Podcasts about Previn

Witnesses Podcast    Mining, Leadership & Ethical Business: A Conversation with Previn Pillay   Guest: Previn Pillay   Host: Ambassador Elisha   Episode Summary:   In this thought-provoking episode of Witnesses, Ambassador Elisha sits down with Previn, a seasoned chemical engineer with over 20 years of experience in the mining industry.   Originally from South Africa and now based in Australia, Previn shares his journey of working across continents, optimizing mining processes, and navigating the global transition to renewable energy.   What You'll Learn:   ✅ The Power of Self-Investment – Previn's path from South Africa to becoming a key player in mining and metallurgy.   ✅ Mining's Role in Global Sustainability – How critical materials like lithium and nickel shape the future of renewable energy.   ✅ Leadership Across Cultures – The challenges and rewards of working in different countries and adapting to new environments.   ✅ Ethical Leadership – The importance of integrity, moral decision-making, and accountability in business.   ✅ Balancing Profit & Sustainability – How modern companies are integrating sustainability into their core values.   Why You Should Listen:   This episode offers deep insights into the often-overlooked mining industry and its vital role in everyday life.   Whether you're an entrepreneur, leader, or simply curious about global industries, Previn's journey will inspire you to think differently about resources, leadership, and ethical decision-making.  

In this exclusive interview, Australian UFO researchers Roger Stankovic and Irene Previn delve into the mysterious 1966 Westall UFO Incident — one of Australia's most compelling UFO sightings. Join us as they share their insights, explore their investigations in the United States at alleged UFO crash sites, and reveal their findings. Are we alone in the universe? Tune in to find out!

durée : 01:28:24 - Augustin Hadelich, l'élan et la profondeur - par : Aurélie Moreau - Violoniste subtil et convaincant, Augustin Hadelich a pour objectif de découvrir et faire constamment découvrir de nouvelles œuvres majeures, et de réinventer les anciennes. Aujourd'hui : Previn, Schumann, Bach, Sarasate, Haydn, Paganini, Beach…

durée : 01:29:13 - André Previn, musicien aux dons multiples - par : Aurélie Moreau - Compositeur, pianiste, jazzman et chef d'orchestre, André Previn a interprété avec bonheur tous les répertoires. Le voici notamment en tant que chef dans des œuvres de Mendelssohn, Holst, Tchaïkovski, Walton, Grieg, Vaughan Williams, Offenbach…

Join Previn Pillay in this KAJ Masterclass Live as he shares powerful insights on leadership, resilience, and sustainable innovation in the mining industry. Discover how responsible resource management and cutting-edge mining solutions are shaping the future of the industry. ===============================================

durée : 00:23:24 - Disques de légende du vendredi 04 octobre 2024 - André Previn et le London Symphony Orchestra jouent Rachmaninov et Prokofiev.

durée : 00:23:24 - Disques de légende du vendredi 04 octobre 2024 - André Previn et le London Symphony Orchestra jouent Rachmaninov et Prokofiev.

Andre Previn was still in high school when MGM gave him a job in their music department, doing piece work. His first official movie credit came in 1949, and over the next dozen or so years Previn was involved in creating the musical scores for over 50 MGM films. In this 1991 interview discusses his memoir of his 16-year MGM career, No Minor Chords. Get No Minor Chords by Andre PrevinAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Robert Evans and Mia Farrow For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube Photo by Bert Verhoeff for Anefo #movies #Hollywood #MGM #1950s

I was a fan of Dory Previn, who became her close friend and the person she asked to chronicle her life and songs. We never finished that work, but I have 20 hours of audio and some video and feel duty-bound to spread the word about Dory, one of the most groundbreaking singer-songwriters in rock .

As the final entry in this year's Black History Month episodes, my dear friend Previn Moore introduces his Listeners' Favorites choice, an episode I published in the early months of Countermelody back in the fall of 2019. It features two phenomenal Black sopranos whose friendship and mentorship Previn outlines in detail in an introductory interview I did with him at his home in Vienna this past week. This episode features the phenomenal, the legendary, the pathbreaking soprano Camilla Williams (1919-2012), whom Previn first met as a young tenor at Indiana University's School of Music, where Miss Williams was the first African American teacher of singing to serve on the faculty. While there, Previn also formed a lifelong friendship with Camilla's student, Janet Williams, who herself went on to a brilliant worldwide career, including twelve years as a leading soprano with the Staatsoper Unter den Linden here in Berlin. Janet and I met as fellow students in the Merola Opera Program of the San Francisco Opera and it has been my joy and a privilege to share a treasured friendship with her ever since. In tribute to both of these extraordinary sopranos, I offer a cache of rare studio recordings by Camilla Williams, supplemented by live material sung by Janet Williams from the artist's private archives. Included among the selections are excerpts from Camilla's rarely-heard album of spirituals on the MGM Records label, and a concert given by Janet Williams in her home town of Detroit in 1989, capped by a stunning rendition of Undine Smith Moore's arrangement of the spiritual “Watch and Pray,” dedicated to Camilla Williams. Many thanks to Previn, Janet, and the extraordinary Camilla Williams for their shining examples and for their dedicated artistry.

Els encantadors de serps de la pamela. Crítica teatral de l'obra «Tot fent Pigmalió». Dramatúrgia de Marc Rosich, a partir de l'obra de Bernard Shaw, en versió de Joan Oliver (Pere Quart). Intèrprets: Manel Barceló i Lloll Bertran. Vestuari: Raquel Ibort. Disseny il·luminació: Dani Gener. Caracterització: Júlia Ramírez. Fotografia i imatge: Dani Escalé. Producció: Anexa. Música original i direcció musical: Marc Sambola. Direcció: Marc Rosich i Jordi Andújar. Sala Versus Glòries, Barcelona, 9 febrer 2024. Veu: Andreu Sotorra. Música: My Fair Laydy. Interpretació: André Previn, The Warnes Bros Orchestra. Composició: Alan Jay Lerner i Frederick Loewe. Àlbum: My Fair Lady, 1992.

Lady Sings The Blues CD1:Norah Jones “Don't Know Why”Aretha Franklin “(You Make Me Feel) Like A Natural Woman”Dusty Springfield “The Look Of Love”Etta James “I Just Wanna Make Love To You”Ella Fitzgerald “Night & Day”Billie Holiday “That Ole Devil Called Love”Dinah Washington “Mad About You”Nancy Wilson “All Night Long”June Christy “Something Cool”Sarah Vaughan “Misty”Erma Franklin “Piece Of My Heart”Bobbie Gentry “Son Of A Preacherman”Julie London “Cry Me A River”Dinah Shore & André Previn “My Funny Valentine”Ella Fitzgerald “Summertime”Nina Simone “I Loves You Porgy”Escuchar audio

As part of a 10-concert European tour in June 2023, Anne-Sophie Mutter and her Virtuosi ensemble, comprising some of today's finest young string players, gave an acclaimed concert at the Vienna Musikverein. This took place just days before the violinist's 60th birthday and it speaks volumes that she chose to share a stage with her young colleagues rather than marking the occasion with a gala solo performance. Based on that live concert, Mutter's latest Deutsche Grammophon album shows the variety and versatility for which she has become renowned, its repertoire ranging from Vivaldi and Bach to Previn and John Williams, via Joseph Bologne. It is set for release on 10 November, with three taster tracks to be issued digitally, complete with videos: Williams's Theme from Schindler's List on 6 October; the Allegro finale from Vivaldi's Concerto for 3 Violins on 27 October; and the central Largo from Bologne's Violin Concerto in A major on the same day as the album. The Vienna concert was filmed as a Unitel production, in co-production with Deutsche Grammophon & ZDF, and in cooperation with Arte Concert & Wiener Musikverein. Viewers around the world can enjoy it now on STAGE+, with the exception of those in France and Germany, who will be able to access it on the platform from 29 December onwards. Track Listing:1 Vivaldi: Concerto for 3 violins in F major, RV 5512 Bach, J S: Violin Concerto No. 1 in A minor, BWV10413 Previn: Nonet for two string quartets and double bass4 Saint-Georges: Violin Concerto in A major, Op. 5, No. 25 Bach, J S: Brandenburg Concerto No. 3 in G Major, BWV10486 Williams, John: Nice to Be Around (from Cinderella Liberty)7 Vivaldi: The Four Seasons: Summer, RV315 - Presto8 Williams, John: Schindler's List: ThemeClassical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Rerun: Oscar-winning conductor André Previn was an unlikely choice of celebrity guest for the Christmas special of ‘The Morcambe and Wise Show' recorded on 7th December, 1971 - but the 13-minute sketch they taped together remains one of Britain's all-time favourites. The music hall-style caper - which revolves around a comically catastrophic interpretation of Grieg's Piano Concerto - was actually a reversion of a sketch Eric and Ernie had performed at least twice before, but never with a guest performer. In this episode, Arion, Rebecca and Olly explain how Mia Farrow helped Previn nail his role in this iconic skit; explore whether the duo's comic schtick was truly as ‘classless' as is often claimed; and reflect on whether ‘Mr Preview' really knew what he was letting himself in for… Further Reading: • André Previn on ‘The Morcambe and Wise Show' (BBC, 1971): https://www.dailymotion.com/video/xds7am • 'Make any fool of me you like, but I won't have you make fun of the music' - André Previn at 80 (Classic FM, 2018): https://www.classicfm.com/artists/andre-previn/guides/andre-previn-80/ • ‘The Prelude of Mr Preview: How André Previn won over Morecambe & Wise' (British Comedy Guide, 2020): https://www.comedy.co.uk/features/comedy_chronicles/andre-previn-prelude-preview/ ‘Why am I hearing a rerun?' Every Thursday is 'Throwback Thursday' on Today in History with the Retrospectors: running one repeat per week means we can keep up the quality of our independent podcast. Daily shows like this require a lot of work! But as ever we'll have something new for you tomorrow, so follow us wherever you get your podcasts: podfollow.com/Retrospectors Love the show? Join 

I introduced Tori Amos to the works of Dory Previn and wish Dory had not been written out of most histories of rock, even histories of women in rock. If anyone wants to make a documentary about her, I have the taped interviews.

Anne-Sophie Mutter ir jos virtuozai, grojantys Vivaldį, Bachą, Bologne‘ą, Previną ir Williamsą; Arvo Pärtas ir jo keturis dešimtmečius trunkantis bendradarbiavimas su leidykla ECM; pagaliau legendinio Johno Scofieldo ir 96-erių George‘o Freemano džiazo gitaros albumai ir duoklė pernai mirusiam pianistui Larsui Vogtui. Visa tai – leidybinės naujienos „Kitame laike“.Ved. Domantas Razauskas

I championed the work of Dory Previn, who was my mentor and friend and one of my influences as a writer,  and I introduced her work to Tori Amos. Here, I compare them.  

Welcome to another episode of the For Stars Podcast, where we have the absolute pleasure of speaking to the Head Coach of UCLA Women's Rowing, Mr. Previn Chandraratna. After speaking to the 9th seats of the squad during their season last year, we were able to get an idea for how the coxswains impact the program and aim for improvement, but most of all how much they love their teammates and university. The Bruins are up for an exciting season after the PAC-12 Conference released that they will be joining the Big 10 Conference for the upcoming 2023-2024 athletic year. Shocked at the news, fans from all over had apprehension for the change in conference realignment... so, Hudson sat down with the Bruin Head Coach to discuss what this really means for the university, let alone the rowing team's racing schedule and overall adjustment. Chandraratna gathers his thoughts on an array of topics centering the Bruins and how he (along with the coaching staff) operates the program and fosters strong athletes with hearts for service.We discuss how "rather than significance, go for excellence, and make the most out of everyday, but most of all being grateful for all things". Additionally, we talk about the typical Day in the Life of a student-athlete on the rowing team at UCLA, answer some Q&A's, move from junior rowing to becoming a collegiate athlete, perks of being an athlete in Westwood and rowing on the water in Marina del Rey. Chandraratna emphasizes how important team culture is to the squad and even gives examples of the athlete's true character encompassing the squad, helping grow each other day by day. We also cover the recent passing of Amy Fuller-Kearney, who sadly lost her life to cancer, and coached the Bruins for over 20 years, cementing herself as a historic part of the university impacting student-athletes for over two decades. Previn spent four years studying at Columbia University, while rowing on the Men's Heavyweight Team, where he found himself going back and coaching the Lions for several years, along with some other local rowing clubs in the New York area. Previn resides in Los Angeles, with his wife and son, who is an avid Star Wars fan! Be sure to tune into this epic podcast episode bringing a heavy, "Bucket of Bliss" to the scene!Fit, Healthy & Happy Podcast Welcome to the Fit, Healthy and Happy Podcast hosted by Josh and Kyle from Colossus...Listen on: Apple Podcasts SpotifyXeno Müller - Elite Rowing Coach Make your rowing dreams real! Use Code “FORSTARS” for $200 OFF on your desired training package!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

This is the second part of my interview with Nate Schneider of Invictus Brewing Company where we were joined by Previn Solberg, the owner of Invictus Brewing. Nate tells us how Invictus Brewing came to be. We dissect the state of craft beer and chat about a recent article on Slate.com projecting a dire forecast for the future of craft beer.

Indubtablement, els Estats Units han representat una de les principals aportacions de la cultura del segle XX. Avui repassem els darrers cinquanta anys de segle amb una selecci

Today we have an episode of our newest podcast, Tech Titans. It features summary episodes of our best leadership advice from Modern CTO. We're bringing you a throwback from 2018: Fletcher Previn, then CIO at IBM, joins us in this episode to share his greatest leadership advice on how he leveled up in his career and how he is both the mentor and the mentee in his professional relationships. All of this, right here, right now, on the Modern CTO Podcast! Check out more about Tech Titans on Spotify, Apple, and iHeart! Have feedback about the show? Let us know here Produced by ProSeries Media.

Washington-based litigator, Previn Warren, joins Niki in the studio to talk about his law firm's multi-district litigation against social media giants Facebook, Instagram, Snapchat, TikTok, and YouTube. They discuss the growing epidemic of social media addiction among teens and tweens, and its impact on kids' mental health, their developing brains, and bodies. **This episode contains some serious subject matter including mentions of suicide, eating disorders, and violent sexual social media content.**Dove ad campaignFollow Previn on LinkedIn Follow Niki on LinkedIn

Abrimos una nueva tanda de músicas compuestas para películas del Oeste, un género que nos ha ofrecido un buen número de películas. Las historias que cuentan los westerns no están tan lejos de las que vemos en nuestros días. Nos hablan de rencillas familiares, enfrentamientos por conseguir el poder, venganza, emigración en busca de un lugar donde asentarse, hacerse de respetar en nuestro entorno, aunque en el oeste muchas veces las diferencias se resolvían por la fuerza de las armas, lamentablemente algo que hoy en mayor o menor medida sigue ocurriendo. Escucharemos temas de Elmer Bernstein, Henry Mancini, Dimitri Tiomkin, André Previn, Maurice Jarre o Hans Zimmer y hasta tiene su espacio el llamado spaguetti western con Ennio Morricone, Carlo Rusticelli o Guido y Mauzio de Angelis, sin olvidarnos de españoles como Antón García Abril o Roque Baños y es que todo buen compositor querría poder contar al menos con un western en su filmografía. No podían faltar temas de clásicos del cine como “LA CONQUISTA DEL OESTE”, “DOS HOMBRES Y UN DESTINO”, “JOHNNY GUITAR”, “EL HOMBRE QUE MATÓ A LIBERTY VALANCE”, “SIN PERDÓN”, “LOS SIETE MAGNÍFICOS”, “HORIZONTES DE GRANDEZA”, “SIN PERDÓN” y tantos y tantos otros. 00h 00’00” BARRY Bailando con Lobos – Two socks 00h 01’28” Presentación 00h 03’53” Cabecera 00h 04’27” LUIS BACALOV Django 00h 07’19” BURT BACHARACH Butch Cassidy & the Sundance Kid 00h 10’39” JOHN BARRY Bailando con lobos 00h 12’57” ROQUE BAÑOS 800 balas 00h 15’02” MARCO BELTRAMI El tren de las 3,10 00h 17’06” ELMER BERNSTEIN Los siete magníficos 00h 19’04” BRUCE BROUGHTON Silverado 00h 23’43” DAVID MANSFIELD Las puertas del cielo 00h 27’29” GUIDO & MAURIZIO DE ANGELIS Y después le llamaron el magnífico 00h 30’52” WALDO DE LOS RÍOS Una ciudad llamada Bastarda 00h 32’40” GEORGE DELERUE Viva Maria 00h 35’00” GEORGE DUNING Cowboy 00h 37’55” BOB DYLAN Pat Garret y Billy the kid 00h 40’18” CLINT EASTWOOD Sin perdón 00h 43’56” GEORGE FENTON Búho gris 00h 50’04” HENRY FIELDING Grupo salvaje 00h 55’47” HUGO FRIEDHOFER El rostro impenetrable 00h 58’13” ANTÓN GARCÍA ABRIL Adiós, Texas 01h 01’19” JERRY GOLDSMITH Rio Conchos 01h 03’47” MANOS HADJIDAKIS Blue 01h 06’13” NEAL HEFTI Duelo en Diablo – Ernie Sheldon 01h 08’37” BERNARD HERRMANN El jardín del diablo 01h 12’11” LEE HOLDRIDGE Viejo gringo 01h 17’09” JAMES HORNER Leyendas de pasión 01h 21’19” MAURICE JARRE Los profesionales 01h 24’56” BRONISLAU KAPER Camino de Oregón 01h 26’56” HENRY MANCINI Oklahoma, año 10 01h 29’59” CYRIL MOCKRIDGE El hombre que mató a Liberty Valance 01h 31’32” JEROME MOROSS Horizontes de grandeza 01h 34’53” ENNIO MORRICONE El bueno, el feo y el malo 01h 37’28” ALFRED NEWMAN La conquista del oeste 01h 40’35” JAMES NEWTON HOWARD Wyatt Earp 01h 45’06” LENNIE NIEHAUS El jinete pálido 01h 48’10” ALEX NORTH El gran combate 01h 50’25” PIERO PICCIONI Si te encuentras con Sartana, ruega por tu muerte 01h 51’27” BASIL POLEDOURIS Lonesome Dove 01h 56’37” ANDRE PREVIN Llega un pistolero 02h 00’15” MIKLOS ROZSA La ley de la horca 02h 03’22” CARLO RUSTICELLI Los cuatro truhanes 02h 04’51” GUSTAVO SANTOLALLA Brokeback mountain 02h 07’18” MARC SHAIMAN Cowboys de ciudad 02h 10’04” MAX STEINER Centauros del desierto 02h 14’07” DIMITRI TRIOMKIN Sólo ante el peligro 02h 21’21” ARMANDO TROVAIOLI Los largos días de la venganza 02h 22’28” JOHN WILLIAMS John Wayne y los cowboys 02h 24’42” VICTOR YOUNG Raíces profundas 02h 26’47” HANS ZIMMER El llanero solitario

durée : 00:28:16 - San Francisco vs Los Angeles (3/4) - par : Christian Merlin - À quelques jours de la venue en France de l'Orchestre Symphonique de San Francisco, si l'on se penchait pour une fois sur l'histoire orchestrale de la côte Ouest, avec ses deux fleurons rivaux, San Francisco et Los Angeles - réalisé par : Marie Grout

Carrie Hennessey is a wayfinder through the deep, spiritual and technical discoveries of the voice. Early success in the Metropolitan Opera Auditions led to high expectations, but singing after trauma in her early 20s dismantled the ease in her voice and presence. A top artistic mentor once reviewed, ‘This is not the same singer I heard 2 years ago. Go back home', and a famous singer/coach exclaimed, ‘If you'd just sing like Renata Tebaldi…' Hennessey left, losing her identity and voice. Ms. Hennessey has since found her true voice and created a wildly unique and energized career path in theater, opera, symphony work, recital, and education, wearing with pride the hats of trauma-informed teacher and facilitator, producer, singer, actor, innovator and writer. She is known for her soaring voice and richly nuanced characters onstage, and has sung all over the world. Notable highlights include debuting as Kát'á in Kát'á Kabanová at the Cal Shakes Amphitheater, As Blanche Du Bois in Previn's A Streetcar Named Desire. Carrie captivated audiences in an immersive production of The Stronger and as Elle in La Voix Humaine in NYC. Her bold and nuanced interpretation of Strauss' Vier Letzte Lieder resonated among the redwood trees with Music in the Mountains Orchestra. She then channeled the physical comedy of Carol Burnett and fearless vocalism and sense of humor of Beverly Sills in the world premiere ballet by Darrell Grand Moultrie “On the Rocks, Please!” Carrie lights a fire in those around her - teaching music education through lectures, workshops, Master Classes, and is joyfully dedicated to guiding all around her to find their true authentic voice in the world. Currently, Carrie is developing her one woman show about her life in singing, quitting for 12 years post trauma and creating from nothing a versatile and vibrant career steeped in authenticity. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Carrie Hennessey.

Indubtablement, els Estats Units han representat una de les principals aportacions de la cultura del segle XX. Avui repassem els darrers cinquanta anys de segle amb una selecci

durée : 00:58:22 - SdC du 22/09 - par : Christophe Dilys - André Previn est le musicien parfait pour ceux qui aiment passer de style en style : chef d'orchestre, pianiste de jazz et compositeur de musiques de film. Il a su manier tous les genres avec élégance... et avec un peu d'humour !

Synopsis On today's date in 2001, during the Lucerne Festival in Switzerland, the German violinist Anne-Sophie Mutter premiered a new chamber work for violin and piano titled “Tango, Song and Dance.” She had commissioned the work from Andre Previn several years earlier, but its premiere was delayed as Mutter embarked on a project to perform and record all Beethoven's Violin Sonatas. “After doing all those stern [Beethoven] recitals,” said Mutter, “I wanted to play pieces which reflected the basis of musical history, the folksongs and dances which has inspired composers through so many centuries. ‘Tango, Song and Dance' is both modern and old-fashioned, and it touches the heart, especially the slow movement, which is really a ‘Song Without Words'.” And that wasn't the only thing to touch her heart. It was around this time that Previn and Mutter became husband and wife. For his part, Andre said, “I have one piece of advice to composers for the violin – make sure Anne-Sophie premieres your piece. Then you're home and dry, and everything works!” Other composers seem to agree, and Krzysztof Penderecki, Witold Lutoslawski, Henri Dutilleux, Wolfgang Rihm, and John Williams have all written violin works for Anne-Sophie Mutter. Music Played in Today's Program Andre Previn (1929-2019) –Tango Song and Dance III. Dance (Lambert Okis, pno; Anne-Sophie Mutter, vln.) DG 8143

BEETHOVEN: Concierto para piano y orquesta nº 5 en Mi bemol mayor, Op. 73 "Emperador" (Segundo y tercer movimientos: Adagio un poco mosso, Rondó-Allegro) (17.47). R. Lupu (p.), Orq. Fil. de Israel. Dir.: Z. Mehta. SCHUBERT: Sonata para piano en La menor D 845 (Primer movimiento: Moderato) (12.28). R. Lupu (p.). MOZART: Concierto para dos pianos y orquesta KV 562 (KV 316 A) (Tercer movimiento: Rondó) (6.45). R. Lupu (p.), A. Previn (p. y dir.), Orq. Sinf. de Londres. SCHUBERT: Rastlose liebe D 138 (1.17). B. Hendricks (sop.), R. Lupu (p.). Escuchar audio

MY FAIR LADY es uno de los musicales clásicos más queridos por el público y no podíamos dejarlo fuera de nuestros podcasts. Para la versión que nos acompañará en el podcast hemos mezclado la del reparto original que la estrenó en Broadway y en Londres con Rex Harrison, Julie Andrews y Stanley Holloway, con algunos cortes del soundtrack de la película supervisada y dirigida por André Previn, aunque variando el orden de los números para mantenerlos tal como se ven en la versión teatral. Rex Harrison es el Profesor Higgins y Julie Andrews es Eliza que por ser entonces casi una debutante, para cuando se llevó al cine el musical, su papel lo interpretó Audrey Hepburn, aunque fue doblada en las canciones por Marni Nixon, cantante fantasma a la que dedicamos este mes un podcast de la serie protagonistas, contando cómo prestó su voz a grandes intérpretes, que se llevaron el mérito de su trabajo. Aunque Rex Harrison está magnífico como Profesor Higgins, de hecho creó el personaje en el escenario con el que ganaría el Tony y el Oscar al mejor actor, he querido rendir homenaje a dos actores excepcionales que se atrevieron a interpretar también el personaje: Jeremy Irons y Jonathan Pryce, adjudicándoles uno de los temas del musical para que escuchéis su forma de decir y cantar las canciones, prácticamente un estilo creado por Rex Harrison, que convenció a los compositores Alan Jay Lerner y Frederick Loewe para hacer una mezcla de recitado/cantado. 00h 00’00” Quisiera yo bailar – Paloma San Basilio 00h 01’45” Presentación 00h 03’45” Cabecera 00h 04’53” Inicio 00h 06’48” Overture 00h 11’28” Why can’t the English? 00h 14’43” Wouldn’t it be loverly? 00h 18’40” The flowermarket 00h 21’04” With a little bit of luck 00h 26’07” I’m an ordinary man – Jonathan Pryce 00h 32’28” Just you wait 00h 36’12” Servant chorus 00h 37’15” The rain in Spain 00h 40’08” I could have dance all night 00h 45’23” Ascott Gavotte 00h 49’29” On the street where you live 00h 53’03” Intermission 00h 55’31” The Transylvanian March 00h 56’46” The Embassy waltz 00h 59’30” You did it 01h 04’44” Just you wait (Reprise) 01h 05’45” On the street where you live (Reprise) 01h 07’25” Show me 01h 09’48” The flowermarket (Reprise) 01h 12’27” Give me to the church on time 01h 19’02” A hymn to him – Jeremy Irons 01h 23’21” Without you 01h 26’02” I’ve grow accustomed to her face 01h 32’34” Finale 01h 34’09” Curiosidades 01h 36’29” Con la suerte de mi lao – Joan Crosas 01h 39’00” La calle donde vive mi amor – Victor Díaz 01h 43’09” Say a prayer for me tonight - June Allison 01h 46’32” Exit music

VAUGHAN-WILLIAMS: Sinfonía nº 2 "Londres" (47.04). Orq. Royal Philarmonic. Dir.: A. Previn.  Escuchar audio

Recognized by Opera News as “one of the finest singers of his generation,” American bass-baritone Ryan McKinny has earned his reputation as an artist with something to say. His relentless curiosity informs riveting character portrayals and beautifully crafted performances, reminding audiences of their shared humanity with characters on stage and screen. This season, McKinny brings his agile stage presence and comedic skill to performances of Mozart's Le nozze di Figaro on both U.S. coasts. He first appears as the titular Figaro in a Richard Eyre production at New York City's Metropolitan Opera, with an all-star cast that includes Golda Schultz, Lucy Crowe, Isabel Leonard, and Adam Plachetka. He then makes his Seattle Opera debut reprising the role in a Peter Kazaras production, under the baton of Alevtina Ioffe. In between productions – and coasts – McKinny joins collaborative pianist Kathleen Kelly for a recital at the Lied Center of Kansas, featuring works by Schumann, Debussy, Mahler, and Kurt Weill. In summer 2022, he joins the Boston Symphony at Tanglewood as the title character in Don Giovanni, with Andris Nelsons on the podium. He concludes the season with the Philadelphia Orchestra at Saratoga Performing Arts Center, appearing as soloist in Beethoven's Ninth Symphony with conductor Yannick Nézet-Séguin. Offstage, McKinny continues to adapt the beauty of his art form to the film screen, collaborating on a documentary with Jamie Barton and Stephanie Blythe. Through his work with Helio Arts, he commissions artists to write, direct, and film original stories, leveraging his personal power to help elevate new voices and visions in the classical performing arts world. During the pandemic, he has partnered with artists like J'Nai Bridges, Russell Thomas, John Holiday, and Julia Bullock to create stunning and innovative performances for streaming audiences at Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, On Site Opera, and the Glimmerglass Festival. McKinny's recent debut as Joseph De Rocher in Jake Heggie and Terrence McNally's Dead Man Walking at Lyric Opera of Chicago was hailed by the Chicago Tribune as an “an indelible performance...an acting tour de force buttressed by a warmly inviting voice.” He has also appeared as the title character in Don Giovanni (Washington National Opera, Lyric Opera of Chicago, Houston Grand Opera), Escamillo in Carmen (Semperoper Dresden, Deutsche Oper Berlin, Staatsoper Hamburg, Houston Grand Opera), and Mozart's Figaro (Washington National Opera, Wolf Trap Opera, Houston Grand Opera). McKinny made a critically acclaimed Bayreuth Festival debut as Amfortas in Parsifal, a role he has performed around the world, including appearances at Argentina's Teatro Cólon, Deutsche Oper am Rhein, and Dutch National Opera. Other Wagnerian roles include Kurwenal in Tristan und Isolde (Deutsche Oper Berlin, Houston Grand Opera, Canadian Opera Company), Biterolf in Tannhäuser and Kothner in Die Meistersinger von Nürnberg, both at the Metropolitan Opera, Wotan in Opéra de Montréal's Das Rheingold, Donner/Gunther in Wagner's Ring cycle (Washington National Opera, Boston Symphony Orchestra, Houston Grand Opera), and the titular Dutchman in Der fliegende Holländer (Staatsoper Hamburg, Milwaukee Symphony, Glimmerglass Festival, Hawaii Opera Theater). McKinny is a frequent guest artist at Los Angeles Opera, where he has sung Count Alamaviva in Le nozze di Figaro, Don Basilio in Il barbiere di Siviglia, and Stanley Kowalski in Previn's A Streetcar Named Desire, opposite Renée Fleming as Blanche DuBois, and at Santa Fe Opera, where he has appeared as Jochanaan in Salome and Oppenheimer in Doctor Atomic. An alumnus of the Houston Grand Opera Studio, Mr. McKinny has made a number of important role debuts on the HGO mainstage, including the iconic title roles of Don Giovanni and Rigoletto. McKinny is a long-time artistic collaborator of composer John Adams and director Peter Sellars, having appeared in Sellars productions of Adams' Girls of the Golden West (San Francisco Opera, Dutch National Opera) and Doctor Atomic (Santa Fe Opera), in addition to Adams' Nixon in China with the Los Angeles Philharmonic. He has also performed under Sellars' direction in Stravinsky's Oedipus Rex (Sydney Festival), Tristan und Isolde (Canadian Opera Company), and Shostakovich's Orango with the London Philharmonia and Los Angeles Philharmonic, the latter comprising Esa-Pekka Salonen's final concerts as music director. Other recent orchestral engagements include Beethoven's Symphony No. 9 and a double bill of Michael Tilson Thomas' Rilke Songs and Mahler's Des Knaben Wunderhorn with San Francisco Symphony, Mahler's Symphony No. 8 and Bernstein's Mass with Gustavo Dudamel and the Los Angeles Philharmonic, Beethoven's Symphony No. 9 with Cleveland Orchestra and National Symphony, Rossini's Stabat Mater at Grant Park Music Festival, Britten's War Requiem with Marin Alsop and Baltimore Symphony Orchestra, and Oedipus Rex with Chicago Symphony. McKinny benefited from early educational opportunities at the Aspen Music Festival, where he sang his first performance of Winterreise accompanied on the piano by Richard Bado, and at the Wolf Trap Opera Company, where he sang Barone di Kelbar in Verdi's Un giorno di regno, Le Gouverneur in Rossini's Le comte Ory and Figaro in Le nozze di Figaro. McKinny made his Carnegie Hall debut in Handel's Messiah with the Musica Sacra Orchestra while still a student at the Juilliard School. The first recipient of Operalia's Birgit Nilsson Prize for singing Wagner, McKinny has also received the prestigious George London-Kirsten Flagstad Award, presented by the George London Foundation to a singer undertaking a significant Wagnerian career. McKinny represented the United States in the 2007 BBC Cardiff Singer of the World Competition, where he was a finalist in the Rosenblatt Recital Song Prize, and he was a Grand Finalist in the 2007 Metropolitan Opera National Council Auditions, captured in the film The Audition.

André Previn, ganador de once premios Grammy, incluyendo un premio especial por su trayectoria, y nominado a 6 premios Emmy por su trabajo en especiales para televisión, nació un día como hoy en 1929. Famoso pianista, director de orquesta y compositor estadounidense, de origen alemán, Previn, cuya impresionante vida que sobrevivió al nazismo y los escándalos de Hollywood, reúne en su filmografía más de cien películas, en las que participó como compositor, arreglista o intérprete. Previn, fue director de la Sinfónica de Londres, hasta 1979 donde dirigió memorables conciertos con obras de autores de finales del romanticismo y principios del siglo XX. Desde finales de los ochenta, Previn se desarrolló por completo en el jazz, creando el grupo André Previn Jazz Trio, con el que recorrió Japón, Estados Unidos y Europa. A continuación escucharemos del album de estudio After hours, el tema There'll Never Be Another You compuesta por Harry Warren en la música y Mack Gordon.

Synopsis On today's date in 2002, a new Violin Concerto received its premiere by the Boston Symphony and  German violinist Anne-Sophie Mutter, with the new work's composer, Sir Andre Previn conducting. Previn was born in Berlin, came to the United States in 1939, and became an American citizen in 1943. His Concerto reflects a homecoming of sorts in its third movement, subtitled “From a Train in Germany.”  In 1999, while riding on a German train Previn had telephoned a birthday greeting to his manager, who suggested that the new composition he was planning for Boston might reflect that return to the country of his birth. And so its 3rd movement ended up incorporating a German children's song suggested by Anne-Sophie Mutter, one that Previn had known as a child. Autobiographical inferences throughout the Concerto are also suggested by an inscription from T. S. Eliot's “Four Quartets,” which reads: “We shall not cease from exploration/And the end of all our exploring/will be to arrive where we started/and know the place for the first time.” And, as if to underscore the autobiographical interplay of life and art, Mutter and Previn were married on August 1, 2002, five months after the premiere of “their” Concerto. Music Played in Today's Program André Previn (b. 1930) — Violin Concerto (Anne-Sophie Mutter, violin; Boston Symphony; André Previn, cond.) DG 474500 On This Day Births 1681 - German composer Georg Philipp Telemann, in Magdeburg; 1727 - Baptism of German composer and keyboard virtuoso Johann Gottlieb Goldberg, in Danzig (now Gdansk); 1804 - Austrian composer and conductor Johann Strauss, Sr., in Vienna; Premieres 1734 - Handel: anthem "This is the day which the Lord hath made" in London at the French Chapel of St. James's Palace, for the wedding of Princess Anne and Prince Willem, the Prince of Orange (Gregorian date: March 25); 1824 - Schubert: String Quartet in a (D. 804) in Vienna, by the Schuppanzigh Quartet; Published the following September, this was the only chamber work of Schubert's published in his lifetime; 1847 - Verdi: opera "Macbeth," in Florence at the Teatro della Pergola; 1885 - Gilbert & Sullivan: operetta "The Mikado," at the Savoy Theatre in London; 1963 - Simpson: Symphony No. 3, in Birmingham, England; 1975 - Ulysses Kay: Quintet Concerto for brass and orchestra, in New York City; 1976 - Paul Creston: "Hyas Illahee" for chorus and orchestra, in Shreveport, La.; 1986 - Harrison Birtwistle: "Earth Dances" for orchestra, at Royal Festival Hall in London by the BBC Symphony, Peter Eotvos conducting; 1996 - Leo Ornstein: Piano Sonata No. 6, at the Yerba Buena Center in San Francisco, by pianist Marvin Tartak; 2000 - David Maslanka: Wind Quintet No. 3, in Columbus, Mo., by the Missouri Quintet; 2001 - Danielpour: Cello Concerto No. 2 ("Through the Ancient Valley"), by the New York Philharmonic, Kurt Masur conducting, with soloist Yo-Yo Ma; 2002 - Previn: Violin Concerto, by the Boston Symphony with the composer conducting and soloist Anne-Sophie Mutter; 2003 - Jim Mobberley: "Vox Inhumana" for live and prerecorded sounds, in Kansas City, by the NewEar ensemble. Links and Resources On André Previn More on Previn

Gregg and Padme1138 run through a festive holiday season full of sugarplums and snowmans and all that stuff. But digitally.

Oscar-winning conductor André Previn was an unlikely choice of celebrity guest for the Christmas special of ‘The Morcambe and Wise Show' recorded on 7th December, 1971 - but the 13-minute sketch they taped together remains one of Britain's all-time favourites.The music hall-style caper - which revolves around a comically catastrophic interpretation of Grieg's Piano Concerto - was actually a reversion of a sketch Eric and Ernie had performed at least twice before, but never with a guest performer. In this episode, Arion, Rebecca and Olly explain how Mia Farrow helped Previn nail his role in this iconic skit; explore whether the duo's comic schtick was truly as ‘classless' as is often claimed; and reflect on whether ‘Mr Preview' really knew what he was letting himself in for…Further Reading:• André Previn on ‘The Morcambe and Wise Show' (BBC, 1971): https://www.dailymotion.com/video/xds7am• 'Make any fool of me you like, but I won't have you make fun of the music' - André Previn at 80 (Classic FM, 2018): https://www.classicfm.com/artists/andre-previn/guides/andre-previn-80/• ‘The Prelude of Mr Preview: How André Previn won over Morecambe & Wise' (British Comedy Guide, 2020): https://www.comedy.co.uk/features/comedy_chronicles/andre-previn-prelude-preview/For bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/RetrospectorsThe Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham.Copyright: Rethink Audio / Olly Mann 2021. See acast.com/privacy for privacy and opt-out information.

SAINT-SAËNS: Septeto, Op. 65 (16.21). A. Previn (p.), T. Stevens (tp.), J. Rosenfeld (vl.), A. Kavafian (vl.), T. Hoffman (vla.), C. Brey (vc.), J. Kulowitsch (con.). La jeunesse d’Hercule (17.59). Orq. Fil. de Radio Francia. Dir.: M. Janowski. Le rossignol et la rose (Parysatis) (3.43). N. Dessay (sop.), Orq. Sinf. de Berlín. Dir.: M. Schonwandt. Elevation (nº 9 de 9 Piezas para órgano o armonio) (1.42). S.-J. Bleicher (órg.). Escuchar audio

And Yet She Persisted, Much Like the characters she plays Carrie Hennessey is outdoing herself and performing up a storm in 2021. We talk about the preparation process for big projects, what it feels like to return to singing and LAUGH! We also talk about solutions to the problems Opera is facing as stages reopen and opportunities to innovate along the way. I hope you enjoy our conversation as much as I did! Known for her soaring voice and richly nuanced characters, soprano Carrie Hennessey is consistently thrilling audiences and critics in opera and concert appearances around the world. Ms. Hennessey's much awaited debut in Previn's A Streetcar Named Desire “gave us a Blanche that let us burrow into her character's soul, even into the darkest crevices…Hennessey, using a one-two punch of music and drama, made it resonate in a way that equaled the finest stage performances of the part I've seen.” (Fresno Bee) Ms. Hennessey's embodiment of the title role in the West Coast Premiere of Tobias Picker's opera Emmeline earned her a Bay Area Broadway World Awards for “Best Leading Actress in a Musical” nomination. Praised for bringing her signature “exquisite vocal purity and range to the title role”and was “nothing short of sensational” (San Francisco Classical Voice). As Mimì in La Bohème, Ms. Hennessey “..possessed of a full, powerful lyric soprano, which delivers Puccini's arias and duets richly. Her “Mi chiamano Mimì” (Yes, they call me Mimì) in Act 1 is gorgeous”. (San Francisco Classical Voice) On only one day's notice, Ms. Hennessey made her debut with the Modesto Symphony Orchestra, as soprano soloist in Mahler's Symphony No. 4, to great acclaim. The 2021/2022 joyous return to the stage includes title role debut in Kát'á Kabanová by Leoš Janáček with West Edge Opera and Rose in At the Statue of Venus with Festival Opera accompanied on piano by composer Jake Heggie. Ms. Hennessey will appear in the inaugural season of the Capitol Public Radio Garden Concert Series, as soloist of operatic arias with the Cleveland Philharmonic, as well as numerous recitals, chamber music concerts and continuous music education projects. You can read more about Carrie HERE Facebook Instagram Twitter

Welcome to a new edition of the Neon Jazz interview series with Jazz Guitarist Edward Decker .. He talked about his new  2021 CD The Best You Can Give – The Songs of Tony DeSare .. He's a native of Bergen County New Jersey and his early influences were legends such Wes Montgomery, Bucky Pizzarelli, Nat King Cole, and Andre' Previn .. But his ultimate inspiration and mentor is Bucky Pizzarelli .. Enjoy his story .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future.   https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4

The Context of White Supremacy hosts the 9th and final study session on Woody Allen's 2020 autobiography, Apropos of Nothing. One of the most critically revered movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the book recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Korea, Previn is thirty-five years younger than Allen. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen explains how he hired a black male, the late Geoffrey Holder. Allen explained that his film required an "exotic" element, and Holder fit the bill. Tellingly, this 1972 film is: Everything You Always Wanted To Know About Sex, But Were Afraid To Ask. When not making films, Allen describes going on a musical tour, where he "steals" from the same black New Orleans jazz legends he previously branded as "primitive" When not making films for Whites, Allen confesses one of his top enjoyments was being home to "fondle" Soon-Yi. He later refers to an article that describes Soon-Yi as a "dominatrix" in their relationship, but there are no quotes or citations confirm. #ChildRape INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, September 30th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy hosts the 9th and final study session on Woody Allen's Apropos of Nothing. One of the most critically revered movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the autobiography recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Korea, Previn is thirty-five years younger than Allen. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen details how he and Soon-Yi sneaked out of the country to be "secretly" married. He ladles contempt on White "liberals," like Gloria Steinem and Murray Kempton who covered the court proceedings in the 1990's. Allen declares they "had it in for him," and wouldn't even consider that he was the victim of a "possible miscarriage of justice." In spite of this, Allen acknowledges officers accorded him substantially more courtesy than the typical treatment of black male criminal suspects. Allen's narcissism and egoism drip from each sentence. He describes weeping fathers who're struggling with divorce and limited visitation with their children. They seek out Allen for sympathy or perhaps a teaspoon of Hollywood privilege to help their case. Allen sees no commonality around fatherhood with these New York dads. It's back to his flicks and hot White girls, like Maureen O'Sullivan - who starred in Tarzan. #ChildRape   INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.    TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

The Context of White Supremacy hosts the 8th study session on Woody Allen's Apropos of Nothing. One of the most critically revered movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the autobiography recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Vietnam, Previn is thirty-five years younger than Allen. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen details how he and Soon-Yi sneaked out of the country to be "secretly" married. He ladles contempt on White "liberals," like Gloria Steinem and Murray Kempton who covered the court proceedings in the 1990's. Allen declares they "had it in for him," and wouldn't even consider that he was the victim of a "possible miscarriage of justice." In spite of this, Allen acknowledges officers accorded him substantially more courtesy than the typical treatment of black male criminal suspects. Allen's narcissism and egoism drip from each sentence. He describes weeping fathers who're struggling with divorce and limited visitation with their children. They seek out Allen for sympathy or perhaps a teaspoon of Hollywood privilege to help their case. Allen sees no commonality around fatherhood with these New York dads. It's back to his flicks and hot White girls, like Maureen O'Sullivan - who starred in Tarzan. #ChildRape INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, September 23rd 8:00PM Eastern/ 5:00PM Pacific   The Context of White Supremacy hosts the 8th study session on Woody Allen's Apropos of Nothing. One of the most critically revered movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the autobiography recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Vietnam, Previn is thirty-five years younger than Allen. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen details how he and Soon-Yi sneaked out of the country to be "secretly" married. He ladles contempt on White "liberals," like Gloria Steinem and Murray Kempton who covered the court proceedings in the 1990's. Allen declares they "had it in for him," and wouldn't even consider that he was the victim of a "possible miscarriage of justice." In spite of this, Allen acknowledges officers accorded him substantially more courtesy than the typical treatment of black male criminal suspects. Allen's narcissism and egoism drip from each sentence. He describes weeping fathers who're struggling with divorce and limited visitation with their children. They seek out Allen for sympathy or perhaps a teaspoon of Hollywood privilege to help their case. Allen sees no commonality around fatherhood with these New York dads. It's back to his flicks and hot White girls, like Maureen O'Sullivan - who starred in Tarzan. #ChildRape   INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.    TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

The Context of White Supremacy hosts the 7th study session on Woody Allen's Apropos of Nothing. One of the most critically acclaimed movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the autobiography recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Vietnam, and thirty-five years younger than Allen, Previn was Allen's stepchild. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen finally details his relationship with Mia Farrow and how he and Soon-Yi became a couple. Allen insists that he was duped by Farrow's blue-eyed feminine wiles. He describes her White family members as criminal scofflaws, while asserting that he had more traditional family roots and no unlawful relatives. Allen writes as if readers forgot him describing his family's gang-banging connections and love of firearms. Allen then details his budding attraction to Soon-Yi while hanging out at Knicks's basketball games. Woody tells us that he and Soon-Yi became intimate after she started college - and was of legal consenting age. He describes the "lust filled beginnings of their romance" - which led to a nude photoshoot with Soon-Yi. Allen goes extra hard with the insistence that he's just a dumb, ignorant, stupid, dolt. #ChildRape INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, September 16th 8:00PM Eastern/ 5:00PM Pacific Soon-Yi Previn and Woody Allen The Context of White Supremacy hosts the 7th study session on Woody Allen's Apropos of Nothing. One of the most critically acclaimed movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the autobiography recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Vietnam, and thirty-five years younger than Allen, Previn was Allen's stepchild. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen finally details his relationship with Mia Farrow and how he and Soon-Yi became a couple. Allen insists that he was duped by Farrow's blue-eyed feminine wiles. He describes her White family members as criminal scofflaws, while asserting that he had more traditional family roots and no unlawful relatives. Allen writes as if readers forgot him describing his family's gang-banging connections and love of firearms. Allen then details his budding attraction to Soon-Yi while hanging out at Knicks's basketball games. Woody tells us that he and Soon-Yi became intimate after she started college - and was of legal consenting age. He describes the "lust filled beginnings of their romance" - which led to a nude photoshoot with Soon-Yi. Allen goes extra hard with the insistence that he's just a dumb, ignorant, stupid, dolt. #ChildRape   INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.    TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

Thursday, September 16th 8:00PM Eastern/ 5:00PM Pacific Soon-Yi Previn and Woody Allen The Context of White Supremacy hosts the 7th study session on Woody Allen's Apropos of Nothing. One of the most critically acclaimed movie-makers of all time, Woody Allen is a New York City and entertainment icon. In addition to his flicks, he's an acclaimed comedian, a concert-playing musician, and bestselling author - Apropos of Nothing being his most recent text. Published in 2020, the autobiography recounts his life, entertainment career, and "romance" with Soon-Yi Previn. In addition to being non-white, adopted/abducted from Vietnam, and thirty-five years younger than Allen, Previn was Allen's stepchild. Despite a damning Child Protective Services investigation and years of allegations of child rape and sexual abuse of children, Allen remains beloved my hoards of Whites. We'll examine this work for what it reveals about White culture. During our last reading, Allen finally details his relationship with Mia Farrow and how he and Soon-Yi became a couple. Allen insists that he was duped by Farrow's blue-eyed feminine wiles. He describes her White family members as criminal scofflaws, while asserting that he had more traditional family roots and no unlawful relatives. Allen writes as if readers forgot him describing his family's gang-banging connections and love of firearms. Allen then details his budding attraction to Soon-Yi while hanging out at Knicks's basketball games. Woody tells us that he and Soon-Yi became intimate after she started college - and was of legal consenting age. He describes the "lust filled beginnings of their romance" - which led to a nude photoshoot with Soon-Yi. Allen goes extra hard with the insistence that he's just a dumb, ignorant, stupid, dolt. #ChildRape   INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Vict

Today's Leadership Unscripted Conversation features two Fortune 50 CIOs – and – both are members of InspireCIO.Fletcher Previn joined NewYorkCIO last year and was recently recognized as a Global ORBIE Finalist as the CIO for IBM. Fletcher leads over 12,000 IT staff, providing secure, global IT at scale for 350,000 IBM employees worldwide.Juan Perez is an ORBIE winner and joined GeorgiaCIO in 2016 when he was named CIO for United Parcel Service. Juan began his career at UPS in 1990 as an intern - and now leads technology and engineering teams for a worldwide workforce of over 444,000 employees.Let's join Fletcher and Juan to learn about leading IT with global scale and discover how IT can become a strategic driver of culture change. 

Today we are talking to Fletcher Previn, the CIO at IBM. And we discuss how to progress your career, what IT modernization looks like in the government sector, and how to balance the long term effects of remote work. All of this, right here, right now, on the Modern CTO Podcast!

In 1992, while interviewing Tori Amos for the first time - the interview is in my eBook Tori Amos Soul Searching and Uncensored - I introduced her to the music of one of my life-long music heroes, and later in my life, a friend and mentor of mine, Dory Previn. Six years later, on Irish radio, I discussed with Mike Murphy the similarities between both artists and the magnificence of their arts. I hope this podcast leads to people discovering the absurdly underrated work of the late Dory Previn. 

KUSC's Alan Chapman is joined by soprano Julia Bullock to discuss the program, which includes masterworks by Gershwin, Copland, Previn, and Barber. About This Performance: Dudamel launches our season with the beauty and bravura of masterworks by beloved American composers.