Podcasts about red band

Pipeman Radio has an interview with the band RED about them performing at Danny Wimmer Presents Welcome to Rockville 2026 at the Daytona International Speedway and what else is happening for the rest of 2026.Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”   Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to Follow, Listen, Download, Subscribe:  The Adventures of PipemanPipeman RadioPipeman in the Pit – Music Interviews & FestivalsPipeman – The Wandering JewPositively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Pipeman Radio has an interview with the band RED about them performing at Danny Wimmer Presents Welcome to Rockville 2026 at the Daytona International Speedway and what else is happening for the rest of 2026.Click Here to Subscribe to Pipeman in the Pit for PERKS, BONUS Content & FREE GIVEWAYS!    Pipeman in the Pit is a music, festival, and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals.   Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.   The following are the different podcasts to Follow, Listen, Download, Subscribe:The Adventures of PipemanPipeman RadioPipeman in the Pit – Music Interviews & FestivalsPipeman – The Wandering JewPositively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessBecome a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials &  Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

If you've been away from Punisher comics or confused about where Frank Castle stands right now, this episode breaks down the full picture. Jace of The Comic Source looks at the current status quo following the Hand era, the Joe Garrison run, Red Band, and now Punisher #3 from the current series by Benjamin Percy. While Marvel is clearly bringing Punisher back to a more grounded, street-level approach, questions remain about what this version of the character actually is and whether it can evolve in a modern storytelling landscape. With the upcoming Punisher: One Last Kill special on the horizon, Jace also explores whether the direction of the comics could be aligning with what we may see on screen, and what that could mean for the future of the character.

This week on Fantastic Forum, we are swinging into high-stakes action and street-level brutality with two Marvel releases. First up is Amazing Spider-Man Annual #1 (2026), written by Saladin Ahmed and Joe Kelly with art by Federico Vicentini. In this oversized annual Peter Parker teams up with a new speedster named Rapid as chaos erupts across New York, and a live-streaming threat named Screwball turns the city into a digital battleground. Do Ahmed and Kelly bring their sharp character work to our resident web-head in this yearly outing? We'll let you know tonight!? Then we take a deep dive into Punisher: Red Band, the five-issue limited series from Benjamin Percy and Julius Ohta with covers by Marco Checchetto. In this gritty, visceral revival of Frank Castle, the Punisher returns with no memories and a full clip, ready to rain down vengeance on the criminal underworld. We'll tell you if blood, bullets, and brutal justice truly define this Red Band run as Percy and Ohta try to push the limits of what Punisher stories can be! Watch tonight at 6:30 pm PT and call in live at www.fantasticforum.live to share your thoughts. Fantastic Forum, assemble! Subscribe – www.youtube.com/fantasticforum Call In – www.fantasticforum.live #AmazingSpiderMan #Punisher #Marvel #NewComicBookDay

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le deuxième podcast consacré à l'actualité comics du mois de décembre 2025.REJOIGNEZ NOUS SUR DISCORD !!Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulp's de décembre 2025 :A Mischief of Magpies / The Thing on the Doorstep / Sirens : Love HurtsSi vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee. Très bonne écoute à vous, et à bientôt pour le prochain podcast !Le ProgrammeCOMICS - 04:45James Tynion IV et Michael Walsh en dédicace début février 2026L'univers Absolute revient avec un soutien du CSA et de Pulp's Feral : la série indé' débarque chez Panini Comics au printemps 2026Ainsi que les mensuels X-Men : Age of Revelation Resurrection Man et les Rocketfellers arrivent chez Urban ComicsBattle Beast arrive en mars 2026 chez Delcourt (avec Young Hellboy à côté)The Karman Blade, le nouveau projet par l'équipe de Little Bird/Precious MetalUn nouveau magazine sur les comics en 2026 ?Les nouvelles séries Lobo, Batwoman et Deathstroke dévoilées par DC Jessica Jones : Alias revient en Red Band au printemps 2026TV - 1:15:38Au printemps 2026, on aura droit à Invincible VS et au nouveau jeu Lego BatmanCINEMA - 1:20:25Une adaptation de Torso en développement chez NetflixDisney s'associe à OpenAI pour la génération de contenus vidéoUn premier trailer pour le film Supergirl !La campagne marketing infernale d'Avengers : Doomsday démarreSoutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week, writers Ethan S. Parker and Griffin Sheridan discuss their latest series: Marvel Zombies: Red Band (1:27). And we round up the scariest moments in the MCU so far (17:01)! All time codes are approximate. Learn more about your ad choices. Visit podcastchoices.com/adchoices

NEWSIndies dominate and fan favorites surprise at the 2025 Ringo Awards'Rick and Morty: The End' #1 goes “Blind Bag-Less” — because who needs plastic when you have chaos?‘Something is Killing the Children' is coming to life: Blumhouse secures film and TV rights to James Tynion IV's horror hitMarvel Solicitations January 2026Peach Momoko expands her universe with 'SAI: Dimensional Rivals'Marvel celebrates 'Avengers' #800 with Jed MacKay's explosive finale and a star-studded lineup of legendsMarvel's K-pop superhero returns! Luna Snow battles a sinister new idol in 'World Tour' #1Knullified covers, which is your favorite CJ?!DC Comics solicitations January 2026Our Top Books of the WeekDave:Absolute Wonder Woman #13 (Kelly Thompson, Matias Bergara)Escape #3 (Rick Remender, Daniel Acuna) CJ:​​The Ultimates #17 (Deniz Camp, Phil Noto)Immortal Legend Batman #3 (Kyle Higgins, Mat Groom, Erica D'Urso, Daniel Bayliss & Dan Mora - what a team!)Standout KAPOW moment of the week:CJ: Teenage Mutant Ninja Turtles #12 (Juan Ferreyra)Dave: Marvel Zombies Red Band 2 (Jan Bazaldua)TOP BOOKS FOR NEXT WEEKCJ: Black Cat #3 (G. Willow Wilson, Gleb Melnikov)Dave: Absolute Batman Annual #1 (Daniel Warren Johnson AND “Sanctuary” by James Harren, Dave Stewart and Cowles; “Let's Learn About Bats!” by Meredith McClarenJUDGING BY THE COVER JR.Dave: DISNEY VILLAINS: MALEFICENT VOL. 2 #1 (Paulina Ganucheau)CJ: RADIANT BLACK #38 (Marcelo Costa)Interview: Boulet Brothers: Dragula Titans Season 2 (Mondays at midnight et), comics, and more:Callback to comics: Back on the AIPT Comics Podcast (Episode 141 October 2021), I feel like we bonded over Scarlet Witch and your love of darker comic storylines. If Titans Season 2 were a comic book arc, what title or event would it resemble?As horror experts reinventing what horror means to so many, and horror being more prevalent with the return of EC Comics at Oni, and even Marvel going deeper into gore with polybagged Red Band comics, do you feel like Dragula is part of that same movement of pushing boundaries — treating horror as a living, evolving genre rather than a fixed set of tropes?Evolution of tone: You once described earlier Dragula seasons as DIY, campy, or serious horror. With Titans Season 2 blending those flavors, how would you describe the “recipe” of this new season?With Steve Orlando and Todd McFarlane judging on Titans Season 2 I feel like there more comic book representation on TV than ever, why were they important to weave into your show?Fright Feats twist: The extermination challenges are gone, replaced by mandatory Fright Feats. Why did you feel now was the right time to evolve that part of the competition, and how do you expect it to push the competitors differently?The first challenge is rooted in a spooky staple: reinventing classic Halloween costumes with a return of the Halloween house party. Not to give anything away, but do you have a favorite challenge of the season, and might you say which episodes #'s they are?Making comics is nothing new for you with your Heavy Metal Magazine takeover back in 2021, and a story in DC Horror Presents #1 and Hello Darkness #10! Do you see future opportunities where Dragula and comics collide again — perhaps a Dragula: Titansgraphic novel?

Crossovers are BACK, Baby! In this episode, Marvel and DC finally reach across the aisle for Deadpool/Batman, Friends of the Show Jeremy Haun and Mike Tisserand unleash their Murder Podcast on the world, the Punisher gets GORY, we find out if Gretchen Felker-Martin and Jeff Spokes’s Red Hood can finally make us care about Jason […] The post New Comic Book Reviews 9/10 – 9/17 | Deadpool/Batman, Red Hood, Punisher Red Band & MORE! | Episode #789 appeared first on The Two-Headed Nerd Comic Book Podcast.

Roman, Jeff, and Django are back on the comic book train, which means of COURSE they're gonna talk about grimey crimey books! Only murders in this podcast, amirite? Bad joke? Sorry, your editor is running on fumes this week! So just hit play already, come on!0:03:15 - Well Welcome Wellmer!0:09:08 - Murder Podcast #10:19:03 - Absolute Batman #120:25:45 - Superman: The Kryptonite Spectrum #20:32:50 - C.O.R.T.: Children of the Round Table #10:40:40 - Transformers #240:43:00 - Django's Side Stories!0:44:20 - Punisher #1 (Red Band)0:53:26 - Batman #11:00:38 - Quick buckshot! Light spoilers.SPOILERS! Tread carefully dear listener, because we're going to talk about what happened in these books. So definitely pause this, read your comics, and come back. We'll still be here!And an enormous thank you, as always, to Andrew Carlson for editing this mess into something listenable.Subscribe to us on Apple, Spotify or wherever you like to get your podcasts.Email us at jeff@thecomicsplace.com! We love hearing from you and there's a good chance we will read it on air!Cover art by Paul PopeVisit us at The Comics Place next time you're in Bellingham, Washington!

We're cracking open Punisher: Red Band #1, Marvel's brand-new relaunch of the vigilante we all know and fear. Written by Benjamin Percy with brutal, no-holds-barred art from Julius Ohta, this Red Band edition doesn't pull any punches. With Marvel giving Punisher the mature rating treatment, readers finally get a darker, bloodier, and more uncompromising look at the war on crime.In this review, we break down the story, artwork, and how this first issue sets the tone for a new chapter in the Punisher legacy. From the writing choices to the intense visuals, we discuss if this is the Punisher book longtime fans have been waiting for. Don't forget to like, subscribe, and hit the bell so you never miss a review. And for the full conversation, comic news, and weekly breakdowns, check out That Comic Podcast wherever you listen to podcasts!Become a supporter of this podcast: https://www.spreaker.com/podcast/that-comic-podcast--5896499/support.

#811 Show Notes: https://wetflyswing.com/811   Presented by: Stonefly Nets, Mountain Waters Resort, Four Wheel Campers, Patagonia Sponsors: https://wetflyswing.com/sponsors        If you've ever wondered about the rare trout swimming in North America's wildest waters, this episode is for you. Today, we chat with Gary Marston of Native Trout Fly Fishing, a lifelong angler on a mission to find and photograph every native trout species across the country. From high alpine lakes to remote desert creeks, Gary shares what it takes to chase these fish, why protecting their habitat matters, and how photography and storytelling can help us all care a little more. Show Notes: https://wetflyswing.com/811      

MUSICDavid Lee Roth took a shot at Sammy Hagar's recent song, "Encore. Thank You. Goodnight." — which was inspired by a dream he had about Eddie Van Halen.even though they're known for their visuals and theatrics live, Iron Maiden couldn't care less about performing at the state-of-the-art Las Vegas Sphere. https://ultimateclassicrock.com/iron-maiden-sphere/ RIP: Stuntman Ronnie Rondell Junior, the “businessman” who is on fire on the cover of Pink Floyd's 1975 album, Wish You Were Here, has died at 88. The cover photo, taken on the Warner Brothers Studio lot in Burbank, California, was inspired by the idea that people tend to conceal their true feelings, for fear of "getting burned.” "Getting burned" was also a common phrase in the music industry when artists weren't paid royalties.TVPeacemaker season 2 just dropped a new Red Band trailer, and John Cena is coming in hot! https://www.yahoo.com/entertainment/articles/peacemaker-bisexual-orgy-s2-john-160311268.html?guccounter=1&guce_referrer=aHR0cHM6Ly9wcmVwcGx1cy5mdXR1cmltZWRpYS5jb20v&guce_referrer_sig=AQAAANazakzLidHfptxmdBkBVLjW4fsP2XdiQ6DZuJ96FPBbVxo4PPDvE7HOlP3uTjXfWmW2gceKAhcifR0SaoGMUaHCF2VoWx9iauTbPPRy6ozLash-tYCKEayCTztdXxm--49lBzkGesCdml2s-ZQcyuunx17UlT_zz1ORI3_TcHBr Conan O'Brien believes that late-night TV is "going to disappear." https://www.aol.com/conan-o-brien-makes-bold-121503111.html MOVING ON INTO MOVIE NEWS:Weapons held on to the top spot at North American theaters over the weekend. https://variety.com/2025/film/box-office/weapons-box-office-second-weekend-hold-1236491385/ Hayden Christensen stepped out for a rare outing with his 10-year-old daughter, Briar Rose, whom he shares with his ex, Rachel Bilson, to watch the Cubs take on the Pittsburgh Pirates on Aug. 15 at Wrigley Field. https://people.com/hayden-christensen-daughter-briar-rose-sing-7th-inning-duet-chicago-cubs-game-11792461 Denzel Washington isn't worried about ever being canceled. https://www.nme.com/news/film/denzel-washington-weighs-in-on-cancel-culture-debate-you-cant-be-cancelled-if-you-havent-signed-up-3885306 RIP: Terence Stamp, the British actor best known as General Zod in Superman II, died Sunday morning at age 87, his family said. https://www.nbcnews.com/news/obituaries/terence-stamp-obituary-rcna225460AND FINALLYCould you imagine walking the high school hallways with not just one but two rock stars? Here are five times rock musicians went to high school together before finding success later in life: https://loudwire.com/rock-musicians-same-high-school/ AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Superhero Slate we've got a Red Band look at Season 2 of Peacemaker, The Punisher aims for Spider-Man in Set Photos, Deadpool crashes Doomsday, and more! Freakier Friday News Vought Rising (10:15) First look at costumes in upcoming prequel series to The Boys Jensen Ackles returns as Soldier Boy Mason Dye as […]

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel Knights returns with Jimmy Palmiotti headlining new 'Daredevil/Punisher' seriesMarvel reveals epic Inhyuk Lee “Street-Verse Variant Covers”Marvel sheds new light on '1776' #1 celebrating AmericaMarvel Unveils Toy Story Homage Covers to Celebrate 30 Years of Pixar's Iconic FilmMarvel could have Gwenpool erase one of Spider-ManDC Black Label launches ‘Batman/Green Arrow/The Question: Arcadia' for November 2025Hayden Sherman talks ‘Absolute Wonder Woman', Batman, and DC's Absolute Universe at FAN EXPO Boston 2025Skybound and Act 4 launch Kickstarter for J. Scott Campbell's 'Danger Girl Artist's Edition'Die is coming back, with new series Die: Loaded from ImageMaleficent returns in a dark new comic series from Dynamite for October 2025Top Comics July 2025Our Top Books of the WeekDave:Cruel Universe 2 #1 (Various)Monkey Meat: The Summer Batch #5 (Juni Ba)Alex:​​Poison Ivy #35 (G. Willow Wilson, Marcio Takara)One World Under Doom #6 (Ryan North, R. B. Silva)Standout KAPOW moment of the week:Alex: Uncanny X-Men #19 (Simone, Marquez)Dave: Ultimate Wolverine #8 (Chris Condon, Alessandro Cappuccio)TOP BOOKS FOR NEXT WEEKAlex: The UnChosen #2 (David Marquez)Dave: Superman: The Kryptonite Spectrum #1 (W. Maxwell Prince, Martin Morazzo)JUDGING BY THE COVER JR.Dave: Eddie Brock: Carnage #7 (Ivan Shavrin Variant Cover)Alex: Superman: The Kryptonite Spectrum #1 (Alex Eckman-Lawn & Juan Ferreyra)Interview: Ben Percy - Talking Predator, Punisher, and more!1. In Predator Kills the Marvel Universe, you've teased a meditative tone as much as a brutal one. Can you talk about how you approached giving emotional weight to what could easily be a pure spectacle series?2. We know Frank Castle is at a low point in Punisher: Red Band, but you've also said it's a story about who Frank becomes when he has nothing left. What's the most surprising aspect of Frank you think readers will discover in this series?3. We here at AIPT have covered the use of the Punisher symbol via 3rd party swag outside of Disney, we even saw its use in the recent Daredevil show, what's your take on the Punisher logo and its use?4. With both Red Band and Predator Kills launching this year, you're leaning into stories with serious ultraviolence. As a writer, how do you decide when violence is meaningful versus when it's gratuitous?5. You mentioned in the Predator Kills the Marvel Universe press release that some heroes are more “killable” than others. Without giving anything away, was there a particular Marvel character that was the hardest to write a death for—either logistically or emotionally?6. You've done a lot of work balancing character legacy with reinvention—especially with Hellverine and now Red Hulk. How do you decide what to preserve and what to explode when you're writing these kinds of legacy figures?7. Spider-Man and Predator is a wild matchup. Can you tease what their conflict reveals about Peter Parker that we haven't seen before?8. Both Red Hulk and Hellverine feel like "dark mirror" characters—but wildly different in tone and execution. Do you see thematic overlap between them? How do you avoid them becoming just monstrous versions of other heroes?9. You're clearly building (or helping shape) a kind of hyper-violent sublabel within Marvel between Red Band, Predator crossovers, and these monstrous anti-heroes. Would you want to keep expanding this “Percy-verse”? And if so, who would you tap next?10. (Fun one): If Predator could take on one Marvel team in a cooking competition, who would it be—and what's Predator's signature dish?Short novel as a newspaper - subscribe - start November - post-apocalyptic  “The End Times” Station 11 meets our townbadhandbooks.com

After last week’s TWO HOUR POD!, Pol, Kirsten, and Bud breeze through a calm cuesheet of practical effects, Jeremy Renner’s triumphant return, and the long, long life of Jesus. Bud’s Weekly Geek-out 06:51 – Atari 2600 My Play Watch Coming Soon 08:18 – Frankenstein (Netflix film, November something, sorry the trailer is late) 10:24 – Spider-Man: Brand New Day suit reveal (22 whole seconds, 7 seconds of suit, in theatres July 31, 2026) related: set footage of practical swinging & wire work 14:03 – Eternity (A24 film, November something) 16:44 – Rental Family (Brendan Fraser, in theatres November 21) 17:57 – Star Wars: Starfighter adds Matt Smith in villain role 19:29 – Sequel for The Passion of the Christ — The Resurrection of the Christ — split into two movies for 2027 release 23:19 – Jeremy Renner plans to return to Marvel: ‘My body’s getting ready’ Geek News Proper 24:41 – Variety ranks every Marvel movie and show (54 of ’em!), from best to worst 31:17 – Fantastic Four drops 66% in second weekend, Naked Gun debuts to $17 million USD (F4: $370M USD globally) related: Liam Neeson is a comedy genius in this brilliantly stupid reboot 35:17 – Ozzy Osbourne’s cause of death revealed: acute myocardial infarction + heart attack Stuff Bud forgot from last week 35:49 – Mortal Kombat 2: in-world B-movie trailer / RED BAND actual trailer (in theatres October 24) 37:24 – Taika Waititi tapped to direct a ‘fun sci-fi blockbuster’ version of Judge Dredd 40:51 – Billie Eilish says she’s working with James Cameron on some sort of 3D concert thing 41:49 – Eddie Murphy confirms Donkey is getting his own spin-off film Reviews and Recommendayshes 42:54 – The Accountant + The Accountant² (Bud & Art) 45:44 – The Naked Gun (Pol) 49:35 – LOL: Last One Laughing (Britain/Canada) (Kirsten) Join The Geek-out Podcast’s Facebook page (where we’ll release new episodes, and where you can talk with us) and Facebook group (where fans of the podcast can gather and talk geeky stuff)! Questions? Comments? Corrections? Suggestions? e-mail geekout@TheZone.fm Subscribe to The Zone’s Geek-out Podcast on Apple Podcasts. Or, copypasta this link to subscribe using your podcatcher of choice: https://omny.fm/shows/the-geek-out-podcast/playlists/podcast.rss And, get more Zone podcasty goodness at TheZone.fm/podcast

Peter David has died at age 68. The Punisher returns in a new Red Band book. Brian Michael Bendis and Michael Avon Oeming bring back Powers for 25th anniversary series.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today Ernie & Carter discuss the return of Frank Castle in his new RED BAND series (48:00), the upcoming Image Comics Revival adaptation on SYFY (1:55:00), much more.

Grand dessinateur parmi les stars du Marvel actuel, le bon Pepe Larraz nous faisait une nouvelle fois l'honneur de sa présence en France en début d'année, invité par Panini Comics à la dernière édition du Festival International de la Bande Dessinée (FIBD) d'Angoulême. Le dessinateur a enchaîné les grands projets pour la Maison des Idées, et nous avions pu il n'y a pas si longtemps l'interroger sur son travail sur les X-Men de Jonathan Hickman ainsi que Big Game de Mark Millar.À nouvelle venue, nouvelle interview, et nous avons repris nos micros pour aller discuter des projets les plus récents, à date, de Pepe Larraz. On est donc revenus sur le travail effectué sur Blood Hunt, le dernier crossover qu'il a illustré, ainsi que sur son arrivée sur Amazing Spider-Man, dont le relaunch est désormais imminent dans les comicshops. Une discussion que vous pouvez également retrouver à l'écrit sur Comicsblog.frsi vous préférez le français. Ne manquez pas de partager l'interview, quel que soit le format, pour soutenir notre travail !  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le troisième et dernier podcast consacré à l'actualité comics du mois de février 2025.Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulp's de mars 2025 : liens à venir !Si vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee. Très bonne écoute à vous, et à bientôt pour le prochain podcast !Le ProgrammeCOMICS - 04:20A soutenir : X-O Manowar : Invaincu chez Bliss et Hokus Pokus (KIDS) pour Komics InitiativeUrban Comics dévoile les détails de la collection DC PaperbackBatman Hush 2 arrive en mensuelL'édition Red Band arrivera finalement chez Panini ComicsAct4 Publishing (Scott Dunbier) débarque chez Skybound aux USBlood Type : tiens donc, revoilà Sorrentino !Bad Idea annonce plein d'équipes créatives pour 2025Free Planet : un titre de SF ambitieux (et sérieux) par Aubrey SittersonJames Tynion IV et Michael Walsh joue au jeu d'un cadavre exquis en comicsCaptain America s'offre un relaunch par Chip Zdarsky et Valerio SchitiMiles Morales retourne à l'univers Ultimate avec USM : IncursionEt Death of the Silver Surfer, ça a l'air bien aussi, non ?DC met le plein sur la Super-Family avec Supergirl et KryptoBatman repart au #1 avec Matt Fraction et Jorge JimenezZE FUCK : un nouveau crossover Marvel/DC sera publié en 2025TV - 2:13:55Trois nouvelles séries animées “jeunesse” annoncées chez DC StudiosA l'inverse, Marvel Studios met en pause Nova, Strange Academy et Terror Inc (?)Un épisode spécial Punisher avec et par Jon Bernthal sur Disney+Jared Padalecki et Misha Collins intègrent The Boys saison 5Extraction se décline en série TV avec Omar SyCINEMA - 2:42:55James Watkins réalisera le film ClayfaceUn gros point sur l'avenir de DC Studios au cinémaSoutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Season 5 Episode 1-Joined this week by Paperweightcollects to discuss the Superman trailer, Lobo News. Daredevil Red Band comicbook. Zack Rants and the top 9 best selling comics of 2024. linktr.ee/TheComiCompodcast https://www.instagram.com/thecomicompodcast/ Email us TheComiCompodcast@gmail.com

Get to know the fish and places it calls home. We also discuss fishing strategies, the importance of curiosity, and pathways into fishing and caring for native fishes. Our guest is Redband Trout enthusiast and Oregon State University student Roberto Ponce Velez.

Another episode, another convention to bring you all the news from! This time round, Paul and Al are talking about the return of Vertigo (with a detour into the state of Marvel's Red Band), the launch of the Marvel Premiere Collection, Hush 2, Absolute Flash, Martian Manhunter and Green Lantern, Rise of Emperor Doom, IDW's new logo and IDW Dark line, Andy Khouri becoming TMNT editor, and a multitude of Godzilla series, along with reviews of Moon Knight: Fist of Khonshu and Batman & Robin Year One. If I had the Official Handbook of the Official Handbook of the Marvel Universe, I'd Handbook in the morning.

The Speakers of Geek take a bite out of Marvel's five issue summer event, Blood Hunt! From the creative team of Jed MacKay, Pepe Larraz, Cory Petit, Marte Garcia, and Fernando Sifuentes, Blood Hunt pits the Avengers, Miles Morales, Doctor Strange, Moon Knight and others against hordes of Vampires with Blade as their new Lord! Twists and turns follow leading to a surprising new status quo for the Marvel Universe! We give our thoughts on the event, the differences in the Red Band issues, give high praise for the art and speculate on the repercussions. (39:19)

Bryan Lee O'Malley's Snotgirl returns this December. Alien: Paradiso brings the xenomorphs to a resort. Marvel's latest Red Band series is Daredevil: Unleash Hell. All on Comic Book Club News for September 19, 2024.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

I'm joined by a new guest on the show hanging out with me today, Jason Loo. Jason is a Toronto based Eisner Award winner and a Harvey Award nominee with credits on both sides of the isle as an artist and a writer with creator owned projects The Pitiful Human-Lizard, Afterlift, and The All Nighter and although he's no newcomer to Marvel, he is tackling not one but two series out this fall with Werewolf By Night and the Dazzler mini-series creating a new soundtrack for everyone's favorite disco queen which will be a part of the From the Ashes storyline redefining the X-Universe post Krakoa. These couldn't be farther apart tonally. Jason wrote new songs for Marvel's beloved disco queen and this version of the character is inspired by Taylor Swift, who knows if she'll have an NFL boyfriend, and Werewolf by Night breaks new ground in Marvel's 50 plus years of storytelling launching their new Red Band formatting, a Parental Advisory designation promising more blood and violence than ever before. Dazzler from Marvel SO BRIGHT THIS STAR! DAZZLER, Marvel's glittering mutant songstress, has been in and out of the limelight over the years - but now the time has finally come for her to take center stage! Dazzler embarks on a new world tour, the culmination and celebration of her entire musical career! And along for the ride is her new road crew: Domino, Strong Guy and Multiple Man! But while Dazzler may be ready to focus on her music, her celebrity-mutant status and a violent attack may sideline the entire endeavor before it's even begun… Each issue features original song lyrics from Ali's notebook! Don't miss the concert - and comic - event of the year! Werewolf by Night from Marvel Full moon rise—werewolf kill! Jack Russell has been trying to live a simple life—but in the deadly and dramatic wake of the Blood Hunt, his life is about to be turned upside down in ways he never imagined! With new enemies hoping to extract a (literal) pound of flesh and Jack unsure if he can be trusted around old allies and a lost love, the original Werewolf by Night is in for the fight of his life… and he's in it alone! Our episode sponsors unSeen/unHeard: Disability and Neurodivergence Comic Anthology on Kickstarter Don't miss this 64-page, 12 story anthology where at least 50% of each creative team is comprised of people who are neurodivergent or have a disability. Arkenforge Play TTRPG games? Make sure to check out our partner Arkenforge. They have everything you need to make your TTRPG more fun and immersive, allowing you to build, play, and export animated maps including in person fog of war capability that let's your players interact with maps as the adventure unfolds while you, the DM get the full picture. Use the discount code YETI5 to get $5 off your order. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arrancamos el mes de Septiembre con un nuevo episodio del más espectacular y esperado programa del mundo del cómic. Preparad las palomitas y coged buen asiento para la programación de hoy, porque tendremos un especial repaso del verano con todo el equipo y como plato fuerte de la noche nos visitará todo el equipo creativo de El Cielo en la Cabeza. Charlaremos con Antonio Altarriba, Sergio García y Lola Moral sobre uno de los mejores títulos que vimos durante el pasado 2023 y además hablaremos de todas sus trayectorias. REPASO DE VACACIONES Volvemos a reunir a la tropa más friki del equipo para comentar algunos de los temas de actualidad que hemos vivido durante este verano. Charlaremos sobre las ediciones Red Band en las Grapas Marvel, pasaremos por los últimos Premios Eisner, debatiremos sobre las últimas polémicas de ECC, los Juegos Olímpicos y muchísimos desvarios más. ANTONIO ALTARRIBA, SERGIO GARCÍA Y LOLA MORAL Hoy contamos con unos invitados de auténtico lujo, nos acompañarán Antonio Altarriba, responsable de El Arte de Volar, el Ala Rota y la trilogía del Yo, el artista de la revista The New Yorker, Sergio García y la colorista Lola Moral para presentarnos El Cielo en la Cabeza. Hablaremos de este pedazo de comic que pudimos disfrutar el pasado 2023, y que se erigió por derecho propio como uno de los mejores lanzamientos de todo año. Índice: 00:00:00 Intro 00:05:16 Cuartuchofonía 02:07:00 Antonio Altarriba, Lola Moral y Sergio García Consigue todos tus cómics en nuestra *LIBRERÍA ONLINE* La mejor del multiverso https://tienda.tomosygrapas.com

Futurama Season 12 Trailer, Watchmen Chapter 1 Redband Trailer, Solo Leveling Season 2 Teaser, Fire Force Season 3 Trailer. Hosted on Acast. See acast.com/privacy for more information.

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le troisième et dernier podcast consacré à l'actualité comics du mois de juin 2024.Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulps de juillet 2024 : Minor Arcana #1/ Plastic Man No More #1 / The Moon is Following Us #1Si vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee. Très bonne écoute à vous, et à bientôt pour le prochain podcast !Le ProgrammeCOMICS - 05:30Le Label 619 envahit les allées de Japan Expo !Une superbe affiche pour le 48e festival de la BD de ChambéryUne première salve d'invités pour Heroes Comic ConThe Good Asian en financement participatif chez Komics InitiativeHolly roller ! est annoncé chez Komics Initiative, aussiWorldtr33, le Déviant et Les Résidents annoncés chez Urban ComicsEgalement du Creature Commandos et une salve d'Urban LimitedLa Maison des Impies (Brubaker Phillips) et Adastra in Africa (BWS) arrivent chez DelcourtThe Night Eaters et Poussière d'Os également au programmeFOCUS PULPS - 1:03:00Minor Arcana / Plastic Man No More! / The Moon is Following USFlash Gordon fait son grand retour en comics - 1:14:45The Horizon Experiment : un ensemble de cinq one-shots édités par Pornsak PichetshoteValiant annonce une anthologie Black White BloodshotSkybound annonce une ongoing G.I. Joe par Joshua Williamson et Tom ReillyThrough Red Windows : une nouveauté DSTLRY par Ram V et Joelle JonesUn nouveau titre Moon Knight en octobre 2024 chez MarvelLes annonce “meh” pour les X-men se multiplientMarvel renchérit sur le Red Band avec une mini-série BladeJoe Kelly reprendra Amazing Spider-Man après Zeb WellsTV - 1:55:00Proof : la Fox n'abandonne pas les adaptations de comicsMindset de Zack Kaplan aussi en route pour la télévisionUn premier trailer pour Batman : Caped Crusader (et un nouveau pour Kite Man)Une nouvelle bande-annonce pour The PenguinHBO valide la commande d'une série Green LanternCINEMA - 2:11:07Here : un trailer pour l'adaptation du roman graphique de Richard McGuireA Vicious Circle est en route pour le cinémaL'étrange trailer surprise de Hellboy : The Crooked ManSoutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The latest issue of Blood Hunt has revealed the series' true villain. Blade Red Band to follow up Blood Hunt. Today would have been the 91st birthday of Jerry Bails, the father of comic book fandom. All on Comic Book Club News for June 26, 2024.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Neo-Reality Collective | Pop-Culture News and Reviews Talk, Hosted by Eric Brown! In the Eighty-Third Episode, More X-Men: From The Ashes comics and storylines effecting our merry band of mutants in the post-Krakoa Landscape with Storm joining THE AVENGERS and Dazzler getting her own solo series in a line wide relaunch that's featuring nearly a dozen projects with more no doubt on the way from Head of X, Tom Brevoort, and his team while Jonathan Hickman, probably no doubt getting concessions due to the nature of X-Men, returns to the mutants with Greg Capullo one more time with Wolverine: REVENGE, a violent RED BAND limited series. In what took way longer than it should have, Ubisoft is FINALLY taking The Assassins and Templars' Secret War to Feudal Japan in ASSASSIN'S CREED SHADOWS that caused some issues with fans with their Historical Character that existed in history with Oda Nobunaga's Retainer, Yasuke, being one of the two main characters while ignoring the fictional female native Japanese character that plays the Assassin because reasons. It's that time of year again, and CALL OF DUTY is making the rounds, this time returning to the world of Black Ops with BLACK OPS 6, this time taking us to the early-90s into the GULF WAR and if leaks and promotional material is suggest, we'll be heading into the early 2000s, more specifically, 2001. September 11th, 2001 in a radically global changing event that shook the world that reverberates to this very day. All this and more on Neo-Reality Collective! Brought to you by TheEveryDayFan, check out their links below! The EDF Links https://theeverydayfan.com https://www.youtube.com/channel/UCnEZoZqtklXhw95WkF2BY4g/ https://open.spotify.com/show/0EwipBBMm4jcL2GRyBwauu

OBFUSCATING THE DETAILS •4 years ago today… •The bad and good of retail, both in one day! •Identity thieved! •Thanks, Patrons! •Taskmaster! •Marvel's bizarre FOC maneuvers.  •July is HUGE for New #1's! •Red Band books are (unfortunately) the future. •Lack of interest in Blood Hunt/Absolute Power, even tho we're happy with them. Contest of Challengers #687

Editor Tom Brevoort comments on whether Marvel's Red Band books are in canon. Titans introduces a Zur-En-Arrh for Nightwing. Duck & Cover heads to Dark Horse. All on Comic Book Club News for May 21, 2024.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Blood Hunt Red Band issue drives sell-outs, at least in NYC. Creepshow is coming back for a third volume. Dark Horse Comics announces Summer Shadows, an LGBTQ+ horror romance. All on Comic Book Club News for May 8, 2024.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join this channel to get access to perks: https://www.youtube.com/channel/UCkHTY1eNYHr9JoTndx_m6kA/join New T-shirts & more are now available! http://tee.pub/lic/BAMG Hexware preview - https://www.google.com/books/edition/Hexware_Vol_1/6AHNEAAAQBAJ?hl=en&gbpv=1&pg=PT5&printsec=frontcover Join John & Richard as they recap this year's Free Comic Book Day, including their favorite releases! Then it's time to dip into the Viewer Mailbag as they answer more of your comic book collecting questions and comments including how CGC grades UK weeklies with giveaways and their thoughts on the future of comcs. Plus, the Hot Book of the Week features a Marvel Red Band variant, The 25 Year Rule goes back for a beautifully drawn Fantastic Four Annual, and our Underrated Books of the Week include an under-the-radar Venus appearance and a recent Image Comics gem! Bronze and Modern Gods is the channel dedicated to the Bronze, Copper and Modern Ages of comics and comic book collecting! Follow us on Facebook - https://www.facebook.com/BronzeAndModernGods Follow us on Instagram - https://www.instagram.com/bronzeandmoderngods #comics #comicbooks #comiccollecting --- Support this podcast: https://podcasters.spotify.com/pod/show/bronzeandmoderngods/support

The Red Band edition of Blood Hunt #1 ends on a much gorier final page. André Lima Araújo is guest-penciling on Image Comics The Sacrificers. Pete Wentz and Hannah Klein's upcoming graphic novel is launching a merch line ahead of Free Comic Book Day. All on Comic Book Club News for May 2, 2024.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

July 2024 Solicitations Comic Reviews: DC Nightwing 113 (300) by Tom Taylor, Daniele Di Nicuolo, Marv Wolfman, Bruno Redondo, Adriano Lucas Marvel Giant-Size Hulk by Phillip Kennedy Johnson, Andrea Broccardo, KJ Diaz Roxxon Presents: Thor by Al Ewing, Greg Land, Jay Leisten, Frank D'Armata Marvel Unlimited Infinity Paws 3 by Jason Loo, Nao Fuji Dark Horse Star Wars: The High Republic Adventures – Saber for Hire 1 by Cavan Scott, Rachael Stott, Nicola Righi Image 7174 AD 1 by T.P. Louise, Ashley Wood Boom Blow Away 1 by Zac Thompson, Nicola Izzo, Francesco Segala, Gloria Martinelli Dynamite Gargoyles Quest 1 by Greg Weisman, Pasquale Qualano ComiXology Hard Style Juice 1 by Clay McCormack, Ricardo Lopez Ortiz, Heather Moore Mad Cave Love Me: A Romance Story 1 by Francesca Perillo, Stefano Cardoselli, Lorenzo Scaramella Indy Intrusion by Ethan Sacks, Marco Lorenzana, Tatto Caballero Clown Motel Chapter 1: The Slim Reaper by Robert Brandt, Cal Davis OGNs In Perpetuity by Peter Hoey Harrowing by Kristen Kiesling, Rye Hickman Bad Dreams in the Night by Adam Ellis Puzzled by Pan Cooke Shiny Misfits by Maysoon Zayid, Shadia Amin Batcat Vol 2: Sink or Swim by Meggie Ramm Team Unihorn and Woolly: Attack of the Krill by Alexis Frederick-Frost Additional Reviews: X-Men '97 Ep6, Infinity Train, Bad Dream News: DC's Absolute Comics, Keanu Reeves is Shadow the Hedgehog, Marvel launches new line “Red Band” replacing MAX, casting for Ma and Pa Kent, Biker Mice from Mars details, Witchblade reboot, Absolute Power details, DC does away with AI covers, Blood Hunt to be offered free to retailers, release dates for the next two Molly Ostertag graphic novels, Witcher ending with season 5, Fallout renewed Am it Glenn? Trailers: Transformers One, Trap Comics Countdown (17 Apr 2024): 1.     Helen of Wyndhorn 2 by Tom King, Bilquis Evely, Mat Lopes 2.     Animal Pound 3 by Tom King, Peter Gross, Tamra Bonvillain 3.     Wonder Woman 8 by Tom King, Daniel Sampere, Tomeu Morey 4.     Superman 13 by Joshua Williamson, Rafa Sandoval, Alejandro Sanchez 5.     I Heart Skull-Crusher 2 by Josie Campbell, Alessio Zonno, Angel De Santiago 6.     Batman: Off-World 4 by Jason Aaron, Doug Mahnke, Jaime Mendoza, David Baron 7.     Nightwing 113 by Tom Taylor, Daniele Di Nicuolo, Marv Wolfman, Bruno Redondo, Adriano Lucas 8.     Roxxon Presents: Thor by Al Ewing, Greg Land, Jay Leisten, Frank D'Armata 9.     Jay Garrick: The Flash 6 by Jeremy Adams, Diego Olortegui, Luis Guerrero 10.  Spectacular Spider-Men 2 by Greg Weisman, Humberto Ramos, Victor Olazaba, Edgar Delgado  

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le second podcast consacré à l'actualité comics du mois d'avril 2024.Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulps d'avril 2024 : Profane #1 / Precious Metal #1/ Zatanna : Bring Down the House #1Si vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee. Très bonne écoute à vous, et à bientôt pour le prochain podcast !Le ProgrammeCOMICS - 04:06Le point sur le FCBD 2024 (Comics Zone, Album, Central Comics, etc)es campagnes en cours : Ménage à trois chez KI, le Panthéon en indépendantLe programme de la nouvelle vague Urban NomadScalped, 100 Bullets, Deadly Class et Southern Bastards en intégrales “Urban”Jeff Lemire prépare une “longue” ongoing en solo chez Boom! StudiosWe Called Them Giants, les retrouvailles de Kieron Gillen et Stéphanie HansChip Zdarsky reprend Public Domain et y ajoute un spin-offWitchblade sera (enfin) relaunché/rebooté à l'été chez Top CowUne série Biker Mice from Mars annoncée chez Oni PressThe Nice House by the Sea de James Tynion IV et Alvaro Martinez démarre cet été !“Absolute” et “All-In”, les grosses rumeurs sur le devenir de DCMarvel développe son format “Red Band” avec Werewolf by NightUn crossover Aliens vs Avengers par Hickman et Ribic chez MarvelSpider-Man : Reign II de Kaare Andrews annoncé pour l'été 2024TV - 1:42:45Skybound lance le développement d'un jeu Invincible en crowdfuningUn trailer pour la dernière saison de Sweet ToothCINEMA - 1:53:10Une adaptation live action de TMNT : The Last Ronin est en développementLe nouveau trailer de Deadpool & Wolverine est arrivéSoutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Season 4 Episode 16- Justin and Zack discuss top comic movie soundtracks, Leigh Valley Comic Con and Fallout tv show review. Marvel Comics summer titles from Star Wars to horror and back to 2099. Email us at ThecomiCompodcast@gmail.com for questions and articles. Follow us on IG/FB @Thecomicompodcast

Chris Claremont is revisiting the X-Men's Australian outback era for a new miniseries. Mark Millar announces two new books for Dark Horse. Werewolf By Night returns in new Red Band series. All on Comic Book Club News for April 17, 2024.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Skellerup—the Kiwi icon famous for Red Band gumboots—has gone from financial troubles to  a multi-national solving complex tooling and material problems in industry and agriculture.     We talk to star CEO, Skellerup's David Mair about this journey during his nearly 14 years at the helm, and what the future holds when he steps down at the end of this month.   David shares his philosophy for leading and the importance of failure, learning by doing and combination of both speed and velocity. Plus the role of the investor.  For more or to watch on youtube—check out http://linktr.ee/sharedlunch Brought to you by Sharesies, with BusinessDesk. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own. Shared Lunch is not financial advice. We recommend talking to a licensed financial adviser. You should review relevant product disclosure documents before deciding to invest. Investing involves risk. You might lose the money you start with. Content is current at the time.See omnystudio.com/listener for privacy information.

Merry Chri... er... Happy New Y... um... Happy February? Welcome to the joint 15th anniversary and end of year wrap-up episode of House to Astonish, as Paul and Al chat through the news of the past few weeks, including Blood Hunt's polybagged "Red Band" editions, Jason Aaron taking on the relaunched Teenage Mutant Ninja Turtles, the 40th anniversary of Usagi Yojimbo and Criminal coming to Amazon Prime. On top of that, they have the 2023 Homies awards, where we (and our listeners) give their picks of the best things we read last year, and the complete audio of the SILENCE! To Astonish panel from November 2023's Thought Bubble festival. There's almost too much here! Don't eat it all at once! 

Visit our Patreon page to see the various tiers you sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSIDW adds superstar artists to new ‘Teenage Mutant Ninja Turtles' 2024 seriesMarvel releasing 'Blood Hunt' #1 Red Band adult only editionMarvel Comics Solicitations for April 2024Marvel teases ‘The Roxxin' Thor' for May 2024 then dishesDarth Maul gets 'Black, White & Red' treatment in new April 2024 series​​Marvel reveals new details surrounding ‘Aliens: What If…?' #1 and #2 like Paul Reiser co-writing itLester of the Lesser Gods #1 coming May 2024 from Eric Powell and Lucky YatesEnter the immersive dark world of 'Heartpiercer' May 2024 New Sci-Fi/Fantasy Publisher Gungnir Hopes to Hit Its TargetOur Top Books of the WeekDave:G.O.D.S. #4 (Hickman, Valerio Schiti)Resurrection of Magneto #1 (Al Ewing, Luciano Vecchio)Nathan:Detective Comics #1081 (Ram V., Riccardo Federici, Dan Watters, Hayden Sherman)Batman: The Brave and the Bold #9 (Various)Standout KAPOW moment of the week:Nathan - Resurrection of Magneto (2024) #1 (Al Ewing, Luciano Vecchio)Dave - Batman: The Brave and the Bold #9 (Mitch Gerads)TOP BOOKS FOR NEXT WEEKDave: Batman And Robin 2024 Annual #1 (Joshua Williamson, Howard Porter)Nathan: Moon Man #1 (Scott Mescudi, Kyle Higgins, Marco Locati)JUDGING BY THE COVER JR.Dave: Batman / Superman: World's Finest 2024 Annual #1 (Jamal Campbell Card Stock Cover)Nathan: Miguel O'Hara: Spider-Man 2099 #5 (Clayton Crain Cover)Interview: Tom King (Drawn by Bilquis Evely and Mateus Lopes) - Helen of Wyndhorn (#1 out March 13, 2024) FOC this weekend.Tom, thanks for being on the AIPT comics podcast!How do you approach character development in your storytelling, particularly when working on brand new characters?The tone and structure feel indebted to Robert E. Howard and maybe even Lovecraft. Were there any other classical authors you turned to in constructing the narrative?I've been loving your use of captioning in The Penguin of late, but really all of your captioning shows a strong sense of character and storytelling. When scripting a story like Helen of Wyndhorn, do you start with captions or elsewhere?Early press materials compared this series to Conan the Barbarian and Wizard of Oz, both evoke fantasy, weirdness, and fights, can we expect all those and more in this series?Do you have a favorite iteration of Wizard of Oz and a favorite run on Conan the Barbarian?I've loved Bilquis' work since first seeing her work with Sugar & Spike, with Supergirl: Woman of Tomorrow under your belts, do you have a shorthand working on Helen of Wyndhorn?Something I've adored about your work is how to pushes the comics format, which I especially saw with Danger Street. Is this something you're conscience of? Are you toying with anything in comics format with Helen of Wyndhorn?I imagine we're in for some creatures in this series, what goes into creature design from your perspective? Last time we spoke you had said Danger Street was done and getting finished, Gotham City Year One was finished, have you scripted every issue of Helen of Wyndhorn?

This week James & Hunter talk about Jason Aaron taking over TMNT after issue 150 and bringing along all-star artists for the first arc, She-Hulk's potential cancellation, Bad Batch Season 3, Invincible Season 2 part 2's release date, & Marvel's "Red Band" versions of Blood Hunt! For their topic this week James & Hunter chat about the newest MCU show Echo, full spoilers! Book Round Up; 1. Resurrection of Magneto 2. Ghost Machine 3. Quested Season 2 4. Darkwing Duck: Justice Ducks 5. And More...! Merch: Grab Some T-Shirts & More at www.teepublic.com/user/androidsamazingpodcast Social Media: Substack/Newsletter - tokusa.substack.com Facebook - Android's Amazing Comics Twitter/X - @androidsamazing Instagram - @androids_comics & @androidsamazingpodcast Website - www.androidscomics.com Don't forget to RATE, REVIEW and SHARE with a friend!

Welcome back to our 2nd annual October fest. A month of spooky filled episodes. This week we start things off with a Redband regular, Tyler and our 3rd installation of Stoned Conspiracies. We talk about the alien mummy unveiled in Mexico, Ai & the simulation, is Bobbi Althoff an industry plant?, and share a few spooky encounters we've had. Tyler talks about a couple of haunted visits to a friends house, Elijah's paranormal experience at an AA meeting, and Estevan photographed a home that someone was murdered in. So dim the lights and get cozy for week one of Redband October fest!Tune in next week for more spooky times. and if you have any real spooky stories you want to tell/have told on the podcast message us on instagram or email us at: redbandpodcast@gmail.com - we would love to get spooked.FOLLOW OUR SOCIALS:INSTAGRAM: https://www.instagram.com/redbandpodcast/TIK TOK: https://www.tiktok.com/@redbandpodcastVERO: https://vero.co/redbandSUBSCRIBE TO OUR YOUTUBE CHANNEL:https://www.youtube.com/channel/UC-c09wUurXCFDnIG2WB4Nng?sub_confirmation=1PODCAST PRODUCED AND EDITED BY:Estevan CarrionInstagram: https://www.instagram.com/estevan_thebestavon/Youtube: https://www.youtube.com/channel/UChnTw9XnaokQ6_sTW9iB3HQ

It's time for the Comic Talk Headlines with Generally Nerdy! LOTS of music to talk about. MK1 is about to launch. Holiday special comics announced. MORE trailers for upcoming TV shows. The Marvels is causing a stir in the community. Plus a TON more!Tune in Wednesdays for the regular show. Plus, don't forget to subscribe for more fresh content.    MusicFollow-ups/CorrectionsOni - Aura proper music video now up https://youtu.be/Xz3ypqrbaO0 New Music/VideoVended - Am I The Only One https://youtu.be/U9UELq2JTZk progression with a young band in the best way.Blue October - Down Here Waiting https://youtu.be/mkjp4h3diOU Blue October Dance Music??? Seems slightly more optimistic upbeat than previous Blue October music.AWOLNATION - We Are All Insane https://youtu.be/KsdGl7UZmTE infectious as usual. Is this enough to enter them back into the conversation? That end bridge might say yes…Motionless In White - Sign Of Life https://youtu.be/pNeim8mpLQ4 Neo-goth emo-Manson kids might actually have a crossover thing going here. Still feels terribly manufactured though.Tommy Vext  - Tennessee Whiskey featuring Angel Vivaldi https://youtu.be/Kzf0TG_10Gw was expecting this to shred a little more. Instead it's a straight cover, and it actually works…The Rolling Stones - Angry https://youtu.be/_mEC54eTuGw Video starring Sydney Sweenie… these Octogenarians can still rock…A brand new studio album from The Rolling Stones… Hackney Diamonds out October 20th.Code Orange - Mirror https://youtu.be/rJs2jqym09A another Reba track… and I'm always here for that. These guys REFUSE to be pigeonholed into any one sound… usually.Busta Rhymes - LUXURY LIFE ft. Coi Leray https://youtu.be/tiGosjHmg78 funky as hell beat. Always here for Busta. Metric - Who Would You Be For Me https://youtu.be/CNUgemJBLTw ethereal relaxation just like you want from Metric.Puddle of Mudd - Cash and Cobain https://youtu.be/612cCXWViwU from the “Ubiquitous” album out now. Rocks like you would expect from the guys who wrote “Blurry” et al. A bit over produced, and what's with the cultural references throughout?Static X - Stay Alive https://youtu.be/JW3WiZBGDmU Tours/FestivalsBastardane - Support from Fury in Few. Oct 5 in Atlanta through Oct 14 in Savannah. Mostly through the south. https://www.bastardane.com/tour The Hu - Oct 9 in San Francisco through Oct 26 in Phoenix. No support announced yet. https://www.thehuofficial.com/tour-1?fbclid=IwAR2DCOeuTGGZKgm0Rq9v0dfpQtq6F1UqdWmrjGiLi3EXS-ESe3DdtbLNUyE Slaughter to Prevail - Nov 2 in Riverside CA through Nov 24 in Santa Cruz CA. No support announced yet. https://www.stp-tour.com/?fbclid=IwAR1vPuuGTySDoGsRGeJqaekHP8x4OuBB4TvCV69E0RKztOkvstSkM4Ikal4 Reg ‘ol NewsAtilla - Frontman Chris Fronzak says he is running for President. Running as a member of the Libertarian Party… Vows to bring back the Warped Tour? https://loudwire.com/chris-fronz-president-running-campaign-attila/ SuggestsMarcy PlaygroundGaming/TechTrailersMK1 - Nitara reveal trailer https://youtu.be/ah8VyRhiWiE Megan Fox… meh…Hot Ones - Ed Boon https://youtu.be/KZJaYVDfoDE Just for funsiesGargoyles Remastered - https://youtu.be/b-o1V96lBLk launching on October 19 for PlayStation 4, Xbox One, Nintendo Switch, and PC Reg ‘ol NewsLegend of Zelda - “This time we do not plan to release any additional content because we feel that we have exhausted the possibilities of creating fun in that world.” Eiji Aonuma - Zelda Producer. So, NO DLC?? https://www.famitsu.com/news/202309/06314767.html Roblox - Headed to sony platforms PS4/5 as well as Meta Quest next month. https://blog.roblox.com/2023/09/rdc-2023-roblox-going-next/ SuggestsHalo InfiniteComic Books/BooksReg ‘ol NewsHellboy - Holiday Special announced. Titled “Hellboy Winter Special: The Yule Cat 1” written by Mike Mignola, art by Matt Smith and colors by Chris O'Halloran. The story follows Hellboy and his Right Hand of Doom as he travels to Iceland to investigate a possible appearance by Jólakötturinn, or the urban legend known as the Yule Cat. https://comicbook.com/horror/news/hellboy-winter-special-yule-cat-comic-announced-dark-horse-comics/ Wolverine - Chris Claremont has returned to the character for a new series as confirmed by Marvel. Teaming with artist Edgar Salazar, and the five-issue series will feature numerous variant covers from superstar artists, including Philip Tan, whose cover for the first issue was released alongside the announcement on Friday. Madripoor Nights is one of a number of projects designed to celebrate the popular mutant's 50th anniversary, with numerous Wolverine-centric books and events kicking off in January. Wolverine: Madripoor Nights #1 will be in stores this February.https://comicbook.com/comics/news/marvel-confirms-chris-claremont-is-back-writing-wolverine-for-new-series/ Creepshow - Holiday Special coming this December from Image Comics and Skybound. To be on shelves Dec 6th.https://comicbook.com/horror/news/creepshow-holiday-special-comic-book-december-reboot/ SuggestsInfinite Crisis Vol 1First appearance of Jaime Reyes Blue Beetle. Specifically issue 3TV ShowsTrailersMonarch: Legacy of Monsters - https://youtu.be/ec27RCzb6qI Why is Apple TV+ cranking out SO MUCH quality programming? They even got Kurt Russel AND John Goodman? Nov 17AHS: Delicate - https://youtu.be/4qniWD7bFu0 How is it that Kim Kardashian can't hold it together for the 15 seconds of screen time she has in this trailer? Otherwise a fairly effective trailer. Sept 20thGen V - https://youtu.be/uhjJ5brX-bY Red Band trailer. Gunna be another hit for sure! Sept 29Gabriel and the Guardians - https://youtu.be/pSZ_qOESXRE Anime from the studio that created the Sound of Freedom movie, based on old testament scripture.SuggestsAhsoka… AGAIN.MoviesFollow-ups/CorrectionsHellboy: The Crooked Man - Ketchup Entertainment confirmed as new distributor. Could see the film get a limited release. https://deadline.com/2023/09/ketchup-entertainment-hellboy-the-crooked-man-jack-kesy-1235543207/ The Crow - Lionsgate has acquired the movie. Expected release in 2024. https://deadline.com/2023/09/crow-reboot-bill-skarsgard-fka-twigs-sells-lionsgate-deal-1235539115/ TrailersAquaman 2- https://youtu.be/Fbb4e_Q6wR8 Just a tease for 4 days from now. Thanksgiving - https://youtu.be/OHWiTwH53lU  After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the infamous holiday.Directed by: Eli RothWritten by: Eli Roth & Jeff RendellProduced by: Eli Roth, Roger Birnbaum, Jeff RendellExecutive Producers: Gary Barber, Peter Oillataguerre, Greg Denny, Kate HarrisonCast: Patrick Dempsey, Addison Rae, Milo Manheim, Jalen Thomas Brooks, Nell Verlaque, Rick Hoffman, and Gina GershonSpy Kids: Armageddon - https://youtu.be/TuiRw0v3bAw Netflix's first stab at the franchise, still directed by Robert Rodriguez. Zachary Levi. Sept 22Pet Sematary Bloodlines - https://youtu.be/1IgQpRyfwbE Reg ‘ol NewsMarvels - Standees are causing an uproar in the community… Brie Larson overly photoshopped and Iman Vellani's mask artificially removed…SuggestsLogan - 2017 American superhero film starring Hugh Jackman as the titular character. It is the tenth film in the X-Men film series and the third and final installment in the Wolverine trilogy following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film, which takes inspiration from the "Old Man Logan" comics storyline by Mark Millar and Steve McNiven, follows an aged Wolverine and an extremely ill Charles Xavier who must defend a young mutant named Laura from the Reavers led by Donald Pierce and Zander RiceRumor MillConfirmations/RefutationsREFUTATION:Robin - Timothee Chalamet will NOT be Robin for the Batman sequel. New RumorsDeadpool 3 - Liev Schreiber returning as Sabertooth? Oh brother… Role is said to be more than a cameo, but not by much.Avengers: Secret Wars - Sam Raimi tops the list for directors?~ALSO~Plot rumor has TVA recruiting heroes from collapsing realities to fight Kang on “New Earth/Battleworld” with Deadpool 3 and Loki season 2 setting this up.Loki - Will be the leader of the TVA by the end of season 2.Wolverine - Feige got Hugh Jackman to agree to be the official Disney version of the character…You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.

It's time for the Comic Talk Headlines with Generally Nerdy! LOTS of music to talk about. MK1 is about to launch. Holiday special comics announced. MORE trailers for upcoming TV shows. The Marvels is causing a stir in the community. Plus a TON more!Tune in Wednesdays for the regular show. Plus, don't forget to subscribe for more fresh content.    MusicFollow-ups/CorrectionsOni - Aura proper music video now up https://youtu.be/Xz3ypqrbaO0 New Music/VideoVended - Am I The Only One https://youtu.be/U9UELq2JTZk progression with a young band in the best way.Blue October - Down Here Waiting https://youtu.be/mkjp4h3diOU Blue October Dance Music??? Seems slightly more optimistic upbeat than previous Blue October music.AWOLNATION - We Are All Insane https://youtu.be/KsdGl7UZmTE infectious as usual. Is this enough to enter them back into the conversation? That end bridge might say yes…Motionless In White - Sign Of Life https://youtu.be/pNeim8mpLQ4 Neo-goth emo-Manson kids might actually have a crossover thing going here. Still feels terribly manufactured though.Tommy Vext  - Tennessee Whiskey featuring Angel Vivaldi https://youtu.be/Kzf0TG_10Gw was expecting this to shred a little more. Instead it's a straight cover, and it actually works…The Rolling Stones - Angry https://youtu.be/_mEC54eTuGw Video starring Sydney Sweenie… these Octogenarians can still rock…A brand new studio album from The Rolling Stones… Hackney Diamonds out October 20th.Code Orange - Mirror https://youtu.be/rJs2jqym09A another Reba track… and I'm always here for that. These guys REFUSE to be pigeonholed into any one sound… usually.Busta Rhymes - LUXURY LIFE ft. Coi Leray https://youtu.be/tiGosjHmg78 funky as hell beat. Always here for Busta. Metric - Who Would You Be For Me https://youtu.be/CNUgemJBLTw ethereal relaxation just like you want from Metric.Puddle of Mudd - Cash and Cobain https://youtu.be/612cCXWViwU from the “Ubiquitous” album out now. Rocks like you would expect from the guys who wrote “Blurry” et al. A bit over produced, and what's with the cultural references throughout?Static X - Stay Alive https://youtu.be/JW3WiZBGDmU Tours/FestivalsBastardane - Support from Fury in Few. Oct 5 in Atlanta through Oct 14 in Savannah. Mostly through the south. https://www.bastardane.com/tour The Hu - Oct 9 in San Francisco through Oct 26 in Phoenix. No support announced yet. https://www.thehuofficial.com/tour-1?fbclid=IwAR2DCOeuTGGZKgm0Rq9v0dfpQtq6F1UqdWmrjGiLi3EXS-ESe3DdtbLNUyE Slaughter to Prevail - Nov 2 in Riverside CA through Nov 24 in Santa Cruz CA. No support announced yet. https://www.stp-tour.com/?fbclid=IwAR1vPuuGTySDoGsRGeJqaekHP8x4OuBB4TvCV69E0RKztOkvstSkM4Ikal4 Reg ‘ol NewsAtilla - Frontman Chris Fronzak says he is running for President. Running as a member of the Libertarian Party… Vows to bring back the Warped Tour? https://loudwire.com/chris-fronz-president-running-campaign-attila/ SuggestsMarcy PlaygroundGaming/TechTrailersMK1 - Nitara reveal trailer https://youtu.be/ah8VyRhiWiE Megan Fox… meh…Hot Ones - Ed Boon https://youtu.be/KZJaYVDfoDE Just for funsiesGargoyles Remastered - https://youtu.be/b-o1V96lBLk launching on October 19 for PlayStation 4, Xbox One, Nintendo Switch, and PC Reg ‘ol NewsLegend of Zelda - “This time we do not plan to release any additional content because we feel that we have exhausted the possibilities of creating fun in that world.” Eiji Aonuma - Zelda Producer. So, NO DLC?? https://www.famitsu.com/news/202309/06314767.html Roblox - Headed to sony platforms PS4/5 as well as Meta Quest next month. https://blog.roblox.com/2023/09/rdc-2023-roblox-going-next/ SuggestsHalo InfiniteComic Books/BooksReg ‘ol NewsHellboy - Holiday Special announced. Titled “Hellboy Winter Special: The Yule Cat 1” written by Mike Mignola, art by Matt Smith and colors by Chris O'Halloran. The story follows Hellboy and his Right Hand of Doom as he travels to Iceland to investigate a possible appearance by Jólakötturinn, or the urban legend known as the Yule Cat. https://comicbook.com/horror/news/hellboy-winter-special-yule-cat-comic-announced-dark-horse-comics/ Wolverine - Chris Claremont has returned to the character for a new series as confirmed by Marvel. Teaming with artist Edgar Salazar, and the five-issue series will feature numerous variant covers from superstar artists, including Philip Tan, whose cover for the first issue was released alongside the announcement on Friday. Madripoor Nights is one of a number of projects designed to celebrate the popular mutant's 50th anniversary, with numerous Wolverine-centric books and events kicking off in January. Wolverine: Madripoor Nights #1 will be in stores this February.https://comicbook.com/comics/news/marvel-confirms-chris-claremont-is-back-writing-wolverine-for-new-series/ Creepshow - Holiday Special coming this December from Image Comics and Skybound. To be on shelves Dec 6th.https://comicbook.com/horror/news/creepshow-holiday-special-comic-book-december-reboot/ SuggestsInfinite Crisis Vol 1First appearance of Jaime Reyes Blue Beetle. Specifically issue 3TV ShowsTrailersMonarch: Legacy of Monsters - https://youtu.be/ec27RCzb6qI Why is Apple TV+ cranking out SO MUCH quality programming? They even got Kurt Russel AND John Goodman? Nov 17AHS: Delicate - https://youtu.be/4qniWD7bFu0 How is it that Kim Kardashian can't hold it together for the 15 seconds of screen time she has in this trailer? Otherwise a fairly effective trailer. Sept 20thGen V - https://youtu.be/uhjJ5brX-bY Red Band trailer. Gunna be another hit for sure! Sept 29Gabriel and the Guardians - https://youtu.be/pSZ_qOESXRE Anime from the studio that created the Sound of Freedom movie, based on old testament scripture.SuggestsAhsoka… AGAIN.MoviesFollow-ups/CorrectionsHellboy: The Crooked Man - Ketchup Entertainment confirmed as new distributor. Could see the film get a limited release. https://deadline.com/2023/09/ketchup-entertainment-hellboy-the-crooked-man-jack-kesy-1235543207/ The Crow - Lionsgate has acquired the movie. Expected release in 2024. https://deadline.com/2023/09/crow-reboot-bill-skarsgard-fka-twigs-sells-lionsgate-deal-1235539115/ TrailersAquaman 2- https://youtu.be/Fbb4e_Q6wR8 Just a tease for 4 days from now. Thanksgiving - https://youtu.be/OHWiTwH53lU  After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the infamous holiday.Directed by: Eli RothWritten by: Eli Roth & Jeff RendellProduced by: Eli Roth, Roger Birnbaum, Jeff RendellExecutive Producers: Gary Barber, Peter Oillataguerre, Greg Denny, Kate HarrisonCast: Patrick Dempsey, Addison Rae, Milo Manheim, Jalen Thomas Brooks, Nell Verlaque, Rick Hoffman, and Gina GershonSpy Kids: Armageddon - https://youtu.be/TuiRw0v3bAw Netflix's first stab at the franchise, still directed by Robert Rodriguez. Zachary Levi. Sept 22Pet Sematary Bloodlines - https://youtu.be/1IgQpRyfwbE Reg ‘ol NewsMarvels - Standees are causing an uproar in the community… Brie Larson overly photoshopped and Iman Vellani's mask artificially removed…SuggestsLogan - 2017 American superhero film starring Hugh Jackman as the titular character. It is the tenth film in the X-Men film series and the third and final installment in the Wolverine trilogy following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film, which takes inspiration from the "Old Man Logan" comics storyline by Mark Millar and Steve McNiven, follows an aged Wolverine and an extremely ill Charles Xavier who must defend a young mutant named Laura from the Reavers led by Donald Pierce and Zander RiceRumor MillConfirmations/RefutationsREFUTATION:Robin - Timothee Chalamet will NOT be Robin for the Batman sequel. New RumorsDeadpool 3 - Liev Schreiber returning as Sabertooth? Oh brother… Role is said to be more than a cameo, but not by much.Avengers: Secret Wars - Sam Raimi tops the list for directors?~ALSO~Plot rumor has TVA recruiting heroes from collapsing realities to fight Kang on “New Earth/Battleworld” with Deadpool 3 and Loki season 2 setting this up.Loki - Will be the leader of the TVA by the end of season 2.Wolverine - Feige got Hugh Jackman to agree to be the official Disney version of the character…You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.

Gen V Redband Trailer, Harley Quinn New Episode, Star Trek: Lower Decks Season4 Premiere, Jujutsu Kaisen New Episode. Hosted on Acast. See acast.com/privacy for more information.

Kraven The Hunter Trailer Reaction! Red Band | Marvel | Rhino | Spider-Man Spider-Verse! Kathy and Lara react to the hyper-violent new trailer for Kraven The Hunter, an upcoming superhero film based on the Marvel Comic. The film stars Aaron Taylor-Johnson as the titular character and also also features The Chameleon, Russell Crowe, and a sneak peek at the Rhino!#marvel  #kraventhehunter #spiderman #russellcrowe #aarontaylorjohnson YouTube Membershiphttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinPatreonhttps://www.patreon.com/CinemondoPodcastJoin this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinWe also have a Patreon!https://www.patreon.com/CinemondoPodcastOfficial Swag https://shop.spreadshirt.com/cinemondoNew videos daily!!Subscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1

Show Notes: https://wetflyswing.com/416  Presented By: Range Meal Bars, Yellowstone Teton, Trxstle, Stonefly Nets Sponsors: https://wetflyswing.com/sponsors  Dave Blackburn takes us on a journey through the Kootenai River in Montana. Discover the rich history of Kootenai, learn the secrets of when to fish for the best catch, and explore the various fishing techniques you can use there. Dave also shares some hilarious anecdotes, such as teaching Hollywood star Richard Dreyfuss how to cast on the set of Always. Find out how you can book a guided trip with him. And don't miss out on the grand finale where Dave delivers a fantastic banjo performance to complete our Kootenai experience. Kootenai River Show Notes with Dave Blackburn 5:24 - Dave tells the story of how he got into fly fishing. His teacher in the sixth grade taught fly tying classes. He started tying flies at age nine. 6:10 - He went to West Virginia University and participated in a placement program for foresters.  He was inspired to work in the Bighorn National Forest after seeing the movie Jeremiah Johnson, which depicted the Rocky Mountains. 6:40 - Dave was a backcountry ranger in the Cloud Peak primitive area and met his wife there. They visited his wife's family in Libby, Montana, where he discovered the Kootenai River. 7:54 - He talks about the first time he went fly fishing for native rainbows in the Kootenai River. He used a Mustad 94833. 10:23 - He describes the Kootenai River. He also talks about the impoundment of Libby Dam in 1974, which created a 90-mile lake and became home to various species of fish, including Kokanee salmon, rainbows, and cutthroats. 13:38 - I ask him about the best months to fish at the Kootenai River. He talks about the flows of the river mimicking a natural hydrograph due to the endangered status of the white sturgeon. 15:18 - He met with the technical management team along with the Fish, Wildlife & Parks and agreed to stop power peaking to prevent the sturgeon from becoming endangered. 16:15 - The green drakes have come back since the power peaking stopped. Green drakes can be seen around the second or third week of July. 17:46 - Dave shares a brief history of Kootenai and what the area is known for. The name Kootenai originated from French trappers to refer to the deer robes that the Kootenay Indians would tan. 19:34 - Libby is home to a historical museum. There is also the Cabinet Mountain Wilderness which is a grizzly bear habitat. 21:15 - He talks about the seasonal progression of hatches on the river. They have this thing they call a happy hour hatch. 22:58 - He discusses the various ways of fishing on the river, including float fishing, walk-wading, swing, and Euro nymphing. Dry fly fishing is the most popular way to fish at Kootenai River. 26:53 - He talks about fish size at Kootenai River. He mentions the 29-pound rainbow caught at the Kootenai River. 30:24 - The films River Wild and The Revenant were shot in Kootenai falls. 30:43 - He met Steven Spielberg when the film Always was shot in the Kootenai National Forest and around Libby in the 1980s. He had an opportunity to teach Richard Dreyfuss how to cast on the set and also had lunch with Holly Hunter and Dreyfuss. 33:03 - He talks about their 30-inch club and the incidental catches on bull trout. The biggest bull trout they've ever taken was about 41-inch bull trout, probably about 25 pounds. 35:31 - He discusses native fish management. The Redband rainbows currently do not have Endangered Species Act (ESA) protection, unlike the bull trout and white sturgeon. 38:22 - He talks about fishing trips at Kootenai. He says that a 3-day trip would be ideal when visiting Kootenai. Kootenai is the second largest river in the state. 42:35 - He talks about their lodging at Kootenai Angler and that time when they built their first rental cabin in '92 under $15,000. 43:25 - He shares that time when Meryl Streep wanted to stay in their cabin during their filming of The River Wild. 44:15 - Now they have a total of four cabins and an onsite restaurant that is open to the public. 45:20 - He describes what their busy summer looks like in the cabin and the drift trips they do. The floatable section of the Kootenai with the exception of the falls is 50 miles. 49:03 - Kootenai River is less famous than the Madison River or Big Horn. The traffic is unlike in other areas, and Dave thinks that is Kootenai's saving grace. 50:55 - There are a lot of places where people can camp along the river. 52:51 - He talks about the Kootenai Falls. 55:01 - Dave runs a full-service package for those who plan to visit Kootenai. 56:02 - He talks about the possibility of hooking big-sized rainbows. Streamer fishing is the most effective way to catch big rainbows. His head guide, Joe, caught a 32-inch rainbow on a hopper dropper rig. 58:04 - Jeff Currier was up in Kootenai fishing with him a while back. They used the SA stillwater line. Jeff caught a 9-pound rainbow using a Scientific Angler Stillwater camo. We had him in our first Traveled series episode. 58:50 - He applied Jeff's technique when he went to Iceland.   1:00:15 - They provide gear and flies in their guided trips. He's a Winston Pro Staff, so he carries Winston rods in the boat. For those who want to use their own gear, he gives tips on what gear to bring. 1:01:52 - They also offer last-minute guided trips. 1:02:31 - Their peak season is from August to early September. 1:04:38 - He talks about what the Fish, Wildlife & Parks' bull trout regulations. 1:07:47 - I mention our previous episode with Derek Bird of Fly Fusion Magazine. 1:09:06 - Dave mentions the possibility of catching a Westslope cutthroat trout. 1:11:07 - It's time for the two-minute drill. I ask Dave for some online resources where people could dig in more about Kootenai. Dave recommends the Libby Heritage Museum and the Libby Chamber of Commerce. 1:11:31 - He also recommends Sources of the River for those who want to dig deeper into history. 1:11:47 - Dave was a regional director of Montana Trout Unlimited and the Fishing Outfitters Association of Montana. 1:12:29 - He tells us about that time when he took American author John Gierach up on the Elk River in the late ‘80s. He also went fishing again with John two years ago in the Kootenai. 1:13:50 - He talks about the Sheldon Mountain Boys and gives us a fantastic banjo performance to cap off today's podcast. 1:14:20 - I mention our episode with Brandon Molzahn who also plays the banjo. 1:16:40 - He also plays with the band called Boulder Creek. Show Notes: https://wetflyswing.com/416 

Everybody's got something to say about Cash Money Records and the brothers who co-founded the label —Bryan “Birdman” Williams and Ronald “Slim” Williams. To paint the full Cash Money full picture, good and bad, I brought on Zack O'Malley Greenberg who has interviewed the brothers at-length while working at Forbes.Cash Money has one of the deepest catalogs in the game with several classics. And unlike some other upstart hip-hop labels, Birdman and Slim maintained control as they rose up. Their 1998 distribution deal with Universal is hip-hop's Louisiana Purchase.But we can't ignore Cash Money's lows either. There is a long, long list of artists who claim they were not compensated fairly by Birdman and Slim.Zack and I go through 30 years of Cash Money as a business, its competitive advantage, and what comes next now that Drake and Wayne are gone from the label. [1:44] Is Cash Money the greatest hip-hop record label of all time?[7:34] What people sleep on about Cash Money[11:01] Cash Money's history of not paying artists [16:52] Did Cash Money succeed because of Birdman and Slim or despite them? [19:29] Biggest signing? [20:29] The 1998 Universal-Cash Money deal [25:31] Lil' Wayne's mixtape run[29:03] The benefit of partnering with Republic Records[31:49] Bidding wars for Lil Wayne, Drake, and Nicki Minaj[33:21] Connection with New Jack City [40:56] Cash Money catalog valuation ?[43:00] Lil Wayne's beef with Birdman [45:48] Can Cash Money strike platinum again? [50:44] Birdman's love for music [56:08] Hopes for a Cash Money reunion tour and biopic [58:24] Who “won” the most in Cash Money's history?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.Transcription[00:00:00] Zack: You know, some of the subsequent deals that they worked out with Universal, you know, maybe some of the deals where they were able to get universal to, to tackle some of the back office stuff. I mean, it's very unsexy, but you know, that's clearly an area where they needed to improve. So, let's say,to give some cash in terms of like higher distribution fee in order to have Universal, you know, cover some of this stuff. It's kinda like a boring, dark horse candidate, but you know, I mean, you could say that, that's probably useful in terms of buttoning things up.[00:00:37] Dan Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:57] Dan: All right. Today's episode is all about the one, the only cash money records. I got the one and only Zack Greenberg here who has reported on this company many times before we ran to this company and the business moves they did in our Top 10 Revolutionary list last year. So Zack, welcome back. I'm excited for this one.[00:01:18] Zack: Always good to be here with you, Dan. [00:01:19] Dan: Yeah. So for the folks listening, we are gonna do this in a few ways. We got a bunch of categories here that we're gonna run through, just evaluating Cash Money as a business, some of the highs, some of the lows, and just where they stand overall. But I think it'll be great to kick it off with the question that we often hear from folks is Cash Money, the greatest hip hop record label of all time? What's your point? What's your take?[00:01:44] Zack: How, man, you know, I mean, I think it's sort of like, any of these greatest ever are you talking about, overall body of work or sort of like, you know, The label at its peak. But you know, I think you gotta take it in an overall body of work, you know, type of thing. You know, it's hard to top Def Jam, I think, you know, if you were gonna go with an overall body of work, hip hop, legacy. But, you know, I don't know other than that, I mean, it's hard to say that there's anybody who you'd put above cash money, I'd say. Especially something that is, you know, really artist founded in that same way. I mean, you could talk about Bad Boy, you could talk about Rockefeller. But I think that, you know, Cash Money has staying power. You know, through Drake and Nikki and Lil Wayne and so forth, you know, in a way that, you know, I would argue that a lot of these other labels haven't, and, you know, who else can say that they've had Drake for that long? And I guess he's not there anymore. But man, that was pretty recent development and it's been a pretty great run. So, you know, to go all the way from the early nineties, you know, through basically now being relevant, stacking up all that catalog, you know, it's certainly, if not number one, it's, you know, gotta be top three, if not top two.[00:03:00] Dan: Yeah. So my answer is Def Jam as well, and we'll get to Def Jam in a minute. But, the case for Cash Money is this, and I know a few people have said it. Irv Gotti recently said it. Russell Simmons himself said that Cash Money was the greatest hip hop company that has come through. But the case for cash money, you mentioned it earlier, the fact that they did it while owning the core asset and the music and still doing that moving forward says a lot. Not something that can be said about Def Jam, many of the others that would be even in the conversation. I think even with a newer label at Quality Control, they've still done it while owning it. Well, at least up to this point from some rumors that are happening. But I think that's one case for Def Jam. But then I think of the continued run of success from everything that happened in the nineties from I guess we could start with like juvenile drop in HA in 98 and then pretty much everything from Drake's last Cash Money album, which I believe was Scorpion. So if you're looking just at like that run from everything there, that is such a strong hit rate. And I think that's the thing too that I would give them over Def Jam is the hit rate of who were the artists we signed and what was their likelihood of success and they were just able to do it. Even with the imprints, I mean, I think major record labels. So wrong with so many imprints. I just never worked out and for them to have, whether it's Young Money or even the smaller moments with the best music or with Rich Gain, there was always something there. And even though there was some conflict, and we'll get to that, I think that's the Cash Money case. The Def Jam case though, I think this is where I think of course Def Jam did end up becoming a major record label, so it's a little bit nuanced there, but I do think you have that eighties run Beasties LL Public Enemy. You got the nineties run with all those artists too. Especially looking at what Red Band met the man DMX. I feel like they had New York on Locke and then two thousands, the Rockefeller partner. Murder Inc. The video games, I mean, it's, I know the last decade hasn't been there, but it would be tough to not put Def Jam up top, but I understand if some people would consider Def Jam a major as opposed to, you know, an independent. So, I get the nuance there. [00:05:10] Zack: right, right. And, and being, you know, fully owned by a major as opposed to Cash Money, which really has distribution agreement. You know, and you could look at, you know, I guess Def Jam was sold in chunks, but the total amount that sold for, you'd have to adjust for inflation and stuff. But I wonder how that would stack up against the current value of cash money today, which, you know, it's incredibly driven by the copyrights that they still control and, you know, definitely hundreds of millions of dollars. You know, if you look at, Lil Wayne kind of quietly sold his The Young Money, Cash Money Partnership for a hundred million bucks a couple years ago, that was before the catalog boom, got really crazy and then kind of died down again. So, you know that that's valuing what Birdman and Slim Own, you know, just on the Young Money, Cash Money side of the business, you know, at nine figures. So there's, you know, there's a lot more to the company than that, although that's, you know, that's kind of the gold line. But still, you gotta think that, you know, this is still, you know, sent a million dollar business and, you know, I'd be curious to see what a proper valuation, you know, what it would look like against the total value that Def Jam got, you know, in terms of dollars over the years. But, you know, when you think about who was hottest and what record label was hottest at any particular point, Yeah, I think probably the peak was there was that year that Def Jam was, you know, getting sold or the second half of it was getting sold. And, Lyor basically said to Jay and D M X, like, let's have two albums this year. And, you know, because the valuation is gonna be based on revenues, not earnings. And like, the more you can sell, the more we get. And so, you know, that moment at D M X at his peak, and you know, Jay, I think, I'd say at least at his commercial, you know, record Sales Peak, you know, as an individual artist, you know, that was about as hot as, as it could ever get for, for any record label, I think. [00:07:08] Dan: That's a good point. So I guess if we were to compare Def Jams 98 and 99, like that run to Yeah. Cash Money, and I know there's a few runs you could put in there, but from an overall commercial perspective, it would have to be 0 8, 0 9 20 10, I would probably assume, because you get. Carter three, and then you get, you know, Drake's debut, Nikki's debut. I feel like it would probably be somewhere in there. [00:07:34] Zack: Yeah, that's probably pretty close. I mean, that was a lot, you know, that was a lot of concentration within a couple year period as well. You know, and I think the other thing about Cash Money, that maybe people sleep on to some extent is, you know, just like the efficiency of the label, especially in the early days. And, you know, of course we can get into some of the issues with paying producers and so forth, but, you know, they really had a system and you know, it was going and finding artists that were bubbling up, you know, first in the New Orleans area. I mean, this is in the nineties, and, you know, and then kind of just plugging them into the machine. Right. You know, put them with stable producers in-house, get Manny Fresh on there and, you know, it was not like a, you know, high expense kinda situation. Like maybe you would've seen with Def Jam or, you know, some of the New York, LA labels, it was just like, you know, you know, probably low, low cost, high output. You know, like there's a high margin business, low overhead, you know, it's lean and mean. So I think from, in that regard, Cash Money, you know, it might have been, it might have been the best business, you know, out of any record label. Right. In terms of sort of like efficiency and profitability and stuff like that.[00:08:47] Dan: That's a great point because if you look at that vibe, I think that was the vibe for the South overall. We saw that with no Limit as well, just with in-house production sheep, that production does almost everything and the music videos aren't flashy and the fact that I think they stuck with what they do and what they work with well, and eventually I think collaborations came, but that was something that they were hesitant about as well. Just thinking about juvenile dropping 400 degrees, and I'm going back to that just because that's the first album that comes after that 1998 Universal deal, which we'll talk about soon, but, that album, I'm pretty sure the entire production value for those music videos probably costs less than one of the suits that Puffy and Mace wore in the music videos. or, yeah, Jay-Z's Sunshine Music video, which I know has been talked about for years on end, but that's what the vibe was. There were no Hype Williams music videos coming through Cash Money. Right. At least at that point. I know they came later when Wayne blew up further, but that's what they did. They stuck to what they did and it worked. It worked so well. [00:09:55] Zack: Warren Buffet would love Cash Money. [00:09:59] Dan: Oh yeah. He loves little cost.[00:09:59] Zack: Cash Value. Value, cash value investor. Right. Early cash money would be the Warren Buffet play.[00:10:06] Dan: Yeah, absolutely. Definitely. And the thing is too, you talked about it earlier, just some of this things leading up to the big deal that they had, but even back in those early days, even before the Universal deal, Birdman and Slim, the co-founders of Cash Money Records had a history of legal issues with artists and not paying artists on time. And I actually have a list here, and it's probably an incomplete list, but artists that have had some type of dispute or issue with Cash Money records when it comes to payments. So I have Lil Wayne, Pharrell, Clipse, David Banner, Bangladesh, the producer, at least five or six artists before 1998, Wendy Day, who's not an artist, but one of the attorneys and people that helped make this deal happen. Behi Turk and Shal and Jazz Prince, of course himself. Tiger, Manny Fresh, and I'm sure I'm missing people from that list. [00:11:01] Zack: Yeah, absolutely. I mean, it's a long and storied list of people to have disputes with and, you know, it really is something that goes, you know, hand in hand with success.You can't ignore that history. So, you know, I think it is important to remember some of the context. You know, these guys were coming out of a completely different world. You know, and they were hustlers. They were legit hustlers in New Orleans. And, you know, in doing some reporting, you know, I verified it. I mean, you know, they were the real deal. They moved things over. They went legit. They became record moguls and Bird Man's Case became a rapper himself. And, you know, they were not people who had dealt with, you know, sets of books, right? There was not really necessarily like bookkeeping apparatus in their form of business. So, you know, I think there was an adjustment period that, you know, let's say perhaps went on for too long in terms of, you know, getting things papered up and straightened out. But, you know, I wrote a big story on them in 2019 for Forbes, where I went down to Miami and spent some time with Birdman and Slim. I talked to their lawyers a lot. I talked to Wendy Day. Spend some time in the studio with them and you know, I mean, everybody of course has, if you ask people in the Cash Money camp, they're gonna have their side of the story. If you ask whoever they're having the dispute with, you know, they're gonna have their side of the story too. And you know, obviously when there's smoke, there's fire, there's a hell of a lot of smoke when it comes to not getting paid on time. But… [00:12:29] Dan: What would you say is the Cash Money side of the story, though? The Cash Money is this it?[00:12:33] Zack: They, you know, started out as people who had not had formal training in business, doing business with a lot of other people who had not had formal training in business, who were represented by people who had not had formal training in business. And so when you go back to some of these early documents, it was not properly papered over on either side. And so there's a lot of question over, you know, who owns what, you know, I don't know that anybody who was involved in some of those early deals really, you know, had a full grasp of sort of, you know, music copyright and publishing and, and master recordings and all that. I mean, you know, it's not like an intuitive business, you know, it's like, wait, what? There's two writes to every song. They've like, there's a publishing and a recorded music. It's separate. How does that work? So I think a lot of that was, you know, kind of like if you go back the nineties and early nineties, especially when they're getting started, you know, before the Universal deal there was just really like, you know, I would imagine a lot of handshake deals, a lot of just, you know, kind of like, let's see how, how it goes sort of stuff. A lot of, you know, here we're gonna give you a bag of cash and you do you give us this beat or you give us a verse or whatever. So, you know, it makes sense to me that it might not be papered up properly. But, you know, the fact that that's continued, you know, so far into the future, you know, that's another story. So, you know, what they did say was that, you know, after, and we can talk more about this Universal deal, but after the Universal deal started and then, you know, as it continued to evolve, you know, to where Universal got an even bigger cut of, you know, distribution fee or like an even bigger distribution fee than it had signed up for in the beginning. Universal took on more and more of sort of the back office function. And so, you know, some of the more recent stuff is, you know, a little bit more papered up properly. So that's the Cash Money side. But, you know, it's funny, I mean, when I did this story and I reached out to all these folks, you know, what I got was like a no comment, which says to me that, you know, things have been settled up and they kind of don't want to get into it anymore. Right. Or maybe there was an NDA involved. But yeah, a lot, a lot of smoke. A lot of smoke in that area, for sure. [00:14:42] Dan: Yeah, the NDAs are key. I remember there was one of the people that I had mentioned earlier that I was going to have on the podcast of Trapital, the interview timing didn't work out, but that was one of the first things they said. If you have any questions for us about Birdman and his relationship with this artist or anything like that. No, we're not answering it. And I was just like, all right, noted. Like, and I feel like that's kind of RANE with a lot of this, but I think they and Birdman and Slim specifically in an odd way. It wasn't even just to them alone. I feel like there was this ethos of, you could almost put Suge Knight into this same category as well, but these people that were cut throat with business folks that they were doing major deals with, whether it was Suge Knight with the folks at Interscope or Birdman with Universal, I'm like, Hey, I'm gonna take what's mine. And rightfully so. They kept ownership over what worked for them and they did that, but they kept that same energy with a lot of the people that like worked with them on the other side too. And that's the piece of it that while it was frustrating to see there are actually some other sides of this too, because even the fact that I think we can get into it in a little bit, but just some of the artists, they were able to sign how they went about that. As frustrating as it was about them not paying artists, like there not every aspect of the business was and is predatory. So that's one thing that you know started to come up more and more as once you get past the salacious parts of the details and stuff, you're like, okay, no and no different than why you went down there to report them. Right. There is nuance and there are a number of things to dive into. For sure, for sure. So shifting here, one of the other things that I've thought about, we talked a little bit about what set Cash Money apart. We talked a bunch about the backstory and the bad rep, but the next thing up here is about Cash Money itself and whether or not you think that it succeeded cause of Birdman and Slim or it succeeded despite them. So thinking about this hypothetical world, if it even is possible, other folks that would've had this label in their hands and what things would've looked like, what's your take there? If we're really isolating them as business leaders.[00:16:52] Zack: I absolutely think it succeeded because of them. I mean, did they get in their own way some of the time? Absolutely. But I think, you know, anybody who can run a business that goes from like the early nineties in an informal economy, you know, in like the Louisiana area to being this global thing, to this day that is still, you know, very much at the forefront of an industry. I mean, you know, like they gotta be doing something right. You know, 30 plus years on the staying relevant and, you know, from like the early days Hot Boys to like the late nineties and, you know, remember Big Timers and Oh yeah. Still flying, all that, you know, heyday as we were alluding to, and sort of like the late s apparently, you know, 2010s, you know, of Cash Money, Young Money with Nikki and Drake and Wayne. Even coming through to, you know, to you to say Scorp. I mean, that's a really long run of relevance and you know, have that, I mean, yeah, like I said, they gotta be doing something [00:17:53] Dan: Right. Yeah. I think it's because of them too. I will. Because as much as there are issues, and we've talked about a lot of them here, There's so much of this that would've succeeded with folks, other folks in charge, because there are a lot of record labels from the South that tried to do what Cash Money did as well. And a lot of them came and then most of them went. And the fact that we're having this conversation and not having it about them is part of it. And a lot of those record labels had talented people as well, but things just didn't carry over. They may have taken, you know, a bigger deal to get more money upfront, but then the hypothetical is, let's say it was in the hands of someone else that wouldn't have been able to push it forward, then it becomes part of the Island Def Jam conglomerate and then just kind of gets mixed and mixed. And then it becomes one of the many labels that you hear about where it's like, oh yeah, whatever happened to this one or that one. And I think it took what could have been easily, because there would've been enough meat on the bone if we just talked about Cash Money from the early nineties up until, let's say the mid two thousands. Right. And I think that's, inflection point that we can talk about in a little bit. Even that itself was a great run itself. And then you look at the second half of the career from like the mid two thousands on, that's a whole other historic record label. They have two of those under the same house. I think it's because of them and as much as it can be frustrating to hear and see and, you know, unlikely there's some critical things. But let's jump into that now though, because I think one of the questions we have here is the biggest signing that this record label has had. What do you think is the biggest signing for Cash Money?[00:19:29] Zack: Oh man. You know, I think probably easy answer is Drake, but you know, I would actually say Lil Wayne because if you don't have Wayne, I don't think the Drake thing happens, you know, and really Lil Wayne from such a young age going all the way back to the hot boys and, and you know, coming through. All those Carter albums, you know, like he's the backbone of this whole operation, you know, musically, sonically. And I think without him you don't get everything else that comes along. What do you think?[00:19:58] Dan: Yeah, it's Wayne too. That's who I have. I know that Drake is the highest commercial artist. If you were to look at all of the numbers and I think without him, the past decade would've looked very different. But we would still be having this conversation in some form. Likely if it wasn't for the past decade of Drake, it may be a bit more truncated. But we may not be having this conversation at all if it wasn't for Wayne. So I think it has to be Wayne there. What do you think is the best business move for Cash Money?[00:20:29] Zack: You know, I'm gonna go back to that first deal that they struck with Universal. I was in the early nineties at Wendy Day, who he mentioned earlier. It was sort of like a go be who helped, you know, really get them, you know, kind of set up properly with this deal. But you know, they negotiated it and they wouldn't take anything less than something that they felt was an incredible deal. And, I remember the story that Slim told me as they went in, they sat down some mid-level executive at Universal and low-balled them to straight up buy half the company. And so he and Birdman just got up to leave. Then Doug Morris walks in and he was the head of Universal at the time. Comes in with another colleague, Mel Lo winter and Slim members, you know, Doug saying, Hey, if I were you, I wouldn't sell my company. He comes in and offers him 30 million advance just for the privilege of doing business. And, what does Universal get a 7% distribution fee, which is not a lot. So kind of almost doesn't make sense from Universal's perspective unless you think about it in terms of market share. Market share is so important when you're the biggest record label because there are all these great things that happen when you have the most market share. There are all kinds of rights that are assigned based on market share. Like anytime there's, you know, a mislabeled song that gets played or gets spun,and this happens a lot, the metadata in music is a disaster. So if, you know, there are these huge pops of sort of like unresolved money and you know, what they eventually do is they get resolved down by market sharing. So if you're Universal, you know, you get the land share of that and there's a lot of other things, a lot of other places where calculations are done based on market share. You can also brag and say that you're the biggest stuff like that. So, you know, certainly it was worth it for Universal to come in and especially, you know, you think about at the time, You know, hip hop was still at a nascent stage and particularly hip hop in the South was like, not even really on the map for Universal to be able to come in and have this connection was really great for them. But, yeah, I mean, what a great deal. 30 million bucks. You don't have to give up anything. You just give, you know, just give a distribution fee and frankly, you would want your stuff to be distributed by this, you know, enormous record label anyway, so that you could expand and get bigger and better. So I think hands down, that's it. You know, that didn't stop, that there were rumors, you know, that they were even bootlegging their own music, like out the back or wherever, so that they didn't have to pay the 7%. But I, you know, I don't know. I mean, that's that talk about, you know, efficient business. But, you know, I think you go back to that deal that kind of laid the groundwork. Cause if they had given up half of their company way back then, I mean, you see what happened, Jay-Z he up, you know, a huge chunk of Rockefeller early on and. And I think was never really that incentivized, you know, to make that his main thing anymore because, you know, he'd given up such a big chunk early on.[00:23:29] Dan: Yeah, it's one of the best deals we've seen in music and one of the best deals we've seen in hip hop over the past 30 years without question. And the fact that they were able to get everything you mentioned, plus 2 million advance for three years. They kept ownership of the Masters too. And that's the thing that, as we talked about, Birdman and Slim are still collecting on that year after year. So it's up there. It's incredible. And I know that there were other labels that tried to do the same, but just couldn't. I think part of the reason is that this goes back to them focusing odd, what works for them. They had a unique sound. Universal saw this as their entryway to the south in an authentic way because back then, you know, the south was still vying for dominance. And I know that, you know, things were happening at LaFace, but this was different. The New Orleans sound was different from what was happening in Atlanta at the moment. And this gave you an entry path into that. So it was big time. [00:24:27] Zack: Yeah, yeah, yeah. And, I think, you know, also 30 million back then, I mean, probably more like 50, 60 million when you talk about inflation. But you know, I would, to our earlier point, you know, did Cash Money succeed? You know, or despite Slim and Birdman, you know, that's situation where, you know, obviously I wasn't there and there wasn't a video of it, but, you know, when you sit down with Slim and Birdman, like you can get the sense that it would be tough to negotiate with that.You know? I mean, Slim's sitting there, he's like 10 feet tall. He doesn't really talk very much, you know, and Birdman, he can get pretty loquacious, but like, uh, he, you know, when he wants to, you know, be kind of stone based, you know, I mean, he can, he can have a great poker face. So I think, you know, if you're some executive, you're going in and you're trying to get them to sell, and they have really no incentive to sell, and they're sitting. Just like, Nope, we're good. You know? I think that that leads you to offer them some crazy deal, like the one that Universal offered and so I really would chocolate up to some very good negotiating, on their part as well. [00:25:31] Dan: Yeah. You need to be able to negotiate to pull off hip hop's Louisiana purchase. Got to at least one half. Absolutely. At least one half of it. Yeah. So, yeah. The other thing that I did have was a dark horse move and a move that doesn't get talked about as much, and as much as that move does get focused on the one dark horse that I did have is the, well, I guess too, but let me focus on this one. I would say that the mixtape strategy that they had with Lil Wayne in the mid to late two thousands, even though cash money had ownership of the music, even though this, I think that worked so well. One of the questions that we have is just how well did this company record label transition from different stages of music, whether it was from the CD era, ringtones or ringtones, to streaming it, Cash Money knocked it out of the park. With each of their albums sold, especially when they did this deal at the height of the CD era, when the music industry was struggling in the mid two thousands and they were trying to get people to buy CDs. They were just like, Hey, let's give away the music for free. And Wayne was rapping over other beats. He was in his bag more than anyone, and from dedications to Drought, all of those, just so many classics in there that I think real Hip Hop fans and folks that were following Wayne were following even more so than the next album. So all of that speaks. Lil Wayne being able to sell over a million albums in the first week when the Carter three drops in 2008, which is still a very tough time for CD sales to even happen. So that whole run and just the thought to do that. And granted, I think some of this may have been a bit more on Lil Wayne's push himself, especially because at that point he had his own young money imprint. But all of this is happening and you know, Birdman and Slim had a problem with it. They could have said no. But I think the fact that they leaned into the change that was happening, you already saw what 50 Cent did with his mixtapes in the mid two thousands. You get drama, you get the other folks in the south to be able to help make this happen. And I think it worked out well for them.[00:27:34] Zack: Yeah, absolutely. That's a really good point too. So, you know, I mean, I guess when you have a label that has been that successful, that long, Yeah, there should be a couple different options for what the best move was. Yeah, I like that as a sleeper pick. [00:27:47] Dan: Yeah. And Lollipop is the best selling ringtone of all time too. over 5 million ringtones sold, and I mean, ringtones, were selling for like three bucks each to that point. So I mean 15 million just from folks wanting to, you know, have, you know, that little jingle on there, Motorola razors or whatever the hell people were using at that point. But, what was your dark horse? Oh [00:28:10] Zack: Oh man, that's a really good question. I don't know. I mean, I guess it was just so clearly the Universal deal to me. But, you know, and Drake wouldn't really be considered a dark horse candidate, I guess you could say. As time went on, you know, some of the subsequent deals that they worked out with Universal, you know, maybe some of the deals where they were able to get Universal to tackle some of the back office stuff. I mean, it's very unsexy, but you know, that's clearly an area where they needed to improve. So, let's say,to give us some cash in terms of like higher distribution fee in order to have Universal, you know, cover some of this stuff. It's kinda like a boring, dark horse candidate. But you know, I mean, you could say that that's probably useful in terms of buttoning things up and you know, there was a lot of smoke, like we said, but you know, nothing ever, like the house never burned down. So, you know, maybe, maybe those kinds of arrangements really kind of help prevent something like that from happening.[00:29:03] Dan: And I think that back office piece also just makes me think about the broader partnership and the expertise that they were able to lean on. And a question that I actually didn't explore, but now I'm thinking more about it, is how different do we think that the Universal partnership would've been, let's say Cash Money had partnered with another label under the Universal umbrella? Because obviously part of this is very close. There was Universal Republic at the time and they've been hand in hand working with Monte and Avery Lipman ever since, and they are two of the most highly regarded executives in the game that have now being, year after year after year, the label with the number one market share. And part of that is because of Cash Money itself, but it's also because of all the other stars, even outside of that label, they have been able to bring it to, as opposed to many of the other labels in the Universal Umbrella or the umbrella of Universal Music group labels that have not had that consistency. So I also think there's a dynamic there where, let's say there's another world where cash money was under capital or cash money was under some of these other labels that have struggled to stay relevant, what that would've looked like.[00:30:10] Zack: Yeah. I mean, I think if you, if you kind of need to go back to Def Jam, you know, some of the back and forth that Def Jam has had over the years. It gives you an idea of, or even as like a top label, the kind of trials and tribulations you might go under. But you know, when you're coming in, you know, going directly to Doug Morris, you know that that gives you a lot of leeway, a lot of leverage. You got that line straight to the top. And, you know, even with somebody like Jay, it took him, it wasn't until, you know, I don't know, when he was dealing directly with Doug Morris, when Doug, this is, I think around the time of Blueprint three, and Jay had that line. I gave Doug a grip. I lost the flip for five stacks. He could have the album. They bet 10 million on a coin flip and like, you know, one way or the other. So, you know, but Birdman we're doing that like, you know, 15 years earlier, having that kind of direct line. So, you know, again, I think going straight to serve them incredibly well.[00:31:09] Dan: Definitely. Yeah. Another, another piece too. So, two other, like sonically three other dark horse candidates, I'll bring 'em, but they're all under the same thing, was Bird Man's ability to win bid wars and win huge bidding wars, I think is an underrated piece of this record label. So I'll bring up three of them. First one, go back to 2004. So this is around the time thatCarter came out and Wayne was considering to leave Def Jam, and this was around the time that Jay-Z had just became president and Jay-Z pushed hard, make that happen and couldn't leave cash money for Def Jam. That was the thought, right?[00:31:43] Zack: Yeah. Yeah. Carter boys, and there were all these, you know, kind of …[00:31:49] Dan: Yeah, they're trying to push the whole Carter board thing and yeah, Birdman was like, all right, come through. I'll give you your own imprint and you are the president of that imprint and let's continue this thing. And that obviously sets up young money and then the next 15 years after that, right. So he does that. Yeah. And I think that's huge because then that sets the stage for the bidding war for Drake, because Drake drops so far gone beginning of 2009. And this is like, you know, everyone is trying to, it's like when Yaba sweepstakes we're seeing in the NBA right now everyone wants this person and everyone is going after them. I mean, truly Greenwall Lior, everyone was trying to get 'em. And it was that connection that Drake had with Cortez, Brian and Jay Prince Ja Prince and that whole crew that I think eventually helped keep him on the cash money roster there. So that was a huge one. And I think we saw something similar with Nicki Minaj as well. A couple months later. Everyone wanted her to beat me up. Scotty the mixtapes were hot and he and Wayne, Wayne was like, no, I want her to be the, the first lady of the label. That was the whole thing in the two thousands, right? Everyone wanted to have the first lady. You saw it in the nineties, right? But like everyone wanted to declare and elevate this person and rightfully so, but like that's who we had. And then we obviously saw the beginning and the middle part of that next decade. Just go on one of the all-time runs. So Bird Band's ability to win against the biggest people in the industry for record label that his men, you know, his brother own is really impressive for sure.[00:33:21] Zack: And you know, it served Lil Wayne well in the end because Young Money became something that he was able to sell for, you know, about a hundred million dollars for his stake later on too. So, you know, keeping that ownership as opposed to just chasing the biggest advance time and time again we see in hip hop. You know, it's so important. But, you know, I was thinking the other night, it is funny, like everyone has watched New Jack City, and it had been ages, ages, ages. And if they reminded me, I mean, how much of the whole Young Money, Cash Money situation is modeled after elements of that movie. I mean, even just like, The name Cash Money or C M B Y M C M B. The shirts, like the shirts, are incredibly similar that, you know, a lot of the lines, even the Carter, you know, the albums are named. I mean, the Carter was the building, you know, where Wesley Stein's character was like running this whole operation you know, that's kind of like another interesting element to the whole, you know, to the whole narrative. Like, you know, these guys coming out of Louisiana, you know, had their eyes up on this very New York kind of, you know, almost role model, for a business. And, you know, they had been hustlers. They were kind of modeling themselves after these, you know, fictional hustlers in New York and, you know, and then in a way out hustled sort of like the New York record label establishment. So I thought that was kind of an interesting, you know, little side bit of color to the whole story. And, like a bit of irony as well, you know, when you talk about, South versus, New York kind of situation too. [00:34:59] Dan: And I think that also speaks to some of that mentality too, because here you have Birdman that was getting inspiration from a black crime movie. And I think a lot of the ways of him doing business are very much central on, okay, I wanna support and uplift the black community, do what I can here and grid. And I think, you know, part of how he was able to do that has, you know, been quite controversial just with certain artists he's had on. Yeah. But still, I think that ethos stems back from ownership in trying to keep things in-house as much as you can. And it took them a lot to even partner with other artists from other parts of the countries and stuff like that, that I think you saw with Dino Brown and how he was in that movie and how he carried versus I think someone like Jay-Z who record label Rockefeller named after one of the great white business magnets that you had in this country. Right. And so many Jay-Z bars, whether it's Black Axl, Rose Black, Kirk Cobain called me this. I feel like, you know, people always get on Kanye for some of that. Like always trying to like be okay. I'm, you know, the black version of whatever X person. But I think Jay-Z, you know, also had a lot of that too. And then I think also looking at his business mentality, a lot of his success came from his huge and lucrative partnerships with established companies in this space. So the inspiration I think also became kind of telltale sign for the type of businesses these types of folks ended up creating too. [00:36:23] Zack: Yeah. And you know, I mean, you know, brown was a really ruthless character. And you know, I think there's like the money and the success that's glamorized. But you know, it's a gritty movie. I mean it seems like he is not a likable guy in the end. You know, without giving too much of the plot, I'm sure everybody's seen it, but like, I was like, wow. Yeah. I don't know if I'd be wanting to model myself after this dude. You know, he's pretty brutal. But, you know, even on the, you know, kind of the lighter side, there's a scene where he's like giving out turkeys at Thanksgiving. Yep. And you know, the Cash Money guys always give out turkeys in New Orleans at Thanksgiving and I wonder if they got that directly from the movie. You know, cuz so many of you know, from the Carter. You know, the c n b kind of, kind of like whole, you know, ethos there. I wonder how much of that they just pulled directly from the movie, so…[00:37:16] Dan: Oh, yeah. I could definitely see that mentality too. And speaking about it, you know, full circle. I could also see Birdman having a bit of that cancel that bitch mentality too, in short situations.[00:37:28] Zack: Right, right, right, right. Exactly. So, yeah, I mean, and they won't talk about that part of it, the interviews maybe, but you kind of get the sense of like that's where the negotiation and the cash element of the Cash Money comes in. Yeah. [00:37:42] Dan: The aita literally held people over the balcony of a building to get what he wanted. Right. Yeah. Yeah. A lot of that came through to fruition. But next category up here. So missed opportunity. Is there anything that you look at that you're like, man, obviously it's an overall successful company. Is there anything you look back on about what if they did this differently or what if they did that differently?[00:38:02] Zack: I think the number one thing I wonder is what if they had sold the whole thing, you know? A year and a half ago, could they have gotten just an insane multiple? I mean, you know, you're seeing like Springsteen staying and all these guys getting hundreds of millions of dollars for their catalogs. So, you know, I get it. And there's, you know, catalogs, hip hop catalogs are valued differently from rock catalogs. And also one of the benefits of rock catalogs is they're usually, you know, written and owned by, you know, all the rights are with the band. There's not like a million different producers coming in. It's not as complicated. So like, you know, they can sell the whole thing, you know, a hundred percent of the rights and you don't have to, you know, it's not like you're just buying like, you know, I don't know, 30% of this and 50% of that and whatever. It's, it's not this complex web, let's say there may not be as many things that haven't been papered over as there were with Cash Money, but man, you know, there were some pretty insane, numbers flying around and I really wonder if, you know, if they had, been applying some of, you know, 20 or 30 x multiple. To whatever they were pulling in, you know, which is, you know, they can just sit there and make, you know, tens of millions of dollars a year, just off of this catalog. I mean, so what would the market have been if they had went and sold the whole thing at the peak of the catalog? Boom. That's what I really wonder. [00:39:21] Dan: That's a good one. So I guess some high level back of the envelope math on that. So let's say that the peak of the catalog boom was like December, 2020 maybe, and then like, you know, into the spring of 2021 and we definitely saw some 30 x multiples there and at least the last public number I saw, and I think you had this in one of your latest articles as well, but that Cash Money's Masters generated around 30 million annually, or 20 to 30 million. Was that the number?[00:39:49] Zack: Yeah, I think it was at least 30. And you know, cuz Bird, like most of hey Birdman, you know, has been making like close to 20 million a year, for a while, give or take. And you know, most of that is just, you know, the catalog. So yeah, I mean that's just his cut. And then if you figure you double that for Slim, yeah, probably, you know, it was around 30, 35, something like that, so, you know. Yeah. I mean, are they gonna get a 30 x value even at the peak? I don't think so because just hip hop wasn't getting that kind of valuation. I don't really understand that because everybody's like, oh, rock and roll music gonna stand the test of time. It's like if you ask the average 20 year old who Bruce Springsteen is, they're not gonna know. I mean, so I would argue that hip hop is actually gonna be more valuable down the line. But just the valuation, you know, that's not what people have been paying for. So even at the peak, you know, I, I don't know that I saw any valuations anywhere near 30. I think Kanye was shopping his catalog at one point and wanted a 30 x multiple, but, you know, didn't get any bites. So I think it comes down to like, yeah, what kind of multiple could they actually have gotten? [00:40:56] Dan: Yeah, because even more recently, so yeah, we're recording this now. January, 2023, there was a report that just came out about Dr. Dre selling a collection of music assets that I believe are worth different multiples. But the number that I heard from that was, They generate around 10 million per year and that he wanted 250 and he's getting just over 200 million or somewhere between that. So that's around a 20 x multiple for a deal. That sounds like it was still coming underway in 2022. So if you were to put that multiple on, let's call it 35 million for maybe what Birdman and Slim have collectively, then that is you're talking $700 million. So that's a pretty sizable number, not a billion. But maybe if there are some concerns about, maybe there's a bit more of a split of who owns what. We didn't even talk about publishing right now, but there may be a split too, especially if everything was captured. and even thinking about quality control, for instance, and I think they got around 400 million, 300, got 400 million, but this was last year. So I would assume that 500 to 750 sounds, if I heard a number there, I would be like, sounds about right. If I heard a number lower than that or higher than that, I would probably be surprised one way or the other. [00:42:15] Zack: Yeah. Yeah, I mean I think that makes sense. And it's not just one artist, you know, obviously it's a whole bunch of artists and a bunch of pieces of different artists. But I think another thing, and this is maybe one of the reasons why the hip-hop valuations are lower, is like when you have all those producers, it might not be as easy to get, you know, to get clearances for using stuff in commercials and that sort of thing. Whereas if you buy a hundred percent of the rights, there's no question. Right. And so I'm not even sure if somebody owned 1% of, of something, whatever. Like I don't think they would have some, like, veto right. About the song being played in a commercial. But, you know, when you start to have so many different parties owning bigger stakes, a particular song, it can get a little convoluted and, you know, I do wonder if that's a big part of it as well.[00:43:00] Dan: Yeah, no, that's a good point. Yeah. Cuz I think sampling also is a huge piece of that as well. The missed opportunity for me, this is a bit more of a specific one from like a timeframe, not like a specific move, but Birdman and Little Wayne not settling and squashing the beef, the issues that they had in the mid 2010s. I think we lost out on Wayne. I know Wayne was in prison during part of this, but we lost out on his momentum. We lost out on a lot there because I feel like a lot happened from the Carter four coming out in 2011 to the Carter five coming out in 2018. I believe. There was so much back and forth. There was so much drama. You know, Drake was going on his all time run at that point. Nicki was doing the same. And the fact that the signature biggest artist is literally tweeting out, I want off this label, but it's not that easy. Or sending these messages out in the middle of Wayne and Drake having their tours and him still being on albums and trying to figure out how to drop things.I think it was obviously a great decade in run, but I think it could have been even greater if they were able to solve some of that stuff and figure it out. [00:44:11] Zack: Yeah, a hundred percent, you know, that that was like, it's a long time to be going between, proper albums, you know, so, and I think that was a really interesting time in the music business. And, I mean, the music business changed completely right from, from 2011 to 2018 from being, you know, oh, this new streaming thing is gonna be important to like, you know, it is the entire business basically. So, you know, and I think that an artist like Wayne, you know, as somebody whose music translates really well to, you know, to that medium. And, you know, as we know, hip hop is a monster on streaming and, you know, tends to do really well. So I would've been really curious to see if he had been able to continue that momentum, you know, just how much bigger he could have gotten in that period of time too.[00:44:57] Dan: Yeah, definitely. The next piece we add too, I think we talked a little bit about this just in terms of how did the label handle the transitions? And I think you just mentioned it there. They were able to do a lot of it well, especially the mixed day piece and the ring toes. And then I think a lot of it laid the work for streaming and Drake is streaming, did a lot of that, the Cash Money labels. So I think that worked. But this next question is interesting though, because it's been around three years, I think it's been at least three years since you did your deep story, the Forbes cover story on Cash Money, where you went down and interviewed them. And then I know it's been four years since I had written a piece around the time that Drake had completed Scorpion and we knew that it was going to be, or at least I thought the future may be bleak. And I think the question that you pose into the piece was, can they strike platinum again? It's been three years since now. What do you think? [00:45:48] Zack: You know, I don't know. I mean, the rules for platinum, like what constitutes platinum have changed so much that, you know, all it takes is, you get, you know, one hot signing and they do really well on streaming and suddenly you have a platinum whatever. And, you know, it's like, okay, I think that, you know, Drake is gone. Wayne is gone. When I went down there, they were really big on blue face and Jack Reese, you know, I don't know what either of them are turning out to be like, I mean anywhere near Drake, Nikki, Wayne, et cetera. Jack Reese is the king of R&B though, right? That was the whole thing too. So what I'm gonna go with, no, I don't think they will begin Drake Platinum. But I would caveat that by saying it doesn't matter because they can just sit back, and collect these checks. And that's gonna happen. That'll happen even if, you know Drake and Nikki and Wayne retire. I mean, their back catalog stuff is still gonna be a gold mine. And you know, when I was down there, what they said was that they're forever in business with Drake. But they wouldn't get more specific. And so what I took that to mean was, you know, at the time, you know, he was kind of an ex extra kidding himself. But even once he's gone, they're still sitting on these, you know, their share of the copyrights that will be, you know, Drake is a streaming king and they have a big piece of that. So, yeah. Do I think they'll strike platinum again? You know, probably not, but I don't really think it matters. I don't think so, what are they gonna do? Like what are they gonna do? They're gonna sit back and collect those checks. Yeah. [00:47:26] Dan: Yeah. I came to the same spot as well. I guess platinum in the purest sense of having a chart hit. Sure. There could be a legacy hit that gets, you know, some viral thing on TikTok and then that becomes a hit. Like, I don't know, I don't know if I like slow motion singles, like juvenile when platinum, but I feel like that's the type of song I could see go viral and some TikTok thing and then bring new, that's one of my cat favorite Cash Money songs. And I feel like I could see something like that happen. But I feel like you were kind of posing it more so in the moment of looking at these runs of like late two thousand, late nineties, early two thousands, that Cash Money is like a platinum moment or mid two thousands. Wayne's mixtape ran late two thousands, early 2010 or to mid 2010s. Young Money rises to the highest of heights. I don't think we'll see that moment again. And it's crazy cuz I think there's times where maybe things could have happened. You had the rich gang moment where he looked like he was so close with Young Thug. And I feel like especially in 2014, people expected Thug to go on to that superstar level and still be very successful. But I think that the stock for Thug at that moment was a little higher than it may be actually reached. And I think some of Thug's proteges kind of reached the heights that we thought Thug would've reached at one point, just in terms of a commercial success perspective. But it just never quite happened. But again, they own this. It's not like they missed some opportunity. This is something that is literally generating tens of millions per year and that's not changing anytime soon.[00:48:54] Zack: Yeah, yeah. Absolutely. So, you know, it's funny, they have, I guess just to sort of like switch gears a tiny bit, but you know, last moment when they said when Birdman and some said they're forever in business with Drake. It wasn't in Miami, but I met with them for some follow-up questions in New York. and they have, like within Universal's building in Midtown, they have a Cash Money conference route. Like there are actually these, I mean I don't think it's diamond play, but the door handles are giant dollar signs, like the Cash Money logo. And, and it looks like they're diamonds in the dollar sign and whatever it is. But, you open up the thing and you go in and there's like all these plaques on the wall and it's just a conference room that's always there. And it's sort of like their designated conference room when they, when they cut the tat. And I remember, yeah, we sat down in that conference room and I really tried to press them on the Drake thing. And I mean, if you dig up the Forbes story, we did a video too. And there's this great kind of tense moment where I'm like really kind of pushing them about it and they're like, we're forever in this with Drake. And like, that's it. And it's clear that's all you're gonna get out of that. But, you know, so, in terms of striking platinum again, yeah, I mean, I could almost envision a scenario where Drake like does the Super Bowl and he plays some, you know, catalog hit that never went platinum. And just purely by the exposure of people hearing it be like, oh man, listen that again, it just suddenly goes platinum again. You know, or for the first time. But yeah, short of that, I know I'm gonna agree with you. I think probably not again, but that it doesn't matter anyway. [00:50:32] Dan: Yeah. So we have a couple questions left here. This one, and I think it's maybe similar to the fourth you're bringing up, but if you were in Birdman and Slim's shoes today, is there anything that you would be doing differently?[00:50:44] Zack: You know what, I think I go back to that question of like, would you sell the whole thing? Especially if the prospects are kind of dimming a bit and, you know, it's like, I don't know though. I mean, you know, it's like if you're getting up there in age, like would you sell you, you know, you got this great house that you bought, you know, you got this great penthouse apartment in New York that you bought. For like, you know, a hundred thousand dollars in, you know, 1982. And, you could probably get, you know, I don't know, 10 million bucks for it. And then you could just like rent and do whatever you want and you know, for the rest of your life. But like, you don't really need the money. Like, you're fine as it is, like you sell it. Like what would you even do with the money that you got? You really love living in that apartment. Maybe you just stay. And I think that's kind of the point. Like, just remember being in the studio with Birdman and he doesn't need to be doing this. Like, he doesn't need to be running around with Jack in Miami trying to make him the, the king of r&b or whatever. But he truly loves it. Like you, you can tell that he's passionate about it and. After the interview was over, and I wish I had this on tape, but we're just like a dozen of us sitting there in the room. And, Birdman, he goes, Zack, why do people think I'm scary? And I remember he said, he was like, really pointy moment. He's like, I'm respectful. You know, I'm not a clown. I don't turn tables over. I don't scream and yell. I'm respectful. Why are people so afraid of me? And I thought for a minute and I said, you know, as like, look man, like, to be honest, I think the base tattoos really are kind of like off putting some people who are not used to that sort of thing. And, he was like, yeah, I've been thinking of getting them removed. You know, I think it'd be better for business. So, you know, it's like there's still this element of, you know, even though he's made it and he's got everything he wants, there's still this part of him that came from a different world. That, you know, he's kind of like still stuck between two worlds, between the world that he came up in and the world that he can afford to live in. And, I think, you know, where he feels at his best is in the studio. So why would you sell that whole thing? Why would you, you know, I mean, why would you kind of give that up? And I think Slim likes it too. And you know, they have this really funny relationship and, you know, Birdman's in the studio and Slim does live the business. And that's kind of the breakdown of it. And I just remember, like after this interview, you know, after leaving the studio, I went and we were all supposed to have dinner together and I went off with Slim and we waited for like a half an hour in the parking lot for Birdman. And he just never showed up. And then we went to dinner and he just never showed up. And it's cuz he wanted to stay in.He just stayed in the studio all freaking night. Cuz that's what he really loves. So, yeah, I guess it's a long way of saying, what would I do if I were them? I mean, you know, probably like the financial advisor advice would be. Sell this big thing and then you're totally set for the rest of your life. But you know, if it's throwing off enough, more than enough money, tens of millions of dollars every year for you to live on, what's the point? You know, why not just do that and do what makes you happy?[00:53:59] Dan: I think that's a piece that often gets for guys and understands what some of this stuff is, that some people really just love the craft. It makes me think too about someone like Martin Scorsese or Steven Spielberg and these directors that are now in their seventies or eighties, they're not doing these movies to try to make more money. Well, granted, yes, I think they're bought into the financial success. They want fair terms. But this is what they enjoy doing. They've been doing it since they were kids and they wanna just find outlets to be able to do this in the best way possible. And I think the same could be said about Birdman of wanting to be in the studio and just wanting to have that energy. And if you sell that, then what do you do? I think especially for someone like him that's stuck to the thing that he does well. And you know, like he isn't out here like Jay-Z trying to be mogul in the sense of having different things. I mean, there's a mogul aspect in terms of media ownership, but not in the sense of like, yes, I own this, I do this, I do that as well. Sure. Maybe there's some smaller things that are in the, you know, new Orleans or, or the Louisiana area, but not in that same way. So I do think that speaks a lot to that. [00:55:06] Zack: Yeah. And I think they have dabbled in other stuff for sure. And you know, real estate, and I think there was some period of time where they had like some oil rigs or something like that.They had a vodka called G T V. They were trying to really build up Y M C M B as like, as a clothing line type of thing, rather than just merch. But, you know, none of that really kind of like ever went viral in the way that any of their artists did. So, you know, and maybe because it was that they just didn't have the passion for it that they have for music. Like that example of Birdman. So, you know, Jay clearly has the passion for the business. He clearly has the passion for, you know, doing the champagne thing or, you know, doing the VC thing. And you can tell cuz he's out there doing it. He's doing it cuz he loves it, and he makes money. But, I think it's hard for something to do well if you aren't truly passionate. Because consumers can kind of see through that. And also, you're not gonna go the extra mile for something if you don't truly care about it either. Definitely. [00:56:08] Dan: Definitely. And mine is a little different. And this may be more so from a selfish perspective of what I would do, but that's part of the question, right? Yeah. As someone that is such a fan of the vibe and the culture that they were able to create, I want to be able to relive that in different ways. I wish that Birdman and the team could patch things up and there could be a true Cash Money reunion tour that goes across the country. I know there's been different things here or there, but the same way that Didat did the Big Bad Boy Arena tour in 2016. I wanna be able to see that. I'd love to be able to do that. And I also wanna see a music biopic and the same style and the same budget and energy of Straight Outta Compton. I would love to see that about the Cash Money story. And to be honest, I feel like, I know there's a lot of energy around these biopics, but like I may be biased because it's the genre I like since Street Outta Compton came out, I just haven't seen one that's, you know, as good as that. And sometimes it's a bit frustrating when I see movies like Bohemian Rhapsody or Elvis, which I think they're fine, but I don't think they're as good as Straight Outta Compton and they're getting all these awards and stuff. And it makes me think that okay, I don&#