Podcasts about 21cm

Vous savez, je suis touchée quand un invité sur InPower arrive aux larmes : et bien dans cet épisode, c'est moi qui ai senti les larmes monter. J'ai été touchée par Augustin, par son amour si franc et si sincère de la lecture, qui m'a rappelé tout ce que celle-ci avait fait pour moi. Tout ce que la littérature peut nous offrir. La littérature, c'est ce qui a donné un sens à la vie d'Augustin : et elle l'accompagne encore, aujourd'hui, dans toutes ses aventures. De la littérature à la culture, il n'y a qu'un pas, et bientôt, Augustin devient la coqueluche des médias français : il anime sa propre émission sur France Inter, une chronique sur Canal +, journaliste pour Brut… Alors, comment cet amoureux des mots parvient-il à les manier pour faire ressortir le meilleur de son interlocuteur ? Qu'est-ce qui a permis à Augustin d'en arriver là où il est aujourd'hui ? Qu'est-ce qui lui permet de garder l'inspiration au quotidien ? C'est tout ce que l'on vous partage, dans ce nouvel épisode d'InPower. Pour découvrir les coulisses du podcast : https://www.instagram.com/inpowerpodcast/ Pour retrouver Augustin sur les réseaux : https://www.instagram.com/atrapenard/ https://linktr.ee/atrapenard Et pour suivre l'aventure MyBetterSelf au quotidien : https://www.instagram.com/mybetterself/ Si cet épisode t'as plu, celui-ci te plaira surement : https://app.ausha.co/app/show/23818/episodes/preview/2857067 Ressources citées : - Vie animale, Justin Torres - Chimamanda Ngozi Adichie

Use of Time Dependent Data in Bayesian Global 21cm Foreground and Signal Modelling by Dominic Anstey et al. on Tuesday 11 October Global 21cm cosmology aims to investigate the cosmic dawn and epoch of reionisation by measuring the sky averaged HI absorption signal, which requires, accurate modelling of, or correction for, the bright radio foregrounds and distortions arising from chromaticity of the antenna beam. We investigate the effect of improving foreground modelling by fitting data sets from many observation times simultaneously in a single Bayesian analysis, fitting for the same parameter set by performing these fits on simulated data. We find that for a hexagonal dipole antenna, this simultaneous fitting produces a significant improvement in the accuracy of the recovered 21cm signal, relative to fitting a time average of the data. Furthermore, the recovered models of the foreground are also seen to become more accurate by up to a factor of $sim$2-3 relative to time averaged fitting. For a less chromatic log spiral antenna, no significant improvement in signal recovery was found by this process. However, the modelling of the foregrounds was still significantly improved. We also investigate extending this technique to fit multiple data sets from different antennae simultaneously for the same parameters. This is also found to improve both 21cm signal and foreground modelling, to a higher degree than fitting data set from multiple times from the same antenna. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2210.04707v1

Use of Time Dependent Data in Bayesian Global 21cm Foreground and Signal Modelling by Dominic Anstey et al. on Tuesday 11 October Global 21cm cosmology aims to investigate the cosmic dawn and epoch of reionisation by measuring the sky averaged HI absorption signal, which requires, accurate modelling of, or correction for, the bright radio foregrounds and distortions arising from chromaticity of the antenna beam. We investigate the effect of improving foreground modelling by fitting data sets from many observation times simultaneously in a single Bayesian analysis, fitting for the same parameter set by performing these fits on simulated data. We find that for a hexagonal dipole antenna, this simultaneous fitting produces a significant improvement in the accuracy of the recovered 21cm signal, relative to fitting a time average of the data. Furthermore, the recovered models of the foreground are also seen to become more accurate by up to a factor of $sim$2-3 relative to time averaged fitting. For a less chromatic log spiral antenna, no significant improvement in signal recovery was found by this process. However, the modelling of the foregrounds was still significantly improved. We also investigate extending this technique to fit multiple data sets from different antennae simultaneously for the same parameters. This is also found to improve both 21cm signal and foreground modelling, to a higher degree than fitting data set from multiple times from the same antenna. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2210.04707v1

What does an interferometer really measure? Including instrument and data characteristics in the reconstruction of the 21cm power spectrum by Adélie Gorce et al. on Monday 10 October Combining the visibilities measured by an interferometer to form a cosmological power spectrum is a complicated process in which the window functions play a crucial role. In a delay-based analysis, the mapping between instrumental space, made of per-baseline delay spectra, and cosmological space is not a one-to-one relation. Instead, neighbouring modes contribute to the power measured at one point, with their respective contributions encoded in the window functions. To better understand the power spectrum measured by an interferometer, we assess the impact of instrument characteristics and analysis choices on the estimator by deriving its exact window functions, outside of the delay approximation. Focusing on HERA as a case study, we find that observations made with long baselines tend to correspond to enhanced low-k tails of the window functions, which facilitate foreground leakage outside the wedge, whilst the choice of bandwidth and frequency taper can help narrow them down. With the help of simple test cases and more realistic visibility simulations, we show that, apart from tracing mode mixing, the window functions can accurately reconstruct the power spectrum estimator of simulated visibilities. We note that the window functions depend strongly on the chromaticity of the beam, and less on its spatial structure - a Gaussian approximation, ignoring side lobes, is sufficient. Finally, we investigate the potential of asymmetric window functions, down-weighting the contribution of low-k power to avoid foreground leakage. The window functions presented in this work correspond to the latest HERA upper limits for the full Phase I data. They allow an accurate reconstruction of the power spectrum measured by the instrument and can be used in future analyses to confront theoretical models and data directly in cylindrical space. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2210.03721v1

What does an interferometer really measure? Including instrument and data characteristics in the reconstruction of the 21cm power spectrum by Adélie Gorce et al. on Monday 10 October Combining the visibilities measured by an interferometer to form a cosmological power spectrum is a complicated process in which the window functions play a crucial role. In a delay-based analysis, the mapping between instrumental space, made of per-baseline delay spectra, and cosmological space is not a one-to-one relation. Instead, neighbouring modes contribute to the power measured at one point, with their respective contributions encoded in the window functions. To better understand the power spectrum measured by an interferometer, we assess the impact of instrument characteristics and analysis choices on the estimator by deriving its exact window functions, outside of the delay approximation. Focusing on HERA as a case study, we find that observations made with long baselines tend to correspond to enhanced low-k tails of the window functions, which facilitate foreground leakage outside the wedge, whilst the choice of bandwidth and frequency taper can help narrow them down. With the help of simple test cases and more realistic visibility simulations, we show that, apart from tracing mode mixing, the window functions can accurately reconstruct the power spectrum estimator of simulated visibilities. We note that the window functions depend strongly on the chromaticity of the beam, and less on its spatial structure - a Gaussian approximation, ignoring side lobes, is sufficient. Finally, we investigate the potential of asymmetric window functions, down-weighting the contribution of low-k power to avoid foreground leakage. The window functions presented in this work correspond to the latest HERA upper limits for the full Phase I data. They allow an accurate reconstruction of the power spectrum measured by the instrument and can be used in future analyses to confront theoretical models and data directly in cylindrical space. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2210.03721v1

Multipole expansion for 21cm Intensity Mapping power spectrum: forecasted cosmological parameters estimation for the SKA Observatory by Maria Berti et al. on Sunday 18 September The measurement of the large scale distribution of neutral hydrogen in the late Universe, obtained with radio telescopes through the hydrogen 21cm line emission, has the potential to become a key cosmological probe in the upcoming years. We explore the constraining power of 21cm intensity mapping observations on the full set of cosmological parameters that describe the $Lambda$CDM model. We assume a single-dish survey for the SKA Observatory and simulate the 21cm linear power spectrum monopole and quadrupole within six redshift bins in the range $z=0.25-3$. Forecasted constraints are computed numerically through Markov Chain Monte Carlo techniques. We extend the sampler texttt{CosmoMC} by implementing the likelihood function for the 21cm power spectrum multipoles. We assess the constraining power of the mock data set alone and combined with Planck 2018 CMB observations. We include a discussion on the impact of extending measurements to non-linear scales in our analysis. We find that 21cm multipoles observations alone are enough to obtain constraints on the cosmological parameters comparable with other probes. Combining the 21cm data set with CMB observations results in significantly reduced errors on all the cosmological parameters. The strongest effect is on $Omega_ch^2$ and $H_0$, for which the error is reduced by almost a factor four. The percentage errors we estimate are $sigma_{Omega_ch^2} = 0.25%$ and $sigma_{H_0} = 0.16%$, to be compared with the Planck only results $sigma_{Omega_ch^2} = 0.99%$ and $sigma_{H_0} = 0.79%$. We conclude that 21cm SKAO observations will provide a competitive cosmological probe, complementary to CMB and, thus, pivotal for gaining statistical significance on the cosmological parameters constraints, allowing a stress test for the current cosmological model. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2209.07595v1

DİKKAT: HASSAS İÇERİK! ATTENTION: VIEWER DISCRETION STRONGLY ADVISED! Bu bölümde fiziksel, psikolojik, ve cinsel şiddetle ilgili meselelerin hafifçe üzerinden geçtik ve düşüncelerimizi paylaştık. Eğer bu konulara hassasiyetiniz yüksekse lütfen bu bölümü es geçiniz. Bu bölümde Ece'yi ağırlıyoruz, ilk konuğumuz. Keyifli dinlemeler…

We launch the first episode of the Band Room Bookshelf with composer and writer, Dale Trumbore, speaking about her book, Staying Composed: Overcoming anxiety and self-doubt within a creative life. Dylan and Dale speak about her background, what inspired her to write the book, the loads of ideas and techniques to help deal with the struggles creatives face and much more!Help Support the Band Room Podcast by Becoming a Patron Through Patreonhttps://www.patreon.com/bandroompodBRP Storehttp://www.bandroompod.com/storeMusic used in this episodeBRP Theme Music: Skyline by EKR HammellPerforming Ensemble: University of Toronto Wind Ensemble, Dr. Gillian MacKay, Conductor About DaleDale Trumbore is a Los Angeles-based composer and writer whose music has been praised by The New York Times for its "soaring melodies and beguiling harmonies." Trumbore's compositions have been performed widely in the U.S. and internationally by ensembles including the American Contemporary Music Ensemble (ACME), Los Angeles Master Chorale, Los Angeles Children's Chorus, Modesto Symphony, Pacific Chorale, Pasadena Symphony, The Singers – Minnesota Choral Artists, and VocalEssence.Trumbore's 2019-2020 season included performances at the NCCO National Conference, the Norton Simon Museum, and Walt Disney Concert Hall. She has served as Composer in Residence for Choral Chameleon as well as Artist in Residence at Brush Creek Foundation for the Arts, Copland House, and the Helene Wurlitzer Foundation of New Mexico.​How to Go On, Choral Arts Initiative's album of Trumbore's choral works, debuted at #6 on Billboard's Traditional Classical Chart. Choral Arts Northwest, The Esoterics, Helix Collective, New York Virtuoso Singers, and soprano Gillian Hollis have also commercially recorded works by Trumbore. Her choral works are available through Boosey & Hawkes, G. Schirmer, and Graphite Marketplace.As a composer who works frequently with words, Trumbore is passionate about setting to music poems, prose and found text by living writers. She has written extensively about working through creative blocks and establishing a career in music in essays for 21CM, Cantate Magazine, the Center for New Music, and NewMusicBox. Her first book, Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life, was hailed by writer Angela Myles Beeching (Beyond Talent) as a "treasure trove of practical strategies for moving your artistic career forward... not only for composers, but for performers, writers, and any other creatives."Trumbore holds a dual degree in Music Composition and English from the University of Maryland and a Master of Music degree in Composition from the University of Southern California. A New Jersey native, Trumbore lives in Azusa, CA with her husband and their two cats.Episode LinksDale's Websitehttps://www.daletrumbore.com/Staying Composedhttps://www.amazon.ca/Staying-Composed-Overcoming-Self-Doubt-Creative/dp/109724864X/ref=sr_1_1?dchild=1&keywords=staying+composed&qid=1606668479&sr=8-1​Follow Dale on Instagramhttps://www.instagram.com/daletrumbore/Support the show (https://www.patreon.com/bandroompod)

Sarah Whitney: Thriving Through Injury Today on the show, I'm really happy to bring you violinist Sarah Whitney to cover a VERY important topic: dealing with injuries as a musician! In this episode, Sarah talks to us about how you can not only prevent and treat injury, but also thrive in the aftermath – how to handle recovery, the ways she warms up to prevent injury, and how important the mental aspect of recovery is.  She also talks about how she helps musicians achieve their career goals and why life and career coaching can be a real game changer. And don't forget to share your injury story with us, and let us know what resonated with you in the episode! ALL ABOUT SARAH: Website: https://www.sarahwhitney.com Facebook : https://www.facebook.com/theproductivemusician/ Instagram: https://www.instagram.com/sarahwhitneyistall/ Sybaryte5: https://www.sybarite5.org/ https://www.facebook.com/SybariteFive/ https://www.instagram.com/sybarite5/ Trifecta String Trio https://www.trifectatrio.com/about https://www.instagram.com/trifectastringtrio/   The violinist Sarah Whitney is celebrated as a performer, teacher, entrepreneur, career coach, and musical maverick. Praised by The Washington Post for her “marvelous violin acrobatics,” Sarah has appeared on stages worldwide as a soloist and collaborative artist throughout North America, South America, Europe, Asia, and Africa. Comfortable in a wide range of settings and musical styles, she is fiercely dedicated to bringing fresh new ideas to classical music and empowering musicians to find their own voice. Sarah is a founding member of the acclaimed string quintet SYBARITE5, which won the Concert Artists Guild Victor Elmaleh Competition in 2011 and continues to perform extensively around North America. Sarah has also performed with SYBARITE5 at Carnegie Hall, Lincoln Center, Alice Tully Hall, the Library of Congress, the Aspen, Caramoor, Chautauqua, Grand Teton, and Ravinia Festivals, and on the CBS Early Show. Their latest album entitled Outliers reached No. 1 on the Billboard Charts, and they recently premiered Dan Visconti's Beatbox: Concerto for String Quintet & Orchestra with the South Carolina Philharmonic, Midland Symphony Orchestra, and Duluth-Superior Orchestra. Recognized as a pioneer in changing the perception of classical music and committing to building new audiences, in 2015, Sarah founded Beyond the Notes, an innovative concert series dedicated to breaking down the barriers between performers and the audience. The series is rooted in the Boston-area but has expanded in recent years to present performances throughout North America. She is also currently the Music Director for Lincoln Center Stage — an innovative partnership between Lincoln Center and the Holland-American Cruise Lines. This initiative organizes highly-coveted residencies for top young chamber musicians on board cruise ships elevating the performance level to that  heard in leading concert halls. Sarah's writing is featured regularly in for Strings Magazine and 21CM.org. Her widely-read blog The Productive Musician focuses on health and wellness, productivity, and strategies for developing and maintaining an effective mindset. She has served on the New York State Presenters Network Panel in discussions about progressive programming and innovation. Defying categorization and welcoming diverse collaborations, Sarah has collaborated with the Alvin Ailey and Jose Limon dance companies and has been featured on-stage with Adele, Ellie Goulding, the Transiberian Orchestra, Jeff Beck, Anne Murray, Andrew Wyatt, Tommy Lee, and with Father John Misty. Active as a recording artist, Sarah has performed on albums with Darlene Love, Josh Ritter, Stephen Kellogg, Mark Geary and Etienne Charles and can be heard on William Bolcom's Grammy-winning album ‘The Songs of Innocence and Experience'. She has also collaborated with DJ Doug E. Fresh and opened for Jennifer Hudson and Diana Ross. She recently recorded together with the legendary clarinetist Richard Stoltzman. Sarah also performs regularly in the Seeing Double Duo with violinist Julia Salerno, and the Trifecta Trio together with violist Angela Pickett and cellist Laura Metcalf. Sarah is co-founder of the Jingle Punks Hipster Orchestra that has been featured on Mashable, Perez Hilton, Revolt TV, as well as with the rapper NAS in Johannesburg, South Africa. Guiding students with an especially collaborative teaching approach, Sarah works nationally with students of all levels. She has given guest master classes and entrepreneurial workshops at the Curtis Institute, New England Conservatory, DePauw University, University of Oklahoma, University of Arizona, Grinnell College, Ohio University, University of North Florida, the Walnut Hill School, the Boston University Tanglewood Institute, among others, and has been guest artist-in-residence at Eastern Washington University. She has served on faculty at Music in Chappaqua, The Music School of New York City and the Walla Walla Suzuki Institute. She previously served as co-director of the Sato Center Outreach Group at the Sato Center for Suzuki Studies in Cleveland, and received Suzuki teacher training from the renowned pedagogue Kimberly Meier-Sims. Currently based in New York City, Sarah holds degrees from the University of Michigan School of Music, Theatre, and Dance and the Cleveland Institute of Music. Additional studies include at the Aspen Music Festival and School, the Music Academy of the West, and the Meadowmount School of Music. Her teachers included Paul Kantor, William Preucil, Kathleen Winkler, Aaron Berofsky, Cyrus Forough, Stephen Shipps and Irina Muresanu. Sarah performs on violin made by J.B. Vuillaume in 1850.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

IN THIS EPISODE Help us out! Click the link below to pick us for the 21CM 2019 POP Icon! http://21cm.org/pop-picks/?curator=garrett-mcqueen BSO https://www.baltimoresun.com/entertainment/bs-fe-bso-musicians-vote-20190911-oq3gmsac35gvfihb5oy3khplay-story.html CIM https://www.cim.edu/aboutcim/news/cims-pioneering-musical-pathway-fellowship-awarded-leadership-grant Black Excellence: Anthony Parnther Anthony’s website: https://www.anthonyparnther.com/ Piece of the Week: Barber of Seville Overture - Gioachino Rossini https://www.youtube.com/watch?v=OloXRhesab0 Follow us on social media: Facebook: https://www.facebook.com/classicallyblackpodcast/ Instagram: https://www.instagram.com/classicallyblackpodcast/ Twitter: https://twitter.com/classicblackpod New episodes every Monday on Youtube, Soundcloud, Spotify, Google Play and Apple Podcasts! *Please note: Opinions expressed here are those of the persons speaking, and do not necessarily reflect the views of the Eastman School of Music.

IN THIS EPISODE Help us out! Click the link below to pick us for the 21CM 2019 POP Icon! http://21cm.org/pop-picks/?curator=garrett-mcqueen Articles mentioned Woman speaks out about Metro band program evaluation process denying daughter to play flute https://www.newschannel5.com/news/woman-speaks-out-about-metro-band-program-evaluation-process-denying-daughter-to-play-flute?fbclid=IwAR0Jdd6ILuME8emDgWK-Ley855ZglrDqHdWp-v6y4ptZ-rYsZ4JVIbXRZOQ Black Excellence: Jennifer Arnold Jennifer’s website: https://vlajma.wixsite.com/jenniferarnoldviola Richmond Symphony Press Release: https://www.richmondsymphony.com/who-we-are/media-press-kit/the-richmond-symphony-season-finale-features-opera-superstar-denyce-graves-in-carmen-in-concert-2/ Piece of the Week: Marriage of Figaro Overture - Wolfgang Amadeus Mozart https://www.youtube.com/watch?v=ikQNFqVkNNc Follow us on social media: Facebook: https://www.facebook.com/classicallyblackpodcast/ Instagram: https://www.instagram.com/classicallyblackpodcast/ Twitter: https://twitter.com/classicblackpod New episodes every Monday on Youtube, Soundcloud, Spotify, Google Play and Apple Podcasts! *Please note: Opinions expressed here are those of the persons speaking, and do not necessarily reflect the views of the Eastman School of Music.

IN THIS EPISODE Help us out! Click the link below to pick us for the 21CM 2019 POP Icon! http://21cm.org/pop-picks/?curator=garrett-mcqueen Articles Mentioned Award-Winning Japanese Composer Exposed as a White Man Pretending to Be Japanese https://nextshark.com/larry-clark-japanese-composer/ Blood Orange Announces New Classical Music Album Fields https://pitchfork.com/news/blood-orange-announces-new-classical-music-album-fields/ NSO Pops: Maxwell: A Night at the Symphony https://www.kennedy-center.org/calendar/event/NTPSJ Black Excellence: Shantanique Moore Shantanique’s website: https://www.smooreflute.com/ Shantanique’s Instagram: www.instagram.com/forflutesonly Piece of the Week: Caprice #25 for Solo Viola - Bartolomeo Campagnoli https://www.youtube.com/watch?v=nBV1kdFIfPI Follow us on social media: Facebook: https://www.facebook.com/classicallyblackpodcast/ Instagram: https://www.instagram.com/classicallyblackpodcast/ Twitter: https://twitter.com/classicblackpod New episodes every Monday on Youtube, Soundcloud, Spotify, Google Play and Apple Podcasts! *Please note: Opinions expressed here are those of the persons speaking, and do not necessarily reflect the views of the Eastman School of Music.

Dale Trumbore is a successful composer and the author of the recently released book Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life. She joins the show to talk about her career, her music, and to talk about issues related to anxiety for musicians. Topics: Dale’s background and her journey to becoming a full time composer, including some lessons learned from an influential teacher. Dale’s career as a composer including her choral music, how she finds text to set, and the value she sees for students who are part of commissions. A long discussion about anxiety and strategies for coping with it in a creative career. Some actionable tips for working through creative blocks. Links: Dale Trumbore, Composer Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life Trumbore: In the Middle Yoga with Adriene Messiaen: O Sacrum Convivium Biography: Dale Trumbore is a Los Angeles-based composer and writer whose music has been praised by The New York Times for its "soaring melodies and beguiling harmonies." Trumbore's compositions have been performed widely in the U.S. and internationally by ensembles including the American Contemporary Music Ensemble (ACME), Los Angeles Master Chorale, Los Angeles Children's Chorus, Modesto Symphony, Neave Trio, Pacific Chorale, Pasadena Symphony, The Singers – Minnesota Choral Artists, and VocalEssence. Trumbore is Composer in Residence for Choral Chameleon and was previously Composer in Residence for Nova Vocal Ensemble. She has been an Artist in Residence at Brush Creek Foundation for the Arts, Copland House, Dorland Mountain Arts Colony, the Helene Wurlitzer Foundation of New Mexico, and Willapa Bay AiR. How to Go On, Choral Arts Initiative's album of Trumbore's choral works, debuted at #6 on Billboard's Traditional Classical Chart. Choral Arts Northwest, The Esoterics, Helix Collective, New York Virtuoso Singers, and soprano Gillian Hollis have also commercially recorded works by Trumbore. Her published choral works are available through Boosey & Hawkes and G. Schirmer.​ As a composer who works frequently with words, Trumbore is passionate about setting to music poems, prose and found text by living writers. She has written extensively about working through creative blocks and establishing a career in music in essays for 21CM, Cantate Magazine, the Center for New Music, and NewMusicBox, and she is the author of Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life. Trumbore holds a dual degree in Music Composition and English from the University of Maryland and a Master of Music degree in Composition from the University of Southern California. A New Jersey native, Trumbore lives in the Eagle Rock neighborhood of L.A. with her fiancé and their two cats.

What you'll hear: Why and how a career in classical music doesn’t have to be as narrow and limited as Choice A or Choice B   The most effective and powerful way to work through a personal or professional crisis   How putting so much emphasis and effort on the “big” events and moments of your life actually *creates* failure   The precarious spot you put yourself in when the only definition you have of yourself is “I’m a guy/gal who plays _______ (instrument)” (hint: you are so much more!)   … and much more More about Mark and 21CM.org: http://21cm.org/  https://music.depauw.edu/faculty-staff/  Mentioned on the show: http://project440.org/  http://www.mikeblockmusic.com/ http://www.awadagin.com/biography.htm  http://www.yo-yoma.com/ http://artofthepiano.org/  https://www.silkroad.org/posts/gmw-2017  Join the STARTING LINE CHALLENGE that starts Monday 12/11! https://www.facebook.com/groups/ccstartinglinechallenge/  I want to thank Ficks Music for sponsoring Crushing Classical. When you’re looking for high quality sheet music, look no further than  https://www.ficksmusic.com/discount/CRUSH Use the link above to get 10% off your order!  

This TEM Short is in response to my conversation with 21CM's Mark Rabideau in TEM 97. Mark spoke about being curious about not just the world we do live in, but the world you'd like to live in which head my head spinning in a good way! Show notes for all episodes of TEM including topics discussed, links to all books and websites referenced can be found at: http://www.andrewhitz.com/shownotes 1. Help me get to my goal of $50 per episode on Patreon by pledging as little as $1 per episode to support the show: https://www.patreon.com/tempodcast. 2. Help me get to my goal of 50 ratings at iTunes by leaving a rating and review. And finally, a huge thank you to Parker Mouthpieces for providing the hosting for TEM. Produced by Joey Santillo

TEM97: Mark Rabideau of 21CM on being authentic, remaining curious and straying from traditional career paths Mark Rabideau of 21CM speaks about finding your own unique path and the skills needed to do that. Show notes for all episodes of TEM including topics discussed, links to all books and websites referenced can be found at: http://www.andrewhitz.com/shownotes You can help me reach two specific goals I've set for myself: 1. Help me get to my goal of $50 per episode on Patreon by pledging as little as $1 per episode to support the show:  https://www.patreon.com/tempodcast 2. Help me get to my goal of 50 ratings at iTunes (I'm at 41 currently so getting close!) by leaving a rating and review. And finally, a huge thank you to Parker Mouthpieces for providing the hosting for TEM. Produced by Joey Santillo

In this week's episode of Music for Life, Music from DePauw...Ensemble-in Residence, DecodaBurke Stanton talks to first-year music major Jacqueline Robertson about the Shostakovich symphony the orchestra recently performed...21CM director Mark Rabideau interviews classical musician author Sarah Robinson about her new book “Clubbing for Classical Musicians,” a must-read for any up-and-coming musician...we present some terrific performances from this past week...and I sit down with three members of Decoda, this year’s Ensemble-in-Residence, for a lively conversation about their innovative performances and collaborations in the changing world of classical music! SOURCES From their performance of September 20, 2015, the DePauw University Orchestra, under the direction of Orcenith Smith, performs the fourth movement, Allegro non troppo, from Dmitri Shostakovich’s Symphony No. 5 in D Minor, op. 47.At this week’s recital hour, Decoda members violinist Anna Elashvili, violist Nathan Schram, and cellist Caitlin Sullivan performed the first movement, Adagio - Allegro con brio, from Ludwig van Beethoven’s op. 9, no. 1 string trio.From their performance of October 7th, the DePauw Jazz Ensemble, led by Steve Snyder, performs Frank Foster’s “Four, Five, Six.”

This week, on Music for Life, Music from DePauw...Elissa Harbertwe meet musicology professor Elissa Harbert and 21CM intern Brooke Addison...he’s been here for less than a month, but so what — we’re stranding professor Thomas King on a desert island with a defective iPod...Hannah learns about the summer abroad that Dana Hart and Annie Chase had, and Rachel talks to Burke Stanton about his semester abroad...and we bring you some great performances that DePauw students, faculty, and guests presented this week, including from the inaugural performance at Music on the Square! SOURCES Elena Escudero and pianist Tony Weinstein perform Libby Larsen’s “Bucking Bronco” at this past Wednesday’s Student Recital Hour.Our first Green Guest Artists of the year, Boston-based string chamber orchestra A Far Cry, presented a concert on September 11th. Here they play the third movement of Philip Glass’s third symphony.Wednesday, September 16 saw the first performance at DePauw’s new Music on the Square. Drummer Jason Tiemann, guitarist David Stryker, and DePauw professor Steve Snyder on organ play Horace Silver’s “Nica’s Dream.”Soprano Shannon Barry and pianist Amanda Hopson perform Richard Strauss’s “Sehnsucht” at this past Wednesday’s Student Recital Hour.Prof. King’s 5 Minute iPod segment included music from the following CDs: Die Zauberflöte Highlights/Berlin Philharmonic/Karl Böhm: Deutsche Grammophon 429825-2; Mahler Symphony no. 5/Chicago Symphony/Georg Solti: London 433329-2; Saint-Saëns Symphony no. 3/Boston Symphony/Charles Munch: BMG Classics 09026-61500-2

This week, on Music for Life, Music from DePauw...Mark Rabideauwe hear more stories from student singers Hannah Gauthier, Yazid Pierce-Gray, Julie Strauser, Laura Witte, and Dallas Gray about the interesting things they did this summer...professors Kristina Boerger, Craig Paré, and Steven Snyder come by to tell us about what the choirs, band, and jazz ensembles will be up to this semester...and 21CM director Mark Rabideau returns to talk about our new presence in downtown Greencastle! SOURCES From the 2015 Vocal Arts at DePauw summer camp for high school students, the DePauw Student Concert featured performances by some of our voice majors. In this episode, we hear soprano Sarah Pistorius and pianist Amanda Hopson performing "Allez, laissez-moi seul,” from Jules Massenet’s opera Cendrillon.Concluding the episode, from the closing concert of the 2015 Greencastle Summer Music Festival, guest pianist John Kamfonas and cellist Eric Edberg perform Alan Hovhaness’ Sonata, op. 255”

In this, our first episode of the 2015-16 academic year...Toni Robinsonwe hear from students Lisa Salazar and Maureen Bailey about their summer internships...Orchestra director Orcenith Smith stops in to tell us what the orchestra’s up to this semester...we present a few of the many wonderful performances from this year’s Greencastle Summer Music Festival...and our new Associate Director of Music Admission, Toni Robinson, and Director of the 21st Century Musician Initiative, Mark Rabideau, each come by to introduce themselves! SOURCES From the June 17th concert of the Greencastle Summer Music Festival, violinist Philip Palermo, violist Nicole Brockmann, cellist Eric Edberg, and pianist Claude Cymerman perform the Allegro molto movement from the Quartet in C Minor, op. 15 by Gabriel Fauré.From the July 22nd concert of the Greencastle Summer Music Festival,cellist Eric Edberg and pianist Fernando Otero perform Otero’s piece  “From Now On.”From the August 19th concert of the Greencastle Summer Music Festival, pianist John Kamfona performs Aram Khatchaturian’s Toccata in E-Flat Minor.From the August 5th concert of the Greencastle Summer Music Festival,  Tim Grimm and Friends perform Grimm’s song “Better Days.”From the Student Recital Hour of August 26, 2015, Julie Strauser, soprano; Yazid Pierce-Gray, baritone; and Amanda Hopson, piano perform “Dunque io son” from Rossini’s Barber of Seville.From the Project Trio performance in Kresge Auditorium of August 23, 2015, bassist Peter Seymour, flutist Greg Pattillo, and cellist Eric Stephenson play their piece “Sloeberry Jam.”

In this week's episode of Music For Life...Band director Craig Paré and jazz director Steve Snyder come by to tell us about the programs for their ensembles' upcoming concerts...Mark ApplebaumHannah talks to percussion student Zach Jacobs about an upcoming percussion performance featuring guest composer Mark Applebaum...cellist Eric Edberg and composer Scott Perkins give us a preview of the DePauw Chamber Players' concert this week...and looking forward to our final Green Guest Artists concert, Anna Gatdula chats with Elleka Okerstrom about a 21CM collaboration between our ensemble-in-residence Fifth House and Mediterranean folk band Baladino! SOURCES From our 2015 Concerto Competition Winners' Concert of April 11, pianist Shiyu Su and the DePauw University Orchestra, under the direction of professor Orcenith Smith, perform the first movement of Felix Mendelssohn's Piano Concerto No. 1 in G Minor, op. 25. From our 2015 Concerto Competition Winners' Concert of April 11, mezzo-soprano Dana Hart and the DePauw University Orchestra, under the direction of professor Orcenith Smith, perform the aria "Ah, qual gelido orror...Il padre adorato" from the opera Idomeneo by Wolfgang Amadeus Mozart. From our 2015 Concerto Competition Winners' Concert of April 11, clarinetist Natalia Fumero and the DePauw University Orchestra, under the direction of professor Orcenith Smith, perform the Concertino for Clarinet, by Carl Maria von Weber From the Student Recital Hour of April 15, singers Ines Hayouna, Marin Tack, Kelsey Cantrell, Brittny Goon, Alaina Matthews, Erin Tolar, Elizabeth Brunell, and Laura Witte perform the Bulgarian folk song "Ergen deda." From the Student Recital Hour of April 15, clarinetist Dan Hickey, violinists Jenny Miller and Alec Barker, violist Anna Urso, and cellist Peter Kim perform Bela Bartok's "Romanian Folk Dances."

This week, on Music For Life, Music From DePauw...Putnam County Public Libraryprofessor Carla Edwards stops by to talk about our upcoming Music of the 21st Century festival featuring guest composer Roberto Sierra...our 21CM interns, Anna Gatdula and Dan Hickey, tell us about an exciting new performance opportunity at the Putnam County Library for DePauw music students...Hannah Gauthier chats with this week's Almost Home performers...and right in the middle of their whirlwind visit, we get a chance to talk to our Green Guest Artists, the world-renowned vocal ensemble The King's Singers! SOURCES From the CD "Ciphers," the North Texas Wind Symphony performs Roberto Sierra's "Alegria." From the Albany Records CD "Roberto Sierra: Souvenirs," pianist Ian Hobson plays Sierra's piece "Reflections on a Souvenir." From the MSR Classics CD "Music from Raritan River," featuring the Newman & Oltman Guitar Duo and Daedalus Quartet, Laura Oltman and Michael Newman perform Roberto Sierra's "Three Hungarian Tributes" in honor of Bartók, Liszt, and Ligeti.

In this episode of  Music For Life, Music From DePauw...Click to visit 21cm.orgwith this year's opera production right around the corner, we hear from associate director Kerry Jennings and music director Orcenith Smith about producing Monteverdi's "The Coronation of Poppea," and Anna Gatdula chats with some of the cast members about the story of the opera...Hannah Gauthier interviews sophomore music student Drew Casey about his Winter Term experience conducting in London...and I talk with Elleka Okerstrom and Steven Linville about the unveiling of exciting new web site, 21cm.org, that we've developed to bring the 21st Century Musician ideas to the rest of the world! SOURCES From the 1996 Archiv Produktion CD of John Eliot Gardiner's realization of Monteverdi's L'incoronazione di Poppea, here's the beginning of the opera, the Sinfonia and Prologue.Also from the Gardiner Monteverdi CD, here is Scene 1 of the opera, the Ritornello "E pur'io torno qui, qual linea al centro."From the string chamber music recital of  December 10th, 2014, here are violinists Lindsey Sullivan and Allison Emata, violist Tyler Huff, and cellist Peter Lockman performing the first movement, Un poco andante - Allegro molto ed agitato, from String Quartet No. 1 in G minor, Op. 27, by Edvard Grieg.From the Student Recital Hour of Wednesday, December 10, 2014,pianist Shiyu Su performs the third movement, Allegro ma non troppo, from the Piano Sonata no. 23, op. 57, by Ludwig van Beethoven.