Podcasts about aardman studios

Discover how stop motion animator Tortor Smith created an award-winning short film at the legendary Aardman Studios (home of Wallace & Gromit, Shaun the Sheep, and Chicken Run). In this episode of the Fork in the Road Podcast, Tortor shares their inspiring journey into animation, from handmade craftsmanship to building a sustainable creative career.We talk about:The creative process behind stop motion animationWhat it's like to work at AardmanIndependent filmmaking challenges and breakthroughsThe importance of community, craft, and storytellingReal-world advice for aspiring animators and artistsWhether you're a fan of animation, filmmaking, or creative storytelling, this episode is packed with insight and motivation.Watch the full extended video episode on Patreon:https://patreon.com/ForkInTheRoadPodcastFollow Tortor Smith: https://www.instagram.com/animatortorFollow Andy C. Marshall:https://andycmarshall.com/

Go to http://legacybox.com/critic to get 50% off your order. It cut ties between Dreamworks and Aardman Studios, but Nostalgia Critic thinks there's more to it than people give credit. Let's take a look at Flushed Away.

Dr. Dominique Thompson joins us from the UK for Episode 010! Dr. Thompson is a multi-award-winning General Practitioner (GP), young adult mental health expert, TEDx speaker, author and educator, with over two decades of NHS clinical experience. She was named Bristol Healthcare Professional of the Year 2017 and nominated as one of the Top 100 West Women of the Year in 2019. Stay connected with Dr. Thompson: Twitter: https://twitter.com/drdomthompson  Instagram: https://www.instagram.com/drdomthompson/  LinkedIn:  https://www.linkedin.com/in/dominique-thompson/ 

The folks at Aardman Studios took 23 years before they released a sequel to their popular animated comedy, “Chicken Run,” now on Netflix. The post Take Two: “Chicken Run: Dawn of the Nugget” (PG) appeared first on KKFI.

On At the Movies, Dan Slevin reviews WONKA, the origin story of the magical musical confectionery maker, starring Timothée Chalamet; CHICKEN RUN: DAWN OF THE NUGGET, the long-awaited sequel to the 2000 fowl animated classic from Aardman Studios, streaming on Netflix; and SHOWING UP, the new film from director Kelly Reichardt and actor Michelle Williams about a struggling sculptor who finds that life keeps getting in the way of her work.

Dan Slevin reviews the long-awaited sequel to the 2000 fowl animated classic from Aardman Studios, streaming on Netflix.

This is our spoiler-free review for Chicken Run: Dawn of the Nugget. Join us as we discuss our shared love of Aardman Studios and our thoughts on this sequel thats been 23 years in the making… or should we say molding?Chicken Run: Dawn of the Nugget premieres globally on Netflix on December 15th. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

We end Dolin December with a look at three stop-motion shorts from Aardman Studios that helped popularize them, Wallace and Gromit. Starring the lovable duo, the three shorts (A Grand Day Out, The Wrong Trousers, A Close Shave) spotlight not only their comedy stylings but also genuinely spectacular stop-motion work. Artist Maggie the Odd and Pulp-Serenade's Cullen Gallager join Chris to talk about the shorts, the stop-motion work, and the music.You can follow Chris Stachiw at @Casualty_Chris and the Kulturecast @kulturecast. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content, along with our Patreon page.

Episode 14 of Right In The Childhood! Right in the Childhood is a podcast about nostalgia and kids TV. The show's hosts are two friends from different generations, Mark and Fraser. Mark is a 42 year old on the edge of Gen X and Millennial; Fraser is a 25 year old on the edge of Millennial and Gen Z and they both have a Peter Pan complex! They take it in turns each month to take a look at a treasured TV show from their childhood, share memories, discuss whether the other host has heard of it, rewatch a few episodes and then discuss how it hold up with the hope that it does and that it doesn't hit them... right in the childhood! This episode is Mark's choice and he's chosen Round The Bend: the odd sketch show from 1988 that was broadcast on ITV and featured early work by the Aardman Studios. Hosts: Mark Adams and Fraser Somers Editor: Mark Adams Twitter: @RitCPod We Made This on Twitter: @wmt_network Buy Mark and Fraser a coffee: https://ko-fi.com/rightinthechildhood www.wemadethisnetwork.com Support the We Made This podcast network on Patreon: Patreon.com/wemadethis

Episode 14 of Right In The Childhood!Right in the Childhood is a podcast about nostalgia and kids TV. The show's hosts are two friends from different generations, Mark and Fraser. Mark is a 42 year old on the edge of Gen X and Millennial; Fraser is a 25 year old on the edge of Millennial and Gen Z and they both have a Peter Pan complex! They take it in turns each month to take a look at a treasured TV show from their childhood, share memories, discuss whether the other host has heard of it, rewatch a few episodes and then discuss how it hold up with the hope that it does and that it doesn't hit them... right in the childhood! This episode is Mark's choice and he's chosen Round The Bend: the odd sketch show from 1988 that was broadcast on ITV and featured early work by the Aardman Studios. Hosts: Mark Adams and Fraser SomersEditor: Mark AdamsTwitter: @RitCPodWe Made This on Twitter: @wmt_networkBuy Mark and Fraser a coffee: https://ko-fi.com/rightinthechildhood www.wemadethisnetwork.comSupport the We Made This podcast network on Patreon: Patreon.com/wemadethis

The gang gets deep this week, as they review James Cameron's follow up to Aliens and The Terminator, The Abyss (1989). Starring Ed Harris, Mary Elizabeth Mastrantonio, and Michael Beihn, in a space lab far below the waves, on the oceans on the Bahamas. Tasked with saving a crew trapped in a downed nuclear submarine, they quickly find more than they bargained for. Not available to stream or rent anywhere, this lost child of the Cameron Catalog was ground breaking for its time... how does it hold up now though? In News this week: Terminator, Aliens, Lord of the Rings, leaked scripts, Harvey Weinstein, Peter Jackson, Showtime Under Dark, Back to the Future, Edgar Wright, Stephen King, The Running Man, Arnold Schwarzenegger, The Dead Zone, Christopher Walken, Martin Sheen, Dune, David Lynch, Denis Villeneuve, Fortnite Short Night film festival, NinjasHyper, Ninja,Travis Scott, DJ Marshmallow, Shortnite, Tenet, John David Washington, The Prestige, Inception, Christopher Nolan, Pixar, Tylers's Rage, Sundance, The Strange Thing About the Johnsons, Youtube, Fellowship of the Rings, The Two Towers, Return of the King, Godzilla: King of the Monsters, Millie Bobie Brown, Ver Formiga, Ken Watanabe, Kyle Chandler, Bradley Whitford, A Town Called Panik, clamation, stop motion animation, Aardman Studios, The Spongebob Movie, Night on the Galactic Railroad, My Life as a Zucchini, Nick Offerman, Elliot Page, Amy Sudeikis, Monster Hunter, The Uninvited, Willy's Wonderland, Nicolas Cage, If Anything Happens I love you, Email us at MCFCpodcast@gmail.com Joseph Navarro Pete Abeyta and Tyler Noe Streaming Picks: Crawl - Amazon Prime, Hulu, DirecTV, EpixThe Strange Thing About the Johnson's - YoutubeThe Wave - Hulu, Roku, Hoopla, Vudu, Tubi, Kanopy, CrackleArgo - HBO Max, DirecTVThe Secret of Kells - Kanopy, HooplaWrinkles - Amazon Prime, HooplaGhosts of War - Netflix

1986 was a year for Top Gun, Cool Ranch Doritos & being Addicted to Love. Oh, and some people graduated from college.

En nuestra más reciente emisión, charlamos sobre la más reciente producción animada de Aardman Studios; la cinta autobiográfica escrita por Shia Labeouf; la más reciente aventura de Pixar y el inesperadamente emocionante reboot de El hombre invisible de Universal.

Sarah Smith is CEO of Locksmith Animation which she launched with Julie Lockhart in 2014 with backing from Liz Murdoch. Described as the UK’s only high-end feature animation studio dedicated to making films for a global family audience, Locksmith recently signed a major multi-year output deal with 20th Century Fox. In this episode Sarah shares how she built the business, moving into this entrepreneurial space from her career as a multi-award winning director and writer. She also talks about her time as a senior executive at Aardman Studios - where she was not only instrumental in securing a game-changing Sony Pictures Deal but for who she also directed the family classic and box office smash Arthur Christmas. In a wide ranging conversation, we also cover #TimesUp in relation to animation, new tech innovation in the space as well as Sarah’s powerful and practical tips for navigating the Hollywood machine.

Hello and welcome to fifteenth episode of Fanboy Nation’s Toon-In-Talk, your rendezvous for animation interviews. During research for her book on Lotte Reiniger, Whitney was using the British Film Institute’s website for information. She came across some great animation information, not just about Reiniger, but also about British animation. Jez Stewart in the BFI’s Animation Animation Curator and during this interview he discusses British animation history, the BFI’s animation holdings, and other fun facts about working in a renowned film archive. Show Notes Jez Stewart is the Animation Curator at the British Film Institute (BFI) and he has worked there for fourteen years. He started as an acquisitions assistant and slowly his worked his way up to his current position. Jez describes his work at a mixture of “spreadsheets and boxes of delights.” He works with all the old goodies, including some of the earliest animated films ever made. Jez explains the decomposition of old film stock and how they must store some films at very cold temperatures. The BFI is the UK’s lead body of film, created in 1933, and its purpose is to ensure that all moving images are preserved, shared with people, and exhibit British culture. The BFI’s collection scope if very large. They have work from studios that closed down, wanted to clean out their closets, and more. A large portion of the work is commercial, but they also include material from feature films and other entertainment venues. Housed in the archive is Bob Godfrey’s work, WWI films that make fun of the Kaiser, public information films, the Halas and Batchelor films (they made Animal Farm). Jez explains some of the ways the BFI preserves the films and how the BFI decides to share the material. One of the worst roadblocks is copyright. British animation has gone up and down in the amount of popularity. It was very big in the 1950s when TV was new, then the funding dried up. Channel 4 money helped animation flourish again in the 1980s-1990s, but then it dried up again. Aardman Studios, which made the Wallace and Gromit series and Shaun the Sheep, is the most well-known British animator. Jez is also a fan of Michael Please, Harry Harlow, and others. A lot of British animation exported to the US are children’s shows. Whitney and Jez discuss how foreign feature films are viewed in the US and the UK. They also discuss how sometimes restoration can ruin a film’s integrity and how sometimes there is no school like the old school. The BFI is trying to put more content on the Internet and share more animation film packages to share with audiences, and Jez wants to write a history of British animation. Whitney and Jez both want to see more animation from British animators, especially a feature film.

Apple has opened repair programs on recent products, Aardman Studios is now employee owned and Rocket Lab has launched its first commercial payload.

Our guest this week is Tristan Oliver, a cinematographer specialised in stop-frame animation, whose work includes shooting recent releases ‘Isle of Dogs’ by Wes Anderson, and ‘Loving Vincent’ by Dorota Kobiela. Originally from Gravesend in Kent, Tristan moved to Bristol to study English and theatre at university, before going on to enrol at the local film school. He tells us how earning some well-regarded awards during his studies became the springboard for his work behind the camera; and what part Aardman Studios played in his development. Tristan also describes the unique working processes behind both ‘Isle of Dogs’ and ‘Loving Vincent’, with insight into timelines, crew and set scale. Plus, he shares essential advice and practical tips on making first steps into the film industry. ... This episode of Creative Lives was brought to you by Lecture in Progress. It was presented by Indi Davies and the editor was Ivor Manly. Lecture in Progress is made possible with the support of a number of brand patrons – they include ustwo, GF Smith and The Paul Smith Foundation.

Kristian Pehrsson, dragshowartist och Lill-babs fan berättar hur han minns Lill-Babs. Petter Bristav ger oss en crash course i kultfilmen Big Lebowski OCH vi pratar stop motion med Melody Lovelin

Join Tony (without Tom) as he talks with Nick Park of Aardman Studios about their new film "Early Man", followed by a two-fer with Animation Directors Merlin Crossingham and Will Becher! They talk history, techniques, and Wallace and Gromit, of course! All that, and more, on this bonus episode! The Bancroft Brothers Animation Podcast is presented by TaughtByAPro.com & sponsored by Stuart Ng Books & SketchWallet  

Join us for this animation industry masterclass with the founders of Aardman Studios Peter Lord and David Sproxton, and Academy Award-winning animator Adam Elliot (Mary & Max, Harvie Krumpet). Aardman Studios is renowned for their signature animation style and unique character creations, like the eccentric inventor and his loyal canine in Wallace & Gromit and the melancholy mountain lion of Creature Comforts. The masters will share trade secrets about the studio’s storyboarding, model making and animation techniques, as well as insider tips on producing for animation and how to forge a sustainable animation career. Peter and David will also discuss their predictions for the animation industry, including new platforms, markets and opportunities, as well as their latest foray into the brave new world of VR. 3:45 The beginnings of Aardman 10:00 The arrival of Morph 12:37 Aardman’s secret plasticine formula 14:50 Documentary animation. 20:53 “British people are so dull.” - Creature comforts 24:45 Where the ideas come from? 29:20 How ideas progress in drawings, the progression of Wallace 37:20 Innovations in stop motion animation 42:39 Aardman’s handmade style 43:40 Scripting 52:00 Storyboarding and the Train Chase sequence 57:00 Music magic 58:30 Puns and humour 1:03:11 Secrets in the Sets 1:08:11 Camera movement 1:12:40 Acting out 1:17:00 Switching to digital cameras and cinematography 1:23:10 Financing and crowd funding 1:29:40 VR 1:34:20 Q&A

Peter Lord and David Sproxton started making films together when they were 12 years old and have been making films ever since. This year Aardman Studios turns 40. Hear how the studio grew and the diversity of work they have created.