Podcasts about vivaldi concerto

Se você embarcou na dieta vegana, é provável que os ovos sejam uma das poucas coisas que você ainda continua a consumir. Ao contrário do leite, chocolate ou mesmo queijo, os ovos naturais são notoriamente difíceis de replicar. Mas uma nova fórmula significa que o alimento pode chegar a uma prateleira de supermercado perto de você antes do que você imagina - completo com gema e casca. [...] Ovos veganos cozidos são a opção mais simples, ou se você preferir não cozinhar, os restaurantes começaram a servir suas criações também. As receitas de opções caseiras tendem a se concentrar no ovo frito, pois permitem a criação de elementos brancos e amarelos distintos, muitas vezes usando tofu e vegetais de laranja misturáveis. Os ovos veganos comercialmente disponíveis são mais comumente vendidos como líquidos, que podem ser facilmente mexidos, transformados em omeletes ou adicionados a produtos assados. Os ingredientes variam entre as marcas, mas muitos parecem favorecer o sal preto para um sabor e cheiro de ovo. [...] Muitas pessoas comem ovos para aumentar sua ingestão de proteínas, mas permanecem inconscientes dos possíveis problemas de saúde que podem ocorrer. Dito isto, o ovo vegano mais saudável pode ser transformado em um lanche quando cozido e servido de maneiras que aumentam significativamente o teor de gordura. Os ingredientes são apenas um fator a ser observado, com a preparação também desempenhando um papel importante. [...] Biólogos franceses criaram o Le Papondu - uma brincadeira com o verbo 'pondre' que significa colocar, com 'pas pondu' indicando que os ovos não foram postos por nenhuma galinha. Os ovos de galinha são usados de várias maneiras diferentes, o que significa que são difíceis de replicar. Foram necessárias mais de 50 receitas de teste e três anos para chegar a um estágio em que o produto fosse reconhecível em sua forma atual como algo que os consumidores gostariam de um ovo, disseram os criadores. A receita final de seu ovo vegano ainda está em desenvolvimento, mas a dupla de pesquisadores revelou que provavelmente será baseada em vegetais. [...] As alternativas de ovos à base de plantas da Empresa Le Papondu são compostas por ingredientes de origem natural, do mundo mineral e do mundo vegetal. Eles foram selecionados por suas interessantes propriedades culinárias, seus benefícios e seu baixo impacto ambiental. A tecnologia de alimentos francesa Le Papondu promete um ovo vegano que vem com casca (!) e eles também prometem que seu produto é extremamente fácil de usar. Até agora, os ingredientes e o sabor são um segredo bem guardado e a Empresa startup está atendendo apenas restaurantes no momento, mas um lançamento para o consumidor está em andamento. A empresa diz que pode ser usado em todas as aplicações de ovos, mas não está disponível para venda no varejo. Fontes (créditos): https://www.euronews.com/green/2022/01/19/vegan-eggs-french-women-breaking-down-the-final-frontier-in-veganism https://www.conquistesuavida.com.br/noticia/o-que-e-aquafaba-como-usar-grao-de-bico-para-fazer-esse-ingrediente-vegano_a11908/1 https://coperaguas.com.br/blog/2018/09/18/feijao-mungo-conheca-mais-sobre-esse-grao-recheado-de-beneficios-para-a-saude/ Imagem(créditos): https://www.euronews.com/green/2022/01/04/does-veganuary-really-cut-the-food-miles Trilha sonora (créditos): https://www.youtube.com/watch?v=xidC7TZRxkA. Vivaldi – Concerto in E minor for Bassoon, RV 484 Klaudia Abramczuk – bassoon - Akademia Filmu i Telewizji

Antonio Vivaldi - Concerto for Two Horns: 1st movementBedrich Tylsar, hornZdenek Tylsar, horn Capella IstropolitanaFrantisek Vajnar, conductorMore info about today's track: Naxos 8.550393Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - Concerto for Two Trumpets: 3rd movementCrispian Steele-Perkins, trumpetMichael Meeks, trumpetCity of London SinfoniaNicholas Kraemer, conductorMore info about today's track: Naxos 8.553204Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

As part of a 10-concert European tour in June 2023, Anne-Sophie Mutter and her Virtuosi ensemble, comprising some of today's finest young string players, gave an acclaimed concert at the Vienna Musikverein. This took place just days before the violinist's 60th birthday and it speaks volumes that she chose to share a stage with her young colleagues rather than marking the occasion with a gala solo performance. Based on that live concert, Mutter's latest Deutsche Grammophon album shows the variety and versatility for which she has become renowned, its repertoire ranging from Vivaldi and Bach to Previn and John Williams, via Joseph Bologne. It is set for release on 10 November, with three taster tracks to be issued digitally, complete with videos: Williams's Theme from Schindler's List on 6 October; the Allegro finale from Vivaldi's Concerto for 3 Violins on 27 October; and the central Largo from Bologne's Violin Concerto in A major on the same day as the album. The Vienna concert was filmed as a Unitel production, in co-production with Deutsche Grammophon & ZDF, and in cooperation with Arte Concert & Wiener Musikverein. Viewers around the world can enjoy it now on STAGE+, with the exception of those in France and Germany, who will be able to access it on the platform from 29 December onwards. Track Listing:1 Vivaldi: Concerto for 3 violins in F major, RV 5512 Bach, J S: Violin Concerto No. 1 in A minor, BWV10413 Previn: Nonet for two string quartets and double bass4 Saint-Georges: Violin Concerto in A major, Op. 5, No. 25 Bach, J S: Brandenburg Concerto No. 3 in G Major, BWV10486 Williams, John: Nice to Be Around (from Cinderella Liberty)7 Vivaldi: The Four Seasons: Summer, RV315 - Presto8 Williams, John: Schindler's List: ThemeClassical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

“This is how I want to make music!” That was Avi Avital's reaction when he first saw Il Giardino Armonico and Giovanni Antonini play live in Jerusalem. Now famed worldwide for his own charismatic and passionate performances, the mandolinist is delighted to be joined by this exciting period-instrument ensemble and its conductor and co-founder on his latest album, entitled simply Concertos. Together they perform three original concertos for mandolin – by Barbella, Paisiello and Hummel – and Avital's own adaptations of concertos by J.S. Bach and Vivaldi. Antonini is the recorder soloist in the Bach, while elaborate recording techniques allow Avital to play all four parts in the Vivaldi. Concertos is set for release by Deutsche Grammophon on 17 November. The Vivaldi concerto and the Andantino of the Barbella are available to stream or download now, while excerpts from the Paisiello and Hummel works will be released on 29 September and 27 October respectively.Track Listing:1 VIVALDI: Concerto for 4 Mandolins, Strings and Basso continuo in B minor /Allegro2 Largo – Larghetto – Adagio – Largo3 Allegro 4 BACH: Concerto for Mandolin, Recorder, Strings and Basso continuo in D minor/ Allegro5 Adagio6 Allegro 7 BARBELLA:Concerto for Mandolin, Strings and Basso continuo in D major 1. Allegro8 Andantino9 Giga. Allegro10 PAISIELLO: Concerto for Mandolin, Strings and Basso continuo in E flat major / Allegro11 Larghetto grazioso12 Giga. Allegro 13 HUMMEL: Concerto for Mandolin and Orchestra in G major / Allegro moderato e grazioso14 Andante con variazioni15 RondoClassical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

“This is how I want to make music!” That was Avi Avital's reaction when he first saw Il Giardino Armonico and Giovanni Antonini play live in Jerusalem. Now famed worldwide for his own charismatic and passionate performances, the mandolinist is delighted to be joined by this exciting period-instrument ensemble and its conductor and co-founder on his latest album, entitled simply, Concertos. Together they perform three original concertos for mandolin – by Barbella, Paisiello, and Hummel – and Avital's own adaptations of concertos by J.S. Bach and Vivaldi. Antonini is the recorder soloist in the Bach, while the latest technology allows Avital to play all four parts in the Vivaldi. Concertos is set for release by Deutsche Grammophon on 17 November. The Vivaldi concerto and the Andantino of the Barbella are available to stream or download now, while excerpts from the Paisiello and Hummel works will be released on 29 September and 27 October respectively.Track Listing:1 Concerto in B Minor, RV 580 / I. Allegro2 II. Largo3 III. AllegroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Join Ros, Grace, Sally and myself in this invitation to pray the Lord's covering over the span of our nation. Vivaldi: Concerto in D minor Op. 8:7 RV 242 2nd movt. Musicians: Shirley Richards, Helen Rees, Cathie Muncey, Chian Lewis Lim, Corinne Frost (strings) Fontane Liang (keyboard) Traditional: Greensleeves Musicians: Thomas Herzog (recorder) Susanne Herzog and Anne Seidel (violins) and Alex Koderisch (cello). Bless all who even now are waking up on the far side of the world and looking to You. Hold our nation in the palm of Your hand. As night falls and the workers of darkness bestir themselves, Protect our land from their malice and from acts of wanton destruction. Loose each victim from those who send out tormenting spells, from all snares of seduction and bewitching, from lust and depravity, from despondency and despair. May the outstretched hand of the Lord push back the frontiers of darkness, and grant such strength and succour that those who follow You may never tire of serving You. Lord, we follow Your leading now, as You prompt our spirits to pray, far beyond our place of work or neighbourhood, far beyond our Christian circles and connections, Holy Spirit of Prayer, set our hearts free to follow Your leading now.

Os temperamentos eram associados, por antigas civilizações, como temperos da vida. Sem eles, portanto, a vida teria um gosto menos especial. Essa é uma das ideias trazidas, neste episódio, que busca tratar dos diferentes tipos de temperamentos com um objetivo: conhecê-los para educá-los. Participantes: Erika Kalvelage e Pedro Guimarães Trilha Sonora: Antônio Vivaldi - Concerto para alaúde 2 violinos e baixo contínuo

Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas. His best known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi worked from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna hoping for preferment. The Emperor died soon after Vivaldi's arrival, and the composer died a pauper, without a steady source of income.About this Piece

Antonio Lucio Vivaldi (Venice, March 4, 1678 - Vienna, July 28, 1741) was an Italian composer and violinist linked to the environment of the late Venetian Baroque.His father was Giovanni Battista Vivaldi (1655-1736), the son of a tailor from Brescia who had moved to Venice in 1666, where he began his career as a barber and then as a violinist; his mother was called Camilla Calicchio, daughter of a tailor from Pomarico in the province of Matera.

“Sorgulanmadan geçen bir hayat yaşamaya değer olmayan, boşuna yaşanmış hayattır.” Sokrates'in bu sözü; kendini bilmek felsefesinin özünü yansıtır. Kendini bilmek, insanın kendiyle yüzleşmesi, tanıması, eksiklerinin farkında olması; varoluş sebebini anlamaya çalışması aslında. Bu varoluş arayışında insanın kendisi hakkında farkına varacağı, çözümüne ulaşacağı şeyler, ellerimizle yarattığımız birçok toplumsal ve çevresel sıkıntının da çözümüne yönelik temelleri oluşturuyor. Kendini bilme yolunda, insanın aklına başvurması gerekiyor. Akıl insanın en kuvvetli özelliği ama bir yandan da hala derinliklerini keşfedemediğimiz bir olgu. Aklın derinliklerine ne kadar inersek; kendimizin de o kadar farkında olabiliriz. Bu bölüm özelinde akıl denen olguyu Aristoteles'in perspektifinden inceleyip kendini bilmek felsefesinin temeline inmeye çalışacağım. 08:45'teki müzik: Vivaldi - Concerto for Strings and Basso Continuo in D Minor, RV 128 II. Largo 14:55'teki müzik: Vivaldi - Sinfonia in E Major, RV 132 I. Allegro 21:20''deki müzik: Vivaldi - Winter 29:10'daki müzik: Vivaldi - Storm

ANTONIO VIVALDI excelle in the music for string instrumentsas we had shown previously with THE FOUR SEASONS.Today we will explore his Concerto for 2 violins

ANTONIO VIVALDI excelle in the music for string instruments as we had shown previously with THE FOUR SEASONS. Today we will explore his Concerto for 2 violins

What makes an invisible art form like music visible? What helps you stay present with the music as it invisibly progresses through real time? Learn about “Blueprints” and “Listening Guides” in this episode!Also available in video format on YouTube with closed captioning at https://youtu.be/MBAIrNklMMELet us know what you think - comment and subscribe!Lead Sponsors of this program are Judy Musicant & Hugh Clark and The Kosloski Family Foundation. Major sponsors are David & Ellen Williams.Theme music: “Rocky Mountain Samba” by Dan Crisci. Used with permission.Vivaldi “Concerto for Two Violins in A Minor, RV522” The Philharmonic Orchestra of New Jersey George Marriner Maull, conducting Recorded live September 13, 1991

The flautists are Nicola Gerard, Sarah, the violinists Shirley Richards and Helen Rees, the viola is played by Julian Chan, with Jo Garcia on cello and Peter Richards on harpsichord.

Vivaldi Two Flutes, second movement The flautists are Nicola Gerard, Sarah, the violinists Shirley Richards and Helen Rees, the viola is played by Julian Chan, with Jo Garcia on cello and Peter Richards on harpsichord.

Good Morning it's Tuesday December 8th, and this is The Wenatchee World's newest podcast, Slices of Wenatchee. We're excited to bring you a closer look at one of our top stories and other announcements every Tuesday, Thursday, and Saturday. Today, we're discussing how Wenatchee could receive its first vaccine shipment as early as mid-December. Today's episode is brought to you by Equilus Group Incorporated. Equilus Group, Inc is a Registered Investment Advisory Firm in the states of Washington, Oregon, and Idaho. Equilus Group, Inc- Building Your Financial Success. Learn more at Equilusfinancial.com. Member SIPC and FINRA. And before we begin, do you want to share your home's holiday light display with the valley? You can add your festive decorations to our interactive map by visiting wenatcheeworld.com/holidaylights Now our feature story… Confluence Health has been approved as one of the first COVID-19 vaccine distribution centers in the state and they're expecting to receive their first doses by mid-December. The first shipment will include around 975 doses, likely going to health care workers and long-term care facilities first, followed by other at-risk groups, and eventually full communities. The first vaccine Confluence expects to receive is manufactured by the American company Pfizer and German company BioNTech. Early data from clinical trials found the vaccine to be safe and 95% effective. Here's Confluence Health's Dr. Mark Johnson, an infectious disease physician in Wenatchee. Confluence Health officials cautioned in an interview Friday that the distribution plan and timeline are still being worked out, so details of the plan may change. The Pfizer vaccine is also still under review at the FDA. But, according to Tyler Fischback, pharmacy manager and COVID-19 vaccine coordinator, the organization's approval as a storage and distribution site — which was granted by the state Department of Health back on Nov. 24 — confirms that it is in fact in a position to effectively bring vaccines to North Central Washington. Fishback said that there have been weekly calls with the Department of Health and other community partners, to plan how they will orchestrate the largest vaccination effort of the last 50 or 60 years. It's an enormous undertaking and it'll be an all-hands-on-deck community effort.” The delivery alone is delicate. The doses must be transported and kept at minus 94 degrees Fahrenheit, which Confluence will be able to accommodate in a freezer in one of its Wenatchee facilities. In fact, they actually have the capacity to hold around 20,000 doses in their research freezer.  Confluence Health, is the region's largest healthcare provider, and they already have experience handling and distributing the Pfizer vaccine on a much smaller scale. It was one of a few hundred organizations across the country that participated in Pfizer's Phase 3 trial earlier this year. Another vaccine, this one created by Boston company Moderna, is also pending approval by the FDA and is expected to be the next one delivered to North Central Washington. One major benefit? The Moderna vaccine doesn't need ultra-cold temperatures that the Pfizer vaccine requires, which Fishback believes will allow it to be more easily distributed, especially to more rural communities.. Like the Pfizer vaccine, it's also an mRNA vaccine that requires two doses. An mRNA vaccine essentially instructs a person's cells to create a harmless piece of the coronavirus called a spike protein. In response, the body develops an immune response and antibodies that can fight off the real coronavirus.  The chief of the FDA said on Friday that 20 million Americans could be vaccinated this year. Here he is in an interview with Reuters. And when the vaccine is finally opened up to the general public, Confluence will work with other local and state partners on a widespread education campaign to ensure the public understands that it is safe and effective. But until then, Confluence Health's CEO, Dr. Peter Rutherford has this following message. To keep up with stories like this sign up for the Wenatchee World's free Daily Headlines email newsletter. You'll get the day's news delivered straight to your email in-box every weekday morning, Go online to wenatcheeworld.com/newsletter and enter your email to sign up today. Now, we'd like to take a moment to remember internationally acclaimed violin virtuoso Camilla Wicks who's passing was felt deeply by many of us in North Central Washington.  Camilla, a child prodigy who was recognized as the foremost female concert violinist in the 1940s and 1950s, lived in Wenatchee with her children in the 1970s where she taught violin and played in the Wenatchee Valley Symphony. Despite her unfathomable talent, she was also a humble soul.  Camilla was born into a musical family of Norwegian heritage. She started playing the violin at age 3 ½ and performed the Vivaldi Concerto in A Minor in public, from memory, at age 4. Her family relocated to New York so that she could attend the Juilliard School of Music at age 10. In 1942, at age 13, she debuted as a soloist in New York's Town Hall and later with the Los Angeles Philharmonic. By her late teens, she was appearing with leading American orchestras and touring in Europe, to critical acclaim. There were few recordings of Camilla's' amazing talents, but the ones that survive have been lauded by music critics, including her legendary performance of the Sibelius concerto in 1952. She is survived by three of her children: Lise-Marie Wertanzl, Angela Thomas Jeffrey and Erik John Thomas. Camilla was a remarkable human being and a masterful teacher to so many musicians both in our valley and around the world.  If you are interested in hearing more of Camilla's music, she released the album: Camilla Wicks: Five Decades of Treasured Performance back in 2015. More information on her remarkable life can be found at camillawicks.net. Finally, some local history,  Wenatchee Valley History is brought to you by NABUR – your trusted neighborhood community. NABUR is a free online forum you can trust to connect with your community, focus on facts & make a difference. Join the conversation! Visit wenatcheeworld.com/nabur Did you know that between 1910 and 1930 Wenatchee's population surged? It went from less than 4,000 folks in 1910 to nearly 12,000 in 1930. With commercial success came libraries, schools, churches, theatres, shops, newspapers, and other institutions. Thanks for listening. We'd also like to thank our sponsor again, Equilus Group, Inc, a Registered Investment Advisory Firm in the states of Washington, Oregon, and Idaho. The Wenatchee World has been engaging, informing and inspiring North Central Washington Communities since 1905. We encourage you to subscribe today to keep your heart and mind connected to what matters most in North Central Washington. Thank you for starting your morning with us and don't forget to tune in again on Thursday! Support the show: https://www.wenatcheeworld.com/site/forms/subscription_services/ See omnystudio.com/listener for privacy information.

Classical Music for Autumn Tracklist: 0:00:00 Williams - Theme from Schindler's List - Metamorphose String Orchestra, Pavel Lyubomudrov 0:03:31 Britten - Simple Symphony, Op. 4: III. Sentimental Sarabande - Metamorphose String Orchestra, Pavel Lyubomudrov 0:10:22 Barber - Adagio for Strings - Orquesta Reino de Aragón, Ricardo Casero 0:18:40 Elgar - Serenade for Strings in E Minor, Op. 20: II. Larghetto - Ricardo Casero, Orquesta Reino de Aragón 0:25:20 Janacek - Suite for String Orchestra: II. Allemande. Adagio - Metamorphose String Orchestra, Pavel Lyubomudrov 0:29:09 Prokofiev - 6 Pieces from Cinderella, Op. 102: No. 6, Amoroso - Metamorphose String Orchestra, Pavel Lyubomudrov 0:32:02 Saint-Saens - The Carnival of the Animals: XIII, The Swan - Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov 0:35:25 Corelli - Concerto Grosso No. 1 in D Major, Op. 6: I. Largo - Kiev Chamber Orchestra, Liviu Buiuc 0:38:22 Corelli - Concerto Grosso No. 1 in D Major, Op. 6: III. Largo - Kiev Chamber Orchestra, Liviu Buiuc 0:42:19 Vivaldi - Concerto for Strings in D Major, RV 121: II. Adagio - Kaunas Chamber Orchestra, Silvano Frontalini 0:43:20 Rachmaninoff - 14 Romances, Op. 34: No. 14, Vocalise - Nike Hutchisson, Metamorphose String Orchestra, Pavel Lyubomudrov 0:48:23 Lyadov - Three Morceaux, Op. 11: No. 1, Prelude in B minor - Vadim Chaimovich 0:52:05 Lyadov - Three Morceaux, Op. 57: No. 3, Mazurka in F minor - Vadim Chaimovich 0:53:34 Tchaikovsky - Serenade for Strings, Op. 48: III. Elegia - Metamorphose String Orchestra, Pavel Lyubomudrov 1:02:46 Bach - Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String - Metamorphose String Orchestra, Pavel Lyubomudrov 1:08:21 Tchaikovsky - String Quartet No. 1, Op. 11: II. Andante Cantabile - Metamorphose String Orchestra, Pavel Lyubomudrov 1:14:57 Chopin - Nocturnes, Op. 48: No. 1 in C Minor - Vadim Chaimovich 1:21:32 Grieg - Holberg Suite, Op. 40: IV. Air - Metamorphose String Orchestra, Pavel Lyubomudrov 1:27:05 Puccini - Tosca: "Vissi d'arte" (Instrumental) - Ukrainian Philharmonic Orchestra, Silvano Frontalini 1:29:45 Litvinovsky - Suite for Strings "Le Grand Cahier": IX. Accusations - Metamorphose String Orchestra, Pavel Lyubomudrov 1:32:49 Vivaldi - Symphony in C Major, RV 112: II. Andante - Kaunas Chamber Orchestra, Silvano Frontalini 1:34:41 Vivaldi - Concerto for Strings and Basso Continuo in D Minor, RV 128: I. Allegro non molto - Kaunas Chamber Orchestra, Silvano Frontalini 1:37:18 Vivaldi - Concerto for Strings and Basso Continuo in D Minor, RV 128: II. Largo - Kaunas Chamber Orchestra, Silvano Frontalini 1:39:00 Corelli - Concerto Grosso No. 9 in F Major, Op. 6: I. Preludio. Largo - Kiev Chamber Orchestra, Liviu Buiuc 1:41:07 Vivaldi - The Four Seasons, Concerto No. 3 in F major, RV 293 "Autumn": I. Allegro - Metamorphose String Orchestra, Yuliya Lebedenko, Pavel Lyubomudrov 1:45:58 Vivaldi - The Four Seasons, Concerto No. 3 in F major, RV 293 "Autumn": II. Adagio molto - Metamorphose String Orchestra, Yuliya Lebedenko, Pavel Lyubomudrov 1:48:18 Vivaldi - The Four Seasons, Concerto No. 3 in F major, RV 293 "Autumn": III. Allegro - Metamorphose String Orchestra, Yuliya Lebedenko, Pavel Lyubomudrov 1:51:33 Vivaldi - Concerto for Strings & Continuo in C Major, RV 113: II. Grave - Kaunas Chamber Orchestra, Silvano Frontalini 1:53:19 Liszt/Schubert - Ständchen (Serenade), S. 560, No. 7 - Vadim Chaimovich

Comedian Phil Wang tries Clemmie's classical playlist. Phil's playlist in full: Vivaldi: Concerto in B minor for 4 violins Felix Mendelssohn: Piano Trio no.1 in D minor (2nd mvt) Michael Nyman: In Re Don Giovanni Claude Debussy: Reverie Traditional: She moved through the fair Anne Muller: Drifting Circles

Et si... Et si le développement personnel était devenu un tel phénomène qu'il avait intégré l'éducation nationale ? (Création William Oechsner de Coninck et la Cie FRAG de Nantes www.fragcie.com) Le récit, les histoires et l'écriture comme méthode de soin, Modulation Future invite Nathalie Palayret, bibliothérapeute pour plonger dans les esprits et redonner de l'élan. Nathalie Palayret : http://www.nathalie-palayret.com/ Les références de l'épisode : - Happycratie : Comment l'industrie du bonheur a pris le contrôle de nos vies par Eva Illouz et Edgar Cabanas : https://www.babelio.com/livres/Illouz-Happycratie--Comment-lindustrie-du-bonheur-a-pri/1068715 - Alain Deneault x Margaux Duquesne : https://journaleuse.com/2018/06/28/mediocratie/ - Bibliothérapie : Lire, c'est guérir / Marc-Alain Ouaknin => https://www.babelio.com/livres/Ouaknin-Bibliotherapie--Lire-cest-guerir/47440 Les sons additionnels : - Vivaldi: Concerto for 4 Violins in B minor RV 580 - Wax Tailor : Hypnosis Theme - Bobby McFerrin: Don't Worry Be Happy

The Denver Brass will be performing KNIGHTLY BRASS at Bethany Lutheran Church next Saturday (11/12) & Sunday (11/13). Listen in! Knightly Brass – November 12 – 7:30pm & November 13 – 3:00pm Tickets: $20 - $24 - Discounts for children 12 & under, full time students and seniors 70+ Bethany Lutheran Church 4500 E. Hampden Ave. Cherry Hills Village, CO 80113 Revel in the rich musical traditions of noble knightly trumpeters and kettle-drummers. The Denver Brass salutes generations of royal musicians with heroic music through the ages. Come experience the majestic sounds of brilliant brass and organ, with guest artist Rick Seaton. Program highlights include Henry the Fifth Overture, Three Musketeers Suite, Solemn Entry of the Knights of St John, Vivaldi Concerto for Two Trumpets, and Music for the Somewhat Less Royal Fireworks.

Záznam z koncertu zboru starej hudby Arcus a hudobných súborov Zobkáčik a Collegium ad Libidum, ktorý sa uskutočnil dňa 17.12.2015 v priestoroch kostola Sirotár. Ďakujeme hudobníkom a organizátorom za krásny večer plný hudby, spevu na chválu Boha, ktorý nás aj takýmto spôsobom zjednocuje.

Allegro from Vivaldi Concerto in A minor RV365 Vivaldi’s genius is just incomparable – his variety, anointing and impact on the soul. May the Lord bless you through this decidedly vivacious Allegro! Vivaldi - played by Francis Cummings, Grace Lee, Chian and Claire Lewis-Lim, Susannah Herzog, Jo Garcia, Rebecca Whettam and Peter Richards.

Works for chamber orchestra by Vivaldi, Veracini, and Telemann performed by Akademie für Alte Musik Berlin on April 6, 2014.Vivaldi: Concerto for Strings in C Major, RV 114Vivaldi: Concerto in C Major for Oboe, Strings and Continuo, RV 450Veracini: Overture No. 6 in G MinorTelemann: Overture in A Minor, TWV 55:a1In April 2014, the Gardner welcomed one of the most acclaimed early-music groups in the world: the Akademie für Alte Musik Berlin, known to friends and fans by the nickname Akamus.Formed in 1982, the group has won every major international accolade for their recordings, including the Grammys, the Cannes Classical Award, and the Gramophone Award. They have also collaborated with dance companies and directors to create innovative multidisciplinary performances, and have won acclaim for their opera recordings. In the United States, they are regulars at Carnegie Hall.We’ll hear them play three short works by the Italians Vivaldi and Veracini, followed by an overture by the German Baroque composer Telemann. All were recorded at their April 6, 2014 performance at the Gardner.

Greg Doran is one of those lucky people who seem to have found his perfect place in life. From the age of 13, when his mother first took him to the theatre in Stratford, Shakespeare's been his passion; as a boy he dedicated himself to seeing every single Shakespeare play - sometimes managing to watch three Macbeths in a day. So - what better job than Artistic Director of our great national Shakespeare company, a role he took on 18 months ago. His production of Richard II with David Tennant in the lead opens on 10 October, and he's directing Henry IV next year with his partner Anthony Sher playing Falstaff. Doran doesn't come from a theatrical background - his father ran a nuclear power station. But his passion for music began early, thanks to a concert in the local village hall in Lancashire. A friend of his mother's, Mrs Sidebottom, got up on stage and sang 'Blow the Wind Southerly'. And young Greg was hooked. That haunting folk song begins his choice of music - sung in this case by Kathleen Ferrier. Other choices include Duke Ellington, a song by Cervantes, and a Vivaldi Concerto which changed Doran's life when he heard it in Paris. It was a low point - a love affair had ended, his ambition to be an actor was foundering. And the music spoke to him, and gave him a new direction. In Private Passions, he talks to Michael Berkeley about his passion for Shakespeare, and about his relationship with Antony Sher. Its foundations are a shared life in theatre, but also a love of food: when Anthony's depressed, Greg cooks for him the comfort food he ate as a child in South Africa. He's even learned how to make a special lamb stew - and he gives us the recipe: "I believe there is a Jewish saying that food is love. For me, tomato bredie is an expression of love." First broadcast in October 2013.

Episode 72: No Guts, No Glory: Master Stringmaker Dan Larsen   Upcoming Events: April 12 and 14 – Vivaldi Four Seasons and Vivaldi Concerto in D Major for Viola d’Amore with Boise Baroque in Idaho, April 13 – lecture on the history of the violin at Boise State University, April 16 – master class at Northwestern University in Evanston, IL, April 20 – master class for Sigma Alpha Iota at the Oak Park Public Library in Illinois, April 22 – adjudicating the finals of Northwestern University’s concerto competition   Inquiries from my Inbox:  Anmajumdar asks, “Do you use first knuckle and wrist for your vibrato?” Peter writes, “I have a full-blown arm vibrato, which only makes me clamp down on the violin with my neck... do you have any tips to help me learn a 'wrist' vibrato?”   Random Musical Thought: Why do so many people fail to realize that my Birthday Variations are supposed to be a parody?   Main Topic: A conversation about the art of making early music strings out of gut with luthier and stringmaker Dan Larsen. For more information, please visit http://gamutmusic.squarespace.com/   Total playing time: 01:07:39   SUBSCRIBE TO THIS PODCAST ON I-TUNES!   Would you like to be featured on Violin Adventures? Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for your answer on Inquiries From My Inbox!   Thanks for listening!   www.rachelbartonpine.com   www.twitter.com/rbpviolinist www.facebook.com/rachelbartonpineviolinist www.youtube.com/RachelBartonPine Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com

This week, Cedille Chicago Presents recordings by Chicago chamber ensembles; Rembrandt Chamber Players, Chicago Baroque Ensemble, Vermeer Quartet, and The Chicago Chamber Musicians. Subscribe to the Cedille Email List to receive one free music track from each week's show!  This week's download comes from The Chicago Baroque Ensemble's performance of Vivaldi: Concerto in G for Flute and Strings, Mvt. I (Allegro).

Musicologist Andrew Woolley discovered a flute concerto by Antonio Vivaldi at the National Archives of Scotland.

Vivaldi: Concerto for bassoon, strings, and continuo in A minorSchumann: Piano Quartet in E-flat Major, Op. 47While the bassoon was hardly a common solo instrument at the turn of the 18th century, Vivaldi clearly took it seriously. He wrote over 39 concertos for the instrument, including the Bassoon Concerto in A minor that we’ll hear today. Why was Vivaldi so drawn to the bassoon? Theories abound: perhaps he was inspired by a well-known Venetian master of the dulcian (an early version of the bassoon) or by an accomplished bassoonist at the girls’ school where he taught. Robert Schumann wrote his Piano Quartet in E-flat Major in 1842, a year known as his “Chamber Music Year” for the abundance of chamber works he composed during that time. Why so much chamber music all at once? Part of the answer lies in the genre itself, representing an ideal middle ground between private and public entertainment. This piano quartet has moments of quiet intimacy; yet the overall texture is thick with activity and grand gestures, melding an older chamber music model with a new impulse towards soloistic virtuosity.

Vivaldi: Concerto for Orchestra in C Major, FXI No. 25 Ives: Sonata No. 2 (“Concord”)Today’s program begins with Antonio Vivaldi’s very short Concerto for Orchestra in C Major. A prolific composer, Vivaldi often re-used part of one piece in another work – and indeed the second movement of this piece was repurposed in his Double Trumpet Concerto. This borrowing of musical material is a common compositional practice, but no composer is more famous for the quotation and recycling of musical snippets than Charles Ives. The piano sonata that we’ll hear next, officially titled “Concord, Mass. 1840-1860,” recalls the 19th century Transcendentalists. Each movement of the sonata represents one of the great thinkers of the time: Emerson, Hawthorne, the Alcotts, and Thoreau. Throughout the piece, Ives draws on a range of musical styles and sounds, from folk songs and austere hymns to ragtime melodies and Beethoven’s Fifth Symphony, to create these musical portraits.

Vivaldi: Concerto for orchestra in D minor, FXII, No. 31 Schubert: Cello Quintet in C Major, D. 956, Op. 163To our modern ears, innovation in music composed centuries ago is hard to detect. But both of the pieces in today’s podcast use innovation in instrumentation and style to create a sound that was new for the audiences of their time. Vivaldi’s Concerto is one of many that he wrote for various groups of instruments - in this case, violins, oboes, recorders and a bassoon, accompanied by a small orchestra. While this might not sound unusual, the bassoon was actually a new instrument in the early 18th century, and its prominent inclusion would have been a pleasant novelty for Vivaldi’s audience. This piece also differs from the standard Baroque concerto form by fluidly weaving the solo instrumental parts in with the larger ensemble. Schubert’s Cello Quintet also contains an unusual instrument - a second cello! The standard string quintet uses an extra viola, so this is an unexpected combination. Sadly, this quintet was Schubert’s last instrumental composition. While many of the melodies are lilting and joyful, harmonic shadows are constantly emerging.

The Virginia Symphony conductor trades her baton for her guitar to perform Vivaldi, alone and with VSO violist Beverly Baker. Program: Ravel: Pavane for a Dead Princess; Vivaldi: Guitar Concerto; Vivaldi: Concerto for Viola and Guitar; R.Strauss: Le Bourgeois Gentilhomme Suite. Wed,nesday, April 16th at 8:00 PM at St. Bede Catholic Church; Thu,rsday, April 17th at 10:30 AM at the Ferguson Center; Fri,day, April 18th at 8:oo PM at the Suffolk Center. For ticket information, 892-6366 or www.virginiasymphony.org

- Inquires From My Inbox: Caveman147 asks "Do you use the same violin when you play Sweet Home Chicago?" - Random Musical Thought: Why can't you buy embroidered patches of classical composers or performers?  - All about the viola d'amore: its construction, its history, what it sounds like, how it's tuned, learning how to play it, famous composers who wrote for it, and where to call for information about buying one.  To learn more about the viola d'amore, you can visit: The Viola d'amore Society of America or Violadamore.com.  To watch Rachel perform the Vivaldi Concerto in D Major for Viola d'Amore, please click here! total playing time: 17:57 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Would you like to be featured on Violin Adventures?  Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for you answer on Inquiries From My Inbox! Thanks for listening! visit Rachel online: www.rachelbartonpine.comwww.myspace.com/rachelbartonpinewww.youtube.com/RachelBartonPine Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com

Vivaldi: Concerto for flute and orchestra in F Major (“Con Sordino”) (April 24, 2005)Beethoven: Violin Sonata No. 5 in F Major, Op. 24 (“Spring”) (March 14, 2004)It’s all about spring in this episode. The first piece on the program, by Vivaldi, uses mutes placed on the string instruments, lending the piece a sort of delicacy that evokes spring. Second on the program is a piece subtitled “Spring,” Beethoven’s fifth violin sonata in F Major. This sprightly piece includes gently wafting melodies, undulating harmonic accompaniments, and playful canons and rondos, where the themes recur and overlap. This sonata was also Beethoven’s first experiment with adding the “Scherzo” movement after the slow second movement, expanding on the traditional three-movement sonata form inherited from other classical composers.

Vivaldi: Concerto for orchestra in B-flat Major (April 24, 2005)Schubert: Sonata in B-flat Major, D. 960 (October 22, 2000)This week, we’re featuring two works with great finales, the kind that make audiences jump to their feet, by Vivaldi and Schubert. The rollicking final movement on Vivaldi’s concerto clocks in at just under one minute from start to finish, with the whole piece, all three movements, adding up to less than four minutes. Then, Schubert’s Sonata in B-flat Major. Schubert produced an incredible amount of music in his final year of life, editing the song cycle Winterreise from his bed, and playing recitals and attending concerts until his last months. Schubert played this sonata at a musical soiree on September 27th, 1828, just a day after finishing it. Because of the circumstances of its composition, and its melancholy moments, it is tempting to cast the sonata as a contemplation of death. Unlike the sinking end of Winterreise, however, this sonata ends with a brilliant coda. Robert Schumann, a close friend, wrote, “Thus Schubert ends both gaily and cheerfully, as though fully able to face another day’s work.” In an ironic twist of fate, Schubert died two months later, leaving this upbeat finale as one of his last great works.

Vivaldi: Concerto for flute, oboe, violin, bassoon, and basso continuo in D Major (“La Pastorella”) (April 24, 2005)Brahms: Sonata for cello and piano No. 1 in E minor, Op. 38 (December 4, 2005)They say every person on earth is connected by, at most, six degrees of separation. This week in our 14th episode of “The Concert,” we’ll listen to some Vivaldi and Brahms, two composers from totally different times and places who are connected by just one degree of compositional separation—Johann Sebastian Bach. Vivaldi was a very prolific composer, and many of his works were relatively unknown after his lifetime. As Vivaldi became increasingly popular, though, people started to realize what an influence he’d had on Bach. It’s no secret that Bach, in turn, had a great influence on Brahms. In the second piece on this program, Brahms’ cello sonata in E minor, you’ll particularly hear the influence of Bach’s fugues in the final movement. And maybe you’ll even hear a trace of Vivaldi’s counterpoint.