and the 2015 California All-State band at Cal Poly.  She presented at the 2019 Minnesota Music Educators convention and the 2018 New England Band Director's Institute, and has adjudicated numerous large group festivals in MN and New England. She also served as co-conductor of the Encore Wind Ensemble during the 2014-2015 season. Heidi earned the DMA in conducting from the University of Minnesota, where she served as conductor of the North Star Band and worked as a full-time teaching assistant in the music department.  During this time the University awarded her a Graduate Research Fellowship for her dissertation research on the music of Steven Stucky. Her masters degree is from Ithaca College, and her bachelors – in performance and music education – also come from the University of Minnesota. Heidi lives in St. Peter, MN with her husband, James, their daughters Linnea and Ingrid, and their two ridiculous cats, Tisbury (“Tizzy”) and Strider (aka “The Kitten.”)  Outside of music her interests include reading, cooking, baking with sourdough, ballet, golf, and running.   Heidi is a musician at the top of her craft and I think that you will find that she has some great thoughts to share on teaching band.   We are going to dive into our interview in just a second, but first I want to mention that this episode is brought to you by Audible. Like podcasts, audiobooks are easy to listen to on your commute to and from work or playing in the background during work time in your classroom. I find myself over the course of a week or two completing an audiobook during workouts and drive time to and from school. If you are interested in upping your “reading” game, check out this offer from The Band Director's Lounge. You can get a free month of Audible and 2 free books when you use our referral link. Books that you acquire through audible are yours to keep even if you stop your subscription, so it is totally worth checking out! Audible - 30 days free + 2 free books (https://amzn.to/2WToqS2)   And now onto my conversation with Dr. Heidi Johanna Miller. Background (03:34) Why Music Education and Teaching at GAC (11:50) Favorite Topics in Large Ensembles (30:00) What Should You Strive for in Instruction? (36:26)  Personal Life & Teaching Band (40:30) A Woman Band Director (46:37) Score Study (63:40) Conducting Tips (74:59) Books that Inspired Your Musicianship (81:36) Advice for Young Band Directors (87:12)   If you like what you heard today consider heading over to TheBandDirectorsLounge.com and use our affiliate links to purchase some of the books mentioned in the show, sign up for a free trial with Audible, or pick up a set of Eargasm Earplugs ( http://bit.ly/2HBge0T). Your purchases through these links help offset some of the costs of recording, producing, and hosting this show. If you're wondering what is in store from The Band Director's Lounge for the rest of the summer, don't worry there will be new episode releases. However do anticipate a more relaxed release schedule. I am not sure about you, but I have a long list of summer to-do's both in and out of my classroom and now is the best time to do them. That and my wife and I are getting ready for our baby boy who is due in early July so things will be getting a little more busy on this end of the microphone. Thanks again for tuning in, I will see you back here next time in The Band Director's Lounge.   Other Resources Dr.Heidi Johanna Miller (Guest) Logan Burnside (Show Host) http://thebanddirectorslounge.com (Podcast Website) https://www.facebook.com/TheBandDirectorsLounge/ (FB Website)   Support The Band Director's Lounge   Eargasam Earplugs (http://bit.ly/2HBge0T) Audible - 30 days free + 2 free books (https://amzn.to/2WToqS2 ) Donate to support the podcast (paypal.me/pools/c/8dpQAkgwuQ)   Books mentioned in this episode Letters to a Young Poet, Rainer Maria Rilke What to Listen for in the World (Limelight), Bruce Adolphe J.R.R. Tolkein C.S. Lewis

Raymond Bisha introduces a new release of three American orchestral triumphs in stunning performances by the youthful ranks of the National Orchestral Institute Philharmonic under GRAMMY Award-winning conductor David Alan Miller. Carl Ruggles’ Sun-treader, Steven Stucky’s Concerto for Orchestra No. 2 and John Harbison’s Symphony No. 4 constitute the programme’s towering trio of symphonic masterpieces.

In light of Steven Stucky's recent and sudden death, we will be featuring works from his impressive repertoire. Stucky had a chameleon -like composing range using influences from Debussy, Schönberg, Lutoslawski, and more. Hosted by Seth Boustead Produced by Sarah Zwinklis

Composer Steven Stucky talks with Chris Grymes about his life, his music, his process, and more

Chris talks with Steven Stucky about music, art, his process, and life

In this feature-length biopic, Series Advisor Steven Stucky and Principal Conductor and Philharmonia Orchestra Artistic Advisor Esa-Pekka Salonen travel to Poland to the explore the life and works of Polish composer Witold Lutosławski, from his early life, his struggle for survival in Warsaw during the Second World War, the Stalinist period, and finally into his latter and most mature works. This film was released as part of the Philharmonia Orchestra's series Woven Words - "Music begins where words end". Explore the series’ digital resources at philharmonia.co.uk/lutoslawski.

In this feature-length biopic, Series Advisor Steven Stucky and Principal Conductor and Philharmonia Orchestra Artistic Advisor Esa-Pekka Salonen travel to Poland to the explore the life and works of Polish composer Witold Lutosławski, from his early life, his struggle for survival in Warsaw during the Second World War, the Stalinist period, and finally into his latter and most mature works. This film was released as part of the Philharmonia Orchestra's series Woven Words - "Music begins where words end". Explore the series’ digital resources at philharmonia.co.uk/lutoslawski.

Violinist Jennifer Koh talks about her relationship with Witold Lutosławski's Chain 2: Dialogue for Violin and Orchestra (1984–85), which she will perform with the Philharmonia Orchestra on 21 March 2013 at the Royal Festival Hall in London."The thing that satisfies me now - in every respect – is Chain 2." - Witold Lutosławski. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end". Explore the series’ digital resources at www.philharmonia.co.uk/lutoslawski

Violinist Jennifer Koh talks about her relationship with Witold Lutosławski's Chain 2: Dialogue for Violin and Orchestra (1984–85), which she will perform with the Philharmonia Orchestra on 21 March 2013 at the Royal Festival Hall in London."The thing that satisfies me now - in every respect – is Chain 2." - Witold Lutosławski. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end". Explore the series’ digital resources at www.philharmonia.co.uk/lutoslawski

Fourth in a series of four biographical films on the Polish composer, Witold Lutosławski. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen visit the Filharmonia Narodowa (National Concert Hall) in Warsaw and talk about the composer's later life. In his later years, Lutosławski flourished and finally found his distinctive musical voice. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Fourth in a series of four biographical films on the Polish composer, Witold Lutosławski. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen visit the Filharmonia Narodowa (National Concert Hall) in Warsaw and talk about the composer's later life. In his later years, Lutosławski flourished and finally found his distinctive musical voice. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Third in a series of four biographical films on the Polish composer, Witold Lutosławski. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen visited Polska Radio in Warsaw to talk about Lutosławski's work during Soviet rule. They view manuscripts of his compositions for radio and also pop music, which he composed under the pseudonym, Derwid. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Third in a series of four biographical films on the Polish composer, Witold Lutosławski. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen visited Polska Radio in Warsaw to talk about Lutosławski's work during Soviet rule. They view manuscripts of his compositions for radio and also pop music, which he composed under the pseudonym, Derwid. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen both knew the Polish composer, Witold Lutosławski well. In this film, the two composers reminisce about their friend and mentor and discuss his work. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen both knew the Polish composer, Witold Lutosławski well. In this film, the two composers reminisce about their friend and mentor and discuss his work. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Second in a series of four biographical films on the Polish composer, Witold Lutosławski. This film focuses on the composer's struggle for survival in Warsaw during World War II. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen traveled to Poland to find out more. Lutosławski expert Charles Bodman Rae also helps bring this terrifying moment in history to life. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

Second in a series of four biographical films on the Polish composer, Witold Lutosławski. This film focuses on the composer's struggle for survival in Warsaw during World War II. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen traveled to Poland to find out more. Lutosławski expert Charles Bodman Rae also helps bring this terrifying moment in history to life. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

First in a series of four biographical films on the Polish composer, Witold Lutosławski. This film focuses on the composer's early life and beginnings in music. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen traveled to Poland to discover how tragic and traumatic events in Lutosławski's early life shaped his compositions and personality. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".

First in a series of four biographical films on the Polish composer, Witold Lutosławski. This film focuses on the composer's early life and beginnings in music. Series Advisor, Steven Stucky and Philharmonia Orchestra Principal Conductor and Artistic Advisor, Esa-Pekka Salonen traveled to Poland to discover how tragic and traumatic events in Lutosławski's early life shaped his compositions and personality. Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end".