Podcast appearances and mentions of Lotte Reiniger

Dass in der frühen Filmkunst auch Regisseurinnen eine wichtige Rolle spielten, ist zwischendurch in Vergessenheit geraten. Mittlerweile klingen die Namen Alice Guy, Luise Fleck oder Lotte Reiniger nicht mehr so fremd und ihr Anteil am Stummfilm wird geachtet. Vor genau 100 Jahren besuchte Paul Medina im Auftrage des Hamburgischen Correspondenten die Autorin und Regisseurin Germaine Dulac in Paris. Sie prägte wesentlich die französischen Filmavantgarden mit, ist in ihrem frühen Werk ab 1915 eher dem Filmimpressionismus zuzurechnen und drehte 1928 mit „La Coquille et le clergyman“ den vielleicht ersten surrealistischen Film überhaupt. Der Artikel ist ein gutes Beispiel dafür wie sich die damalige Zeitungslandschaft dem heute gängigen Interview, das klar in Frage und Antwort gegliedert ist, annäherte. Rosa Leu liest für uns aus der Ausgabe vom 7. Juni 1925.

This is the first episode of an upcoming series I am working on for Every Version Ever! There will be more fairytale/princess episodes coming over the next few months, but for now, Eli and I are talking all about early animation, and a bunch of different early Cinderella cartoons.Follow Eli online! Eli's Blog: ⁠⁠⁠https://ejunkieblog.wordpress.com⁠⁠⁠ Twitter: ⁠⁠⁠https://twitter.com/ejunkie2014⁠⁠ Bluesky: https://bsky.app/profile/ejunkie2014.bsky.socialEvery Version Ever - Episode 188If you want to watch some of the shorts we talked about today, I collected as many links as I could find. Some of these may get taken down, some had disappeared since Eli and I watched them, but I found new links for everything, so hopefully these will all work for everyone.Lotte Reiniger's Cinderella (1922)Aschenputtel - Very first animated adaptationhttps://www.youtube.com/watch?v=poq0bf6M8Z8Cinderella (1922) - Walt Disney's Laugh-o-Gramshttps://archive.org/details/braystudioscartoonwithdisneycartoon1922-2A Kick For Cinderella (1925) - Mutt and Jeff Silent Cartoonhttps://www.youtube.com/watch?v=xcjRqL7oC7oCinderella Blues (1931) - Waffles the Cat and Don Doghttps://www.youtube.com/watch?v=vjbJexqyRiwCinderella (1933) - Terrytoons Studiohttps://www.youtube.com/watch?v=Tj2o-XUXugwPoor Cinderella (1934) - Betty Boop Cartoonhttps://www.youtube.com/watch?v=7M2FA2rjYg4A Coach for Cinderella (1936)https://www.youtube.com/watch?v=LIBZEJe6sv0A Ride For Cinderella (1937)https://www.youtube.com/watch?v=uS7xSLQFTqIThe Glass Slipper (1938) - Terrytoons Studiohttps://www.youtube.com/watch?v=wx7qQ14jJZgCinderella Meets a Fella (1938)Merry Melodies cartoon. Directed by Text Averyhttps://www.dailymotion.com/video/x8yex0wSwing Shift Cinderella (1945) - Tex Avery Cartoonhttps://vimeo.com/498001412Ancient Fistory (1952) - Popeye Cartoonhttps://www.youtube.com/watch?v=5MFkHI8jq0QSeñorella and the Glass Huarache (1964) - Looney Tunes Cartoonhttps://www.b98.tv/video/senorella-glass-huaracheFor bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠

This is the first episode of an upcoming series I am working on for Every Version Ever! There will be more fairytale/princess episodes coming over the next few months, but for now, Eli and I are talking all about early animation, and a bunch of different early Cinderella cartoons.Follow Eli online! Eli's Blog: ⁠⁠⁠https://ejunkieblog.wordpress.com⁠⁠⁠ Twitter: ⁠⁠⁠https://twitter.com/ejunkie2014⁠⁠ Bluesky: https://bsky.app/profile/ejunkie2014.bsky.socialI Heart Animation - Episode 202Every Version Ever - Episode 188If you want to watch some of the shorts we talked about today, I collected as many links as I could find. Some of these may get taken down, some had disappeared since Eli and I watched them, but I found new links for everything, so hopefully these will all work for everyone.Lotte Reiniger's Cinderella (1922)Aschenputtel - Very first animated adaptationhttps://www.youtube.com/watch?v=poq0bf6M8Z8Cinderella (1922) - Walt Disney's Laugh-o-Gramshttps://archive.org/details/braystudioscartoonwithdisneycartoon1922-2A Kick For Cinderella (1925) - Mutt and Jeff Silent Cartoonhttps://www.youtube.com/watch?v=xcjRqL7oC7oCinderella Blues (1931) - Waffles the Cat and Don Doghttps://www.youtube.com/watch?v=vjbJexqyRiwCinderella (1933) - Terrytoons Studiohttps://www.youtube.com/watch?v=Tj2o-XUXugwPoor Cinderella (1934) - Betty Boop Cartoonhttps://www.youtube.com/watch?v=7M2FA2rjYg4A Coach for Cinderella (1936)https://www.youtube.com/watch?v=LIBZEJe6sv0A Ride For Cinderella (1937)https://www.youtube.com/watch?v=uS7xSLQFTqIThe Glass Slipper (1938) - Terrytoons Studiohttps://www.youtube.com/watch?v=wx7qQ14jJZgCinderella Meets a Fella (1938)Merry Melodies cartoon. Directed by Text Averyhttps://www.dailymotion.com/video/x8yex0wSwing Shift Cinderella (1945) - Tex Avery Cartoonhttps://vimeo.com/498001412Ancient Fistory (1952) - Popeye Cartoonhttps://www.youtube.com/watch?v=5MFkHI8jq0QSeñorella and the Glass Huarache (1964) - Looney Tunes Cartoonhttps://www.b98.tv/video/senorella-glass-huaracheFor bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠

Dieser Scherenschnittfilm aus dem Jahr 1926 ist einer der ersten abendfüllenden Animationsfilme. Bis heute verzaubert Lotte Reiniger das Publikum mit einer schier unendlichen Formenvielfalt, die uns in wundervolle Reiche der Phantasie führt. Dabei entsteht die Fülle aus der Reduktion. Noch immer ist Lotte Reiniger nur Cineasten bekannt, dabei hat die Pionierin Maßstäbe gesetzt, die danach nie wieder erreicht wurden. Mehr dazu von Wolfgang M. Schmitt im Filmkompass!   Werbung: Das Best-Of von DIE FILMANALYSE als Buch. Mit einem Vorwort von Dominik Graf. Affiliate-Link: https://amzn.to/3NCkVHB Unser Kinderbuch „Die kleinen Holzdiebe und das Rätsel des Juggernaut“ ist erschienen! Affiliate-Link: https://amzn.to/47h1LQI Die Anthologie SELBST SCHULD! ist jetzt erschienen. Affiliate-Link: https://amzn.to/47qau3a Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank! Wolfgang M. Schmitt Betreff: DIE FILMANALYSE IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD PayPal: http://www.paypal.me/filmanalyse Patreon: https://www.patreon.com/wolfgangmschmitt Wolfgang M. Schmitt auf Twitter: https://twitter.com/SchmittJunior Wolfgang M. Schmitt auf Facebook: https://www.facebook.com/wolfgangm.schmittjun/ Wolfgang M. Schmitt auf Instagram: https://www.instagram.com/wolfgangmschmitt/ Produziert von FatboyFilm: https://www.fatboyfilm.de/ https://www.facebook.com/fatboyfilm/ https://www.instagram.com/fatboyfilm/

What motivates an artist to choose one of the most painstaking visual storytelling methods available? In today's podcast episode, host Scott “Sourdough” Power sits down with 2024 NOT REAL ART grant winner Jessie Rodriguez to discuss the meticulous craftsmanship behind her stop-motion movies. The Denver-based artist specializes in animated shorts created from linocuts, carefully carving and assembling every visual element of her "hand-printed movies."Her animations, selected for film festivals in Denver, Portugal, and Germany, explore themes such as grief, insomnia, and emotional resilience, balancing playful visuals with poignant narratives. Inspired by women filmmakers like silhouette animation pioneer Lotte Reiniger, Jessie's hands-on approach reflects her commitment to experimentation and storytelling. Join us as Jessie shares insight into her creative process, discusses the deeply personal themes in her films, and reflects on the significance of winning the 2024 NOT REAL ART grant. We also delve into her community-driven work with the Denver Tool Library and her multidisciplinary approach to creativity. Listen to our conversation with Jessie Rodriguez to hear her unique perspective on resilience, innovation, and the beauty of imperfection.For more information, please visit http://notrealart.com/animator-jessie-rodriguez

tmt-Hörer Jonas schickt Caro mit seinen Tabs auf die Galapagos Inseln zu seltsamen deutschen Auswanderern. Miguels Tabs stellen die bisherige Entstehungsgeschichte der Animationsfilme auf den Kopf. Auch zu tief im Netz gegraben? Schickt uns eure rabbit holes und offenen Tabs an toomanytabs@ndr.de. Mehr crazy Geschichten aus dem Internet gibt's hier: https://1.ard.de/toomanytabs-wildwildweb4

Mandarava has always been a maker. Her way into puppetry came initially through trying to make sense of deep family grief. Mandarava's work is brimful of magic - filtered through fairy tales, her own deep immersion in illustrative art and the realm of stories accompanying long-cherished images, both from childhood and her further adventures as a grown-up. We hear about her exploration of female figures from the Buddhist and other mythic traditions, including the resonances between old mythologies and certain kinds of visualisation meditations that feature imagery representing a rich seam of possibilities for transcendent Buddhist practice. Aryajit, animator extraordinaire, was inspired as a boy by Star Wars' retelling of classic mythology. It was a major influence on his deciding to live out the Buddhist path as “the adventure of my life”; and to help make the tradition new in his own work animating many aspects of that path. His work appears extensively on The Buddhist Centre Online, explaining and evoking in brilliant ways both the nuances of the Dharma and the life of the Buddha as a set of nested myths and stories that still resonate today when re-presented in this way. Watch any of his animations (see the show notes below!) and you can feel his own quietly passionate heart in the work.  Prasannavira from The Windhorse Trust was instrumental in helping fund Aryajit's new animated series, ‘The Legend of the Buddha'. We talk about helping shape a Buddhist context to fund creators and innovators. And how bringing up his own children within a broadly Buddhist culture informed by classic stories and images has helped him as a parent. We also hear about Prasannavira's own trove of mythic reference points, including Studio Ghibli's ‘The Tale of the Princess Kaguya'. And about his early days as a Buddhist in London, profoundly affected by modern evocations (inspired by Tibetan tradition) of the great guru Padmasambhava. There's so much to enjoy in these thoughtful exchanges: from the legacy of classic British children's television and theatre to the life of the imagination itself. We explore how stories can help us work with past trauma to figure out a realistic path through life in relation to our ideals. And the connections between new work in animation, illustration, puppetry, drawing and painting and established traditions of folk and classical Buddhist art (from India, China, Japan and elsewhere). Whether it's the value of dramatization, theatre and ritual for evoking the best of Buddhism, or how being “good” at art isn't the point - everything flows in this fun episode about how to never lose touch with the sense of wonder and creativity we have as kids, and need now more than ever. Show Notes Home Retreats by Mandarava and Nagasiddhi (with original puppetry and set design):

The latest archive instalment takes Chris and Alex back to January 2020, and their first live episode recorded in front of an audience of animated fantasy fans in attendance at the Fantasy/Animation screening series in collaboration with the Cinema Museum in Kennington, London. Joining the Q&A to discuss The Adventures of Prince Achmed (Lotte Reiniger, 1926) was special guest Dr Caroline Ruddell (Brunel University London), an expert on Lotte Reiniger who has published work on the filmmaker in Fantasy/Animation: Connections Between Media, Mediums and Genres (2018), and the recent anthology The Crafty Animator: Handmade, Craft-based Animation and Cultural Value (2019). Lots here on Reiniger's signature style of 2D cutout animation and gendered discourses of craft and the politics of the handmade, alongside the film's production during a specific historical moment of upheaval in 1920s Weimar Germany. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

Angélica Hellish, Marcos Noriega, Douglas Fricke (Podtrash) e Filipe Pereira (Cinealerta) conversam sobre filmes com narrativas interessantes e muitas vezes não convencionais!   ACESSE AS ANOTAÇÕES DO DOUGLAS AQUI: Mencionados: “Napoleon”, de Abel Gance, 1927 / “Vampiros da Meia-Noite” 1927 / "Haxan" de 1922 / “Dollie Daisy in Hearts and Flowers” (Howard H. Moss, 1930) / “O Porco Dançarino” (1907, “Le Cochon Danseur”, Millard Mercury) / “L'Inferno” (1911, Francesco Bertolini / “A Queda da Casa de Usher” (1928. Jean Epstein) / “Three's a Crowd” (“Pai sem Selo”, 1927, Harry Langdon) / Alice no País das Maravilhas (1903) / George Méliès: "L'Éclipse du soleil en pleine lune" (Eclipse do sol na lua cheia) / L'Inumane (The Inhuman Woman), 1924 / “Dream of a Rarebit Fiend” (1906) / “The Red Spectre” (1907) / “The Thieving Hand” (1908) / “Princess Nicotine, or, the Smoke Fairy” (1909) / “Filmstudie” (Hans Richter, 1926) / “The Adventures of Prince Achmed” (“Die Abenteuer des Prinzen Achmed” no original alemão, da diretora Lotte Reiniger, de 1926) / “Braza Dormida” (1928, Brasil, do mineiro Humberto Mauro) / “The Cameraman's Revenge” (1911) / “Goroda i gody” (“Citites and Years”, 1930) / “Aelita” (1924, de Yakov Protazanov) / “O Caso dos 3 Milhões” (1926, direção Yakob Protazanov pela Companhia Mezrhapom-Rus) / “земля” (“Earth”, dir. Aleksander Dovzhenko, 1930) / “Ekstase” (“Ecstasy”, 1933, dir. Gustave Machaty) / “The Adventures of the Little Chinese” (1928) / “China In Flames” (1925) / A Queima do Templo do Lótus Vermelho (“The Burning of the Red Lotus Temple” 1928 e 1931 / “Laogong zhi aiqing” (“Laborer's Love” ou 勞工之愛情, 1922, dir. Zhang Shichuan / “Hong Xia” (Red Heroine, ou 红侠 no original, de 1929) / Entr'acte (1924) René Clair / Ballet Mécanique (1924) / Limite (1931) Mário Peixoto / Meia-Noite Levarei Sua Alma (1962) / Rien que les heures (1926) Alberto Cavalcanti /The Mystery of Picasso (1956) / La Jetée (1962) / Meshes of the Afternoon (1943) / Un Chien Andalou (1929) / The Blood of a Poet (1932) / A Page of Madness (1926) / Drácula: O Diário de Uma Virgem (2002) / Nós Que Aqui Estamos Por Vós Esperamos (1999) e 1,99 O Supermercado Que Vende Palavras (2003) https://masmorracine.wordpress.com/2013/07/14/masmorra-cast-44-trilogia-qatsi-baraka-e-samsara/ https://www.youtube.com/watch?v=lR-Ru1_EFFg   APOIE A GENTE, NOSSO PIX apoiomasmorra@gmail.com MEU PROJETO NOVO – TRUE CRIME! https://www.youtube.com/@voltaaomundonocrime⁠⁠⁠⁠⁠ JÁ SE INSCREVA E DEIXE SEU LIKE ACESSE CINECLUBE DA MASMORRA: ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6XO2tljzo8XHlFCe3exzCn⁠ ⁠⁠⁠⁠⁠ SeLIVES TODAS AS QUARTAS 21H NO ⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠, ⁠⁠⁠⁠TWICH⁠⁠⁠⁠ E ⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠ Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.comSIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ⁠⁠⁠⁠⁠https://www.twitch.tv/angelmasmorra⁠⁠⁠⁠⁠⁠ AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine quiser se inscrever e dar estrelas no podcast lá no Spotify, ⁠clique aqui⁠:  

Angélica Hellish, Marcos Noriega, Douglas Fricke (Podtrash) e Filipe Pereira (Cinealerta) conversam sobre filmes com narrativas interessantes e muitas vezes não convencionais!   ACESSE AS ANOTAÇÕES DO DOUGLAS AQUI: Mencionados: “Napoleon”, de Abel Gance, 1927 / “Vampiros da Meia-Noite” 1927 / "Haxan" de 1922 / “Dollie Daisy in Hearts and Flowers” (Howard H. Moss, 1930) / “O Porco Dançarino” (1907, “Le Cochon Danseur”, Millard Mercury) / “L'Inferno” (1911, Francesco Bertolini / “A Queda da Casa de Usher” (1928. Jean Epstein) / “Three's a Crowd” (“Pai sem Selo”, 1927, Harry Langdon) / Alice no País das Maravilhas (1903) / George Méliès: "L'Éclipse du soleil en pleine lune" (Eclipse do sol na lua cheia) / L'Inumane (The Inhuman Woman), 1924 / “Dream of a Rarebit Fiend” (1906) / “The Red Spectre” (1907) / “The Thieving Hand” (1908) / “Princess Nicotine, or, the Smoke Fairy” (1909) / “Filmstudie” (Hans Richter, 1926) / “The Adventures of Prince Achmed” (“Die Abenteuer des Prinzen Achmed” no original alemão, da diretora Lotte Reiniger, de 1926) / “Braza Dormida” (1928, Brasil, do mineiro Humberto Mauro) / “The Cameraman's Revenge” (1911) / “Goroda i gody” (“Citites and Years”, 1930) / “Aelita” (1924, de Yakov Protazanov) / “O Caso dos 3 Milhões” (1926, direção Yakob Protazanov pela Companhia Mezrhapom-Rus) / “земля” (“Earth”, dir. Aleksander Dovzhenko, 1930) / “Ekstase” (“Ecstasy”, 1933, dir. Gustave Machaty) / “The Adventures of the Little Chinese” (1928) / “China In Flames” (1925) / A Queima do Templo do Lótus Vermelho (“The Burning of the Red Lotus Temple” 1928 e 1931 / “Laogong zhi aiqing” (“Laborer's Love” ou 勞工之愛情, 1922, dir. Zhang Shichuan / “Hong Xia” (Red Heroine, ou 红侠 no original, de 1929) / Entr'acte (1924) René Clair / Ballet Mécanique (1924) / Limite (1931) Mário Peixoto / Meia-Noite Levarei Sua Alma (1962) / Rien que les heures (1926) Alberto Cavalcanti /The Mystery of Picasso (1956) / La Jetée (1962) / Meshes of the Afternoon (1943) / Un Chien Andalou (1929) / The Blood of a Poet (1932) / A Page of Madness (1926) / Drácula: O Diário de Uma Virgem (2002) / Nós Que Aqui Estamos Por Vós Esperamos (1999) e 1,99 O Supermercado Que Vende Palavras (2003) https://masmorracine.wordpress.com/2013/07/14/masmorra-cast-44-trilogia-qatsi-baraka-e-samsara/ https://www.youtube.com/watch?v=lR-Ru1_EFFg   APOIE A GENTE, NOSSO PIX apoiomasmorra@gmail.com MEU PROJETO NOVO – TRUE CRIME! https://www.youtube.com/@voltaaomundonocrime⁠⁠⁠⁠⁠ JÁ SE INSCREVA E DEIXE SEU LIKE ACESSE CINECLUBE DA MASMORRA: ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6XO2tljzo8XHlFCe3exzCn⁠ ⁠⁠⁠⁠⁠ SeLIVES TODAS AS QUARTAS 21H NO ⁠⁠⁠⁠YOUTUBE⁠⁠⁠⁠, ⁠⁠⁠⁠TWICH⁠⁠⁠⁠ E ⁠⁠⁠⁠FACEBOOK⁠⁠⁠⁠ Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.comSIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ⁠⁠⁠⁠⁠https://www.twitch.tv/angelmasmorra⁠⁠⁠⁠⁠⁠ AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine quiser se inscrever e dar estrelas no podcast lá no Spotify, ⁠clique aqui⁠:  

Filmskolan har kommit till andra delen av tre av stumfilmseran. I veckans avsnitt avhandlar Måns och Henke fyra filmer. Först tar vi oss an dent franska melodramat "Coeur fidèle" från 1923. Sedan snackar vi om den otroligt intressanta kortfilmen "Achenputtel" från 1922 av Lotte Reiniger. Det är den klassiska sagan om Askungen! Efter det tar vi oss an Robert Wienes klassiker "Das Cabinet des Dr. Caligari" från 1920. Vi avslutar avsnittet med Sergei Eisensteins sovjetiska propagandafilm "October (10 days that shook the world)" från 1928. Gå in på Henkes filmblogg och kommentera avsnittet! Fripps Filmrevyer.

Hear the story of Lotte Reiniger, a true pathfinder in the world of animation, and a visionary whose achievements and innovations are often mistakenly attributed to others... To get hundreds more hours of Hollywood storytelling and unlock the secrets of movieland's greatest innovators, go to https://www.patreon.com/attaboysecret right now and sign up! Learn more about your ad choices. Visit megaphone.fm/adchoices

Als die drei Säulen des aufkommenden Animationsfilms in Deutschland bezeichnet das Deutsche Institut für Animationsfilm in Dresden den abstrakten und experimentellen Animationsfilm, den Silhouettenfilm und den Werbe- und Beiprogramm Film. Diese Säulen befruchteten sich gegenseitig, bzw. es gab ohnehin personelle Überschneidungen. Julius Pinschewer, Walter Ruttmann, Lotte Reiniger, Georg Grosz, John Heartfield, Hans Fischerkoesen, und viele mehr waren auch für die Werbebranche tätig und brachten technische Innovationen und neue Ästhetiken hervor, die ebenso vom experimentellen Animationsfilm eingesetzt wurden. Daher verwundert es nicht, dass die Berliner Volks-Zeitung am 20. Februar 1923 ihre Aufmerksamkeit dem Werbefilm widmet. Paula Leu begründet für uns, warum der Werbefilm manchmal besser war als der Hauptfilm.

Sie waren nicht nur die ersten Frauen, sie waren die Ersten überhaupt: Lotte Reiniger stellte den ersten Trickfilm her, Rosalind Franklin beschrieb als erster Mensch die DNA, Ada Lovelace entwickelte das erste Computerprogramm, und Lise Meitner entdeckte die Kernspaltung. Die Nobelpreise aber bekamen Männer. Wir sprechen mit Vera Weidenbach über ihr Buch "Die unerzählte Geschichte" und darüber, warum diese und viele andere Frauen in Vergessenheit gerieten. Außerdem: Ein Gespräch mit Ruth Kornberger, die in ihrem Roman „Die Symphonie der Sterne“ von der deutschen Astronomin Caroline Herschel erzählt, und ein Blick auf Frankfurter Frauen, die weit mehr als lokale Geschichte geschrieben haben.

In the second episode of Season 7 (Fantastical Realities) Kyle is joined by fellow podcaster Ben Thelen and fellow cinephile Derek Paranay to discuss the meticulous animation process of lead/paper cutouts and stop motion movement that gave illumination to the grand work of expressionist Lotte Reiniger in The Adventures of Prince Achmed (1926).

In this edition of Queens Of Cinema, hear the story of Lotte Reiniger, a true pathfinder in the world of animation, and a visionary whose achievements and innovations are often mistakenly attributed to others... Sign up now to become a patron of the shows! You'll earn hundreds more hours of bonus content, including ALL complete series' of The Secret History of Hollywood, as well as bonus documentaries, extra listening, movie commentaries, and much more! Simply go to www.patreon.com/attaboysecret and choose the tier you'd like to access or CLICK HERE Show Credits Music makes these shows! To gain access to the amazing library I use go to https://www.hooksounds.com/ref/Audiojoe/ Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of recent articles regarding the too long overlooked subject of female directors. While many of these articles are specific to the women directing films today (Patty Jenkins, Kelly Reichardt, Kathryn Bigelow, etc.), there are many more that claim to be comprehensive overviews of the contributions made by women to the art of cinema. These articles are careful to remember female directors from the distant past (Lotte Reiniger, Alice Guy-Blaché) and the ones who boldly made films in Hollywood when women weren't even considered for jobs as directors (Dorothy Arzner, Ida Lupino, Barbara Loden). They are careful to include women of color (Gina Prince-Bythewood, Chloé Zhao), and they don't forget the well-known foreign women directors (Lina Wertmüller, Agnès Varda, Chantal Akerman). But there's one group of female directors who haven't been given due credit for their work: The female directors of East Germany. You can go through as many articles on the topic of female directors as you're willing to read, and you won't find Iris Gusner, Evelyn Schmidt, or Hannelore Unterberg mentioned at all. Never mind that the films by these women are often better than any of the films made by some of the directors that did make those lists. Even the list of female directors Wikipedia includes no female East German directors. Join us today as we speak with Jim Morton, author of the East German Cinema Blog, and Jeffrey Babcock, who curated a program on East German cinema for the Goethe Institute in Amsterdam, on the often overlooked topic of female directors in DEFA films.  Our ability to bring you stories from behind the Berlin Wall is dependent on monthly donors like you. Visit us at  https://www.eastgermanypodcast.com/p/support-the-podcast/ to contribute. For the price of a Berliner Pilsner, you can feel good you are contributing to preserve one of the most important pieces of Cold War history. If you feel more comfortable leaving us a review to help us get more listeners, we appreciate it very much and encourage you to do so wherever you get your podcasts or at  https://www.eastgermanypodcast.com/reviews/new/. For discussions about podcast episodes and GDR history, please do join our Facebook discussion group. Just search Radio GDR in Facebook. Vielen dank for being a listener!

À l'occasion d'un cycle de ses oeuvres disponibles sur la plateforme Mubi, dont nous sommes fièrement partenaires, nous revenons sur le parcours de la pionnière de l'animation Lotte Reiniger et de l'un de ses chefs d'oeuvres, Les Aventures du prince Ahmed.

John Bleasdale talks to Matthew Page about his new book 100 Bible Films.From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others.100 Bible Films is the indispensible guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion.Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Résumé : Pionnière du cinéma d'animation dès les années 1920, Lotte Reiniger a réalisé et participé à plus de 60 films en utilisant sa propre technique de silhouettes de papier animées en stop-motion, inspirée du théâtre d'ombres chinoises. Née à Berlin, elle a vécu au Royaume-Uni, en Italie et en France durant la Seconde Guerre mondiale et a été célébrée de son vivant par Jean Renoir et Bertolt Brecht. Adaptés de contes, histoires merveilleuses et opéras, ses films transportent dans un monde magique qui semble fait de dentelle, composé de silhouettes majestueuses et décors ciselés. Invitée : Louise Burkart, conservatrice au département des archives du film du Deutsches Filminstitut & Filmmuseum de Francfort, membre de l'équipe responsable de la restauration des films de Lotte Reiniger.

Bem-vindos à Música da Casa, que começa amanhã (15 Fev) com "Uma Viagem pelo Sistema Solar", um cine-concerto, com música pelo Remix Ensemble e projecções de imagens da NASA com os astros que nos circundam. No sábado, o Serviço Educativo Casa da Música leva a cabo a oficina "Carnaval". Ainda no sábado, às 16:00, o Serviço Educativo musica filmes de Lotte Reiniger. Também no sábado, haverá outro cine-concerto, com "A Queda da Casa de Usher". Domingo, às 12:00, toca a Banda Sinfónica Portuguesa.  locução: Sónia Borges · produção e sonoplastia: Miguel Sousa 

The Brothers Odom dive into the oldest surviving animated feature film: The Adventures of Prince Achmed, the 1926 masterpiece from early animation pioneer Lotte Reiniger. Find us at: Twitter: SilenceGoldPod Find Brice and his works at: Website: jbriceodom.com YouTube: jbriceodom_author Instagram: jbriceodom_author Amazon: J. Brice Odom

Eine beeindruckende Persönlichkeit des frühen Trickfilms ist die 1899 in Berlin-Charlottenburg geborene Lotte Reiniger. Ihre Silhouetten-Animationsfilme, die oftmals Märchen- und Sagenstoffe nacherzählten, gelten bis heute als Meilensteine des Trick- und Animationsfilms. 1921 hatte sie, von klein auf von den frühen Stummfilmen und ihren Kameratricks begeistert, freilich erst wenige kurze Filme geschaffen. Doch in der Neuen Zeit vom 27.11. finden wir einen Bericht über neue Trickfilme, der sich Lotte Reinigers ersten Filmen widmet und ihr eine große Zukunft prognostiziert. Als ähnlich vielversprechend lobt er allerdings auch ein neues Verfahren, den „Plastrick“-Film als besonders innovativ – den werden heutzutage nur noch absolute Expert:innen kennen. Frank Riede kennt den Artikel und liest ihn für uns.

To close out musical month Ian and Evan are joined by special guest Emily R. to discuss Into the Woods and ask questions like “Did the wolf really need to look like that?” and “She can talk to birds?” They also discuss Lotte Reiniger's shadow puppets and the Dreamworks movie Trolls. Emily's Podcast: https://open.spotify.com/show/4dZ90MZAqcwqztuEy387yE?si=AQ77mZt5RxutSmeofW9xVw Socials! https://www.tiktok.com/@iftheshoefitspod https://www.instagram.com/_iftheshoefitspod/ ——————————————— Attribution: “Through The Woods” by Shane Ivers - https://www.silvermansound.com “Half.wav” by hyderpotter https://freesound.org/people/hyderpotter/sounds/93142/ “Chiming Out” by FoolBoyMedia https://freesound.org/people/FoolBoyMedia/sounds/246390/ “On the Steps of the Palace” - Into the Woods by Stephen Sondheim

This week on Lady History: Take two! Let's return to the film industry to meet four more ladies who make movie magic. Starring: a real life lady filmmaker, Erika Stolnitz. And Introducing: world-building woman Fatma Begum, silhouette styler Lotte Reiniger, and fantastic filmmaker Tazuko Sakane. And. . . cut! Logo by: Alexia Ibarra Editing by: Lexi Simms Music by: Alana Stolnitz Special Guest: Erika Stolnitz A full text transcript of this show, as well as merch, sources, attributions, and further readings, can be found at ladyhistorypod.com Support us on Patreon for just $1: www.patreon.com/ladyhistorypod Follow us on Twitter, TikTok & Instagram: @ladyhistorypod Have a question? A business inquiry? Contact: ladyhistorypod@gmail.com Leave us an audio message for a chance to be featured in the show: anchor.fm/ladyhistory/messages Special thanks to anchor.fm for sponsoring our podcast.

Phantom Galaxy proudly presents the first episode in a brand new series called 'The Illustrated Fan', a podcast dedicated to animation and the fine arts that inspire it. Dave Becker and Nathan Bartlebaugh, occasionally joined by Bill Van Veghel and other guests, will explore different shorts tv shows and films in the world of animation, covering all variety of styles including hand-drawn, stop motion, computer generated, and everything in between.  On our first episode we are joined by Bill to discuss the short films 'The Mysterious Geographic Explorations of Jasper Morello' and 'Neko Jiro So, or Cat Soup'. Then we dive into one of the oldest existing animated films, 'The Adventures of Prince Achmed' by Lotte Reiniger. Our second feature is the trippy science fiction epic 'Fantastic Planet' by Rene Laloux. Then we share the listener messages and our first honorary voice mail from Greg Bensch.  So, strap in and get ready for a trip through animation history with The Illustrated Fan! The Shorts and Features: Jasper Morello: https://www.youtube.com/watch?v=0VfOyomcrrs Cat Soup: https://www.youtube.com/watch?v=XlLBX4EIlJY The Adventures of Prince Achmed: https://vimeo.com/502591429 Video of Reiniger's animation process: https://www.youtube.com/watch?v=4jTOGSzBlTo Fantastic Planet: https://www.youtube.com/watch?v=lFAj_0_KnDU Dave's other places on the internet:Film blog: DVD Infatuation.comOn Twitter: @DVDinfatuationOn Facebook: DVDinfatuationOn Instagram: @dbjb6972On Letterboxd: @dcoshockhmpYouTube Channel: Visit W3Schools Dave Becker's Podcasts:Horror Movie PodcastLand of the Creeps horror podcast   Bill Van Veghel: Other places to find Bill: https://www.facebook.com/bvanveghel https://letterboxd.com/billhorrorguy/ https://landofthecreeps.blogspot.com/   Don't miss this episode, and check us out at all the places below:  www.phantomgalaxy.podbean.com Twitter: @fantomgalaxy You can also find us on Facebook at: The Phantom Galaxy Podcast  You can also contact us and share your recommendations for show topics and stuff to review (books, beer, movies, whatever!) or leave us a Phantom Rant at Phantomcasts@gmail.com       

"Wer den Stein wirft, vergisst ihn sofort. Wen den Stein trifft, denkt ein Leben daran." laStaempfli wollte dieses angolanische Sprichwort zum männlichen Blick in der Filmwelt eigentlich zitieren, fand aber ihre Notizen nicht mehr, um elegant in den Wochenrückblick zu schwenken: Die Rohnerin schafft es umso besser und sagt den wichtigen Satz: "Feminismus ist kein Begriff, den mann einfach so füllen kann, wie es einem grad passt. Feminismus ist eine Begrifflichkeit, eine Wissenschaft, Allgemeinwissen, Grundlagenforschung, Ausgangsposition in einem. Dieser Begriff hat eine Geschichte." Fabelhaft. Der feministische Wochenrückblick entschädigt die Rohnerin & laStaempfli wie auch unsere Mitfeminist*innen über die unzähligen Verletzungen, die wir ständig aushalten müssen, WEIL WIR MIT SOLCHEN IGNORANTEN manchmal täglich konfrontiert werden.

The Christmas spirit is finally in the air, with Chris and Alex using Episode 63 of the podcast as their annual opportunity to discuss all things seasonal - this time examining the fantasy of Christmas advertising, and the repeated role played by animation in the construction of festive commercials, television ads and brand promotions. They are joined in their Yuletide deliberations by Dr Malcolm Cook, Associate Professor in Film Studies (University of Southampton), whose numerous publications include the monograph Early British Animation: From Page and Stage to Cinema Screens (2018) and the co-edited collection (with Professor Kirsten Moana Thompson) Animation and Advertising (2019). Listen as they discuss the style and form of the following selection of Christmas-themed animated advertisements: Lotte Reiniger’s “Christmas is Coming” (1951) made in collaboration with the General Post Office (GPO) informing audiences about the last postal dates; “The Flintstones - Cocoa Pebbles” (1985) that provides a playful prehistoric retelling of Charles Dickens’ A Christmas Carol; the stargazing and fizzy drink-loving marine mammals of Coca-Cola’s “Polar Bears (Northern Lights)” (1993); the mixed media John Lewis advert “The Bear and The Hare” (2013) influenced by the sentimentality of Disney’s animated animals; Cartier’s 2016 luxurious offering titled “Winter Tale” replete with spectacular digital effects; and Hershey’s recent musical commercial “Heartwarming the World (Play the Kisses)” (2018) set to the tune of We Wish You a Merry Christmas. Topics include the entwined historical and formal exchange between the animation and advertising industries; the role of desire, enchantment and the magical-making quality of Christmas-as-fantasy (including thematic connections to the “film blanc”); the challenges of archiving animated advertising and its many pioneers; the value of analysing animation’s place within a variety of popular cultural experiences; the politics of audiovisual capitalist consumption and the business of Christmas; and the ways in which global brands historically lean in and out of the festive period through highly-animated commercial enterprises.

Wenn einem Regisseur ein Film floppt, dann ist das eben so. Schließlich scheitert doch jeder mal! Und eine zweite Chance hat auch jeder verdient! Wenn dagegen eine Regisseurin scheitert, sieht diese Geschichte ganz anders aus. Dann stehen die Chancen, nochmal einen Film mit großem Budget zu bekommen, eher schlecht. So ist es zumindest in der Geschichte von Lexi Alexander (Hooligans), die Martin in dieser Episode erzählt. Nur bei 10,7% der 100 finanziell erfolgreichsten Filme haben Frauen (mit) Regie geführt. Spoiler: Das ist nicht die Schuld von Frauen. Der erste abendfüllende Animationsfilm? Das muss doch Schneewittchen und die sieben Zwerge aus dem Jahr 1937 von Walt Disney sein! Naja. Nein. Das ist zwar die Antwort, die man vielerorts lesen und hören kann, aber leider die Falsche. Der älteste noch erhaltene abendfüllende Animationsfilm stammt aus einem kleinen Potsdamer Studio und aus der Feder – oder viel mehr der Schere – von Lotte Reiniger. Die Abenteuer des Prinzen Achmed aus dem Jahr 1926 ist ein sogenannter Silhouettenfilm. Was das ist, warum die Filmemacherin Lotte Reiniger heute kaum jemand kennt und warum ihr bekanntester Film ein finanzieller Flop war, erzählt Lucas in dieser Episode.

The Dames return to cover the history of early and silent cinema, why it's so important, and how women basically did everything first.  The birth of motion pictures and the Silent Film era  Lumieres vs. Melies The development of the mobile camera and continuity narrative Different film industries and influences (Hollywood, Weimar cinema/expressionism, etc.) - how techniques, images, themes, etc. continue to influence filmmaking TODAY Early female filmmakers and artists, including Alice Guy-Blaché, Frances Marion, Mary Pickford, Lotte Reiniger, Marion E. Wong, and Lois Weber.   

Connor & Riley take a look at a film unlike any other: Waltz with Bashir. This one of a kind animated/documentary/autobiographical pic has both an intriguing storytelling style and animation style. Listen in as they discuss what it takes to make an animated film like this and how a movie like this would be almost impossible to make in the U.S.WARNING: Major spoilers for Waltz with Bashir & James and the Giant PeachFollow us:Facebook: https://www.facebook.com/rulesoftheframe/Instagram: https://www.instagram.com/rulesoftheframeTwitter: https://twitter.com/RulesOfTheFrameFilms mentioned in this episode:--------------------------------Waltz with Bashir (2008) | Dir. Ari FolmanThey Shall Not Grow Old (2018) | Dir. Peter JacksonA Scanner Darkly (2006) | Dir. Richard LinklaterThe Congress (2013)| Dir. Ari FolmanThe Princess Bride (1987) | Dir. Rob ReinerThe Triplets of Belleville (2003) | Dir. Sylvain ChometThe Adventures of Prince Achmed (1926) | Dir. Lotte Reiniger, Carl KochThe Lord of the Rings Trilogy (2001-2003) | Dir. Peter JacksonBlacKkKlansman (2018) | Dir. Spike LeeToy Story 3 (2010) | Dir. Lee UnkrichBeauty and the Beast (1991) | Dir. Gary Trousdale, Kirk WiseUp (2009) | Dir. Pete DocterWALL-E (2008)| Dir. Andrew StantonKung Fu Panda (2008) | Dir. Mark Osborne, John StevensonBolt (2008) | Dir. Byron Howard, Chris WilliamsChicken Little (2005) | Dir. Mark DindalMeet the Robinsons (2007)| Dir. Stephen J. AndersonTangled (2010) | Dir. Nathan Greno, Byron HowardFrozen II (2019)| Dir. Chris Buck, Jennifer LeeToy Story 4 (2019)| Dir. Josh CooleyI Lost My Body (2019)| Dir. Jeremy ClapinThe Missing Link (2019)| Dir. Chris ButlerParaNorman (2012)| Dir. Chris Butler, Sam FellCoraline (2009) | Dir. Henry SelickBoxtrolls (2014) | Dir. Graham Annable, Anthony StacchiKubo and the Two Strings (2016) | Dir. Travis KnightJames and the Giant Peach (1996) } Dir. Henry Selick

Instead of something new, I've got your something old today. In the 1920s and 30s Lotte Reiniger was a German animator creating extraordinary films of fairy tales and myth using paper and a light board. Check out some of her works! Cinderella (Aschenputtel) - 1922 The Magic Horse - 1953 The Art of Lotte Reiniger Also mentioned, Jesse Hawthorne Ficks hosts Midnights for Maniacs in San Francisco. Worth your time when you're in town.

Conrado and Rachel both love animation so they were thrilled to talk about the oldest existing animated film, 'The Adventures of Prince Achmed' by animator Lotte Reiniger from 1926 Please follow us on itunes and leave you ratings and reviews https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904 For Rachel's Obscure Animation review of 'The Adventures of Prince Achmed' https://www.youtube.com/watch?v=oQit4qs5RUY For Rachel's blog review of 'The Adventures of Prince Achmed' https://rachelsreviews.net/2015/06/21/adventures-of-prince-achmed-review/ Follow us on anchor https://anchor.fm/criterionproject Please follow our twitter at https://twitter.com/criterionpod Our intro is written by Michael Lloret. Please use him for all your music needs https://www.michael-lloret.com/ Listen to Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Conrado's blog cocohitsny.wordpress.com/ Follow Conrado on twitter @CocoHitsNewYork Follow Rache's blog at rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 --- Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support

Hoy hablamos de un tema que nos encanta, la animación, concretamente de una mujer extraordinaria que contaba historias a través de siluetas. Nos referimos a Lotte Reiniger, una auténtica pionera que hizo animación antes incluso que el mismísimo Walt Disney.

With the release of Snow White, Walt Disney became an international success story, patenting his famous multiplane camera and reinventing animation into a viable format for a feature-length film, except someone else did it first and her name was Lotte Reiniger.

Viele Hinterbliebene fühlen sich mit dem Nachlass aus einem Künstlerleben überfordert. Wie trennt man Wichtiges von Unwichtigem? Wie erfasst man die Werke systematisch und wo können sie gelagert werden? Nicht jeder Künstler bekommt sein eigenes Museum oder wird in eine Museumssammlung aufgenommen. Wie und nach welchen Kriterien können Künstlervor- und –nachlässe bewahrt werden? Im Podcast spricht Dr. Britta Kaiser-Schuster, Dezernentin der Kulturstiftung der Länder, über von ihr betreute Nachlässe und stellt das Positionspapier der Kulturstiftung der Länder zum Umgang mit Künstlervor- und –nachlässen vor, das sie verfasst hat. Als Dezernentin der Kulturstiftung der Länder hat Dr. Kaiser-Schuster bereits 20 mal die Überführung von Nachlässen in Museen verantwortet, Sammlungen von so bedeutenden Künstlern wie Ernst Barlach, Umbo, Wilhelm Lehmbruck, Marianne Hoppe oder Lotte Reiniger.

En esta píldora de Viaje por la Historia rescatamos algunos hitos históricos ocurridos durante el mes de junio. Lotte Reiniger, Rosa Chacel y Christina Broom aparecen en algunos de ellos.

Genius or jerk? In this episode we give a few anecdotes from the work and business practices of seminal Walt Disney that only begin to touch on this complicated question. There's a reason why Walt holds a record for the most Academy Awards, and why Mickey Mouse is one of the most globally recognized figures. We talk about Walt Disney the man's vision and insane attention to detail, and Walt Disney the company's theme parks and copyright practices. • It all started with Snow White, which was not only the first full-length cel animated feature film, it was also the first Disney animated feature film. So yeah, Soo Zee was right. Technically, it's the first of the 15 official "Walt Disney Classics" home videos. • Before Snow White, Lotte Reiniger had already made a full-length animated feature called The Adventures of Prince Achmed. Disney didn't just know about it, he studied it, and even adopted her pioneering multi-plane camera setup. He then of course patented it https://patents.google.com/patent/US2201689A/en Her work is incredible. Watch it if you have some time, and try to remember her first feature came out a full decade before Disney's first did. • Disney's pre-Mickey character's full name was Oswald the Lucky Rabbit. Universal snatched the rights for Oswald. Mickey Mouse was intended to be a replacement character for Disney. • An old behind-the-scenes look at the cel animation for Snow White https://www.youtube.com/watch?v=OebUzEhSLBI • Leigh said Toy Story was the first 3D animation film. To be more specific, Toy Story was the first feature-length film to be entirely computer-animated. • Dustin Curtis originally broke down the amazing speaker work at Disney World in an article titled "How Mr. Q Manufactured Emotion," but the article has since been removed from his site. You can read a snippet here https://boingboing.net/2009/11/08/how-the-ambient-soun.html Ramit Sethi shares even more details from Disney World https://growthlab.com/behind-scenes-disney-world-w-ramit-sethi • Speaking of Disney World, Max Krieger has a great take on why the 1994 version of Tomorrowland is the greatest https://twitter.com/maxkriegervg/status/951497989381656576 • Here's a quick little primer on Disney's copyright law practices from Adam Ruins Everything https://www.youtube.com/watch?v=SiEXgpp37No • It's not just me that's not sure this is a great practice for cultural development! There are tons of angry people who are clearly rankled by Disney's copyright policies https://twitter.com/eevee/status/1064327801908555776?s=20 • The Lion King bears some unmistakable resemblances to Kimba the White Lion. Here's a side-by-side comparison of the two https://www.youtube.com/watch?v=vHps2iC8W3o • The copyright infringement case about murals in schools was actually for Mickey, Minnie, and Goofy and not Snow White. https://www.snopes.com/fact-check/daycare-center-murals/ • In case you're curious, here's an article about Zara stealing indie pin designers' work https://jezebel.com/zara-appears-to-have-stolen-over-40-pin-and-patch-desig-1784271292

La fama del sassofonista Phillip Johnston, uno dei protagonista della nuova scena di avanguardia newyorkese emersa negli anni ottanta, è legata soprattutto al brillante gruppo Microscopic Septet di cui è stato co-fondatore (all'inizio ne ha fatto parte anche John Zorn). Nel 2005 Johnston si è trasferito a Sidney, dove lavora con diversi dei migliori musicisti australiani. Con alcuni di loro ha dato vita a Phillip Johnston and the Coolerators, di cui Diggin' Bones è l'album di esordio. Johnston ha una lunga esperienza come autore di musica da film e di musiche per film muti (e sul tema dei film muti ha scrito anche saggi ed è intervenuto a convegni). The Adventures of Prince Achmed è una brillante e godibilissima colonna sonora realizzata per dare una veste musicale contemporanea (quella originale era di carattere sinfonico) al film dallo stesso titolo, un pionieristico esempio di cinema di animazione creato nel 1926 in Germania dalla regista Lotte Reiniger con una tecnica che si rifaceva a quella delle ombre cinesi.

La fama del sassofonista Phillip Johnston, uno dei protagonista della nuova scena di avanguardia newyorkese emersa negli anni ottanta, è legata soprattutto al brillante gruppo Microscopic Septet di cui è stato co-fondatore (all'inizio ne ha fatto parte anche John Zorn). Nel 2005 Johnston si è trasferito a Sidney, dove lavora con diversi dei migliori musicisti australiani. Con alcuni di loro ha dato vita a Phillip Johnston and the Coolerators, di cui Diggin' Bones è l'album di esordio. Johnston ha una lunga esperienza come autore di musica da film e di musiche per film muti (e sul tema dei film muti ha scrito anche saggi ed è intervenuto a convegni). The Adventures of Prince Achmed è una brillante e godibilissima colonna sonora realizzata per dare una veste musicale contemporanea (quella originale era di carattere sinfonico) al film dallo stesso titolo, un pionieristico esempio di cinema di animazione creato nel 1926 in Germania dalla regista Lotte Reiniger con una tecnica che si rifaceva a quella delle ombre cinesi.

La fama del sassofonista Phillip Johnston, uno dei protagonista della nuova scena di avanguardia newyorkese emersa negli anni ottanta, è legata soprattutto al brillante gruppo Microscopic Septet di cui è stato co-fondatore (all'inizio ne ha fatto parte anche John Zorn). Nel 2005 Johnston si è trasferito a Sidney, dove lavora con diversi dei migliori musicisti australiani. Con alcuni di loro ha dato vita a Phillip Johnston and the Coolerators, di cui Diggin' Bones è l'album di esordio. Johnston ha una lunga esperienza come autore di musica da film e di musiche per film muti (e sul tema dei film muti ha scrito anche saggi ed è intervenuto a convegni). The Adventures of Prince Achmed è una brillante e godibilissima colonna sonora realizzata per dare una veste musicale contemporanea (quella originale era di carattere sinfonico) al film dallo stesso titolo, un pionieristico esempio di cinema di animazione creato nel 1926 in Germania dalla regista Lotte Reiniger con una tecnica che si rifaceva a quella delle ombre cinesi.

With the release of Snow White, Walt Disney became an international success story, patenting his famous multiplane camera and reinventing animation into a viable format for a feature-length film, except someone else did it first and her name was Lotte Reiniger.

Hello and welcome to fifteenth episode of Fanboy Nation’s Toon-In-Talk, your rendezvous for animation interviews. During research for her book on Lotte Reiniger, Whitney was using the British Film Institute’s website for information. She came across some great animation information, not just about Reiniger, but also about British animation. Jez Stewart in the BFI’s Animation Animation Curator and during this interview he discusses British animation history, the BFI’s animation holdings, and other fun facts about working in a renowned film archive. Show Notes Jez Stewart is the Animation Curator at the British Film Institute (BFI) and he has worked there for fourteen years. He started as an acquisitions assistant and slowly his worked his way up to his current position. Jez describes his work at a mixture of “spreadsheets and boxes of delights.” He works with all the old goodies, including some of the earliest animated films ever made. Jez explains the decomposition of old film stock and how they must store some films at very cold temperatures. The BFI is the UK’s lead body of film, created in 1933, and its purpose is to ensure that all moving images are preserved, shared with people, and exhibit British culture. The BFI’s collection scope if very large. They have work from studios that closed down, wanted to clean out their closets, and more. A large portion of the work is commercial, but they also include material from feature films and other entertainment venues. Housed in the archive is Bob Godfrey’s work, WWI films that make fun of the Kaiser, public information films, the Halas and Batchelor films (they made Animal Farm). Jez explains some of the ways the BFI preserves the films and how the BFI decides to share the material. One of the worst roadblocks is copyright. British animation has gone up and down in the amount of popularity. It was very big in the 1950s when TV was new, then the funding dried up. Channel 4 money helped animation flourish again in the 1980s-1990s, but then it dried up again. Aardman Studios, which made the Wallace and Gromit series and Shaun the Sheep, is the most well-known British animator. Jez is also a fan of Michael Please, Harry Harlow, and others. A lot of British animation exported to the US are children’s shows. Whitney and Jez discuss how foreign feature films are viewed in the US and the UK. They also discuss how sometimes restoration can ruin a film’s integrity and how sometimes there is no school like the old school. The BFI is trying to put more content on the Internet and share more animation film packages to share with audiences, and Jez wants to write a history of British animation. Whitney and Jez both want to see more animation from British animators, especially a feature film.

Hello and welcome to the second episode of Fanboy Nation’s Toon-In-Talk, your rendezvous for animation interviews. This episode features the animation jack-of-all-trades Scott Christian Sava, who is currently writing and directing the brand new animated feature film Animal Crackers. Scott is known for his animated work for such studios as Cartoon Network, Disney, Nickelodeon, Paramount, Universal, Lucas Film, and more. He’s also written the excellent webcomic The Dreamland Chronicles. In episode two, Whitney and Scott talk about his career Show Notes Whitney gets some housekeeping out of the way: check out the new Toon-In Talk Website and feel free to contact her about suggesting or being a guest on the show. Naybeth Díaz designed the extra cool Toon-In Talk logo and cover art. Whitney shares some details on her new book about Lotte Reiniger and the first animated movie ever created. Scott is storyteller. He writes the thrilling webcomic The Dreamland Chronicles and recently he started production on a full length animated movie called Animal Crackers. Another of his books The Luckiest Boy was put into production buy another studio. In 1990, became an intern at Sega and tried his hand at being an animator. He worked animation jobs during the day and worked on comic books at night. He never had any groundbreaking training in animation, just tried his hand at many things. Scott was doing A LOT work for Haim Saban Entertainment’s Power Rangers. Because he received so much work, Scott decided to form Blue Dream Studio to keep up with the input. Blue Dream kept growing and it has done work for Spider-Man, X-Files, Alien vs. Predator, and more. Blue Dream speciality is character animation. They’ve fleshed out TV pilots for Cartoon Network and Nickelodeon as well as animation for videogames. The Dreamland Chronicles is inspired by Winsor McCay’s Little Nemo in Slumberland. Scott draws his inspiration from other people’s work and says his own creations are amalgamation of them. Before he started Animal Crackers, Scott didn’t think he could write a script. Through encouragement, he wrote a script and some animation contacts helped him get production started. During the process, he learned that he had to become to producer to get the movie made. Tony Bancroft will be co-directing the movie with Scott. Tony was a Disney animator who worked at the Mouse House during the Disney Renaissance. Dean Lorey will be the writer and he’s worked on Arrested Development, My Wife and Kids, and Major Pain. To find a character designer, Scott did an IMDB search of movies he like. He signed Carter Goodrich for the character designer and he’s worked on Finding Nemo, Monsters Inc., and The Croods. To create the Animal Crackers short, Scott put on his producer hat and persuaded his animation friends to make it. The movie is about a guy named Owen who inherits a circus and a box of animal crackers from his uncle. He learns that the animal crackers are magical and transform the eater into whatever animal the shape of the cookie is. Whitney and Scott talk about magical animal cookie logistics. Scott is also the art director for his film and might even do a voice. It’s a small budget film, so he’ll be doing a lot of jobs on the movie. Scott explains what a bondsman is and Whitney wonders if he’s taking lessons from The Thief and the Cobbler. Whitney is curious about who will be providing music for the movie and Scott wants to see if he can do a rock n’ roll cover of Shirley Temple’s “Animal Crackers.” Scott’s sons and his extended family want parts in the film. The movie is projected to come out in fall 2016. Whitney tries to guess who the film’s distributor is.

Hello and welcome to twenty-third episode of Fanboy Nation’s Toon-In-Talk, your rendezvous for animation interviews. It’s also time for the third round of interviews for the Ladies of Animation Month, Whitney Grace’s yearly tribute to women who work in the animation industry and mission to inspire girls to pursue their animated ambitions. Kirsty Scanlan is the co-president of the Women in Animation organization. Kirsty fell into animation when she worked at Threshold Entertainment and fell in love with the medium. She is currently Technicolor’s Vice President of Business Development for Technicolor’s Animation and Games group. Whitney and Kristy discuss Kristy’s career the current state of women in the animation industry, and their hopes for the future. Show Notes Home Podcasts Toon-In-Talk Toon-In Talk Episode 23: Interview with Kristy Scanlan Toon-In Talk Episode 23: Interview with Kristy Scanlan Podcasts Toon-In-Talk November 24, 2015 Whitney Grace Save VANAPHASE™ the Vanadium powerhouse! Hello and welcome to twenty-third episode of Fanboy Nation’s Toon-In-Talk, your rendezvous for animation interviews. It’s also time for the third round of interviews for the Ladies of Animation Month, Whitney Grace’s yearly tribute to women who work in the animation industry and mission to inspire girls to pursue their animated ambitions. Kirsty Scanlan is the co-president of the Women in Animation organization. Kirsty fell into animation when she worked at Threshold Entertainment and fell in love with the medium. She is currently Technicolor’s Vice President of Business Development for Technicolor’s Animation and Games group. Whitney and Kristy discuss Kristy’s career the current state of women in the animation industry, and their hopes for the future. Episode 23 Kristy Scanlan entered the entertainment industry right of college and worked in live action script development, but when she worked at Threshold Entertainment they had an animation studio. She became more involved in the animation side of the studio and fell in love with it. When Kristy was at Threshold Entertainment, she worked on projects for Lego, Marvel, DC, and some theme parks. She currently works at Technicolor and is in charge of business development for their studio in Bangalore, India. One of the services her studio provides is CG outsourcing and her clients include DreamWorks, Nickelodeon, Electronic Arts, Activision, Rockstar Games, Capcom, 2K, Sony Computer Entertainment. Kristy’s other job was helping revamp the Women In Animation organization to give it new life and help women launch their careers in the animation industry, including networking, educational seminars, and giving them a voice. 70% of women in art schools want to become animators, but only 20% actually work in the animation industry. Women In Animation’s goal is to have a 50/50 workforce in the animation industry by 2025. Women In Animation has made strong movements since the organization’s revamp in October 2013. The entire goal is to empower women, get jobs, and succeed in a field usually dominated my men. Whitney and Kristy discuss old-fashioned hiring practices and how they could evolve in the future. Women In Animation is for more diversity not only in the animation industry, but also diversity in culture as a whole. Self-doubt is one of the biggest barriers that women face. Kristy shares her experience about females working in the animation industry. She says that things have improved since the 1950s, but there is a whole lot of room for improvement. Whitney points out that Lotte Reiniger, the first female animation director in the world, is usually a footnote in history books. Kristy talks about the Annecy International Film Festival. She declares 50/50 by 2025!

Hello and welcome to third episode of Fanboy Nation’s Toon-In-Talk, your rendezvous for animation interviews. Whitney decides to interview a special part of the animation industry with her special guest Britni Brault, a talented and prominent paper artist. Britni has created paper sculptures for the Walt Disney Company and it’s possible you have seen some of her work at the parks. She also makes pieces for other studios and clients. Britni and Whitney discuss everything from what a paper sculpture is to copyright laws. Show Notes Britni details her background as a wife, mom, and a professional, freelance paper artist. Britni explains there are different kinds of paper artists and what type she is. While in art school, Britni discovered that paper was the only medium that made her feel satisfied as an artist. People contract her to make a piece. Sometimes clients know exactly what they want and other times they ask Britni to use her imagination to create a piece. She discusses her creative process when designing a client’s project. A maquette is a simplified version of the larger piece Britni will sculpt. Whitney and Britni talk about different paper artists, their careers, and how they work with clients. Disney is one of Britni’s biggest clients, but she can’t discuss any of the projects she currently has them. She got her job with Disney by entering a D23 contest and winning with a Mary Poppins sculpture. People started contacting her and since then she has been networking and working. All of her Disney projects have been very inspiring and she has to work a bit harder to please her other clients. Britni uses many copyrighted characters in her pieces. According to copyright law she is allowed to use the characters in “one-off” pieces. Translated that means she can’t make more than one copy. They both share their views and experiences with copyright law and fans respecting intellectual rights. Artists usually incorporate their influences in their own unique style. Whitney can’t help but mention her favorite paper artist Lotte Reiniger. Britni has considered making her own stop-motion short, however, she considers storytelling to be her weak point. She is a work horse, however. Both agree that paper is a versatile medium and would love to see a movie using entirely paper. Britni shares some views on the Disney Renaissance and how a lot of creative ideas come out times of desperation. She’s not a very big fan of 3D movies and she has a neat idea for something that can replace. They discuss how creepy Coraline is and how much they love Jim Henson. In November she worked on a Disney villains project for Van Eaton Galleries. Britni is an inspiration for not only paper artists, but other artists as well.

No programa de hoje vamos conversar sobre animações dirigidas por mulheres, o impacto e os problemas da indústria, destacando As Aventuras do Príncipe Achmed (Die Abenteuer des Prinzen Achmed, 1926) de Lotte Reiniger, Valente (Brave, 2012) de Brenda Chapman e Frozen- Uma Aventura Congelante (Frozen, 2013) de Jennifer Lee. O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste e Raquel Gomes, do Cinematório e Moda Útil. Mais informações: http://anticast.com.br/2018/11/feitoporelas/feito-por-elas-63-animacoes/ Feedback: contato@feitoporelas.com.br Edição: Isabel Wittmann e Felipe Ayres Pesquisa e pauta: Isabel Wittmann Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

The Dead Ladies Show is a series of entertaining and inspiring talks about women who achieved amazing things against all odds, presented live in Berlin. This podcast is based on that series. Because women's history is everyone's history. In this episode, DLS co-founders Katy Derbyshire and Florian Duijsens take over for your regular host Susan Stone, so she can tell you all about Lotte Reiniger. As a girl in Berlin, Lotte started cutting intricate paper silhouettes; her talent and dedication led her to become a pioneer of animation and film starting at a very young age. Her 1926 film The Adventures of Prince Achmed is the first full-length feature animated film — take that Walt Disney! Disney claimed the honor for his 1937 Snow White, and also patented one of Lotte's inventions, but she persevered to become a resepcted favorite who has inspired generations. Her signature style can be seen in everything from Bjork videos to Harry Potter films. Plus, we reveal some exciting DLS news, and Susan gives a shout-out to the ShoutOut Live! Radical Women podcast festival and some of the rad women she met there. See clips and pix of Lotte's work at: deadladiesshow.com/2018/07/25/podcast-11-lotte-reiniger Follow us on social media @deadladiesshow and please share, rate, and review the show as it helps others to find our feminist women's history podcast The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced, edited, and presented by Susan Stone. We now have a Patreon! https://www.patreon.com/deadladiesshowpodcast

Novelist, critic and cultural historian Marina Werner and Peter Bloom (Film and Media Studies, UCSB) engage Lotte Reiniger’s The Adventures of Prince Achmed (1926) from several angles. They discuss the film’s astounding technical craft, Reiniger’s addition of feminist perspectives to the narrative, and the film’s relation to both the Arabian classic 1001 Nights and the French translation/adaptation of that work. Werner and Bloom discuss Reiniger’s relationship to the source material and provide rich historical details about early-twentieth century relations between Europe and what was then called “the Orient.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33756]

Novelist, critic and cultural historian Marina Werner and Peter Bloom (Film and Media Studies, UCSB) engage Lotte Reiniger’s The Adventures of Prince Achmed (1926) from several angles. They discuss the film’s astounding technical craft, Reiniger’s addition of feminist perspectives to the narrative, and the film’s relation to both the Arabian classic 1001 Nights and the French translation/adaptation of that work. Werner and Bloom discuss Reiniger’s relationship to the source material and provide rich historical details about early-twentieth century relations between Europe and what was then called “the Orient.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33756]

Novelist, critic and cultural historian Marina Werner and Peter Bloom (Film and Media Studies, UCSB) engage Lotte Reiniger’s The Adventures of Prince Achmed (1926) from several angles. They discuss the film’s astounding technical craft, Reiniger’s addition of feminist perspectives to the narrative, and the film’s relation to both the Arabian classic 1001 Nights and the French translation/adaptation of that work. Werner and Bloom discuss Reiniger’s relationship to the source material and provide rich historical details about early-twentieth century relations between Europe and what was then called “the Orient.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33756]

Novelist, critic and cultural historian Marina Werner and Peter Bloom (Film and Media Studies, UCSB) engage Lotte Reiniger’s The Adventures of Prince Achmed (1926) from several angles. They discuss the film’s astounding technical craft, Reiniger’s addition of feminist perspectives to the narrative, and the film’s relation to both the Arabian classic 1001 Nights and the French translation/adaptation of that work. Werner and Bloom discuss Reiniger’s relationship to the source material and provide rich historical details about early-twentieth century relations between Europe and what was then called “the Orient.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33756]

To celebrate Into Film's Women in Animation film screenings taking place from 5 - 9 March 2018 across the UK, we discuss the oldest surviving animated film in the world. Created by director Lotte Reiniger in 1926, this cut out animation is a magical fantasy adventure which will delight young children everywhere and inspire them to use this simple storytelling technique to make their own animations. Film: https://www.intofilm.org/films/4433 Cut Out Animation Film List https://www.intofilm.org/films/filmlist/92 Lotte Reiniger https://www.bbc.com/ideas/videos/the-animation-genius-youve-probably-never-heard-of/p05t9bsn?playlist=unsung-heroines Women in Animation free film screenings https://www.intofilm.org/news-and-views/articles/spring-screenings-2018 International Women’s Day (8 March 2018) https://www.intofilm.org/news-and-views/articles/spring-screenings-2018 Anim18 https://twitter.com/anim18uk?lang=en-gb

Kommt mit in die wunderbare Welt, in die Dan uns geführt hat, der nicht nur ein außerordentlich toller Gesprächspartner war, sondern auch noch Trickfilmer ist, wow, wow, wow!! ;) Hier sind noch Links über die Themen, über die wir gequatscht haben: - 1. Projekt: Lege-Tisch-Technik „In my dreams“: https://www.youtube.com/watch?v=_30LLr4XMV8 - Lotte Reiniger – Legetisch-Technik – Coldmirror – „Schlampig animieren“ Tincon VIDEO: https://www.youtube.com/watch?v=KKfTCq-K20k - Trikk 17: http://www.trikk17.com/ - Wisch & Mobb: https://www.youtube.com/watch?v=CV2C5RIOJYI - Schmetterling krabbelt über die Hand „Farbenspiel“: https://www.youtube.com/watch?v=PQb7io3dCjo - Hamburg Animation Award: http://www.hamburg-animation-award.de/home/ Schaut doch mal bei Dan vorbei: YouTube: https://www.youtube.com/channel/UCG4_RDMT_DIC0NrUkoDkJIw facebook: https://www.facebook.com/dreamfilmfactory Gefällt dir die Folge? --> Na dann auf, auf, schick sie an deine beste Freundin, den Kumpels vom Bouldern, an deine Omi oder deinen Onkel &&& lass uns eine Bewertung bei iTunes da! Hab Dank, hab Dank! Music by Honey Larochelle Logo by Gooseberry Creative

Es tiempo de disfrutar de la Semana del Cine Alemán que nos regala una gran selección de películas recientes de ese país. Para conocer la selección de este año, las actividades y las sedes, nos visitó Eloísa Suárez programadora cultural del Instituto Goethe, organizador de la Semana del Cine Alemán que inicia el 10 de agosto con Las aventuras del príncipe Achmed de Lotte Reiniger. Learn more about your ad choices. Visit megaphone.fm/adchoices

Es tiempo de disfrutar de la Semana del Cine Alemán que nos regala una gran selección de películas recientes de ese país. Para conocer la selección de este año, las actividades y las sedes, nos visitó Eloísa Suárez programadora cultural del Instituto Goethe, organizador de la Semana del Cine Alemán que inicia el 10 de agosto con Las aventuras del príncipe Achmed de Lotte Reiniger.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 22/10/2015 dedicado a Lotte Reiniger (1899-1981) pionera del cine de animación con siluetas y autora del primer largometraje de animación que se conserva: "Las aventuras del príncipe Achmed" de 1926.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 22/10/2015 dedicado a Lotte Reiniger (1899-1981) pionera del cine de animación con siluetas y autora del primer largometraje de animación que se conserva: "Las aventuras del príncipe Achmed" de 1926.

Film: Die Abenteuer des Prinzen Achmed, DE 1926

Two years ago, Peruvian-born Jossie Malis produced a short animated film called Bendito Machine using Moho (now called Anime Studio). The style was silhouette animation, but not in the fantastic or whimsical vein of Lotte Reiniger or Michel Ocelet; Bendito Machine was instead a darkly funny meditation on power, corruption, greed and religion. Malis has since considered the short as the first part in a ten-part series, and I have no doubt that all seven deadly sins will be covered by the end. This interview is our first collaboration with Directors Notes, and here MarBelle interviews Malis about his quirky creation.