Podcasts about Concerto grosso

Georg Friedrich Händel (1685 - 1759) – dai Dodici Concerti grossi, op. 6n. 1. Concerto Grosso in sol maggiore, HWV 319I: A tempo giusto - 0:00II: Allegro - 1:43III: Adagio - 3:20IV: Allegro - 5:54V: Allegro - 8:21 n. 2. Concerto Grosso in fa maggiore, HWV 320I: Andante larghetto - 11:11II: Allegro - 15:13III: Largo - 17:41IV: Allegro, ma non troppo - 20:00 n. 3. Concerto Grosso in mi minore, HWV 321I: Larghetto - 22:23II: Andante - 23:42III: Allegro - 25:47IV: Polonaise. Andante - 28:11V: Allegro, ma non troppo - 32:52 Academy of Ancient Music Andrew Manze, conductor

Deze uitzending voorziet in, gezangen aan St. Jozef gewijd, wiens feestdag we op 19 maart vieren, eveneens St. Patrick die op 17 maart wordt gevierd, eveneens voorzien wij een driedelig “Concerto Grosso” van G.F. Haendel, één deel uit de “Suite Antique” van John Rutter, het “Wolgalied” van Franz Léhar en bekende melodieën van Georges Bizet […]

durée : 00:12:46 - Concerti Grossi Op. 3 : Francesco Geminiani - Ottavio Dantone - L'Accademia Bizantina et Ottavio Dantone complètent la trilogie sur la forme musicale du Concerto Grosso avec le troisième chapitre du projet The Exciting Sound of Baroque Music : les Concerti Grossi Op.3 de Francesco Geminiani.

durée : 00:12:46 - Concerti Grossi Op. 3 : Francesco Geminiani - Ottavio Dantone - L'Accademia Bizantina et Ottavio Dantone complètent la trilogie sur la forme musicale du Concerto Grosso avec le troisième chapitre du projet The Exciting Sound of Baroque Music : les Concerti Grossi Op.3 de Francesco Geminiani.

Georg Friedrich Händel schreibt seine "Water music" ursprünglich als Untermalung einer Bootspartie des englischen Königs. Heute zählen die Orchestersuiten mit ihrem festlich kraftvollen Sound zu Händels berühmtesten Werken und zu einem Gipfel der barocken Instrumentalmusik. Von Christoph Vratz.

Belize-born British composer Errollyn Wallen, recently announced as Master of the King's Music, and composer and silent film music specialist Neil Brand, join Anna Phoebe and Jeffrey Boakye to round off the current series.From the first winner of the Eurovision Song contest to a Marvin Gaye masterpiece, via warring brothers, Add to Playlist wraps up before returning for a new series in November.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Refrain by Lys Assia The Honeysuckle and the Bee by Stanley Holloway Champagne Supernova by Oasis Sunny Afternoon by The Kinks Ain't No Mountain High Enough by Marvin Gaye & Tammi Terrell Other music in this episode:1st Movement of Concerto Grosso by Errollyn Wallen Trenulețul (Eurovision 2022) by Zdob și Zdub All in Your Head by New Jack & Lys Assia Flight of the Bumblebee by Nikolai Rimsky-Korsakov Disco Inferno by The Trammps

Welkom in het programma Klassiekuur, waar wij u zullen vergasten met gezangen van Claudio Monteverdi in het teken van Johannes de Doper. Andere barokke toondichters in deze uitzending zijn: Georg Friedrich Haendel met een 3-delig ‘Concerto Grosso’ en Antonio Vivaldi met een 3-delig vioolconcerto. Tussenin hoort u nog anoniem werk, een traditional en werk van […]

Die Musikgeschichte ist reich an Ohrwürmern, aber kaum einer hat so viele Komponisten inspirert wie "La Follia" - von Barock bis Pop. Am prominentesten: Arcangelo Corelli. Der Italiener schrieb 23 Variationen über den Tanz, der alle verrückt macht. Dabei ist seine Follia-Version von 1700 eigentlich nur der letzte Satz einer Violinsonate. Von Volker Sellmann.

DescriptionA Brief History of the Concerto. Take a minute to get the scoop!Fun FactRenowned for his innovative approach, Vivaldi crafted hundreds of concertos, particularly for the violin. His pioneering use of ritornello structure, a recurring thematic passage shared between soloist and orchestra, became a hallmark of the Baroque concerto. Vivaldi's exploration of virtuosic solo passages showcased technical prowess and expressive depth, influencing the evolution of the solo concerto. __________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

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SynopsisIn the 1930s, many Americans had a hard time making ends meet. During the Great Depression, opera and concert tickets didn't always figure into most family's budgets, but thanks to live radio broadcasts, American families enjoyed a veritable Golden Age of operatic and symphonic music in the comfort of their homes.On Christmas Day in 1931, NBC made radio history when it broadcast a matinee performance of Engelbert Humperdinck's opera Hansel und Gretel live from the stage of the old Metropolitan Opera House in New York City to radio listeners coast to coast. The on-air host was American composer Deems Taylor, whose opera Peter Ibbetson would be included in a live Met broadcast the following spring.And on Christmas Day in 1937, music of Antonio Vivaldi opened the first live NBC Symphony broadcast conducted by legendary Italian conductor Arturo Toscanini. Live NBC Symphony broadcasts under Toscanini would continue until the conductor's retirement in 1954. Along with Bach, Beethoven and Brahms, Toscanini included a handful of American works in his programs and, in 1938, conducted the broadcast premiere of Samuel Barber's well-known Adagio for Strings.Music Played in Today's ProgramEnglebert Humperdinck (1854-1921) Hansel and Gretel Overture; Bamberg Symphony; Karl Anton Rickenbacher, cond. Virgin 61128Antonio Vivaldi (1674-1741) Concerto Grosso in D; Moscow Virtuosi; Vladimir Spivakov, cond. BMG 60240

A. Corelli (1653-1713) -  Concerto n°8, op. 6, "fatto per la notte di natale"1.       Grave - Vivace2.       Allegro3.       Adagio - Allegro - Adagio4.       Vivace5.       Allegro6.       Pastorale. LargoIl Giardino ArmonicoGiovanni Antonini, conductor **********G. B. Sammartini (1701-1775) - Concerto Grosso in sol minore Op. 5 no 6 "Pastorale"1.       Spiritoso - Allegro - Spiritoso2.       Rondo (Allegro moderato e grazioso)3.       Pastorale (Andante sostenuto)English Chamber OrchestraSimon Preston, conductor **********G. Torelli (1658-1709): Concerto Grosso in G minor, Op. 8, No. 6 “Christmas Concerto”1.       Vivace - Grave - Allegro               2.       Adagio - Allegro - Adagio3.       VivaceAcademy of Ancient MusicChristopher Hogwood **********G. M. Schiassi (1698-1754) - Sinfonia Pastorale per Il Santissimo Natale1.       Adagio2.       Allegro3.       Largo4.       AndantePforzheim Chamber OrchestraVladislav Czarnecki, conductor

Het muzikale menu verschaft u: gregoriaans, werken van Schütz, Casimiri, Vivaldi, van Beethoven, Donizetti, Crusell en Haendel. Een bonte adventsmuziekkrans met als thema's: de Advent, Maria Onbevlekte Ontvangenis, een deel uit een piccolo-concerto, een 4-delige symfonie, een Ave Maria, een klarinettenduo en een 5-delig Concerto Grosso.

Greg and Dan welcome Maestro George Stelluto for a preview of the Peoria Symphony Orchestra's Joy at Grace Concert on Saturday, November 4th at 3 pm at Grace Presbyterian Church. The PSO's second concert of the season features guest artists Adriana Ransom (Cello), Andrew Port (Oboe), Sarah Carrillo (Trumpet), and David Nakazono (Trumpet). Featured pieces include Corelli's Concerto Grosso, Albinoni's Adagio in G Minor plus, works from Bach, Vivaldi, and Handel. Visit peoriasymphony.org for tickets. See omnystudio.com/listener for privacy information.

SynopsisOn today's date in 1739, George Frideric Handel took out an advertisement, announcing that he was now accepting subscriptions for his new set of 12 Grand Concertos for strings. He had, in fact, finished the first concerto one month before, on Sept. 29, and spent the next five weeks polishing off the other 11 at the rate of one every two or three days.Handel's publisher was John Walsh Jr., who had a shop in London at the sign of the harp and oboe in Catherine Street on the Strand. One hundred twenty-two copies of the music were to be printed and sold at a prepublication price of two guineas each. Among the initial 100 subscribers were three royal princesses and the duke of Cumberland, and two copies each were sold to the Academy of Music in Dublin and a certain Charles Jennens.It was Jennens who was to provide the text for Handel's next major oratorio, Messiah, and the city of Dublin the venue for its famous premiere.So, in 1739, just as today, it pays to advertise!Music Played in Today's ProgramGeorge Frederic Handel (1685 – 1757) Concerto Grosso in D, Op. 6, no. 5 - I Solisti Italiani Denon 6305

DescriptionBach's Brandenburg Concertos, originally titled ‘Six concertos for several instruments', were composed for the Margrave Christian Ludwig of Brandenburg—yet were never performed in Brandenburg. Take a minute to get the scoop!Fun FactEach concerto was written for a different combination of instruments and demonstrates a musical style that was popular in Bach's lifetime. It's thought that this variation was intended to show off the instrumental strength of the Cöthen Court Orchestra, giving each musician a chance to demonstrate their virtuosity.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

In diretta dalla Chiesa di S. Maria della Passione a Milano, Radio Popolare ha trasmesso il concerto inaugurale di Milano Arte Musica 2023. Conduzione: Ira Rubini "L'Orfeo del violino - Concerti grossi" con Accademia Bizantina direzione e clavicembalo: Ottavio Dantone concertmaster: Alessandro Tampieri Il programma: Arcangelo Corelli (1653 – 1713) Concerto Grosso op. 6 n. 4 in Re maggiore Adagio – Allegro, Adagio – Vivace, Allegro – Allegro Francesco Geminiani (1687 – 1762) Concerto Grosso op. 3 n. 3 in Mi minore Adagio e staccato, Allegro, Adagio, Allegro Georg Friedrich Händel (1685 – 1759) Concerto Grosso op. 6 n. 2 in Fa maggiore HWV 320 Andante Larghetto, Allegro, Largo, Allegro, ma non troppo Arcangelo Corelli (1653 – 1713) Concerto Grosso op. 6 n. 6 in Fa maggiore Adagio – Allegro, Largo – Vivace, Allegro Francesco Geminiani (1687 – 1762) Concerto Gros so op. 3 n. 4 in Re minore Largo e staccato – Allegro – Largo, Vivace Georg Friedrich Händel (1653 – 1713) Concerto Grosso op. 6 n. 7 in Si b maggiore HWV 325 Largo, Allegro, Largo e piano, Andante, Hornpipe

For the latest See the Music episode, host and Associate Music Director Andrews Sill do-si-dos with George Balanchine's Square Dance. Sills demonstrates with recordings of traditional square dance calls and excerpts from the Vivaldi and Corelli score the ways in which the fiddlers of the former connect with the solo violins of the latter, and how this 1957 ballet contributed to the choreographer's efforts to build a trusting American audience for the classical art form. (15:14) Edited by Emilie Silvestri Music:  Symphony in Three Movements (1945) by Igor Stravinsky. Square Dance (1969) by Al Brundage Concerto Grosso in B Minor, op. 3, no. 10; Concerto Grosso in E Major, op. 3, no. 12 [first movement] by Antonio Vivaldi. Badinerie and Giga from Sarabanda, Badinerie, and Giga by Arcangelo Corelli.  Performed by New York City Ballet Orchestra.  Sarabanda, Giga e Badinerie (Suite for String Orchestra) by Ettore Pinelli (after Corelli). Performed by Zagrebački Solisti. Concerto in B minor, RV 580 by Antonio Vivaldi. Performed by I Solisti Italiani.

Synopsis On today's date in 1937, as a Christmas gift to the nation, the NBC radio network broadcast the first NBC Symphony Orchestra concert conducted by Arturo Toscanini. The orchestra had been specifically created to lure the famous Italian conductor back to America.For the first selection on his first concert, Toscanini chose what was then a very obscure piece by what was then a VERY obscure Italian composer named Antonio Vivaldi: his Concerto Grosso in d minor, Op. 3, no. 11, to be exact.These days we are used to hearing Baroque music in “historically informed performances,” “hip” for short, and often played on period instruments. By those standards, Toscanini's Vivaldi might be described as “PRE-historic,” but in 1937 it must have seemed a shockingly hip selection: a bracing, bold shot of unfamiliar Baroque music by a composer rarely – if ever –heard on a symphony concert.In fact, one might argue that Toscanini was trying to be “historically informed,” since he probably used a score prepared by the Italian musicologist and composer Gian Francesco Malipiero, based on manuscripts and original editions of Vivaldi's music found in the library of the Liceo Musicale in Venice, where Malipiero taught in the 1930s and Vivaldi lived in the 1730s. Music Played in Today's Program Antonio Vivaldi (1678 - 1741): Concerto Grosso in d, Op. 3, no. 11 NBC Symphony; Arturo Toscanini, conductor. (r. Dec. 25, 1937)

De advents-lieder-krans voorziet vandaag in een “Sancta Maria”-lied, het introïtus voor de 4°adventszondag “Rorate Coeli” als gregoriaanse zang, en een reeks barokke O-Antifonen voor het kerstnoveen, een Ave Maria, een Marialied, een Concerto Grosso in 6 delen en een anoniem “Ave Stella Matutina”; voor u bijeengecomponeerd door: Mayr, Charpentier, Schütz, Rizza en Corelli, naast anonieme meesters.

Arcangelo Corelli (1653-1713) - Concerto grosso in sol minore, op. 6, n. 8 “fatto per la notte di Natale”I.        Vivace - GraveII.      AllegroIII.    Adagio - Allegro - AdagioIV.    VivaceV.      AllegroVI.    Pastorale. LargoAccademia degli AstrusiFederico Ferri, direttore Starts at 12'47”Giuseppe Torelli (1658-1709) - Concerto in forma di Pastorale per il S. Natale op. 8 n. 6I. Grave, vivace II. Largo III. AllegroSt James BaroqueIvor Bolton, direttore Starts at 18'09”Francesco Manfredini (1684 - 1762) - Concerto Grosso per il Santissimo NataleI.    Largo (Pastorale per il Santissimo Natale)II.  LargoIII.    AllegroLucerne Festival Strings Rudolf Baumgartner, direttore Starts at 27'29”Leopold Mozart (?) (1719-1787) - Cassation in G Major “Toy Symphony”I.   Allegro II.  MenuettoIII. FinaleKammerorchester BerlinHelmut Koch, direttore

Order of Service: - Prelude: "Bring A Torch, Jeanette, Isabella" arr. by Vince Gassi - Hymn 539 - Jerusalem, My Happy Home: vv. 1-5 - 1 Timothy 4: 8: For bodily exercise profits a little, but godliness is profitable for all things, having promise of the life that now is and of that which is to come. - Devotion - Prayer - Hymn 539 - Jerusalem, My Happy Home: vv. 6-9 - Blessing - Postlude: "Concerto Grosso, Op. 6, No. 8 (Christmas Concerto)" by Correlli, arr. by Todd Parrish Service Participants: Chaplain Don Moldstad (Preacher), Prof. Ben Faugstad (Director), BLC Chamber Orchestra (Instrumental Group)

Synopsis Today's date marks the original Columbus Day, honoring the Italian explorer who for decades was described as the man who “discovered America.” In recent years Native American leaders have pointed out that indigenous peoples had been living on the continent for thousands of years, and Columbus didn't “discover” anything — in fact, he didn't even know where he was, which is why he called the people he found here “Indians.” Some historians now think that Viking explorers from Scandinavia arrived in America long before Columbus – and others suggest the Chinese arrived before those Europeans. Even so, it's Columbus who has a national holiday (now always observed on the closest Monday in October), and concert music written to celebrate it. For example, there's a “Columbus Suite” by Victor Herbert, originally commissioned for the 1893 Chicago World Fair to celebrate the 400th anniversary of the Columbus voyage, but not actually premiered until 1903. A much more recent “Columbus-inspired” work, and much more elegiac in tone, is by the Native American composer James DeMars. It's titled: “Premonitions of Christopher Columbus” and is scored for Native American flute, African drum, and chamber orchestra. In this work, DeMars blends sounds of the various ethnic traditions that would come to make up modern America. Music Played in Today's Program Victor Herbert (1859-1924) Columbus Suite Slovak Radio Symphony; Keith Brion, cond. Naxos 8.559027 James DeMars (b. 1952) Premonitions of Christopher Columbus Tos Ensemble with R. Carlos Nakai, Native American flute Canyon 7014 On This Day Births 1686 - German composer and lutenist Silvius Leopold Weiss, in Breslau; 1713 - Baptismal date of German composer Johann Ludwig Krebs, in Butterstedt, Weimar; 1872 - English composer Ralph Vaughan Williams, in Down Ampney, Gloucestershire; 1880 - English-born Canadian composer and organist Healey Willan, in London; Deaths 1692 - Italian composer Giovanni Battista Vitali, in Bologna, age 60; Premieres 1910 - Vaughan Williams: "A Sea Symphony" (after Walt Whitman) at the Leeds Festival; 1924 - Mahler: Symphony No.10 (1st and 3rd movements only), arranged by Ernest Krenek (with additional retouching by Alexander von Zemlinksy and Franz Schalk), by Vienna Philharmonic, Franz Schalk conducting; The American premiere of these two movements was give on Dec. 6, 1949, by the Erie (Pa.) Philharmonic conducted by the composer's nephew, the Austro-American conductor Fritz Mahler (1901-1973); The English musicologist Deryck Cooke prepared the first performing edition of Mahler's entire Tenth Symphony which received its first performance on August 13, 1964, by the London Symphony conducted by Berthold Goldschmidt; Since then, Cooke has revised his arrangement, and several other musicologists have prepared their own rival performing editions of Mahler's surviving notation for this symphony; 1931 - Rachmaninoff: “Variations on a Theme of Corelli (La Folia)” for solo piano, in Montréal (Canada), by the composer; 1951 - Bizet: opera "Ivan le Terrible" (posthumously), in Bordeaux; 1951 - Dessau: opera "Die Verurteilung des Lukullus" (The Trial of Lucullus) (2nd version), in East Berlin at the Deutsche Staatsoper; 1961 - Douglas Moore: opera "The Wings of the Dove" (after the novel by Henry James), in New York; 1971 - Andrew Lloyd Webber: rock musical "Jesus Christ Superstar," in New York City; A choral version of this musical was performed in Kansas City, Kan. On May 15, 1971, and a touring company was launched to present the musical on July 12, 1971; Prior to any staged presentations, the work was first released as a double LP record album in October of 1970; 1984 - Olly Wilson: "Siinfonia," by the Boston Symphony, Seiji Ozawa conducting; 1984 - Ellen Taaffe Zwilich: "Celebration" for orchestra, by the Indianapolis Symphony, John Nelson conducting; 1997 - Sallinen: "Overture Solennel," in Monaco by the Monte Carlo Philharmonic, James DePreist conducting; 1998 - Philip Glass: opera "The Voyage," at the Metropolitan Opera in New York, Bruce Ferden conducting; 2000 - Rautavaara: Harp Concerto, in Minneapolis with harpist Kathy Kienzle and the Minnesota Orchestra, Omso Vänskä conducting; Others 1739 - Handel completes in London his Concerto Grosso in Bb, Op. 6, no. 7 (Gregorian date: Oct. 23). Links and Resources On Columbus Day On Victor Herbert On James DeMars

Synopsis In James Joyce's novel “Ulysses,” the thoughts of its major characters keep shifting from the sights and sounds they encounter in and around Dublin to their private, non-stop interior monologues. This narrative technique came to be called “stream of consciousness” writing. In music, something similar occurred on today's date in 1968, when the Italian composer Luciano Berio conducted the Swingle Singers and the New York Philharmonic in the premiere performance of his new work entitled “Sinfonia.” “Sinfonia” included music quotes from Bach to Mahler intermingled with sung and spoken texts ranging from Claude Levi-Strauss to Samuel Beckett. There's even a bit of Joyce's “Ulysses” tossed in as well, alongside slogans from the student protests of 1968. The text of Sinfonia's second movement was a tribute to the recently-assassinated Civil Rights leader, Martin Luther King – and consisted of nothing but the intoned syllables of his name. “Sinfonia” was Berio's “stream of consciousness” interior monologue on the year 1968 made public with great theatrical flair: a dizzying mix of poignant music and political text. Berio was quoted as saying, “The juxtaposition of contrasting elements, in fact, is part of the whole point.” Somewhat to everyone's surprise, “Sinfonia” turned out to be a hit, and Columbia Records even released a recording of the work with its premiere performers. Music Played in Today's Program Luciano Berio (1925-2003) Sinfonia New Swingle Singers; French National Orchestra; Pierre Boulez, cond. Erato 88151 On This Day Births 1813 - Italian composer Giuseppe Verdi, in Le Roncole, near Parma. Probable true date of his birth, according to parish records, though Verdi celebrated it on the 9th, the date he believed correct; 1903 - Russian-born American composer and songwriter Vernon Duke (Vladimir Dukelsky), in Pskov (Julian date: Sept. 27); 1906 - American composer Paul Creston (Giuseppe Guttoveggio), in New York; 1920 - American Jazz composer and pianist Thelonious Monk, in Rocky Mount, N.C.; Deaths 1825 - Russian composer Dimitri Bortniansky, age c. 74, in St. Petersburg (Julian date: Sept. 28); Premieres 1919 - R. Strauss: opera, "Die Frau ohne Schatten" (The Woman Without a Shadow) at the Vienna Staatsoper, conducted by Franz Schalk, and with vocal soloists Lotte Lehmann (Barak's wife), Maria Jeritza (The Empress), Karl Oestvig (The Emperor), Richard Mayr (Barak), and Lucie Weidt (The Nurse); 1931 - Walton: oratorio, "Belshazzar's Feast," at the Leeds Festival; 1935 - Gershwin: opera "Porgy and Bess" at the Alvin Theater in New York City; The opera had a trial run in Boston which opened on September 30, 1935; 1938 - Shostakovich: String Quartet No. 1, in Leningrad, by the Glazunov Quartet; 1948 - Bernstein: song-cycle, "La Bonne Cuisine" (Four Recipes for Voice and Piano), at Town Hall in New York City, with mezzo-soprano Marion Bell and pianist Edwin MacArthur; 1968 - Berio: "Sinfonia," by New York Philharmonic and The Swingle Singers, with the composer conducting; 1985 - Benjamin Lees: Symphony No. 4 ("Memorial Candles") in Dallas, with Pinchas Zukerman the soloist; Others 1739 - Handel completes in London his Concerto Grosso in D, Op. 6, no. 5 and possibly his Concerto Grosso in F, Op. 6, no. 9 as well (Gregorian date: Oct. 21). 1739 - Handel completes in London his Concerto Grosso in G, Op. 6, no. 1 (see Julian date: Sept. 29); Links and Resources On Berio More on Berio and James Joyce

Synopsis 1991 was a big year for American composer John Corigliano. The Metropolitan Opera premiered his opera “The Ghosts of Versailles” and the 53-year old composer won two Grammys and the Grawemeyer Award for his Symphony No. 1. Corigliano was increasingly recognized as one of the leading American composers of his generation, and was deluged with commissions for new works. But about 10 years before all that, guitarist Sharon Isbin had asked Corigliano to write a concerto for her, and kept on asking him. On today's date in 1993, her persistence paid off when, with the St. Paul Chamber Orchestra and conductor Hugh Wolff, she gave the premiere performance of Corigliano's “Troubadours — Variations for Guitar and Orchestra.” This piece was inspired by the courtly love tradition of the medieval troubadours, whose songs combined sophisticated word play with simple but elegantly communicative melodies. “For composers the idea of true simplicity — in contrast to chic simple-mindedness — is mistrusted and scorned,” wrote Corigliano. “But the guitar has a natural innocence about it… So the idea of a guitar concerto was, for me, like a nostalgic return to all the feelings I had when I started composing — before the commissions and deadlines and reviews. A time when discovery and optimistic enthusiasm ruled my senses… Troubadours is a lyrical concerto.” Music Played in Today's Program John Corigliano (b. 1938) Troubadours Sharon Isbin, guitar; Saint Paul Chamber Orchestra; Hugh Wolff, cond. Virgin 55083 On This Day Births 1870 - French composer and organist Louis Vierne, in Poitiers; 1930 - Japanese composer Toru Takemitsu, in Tokyo; 1953 - English composer Robert Saxon, in London; Deaths 1834 - French composer François Boieldieu, age 58, in Jarcy; Premieres 1903 - Nielsen: "Helios" Overture, in Copenhagen; 1943 - Stravinsky: "Ode" (in memory of Natalie Koussevitzky), by the Boston Symphony conducted by Serge Koussevitzky; 1960 - Prokofiev: opera "The Story of a Real Man" (posthumously) at the Bolshoi in Moscow; A semi-public performance of this opera was given in Leningrad on Dec. 3, 1948, but the opera was rejected by Soviet authorities for subsequent performances during the composer's lifetime; 1966 - Stravinsky: "Requiem Canticles," in Princeton, with Robert Craft conducting; 1992 - Ligeti: Violin Concerto, in Cologne, by the Ensemble Moderne conducted by Peter Eötvös, and Saschko Gawriloff the soloist; 1993 - Corigliano: "Troubadours (Variations for Guitar and Orchestra)," at the Ordway Music Theater in St. Paul, with the St. Paul Chamber Orchestra conducted by Hugh Wolff, and guitar soloist Sharon Isbin; 1999 - Kernis: "Garden of Light" and Torke: "Four Seasons" (both commissioned by the Disney Company at the urging of its Chief Executive, Michael Eisner), for the Millennium season of the New York Philharmonic, with Kurt Masur conducting the orchestra, vocal soloists, and choirs in both pieces; Others 1739 - Handel completes in London his Concerto Grosso in a, Op. 6, no. 4 (Gregorian date: Oct. 19); 1898 - The first issue of the magazine "Musical America" is published. Links and Resources On John Corigliano On Sharon Isbin

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Tell No Tales Episode 15, Keep Learning Leo interviews a girl who died before fulfilling her potential. Riley, meanwhile, learns some unpleasant information. Content Warnings: Extensive discussion of depression and suicidal ideation Transcript: https://tellnotalespod.carrd.co/#episode15kfjj Written and produced by Leanne Egan. In this episode you heard the voice of Leanne Egan as Leo Quinn, Michaela Hook as Layla Owens, and Phil Thompson as Riley Matkins. Intro and outro music by Lumehill The conveniently public domain music that Leo chose to listen to today was Handel's Concerto Grosso no. 8, HWV 326 - VI. Allegro, Mozart's Piano Sonata No. 13 in B-flat major, K. 333 / 315c, 2nd movement, and Bach's Goldberg Variations, BWV 988 - 22 - Variatio 21 Canone alla Settima, performances sourced from Musopen.org Sound effects were sourced from Epidemic Sound Art by Ana Balaci Find more info on our website https://tellnotalespod.carrd.co or at tellnotalespod on Tumblr or Twitter For more info on Mx. Bad Luck, the trailer featured at the end of today's episode, visit https://mxbadluck.carrd.co/ and find their transcript of the trailer at https://docs.google.com/document/d/1r9oEZ2vXz_3PFqMr-KSYlp61w_AQLUZPOafevu0Ry44/edit

On this second episode on abolition, we focus on British abolitionists. Britian abolished slavery long before the United States and enforced the ban on the international slave trade, but just how did that come about? Who was involved? We answer those questions. Note: This episode contains contemporary quotes that use language which today is considered offensive. Opening Music: Zac Bell Transition Music: Antonio Vivaldi, Concerto Grosso in G minor, Op. 3, N. 2, I. Adagio Johann Sebastian Bach, Orchestral Suite No 2 in B minor, BWV 1067, 7. Badinerie Henry Purcell, The Fairy Queen, Z. 629, Thus Happy and Free, Papalin End Music: Jean Claude Hatungimana Cover Art: Emily Noble Day

This Sunday, June 12, at 3pm - The Empire State Youth Orchestra will perform a very special concert at Ozawa Hall at Tanglewood in Lenox, MA.ESYO's new Music Director and Conductor Etienne Abelin and the Symphony Orchestra will perform Beethoven's Egmont Overture alongside Arturo Márquez's Danzón No. 2. And Fabrizio Cassol's Concerto Grosso for DJ/Electronics, Cello, Saxophone, and Orchestra is the centerpiece of the concert.

Tell No Tales Episode 6, A VisitingLeo's trip back home results in something of a one-sided heart-to-heart.Content Warnings: Discussion of griefTranscript: https://tellnotalespod.carrd.co/#episode06ovpfnbWritten and produced by Leanne Egan. In this episode you heard the voice of Leanne Egan as Leo Quinn.Intro and outro music by LumehillThe conveniently public domain music that Leo chose to listen to today was Handel's Concerto Grosso no. 1, HWV 319, performance sourced from Musopen.orgSound effects were sourced from Epidemic SoundArt by Ana BalaciFind more info on our website https://tellnotalespod.carrd.co or at tellnotalespod on Tumblr or Twitter

This month, Donald Macleod takes a new look at one of Britain's best loved composers, Ralph Vaughan Williams, as part of Radio 3's 'Vaughan Williams Today' season - marking the 150th anniversary of the composer's birth. Over the course of four weeks and twenty programmes, Donald will be delving into Vaughan Williams' life story and work in intriguing detail, and he'll also be talking to some of the leading authorities on Vaughan Williams to share and explore fresh perspectives on a variety of overlooked and less well known aspects of his life and work, forming a comprehensive and absorbing portrait of a composer whose body of work has had such an enduring impact on British cultural life. In this, the final week of Composer of the Week's landmark series, Donald will focus primarily on the years 1948-1958, the final decade of Vaughan Williams' life. The composer was, by this point recognised as the Grand Old Man of English music, and for a younger generation of British composers had begun to represent the establishment. He was also beginning to feel his age, but was still managing to surprise critics with some of his new works, and he showed little sign of slowing down, continuing to lead a busy life, and launching into new endeavours too: foreign travels which included a major tour of the US, a major house move, and, following the death of Adeline, a second marriage. Donald will also be speaking to Vaughan Williams experts Ceri Owen and Alain Frogley about Adeline Fisher and Ursula Wood, Vaughan Williams two wives, and about Vaughan Williams' legacy, and the changing reception to his music since his death. Music Featured: Symphony no. 6 in E minor - I. Allegro Prayer to the Father of Heaven An Oxford Elegy (excerpt) Concerto Grosso for strings Pilgrim's Progress - House Beautiful Sons of Light - III. The Messengers of Speech Four Last Songs 3 Impressions – II. The Solent Songs of Travel Three Shakespeare Songs Romance in D flat for harmonica & strings Old Hundredth Silence and Music Symphony 7 ‘Sinfonia Antartica' - III. Landscape - Lento Turtle dove; Dark-Eyed Sailor; John Dory Symphony no 8 in D minor - II. Scherzo alla marcia; III. Cavatina Vision of Aeroplanes Symphony no. 9 in E minor - IV. Andante tranquillo Prelude on Three Welsh Hymn Tunes Symphony no. 9 - II. Andante Sostenuto The Lover's Ghost Suite from 49th Parallel (excerpt) Nocturne: Whispers of Heavenly Death A London Symphony (1913 version) – IV. Finale (excerpt) Presented by Donald Macleod Producer Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page https://www.bbc.co.uk/programmes/m0016rjd And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

VAUGHAN-WILLIAMS: Concerto Grosso para orquesta de cuerda (16.54). London Symphony Orchestra. Dir.: B. Thomson. On Wenlock Edge (20.35). P. Langridge (ten.), H. Shelley (p.), P. Manning (vl.), K. Pascoe (vl.), P. Lale (vla.), A. Shulman (vc.), Cuarteto de cuerda “Britten”. Come away, death (2.33). Quink Vocal Ensemble. Escuchar audio

Vaughan Williams foi um compositor inglês, influenciador de sinfonias, música de câmara, ópera, música coral e trilhas para filmes. Ele foi também um importante colecionador de música folk e canção. Seu Concerto Grosso é sensacional ´- e sua vida também! Conversa de Câmara é apresentado por Aroldo Glomb com Eduardo Masses na bancada! Estamos também no programa Antigas Novidades! ESSE PROGRAMA É PRODUZIDO POR NA PAUTA PODCAST! FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br https://www.padrim.com.br/conversadecamara RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto, Thiago Pacheco e Aldo França

شماره‌ی سوم، از سری "صدای خیال" منتشر شد. در این شماره درباره‌ی جمیله شیخی حرف می‌زنیم؛ هنرمندی پرقدرت و مستقل. این شماره را می‌توانید با جست‌وجوی عبارت "پادکست فیلم امروز" در پادگیرهای کست‌باکس، اپل‌پادکست، گوگل‌پادکست، انکر و اسپاتیفای گوش بدهید. شنیدن نظرهای شما، راه‌گشای ما خواهد بود. . لطفاً تا اطلاع ثانوی، برای شنیدن این شماره و شماره‌های قبلی از فیلترشکن استفاده کنید. . حامی مالی این شماره، آژانس تبلیغاتی اوژن است. . موسیقی‌های استفاده‌شده در این قسمت - The Force Of Density (Verdi) - Concerto Grosso in G minor 'Christmas Concerto' Op.6 - Moment Musical D.780 No. 3 - Concerto Grosso in G minor 'Christmas Concerto' Op.6 - Quand je menai les chevaux boire - Trumpet Concerto in D major, Adagio - Bach Cello Suite #1 in G, Prelude - Canon and Gigue for 3 violins & continuo in D major . شروع این قسمت از بخش‌هایی از مستند «ستارگان صحنه» استفاده شده است. . مهمان‌ها به ترتیب ورود هوشنگ گلمکانی کمند امیرسلیمانی شهرام گیل‌آبادی مسعود فروتن رسول صدرعاملی ستاره پسیانی بهزاد فراهانی شبنم مقدمی . عوامل مدیر پروژه: شاهین شجری‌کهن سردبیر، نویسنده و راوی: دامون قنبرزاده دبیر اجرایی: بهناز اقبال تدوین و صدا: احسان عابدی (استودیو رود) موزیک: علی زارع آرشیو: غزل گلمکانی طراح پوستر و تیزر: سمانه نیک‌اختر کاری از: «فیلم امروز» به همت عباس یاری/ هوشنگ گلمکانی

Synopsis Today's date marks the birthday of a 20th century Czech composer you perhaps have never heard of. Viktor Kalabis was born in 1923 and by age 6, was giving public piano performances. All the signs pointed to a brilliant career. But first Kalabis had to face – and surmount–two major political hurdles. First, his formal musical studies were delayed by the Nazi occupation of his country in 1938, when he was forced into factory work; then, after the war, Kalabis met and married a young harpsichordist named Zuzana Ruzickova, who was a concentration camp survivor. Victor was a Gentile, but in Stalinist Czechoslovakia, anti-Semitism was rampant and marrying a Jew was frowned upon. To make matters worse, both Victor and Zuzana refused to join the Communist Party, hardly what one would call “a smart career move” in those years. Even so, Kalabis began to attract commissions and performances of his music at home and abroad, and following the 1989 Velvet Revolution, Kalabis assumed a more prominent position in his country's musical life. His symphonies, concertos, and chamber works are now regarded as some of the most important contributions to Czech music in the late 20th century. Music Played in Today's Program Viktor Kalabis (1923 – 2006) — Piano Concerto No. 1 (Zuzana Ruzickova, p; Czech Philharmonic; Karel Sejna, cond.) MRS Classics MS-1350 On This Day Births 1848 - English composer (Sir) Hubert Parry, in Bournemouth; Deaths 1887 - Russian composer Alexander Borodin, age 53, at a fancy dress ball in St. Petersburg (Julian date: Feb. 15); Premieres 1729 - Bach: Sacred Cantata No. 159 ("Sehet, wie gehn hinauf gen Jerusalem") probably performed in Leipzig on Estomihi Sunday as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1737 - Handel: opera “Giustino,” in London (Julian date: Feb. 16); 1740 - Handel: oratorio “L'Allegro, il Penseroso, ed il Moderato,” in London at Lincoln's Inn Field, with the premiere of Handel's Organ Concerto in Bb, Op. 7, no. 1 (Gregorian date: Mar. 9); 1814 - Beethoven: Symphony No. 8, in Vienna, with composer conducting; 1908 - Amy Beach: Piano Quintet, at Boston's Potter Hall, with the Hoffmann Quartet and the composer at the piano; 1913 - Walter Damrosch: opera, "Cyrano de Bergerac," at the Metropolitan Opera in New York City; 1915 - Miaskovsky: Symphony No. 3, in Moscow (Julian date: Feb. 14); 1940 - William Schuman: String Quartet No. 3, at Town Hall in New York City, by the Coolidge Quartet; 1945 - Amy Beach: opera "Cabildo," by the Opera Workshop at the University of Georgia in Athens, directed by Hugh Hodgson; The first professional production occurred on May 13, 1995, at Alice Tully Hall in New York City as a "Great Performances" telecast conducted by Ransom Wilson; 1947 - Hindemith: Piano Concerto, by the Cleveland Orchestra, George Szell conducting, with Jesús Maria Sanromá the soloist; 1947 - Peter Mennin: Symphony No. 3, by the New York Philharmonic, Walter Hendel conducting; 1949 - Elliott Carter: Woodwind Quintet, at Times Hall in New York City, at a new music concert of the National Association for American Composers and Conductors, sharing a program with Henry Cowell's Suite for Wind Quintet, Vincent Perischetti's "Pastorale," Richard Franko Goldman's Duo for Tubas, Ingolf Dahl's "Music for Five Brass Instruments," and a revised version of Carl Ruggles; "Angles" for seven brass instruments; 1949 - Wm. Schuman: Symphony No. 6, by the Dallas Symphony, Antal Dorati conducting; 1950 - Elliott Carter: Cello Sonata, at Town Hall in New York, by cellist Bernard Greenhouse and pianist Anthony Markas; 1958 - Peter Mennin: Piano Concerto, by the Cleveland Orchesttra conducted by George Szell, with Eunice Podis the soloist; 1984 - Libby Larsen: "Parachute Dancing" for orchestra, by the American Composers Orchestra, Tom Nee conducting; 1986 - U. Zimmermann: opera "Weisse Rose" (White Rose), in Hamburg by the Opera stabile; 1999 - Peter Lieberson: Horn Concerto, at Carnegie Hall, with soloist William Purvis and the Orpheus Chamber Orchestra. Others 1885 - First documented American performance of Handel's Concerto Grosso in B Minor (op. 6, no.12), by the Boston Symphony, William Gericke conducting. Links and Resources On Viktor Kalabis Kalabis tribute (PDF)

If you want a change from Christmas pop, Christmas baroque is the way to go - here's a sparkling little gem from Arcangelo Corelli - a great 15 minute way to reset, reflect and energise - it manages all these things! (17 mins: podcast 3', music 14')   Music here on Spotify or Youtube with pictures. Officially it's Concerto Grosso in G minor op.6 no.8 "Fatto per la notte di Natale" Happy Christmas! What do you think? I really want to know, so please tell me with a comment at Cacophonyonline.com.   You can support Cacophony here, by 'buying me a ko-fi'.   Please share the podcast with everyone you know - start by sharing this episode or the 100 second trailer!   Thanks for listening!      

Arcangelo Corelli (1653-1713) - Concerto grosso in sol minore, op. 6, n. 8 “fatto per la notte di Natale”I.Vivace - GraveII.AllegroIII.Adagio - Allegro - AdagioIV.VivaceV.AllegroVI.Pastorale. LargoAccademia degli AstrusiFederico Ferri, direttoreStarts at 12'47”Giuseppe Torelli (1658-1709) - Concerto in forma di Pastorale per il S. Natale op. 8 n. 6I. Grave, vivace II. Largo III. AllegroSt James BaroqueIvor Bolton, direttoreStarts at 18'09”Francesco Manfredini (1684 - 1762) - Concerto Grosso per il Santissimo NataleI.Largo (Pastorale per il Santissimo Natale)II.LargoIII.AllegroLucerne Festival Strings Rudolf Baumgartner, direttoreStarts at 27'29”Leopold Mozart (?) (1719-1787) - Cassation in G Major “Toy Symphony”I.Allegro II.MenuettoIII.FinaleKammerorchester BerlinHelmut Koch, direttore

Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas. His best known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi worked from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna hoping for preferment. The Emperor died soon after Vivaldi's arrival, and the composer died a pauper, without a steady source of income.About this Piece

Pianist Jamie Cullum and trombonist Mark Frost join Cerys Matthews and Jeffrey Boakye in the penultimate episode of the current series as they add the next five tracks to the growing playlist. What links one of the most famous brass pieces in all opera to an all-star jazz musical ensemble in New York? And how does that get us to Sesame Street? The serendipitous musical journey continues. Presenters Cerys Matthews and Jeffrey Boakye Producer Jerome Weatherald This week's five tracks added to the playlist: Sanft Schloss Schlaf dein Aug'! by Richard Wagner Trombone Joe by Herlin Riley Sing by The Carpenters/Sesame Street The Coffee Cola Song by Francis Bebey Mask Off by Future Other music in this episode: Concerto Grosso in C, HWV 318 by Handel Lose My Breath by Destiny's Child Ride of the Valkyries by Wagner A Cenar Teco from Don Giovanni by Mozart Dies Irae from the Symphonie Fantastique by Berlioz Everything Now by Arcade Fire Watermelon Man by Herbie Hancock Flute Loop by Beastie Boys Prison Song by Tommy Butler

Synopsis Let's face it. Brevity and wit are not always qualities one associates with new music. But today we offer a sample: this comic overture is less than 5 minutes long, and opens, as you just heard, with a Fellini-esque duet for piccolo and contrabassoon. The overture is entitled “Quantum Quirks of a Quick Quaint Quark,” and is a rather burlesque celebration of modern theoretical physics. Its alliterative title evokes those subatomic particles known as “quarks” that, we're told, make up our universe. And, since this music changes time signature so often, perhaps Heisenberg's “uncertainty principle” is thrown in for good measure. The music is by Marga Richter, who was born on this date in 1926 in Reedsburg, Wisconsin. Richter received her early music training in Minneapolis, and then moved to New York's Juilliard School. By the time of her death in 2020, she had composed over 75 works including an opera and two ballets, as well as two piano concertos and a variety of solo, chamber and symphonic works. "Composing,” said Richter,” is my response to a constant desire to transform my perceptions and emotions into music … Music is the way I speak to the silence of the universe." Music Played in Today's Program Marga Richter (b. 1926) — Quantum Quirks of a Quick Quaint Quark (Czech Radio Orchestra; Gerard Schwarz) MMC 2006 On This Day Births 1879 - French composer, pianist, and writer Joseph Canteloube, in Annonay (near Tournon); 1885 - Austrian composer and musicologist Egon Wellesz, in Vienna; 1921 - English composer (Sir) Malcolm Arnold, in Northampton; 1926 - American composer Marga Richter, in Reedsburg, Wisconsin; 1949 - Israeli composer Shulamit Ran, in Tel Aviv; Deaths 1662 - English composer Henry Lawes, age 66, in London; Premieres 1784 - Gretry: opera, "Richard Coeur de Lion" (Richard the Lionhearted), in Paris; 1858 - Offenbach: comic opera, "Orphée aux enfers" (Orpheus in the Underworld), in Paris; 1900 - Rimsky-Korsakov: opera "The Tale of Tsar Saltan," at the Solodovnikov Theatre in Moscow, with Mikhail Ippolitov-Ivanov conducting (Gregorian date: Nov. 3); 1921 - Third (and final) version of Sibelius: Symphony No. 5, in Helsinki under the composer's direction; Sibelius conducted the first performances of two earlier versions of this symphony in Helsinki on Dec. 8, 1915 and Dec. 14, 1916; 1926 - Nielsen: Flute Concerto (first version), in Paris, conducted by Emil Telmányi (the composer's son-in-law), with Holger Gilbert-Jespersen the soloist; Nielsen revised this score and premiered the final version in Oslo on November 9, 1926, again with Gilbert-Jespersen as the soloist; 1933 - Gershwin: musical "Let 'Em Eat Cake," at the Imperial Theater in New York City; 1941 - Copland: Piano Sonata, in Buenos Aires, by the composer; 1956 - Menotti: madrigal-fable "The Unicorn, the Gordon and the Manticore," at the Library of Congress in Washington, D.C.; 1984 - Ellen Taaffe Zwilich: Double Quartet for strings, at a concert of the Chamber Music Society of Lincoln Center, by the Emerson Quartet and friends. 2004 - Danielpour: "Songs of Solitude" (to texts of W.B. Yeats), at the Kimmel Center's Verizon Hall in Philadelphia, by baritone Thomas Hampson and the Philadelphia Orchestra, with Daniel Robertson conducting; Others 1739 - Handel completes in London his Concerto Grosso in D, Op. 6, no. 5 and possibly his Concerto Grosso in F, Op. 6, no. 9 as well (see Julian date: Oct. 10). Links and Resources On Marga Richter An interview with Richter

Synopsis Yes, Juliet, a rose by any other name may smell as sweet, but a catchy title alone can't help a piece of music that's uninspired or just plain boring. An intriguing title, however can sometimes help put audiences into a more receptive frame of mind – or at least pique their curiosity. From the very beginning of his career in the 1980s, the young American composer Michael Torke had the knack of coming up with quite evocative titles. His early works had titles like “Ecstatic Orange” and “Bright Blue Music.” A piece composed for the 1994 Olympic Games in Atlanta was titled “Javelin,” and this music, an orchestral suite that premiered in Amsterdam on today's date in 1997, was titled “Overnight Mail.” And each of the three movements of his orchestral suite had an ADDITIONAL title, as Torke explains: “The titles of the suite's three movements, Priority, Standard, and Saturday Delivery present the options for expediency when sending things, but musically, they represent different reactions to an abstract compositional problem I set up for myself … For me this was important, because I want to write music that follows all the old rules of voice leading and counterpoint, but sounds fresh.” Music Played in Today's Program Michael Torke (b. 1961) — Overnight Mail (Orkest de Volharding; Jurjen Hempel, cond.) Argo 455 684 On This Day Births 1673 - French flutist and composer Jacques-Martin Hottetere, in Paris; Deaths 1977 - Russian composer Alexander Tcherepnin, age 78, in Paris; Premieres 1918 - Holst: "The Planets," at Queen's Hall, London; 1921 - Sigmund Romberg: operetta "Blossom Time," in New York City; 1949 - Bliss: opera "The Olympians," in London; 1968 - Henze: Piano Concerto No. 2, in Bielefeld, Germany; 1969 - Shostakovich: Symphony No. 14 (to poems of Lorca, Apollinaire, Küchelbecker, and Rilke), in Leningrad, by the Moscow Chamber Orchestra, Rudolf Barshai conducting, with vocal soloists Galina Vishnevskaya and Yevgeny Vladimirov; 1983 - Lutoslawski: Symphony No. 3, in Chicago; 1997 - Michael Torke: "Overnight Mail" for chamber ensemble, in Carre, Amsterdam, by the Orkest de Volharding, Jurjen Hempel conducting; 2000 - Tan Dun: "Crouching Tiger Concerto," at the Barbican Festival in London, by the London Sinfonietta; Others 1739 - Handel completes in London his Concerto Grosso in G, Op. 6, no. 1 (Gregorian date: Oct. 10); 1789 - Mozart completes in Vienna his Quintet in A for clarinet and strings, K. 581, written for clarinetist Anton Stadler, who gave the first public performance of the new work in December of that year. Links and Resources On Torke

The Wabash Valley Youth Symphony presents its next concert Sunday, May 16th at 7 pm at the Long Center for the Arts in Lafayette. The program includes the Concerto Grosso by Vittorio Giannini and the first movement of the Cello Concerto by Antonin Dvorak featuring WVYS Concerto Competition-winning cellist Julia Kostraba as soloist. WBAA's Richard Miles spoke with Kostraba and WVYS Conductor Adam Bodony about the concert.

Synopsis Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall. Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin, and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland himself had spent some time in Hollywood, and knew what was involved in completing a film score on time AND on budget. On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Thornton Wilder’s popular stage play “Our Town.” To match Thornton Wilder’s nostalgic play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns. For once, audiences AND the critics were impressed, and Copland quickly arranged an “Our Town” concert suite, which premiered on a CBS Radio broadcast in June of 1940, and reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May of 1944. Music Played in Today's Program Aaron Copland (1900 – 1990) Our Town Suite Saint Louis Symphony; Leonard Slatkin, cond. BMG 61699 On This Day Births 1740 - Italian composer Giovanni Paisiello, in Roccaforzata, near Taranto; 1814 - German pianist and composer Adolph von Henselt, in Schwabach,Bavaria; Deaths 1707 - German organist and composer Dietrich Buxtehunde, age c. 70, in Lübeck; 1770 - (on May 9 or 10) English composer, conductor and writer on music Charles Avison, age 61, in Newcastle upon Tyne ; 1791 - American statesman and songwriter Francis Hopkinson, age 53, in Philadelphia; He was one of the signers of the Declaration of Independence, and dedicated a book of his songs to George Washington; 1799 - French composer Claude Balbastre, age c. 72, in Paris; Premieres 1812 - Rossini's opera "La Scala di seta" (The Silken Ladder), in Venice; 1868 - Bruckner: Symphony No. 1, in Linz, composer conducting; 1893 - Rachmaninoff: opera "Aleko," in Moscow at the Bolshoi Theater (Julian date: April 27); 1924 - R. Strauss: ballet "Schlagobers" (Whipped Cream), in Vienna; 1940 - The film "Our Town" opens in Hollywood at Grauman's Chinese Theater; The film was based on the play of the same name by Thorton Wilder, and featured a filmscore by Aaron Copland; Copland arranged a suite of music from his filmscore, which premiered on CBS Radio on June 9, 1940; A revised version of the suite was given its first public performance by the Boston Pops conducted by Leonard Bernstein on May 7, 1944; 1981 - Christopher Rouse: "The Infernal Machine" for orchestra (Movement II of Rouse's "Phantasmata"), at the Evian Festival, France, by the University of Michigan Symphony Orchestra, Gustav Meier conducting; 1986 - Ellen Taaffe Zwilich: "Concerto Grosso" (after Handel's Sonata in D), by the Handel Festival Orchestra of Washington, Stephen Simon conducting; 1988 - Bernstein: "Arias and Barcarolles," at Equitable Center Auditorium in New York City, by vocalists Louise Edeiken, JoyceCastle, John Brandstetter, and Mordechai Kaston, with the composer and Michael Tilson Thomas at the piano; An orchestrated version of this work prepared by Bright Sheng premiered on September 22, 1989, at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; 1990 - John Harbison: "Words from Patterson" (to texts by William Carlos Williams), at the Kennedy Center in Washington, D.C., with baritone William Sharp and the members of the New Jersey Chamber Music Society; 1998 - John Tavener: "Wake Up and Die," for solo cello and orchestral cello section, at the Beauvais Cello Festival in Beavais , France; 1999 - Zwillich: "Upbeat!" by National Symphony, Anthony Aibel conducting; Others 1863 - American premiere of Berlioz's "Harold in Italy," by the Theodore Thomas Orchestra in New York. Links and Resources On the film "Our Town" The Copland Collection at the Library of Congress

Synopsis Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall. Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin, and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland himself had spent some time in Hollywood, and knew what was involved in completing a film score on time AND on budget. On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Thornton Wilder’s popular stage play “Our Town.” To match Thornton Wilder’s nostalgic play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns. For once, audiences AND the critics were impressed, and Copland quickly arranged an “Our Town” concert suite, which premiered on a CBS Radio broadcast in June of 1940, and reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May of 1944. Music Played in Today's Program Aaron Copland (1900 – 1990) Our Town Suite Saint Louis Symphony; Leonard Slatkin, cond. BMG 61699 On This Day Births 1740 - Italian composer Giovanni Paisiello, in Roccaforzata, near Taranto; 1814 - German pianist and composer Adolph von Henselt, in Schwabach,Bavaria; Deaths 1707 - German organist and composer Dietrich Buxtehunde, age c. 70, in Lübeck; 1770 - (on May 9 or 10) English composer, conductor and writer on music Charles Avison, age 61, in Newcastle upon Tyne ; 1791 - American statesman and songwriter Francis Hopkinson, age 53, in Philadelphia; He was one of the signers of the Declaration of Independence, and dedicated a book of his songs to George Washington; 1799 - French composer Claude Balbastre, age c. 72, in Paris; Premieres 1812 - Rossini's opera "La Scala di seta" (The Silken Ladder), in Venice; 1868 - Bruckner: Symphony No. 1, in Linz, composer conducting; 1893 - Rachmaninoff: opera "Aleko," in Moscow at the Bolshoi Theater (Julian date: April 27); 1924 - R. Strauss: ballet "Schlagobers" (Whipped Cream), in Vienna; 1940 - The film "Our Town" opens in Hollywood at Grauman's Chinese Theater; The film was based on the play of the same name by Thorton Wilder, and featured a filmscore by Aaron Copland; Copland arranged a suite of music from his filmscore, which premiered on CBS Radio on June 9, 1940; A revised version of the suite was given its first public performance by the Boston Pops conducted by Leonard Bernstein on May 7, 1944; 1981 - Christopher Rouse: "The Infernal Machine" for orchestra (Movement II of Rouse's "Phantasmata"), at the Evian Festival, France, by the University of Michigan Symphony Orchestra, Gustav Meier conducting; 1986 - Ellen Taaffe Zwilich: "Concerto Grosso" (after Handel's Sonata in D), by the Handel Festival Orchestra of Washington, Stephen Simon conducting; 1988 - Bernstein: "Arias and Barcarolles," at Equitable Center Auditorium in New York City, by vocalists Louise Edeiken, JoyceCastle, John Brandstetter, and Mordechai Kaston, with the composer and Michael Tilson Thomas at the piano; An orchestrated version of this work prepared by Bright Sheng premiered on September 22, 1989, at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; 1990 - John Harbison: "Words from Patterson" (to texts by William Carlos Williams), at the Kennedy Center in Washington, D.C., with baritone William Sharp and the members of the New Jersey Chamber Music Society; 1998 - John Tavener: "Wake Up and Die," for solo cello and orchestral cello section, at the Beauvais Cello Festival in Beavais , France; 1999 - Zwillich: "Upbeat!" by National Symphony, Anthony Aibel conducting; Others 1863 - American premiere of Berlioz's "Harold in Italy," by the Theodore Thomas Orchestra in New York. Links and Resources On the film "Our Town" The Copland Collection at the Library of Congress

In het tweede deel van de podcast Dido en de noodlottigheid van het bestaan moet Dido, als ze wil kiezen voor de liefde, zich kwetsbaar opstellen. Maar kwetsbaar is wat Dido in de laatste plaats is. Wie is Dido eigenlijk? Dirk de Wachter ziet de opera van Purcell als een geëmancipeerd stuk waarin de kracht van de vrouw naar voren komt. Maar die kracht heeft ook een keerzijde... 23:03:55 CD Edinburgh 1742 (Linn CKD 626) Francesco Barsanti (1690-1775): A collection of Old Scots Tunes (The bush aboon Traquair, Cornriggs are bonnie) Ensemble Marsyas olv Peter Whelan 3'01” 23.08 CD Edinburgh 1742 (Linn CKD 626) Francesco Barsanti (1690-1775): Concerto Grosso in D, opus 3 nr 9 (I, III, IV) Ensemble Marsyas olv Peter Whelan 4'58” 23.15 eigen opname Holland Baroque Henry Purcell: Dido and Aeneas (fragmenten) Holland Baroque olv Tineke en Judith Steenbrink Dido - Barbara Kozielj Belinda - Elisabeth Hetherington, Aeneas - Thomas Oliemans Second Woman - Elsbeth Gerritsen Tenor - William Knight 18'50” 23.40 CD Michael Gordon 8 (Cantaloupe CA 21159) Michael Gordon: 8 (beginfragment) Cello Octet Amsterdam 12'50” 23.53 eigen opname VPRO Nani Noam Vazana: Sin Dingun Ijo Varon Nani Noam Vazana 3'51”

'Stereo', zo heet het derde deel van Peter Adriaansz' imposante drieluik Environments, onlangs op CD verschenen, uitgevoerd door het Ensemble Klang. Na lineariteit en circulariteit voor de delen 1 en 2 gaat het in dit derde deel om polariteit. Hoe tekst en muziek elkaar versterken (of juist niet?) is een misschien wel onoplosbaar raadsel - Adriaansz laat zijn gedachten er over gaan in het uitvoerige interview elders op deze website. En ook: Thin Air! 23.04 eigen opname musici Calliope Tsoupaki: Thin Air Maya Fridman [cello] 5'36” 23.13 CD Edinburgh 1742 (Linn CKD 626) Francesco Barsanti (1690-1775): A collection of Old Scots Tunes (Dumbarton's Drums, Ettrick Banks) Ensemble Marsyas olv Peter Whelan 2'57” CD Edinburgh 1742 (Linn CKD 626) Francesco Barsanti (1690-1775): Concerto Grosso in D, opus 3 nr 7, III Andante largo Ensemble Marsyas olv Peter Whelan 2'11” 23.20 CD Environments (Ensemble Klang EKR11) Peter Adriaansz: Stereo (uit Environments) Ensemble Klang 27'28” 23.53 CD News of the world (Original Motion Picture Soundtrack) (Backlot Music ) James Newton Howard: There is no time for stories James Newton Howard 3'57” CD News of the world (Original Motion Picture Soundtrack) (Backlot Music ) James Newton Howard: What else can you teach me? James Newton Howard 5'45”

One of the best-loved works of classical music, Handel’s oratorio “Messiah,” had its first performance on today’s date in Dublin, Ireland, in the year 1742. Handel wrote “Messiah” in a period of only four weeks, then put it aside until he received an invitation to present a new work in the Irish capital. Dublin gave “Messiah” an enthusiastic reception, but it took a few years before London recognized that ‘Messiah” was a masterpiece. Baroque composers like Handel freely borrowed materials from previous works or even other composers to use in new ones, and among Handel’s own instrumental works, the Concerti “Due Cori,” for example, contain melodies familiar from “Messiah.” The American composer Ellen Taaffe Zwilich harks back to this Baroque custom in her own “Concerto Grosso 1985,” in which she quotes directly from Handel’s Violin Sonata in D—which in turns quotes from no fewer than four of Handel’s own earlier compositions. Born in Miami, Florida in 1939, Ellen Taaffe Zwilich studied at Juilliard with two noted American composers, Roger Sessions and Elliott Carter, and in 1983 became the first woman to win the Pulitzer Prize for her Symphony No. 1.

Artiste sonore, Nancy Tobin détient une maîtrise en art dramatique de l’Université du Québec à Montréal.À titre de conceptrice sonore, elle participe à plusieurs projets depuis 25 ans, dans le milieu de la dansecontemporaine et du théâtre.De 1997 à 2011, elle conçoit les systèmes de diffusion vocale sur plusieurs projets de UBU compagnie decréation. Son approche se distingue par le fait que la voix même si amplifiée, doit toujours semblerprovenir du corps de l’interprète sur scène et jamais des haut-parleurs dans la salle. À titre de conceptricede l’environnement sonore, elle collabore avec Denis Marleau sur Les Aveugles (2002) et Intérieur (2001).Pour cette dernière pièce, elle est nominée finaliste pour le Masque de la contribution spéciale parl’Académie québécoise du théâtre.Auprès du cinéaste-metteur en scène François Girard, elle collabore en tant que compositrice surl’installation La Paresse (1999, Musée d’art contemporain de Montréal) et les pièces, Novecento (2001, auThéâtre de Quat’Sous) et Le Procès (2004, Théâtre du Nouveau Monde). Elle est finaliste pour le Masquede la conception sonore pour cette dernière création.En danse contemporaine, elle accompagne la chorégraphe Danièle Desnoyers en tant que compositricesur plusieurs créations entre 1999 et 2008. Mentionnons notamment Concerto Grosso pour corps etsurface métallique, création qui fût présentée dans des lieux exceptionnels de diffusion pour la danse,notamment la Biennale de Musique de Zagreb en 2003.Les pièces Fluid Grounds (2018) de la compagnie Par B.L.eux, chorégraphie de Benoît Lachambre etSophie Corriveau et Les Barbelés (2017) de Annick Lefebvre mis en scène par Alexia Bürger, sont parmises plus récentes collaborations.À titre d’artiste solo, elle a également réalisé des performances, créations pour CD et installations sonoresprésentées dans des galeries et festivals ici et en Europe. Elle est récipiendaire de plusieurs bourses derecherche et de développement du Conseil des Arts du Canada et du Conseil des Arts et des Lettres duQuébec. Elle considère l’art sonore comme une riche source d’inspiration qui nourrit sa pratique deconceptrice pour les arts de la scène.Elle enseigne un cours sur la conception sonore à l’École Supérieure de Théâtre de l’UQAM et encadrerégulièrement des étudiant.es à l’École Nationale du Théâtre du Canada.Soutenez ce podcast http://supporter.acast.com/lueur. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

This week, Donald Macleod looks at Handel’s life and work during an important decade of his life. The 1730s saw Handel create some of his best-loved works, but also saw him fall out with singers and patrons in London, endure a stroke and attendant poor mental health, and mourn the death of one of his chief supporters, Queen Caroline. Music Featured: Esther HWV 50b (revised version 1732) (excerpts) Trio Sonata in C Major, HWV 403 Acis and Galatea, HWV 49 (Act I: Aria: Hush, ye pretty warbling quire) Concerto Grosso in D major Op. 3 No. 6 HWV 317 Orlando, HWV 31: Act II ScXI (Ah! Stigie larve; Vaghe pupille) Arianna in Creta HWV 32 (Act 2, Scene 12: Aria-Andante “Son qual stanco pellegrino”) Concerto Grosso in G Major, Op. 6, No. 1, HWV 319 Ariodante HWV 33 (excerpts) Deborah HWV 51 (excerpts) Alcina HWV 34 (Ombre Pallide) Alexander’s Feast HWV 75 (Part 1: Air and Chorus: Bacchus, ever fair and young; The many rend the skies (Chorus) Harp Concerto in B-flat major, Op. 4 No. 6 HWV 294 Organ Concerto Opus 4 No. 1 in G minor, HWV 289 (I. Larghetto, e staccato; IV. Andante) Atalanta HWV 35 (Act II Scene 2: Aria: Lassa! ch'io t'ho perduta) Arminio HWV 36 (Act III: Mira il ciel, vendrai d’Alcide) Giustino HWV 37 (Act I: Aira: Un vostro sguardo; Act II: Duet: Mio bel tesoro!) Concerto Grosso Op. 6 No.3 in E minor HWV 321 Il trionfo del Tempo et del Disinganno HWV 46ª (Part 2: Aria: Lascia la spina) Funeral Anthem for Queen Caroline: The Ways of Zion do Mourn: (Introduction and Chorus: The Ways of Zion Do Mourn) Serse HWV 40 (excerpts) Saul, HWV 53 (Act III Scene 5) Organ Concerto in F major (No. 13), “The Cuckoo and the Nightingale” HWV 295 (1st & 2nd mvts) Trio Sonata Op. 5 No. 6 in F major HWV 401 (4th, 5th & 6th mvts) Israel in Egypt HWV 54 (excerpts) Presented by Donald Macleod Produced by Iain Chambers For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for George Frideric Handel (1685-1759) https://www.bbc.co.uk/programmes/m000t5w7 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Ein deutscher Komponist schreibt im Herbst 1739 in London zwölf Instrumentalkonzerte und gibt ihnen einen italienischen Titel: Ein deutlicher Hinweis auf das internationale Umfeld, in dem Georg Friedrich Händels «Concerti grossi op. 6» entstanden sind. Die Konzerte bilden eine Sammlung, derer sich die vielen in London existierenden Profi- und Amateurensembles bedienen sollten. Händel selbst hat z.B. einzelne Concerti als Zwischenspiele bei seinen Oratorienaufführungen eingesetzt. Die Konzerte folgen nicht dem italienischen Modell mit drei aufeinanderfolgenden Sätzen, sondern nehmen sich Arcangelo Corellis damals höchst erfolgreiche Concerti grossi (ebenfalls ein Opus 6) zum Vorbild. Die Soli sind nicht einem, sondern mehreren Instrumenten zugeordnet und die Anzahl der Sätze variiert zwischen 4 und 6. Überhaupt ist die Abwechslung einer der zentralen Aspekte dieser Musik! Fürs genaue Hinhören picken wir ein Konzert aus der Sammlung heraus, die Nummer 9 in F-Dur. Gäste von Norbert Graf sind die Musikwissenschaftlerin Martina Papiro und die Barockgeigerin Renate Steinmann.

Elena Walch è una delle primedonne del panorama enologico italiano, da tutti considerata "la regina del Gewürztraminer". I suoi vini sono da sempre emblema di qualità ed eleganza, classe e raffinatezza. Non fa eccezione il bellissimo Gewürztraminer Concerto Grosso, migliore vino del mese di ottobre 2020.

Elena Walch is one of the "primadonnas" of the Italian wine scene, considered by all to be "the queen of Gewürztraminer". Her wines have always been an emblem of quality and elegance, class and refinement. The beautiful Gewürztraminer Concerto Grosso is no exception and it is the best wine of the month for October 2020.

Hoy nos vamos a sumergir en los inicios del rock progresivo italiano, a través de algunas de sus bandas más populares y donde encontraremos algunas de sus características identificativas: su melodioso estilo sinfónico y la enorme variedad de influencias, que va mucho más allá de los tópicos del estilo. Nos complace iniciar este repaso a partir de una nueva iniciativa de Francisco Macías con discospat.net, un nuevo álbum de cromos (el cuarto ya) que recoge 100 discos memorables de este subgénero, a través de sus portadas y sus pertinentes comentarios. Repertorio: 1. Le Orme - Sguardo verso il cielo (Collage) 2. Il Balletto di Bronzo - Terzo incontro (Ys) 3. New Trolls - Terzo tempo (Concerto Grosso) 4. Premiata Forneria Marconi - Appena un po' (Per un amico) 5. Osage tribe - Cerchio di luce (Arrow head) 6. Perigeo - Azimut (Azimut) 7. Raccomandata Ricevuta Ritorno - Il mondo cade su di me (Per un mondo di cristallo) 8. Delirium - Sogno (Lo scemo e il villaggio) 9. Realle Accademia di Musica - Il mattino (Realle Accademia di Musica) 10. Banco del Mutuo Soccorso - L'Evoluzione (Darwin!). Todos los interesados en adquirir el álbum pueden contactar a través de zappamacias@yahoo.es o a través de la web discospat.net donde estará disponible en las próximas semanas. *Autor de la imagen y portada del álbum: José Manuel Vicente Martín.

Ron Wood [00:29] "We All Get Old" Gimme Some Neck Columbia JC 35702 1979 Surprisingly this album made it to number 45 on the Top 200. Agnetha Fältskog [04:38] "Ge Dej Till Tåls (Are You Ready for Love)" The Girls Want the Boys! Sweden's Beat Girls 1966-1970 Ace Records XXQLP 048 2016 A fun compilation of Swedish pop on white vinyl released by the good folks at Ace Records. I went with an early single from my favorite member of ABBA. The Postal Service [06:57] "Clark Gable" Give Up Sub Pop SP 595 2004 Hard not to choose an great song from this vinyl release. But I'm going with "Clark Gable" because I recently saw him play a baddy in William Wellman's Night Nurse with Barbara Stanwyck, Ben Lyon, and Joan Blondell Glacial Tomb [11:51] "Of Flesh and Worship" Glacial Tomb Gilead Media RELIC107 2018 Some Mile High death metal featuring members of Khemmis, Abigail Williams, and Cult of the Lost Cause. R. Stevie Moore [17:42] "Along Comes Mary" Glad Music Personal Injury Records PI 02 2015 (1986) Killer cover from the DIY psych pop genius. Death Valley Girls [20:36] "Death Valley Boogie" Glow in the Dark Burger Records BRGR933 2016 Garage psych rockn and a-rolln goodness. On glow-in-the-dark vinyl, of course. Krallice [23:10] "Ground Prayer" Go Be Forgotten Gilead Media RELIC101 2017 Intricate blackened metal from NYC. Trini Lopez [33:48] "Sinner Not a Saint" GoGo Custom Records CS 1019 1966 Rockin number from the Texan singer/actor/guitar designer. Village People [36:20] "Go West" Go West Casablanca NBLP 7144 1979 Hope you like fire. Seriously though, this album made it up to number 8 on the Top 200. There's a pretty excellent version of this song by the Pet Shop Boys (https://youtu.be/LNBjMRvOB5M) if you were not already familiar with it. Another one of those songs that could be done by the 3:30 mark, but hey... more is more. Nat King Cole [40:31] "Route 66" Go with the Greats National Academy of Recording Arts & Sciences Produced for Chevrolet. For some reason, this is the only automotive related song. The Swingle Singers [43:28] "Allegro (from the Concerto Grosso, Op. 6, No. 4, Händel)" Going Baroque Philips PHM 200-126 1964 I'm not sure what it is about these swingin' jazz arrangements, but it hits my aural sweet spot. Fun fact, which I'm sure I have mention before: Swingle Singers soprano Christiane Legrand is the aunt of Beach House's Victoria Legrand. Harb Alpert and the Tijuana Brass [48:17] "The 3rd Man Theme" !!Going Places!! A&M Records SP 4112 1965 What's almost as good as the orignal Third Man theme? This version. Bee Gees [50:51] "Massachussetts" Gold RSO RS-1-3006 1976 This song has definitely grown on me over time. Especially after hearing Dean & Britta covering it (https://youtu.be/WjK9JB3vpNU) during one of their home quarantine concerts. Creedence Clearwater Revival [53:16] "Have You Ever Seen the Rain" Gold Fantasy 9418 1972 I would like to see the rain. The sooner the better. Ian Matthews [55:54] "Shake It" Gold Rush '79 - Volume One K-Tel TU 2660-1 1979 Disco from an original Fairport Convention member? Heck yeah! Music behind the DJ: "Push the Button Max" by Henry Mancini

Avec : Martine Dumont-Mergeay, La Libre Belgique Gaëtan Naulleau, musicologue Xavier Falques, musicologue

Een programma waarin oudemuziekkenner Kees Koudstaal u de mooiste en recentste CD’s met oude en klassieke muziek voorschotelt.   1. John Sheppard (ca. 1515-1558) – ‘Sacris Solemniis’ Uitvoerenden: Choir of New College Oxford olv. Robert Quinney (cd: Media Vita, merk Linn, nr. CKD 632, 2020) 2. Francesco Barsanti (1690-1772) – Concerto Grosso in D gr. […]

Mr. Concertina, head of the Concerto Grosso, hires Ruby to find where the rival gang, The Scuzzies, acquire their hi-tech weaponry. Ruby tracks down the Digital Circus looking for her techie friend, And/Or. Performing at the Circus is a pious band of hooded robed figures that call themselves, “The Trapeze Monks.”

The composer Handel knew what the people wanted - and it was normally more Handel. Here’s a piece written to go in the interval of a Handel show!  Emotional, passionate, invigorating. Music here:https://youtu.be/htDf0bpFIys And here: https://spoti.fi/3fwQkt1  Total listen time 20' Please listen, like, comment, share, subscribe Visit cacophony online.com

TBJ136: Boston Brass joins Andrew & Lance sharing stories both new and old. The five current members of Boston Brass catch us up with how the quintet is dealing with quarantine, swaps stories, and future plans.  From their website: For 31 years, Boston Brass has set out to establish a one-of-a-kind musical experience. Performing exciting classical arrangements to burning jazz standards, Boston Brass treats audiences to a unique brand of entertainment captivating all ages. The ensemble’s lively repartee, touched with humor and personality, attempts to bridge the ocean of classical formality to delight audiences in an evening of great music and boisterous fun. The philosophy of Boston Brass is to provide audiences with a wide selection of musical styles in unique arrangements, provided in a friendly and fun atmosphere. Through over 100 performances each year, the members of Boston Brass play to audiences at concerts, educational venues, and jazz festivals. In addition to solo performances, Boston Brass regularly performs with orchestras, wind ensemble, brass bands, marching bands, and a variety of other ensembles. They have performed in 49 states and 30 countries and have conducted master classes around the world including sessions and residencies at the Eastman School of Music, The Julliard School, Shepherd School of Music at Rice University, Peabody Conservatory of Music, University of North Texas, Royal Academy of Music in London, Yong Siew Toh Conservatory at the National University of Singapore, Hong Kong Academy of Performing Arts and Mahidol University in Bangkok.  Boston Brass is a Yamaha Performing Group and has been featured educators and performers at the Mid West Band and Orchestra Clinic, World Association for Symphonic Bands and Ensembles, Japan Band Clinic, Music Educators National Conferences, American Bandmaster Association Conference, The American Band College, Western International Band Clinic and Texas Bandmasters Association Convention. Boston Brass has been featured on The CBS Early Show, National Public Radio’s Performance Today, The Great American Brass Band Festival and has recorded many diverse albums. Their latest recording “Concerto Grosso” is a collaboration with Eric Rombach-Kendall and University of New Mexico Wind Ensemble, “Reminiscing” is a tribute to Rolf Smedvig of the Empire Brass, “Rewired” features new arrangements by the members of Boston Brass, Latin Nights, features a collection of some of the greatest classical and jazz works by Latin composers and performers and features the legendary drummer Steve Gadd, the beautiful voice of Talita Real, percussion and guitar. Other albums include Ya Gotta Try, featuring music from Horace Silver, Chick Corea and Dizzy Gillespie, produced by legendary jazz recording genius Rudy van Gelder and Within Earshot, featuring classical works by Shostakovich, Ginastera, Dvorak, Liszt, and others.  Boston Brass has two holiday recordings, Christmas Bells are Swingin’, and The Stan Kenton Christmas Carols, featuring the Boston Brass All-Stars Big Band playing the truly phenomenal charts made popular by the Stan Kenton Orchestra. Boston Brass tours a vibrant holiday show each year featuring many of the charts from these two albums, combined with a variety of solo and combo selections and some fun surprises, which has quickly established the show as a perennial audience favorite.  2011 marked the 25th Anniversary of Boston Brass and was celebrated with the “25 Fanfares Project,” wherein 25 fanfares were premiered by composers from all over the country.  Boston Brass also premiered a new major commission by noted wind ensemble composer Brian Balmages and new arrangements by the legendary Sam Pilafian. Additionally, Boston Brass was very excited to have the opportunity to collaborate in the 2010/2011 season with the fabulous Imani Winds in a program entitled “Sketches of Spain,” featuring the music of Miles Davis and Gil Evans. In the 2012/2013 season, the quintet began touring their “Notes from the Balcony” program with the Enso String Quartet. The program features music based on “Romeo and Juliet”. In this fun and lively discussion, we cover: Taps Boston Brass intros How they’re staying busy Planning for the future Videos by Jose, Chris, and Domingo Where they were when it all blew up Chris on a plane Will in Chicago Will leads a double life Jose’s teaching schedule Chris at Walmart in the cereal aisle Domingo taking advantage of the downtime Domingo reconnecting with his roots in Latin America Domingo working with Sam on a solo project just before he passed “Then fire me.” Sam’s impact in Boston Brass William replacing Sam in the group Chris Bill is sitting in Lance’s lap Brass Recording Project The Pickle Test New projects Jeff sigh “Blues for Sam” for the new Boston Brass album Busting Jeff’s chops for fun and profit Bose Wave radio Pray for Jens apron The Facebook Jeff ate a bug in Brazil Wichita leave-behind Random Christopher Bill LINKS: Boston Brass site Yamaha Artist Page Pray for Jens merch!!! Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Neste programa, o maestro João Mauricio Galindo responde perguntas sobre o acompanhamento intitulado baixo contínuo, o impressionismo, a ópera Fausto de Gounod, o pianoforte e o significado de concerto grosso.

A baroque concerto grosso? Sounds like it could be a big mess! But it's we promise it's not broken or gross, it's well Handel-ed in this week's episode! Music:  https://imslp.org/wiki/Concerto_Grosso_in_A_major%2C_HWV_329_(Handel%2C_George_Frideric) https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

Fine Music Radio — TITLE: Another Scarlatti. TRACK: Francesco Scarlatti’s 8th Concerto Grosso, IV. Allegro. ARTIST: "oh!' Orkiestra Historyczna, conducted by its first violin Martyna Pastuszka. PUBLISHER: Muso 2019

On the 15th of January 2019 the audience could enjoy the world premiere of Michalis Economou (https://www.michaliseconomou.com/) ’s Concerto Grosso for Orchestra. Masterly performed by the Malta Philharmonic Orchestra (http://www.maltaorchestra.com/) at Teatru Manoel. Michalis Economou's Concerto Grosso for string orchestra was a commission of Teatru Manoel. The composition follows the traditional form, consisting of short movements like the original concerto grossos of the baroque era. The composer uses both heterophonic and polyphonic idioms in the construction of the various movements in addition to several solo parts consisting of well-known motives of the baroque era. #vbf19 #InspiredByBaroque

„Muzikinėje dėžutėje“ – „Iš tamsos į šviesą“. Šį šeštadienį Kolombina jau ruošis artėjančioms šventėms: muzikuos su „Concerto Grosso“ ir „Musica Grazioso“ ,Berniukų ir Jaunuolių Choru „Dagilėlis“ iš Šiaulių, bei supažindins su Klaipėdos Regos Ugdymo Centro dainininke Evelina Rubežiūte ir jos mokytoja Loreta Aukštuoliene. Klausysimės kalėdinės muzikos, o patiems šauniausiems dovanosime kalėdinę Choro „Dagilėlis“ kompaktinę plokštelę.

„Muzikinėje dėžutėje“ – „Iš tamsos į šviesą“. Šį šeštadienį Kolombina jau ruošis artėjančioms šventėms: muzikuos su „Concerto Grosso“ ir „Musica Grazioso“ ,Berniukų ir Jaunuolių Choru „Dagilėlis“ iš Šiaulių, bei supažindins su Klaipėdos Regos Ugdymo Centro dainininke Evelina Rubežiūte ir jos mokytoja Loreta Aukštuoliene. Klausysimės kalėdinės muzikos, o patiems šauniausiems dovanosime kalėdinę Choro „Dagilėlis“ kompaktinę plokštelę.

Das Concerto grosso in g-Moll ist zugegeben kein Weihnachtslied, aber eindeutig eine Weihnachtsmusik, denn Corelli selbst versah es mit dem Zusatz: "Fatto per la notte die natale". Veröffentlicht wurde es erst ein Jahr nach seinem Tod, um sogleich ein unglaublicher Erfolg zu werden. Auch abseits der Adventswochen gilt es einen weit über seine Zeit hinaus prägenden Instrumentalkomponisten wiederzuentdecken, findet Autor Dominik Mercks.

For this special concert preview, Jim dives into the history and background of our two pieces - the Mozart Clarinet Concerto and Bloch's Concerto Grosso. Concert Information: February 17th, 7:30pm, Pine Ridge Presbyterian Thanks to https://www.bensound.com/ for our bumper music

선곡표 1.G.F. Handel - 헨델 합주협주곡 Concerto Grosso in G Major op.6-1 (합주협주곡 1번) - 1. A Tempo Giusto 2. Allegro 2.T. Albinoni -오보에 협주곡 d단조 Op.9-2 1악장: Allegro e non Presto 2악장:Adagio 3악장:Allegro 전 악장 3.G.P. Telemann -트럼펫 협주곡 Trumpet Concerto F Minor - I. Allegro 2악장 Largo e piano 4.A. Vivaldi -네 대의 바이올린과 첼로, 현을 위한 협주곡 No.7 in F major RV567 - 1. Andante 3. Allegro 5.. J. Brahms -고향곡 1번 c단조 Op.68 中 4악장 Adagio - Allegro non troppo ma con brio 6. E. Grieg - 페르귄트 모음곡 中 아침 정경(Morning mood) 7. G. Rossini - 춤곡 8. 굿윌헌팅 main title

La aventura llega jugando a los Mosqueteros con Tchai y sus amigos. Viajarás a La Rochelle, lucharás contra los ingleses y ganarás la batalla. Con música de Britten, Shostakovich, Berlioz, y otros. Un episodio emocionante del podcast Allegro Mágico. Las notas del episodio: allegromagico.com/18. En este episodio escucharás: [00:38] Concerto Grosso, Op.3, No. 1: I. Allegro Assai: Adagio - Francesco Onofrio Manfredini [01:30] Symphony no. 6: VI. Allegro - Howard Hanson [03:23] Sinfonia da Requiem, Op.20: II. Dies irae - Benjamin Britten [05:24] Symphony no. 10, Op.93: II. Allegro - Dmitri Shostakovich [09:41] Grande Symphonie Funèbre et Triomphale: III. Apothéose - Hector Berlioz Este episodio está basado en un hecho histórico: el Sitio de la Rochelle ocurrido en 1627, el cual también se relata en la novela de Los Tres Mosqueteros de Alejandro Dumas. La ciudad de La Rochelle sufrió un asedio por parte de los franceses de varios meses debido una política absolutista, mientras que se intentaba detener que llegara la ayuda de los ingleses. Los Franceses ganaron y la ciudad quedó destruida. Muchos de sus habitantes perecieron o huyeron a Canadá, donde mantuvieron su religión.  Si te gustó el episodio, déja tu comentario en la zona de comentarios de las notas o envíamelo por correo a hola@allegromagico.com , quiero conocer a mi audiencia :). Síguenos en: Facebook, Twitter, Instagram y Pinterest.   

Plymouth Congregational Orchestra plays "Christmas" Concerto Grosso in G minor, Op. 6 No. 8 by Arcangelo Corelli.

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Suzy Klein and conductor Christian Curnyn discuss the Concerto Grosso and composer Charles Avison.

Catherine Bott presents a programme of music by the 17th century Italian composer and virtuoso violinist, Giuseppe Torelli. Most famous for his trumpet concertos, Torelli also wrote many wonderful pieces for his own instrument and was at the forefront of the early development of the Concerto Grosso.

Howard Goodall and Suzy Klein discuss Corelli's Concerto Grosso in D major Op 6 No 1

Works for chamber orchestra and string quartet perfomed by A Far Cry and the Belcea String Quartet.Handel: Concerto Grosso in A Major, Op. 6, No. 11Haydn: String Quartet in D Major, Op. 20, No. 4Today’s podcast of music by Handel and Haydn is a real breath of fresh air, a virtual, auditory holiday, the perfect thing to cure the winter doldrums.We start with Handel’s Concerto Grosso in A Major, the 11th of his opus six set of a dozen concerti grossi. We’ll hear it as performed by A Far Cry, the Gardner’s chamber-orchestra-in-residence.True to the concerto grosso style, the piece alternates between solos, duos, or quartets (the “concertino” group) and full orchestra sections (the “ripieno”).This concerto was likely the last of the 12 in the set to be composed. After Handel’s delightful concerto, we’ll turn to Haydn’s String Quartet in D Major, Op. 20, No. 4. Haydn’s Op. 20 was a set of six string quartets, the group that, many scholars agree, firmly established Haydn as the “father of the string quartet.” The last two movements of the fourth quartet, the one we’ll hear today, have a hefty dose of folk influence, featuring “gypsy style” syncopated rhythms and scales.We’ll hear the Belcea Quartet’s rendition of this quartet. First, the pastoral-sounding concerto grosso of Handel.

Music of composer, George Fredrick Handel.  Works include; Hallelujah Chorus , Zadock the Priest, Water Music , Chaconne in G and Concerto Grosso #9. Performers include: Malcom Sargent, Boyd Neel, Westminster Abby Choir , Shefeld Choir Edwin Fischer and the Phildelphia Orchestra.

Het Göksel Yilmaz Ensemble met een ode aan de Libanese zangeres Fairuz, Het Combattimento Consort Amsterdam o.l.v. Jan Willem de Vriend speelt Händels Concerto Grosso opus 6 Göksel Yilmaz Ensemble Frontman Göksel is van Arabische afkomst, geboren in Nederland geboren en opgegroeid in Zuid Turkije. Daar leerde hij saz spelen. Terug [...]

Handel, George Frideric - Concerto Grosso Op. 6 No. 5 in D major (movts 1, 2 & 5). Performed by MLC School.

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Roy Plomley's castaway is foreign correspondent Anthony Grey. Favourite track: Concerto Grosso in C Major by George Frideric Handel Book: Dictionary Luxury: Book stall in Victoria station