Podcast appearances and mentions of Margaret Whiting

Excerpt of the 14 Apr 1949 Kraft Music Hall, starring Al Jolson with Margaret Whiting. The daughter of songwriter Richard Whiting, Margaret joins Al in two duets along with a turn of her own in this edited portion of the broadcast. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

Uur 1 1.         Till we meet again – Margaret Whiting & Jimmy Wakely 2.         That's the way I've always heard it should be - Carly Simon 3.         Kima to kima – Vaggelis Germanos 4.         Weet je nog – Karin Bloemen 5.         Into the mystic – Van Morrison 6.         Even in war – Josh Osho 7.         Au Parc Monceau – Enzo Enzo & Yves Duteil 8.         Stormy river – Gino Vannelli 9.         Jam – Toon Hermans 10.       De appels op de tafelsprei – Mathilde Santing 11.       Not so precious memories – Tim Knol & Bluegrass Boogie Men 12.       Feeling good – Nina Simone 13.       Forbidden road – Robbie Williams   Uur 2 1.         Oh very young – Cat Stevens 2.         Bless you – Peggy Lee & Mel Tormé 3.         J'connais des gens – Baptiste W. Hamon 4.         Waarkhanden – Marlène Bakker 5.         Can I offer you a song – Chip Taylor 6.         Butterflies and moths – Heather Nova 7.         Guajira Guantanamera – Viejo Trova Santiaguera 8.         Dwalen door de mist – Jeroen Kramer 9.         Summer in the city – Quincy Jones 10.       We are the world – USA For Africa 11.       Doosje – Fixkes 12.       Sangue de Beirona – Cesaria Evora 13.       Don't blame it on me – Michael Bublé 14.       Grazing in the grass – Hugh Masekela

The Sixth Annual Elgin Thanksgiving Day Greeting To America, originally broadcast November 27, 1947, 77 years ago. Jimmy Durante and Garry Moore perform together for the first time "since getting shows of their own." "News Scoops From Hollywood," Candy Candido appears as "Mr. Ripple." Fifteen-year-old Mary Jane Smith sings. Sir Lancelot sings a calypso watch commercial!Larry Storch does impersonations. Margaret Whiting and Vera Vague join Jimmy Durante singing a clever original parody about a possible woman president. The Page Cavanaugh Trio sings a delightful Elgin commercial to the tune of, "The Lady From Twentynine Palms."Bob Sweeney and Hal March drive to the studio. The winners of the SPEBQSA competition sing barbershop harmonies. Yehudi Menuhin plays "Habanera" by Sarasate (accompanied by his sister on the violin). He then plays a duet with another violinist...Jack Benny! Artie Auerbach does an Elgin commercial as, "Mr. Kitzel.Cathy and Elliott Lewis are featured in a well-written story about a housewife's last day. Good radio! "A Child's Thanksgiving" features Red Skelton as, "Junior, The Mean Widdle Kid." After he says grace, Clem Kaddiddlehopper finds himself in one of the Elgin watch commercials!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Discover the enchanting voice of Celia Berk, an award-winning vocalist based in Manhattan who has captivated audiences worldwide. Renowned for her intimate interpretations, warm cello sound, and a penchant for uncovering hidden gems by great songwriters, Celia's music resonates deeply with listeners. Influenced by iconic vocalists of the Great American Songbook and musical theatre, including Rosemary Clooney, Barbara Cook, and Margaret Whiting, Celia has garnered high praise from prominent music champions. Michael Feinstein admires her exquisite vocal style and song choices, Rex Reed hails her as "one of the best singers I've heard in a long time," and Stephen Holden notes her ability to evoke the same emotions for New York as a Cole Porter song does for Paris. Celia's latest album, NOW THAT I HAVE EVERYTHING, was included on the 2023 Grammy Awards Preliminary Ballot and earned accolades as one of the top 10 Vocalist Recordings of 2022. Celia Berk is Someone You Should Know. Tip Jar:Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to Celia's WebsiteClick here to go to Celia's FacebookClick here to go to Celia's InstagramClick here to go to Celia's X/TwitterClick here to go to Celia's YouTube ChannelAll music used by permission from the artistSomeone You Should Know 2024 // CatGotYourTongueStudios 2024Send us a textHow to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

In the years immediately following World War II, one of America's most popular entertainers was a young singer named Margaret Whiting. She estalished herself as a top performer on radio and TV as well as in the recording studio. In this 1987 interview Whiting reflects on her life and career. Get It Might As Well Be Spring by Margaret WhitingAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Tony Bennett and Mel Torme For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube #bigbands #1950s #TinPanAlley #1940s

In this bonus episode, we salute some of the singers who stepped up to the Suspense microphone and traded trills for thrills. Lena Horne is caught up in wartime espionage in "You Were Wonderful" (originally aired on CBS on November 9, 1944), and Frank Sinatra is the handyman from hell in "To Find Help" (AFRS rebroadcast from January 18, 1945). Ezio Pinza is an opera singer who leaves them dead in the aisles in "Aria from Murder" (originally aired on CBS on January 25, 1951), and Dinah Shore sings and stars in the tale of "Frankie and Johnny" (originally aired on CBS on May 5, 1952). Rosemary Clooney headlines a bloody tale of the Roaring Twenties in "St. James Infirmary Blues" (originally aired on CBS on February 23, 1953) and Ethel Merman is a cabaret singer who takes the wrong newcomer under her wing in "Never Follow a Banjo Act" (originally aired on CBS on February 1, 1954). Finally, Margaret Whiting is a sharp dressed woman with murder on her mind in "The Well-Dressed Corpse" (AFRS rebroadcast from October 13, 1957).

Few pop singers captured the Broadway songbook as well as Margaret Whiting; here's to her 100th with show tunes by Johnny Mercer, Jerome Kern, Rodgers and Hart and many more.

A mixed bag of musical allsorts presented weekly by Ray Woodley, produced by Manawatū People's Radio with the support of New Zealand On Air. This week: Pixie Williams, The Wolverines, Dooley Wilson, Tim Williams, Ian Wallace, Margaret Whiting, The Eric Winstone Orchestra, and Andy Williams.

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 40 - “Old Hollywood's Forbidden Love Story/ Lon McCallister & William Eythe” - 06/17/2024 As we celebrate gay pride month in June, Nan and Steve bring a special episode about 20th Century Fox contract players LON McCALLISTER and WILLIAM EYTHE. Both were handsome, talented, and on their way to becoming major film stars. But there was only one problem — the two young men had fallen in love and wanted to live their lives as a couple. This love was forbidden back then and went against the wishes of 20th Century Fox studio head DARRYL F. ZANUCK. Listen to this inspiring and heartbreaking story of their love story.  SHOW NOTES:  Sources: Behind the Scenes: How Gays and Lesbians Shaped Hollywood (2001), by William J. Mann; It Might As Well Be Spring (1987), by Margaret Whiting; “Terrific Trio,” May 1944, by Marcia Daughtrey, Modern Screen; “Keyhole Portrait: William Eythe,” June 4, 1944, by Harriet Parson, Los Angeles Examiner; “Bill Eythe's Triumph Over Pain,” April 1, 1945, New York Times; “The Role I Liked Best…” September 2, 1950, by Lon McCallister, The Saturday Evening Post; “Film Actor Eythe Jailed on Writ of Former Wife,” September 4, 1950, Los Angeles Daily News; “Actor Suffered Hangover in Durance Vile,” June 3, 1952, Los Angeles Daily News; “William Eythe, Producer, Held as Drunk Driver,” June 4, 1952, Los Angeles Times; “Eythe, McCallister Prep ‘Joy Ride' for Broadway,” March 12, 1956, Hollywood Reporter; “William Eythe Ill With Hepatitis, Condition Serious,” January 26, 1957, by Hedda Hopper, Los Angeles Times; “William Eythe Dies,” January 28, 1957, The Hollywood Reporter; Lon McCallister, 82, Actor Had Brief but Busy Career Before Becoming Investor,” June 18, 2005, by Mary Rourke, Los Angeles Times; “McCallister's Heart Outshine His Stardom,” June 21, 2005, by Robert Osborne, Hollywood Reporter; “Mars Actor Had Meteoric Career,” February 4, 2007, by Sandy Marwick, Butler-Eagle Focus; IMDBPro.com; Wikipedia.com; Movies Mentioned:  The Other Woman (1942), starring Virginia Gilmore, Dan Duryea, and Lon McCallister; Stage Door Canteen (1943), starring Katharine Hepburn, Paul Muni, Merle Oberon, and Lon McCallister; The Ox-Bow Incident (1945), starring Henry Fonda, Dana Andrews, Henry Morgan, and Mary Beth Hughes; The Moon Is Down (1936), starring Cedric Hardwicke, Henry Travers, and Lee J. Cobb; The Song of Bernadette (1943), starring Jennifer Jones, Vincent Price, Charles Bickford, and William Eythe;  The Eve of St. Mark (1943), starring William Eythe and Anne Baxter; A Wing and a Prayer (1944), starring Don Ameche, Dana Andrews, and William Eythe; Wilson (1944), starring Alexander Knox, Geraldine Fitzgerald, and William Eythe; Home In Indiana (1944), starring Lon McCallister, Jeanne Crain, and June Haver; Winged Victory (1944), starring Lon McCallister, Edmond O'Brien, and Jeanne Crain; A Royal Scandal (1945), starring Tallulah Bankhead, Lon McCallister, and Anne Baxter; The House On 92nd Street (1945), starring Signe Hasso and William Eythe; Centennial Summer (1946), starring Jeanne Crain, Cornel Wilde, Linda Darnell, and William Eythe; The Red House (1947), starring Edward G. Robinson, Lon McCallister, and Judith Anderson; Thunder in the Valley (1947), starring Edmund Gwenn, Peggy Ann Garner, and Lon McCallister; Scud Hoo! Scudda Hay! (1948), starring Lon McCallister, Walter Brennan, and June Haver; Meet Me at Dawn (1947) starring William Eythe and Hazel Court; The Big Cat (1949), starring Lon McCallister and Peggy Ann Garner; The Story of Sea Biscuit (1949), starring Lon McCallister and Shirley Temple; The Boy From Indiana (1950), starring Lon McCallister and Lois Butler; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Con sus juegos de palabras y expresiones de moda, ("off the cob"), el título, "Bob White", era un compendio de la jerga de los músicos de la época de las grandes orquestas. Con José Manuel Corrales.

Con sus juegos de palabras y expresiones de moda, ("off the cob"), el título, "Bob White",  era un compendio de la jerga de los músicos de la época de las grandes orquestas. Con José Manuel Corrales.

"Estaba trabajando en la quinta letra y dijo: 'No puedo hacerlo. Dick, no puedo hacerlo. No puedo más. Estoy harto. Mi padre corrió a una librería, le compró un diccionario Webster, lo metió en el buzón y le dijo: "¡Adelante!". Margaret Whiting. Con José Manuel Corrales.

Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://r.search.yahoo.com/_ylt=Awr92rDP5bllDAQAM_ZXNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891407/RO=10/RU=https%3a%2f%2fwww.patreon.com%2fuser%3fu%3d4279967/RK=2/RS=9LbiSxziFkcdPQCvqIxPtxIgZ7A-ReplyForwardAdd reaction

Dusty Springfield, The Dave Clark Five, The Beatles, The Swinging blue jeans. Zouzou, Francoise Hardy, Margaret Whiting, Walter Wanderley, Silvana Mangano, Nat ''king'' Cole, Mario Visconti, Lisa Ono, Hermanos Reyes, Lucho Gatica, Luz Casal, Janis Martin, Wanda Jackson, Sparkle Moore, Kim Lenz & her Jaguars, Imelda May, Rosie Flores y Sammi Smith.

Episode 290, Strictly 1940s, features 18 recordings that would have been familiar to most adults in the 1940s. Performers include Dinah Shore, Buddy Clark, Lester Lanin, Guy Lombardo, Frank Sinatra, Cole Porter, Margaret Whiting, Mel... Read More The post Episode 290, Strictly 1940s appeared first on Sam Waldron.

Join me as we traverse the caution tape and dive into the infamous 1947 case of The Black Dahlia #theblackdahlia #elizabethshort #unsolved #truecrime #mystery Show Notes and Credit: -Music from Pixaby Ghost Waltz by SoulProdMusic -Music Clip- Guilty by Margaret Whiting https://youtu.be/a_UNuiqOX7o?si=W0rc1QvcezB2Lo0l -Audio Clip of witness Betty Bersinger- Interview by Kyle J. Wood 1996 https://youtu.be/-KE9MQ9DDC4?si=n0tqvkTQ4z1W655Z - LA Times https://www.latimes.com/archives/la-xpm-1997-01-06-mn-15889-story.html -FBI- Black Dahlia https://www.fbi.gov/history/famous-cases/black-dahlia --- Support this podcast: https://podcasters.spotify.com/pod/show/crimeghoul/support --- Support this podcast: https://podcasters.spotify.com/pod/show/crimeghoul/support

Songs include: Love Is a Many Splendored Thing, Lavender Blue, It Might As Well Be Spring, The High and the Mighty, Mona Lisa, Count Your Blessings and I Fall In Love Too Easily.  Performers include: Count Basie, Frank Sinatra, Nat King Cole, Dinah Shore, Fred Astaire,  Bing Crosby, Margaret Whiting and Eddie Fischer.

Guest hosted by Jeff Lunden, this is the first of a three-part program paying tribute to iconic lyricist Ira Gershwin known for his collaborations with his brother George, Jerome Kern and Harold Arlen, to name a few, and his numerous Broadway shows including FUNNY FACE, GIRL CRAZY, PORGY AND BESS and OF THEE I SING. This episode features a tribute to Gershwin as star-studded guests share personal anecdotes and perform his songs including Hal David, Margaret Whiting, Cab Calloway, Jonathan Sprague, Priscilla Baskerville, and Bruton Lane.   Featured songs: “MY SHIP,” “SOMEONE TO WATCH OVER ME,” “IT AIN'T NECESSARILY SO,” “BESS, YOU IS MY WOMAN NOW,” “OF THEE I SING,” and “PUT ME TO THE TEST.”   Originally produced and broadcast in 1983. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Berlin [00:24] "Masquerade" Pleasure Victim Geffen Records GHS 2036 1983 Some classic nouvelle vague, very LA style. Merle Haggard & Willie Nelson [04:33] "Pancho & Lefty" Pancho & Lefty Epic FE 37958 1982 What the hell is up with the intro?! Anywho, pretty decent pass at the Townes Van Zandt classic. And these gentlemen let Townes appear as a federale in the accompanying video (https://youtu.be/UoKvUYbGu7A). The Knitters [09:18] "The New World" Poor Little Critter on the Road Slash 25310-1 1985 Well, since there was an election just recently, this seems like the one to go with. Margaret Whiting [12:15] "Gentle on My Mind" Pop Country London Records PS-527 1967 A snappy rendition of this John Hartford-penned number made popular by Glen Campbell. False [16:23] "A Victual for Our Dead Selves" Portent Gilead Media relic110 2019 Some blackened metal from this former Minneapolis combo. Ahmad Jamal [27:13] "Ahmad's Blues" Portfolion of Ahmad Jamal Argo LP 2638 1959 Recorded live at the Spotlite Club in Washington DC in September of 1958, featuring Ahmad on keys, Israel Crosby on bass, and Vernel Fournier on drums. Fun fact: Argo was a subsidiary of Chess Records. The Undertones [32:11] "It's Going to Happen" Positive Touch Harvest ST-12159 / Ardeck ST-12159 1981 A bit of a change in direction for the Northern Ireland lads. And I would say in a good way. It's always interesting when bands progress their sound. Feargal still sounds as distinctive as ever. During their appearance on Top of the Pops for this single, guitarist Damian O'Neill wore a black armband to mark the recent passing of Bobby Sands. Bongwater [35:47] "Bedazzled" The Power of Pussy Shimmy Disc shimmy 040 1990 Originally recorded by Dremble Wedge and the Vegetation (https://youtu.be/JXnoWb88Jr4). Just kidding, it's a Dudley Moore tune performed by Peter Cook in the 1967 Stanley Donen film Bedazzled. Deftly handled by Ann Magnuson, Kramer, Dave Rick, and David Licht. Earth Wind & Fire [38:32] "Fall in Love with Me" Powerlight Columbia TC 38367 1983 Track one, side one solid dancer with a heckuva guitar solo. Powerlight was the bands 12th studio album and certified gold. This song was released as single and made it to number 17 on the Hot 100. Iron Maiden [45:32] "Flash of the Blade" Powerslave Capitol Records SJ-12321 1984 The epicly epic album from my favorite band when I was a teenager. I caught them at Radio City Music Hall on this tour, with opening act Queensryche. You've never seen so much spandex and leather and hair. And then there was my nerdy self. Anywho, evidently this song made it into Dario Argento's Phenomena. Krallice [49:37] "Conflagration" Prelapsarian Gilead Media relic92 2017 Blackened goodness straight outta Queens. Pretenders [57:22] "Talk of the Town" Pretenders II Sire SRK 3572 1981 Got this one for my 13th birthday. This is an edited version of the 1980 single purportedly about Chrissie and Ray Davies. Music behind the DJ: "Slow Poke" by Lawrence Welk

“Moon River”, “Days of Wine and Roses”, “Hooray for Hollywood”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, we say hooray and honor of the life of Johnny Mercer, preeminent songwriter whose poetic lyrics vividly captured the complexities of human experience. A four-time Oscar winner, Mercer was an incredibly versatile writer, with a catalog of songs stretching from tear-jerking ballads to comedic, character-driven numbers. Featuring stories recounted by Paul Scahill and Margaret Whiting, descendants of long-time Mercer collaborators Sadie Vimmerstedt and Robert Whiting respectively, this episode offers a lens through which to see the man whose words defined American popular culture of the mid-20th Century.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Door to Suspense #15 featuring Margaret Whiting in:Command Performance 6/14/49 AFRS, Suspense “The Well-Dressed Corpse” 10/13/57 CBS.

Musicians include: Peggy Lee, Stan Kenton, Oscar Levant, Margaret Whiting, Stan Freberg, Buddy Rich, Dean Martin and Ray Conniff. Songs include: Stardust, Careless Hands, Artistry In Rhythm, That's Amore, I Don't Know Enough About You and Quiet Riot.

My 2002 BBC Radio 2 documentary from my series, “The Arrangers”, featured mood music king PAUL WESTON and his wife, singer JO STAFFORD talking about their career and working with JOHNNY MERCER, MARGARET WHITING, and a special feature on their comedy duo Jonathan & Darlene Edwards. Don't miss this rare opportunity to hear these unique interviews! If you enjoy these shows, please SUBSCRIBE so we can keep bringing you this high-quality content. PAUL WESTON & JO STAFFORD - The Father of Mood Music - Rare Interview Watch this episode in video HERE Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE  Check our channel's official online shop for great & exclusive memorabilia HERE Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon “Radio Richard Theme” ©2022Niles Smiles Music (BMI) by Richard Niles “The Arrangers Theme” ©2022Niles Smiles Music (BMI) by Richard Niles FAIR USE DECLARATION “Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.” This YouTube channel and its videos may contain copyrighted recordings, the use of which may not always be specifically authorized by the copyright owner. In such a case, Dr. Richard Niles, an established educator, is making the material available in our efforts to educate and advance understanding of music through research and criticism. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. All content and shows that are on this page that are copyrighted are used under the fair use rationale. #PaulWeston #JoStafford #RichardNiles #RadioRichard #JonathanAndDarleneEdwards #MoodMusic #JohnnyMercer #StudioMusicians #TommyDorsey #NormanLuboffChoir #MargaretWhiting

In her final appearances on Suspense, singer Margaret Whiting found herself menaced by a pair of deranged villains. First, in "Never Follow a Banjo Act," she's a cabaret singer on tour with a knife-loving psychopath (originally aired on CBS on March 2, 1958). Then, as a carhop, she accepts a ride home from a dangerous stranger in "Drive-In" (originally aired on CBS on June 14, 1959).

You don't have to go into the old record vault and listen to Margaret Whiting's song to have those "Those far away places with the strange-sounding names " call you. Just tune in here and listen to our latest conversation with The Black & Gay (BAG) Collective​ founder/CEO Mike Henderson​ and you will hear the call. From national parks to places "Far away over the sea" the road will be calling you!! Are you ready to recover from winter's cabin fever, to get out of the house and hit the road? Are you trying to decide how to use those accumulated vacation days and dreaming of faraway places, hanging out with friends, or meeting new friends? Our friend, adventurer, traveler, and founder/CEO of BAG travel Mike Henderson has some great ideas for your consideration. From Memorial Day through New Year's Eve, it's one adventure after another not just at some National Parks but trips to Mexico, Europe, and beyond. Whether you're traveling with BAG travel or on your own, Henderson offers tips to traveling drama free, safely, and making the best of your getaway. Like the song says "They call me a dreamer. Well maybe I am. But I know that I'm burning to see those Far away places with the strange sounding names. Calling, calling me

#036 Broadcast 036 - Episode 033 - The Crooners - 20220430 - 3 in 1 = Margaret Whiting by Jim Reeves

Excerpt of the 14 Apr 1949 Kraft Music Hall, starring Al Jolson with Margaret Whiting. The daughter of songwriter Richard Whiting, Margaret joins Al in two duets along with a turn of her own in this edited portion of the broadcast. The complete broadcast, along with other Jolson radio shows, is available at the Official Al Jolson Website at www.jolson.org.

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Shellac Stack No. 259 brainstorms with the Coon-Sanders Orchestra! We enjoy some Hawaiian fare with Dolly Dawn, Alvin Kaleolani, and Lani McIntire; dance with Vincent Lopez, Charles Dornberger, and Hal Kemp; and relax with Nick Lucas, Dick Hyman, and Margaret Whiting. Support the Shellac Stack on Patreon: patreon.com/shellacstack — thank you!

Broadway-bound songsmith Frank Loesser wrote “Baby It’s Cold Outside” as a call-and-response duet for he and his wife to perform at parties. Several years later, the tune made its way into a movie and soon took the Christmas canon by storm. But is it a “rapey” relic of a bygone era that should be buried permanently in the winter snow? Amna Khalid investigates.Happy New Year! In the warm and generous spirit of the holidays, we’re offering 30% off a subscription to Booksmart Studios until the end of the year. You’ll get extra written content and access to bonus segments and written transcripts like this one. More importantly, you’ll be championing all the work we do here. Become a member of Booksmart Studios today. Thank you for your support.* TRANSCRIPT *MAN: Thank you, thank you, thank you. Do we have any more requests?WOMAN: Baby, It's Cold Outside!MAN: I think we can make that happen. Who wants to take the duet?AMNA KHALID: In the new Netflix rom-com Love Hard, Josh volunteers to sing a duet with his girlfriend — his pretend girlfriend, actually — Natalie:JOSH: Natalie and I got this one, Dad.KHALID: The two are out caroling with his family in snowy Lake Placid.NATALIE: Over my cold, dead, lifeless body. I am not singing that — that is like the sexual assault theme song.KHALID: Natalie refuses at first to sing that Christmas song, because, you know, it's that song — the one in which a man is possibly pressuring a woman into spending the night. But Josh has an idea.JOSH: Look, this is what we’re gonna do, okay? You just do your part. I will change my lyrics so the song doesn't sound so, uh, rapey. NATALIE: Fine, let's just get this over with.JOSH: Dad, hit it. 🎶NATALIE: I really can’t stayJOSH: No problem, there’s the doorNATALIE: I’ve got to go awayJOSH: I hear you, say no moreNATALIE: This evening has beenJOSH: Totally consensualNATALIE: So very niceJOSH: I hope you get home safe tonightKHALID: It's become fashionable in recent years to alter the lyrics of Baby, It's Cold Outside to make them less “rapey,” as the character Josh put it. Others have pushed back, however. The song, they claim, is about a desirous woman battling not the unwanted advances of her date but the unsolicited judgment of society.🎶LYNN GARLAND: I really can't stayFRANK LOESSER: But Baby, it's cold outsideGARLAND: I've got to go awayLOESSER: But Baby, it's cold outsideGARLAND: This evening has been —LOESSER: Been hoping that you'd drop inGARLAND: So very niceLOESSER: I'll hold your hands, they're just like iceKHALID: I'm Amna Khalid. On this episode of Banished, The Bother with Baby.CHRIS WILLMAN: The song was written in 1944 as a song that Frank Loesser and his wife originally sang at a housewarming party.KHALID: Chris Willman is a longtime music journalist, currently at Variety.WILLMAN: Kind of like, the night’s about to end, we’re about to kick you out, and here’s a song about whether to stay or whether to go.KHALID: Wow, I would have loved to be at that party.WILLMAN: Oh, yeah. And apparently they performed it over a period of years to the point that, when it was licensed for a film in 1949, Frank Loesser’s wife resented it. She may have been joking, but she was resentful that it was no longer their private thing because they were such a hit on the party circuit with it.KHALID: The song existed in private for five years, sung only by Loesser and his wife Lynn Garland. The two made one of the very first recordings of the song, which we’re listening to now. 🎶LOESSER: Baby, make my conscious your guideGARLAND: I really can't stay LOESSER: Oh, Baby, don't hold outGARLAND AND LOESSER: Ah but it's cold outsideLOESSER/GARLAND in the clearKHALID: Baby was evocative of the holidays, it was redolent of cigarettes and booze and, yes, it was sexually suggestive.GARLAND: And it was our song.KHALID: That’s Lynn Garland from the documentary Heart and Soul: The Life and Music of Frank Loesser:GARLAND: And we became the most desired guests at parties from coast to coast. And we never failed to slam.KHALID: Garland recalled once that, "Parties were built around our being the closing act.”🎶LOESSER: I thrill when you touch my handGARLAND: But don't you see? LOESSER: How can you do this thing to me?KHALID: It was merely the opening act, however, for the song itself. Baby was such a sensation at private gatherings that Loesser worked it into his score for the 1949 movie Neptune's Daughter. This would be the first time anyone heard the song outside of someone’s living room.WILLMAN: And when it went public in 1949 it kind of exploded. Immediately, people started covering it. My favorite version of the song, by Johnny Mercer and Margaret Whiting. I think that was the biggest hit anyone had with it that year.🎶WHITING: I really can't stayMERCER:  But Baby, it's cold outsideWHITING: I've got to go awayMERCER: But Baby, it's cold outsideWHITING: This evening has beenMERCER: Been hoping that you'd drop inWHITING: So very niceMERCER: I'll hold your hands, they're just like iceKHALID: No fewer than 10 separate recordings were made in 1949 alone. Bing Crosby, Bob Hope, Doris Day, Dinah Shore. They all put their stamp on the song, but the version you’re probably most familiar with is the one that Chris Willman prefers. The one you hear on adult contemporary radio stations every December, when they switch over to an all holiday format. The classic recording by Johnny Mercer and Margaret Whiting.🎶WHITING: To break the spell MERCER: I'll take your hat, your hairs looks swellWHITING: I ought to say no, no, no sir MERCER: Mind if I move in closer?WILLMAN: I like it partly because it sounds like 1949. It really puts you in that era where these people are really playing out these roles. I think when people do modern versions it sounds kind of ridiculous because you don’t really buy it, that they have to go through this dance. It’s coming through the same radio where we hear all these incredibly sexually — not just suggestive but explicit songs — and so it’s hard to hear modern singers and still have that sense of reserve and that there are these restrictions on what they have to go through. And for some reason the sexual heat seems more intensified to me when it sounds like it’s happening in that era. Johnny Mercer sounds horny when he’s doing it.KHALID: Yeah!WILLMAN: And Margaret Whiting too. And then, you know, when you hear Willie Nelson and Norah Jones doing it, it’s just not the same.KHALID: And that’s precisely the question for many modern listeners of the song. It may be apparent that Mercer feels the “sexual heat” — but what about Margaret Whiting? Is she feeling it too? That all depends on how you choose to interpret the lyrics, or, in the case of Neptune’s Daughter, what you choose to see on the screen.🎶ESTHER WILLIAMS: I really can't stayRICARDO MONTALBAN: Baby, it's cold outsideWILLIAMS: I've got to go awayMONTALBAN: But Baby, it's cold outsideKHALID: In the 1949 movie, Ricardo Montalban repeatedly tugs at the arm of Esther Williams. He pulls her gently back onto the couch and even removes her hat and stole when she puts them on to leave. To 21st century sensibilities, this pas de deux can seem more predatory than playful. But that's not likely the way that audiences viewed it 70 plus years ago, when Baby won best original song at the 22nd Academy Awards.COLE PORTER: The winner is Frank Loser for “Baby It’s Cold Outside.” (Applause)KHALID: That was Cole Porter presenting Loesser with his one and only Oscar, for a song that stumbled from parlor to parlor on the party circuit, into the motion pictures and onto your Spotify holiday playlist. Or maybe you’ve deleted it from the playlist. Because it’s that song. Chris Willman.WILLMAN: And I never imagined it being controversial, in my naïvete. And then I remember going to an Aimee Mann Christmas show, sometime in the early 2000s I think. And she was having a dialogue onstage with a comedian, and they started talking about quote/unquote rapey the song was and why doesn’t anybody notice that — comically taking off on some of the more sort of, possibly predatorial aspects that people might pick up on in the song. And then all of a sudden in the late 2000s, this becomes a serious topic of debate. And that kind of shocked me, how seriously people were taking the idea that the song was quote-unquote “rapey.”REPORTER: A Bay-area radio station has now yanked the song from its airwaves.REPORTER: Well you won’t be hearing it on WDOK in Cleveland. The radio station’s decided to pull the song from their playlist.WOMAN: You know, it’s a sweet, flirty, fun holiday song.REPORTER: Is it a song about Christmas or creepy behavior? That’s the debate that has led radio station KOIT to ban a popular holiday tune from the airwaves.REPORTER: And you know what? It’s giving people yet another thing to disagree about.WILLMAN: Really in the late 2000s was when it reached peak controversy with radio stations suddenly banning it. The CBC said they were taking it off the air in Canada. There were stations in San Francisco and Denver and somewhere else that said we’re getting rid of the song. But certainly there were lots of serious essays being written too, from a feminist perspective, about how times have changed, people need to recognize that the song celebrates sexual coersion. And then there was the backlash to the backlash from people like me, saying: No, this song is not what you think it is or what you’ve come to believe it is. It’s actually very feminist, very sex-positive to use kind of a corny term.KHALID: According to Chris Willman and other fans of the song, it’s a mistake to interpret the song as if it were written today. Not only is that ahistorical, it’s simply incorrect. Simply put, the song doesn’t mean what many think it means.WILLMAN: People who read it as a date rape song would seize on things like What’s in this drink? As if the guy had placed a drug in her drink. Which is a very contemporary reading because nobody was talking about date rape drugs in 1949, and the, you know, real interpretation of the lyric is that it’s just a strong drink. But reading further into it, she’s trying to pass off the excuse for her own sexual desire onto these things like, “It must be the alcohol affecting me.” But she is the one saying maybe just a cigarette more or maybe half a drink more. It’s really about her putting up every excuse she can think of for why people might not think it was right that she spent the night. You know, one of the key lines to me is I ought to say no, no, no. She’s not saying I want to say no, no, no. It’s I ought to. Just in that word choice alone I think you understand where the song is coming from circa 1949, those expectations of society.🎶ELLA FITZGERALD: I really can't stayLOUIS JORDAN: But Baby, it's cold outsideFITZGERALD: I got to go awayJORDAN: But Baby, it's cold outsideKHALID: In the mid-1940s, the idea that a woman would desire casual sex was taboo. For her to say as much explicity would be deemed “prurient” by network censors, and so Loesser had no choice but to employ subtext. 🎶FITZGERALD: And father will be pacing the floorJORDAN: Listen to the fireplace roarKHALID: In the version you’re listening to now, also recorded in 1949, you hear Ella Fitzgerald chafing at the double standard, when her reputation as a Lady would be ruined if word got out that she stayed the night. Meanwhile, Louis Jordan is free to plead his case for a one-night stand.🎶BETTY CARTER: I really can't stay RAY CHARLES: Betty, it's cold outsideKHALID: Loesser uses musical counterpoint to underscore that Baby is more conversation than conquest. It’s a technique you may recall from his opening number to Guys and Dolls — but his mastery of it is evident in the brilliant 1961 recording of Baby by Ray Charles and Betty Carter. Here Carter emerges from the stifling hypocrisy of the 1950s onto the cusp of a more liberated decade. Both Charles and Carter are softly stepping onto each others’ toes as they negotiate their roles and desires.🎶CHARLES: Beautiful, please don’t hurry.CARTER: Well, maybe just a half a drink moreCHARLES: Why don’t you put some records on while I pour CARTER: The neighbors might thinkCHARLES: Betty, it’s bad out there CARTER: Say, what’s in this drink? CHARLES: No cabs to be had out thereKHALID: Carter is perhaps weary of having to pretend and — without her friends and family fretting and finger-wagging — might make known her own sexual appetite. That’s what Lady Gaga did when she and Joseph Gordon-Levitt gender swapped the parts back in 2013 on the Muppets Holiday Spectacular:🎶GORDON-LEVITT: I really can't stay GAGA:  But Baby, it's cold outsideGORDON-LEVITT: I've got to go away GAGA: But Baby, it's cold outsideGORDON-LEVITT: This evening has been GAGA: Been hoping that you'd drop inGORDON-LEVITT: So very nice GAGA: I'll hold your hands, they're just like iceKHALID: But Gaga wasn’t the first woman to bare her libido in the song.WILLMAN: The woman who helped popularize the song, Zooey Deschanel in Elf, she’s part of a duo called She & Him. They introduced it into their repertoire when they made a Christmas album (and they’re doing a tour this year) where they did a role reversal on the song. I think that’s alright. I mean, there’s a tradition of doing a role reversal with the song that goes back to the original movie, Neptune’s Daughter, where first you see Ricardo Montalban and Esther Williams doing it the way you know it. And then there’s a more comedic reprise where Red Skelton and I believe Betty Garrett do it and she’s virtually attacking him to the point that it almost seems really predatorial in that regard.🎶SKELTON: I really can't stay GARRETT:  But Baby it's cold outsideSKELTON: I've got to go away GARRETT: But Baby it's cold outsideSKELTON: This evening has been GARRETT: Been hoping that you'd drop inSKELTON: So very nice GARRETT: I'll hold your hands, they're just like iceWILLMAN: But then to hear Zooey Deschanel say that the only way they could do the song on their Christmas tour was to do the role reversal … made me kind of sad.KHALID: For those who find Baby creepy, a role reversal, it turns out, is not the only way to perform the song. I said at the beginning that it’s become fashionable in recent years to simply rewrite the song. In 2016, Lydia Liza and Josiah Lemanski performed their updated lyrics on the Minnesota radio station The Current.🎶LIZA: I really can't stayLEMANSKI: Baby I'm fine with thatLIZA: I've got to go away LEMANSKI: Baby I'm cool with thatLIZA: This evening has been LEMANSKI: Been hoping that you get home safeLIZA: So very nice LEMANSKI: I'm glad you had a real good timeLIZA: My mother will start to worry LEMANSKI: Call her so she knows you are comingLIZA: Father will be pacing the floor LEMANSKI: Better get your car a-hummingLIZA: So really I'd better scurry LEMANSKI: Take your time.LIZA: Should I use the front or back door?LEMANSKI: Which one are you pulling towards more?KHALID: The video of this performance has been viewed well over a million times on YouTube alone. And that romantic comedy Love Hard — the one in which Josh changes the lyrics to make them less “rapey” — that’s been showing up on lists of the year’s best Christmas movies.🎶NATALIE: Or maybe just a half a drink more.JOSH: Slow down, that’s quite a pour. NATALIE: The neighbors might think JOSH: Just my old friend Troy NATALIE: Say what's in this drink? JOSH: It’s just Lemon La CroixNATALIE: I wish I knew how JOSH: To take a hint? NATALIE: To break the spell JOSH: Do you know how to spell farewell? NATALIE: I ought to say no, no, no. JOSH: I’ll call you an Uber, they’re close. NATALIE: At least I can say I tried. JOSH: I feel like you’re not trying at all. NATALIE: I really can’t stay.JOSH: Well, maybe just go out. NATALIE: But Baby, it’s cold outside. JOSH: But Baby, just go outside. KHALID: Some of these rewritten versions are admittedly clever and funny, but I confessed to Chris Willman that the controversy took me quite by surprise.KHALID: And in part, I should say, it’s because of where I come from. You know, I come from Pakistan and I’ve grown up with Bollywood films — Bollywood films of the 70s and 80s — and, in that time period, any kind of explicit reference to sex or a sexual encounter or desire was, of course, not considered socially acceptable. Hence all these songs in Bollywood films. That’s their purpose, it’s to be suggestive. And this trope of one of them saying stay — usually the guy — and the girl saying No I must go because look at what the world will say if I stay is so commonplace in Bollywood. Have we gone to the other extreme where we’ve lost the sense of what constitutes romance and by overemphasizing the need for explicit consent and reading everything through that lens?WILLMAN: Well it’s funny, that comes up when people have done rewritten lyrics, where they’re emphasizing consent. And I think initially that was done  satirically, like at every turn the guy is saying, Well, yeah, maybe you should go … Get outta here, I’ll … sure, I’ll call Uber. And I thought that was a funny take on it, but then you see people seriously rewriting it. And first off the song is hilarious. Let’s just say that. It’s a comedic song. And when you’re gonna take the comedy out of it, along with the dance of seduction or agreement or whatever is happening and say, Would you sign this contract please? There’s not much of a song at that point. You know, it’s such a masterpiece, really, of songwriting — the way the rhyme scheme happens between the two different parts simultaneously back and forth, you know it’s very sophisticated as a duet. To take all that away and say that nothing is important about the rhymes, or the themes or the general tone of the song is really to lose the point.🎶“Baby, It’s Cold Outside” (1949) in DanishWILLMAN: You know, it holds such a unique place in the Christmas canon, even though it’s not a Christmas song, because it is flirty and racy and you just hear so much Christmas music that is not really about romance. Or if it is, it's extremely schmaltzy. To hear two people come on who are suddenly expressing real feelings in these very funny and literate lyrics, there’s nothing else on the radio like it. There’s nothing that funny or that sexy in the Christmas music canon, and so even the people that think they should be offended by it can’t bring themselves to get rid of it.KHALID: And that’s perhaps the song’s single greatest contradiction. Why hold onto it at all if we have to censor it? And yet there it is, year after year. More than 450 covers of the song and counting. Role reversals and rewrites and translations, including this Danish language recording that is among the very oldest, from 1949.If you liked what you heard today, help us spread the word and support our work at Booksmart Studios. Become a paying subscriber and you will get access to full interviews, bonus segments, written columns and more.Don’t forget to rate what you've heard here today on whichever platform you listen on and leave a comment so we know what you think. Our success here at Booksmart depends as much on you as on us.Banished is produced by Matthew Schwartz and Mike Vuolo. And I, as always, am Amna Khalid.CORRECTION: In an earlier version of this piece, the singer of the duet with Ray Charles was misidentified as Betty Page. The actual singer was Betty Carter. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit banished.substack.com/subscribe

Uur 1 1.         Baby it's cold outside – Margaret Whiting & Johnny Mercer 2.         Wie vor Jahr und Tag – Reinhard Mey 3.         Vleugels van mijn vlucht – Leoni Jansen 4.         In my life – Sean Connery 5.         In a lifetime – Clannda & Bono 6.         Prodigal daughter – Aoife O'Donovan 7.         Dansliedje – Herman van Veen 8.         The road will hold me tonight – Asleep At The Wheel & Emmylou Harris & Willie Nelson 9.         C'etait moi – Gilbert Becaud 10.       Les tantes Jeanne – Olivia Ruiz 11.       Lean on me – Keb'Mo' 12.       De lichtjes van de Schelde – Hans de Booij & Wannes van de Velde 13.       We'll meet again – Duchess 14.       God only knows – Beach Boys 15.       Love's theme – Love Unlimited Orchestra   Uur 2 1.         How could we dare to be wrong – Colin Blunstone 2.         Mood indigo – Rita Reys & Dutch Swing College Band 3.         Pianohuis – Ella & Her Man 4.         Né quelque part – Maxime Le Forestier 5.         Song of life – Fay Claassen 6.         Travel these ways – Karine Polwart & Dave Milligan 7.         Groot Nederlandse ballade – Miel Cools 8.         Yo canto – Alba Carmona 9.         Here I am – Ronald Isley 10.       I just don't know what to do… - Dusty Springfield 11.       Sapore di sale – Gino Paoli & Funk Off 12.       Sweet nothing – Working Week 13.       Let goed op dan ziej de liefde wel – Martijje 14.       Sleepwalk – Santo & Johnny

Ron Kobayashi is a world class jazz pianist, composer, producer and educator. Ron has played with Mel Torme, Margaret Whiting, Peter Frampton, Peter White, Tom Scott and Kenny Burrell, among many others. His albums have received airplay around the world. Ron's trio was voted Best Jazz Group in Orange County by readers of the OC Weekly in 1996 , AND nominated for Best Jazz at the Orange County Music Awards in 2012. They also played for President Bill Clinton in 1992. He demonstrates how to compose a jazz instrumental tune.

Shellac Stack No. 241 takes it crosstown with Benny Goodman and Glenn Miller. We spend time with Annette Hanshaw, Les Paul and Mary Ford, Rudy Wiedoeft, Bing Crosby, Margaret Whiting, and a marvelous swing arrangement by the little-known Margie Gibson. More too! Thanks for listening, and thanks for supporting the Shellac Stack on Patreon: patreon.com/shellacstack

Shellac Stack No. 232 tucks in Kentucky with Edwin J. McEnelly's Orchestra and takes a ride with Supersonic Sonia. Along the way, we hear from Ruth Etting, Ted Lewis, George Morrison's Jazz Orchestra, Percival Mackey, Raymond Scott, Nat Jaffe, Margaret Whiting, and many others. Thank you for supporting the Shellac Stack on Patreon: patreon.com/shellacstack

Episode 176, “Margaret Whiting,” features one of the most popular singers from the 1940s and follows her career into the ‘60s and beyond. Songs include The Wheel of Hurt, Pretend, Old Devil Moon, That Old... Read More The post Episode 176, “Margaret Whiting,” appeared first on Sam Waldron.

Through the 40s and 50s, Margaret Whiting was one of America's most popular singing stars. She recorded and performed through the 90s, but she took on relatively few dramatic acting roles. Whiting did, however, lend her powerful voice to four episodes of "radio's outstanding theater of thrills." We'll hear her star (and sing) in the dramatic recreation of the popular ballad "Frankie and Johnny" (originally aired on CBS on February 3, 1957). Then, she's a glamorous woman with murder on her mind in "The Well-Dressed Corpse" (originally aired on CBS on October 13, 1957).

May 29, 1949 - Jack Benny introduces all of the members of his cast and writers. Dennis sings his new song "Three Wishes" and guest Margret Whiting sings "Baby, It's Cold Outside (for a Lucky Strike)" with the Sportsmen Quartet. Jack compliments Mel Blanc on his new record "Big Bear Lake". References include ventriloquist Shirley Dinsdale and her dummy Judy Splinters, Simonize car wax, the movie "Take me out to the Ball Game", the song "Praise the Lord and Pass the Ammunition" and Jack Benny's short film for the Opportunity Bond Drive "The Spirit of '49".

The Railroad Hour from October 11 1948. Anything Goes.   Sponsored by: The Association Of American Railroads.  The Railroad Hour show train present the sparkling musical comedy hit Anything Goes with lyrics and music by Cole Porter and set to the music of Carmen Dragon’s orchestra. Margaret Whiting stars as Reno Sweeney, Victor Morre in his original role of Moon face McGee and Gordon McRae as Billy Crocker.

Suspense, originally broadcast March 2, 1958, Never Follow a Banjo Act starring Margaret Whiting. A mature cabaret performer is hired to coach a young crooner...who seems to enjoy playing with knives. Also Part 5 of a 5 part Yours Truly Johnny Dollar story The Fathom Five Matter, originally broadcast March 2, 1956. A dead man tells a tale, but not the one he was meant to tell!

A Variety Programme - Featuring: Harry James Orchestra w/ Helen Forrest; Dinah Shore; Ron Weatherburn; Robert Goulet; Linda Ronstadt; Bunny Berigan Orchestra; Margaret Whiting; Peter Skellern

Christmas Seals Recordings brought in top stars like Fibber McGee and Molly and Frank Sinatra to be sure that every card and package sent during Christmas included a Christmas Seal. Christmas Seals donated money to various charitable organizations for over 100 years. The organization began in the early 1900s when in the industrial cities many children and adults alike suffered from tubercuosis. In Denmark, a postage stamp was used to gather extra money for children suffering from tuberculosis. In the United States, the Christmas Seals began in 1907 by Red Cross worker Emily Bissell and seals were originally sold in post offices for one cent. Money from the seals went to the American Red Cross and an organization that helped prevent tuberculosis which went from the number one cause of death to the seventh cause y charitable money gathered from Christmas Seals benefit the American Lung Association.

Bob Egan, the performer and his organization Bob Egan Entertainment, provides top entertainers and musicians for a multitude of events. As a performer, Bob is known for regular appearances in the tri-state area. He is famous for discovering and nurturing local vocalists, many through his lively piano bars and regular Open-Mic Nights in New Hope, Asbury Park, Atlantic City, Clinton (NJ), Sea Bright (NJ) and Provincetown. Since the pandemic, Bob has taken his piano bars online — with virtual “Piano Bar” nights every Sunday and Wednesday. For 21 years, Bob was director and creator of the famed Cabaret at Odette’s — where he brought stars such as Margaret Whiting, Carol Lawrence, Larry Kert, Andrea McArdle, Karen Akers, Barbara Feldon, Roslyn Kind, Maureen McGovern, Ann Hampton Callaway, Lainie Kazan, Sam Harris, Kenny Rankin, and many more to New Hope. Hailed by USA Today as one of the top venues in the country, Odette’s also offered a place for up-and-coming talent to be seen - many of which went on to do Broadway shows and TV. https://www.bobeganentertainment.com/ https://www.facebook.com/bob.egan.35 https://www.facebook.com/bobeganentertainment/ https://www.weddingwire.com/biz/bob-egan-entertainment-new-hope/c89f37343212190e.html https://www.theknot.com/marketplace/bob-egan-entertainment-new-hope-pa-302709

Shellac Stack No. 205 yearns for love with Larry Lee's Orchestra and swings along with Joe Reichman We also hear from Ruth Etting, Nat Gonella, Claude Hopkins, Tex Beneke, Ben Pollack, Doc Evans' Band, Margaret Whiting — and even the Indianapolis Symphony Orchestra! Lots of tuneful delights this time around. Support the Shellac Stack on … Continue reading »

Uur 1 1. Tea for two – Jo Stafford & Gordon McRae 2. If I close my eyes – Barbra Streisand 3. November – Philippe Robrecht 4. Il neige des e-mails – Maurane 5. I’ll be your baby tonight – José Feliciano 6. Father and son – Cat Stevens & Yusuf 7. Una noche mas – Yasmin Levy 8. Hey mam – Miss Montreal 9. American tune – Paul Simon 10. 50 Ways to leave your lover – Swingle Singers 11. This time that time – VanWyck 12. Vattene amore – Amedeo Minghi & Mietta 13. Laat ons een bloem – Louis Neefs 14. Puttin’ on the ritz – Puppini Sisters 15. Matilda – Harry Belafonte Uur 2 1. Took a long time – Magna Carta 2. What are you doing New Year’s Eve – Dick Haymes 3. Woorden in de nacht – Eléonor & Gerry DeMol 4. Piensa en mi – Los Super Seven 5. Wayfaring stranger – Emmylou Harris 6. One minute you’re gone – Bruce Springsteen 7. Ik heb een man gekend – Yentl & De Boer 8. Kudia kuetu – Bonga & Camelia Jordana 9. A cock-eyes optimist – Margaret Whiting 10. A fellow needs a girl – Vince Hill 11. Oh how we drift away – Tim Heidecker & Weyes Blood 12. Je veux – Zaz 13. Disko Partizani – Shantel 14. Let goed op dan ziej je de liefde wel - Martijje

The Hit Parade Jukebox series highlights the music from the days when the jukebox dominated our after-school social activities. And the songs we played with our nickels, dimes, and quarters determined the “hits” of the day. **** This episode features: 1. Get Me To The Church On Time by Rosemary Clooney 2. I'm Gonna Sit Right Down And Write Myself A Letter by Billy Williams 3. Cherry Pink And Apple Blossom White by Pérez Prado & His Orchestra (w/ Billy Regis, trumpet) 4. Ricochet by Teresa Brewer 5. Firefly by Tony Bennett (w/ Count Basie & His Orchestra) 6. Gotta Be This or That by The Ames Brothers 7. A Bushel And A Peck by Margaret Whiting & Jimmy Wakely 8. Girl Of My Dreams by Perry Como 9. One Dozen Roses by The Mills Brothers 10. Tweedle Dee by Georgia Gibbs 11. After The Lights Go Down Low by Al Hibbler 12. Love Is A Many Splendored Thing by The Four Aces 13. Love and Marriage by Dinah Shore 14. Sioux City Sue by Bing Crosby 15. Sh-Boom by The Crew Cuts 16. Stars Fell On Alabama by Billie Holiday 17. Games That Lovers Play by Eddie Fisher 18. Three Coins In The Fountain by Connie Francis 19. Don't Call My Name by Bobby Darin 20. A Door That Is Open by Brook Benton 21. Somewhere There's A Someone by Dean Martin 22. Everybody Loves A Lover by Doris Day 23. Cadillac Boogie by Jimmy Liggins & His Drops of Joy

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In this week’s show, we’re rootin’ and tootin’ our way through an Errol Flynn Western, and drenching ourselves in shadows with Tyrone Power!We’ve got music from Dinah Shore and Margaret Whiting, plus I’ll announce the winner of last time’s competition!Radio entertainment comes courtesy of Cavalcade Of America!To sign up as a Patron of these shows, and gain instant access to hundreds more hours of content CLICK HERESubscribe to All The Best Lines HERECredits

Richard Skipper sits down to chat with John Meyer to discuss Judy Garland. John Meyer's songs have been performed by Shirley Bassey, Lily Tomlin, Madeline Kahn, Eartha Kitt, Linda Lavin and, most prominently, Judy Garland. His memoir, Heartbreaker, (Kensington, 2006), details the dramatic eight weeks he spent with Garland. In October of 1968, John met Judy Garland, then at the tail end of her career. She embraced both John and his song, I'd Like to Hate Myself in the Morning. The pair embarked on a tempestuous romance, at the end of which Judy performed four of John's numbers on national TV, including the ballad It's All For You and the melancholy Christmas song, After the Holidays. John detailed the adventure in a memoir, Heartbreaker. Holidays was subsequently recorded by Margaret Whiting and Paula West. Linda Eder performs It's All For You in her act as well. https://www.amazon.com/Heartbreaker-Memoir-Garland-John-Meyer/dp/0806527544

Our guest is Tedd Firth was born on November 16, 1976 and grew up in Hudson Falls, NY. Raised in a musical family, (parents Pam and Ted were both music teachers and performing musicians in the area, brother Patrick is also a musician) Tedd began playing the piano at an early age and started taking lessons when he was five. Tedd's jazz piano studies began as a teenager with Lee Shaw in Albany, NY. Following graduation from Hudson Falls High School in 1994, Tedd attended William Paterson University in Wayne, NJ, receiving a BM in jazz piano performance in 1998. He went on to receive a MM degree in jazz piano performance from the Manhattan School of Music in 2000. While in college, Tedd began laying the groundwork for his professional career as a musician. Over the last 20 years Tedd has become one of the first-call pianists in the New York City area for performance and recording work in several styles. In particular, specializing as an accompanist for vocalists, he has appeared in concert many times with some of the brightest stars on Broadway and the biggest names in the jazz world including: Barbara Cook, Brian Stokes Mitchell, Maureen McGovern, Michael Feinstein, Marilyn Maye, Tom Wopat, Joshua Bell, Elaine Paige, Tony DeSare, Linda Lavin, Christine Ebersole, Lucie Arnaz, Lee Ann Womack, Faith Prince, John Schneider, Melissa Errico, Karen Akers, Mary Cleere Haran, Margaret Whiting, Carol Sloane and Jennifer Roberts. New York appearances include Carnegie Hall, Lincoln Center, the Blue Note, Birdland, the Iridium, the Algonquin, the Cafe Carlyle and Feinstein's/54 Below. Numerous national appearances include a performance at the White House. As an arranger/orchestrator, Tedd's work has been performed by most major American symphony orchestras as well as Bernadette Peters and Liza Minnelli. Television appearances include "The Today Show," "Live From Lincoln Center --- Support this podcast: https://anchor.fm/RickLertzman/support

Today Porchlight Music Theatre is excited to announce WPMT Presents: Classic Musicals from the Golden Age of Radio. Our debut episode now live is "Anything Goes," with songs by Cole Porter and book Guy Bolton and P. G. Wodehouse, starring (from the original Broadway company) Victor Moore as "Moonface" with Margaret Whiting as "Reno Sweeney" and Gordon MacRae as "Billy Crocker" as originally presented on "The Railroad Hour" October 11, 1948.

Songs include: By the Light of the Silvery Moon, Look For the Silver Lining, Silver Bells, The Moon's a Silver Dollar, He wears a Pair of Silver Wings and High Yo Silver. Performers include: Ted Lewis, Lawrence Welk, Bing Crosby, Margaret Whiting, Dale Robertson & Claude Thornhill.

Show 119, “July Babies,” features 19 diverse performers who were born in July. These include Jerry Vale, Cindy Walker, Dion DiMucci, Louis Armstrong, Tab Hunter, Louis Jordan, Margaret Whiting, Buddy Knox, Pete Fountain, The Andrews... Read More The post Show 119, “July Babies,” appeared first on Sam Waldron.

MARV Live at the HBO Plot Against America Premiere Party | March 4th 2020 at the Metropolitan Club Thank you, HBO Let's Get Away From It All (Feat. Connie Haines, Frank Sinatra, the Pied Piper) - Tommy Dorsey Blue Skies - Frank Sinatra Broadway - Dakota Staton The Freedom Train - The Pied Pipers & Margaret Whiting & Johnny Mercer & Peggy Lee & Benny Goodman Flyin' Home (Live At Carnegie Hall, New York / 1949) - Ella Fitzgerald Straighten Up and Fly Right [Feat. Vic Schoen & His Orchestra] - The Andrews Sisters Everything Is Jumpin' - Artie Shaw and His Orchestra In The Mood - Glenn Miller Puttin’ On the Ritz - Bing Crosby They All Laughed - The Rko Orchestra I've Got You Under My Skin - Charlie Parker Sing Sing Sing Pt - The Big Band Orchestra What Is This Thing Called Love? - Charlie Parker J.P. Vanderbilt IV - Marjorie Hyams, Charlie Shavers & Herbie Fields Salt Peanuts (Feat. Charlie Parker, Sidney Catlett, Al Haig, Curly Russel) - Dizzy Gillespie I Got Rhythm - Red Nichols & His Orchestra Mister Sandman - The Chordettes The Happy Feeling - Bert Kaempfert Matilda - Harry Belafonte Jock-A-Mo - Sugar Boy Crawford At The Hop - Danny & the Juniors Rock Around The Clock - Bill Haley & His Comets I'm Ready - Fats Domino Back In the USA - Chuck Berry Ain't Got No Home - Clarence “Frogman” Henry Hit the Road Jack - Ray Charles Fortune Teller - Benny Spellman Let It Rock - Chuck Berry The Twist - Chubby Checker I Got You - James Brown On Broadway - Lou Rawls Pastime Paradise - Stevie Wonder Let the Good Times Roll - Ray Charles Come On (Let the Good Times Roll) - Jimi Hendrix Proud Mary - Tina Turner R.O.C.K. In The U.S.A. (A Salute To 60'S Rock) - John Mellencamp What I Like About You - The Romantics Kids in America - Kim Wilde Danger Zone - Giorgio Moroder; Kenny Loggins; Thomas Whitlock The Tears of a Clown - The English Beat One Way or Another - Blondie Holding Out For A Hero (Club Mix) - Bonnie Tyler Love Will Tear Us Apart - Joy Division Tainted Love – Soft Cell Think – Aretha Franklin Can't Take My Eyes off You – Frankie Valli Ain't No Mountain High Enough – Marvin Gaye & Tammi Terrell Say A Little Prayer - Aretha Franklin Rescue Me - Fontella Bass Nowhere to Run – Martha and the Vandellas Some Body to Love - Jefferson Airplane Time Has Come Today - The Chambers Brothers Everybody Wants To Rule the World – Tears for Fears Sweet Freedom – Michael McDonald I Only Have Eyes for You - Frank Sinatra with the Ken Lane Singers Moonlight Serenade - The BBC Big Band Orchestra God Bless the Child - Billie Holiday https://www.hbo.com/the-plot-against-america https://djqoolmarvsounds.podomatic.com/ + https://www.mixcloud.com/qooldjmarv/ + https://www.facebook.com/QoolMarv/ + https://www.instagram.com/qooldjmarv/

Suspense, originally broadcast March 2, 1958, Never Follow a Banjo Act starring Margaret Whiting. A mature caberet performer is hired to coach a young crooner...who seems to enjoy playing with knives. Also Part 5 of a 5 part Yours Truly Johnny Dollar story The Fathom Five Matter, originally broadcast March 2, 1956. A dead man tells a tale, but not the one he was meant to tell!

Uur 1 1. Time after time – Margaret Whiting 2. Tous les visages de l’amour – Charles Aznavour 3. We nemen nooit voluit de tijd – Sjors van der Panne 4. Easy as the rain – The Little Willies 5. Goin’ back – The Byrds 6. Heaven only knows – Geraint Watkins 7. Akkordeon – Alexandra 8. Karnemelk met bitterkoekjes – Henny Vrienten 9. I miss you – Randy Newman 10. I don’t want to hear it anymore – Walker Brothers 11. You can’t take it back – Lori Lieberman & Matangi Quartet 12. De exenman – Herman van Veen 13. A little piece of heaven – Godley & Creme 14. In the sweet bye and bye – Peoria Jazzband Uur 2 1. Poor happy Jimi – Gino Vanelli 2. Summertime – Sam Cooke 3. Itsumo nando demo – Erutan 4. Zeventien – Katrien Verheijden 5. Mary Ann – Marianne Faithfull 6. Talk back mic – Marc Cohn & Blind Boys of Alabama 7. Coenraad Buys – Rian Malan 8. Itiraf – Karsu 9. Do I love you – Leo Reisman Orchestra 10. Don’t fence me in – Willie Nelson & Leon Russell 11. A phiuthrag’s a phiuthar – Julie Fowlis & Mary Chapin Carpenter 12. Some more time – Philip Kroonenberg 13. Two roads – Chris Rea 14. Oxygene IV – Jean Michel Jarre

Show 87, “Music of 1948,” includes every Billboard #1 hit from 1948 plus several other popular songs from that year. Performers include Dinah Shore, Nat King Cole, Frank Sinatra, Margaret Whiting, The Ink Spots, Al... Read More The post Show 87, “Music of 1948,” appeared first on Sam Waldron.

Uur 1 1. A tree in the meadow – Margaret Whiting 2. Anders anders – Herman van Veen 3. After all this time – Heather Nova 4. O leaozinho – Caetano Veloso 5. Love makes the world go round – Deon Jackson 6. Plaats in de zon – Jonas Winterland en Chantal Acda 7. Teach your children – Crosby Stills Nash Young 8. Arcade – Duncan Laurence 9. You want it darker – Leonard Cohen 10. Suzanne – Francoise Hardy 11. De appels op de tafelsprei – Mathilde Santing 12. Superhero – Dennis van Aarssen 13. Ol’55 – The Eagles 14. Marabi – Mafikizolo 15. Roma – Vicente Amigo Uur 2 1. Pancho and Lefty – Emmylou Harris 2. Rosie the riveter – Four Vagabonds 3. Le point Nemo – Renan Luce 4. Zomer in Brussel – Eva de Roovere 5. Make it easy on yourself – Dionne Warwick 6. Dandelion down – Aloe Blacc 7. Quatro caminhos – Ana Lains 8. Onder aan de dijk – The Lau en Sarah Bettens 9. Ace in the hole – Ella Fitzgerald 10. After you, who – Jody Watley 11. I like ridin’ – Chip Taylor 12. Tijd genoeg – Doe Maar 13. It keeps you running – Doobie Brothers 14. Me gustas tu – Manu Chao 15. Breezin’ – George Benson

Valentine's Day of 1949 brings us yet another confection, as Bob, Ray Sherman (piano), Jud De Naut (bass), and Ralph Collier (drums) perform both old standards and contemporary hits. After the "Sweet Georgia Brown" intro (and a Frank Barton lecture), the quartet launches into a song Tex Beneke would have success with, "Look Up". Then, song star Margo Powers steps to the mic for her rendition of "Far Away Places", a popular tune that in 1949 would have no less than four different performances on the air: Bing Crosby, Dinah Shore, Margaret Whiting, and Perry Como all hit the charts with it. The quartet then smolders once again for "Misirlou" (they'd done it back in January on Episode 4). Margo returns for a tune from the '20's, "Dear Old Southland" before Bob and the guys close out with "Crazy Rhythm". This particular transcription has a little more fuzz, but listen past that and enjoy this Valentine's treat!

Debbi Whiting, the daughter of Margaret Whiting who sang “Baby It’s Cold Outside,” says the song “is stronger than ever” despite recent controversy.

Michele Brourman began making up songs when she was three years old. She's been creating songs and singing them ever since, always with a joy that is infectious. Her best-loved song, “My Favorite Year”, has been recorded by Michael Feinstein, Dame Cleo Laine, and Margaret Whiting. Olivia Newton-John, Rita Coolidge, and Sheena Easton are among the many others who have recorded her work.The post Michele Brourman, Singer-Songwriter-Episode #50 appeared first on Storybeat with Steve Cuden.

Show 05, “Fabulous females,” features 15 talented female vocalists singing wonderful love songs, some happy and others very sad. Performers include Alice Faye, Margaret Whiting, Eydie Gorme, Judy Garland, Helen Forrest and Mary Ford. Playlist... Read More The post Episode 5- Fabulous Females appeared first on Sam Waldron.

Merry Snackmas to you and yours, Dateys! One of our favorite listeners Craig helps get our snackologists in the holiday spirit with a very special box of treats he sent in. So on this edition of DATES with Craig, Derek and Tim try one of the GOATS in the Christmas snack game, Pepperidge Farms' delightful seasonal cookie Peppermint Milano Slices. Find out if these ratings are real or if we're all just actually powering the Matrix with our dicks. Featuring: Derek Montilla (@cap_kaveman) & Tim Agne (@timagne) Music by: Polly Hall & Andrew Barkan, Bing Crosby, Johnny Mercer & Margaret Whiting, and Shirley Temple  Inspired by: Mike and Tom Eat Snacks

Merry Snackmas to you and yours, Dateys! One of our favorite listeners Craig helps get our snackologists in the holiday spirit with a very special box of treats he sent in. So on this edition of DATES with Craig, Derek and Tim try one of the GOATS in the Christmas snack game, Pepperidge Farms' delightful seasonal cookie Peppermint Milano Slices. Find out if these ratings are real or if we're all just actually powering the Matrix with our dicks. Featuring: Derek Montilla (@cap_kaveman) & Tim Agne (@timagne) Music by: Polly Hall & Andrew Barkan, Bing Crosby, Johnny Mercer & Margaret Whiting, and Shirley Temple Inspired by: Mike and Tom Eat Snacks

Screw daylight savings: It's always sunny at MASTAS! We're in an especially good mood this week, since we're talking about the bisexual badassery of Halsey's song "Bad at Love." We also create a playlist of musical theater songs that make us happy. We're chorus kids at heart!   Wanna sponsor your own playlist? Make a request? Email us at talkaboutsongs@gmail.com, FB us at facebook.com/mastas.podcast, or tweet us at @TalkSongs. Wanna hear bonus content? Become a patron at patreon.com/mastas. Digging our theme music? Our intro is by Jack Baldelli and Laura Barger, and our outro is from Broadway's own "Guys and Dolls," heard here via Margaret Whiting and Jimmy Wakely.

Songs include: There's Going  to Be the Devil to Pay, At the Devil's Ball, Pack Up Your Sins and Go to the Devil, Paging the Devil, That Old Devil Moon and The Devil's Gonna Get You. Artists include: Bessie Smith, The Peerless Quartet, Louis Armstrong, Billie Holiday, Skip James, The Kansas City Six, Thomas "Fats" Waller, Ella Fitzgerald and Margaret Whiting.

Joe Hunter and his guest, Bill Rudman, listen with you to renditions of "Moonlight in Vermont" by Margaret Whiting, Ray Charles, Ahmad Jamal, and Willie Nelson. As the nephew of the song’s lyricist, John Blackburn, Bill Rudman gives us special insight into the history of this piece. Then you'll enjoy this week's bonus tune by Ahmad Jamal and his trio, performing a piece by one Rudman’s favorite composers. (S1 Ep4)

Shellac Stack No. 74 seeks the blue skies behind the clouds. We sample some fine dance band selections by the Jack Shilkret and Bob Haring Orchestras, savor some delightful vocals by Peggy Lee, Margaret Whiting, and Bessie Smith, and listen to jazz saxophonists Illinois Jacquet (I say “Jackay,” you say “Jacket” — “Toe-may-toe,” “Toe-mah-toe”) and Coleman Hawkins. … Continue reading »

Songs from the final years of the Rodgers and Hart partnership.  Songs include: It Never Entered My Mind, Have You Met Miss Jones, Bewitched, Spring Is Here, I Didn't know What Time It Was, Wait Till You See Her, This Can't Be Love and I Could Write a Book. Artists include: Shirley Ross, Leo Reisman, Ella Fitzgerald, Helen Forest, Maxine Sullivan, Blossom Dearie and Margaret Whiting.

Solutions for finding the right tax preparer…an archive interview with singer Margaret Whiting…a distinguished veteran who served in two branches of the military…Showtunes Spotlight falls on “The King And I”…and great musical memories from Elvis, The Beatles, Glenn Miller, Patsy Cline and more. Click on the player button below to listen:

Fire prevention tips for seniors…55 years of Andy…a new Sinatra book and Nat King Cole box set…a Broadway musical that produced four hit songs…and great music by Buddy Holly, Stevie Wonder, Margaret Whiting and more. Click on the player button below to listen:

Shellac Stack No. 46 salutes Valentine's Day, celebrates pianist Cy Walter, explores the origins of electric recording, and presents J. S. Bach in unusual settings. From jazz greats Art Hodes and “Red” Allen to singers Margaret Whiting and Dick Robertson, it's another musical variety hour from 78 rpm records! For everything Cy Walter, be sure … Continue reading »

Songs with blue in the title, including Blue Moon, Little Girl Blue, Blue Yodel #3, Blue Tango and Once In a Blue Moon.  Performers include: Margaret Whiting, Bing Crosby, Bill Monroe, Jimmie Rodgers and the Duke Ellington Orchestra.

Records left off of previous podcasts. Songs include: Sabre Dance, Nightmare, Come Rain Or Come Shine and Blue Shadows On the Trail.  Performers include: Artie Shaw, Margaret Whiting, the Andrews Sisters, and Frank Sinatra.