POPULARITY
The following was recorded LIVE at the Theater of the Living Arts in Philadelphia on December 5th 2024. It features the massive talents of Eric Gersen on the keys and Sam Pasternack on drums. I know we frequently say "this one gets wild" but would be believe, this one in fact does get wild? Come for the historical accuracy, stay for the pocket dimensions. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
An interview with the director, writer and artist Tom Bissinger, in which we talk about his work in the 1960s and 70s, including his all-too-brief term as the final Artistic Director of the Theatre of the Living Arts in Philadelphia. A native of San Francisco, Tom's fascinating life story is interwoven with so many iconic names from the 60s and 70s, including working in Philadelphia with the actors Dick Shawn, Judd Hirsch, Morgan Freeman and Danny DeVito!Tom's 2013 memoir, The Fun House: Memory, Magic & Mayhem, is available from XLibris, and can be found HERE.For a fun BLOG POST on our website, with more info and images from this time in Philly theater, go to: https://www.aithpodcast.com/blog/scuba-duba-la-turista-and-the-recruiting-officer-at-the-tla/Support the show"Adventures in Theater History: Philadelphia" the BOOK can be ordered from independent bookstores and at all online book retailers now!To see a listing on our publisher's website: GO HERE IF YOU LIKED THE SHOW, AND WANT TO LEAN MORE:Our website: www.aithpodcast.comOur email address: AITHpodcast@gmail.comBluesky: @aithpodcast.bsky.socialFacebook: https://www.facebook.com/AITHpodcastInstagram: https://www.instagram.com/aithpodcast/ YouTube: @AdventuresInTheaterHistorySupport us on Patreon: https://www.patreon.com/AITHpodcast© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music copyright Christopher Mark Colucci. Used by permission.
Bill and Tony are back with Season 3 of Bill and Tony's Excellent Adventure in Music. We didn't put out any new shows in 2024 because we were “on tour” seeing loads of concerts. We're back with a full slate of shows for you. Our opening act for the season will be a recap of the concerts we saw this year. We will also comment on some of our favorite new albums from 2024 and preview some of the episodes we have planned for you this year. We invite you to rejoin us as we continue our excellent adventure in music! Email Us: bill@bntexcellent.com tony@bntexcellent.com Social Media: Instagram: billandtonypod Twitter: @billandtonypod Facebook: https://www.facebook.com/bntexcellent Setlist Links January Fillmore, Philadelphia Digable Planets Black Pumas The Sphere, Las Vegas U2 February The Met, Philadelphia Mitski March Music Hall of Williamsburg, Brooklyn The Beaches Boyish Fillmore, Philadelphia Juanes April Theater of Living Arts, Philadelphia Maggie Rogers May Metuchen Laura Cantrell The Met, Philadelphia The Black Crowes The Met, Philadelphia Khruangbin June July Citi Field, Queens Foo Fighters Pretenders Mammoth WVH Wells Fargo Center, Philadelphia Blink-182 Pierce the Veil PNC Bank Arts Center, Holmdel Sammy Hagar Loverboy August Music Fest, Bethlehem Greta Van Fleet The Beaches Citizens Bank Park, Philadelphia Green Day Smashing Pumpkins Rancid Lincoln Financial Field, Philadelphia Pink Sheryl Crow September Stone Pony Summer Stage, Asbury Park Waxahatchee Snail Mail Tim Hediecker Prudential Center, Newark Kacey Musgraves Father John Misty Nickel Creek Wells Fargo, Philadelphia Pearl Jam Glen Hansard The Met, Philadelphia St Vincent Yves Tumor The Met Philadelphia PJ Harvey Asbury Lanes, Asbury Park The Beaches Charlie Houston October Wells Fargo, Philadelphia Maggie Rogers Ryan Beatty Kia Forum, Los Angeles ELO Rooney November The Met, Philadelphia Leon Bridges Hermanos Gutierrez Stargazer Lily December Terminal 5, New York Ghostface Killah & Raekwon GZA Underground Arts, Philadelphia LA LOM The National Reserve Underground Arts, Philadelphia The Thing Friend Wax Jaw The 10th Annual Ally Coalition Talent Show - Skirball Center, New York Bleachers Sabrina Carpenter Rachel Zegler Trey Anastasio Remi Wolf Additional Albums of Note: Wunderhorse - Midas Maggie Rogers - Don't Forget Me Cindy Lee - Diamond Jubillee The Beaches - Blame My Ex Been Stellar - Scream From New York, NY Fontaines DC - Romance The Marias - Submarine Illuminati hotties - Power Peso Plumo - ÉXODO
A re-edited, reduced and remixed account of the entire history of the Theatre of the Living Arts – the first major professional theater company in Philadelphia's modern era.Photo of the company of The Line of Least Existence was taken by Bill Watkins.Links to blog posts on our podcast's webpage, with other images and information about our sources, can be found here, here and here.Support the show"Adventures in Theater History: Philadelphia" the BOOK is coming soon! It will only be in USA bookstores after November 30, 2024. But you can secure your copy NOW! TO PRE-ORDER ON AMAZON: GO HERETO ORDER ON BROOKLINE BOOKS WEBSITE: GO HERE (Use the code 25PESC to save 25% at checkout!)Our email address: AITHpodcast@gmail.comFacebook: https://www.facebook.com/AITHpodcastInstagram: https://www.instagram.com/aithpodcast/Or, follow us on Bluesky: @aithpodcast.bsky.socialJoin us on Patreon: https://www.patreon.com/AITHpodcast© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music copyright Christopher Mark Colucci. Used by permission.
We had the opportunity to interview Aaron Sawyer at his first independent event called "Rapper's Delight" at the Living Arts of Tulsa in Tulsa Oklahoma. We talked about how it felt to be on the other side of events as well as what's next for him. Check out the episode and let us know what you think!
Part 3 of 3 episodes where The Get Right Band talks about their album iTopia Quick episode mp3 download https://mcdn.podbean.com/mf/web/57iaj2/Ep_176_Get_Right_Band_iTopia_pt_3b3xm2.mp3 Find The Get Right Band here thegetrightband.com Facebook open.spotify.com YouTube Instagram Subscribe to the podcast - https://podcasts.apple.com/us/podcast/wnc-original-music/id1378776313 https://www.iheart.com/podcast/wnc-original-music-31067964/ Follow on Social Media https://www.facebook.com/wncoriginalmusic https://www.wncoriginalmusic.com https://www.instagram.com/wnc_original_music/ Thanks to The Sleeping Cliffs for the closing song Linktree Spotify Bandcamp Youtube Instagram All music used by permission “The Get Right Band filters 60's/70's psychedelia and 90's alternative rock through a modern lens– as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” -American Songwriter The Get Right Band is a psychedelic indie rock power trio committed to relentlessly following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory, to capturing some version of truth. American Songwriter writes that the Asheville, NC based group, “filters 60's/70's psychedelia and 90's alternative rock through a modern lens–as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” The Get Right Band formed in 2011, built around the musical brotherhood that guitarist/singer/songwriter Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school (25 years!). Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage, with a charismatic swagger as frontman and singer. Gentry's virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). Over the years, GRB has defined their sound through constant evolution, building to the hook-driven, synth-heavy pop/rock/psych band they are today. The Huffington Post writes, “their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” “The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” – The Huffington Post The Get Right Band has shared the stage with Dr. Dog, Everclear, Cracker, UB40, Rusted Root, Smash Mouth, and Lifehouse; been featured on NPR's World Cafe, Paste Studio, and WTF with Marc Maron; and performed at major venues and festivals including The Fillmore, Brooklyn Bowl, Theatre of the Living Arts, The Orange Peel, FloydFest, Bristol Rhythm & Roots, and Riverbend Fest. They have released four studio albums and a live album, and their latest LP, iTopia, dropped on April 7, 2023. Based in the sprawling Blue Ridge Mountains of Virginia, The Sleeping Cliffs is a solo studio project from multi-instrumentalist Todd Glidewell. Combining elements of indietronica, post-rock, alternative, funk, jazz-fusion and ambient electronica, The Sleeping Cliffs produce emotive, cinematic, instrumental songs. Though not boxed in by any one genre, the songs share an undertow of gritty bass lines, layers of guitar, and big rock drums.
Jeff sits down with artist and musician Chris Combs as he shares about his current project, "Combsy" and reflects deeply about his journey and evolution during his first 10 years with Jacob Fred Jazz Odyssey.
The return of The Get Right Band continues against all odds Find The Get Right Band here thegetrightband.com Facebook open.spotify.com YouTube Instagram Thanks to Stress Dolls for the closing song Instagram - instagram.com/stressdolls Facebook - facebook.com/stressdollsmusic TikTok - tiktok.com/@stressdolls Youtube - youtube.com/@stressdolls Spotify - https://open.spotify.com/artist/2L4MBngvappicW4avjknRZ?si=GV-cbUQuSmKuSXvwSv3ewA Subscribe to the podcast - https://podcasts.apple.com/us/podcast/wnc-original-music/id1378776313 https://www.iheart.com/podcast/wnc-original-music-31067964/ This link has all the other places to subscribe https://gopod.me/wncom Follow on Social Media https://www.facebook.com/wncoriginalmusic https://www.wncoriginalmusic.com https://www.instagram.com/wnc_original_music/ All music used by permission “The Get Right Band filters 60's/70's psychedelia and 90's alternative rock through a modern lens– as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” -American Songwriter The Get Right Band is a psychedelic indie rock power trio committed to relentlessly following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory, to capturing some version of truth. American Songwriter writes that the Asheville, NC based group, “filters 60's/70's psychedelia and 90's alternative rock through a modern lens–as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” The Get Right Band formed in 2011, built around the musical brotherhood that guitarist/singer/songwriter Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school (25 years!). Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage, with a charismatic swagger as frontman and singer. Gentry's virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). Over the years, GRB has defined their sound through constant evolution, building to the hook-driven, synth-heavy pop/rock/psych band they are today. The Huffington Post writes, “their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” “The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” – The Huffington Post The Get Right Band has shared the stage with Dr. Dog, Everclear, Cracker, UB40, Rusted Root, Smash Mouth, and Lifehouse; been featured on NPR's World Cafe, Paste Studio, and WTF with Marc Maron; and performed at major venues and festivals including The Fillmore, Brooklyn Bowl, Theatre of the Living Arts, The Orange Peel, FloydFest, Bristol Rhythm & Roots, and Riverbend Fest. They have released four studio albums and a live album, and their latest LP, iTopia, dropped on April 7, 2023. Stress Dolls is the moniker of Chelsea O'Donnell, a songwriter from Buffalo, NY. She writes songs inspired by life experiences, ranging from dealing with chronic illness, to learning to live with anxiety, and even a few love songs thrown in for good measure. Currently, Stress Dolls takes on several forms live: solo with O'Donnell and her acoustic guitar; as a duo when joined by longtime collaborator Sally Schaefer on violin; or as a band when combined with members TJ Luckman (bass), Jordan Smith (lead guitar), and Josh English (drums). The project's sound has drawn such comparisons as "Joni Mitchell meets Nirvana," "Avril Lavigne and Foo Fighters in a blender," and "Kathleen Hanna fronting Modest Mouse."
Two people that are the voices of Philadelphia: Alejandro Bedoya and GoGo Morrow. First up, Alejandro is not just the Philadelphia Union's team captain, but also a passionate advocate to end gun violence. He's also on the board of Live Work Philadelphia whose mission is to grow and diversify the middle-income population in the City of Philadelphia. Add to the list of accomplishments: helping secure Philadelphia's bid to host matches during the 2026 FIFA World Cup! Next up, GoGo Morrow has been blessed to join the stage with the likes of Kanye West and Lady Gaga. She has also made her mark in her hometown of Philadelphia with a sold-out concert at the Theater of Living Arts and now has taken her Philly roots to Los Angeles. And yes, she still reps that 267 number.
The Get Right Band returns to talk about their recent album iTopia Find The Get Right Band here thegetrightband.com Facebook open.spotify.com YouTube Instagram Subscribe to the podcast - https://podcasts.apple.com/us/podcast/wnc-original-music/id1378776313 https://www.iheart.com/podcast/wnc-original-music-31067964/ This link has all the other places to subscribe https://gopod.me/wncom Follow on Social Media https://www.facebook.com/wncoriginalmusic https://www.wncoriginalmusic.com https://www.instagram.com/wnc_original_music/ All music used by permission “The Get Right Band filters 60's/70's psychedelia and 90's alternative rock through a modern lens– as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” -American Songwriter The Get Right Band is a psychedelic indie rock power trio committed to relentlessly following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory, to capturing some version of truth. American Songwriter writes that the Asheville, NC based group, “filters 60's/70's psychedelia and 90's alternative rock through a modern lens–as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” The Get Right Band formed in 2011, built around the musical brotherhood that guitarist/singer/songwriter Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school (25 years!). Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage, with a charismatic swagger as frontman and singer. Gentry's virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). Over the years, GRB has defined their sound through constant evolution, building to the hook-driven, synth-heavy pop/rock/psych band they are today. The Huffington Post writes, “their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” “The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” – The Huffington Post The Get Right Band has shared the stage with Dr. Dog, Everclear, Cracker, UB40, Rusted Root, Smash Mouth, and Lifehouse; been featured on NPR's World Cafe, Paste Studio, and WTF with Marc Maron; and performed at major venues and festivals including The Fillmore, Brooklyn Bowl, Theatre of the Living Arts, The Orange Peel, FloydFest, Bristol Rhythm & Roots, and Riverbend Fest. They have released four studio albums and a live album, and their latest LP, iTopia, dropped on April 7, 2023.
The the final episode of our story about the Theatre of the Living Arts. While exciting work continues to happen on South Street, opposition to Andre Gregory's artistic leadership rises, and eventually matters come to a head after the production of the play Beclch.(The image for this episode is actress Sharon Gans in the role of Queen Beclch, in a photo taken during rehearsals by Betty Nettis Bennett.)Go to our blog post "Landslide," which contains additional information, documents and photographs of the events we describe in this episode: https://www.aithpodcast.com/blog/landslide/After you hear the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, please write us at our email address: AITHpodcast@gmail.comInstagram: https://www.instagram.com/aithpodcast/Facebook: https://www.facebook.com/AITHpodcastSupport Philadelphia the history research! Find us on Patreon: https://www.patreon.com/AITHpodcast© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.
Our story continues, with productions of the '65-'66 second season of Philadelphia's first scrappy non-profit resident theater company - at its home on South Street. Visit our website to find a blog post with mages about the plays we discuss, as well as additional information about this episode. There is also, as always, a bibliography of our sources. See the article, "Blinded by the Light":https://www.aithpodcast.com/blog/blinded-by-the-light/After you hear the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, please write us at our email address: AITHpodcast@gmail.comInstagram: https://www.instagram.com/aithpodcast/Facebook: https://www.facebook.com/AITHpodcastSupport Us on Patreon! https://www.patreon.com/AITHpodcast© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.
Inner west Sydney is one of the doggiest places in the Australia.Even our most famous resident, Prime Minister Anthony Albanese, meets world leaders with First Dog Toto.This episode is about the stories and history of dogs in the inner west. Hear about...the original dog, dingoesdogs in the Frontier Wars of Sydneyhunting dogs of the early colonySydney's most valuable dog of the 19th century, the Kangaroo Doghow Australia's policy of poisoning dogs started herethe world's first dog-friendly cafeLeichhardt Dog Training Club, run by volunteersthe three dogs of Newtown, andwho is Maggie of Maggie's Rescue?GuestsGuy Hull: breed historian, dog behaviourist and author, including The Dogs That Made Australia (2018).Stephen Gapps: public historian specialising in the Frontier Wars and author, including The Sydney Wars 1788-1817 and Gudyarra - the First Wiradyuri War (Bathurst War) 1822-4.Richard Byrnes: artist and art teacher Michael Lloyd Jones: co-owner of Cafe Bones, Leichhardt SydneyLisa Wright: founder of Maggie's Rescue, Marrickville SydneyProductionJane Curtis: writer, researcher and producerJohn Jacobs: soundBernie Hobbs: presenterDylan Tonkin: artworkThanksBig thanks to everyone at the GreenWay who was interviewed about their dog in GreenWay Edge arts festival 2021.This podcast is mostly a labour of love. We're very grateful for Inner West Council's Community History and Heritage grant, and to Inner West Council's Living Arts, which supported Jane to be a ‘producer in residence' at the Greenway Edge arts festival.
Dancer/choreographer Michael Manson is an internationally recognized authority in Detroit Jit, a dance genre birthed in his hometown over 50 years ago. His talent earned him a national audience when he appeared on “So You Think You Can Dance” in 2015, and as a performer and teacher he has worked all over the States and as far away as Paris and La Paz. Once a student of famed dancer/choreography Rennie Harris, he now tours with Rennie Harris Puremovement in performances of “Caravan,” starring jazz scholar Terence Blanchard.Last year, Mike, in conjunction with the non-profit Living Arts, was one of five recipients of a prestigious Joyce Foundation grant for artists working in the Great Lakes region. Thanks to the grant's support, Mike has been able to commit to his passion, namely teaching young people in Detroit about their city's rich cultural history and ensuring that Detroit Jit is recognized, respected and studied as a distinctive American dance genre. The Joyce Foundation grant also allowed him to create “Rhythm of the Feet,” a concert-length dance production that not only centers Detroit Jit but also, thanks to a cast of professional dancers from around the country, places it in the context of other seminal American footwork styles, such as tap, Chicago footwork, House, Memphis Jookin and Lindy Hop.Here he describes how he developed his passion for cultural preservation in tandem with his dance skills and explains why he takes pride in seeing his students overtake him … as long as they remain respectful of the Jit.https://www.youtube.com/watch?v=OSSGccDQNXM&t=51shttps://www.youtube.com/shorts/Ioq0MK1mhdghttps://www.youtube.com/shorts/p7ZHQqOEX_0
The founding of Philadelphia's first major resident theater company: The Theatre of the Living Arts.As the 1960s begin, the fortunes of the Quaker City - and its theater - are flagging. Even the longtime supply of Broadway 'tryout' shows coming through town are beginning to dry up.To jump-start a revival, two Philadelphia area women, Jean Goldman and Celia Silverman, begin the arduous process of bringing the skeptical Philly audience a non-profit theater, music and cinema organization. The director Andre Gregory becomes the theater's original Artistic Director. By January 1965 - after some last minute drama - the first play of the first season has its premiere! Visit our website to find images, additional information, and a bibliography of our sources - "A Theatrical Baby With Two Mothers":https://www.aithpodcast.com/blog/a-theatrical-baby-with-two-mothers/PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, please write us at our email address: AITHpodcast@gmail.comInstagram: https://www.instagram.com/aithpodcast/Facebook: https://www.facebook.com/AITHpodcastSupport Theater History Research! https://www.patreon.com/AITHpodcast© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.
Is McDonald's McRib returning for the last time? Grace Wood, James Watts and Jimmie Tramel talk about the potential fast food farewell tour, as well as other past menu items from the Arch Deluxe to the McPizza. Plus, favorite Halloween tricks and treats. Related content: McDonald's McRib is returning to menus — but it's a farewell tour McDonald's is selling Happy Meals to adults — with a twist Review: Stage magic, winning performances enliven 'Frozen' Plan now to order holiday meals, pies Upcoming features: Home for Halloween: Carrie Underwood tackles questions before tour stop in Tulsa Sapulpa embraces retro with restoration of drive-in theater Tulsa Ballet offers new look at 'Carmen' Arts Scene: Dia de los Muertos at Living Arts; Joy Harjo book launch Review of "Little Shop of Horrors" by Theatre Tulsa Review of "The Italian Girl" by Tulsa Opera 'Creating memories': Homeowners in North Maple Ridge go all-out for Halloween Upcoming restaurant review of Hole Mole Contact Scene Writer Jimmie Tramel: Email | Twitter | Follow his stories Scene Writer Grace Wood: Email | Twitter | Follow her stories Scene Writer James Watts: Email | Twitter | Follow his stories Subscribe to this podcast on: Apple | Google | SpotifySupport the show: https://tulsaworld.com/See omnystudio.com/listener for privacy information.
Art, cars, crystals, and death chairs? This Philadelphia landmark was home to one of the city's greatest collectors - of antiques, priceless artifacts, and ghosts. When his family of Pennsylvania elites moved into the mansion on the hill, they had no way of knowing that some of the family members were moving in for eternity. Was this structure truly haunted or were spirits attached to the treasures within its walls? Recorded live at Theatre for Living Arts in Philadelphia, PA Head to sinisterhood.com/liveshows to purchase in-person tickets for our October 27th live show Head to Moment.co/sinisterhood to purchase virtual tickets for the October 27th live show Please consider supporting the companies that support us! -Get 10% off your first month at betterhelp.com/SINISTER -Helix is offering up to $200 off all mattress orders AND two free pillows for our listeners at Helixsleep.com/creepy Learn more about your ad choices. Visit megaphone.fm/adchoices
Art, cars, crystals, and death chairs? This Philadelphia landmark was home to one of the city's greatest collectors - of antiques, priceless artifacts, and ghosts. When his family of Pennsylvania elites moved into the mansion on the hill, they had no way of knowing that some of the family members were moving in for eternity. Was this structure truly haunted or were spirits attached to the treasures within its walls? Recorded live at Theatre for Living Arts in Philadelphia, PA Head to sinisterhood.com/liveshows to purchase in-person tickets for our October 27th live show Head to Moment.co/sinisterhood to purchase virtual tickets for the October 27th live show Please consider supporting the companies that support us! -Get 10% off your first month at betterhelp.com/SINISTER -Helix is offering up to $200 off all mattress orders AND two free pillows for our listeners at Helixsleep.com/creepy Learn more about your ad choices. Visit megaphone.fm/adchoices
To purchase tickets on EventbriteLyrics & Laughter Tickets, Sat, Mar 19, 2022 at 7:00 PM | Eventbrite
In the 9th episode of Season 2 of the Demystifying Diversity Podcast follows host Daralyse Lyons as she dives deeper into Ageism as it is interwoven into the fabric of American society. Daralyse is joined by gerontologists, activists, and researchers for an in-depth examination of the implications that ageism has on both our personal lives and how we operate within society at large. None of us are immune to ageism, especially older and younger individuals. While the previous episode focused on the abuses caused by ageism, this episode offers tangible suggestions for overcoming ageism in ourselves and in others. In this episode, you will learn about: How markers such as a person's age can be reframed through inclusive language. The importance of recognizing and understanding someone's entire lived experience, and appreciating the myriad ways our accumulated experiences shape each of us as individuals. The societal forces that are needed in order to make our society more age-inclusive. The direct links between how a person perceives their own age, and its impact on their overall health and well-being. Ageism's role in furthering capitalism and whiteness, and how if unchecked, it can promote other -isms as well. Our guests in this episode include: Ryan Backer - Ryan is the co-creator of OldSchool, an anti-ageism clearinghouse. He is an age activist striving to undo ageism within an intersectional framework. They aim to eradicate ageism, along with white supremacy, gender bias, ableism, body shaming, homophobia, classism and all other forms of oppression. Lena Makaroun - Lena is an ex-officio board member with the American Geriatrics Society, a nationwide, not-for-profit society of geriatrics healthcare professionals dedicated to improving the health, independence, and quality of life of older people, is a Geriatrician and Research Fellow who also sees patients at the VA Center for Health Equity Research and Promotion in Pittsburgh. She studies the intersection between health policy and health equity, with a particular interest in assessing the social determinants of aging on health and in reducing and preventing elder abuse. Trish D'Antonio - Trish is the Vice President of Policy and Professional Affairs for the Gerontological Society of America, an organization that is dedicated to supporting individuals in living meaningful lives as they age, something which requires a multidisciplinary and intersectional approach. Mia Mullen & Kiersten Jacobs - Two members of LeadingAge's executive team, Mia is LeadingAge's Associate Director of Strategic Initiatives and Kiersten is Senior Director of Shared Learning Initiatives. Together, they work to address the effectiveness of internal and external initiatives and to advance LeadingAge's ageism work, with a strategic focus on diversity, equity, and inclusion. Theresa Reid - Having spent much of her working life in the nonprofit sector, Theresa has spent time to establish and then run the American Professional Society on the Abuse of Children, The Chicago Children's Advocacy Center, ArtsEngine and Living Arts and the Alliance for the Arts in Research Universities. She has chaired her county's chapter of Moms Demand Action for Gun Sense in America. And she is the innovator behind Aging For Life. Theresa sees the connections between social neglect and insufficient resources early in life and the ways these failures haunt us throughout the life course. Kyrié Carpenter - One of the co-founders of OldSchool, Kyrie has worked to shift the tragedy-only narrative of ageism and dementia through her work on the ChangingAging tour. Prior to ChangingAging, she worked with elders living in long-term care and she wrote her thesis on the Anti-Aging Myth in America. Lise Jamison - Lise is a licensed clinical social worker and Executive Director of At Home In Greenwich, a nonprofit membership organization that supports older folks in remaining at home as long as they choose to do so and that provides everything from community engagement to structures of support for individuals as they age. Talia Kaplan - a student, a gymnast, a daughter, a sister, and a huge proponent of intergenerational relationships. Click here for a full transcript of this episode.
The 8th episode of Season 2 of the Demystifying Diversity Podcast follows host Daralyse Lyons as she explores the implications of Ageism and the abuse that is interwoven into the fabric of American society. She is joined by gerontologists, activists, and researchers for an in-depth examination of the implications that ageism has on both our personal lives and how we operate within society at large. None of us are immune to ageism, especially older and younger individuals. In this episode, you will learn about: Ageism's far reaching implications, and how every person is simultaneously the victim of, and a perpetrator of ageist views, actions, etc. How ageism, being something that no one is immune to, creates inherent intersectionality in our identities for all of us. The importance of factoring an individual's entire life experiences into their identity, and not just their age. The critical role of autonomy in an individual's life experience and humanity. The insidious nature of ageism, and that abuse is typically perpetrated by those we know, rather than by strangers. Our guests in this episode include: Ryan Backer - Ryan is the co-creator of OldSchool, an anti-ageism clearinghouse. He is an age activist striving to undo ageism within an intersectional framework. They aim to eradicate ageism, along with white supremacy, gender bias, ableism, body shaming, homophobia, classism and all other forms of oppression. Lena Makaroun - Lena is an ex-officio board member with the American Geriatrics Society, a nationwide, not-for-profit society of geriatrics healthcare professionals dedicated to improving the health, independence, and quality of life of older people, is a Geriatrician and Research Fellow who also sees patients at the VA Center for Health Equity Research and Promotion in Pittsburgh. She studies the intersection between health policy and health equity, with a particular interest in assessing the social determinants of aging on health and in reducing and preventing elder abuse. Trish D'Antonio - Trish is the Vice President of Policy and Professional Affairs for the Gerontological Society of America, an organization that is dedicated to supporting individuals in living meaningful lives as they age, something which requires a multidisciplinary and intersectional approach. Mia Mullen & Kirsten Jacobs - Two members of LeadingAge's executive team, Mia is LeadingAge's Associate Director of Strategic Initiatives and Kirsten is Senior Director of Shared Learning Initiatives. Together, they work to address the effectiveness of internal and external initiatives and to advance LeadingAge's ageism work, with a strategic focus on diversity, equity, and inclusion. Theresa Reid - Having spent much of her working life in the nonprofit sector, Theresa has spent time to establish and then run the American Professional Society on the Abuse of Children, The Chicago Children's Advocacy Center, ArtsEngine and Living Arts and the Alliance for the Arts in Research Universities. She has chaired her county's chapter of Moms Demand Action for Gun Sense in America. And she is the innovator behind Aging For Life. Theresa sees the connections between social neglect and insufficient resources early in life and the ways these failures haunt us throughout the life course. Kyrié Carpenter - One of the co-founders of OldSchool, Kyrié has worked to shift the tragedy-only narrative of ageism and dementia through her work on the ChangingAging tour. Prior to ChangingAging, she worked with elders living in long-term care and she wrote her thesis on the Anti-Aging Myth in America. Lise Jamison - Lise is a licensed clinical social worker and Executive Director of At Home In Greenwich, a nonprofit membership organization that supports older folks in remaining at home as long as they choose to do so and that provides everything from community engagement to structures of support for individuals as they age. Talia Kaplan - a student, a gymnast, a daughter, a sister, and a huge proponent of intergenerational relationships. Rob Lawless - Writer who over the course of the last six years has been on a mission to make 10,000 friends through hour-long individual conversations with people with a myriad of experiences and perspectives. Emily Anderson - Emily is a marketing director and lifestyle expert turned human-centered designer and coding teacher for Girls Who Code. Click here for a full transcript of this episode.
In this episode, Jeff sits down with artist and musician Chris Combs as he shares about his current project, "Combsy" and reflects deeply about his journey and evolution during his first 10 years with Jacob Fred Jazz Odyssey.To learn more about Chris and about "Combsy"visit www.combsymusic.com
Your breath is an extremely powerful and misunderstood tool. Although, breathing is probably not something you give much thought to since it does not (typically) take any effort on your part. As a result, you are often missing out on a multitude of benefits. In this episode, Aubree Saia, shares her passion and deeply enlightening nuggets of wisdom on conscious breathing and how it can not only transform your consciousness, but also your health, happiness and energy as well. Aubree is a Transformational Guide and Embodiment Alchemist, as well as the Creator & Founder of The Breath of Life Sacred Living Arts Training School. Learn more about Aubree Saia and The Breath of Life at www.breathoflife.loveConnect with Lisa:Website: sacredbeautylifestyle.comInstagram: @iamlisaeddyFB Group: https://www.facebook.com/groups/sacredbeautycollective
Jeff sits down with David Boynton as he shares deeply about his life journey and how his experiences and evolution informs his artistic perspective and his process.To learn more about David and his work, visithttps://www.dabakhstudios.comArtist StatementCustom wood and resin artwork and fine art paintings created right here in the USA by a retired Air Force 21-year veteran. My work is inspired by my career in the USAF, the aviation industry and as a master diver doing deep sea SCUBA diving. I am deeply moved by the images of deep space that are sent back from international space projects and NASA research teams. Ocean currents and solar systems have colors and movement that greatly inspire my work and put me into motion as a painter. I am also inspired by the aura that some of my clients put out and it has produced some amazing results! I create resin and wood vases, decorative objects, and funeral urns. My wood and resin coffee tables and end tables are in the “river table” style. (And even the occasional hand-turned wood and resin wizard wand!) My philosophy of turning is that I reveal what is already within the wood and I find that if I try to bend it to my will, rather than listen to what the piece is telling me what it is, it ends in disaster or a wasted blank. The same goes with my paintings, they are created with various acrylic pouring techniques depending on what I want to convey in each painting and relaying what the painting wants to be. Custom work can be ordered to complement your color palette and aesthetic and there will never be another piece like it in the whole world, be it wood or acrylic.
Jeff sits down with David Boynton as he shares deeply about his life journey and how his experiences and evolution informs his artistic perspective and his process.To learn more about David and his work, visithttps://www.dabakhstudios.comArtist StatementCustom wood and resin artwork and fine art paintings created right here in the USA by a retired Air Force 21-year veteran. My work is inspired by my career in the USAF, the aviation industry and as a master diver doing deep sea SCUBA diving. I am deeply moved by the images of deep space that are sent back from international space projects and NASA research teams. Ocean currents and solar systems have colors and movement that greatly inspire my work and put me into motion as a painter. I am also inspired by the aura that some of my clients put out and it has produced some amazing results! I create resin and wood vases, decorative objects, and funeral urns. My wood and resin coffee tables and end tables are in the “river table” style. (And even the occasional hand-turned wood and resin wizard wand!) My philosophy of turning is that I reveal what is already within the wood and I find that if I try to bend it to my will, rather than listen to what the piece is telling me what it is, it ends in disaster or a wasted blank. The same goes with my paintings, they are created with various acrylic pouring techniques depending on what I want to convey in each painting and relaying what the painting wants to be. Custom work can be ordered to complement your color palette and aesthetic and there will never be another piece like it in the whole world, be it wood or acrylic.
Jeff sits down with DJ Hejtmanek to hear about her experiences and perspective since she started her paining practice and about what it has been like for her at a deeper level to have work showing in the Oh.Tulsa exhibit at Living Arts of Tulsa.Her website/art gallery/blog can be found at www.djhejtmanek.com, Instagram atwww.instagram.com/djhejtmanekand FaceBook at www.facebook.com/DJHejtmanekCreates.DJ Hejtmanek (pronounced HATE'-mon-ik)discovered a passion for painting during thepandemic, which is inspiring her to spark beauty,balance, and freedom – one brush stroke at a time.With no formal training, she is learning on the fly andloving it. DJ has worn many hats – most recentlyserving as a fundraising professional for aninternational non-profit organization, “Dovie” to fivegranddaughters, JoJo's dog trainer, and licensedminister.DJ creates paintings and mixed media art, and herintensely personal artwork depicts whimsical creaturesof land, sea, and air, and dreamy, subconsciouslandscapes. Her creations examine our existence andoriginal design, often splashing her interior worldacross a canvas, complete with transparency,imagination, whimsy, muddle, and God-focus.A native of Louisiana, she and husband Louis live inBroken Arrow, Oklahoma, with their grown children and their families nearby.
Jeff sits down with Brittany White as she shares deeply about her artistic perspective, about how she got started taking photographs and film, and about her work that will be in the upcoming Oh, Tulsa exhibit at Living Arts of Tulsa.To learn more about Brittany and her work, visitWebsite: www.brittanykelleywhite.com Instagram handle: @brittanykelleywhite Brittany is a photographer currently based in the Tulsa area. Her work is a means of self-expression and illustrates a combination of documentary and staged narrative. Through the use of analogue photographic processes, she explores various themes such as childhood reflection, personal identity and the community in which she lives and works. Her work is heavily influenced by filmmakers and cinematographers such as Wim Wenders, Robby Müller and Andrei Tarkovsky.
Jeff sits down with Brittany White as she shares deeply about her artistic perspective, about how she got started taking photographs and film, and about her work that will be in the upcoming Oh, Tulsa exhibit at Living Arts of Tulsa.To learn more about Brittany and her work, visitWebsite: www.brittanykelleywhite.com Instagram handle: @brittanykelleywhite Brittany is a photographer currently based in the Tulsa area. Her work is a means of self-expression and illustrates a combination of documentary and staged narrative. Through the use of analogue photographic processes, she explores various themes such as childhood reflection, personal identity and the community in which she lives and works. Her work is heavily influenced by filmmakers and cinematographers such as Wim Wenders, Robby Müller and Andrei Tarkovsky.
Five years ago, the W.K. Kellogg Foundation, in partnership with the Kresge Foundation, launched Hope Starts Here, a community-focused, citywide initiative aimed at ensuring that all children in Detroit are prepared for kindergarten by increasing access to high quality early care and education. As part of the citywide initiative, Mathematica, with financial support from the Kellogg Foundation, worked to implement promising strategies to enhance the quality of informal child care, which is defined as unlicensed care provided by family, friends, and neighbors. Outside of care provided by a parent, informal child care is the most common form of care for infants and toddlers in the United States. The project focused on providing resources and support informal providers in southwest Detroit, one of 10 neighborhoods in the city where the number of children who need early care and education vastly exceeds the number of available, licensed slots. Even when a licensed slot is available, families may still prefer informal care because they believe the providers are more trustworthy, provide more culturally consistent care, and offer more affordable and convenient care. On the latest episode of On the Evidence, people involved in the effort to support informal child care in southwest Detroit reflect on the experience. Given how many families in United States rely on this form of care, insights on how to strengthen the quality of care and education offered by informal providers could help make the overall child care and early education system stronger and more equitable across the country. Guests for the episode are: • Linda Jackson, an informal care provider • Violeta Ramirez, an informal care provider • AleshaNicole, a teaching artist at Living Arts, a neighborhood nonprofit that provides arts education programs to engage and inspire youth, families, and teachers • Amanda Holiday, an early childhood specialist at Congress of Communities, a resident-led organizing and advocacy agency working for change in the areas of public safety and education • Eileen Storer Smith, a program officer at the W.K. Kellogg Foundation • Cleo Jacobs Johnson, a senior researcher at Mathematica Read the issue brief from Mathematica on supporting informal child care providers in southwest Detroit: http://mathematica.org/news/insights-from-a-community-collaborative-to-improve-informal-child-care-in-detroit Read a blog by Mathematica's Mynti Hossain, Nazihah Siddiqui, and Cleo Jacobs Johnson about why supporting informal child care providers is key to advancing equity: mathematica.org/blogs/supporting-informal-child-care-providers-is-key-to-advancing-equity
Watch on youtube-https://youtu.be/2CeFHULhGowJeff sits down with Maggie Boyett And Marwin Begaye as they reflect very deeply about their experiences in co-creating over the past 5 years and about what this project means to them a few weeks after the opening of their collaboration for OVAC Art 365 at Living Arts of Tulsa, Body Acknowledgement: The Body as LandThrough their collaboration Body Acknowledgment: The Body as Land, printmaker Marwin Begaye and performer Maggie Boyett investigate their identities as Urban Indians. Like many Native people, they have wrestled with the concept of "living in two worlds"—the idea that colonization has forced Indigenous people to navigate American culture and create space to live out their Indigenous values. This perspective fragments cultural experience, impacting their relationship to land and their communities. The recent uptick in land acknowledgments at public events and in the media inspired the artists to use the concept of land acknowledgment as an entry point for deepening their kinships with land, self, time and wellness.
Watch on youtubehttps://youtu.be/2CeFHULhGowJeff sits down with Maggie Boyett And Marwin Begaye as they reflect very deeply about their experiences in co-creating over the past 5 years and about what this project means to them a few weeks after the opening of their collaboration for OVAC Art 365 at Living Arts of Tulsa, Body Acknowledgement: The Body as LandThrough their collaboration Body Acknowledgment: The Body as Land, printmaker Marwin Begaye and performer Maggie Boyett investigate their identities as Urban Indians. Like many Native people, they have wrestled with the concept of "living in two worlds"—the idea that colonization has forced Indigenous people to navigate American culture and create space to live out their Indigenous values. This perspective fragments cultural experience, impacting their relationship to land and their communities. The recent uptick in land acknowledgments at public events and in the media inspired the artists to use the concept of land acknowledgment as an entry point for deepening their kinships with land, self, time and wellness.
Jeff sits down with Alexa Goetzinger, the Associate Director of the Oklahoma Visual Arts Coalition to hear about her experiences in administering the current Art 365 exhibit at Living Arts of Tulsa.She also shares an overview of the work of each of the artists in the exhibit.Anyone can sign up for the artists' workshops through www.Art365.orgAlexa was born and raised in Ardmore, Oklahoma, and graduated from the University of Oklahoma with degrees in fine art and art history. While she spent time working and interning in China and Italy after college, she ultimately realized there is no place like home. Since returning to Oklahoma she has been a high school educator, and most recently the Education Director for ARTSPACE at Untitled. In addition to her work in the non-profit sector, Alexa co-founded an annual international print exchange called Connect: Collect and is an avid printmaker. She is excited to be a part of the OVAC team and assist in the growth and development of Oklahoma's visual arts community through education, promotion, connection, and funding!
Jeff sits down with Alexa Goetzinger, the Associate Director of the Oklahoma Visual Arts Coalition to hear about her experiences in administering the current Art 365 exhibit at Living Arts of Tulsa.She also shares an overview of the work of each of the artists in the exhibit.Anyone can sign up for the artists' workshops through www.Art365.orgAlexa was born and raised in Ardmore, Oklahoma, and graduated from the University of Oklahoma with degrees in fine art and art history. While she spent time working and interning in China and Italy after college, she ultimately realized there is no place like home. Since returning to Oklahoma she has been a high school educator, and most recently the Education Director for ARTSPACE at Untitled. In addition to her work in the non-profit sector, Alexa co-founded an annual international print exchange called Connect: Collect and is an avid printmaker. She is excited to be a part of the OVAC team and assist in the growth and development of Oklahoma's visual arts community through education, promotion, connection, and funding!
Mother Me is an interdisciplinary performance involving music, text, movement and film that explores the complex relationships, psychology and sociology surrounding motherhood. The artist untangles her own mother/daughter relationship, grapples with feelings of uncertainty as a childless woman approaching the end of fertility, and asks questions that hold particular significance for a generation in the midst of shifting personal, cultural, societal and biological dynamics.CreditsPerformers: Mary Prescott - creator, voice, piano, movement; Cara Search - voice, movementFilm Photography: Bill Phelps & Drew HillPhoto Credit: Bill PhelpsRebroadcast of a performance originally presented and livestreamed by Roulette Intermedium on June 14, 2021.Mother Me is made possible with support from Living Arts of Tulsa, National Performance Network, Roulette Intermedium, Epitaph Arts, Lower Manhattan Cultural Council, Lanesboro Arts, The Jerome Foundation, Minnesota State Arts Board, Sanguine Arts, and Metropolitan Regional Arts Council.
On this edition of our program, we learn about the 2021 Art 365 program from the nonprofit Oklahoma Visual Arts Coalition (OVAC). The artists whose work appears in this very competitive year-long program were chosen by guest curator, Grace Deveney, the associate curator of Prospect.5 in New Orleans. She's our guest today, along with Alexa Goetzinger, the associate director of OVAC. The artists selected for this year's OVAC 365 exhibit are Ginnie Baer (Edmond), Crystal Z. Campbell (Oklahoma City), Naima Lowe (Tulsa), Mirella Martinez (Stillwater), and collaborators Maggie Boyett (Oklahoma City) and Marwin Begaye (Norman). More info on the new Art 365 exhibit at Living Arts of Tulsa, which opens tomorrow (Friday the 2nd) and runs till early August, is posted here .
WATCH ON YOUTUBEhttps://youtu.be/yobsdN3UNf8Jeff sits down with CJ Ward to hear him share some very compelling reflections about the power of conversations in bringing about healing between people and between communities. He also speaks about his experiences in contributing work to the The Tulsa Race Massacre Centennial Project at Living Arts and what it has been like for him to move to Tulsa and becoming a part of the community.From CJ-"There is therapy in expression, and freedom in self-expression. Whether literary, visual, musical, or physical, a unique perspective has the potential of bridging gaps - spiritually, mentally, and physically. Bridging gaps, and lapses in humanity. Gaps that may divide and separate humanity based on surface level judgment(s). I believe this is why arts & humanities will always go hand and hand. Art is beauty conveyed through the creative lenses of an artist, free spirit, and/or a free mind." Let's work together!To learn more about CJ, visitFor youth mentorship and/or counseling (limited availability):https://www.cjwardcreations.com/the-ward-wellness-servicesTo book for workshops, sponsorships, trainings/webinars/seminars, or speaking engagements:https://www.cjwardcreations.com/booking-speaking-engagementsFor products and other services:https://www.cjwardcreations.com/products
WATCH ON YOUTUBEhttps://youtu.be/yobsdN3UNf8Jeff sits down with CJ Ward to hear him share some very compelling reflections about the power of conversations in bringing about healing between people and between communities. He also speaks about his experiences in contributing work to the The Tulsa Race Massacre Centennial Project at Living Arts and what it has been like for him to move to Tulsa and becoming a part of the community.From CJ-"There is therapy in expression, and freedom in self-expression. Whether literary, visual, musical, or physical, a unique perspective has the potential of bridging gaps - spiritually, mentally, and physically. Bridging gaps, and lapses in humanity. Gaps that may divide and separate humanity based on surface level judgment(s). I believe this is why arts & humanities will always go hand and hand. Art is beauty conveyed through the creative lenses of an artist, free spirit, and/or a free mind." Let's work together!To learn more about CJ, visitFor youth mentorship and/or counseling (limited availability):https://www.cjwardcreations.com/the-ward-wellness-servicesTo book for workshops, sponsorships, trainings/webinars/seminars, or speaking engagements:https://www.cjwardcreations.com/booking-speaking-engagementsFor products and other services:https://www.cjwardcreations.com/products
WATCH ON YOUTUBEhttps://youtu.be/h3DUsU27AxMJeff sits down with Christina Henley, co-curator of the The Tulsa Race Massacre Centennial Exhibit at Living Arts to hear about what this experience has meant to her at a deeper level, about her perspective on the impact of this exhibit on people who have interacted with it, and her thoughts on how this has been a "mind altering" experience for her and for many others.Artist Statement-Creating is a sensory experience for me in process and execution. I think about the materials I use. How they feel to the touch, the texture I want to show and convey. Choosing colors that are striking, bold, unusual and jarring, and the emotions I want to evoke to myself and the viewer. Sometimes, I'll include three dimensional elements to push the piece even further into the sensory experience. I want the viewer to feel what I feel by what they see, while also forming their own interpretation or idea of what they are looking at. I don't want to conform and I think my artwork expresses that.
WATCH ON YOUTUBEhttps://youtu.be/h3DUsU27AxMJeff sits down with Christina Henley, co-curator of the The Tulsa Race Massacre Centennial Exhibit at Living Arts to hear about what this experience has meant to her at a deeper level, about her perspective on the impact of this exhibit on people who have interacted with it, and her thoughts on how this has been a "mind altering" experience for her and for many others.Artist Statement-Creating is a sensory experience for me in process and execution. I think about the materials I use. How they feel to the touch, the texture I want to show and convey. Choosing colors that are striking, bold, unusual and jarring, and the emotions I want to evoke to myself and the viewer. Sometimes, I'll include three dimensional elements to push the piece even further into the sensory experience. I want the viewer to feel what I feel by what they see, while also forming their own interpretation or idea of what they are looking at. I don't want to conform and I think my artwork expresses that.
WATCH ON YOUTUBEhttps://youtu.be/_rOAGN2jDOsJeff sits down with artist and educator Francine Campbell as she shares some incredibly compelling and meaningful stories about her experiences growing up in Deep Greenwood and about the connection between her childhood and why she chose to work as a teacher.She also speaks very candidly about her artwork that is featured in The Race Massacre Centennial Project at Living Arts of Tulsa and about some of the other artists' work that really speaks to her.
WATCH ON YOUTUBEhttps://youtu.be/_rOAGN2jDOsJeff sits down with artist and educator Francine Campbell as she shares some incredibly compelling and meaningful stories about her experiences growing up in Deep Greenwood and about the connection between her childhood and why she chose to work as a teacher.She also speaks very candidly about her artwork that is featured in The Race Massacre Centennial Project at Living Arts of Tulsa and about some of the other artists' work that really speaks to her.
Sonya Sophia is a revolutionary leader in the field of Emotional Freedom Techniques. With over 30 years of experience in the healing arts, she's worked with hundreds of thousands of people - from below the poverty line to the world's most influential families. Sonya has been featured in 2 films; “Femme - Women Healing the World” starring Sharon Stone, Whoopi Goldberg, Marianne Williamson, and “The Goddess Project”. Sonya Sophia is the founder of The Sophia School of Living Arts, and the host of the world's largest weekly EFT livestream - The World Tapping Circle. Her podcast “There's a Tap for That” can be found on iTunes. This episode covers her encounter with EFT (Emotional Freedom Techniques), discovering your divine purpose, and how a nervous breakdown got her to finding who she really was and her healing then her journey helping others heal. She is so passionate about humanity living in collaboration to make our beautiful blue planet a better place. Sonya shares her work through her podcast, "There's a Tap for That" providing tips and doing tapping for a more enhanced body soul and spirit. Check that out, and also attend the largest livestream - The World Tapping Circle which she also host. She can be reached @ https://www.worldtappingcircle.com/ https://sonyasophia.us/ Thank you for your constant support of Insight Out Alignment Podcast.
WATCH ON YOUTUBEhttps://youtu.be/Vn8o8B75fpgJeff sits down with artist Adam Carnes as he shares very deeply about what informs his work, about how moving to Tulsa and working here has changed his Consciousness, and about his work that is in the Tulsa Race Massacre Centennial Project exhibit at Living Arts of Tulsa.Adam Carnes (b. 1981), is a Tulsa transplant via Brooklyn. He received his MFA from the New York Academy of Art and BFA from the Ringling College of Art and Design. To learn more about Adam and his work, visithttps://www.adamcarnes.comhttps://www.instagram.com/adamcarnesart/*Photo by Melissa Lukenbaugh & Tulsa Artist FellowshipGKFF awarded Carnes with the 2017-2020 Tulsa Artist Fellowship. Growing up in Florida during the development of the Information Age, Carnes has been striving to maintain his connection with humanity through painting. Skira Rizzoli'spublication “The Figure” includes Adam's work and is sold in museum book stores like the Met, Royal Academy and National Gallery. His Griots art pieces were published in BOMB Magazine's Summer 2021issue #156 and “RELEASE ME, the Spirits of Greenwood Speak” anthology.These “Griots” pieces are an extension of my “Strangers, Friends & Sacred” series and they honor the 1921Tulsa Race Massacre survivors for their contributions to Tulsa's Historic Greenwood District, dubbed “Black Wall Street” for it's thriving concentration of black entrepreneurs. The overarching narrative speaks to the triumph of the human spirit.Griot is a “West African troubadour-historian. The griot profession is hereditary and has long been a part of West African culture. The griots' role has traditionally been to preserve the genealogies, historical narratives, and oral traditions of their people; praise songs are also part of the griot's répertoire.
WATCH ON YOUTUBEhttps://youtu.be/Vn8o8B75fpgJeff sits down with artist Adam Carnes as he shares very deeply about what informs his work, about how moving to Tulsa and working here has changed his Consciousness, and about his work that is in the Tulsa Race Massacre Centennial Project exhibit at Living Arts of Tulsa.Adam Carnes (b. 1981), is a Tulsa transplant via Brooklyn. He received his MFA from the New York Academy of Art and BFA from the Ringling College of Art and Design.To learn more about Adam and his work, visithttps://www.adamcarnes.com*Photo by Melissa Lukenbaugh & Tulsa Artist FellowshipGKFF awarded Carnes with the 2017-2020 Tulsa Artist Fellowship. Growing up in Florida during the development of the Information Age, Carnes has been striving to maintain his connection with humanity through painting. Skira Rizzoli’spublication “The Figure” includes Adam’s work and is sold in museum book stores like the Met, Royal Academy and National Gallery. His Griots art pieces were published in BOMB Magazine’s Summer 2021issue #156 and “RELEASE ME, the Spirits of Greenwood Speak” anthology.These “Griots” pieces are an extension of my “Strangers, Friends & Sacred” series and they honor the 1921Tulsa Race Massacre survivors for their contributions to Tulsa’s Historic Greenwood District, dubbed “Black Wall Street” for it’s thriving concentration of black entrepreneurs. The overarching narrative speaks to the triumph of the human spirit.Griot is a “West African troubadour-historian. The griot profession is hereditary and has long been a part of West African culture. The griots’ role has traditionally been to preserve the genealogies, historical narratives, and oral traditions of their people; praise songs are also part of the griot’s répertoire.
History/Herstory points the way forward. Connect with the path in this episode with Sacred Drummer and Teacher of Living Arts, Krista Holland. Hear how she followed her Soul and the Universe said fiercely and with so much love, "Don't Stop!" This is the main message of this whole podcast: When your Soul says yes, when your Soul says go, don't stop." Krista takes us through: Her own path to Sacred Drumming Finding Teachers Following her own "beat" A brief Herstory: When the Drummers Were Women (click to purchase book - amazon affiliate meaning I'd get a tiny portion of the sales) The cross-cultural phenomenon that drumming was and is How drumming in circle or community creates coherence without needing language The neurological benefits of drumming - including the ease with which her son would fall asleep when she would drum How to get started with the frame drum Connect with Krista: Website: https://sacreddrumming.com Facebook Page: https://www.facebook.com/sacreddrumming Connect with LC: Website & 18 Wayshower Affirmations: https://beingboundless.com Join The Gathering of Boundless Souls on FB: https://facebook.com/groups/beingboundless Instagram: https://instagram.com/being.boundless Listen to Amy's Episode: https://anchor.fm/theboundlesssoul/episodes/I-Hear-Dead-People-with-Amy-White-elnoma About My Guest: Krista Holland is a yogini, frame drummer, multifaceted teacher, modern polymath, and independent researcher. Krista's work and teaching draw from her in-depth practice and studies in the realms of Hatha yoga, Sacred Drumming, Permaculture, and ancient culture. Krista began her inquiry into Eastern philosophy, mysticism, and various meditation practices at an ashram in India at twelve years of age through one of her Mother's many teachers. Krista has dedicated her life to living and sharing a full-spectrum mandala of practices and disciplines, both ancient and modern. Krista is known for her powerfully transformative teaching and artistry in Hatha Yoga, Permaculture Design and Gardening, and Sacred Drumming. --- Support this podcast: https://anchor.fm/theboundlesssoul/support
Bringing intriguing, unsettling, unpredictable and provocative films to an audience long numbed by filmic predictability to the world, Ray Murray is president of Artsploitation Films. He is the author of “Images in the Dark: An Encyclopedia of Gay and Lesbian Film and Video” and was the founder and artistic director of the Philadelphia International Gay and Lesbian Film Festival (renamed Philadelphia QFest). For over thirty years he was president of TLA Entertainment Group. TLA operated repertory cinemas (TLA – Theatre of the Living Arts and Roxy Screening Rooms), video stores (TLA Video), online retail of movies (TLAVideo.com) and film distribution (TLA Releasing). We talk to him today about independent LGBT film as well as Artsploitation's newest release, The Prince, the directing debut of filmmaker SEBASTIÁN MUÑOZ . It has been called "one of most homoerotic prison movies" ever.
In this episode, we are connecting you to LifeWays North America, an organization dedicated to revolutionizing the care of young children through what they call the Living Arts as well as the Social Art of Awareness. LifeWays offers transformational practices that change people's lives. First, we address the ongoing struggles of people of color in our country because staying silent is not an option!To discover more please visit lifewaysnorthamerica.org and kimberton.org