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Historians are working to learn—and share—more about Black settlers in Washington County. On today's show, a conversation about the updated Annotated Bibliography on Black Settler of Washington County Arkansas. Also, XNA has new vending machines offering a necessary good: diapers. Plus, we hear from a company based in the UK that is participating in the Arkansas Global Cycling Accelerator.
What you'll learn in this episode: Which essential jewelry books you should have in your library Why books are so much more reliable than internet research when it comes to gemstones and jewelry Why the Renaissance opened up a new world of adornment An overview of the periods of jewelry and how they overlapped and influenced one another How cultural turning points, like World War II and the South African diamond rush, influenced what materials were used during different time periods About Jo Ellen Cole Jo Ellen Cole is the owner of Cole Appraisal Services and the director of fine jewelry at Abell Auctions. She earned her Graduate Gemologist Diploma at the Gemological Institute of America in Santa Monica and successfully passed the prestigious Gemological Association of Great Britain's FGA examinations. Additional resources: LinkedIn Gemological and Jewelry Books for a Professional Library: GEMOLOGICAL IDENTIFICATION BOOKS Gemstones: Their Sources, Descriptions and Identification, Webster, Robert Gem Testing, Anderson, Basil Handbook of Gemstone Identification, Liddicoat Jr., Richard T. Gem and Ornamental Materials of Organic Origin, Pedersen, Maggie Campbell Gemstones of the World, Schumann, Walter Photoatlas of Inclusions in Gemstones, Vols. 1, 2 and 3, Gubelin, Edward and Koivula, John Color Encyclopedia of Gemstones, Arem, Joel The Spectroscope and Gemmology, Anderson, Basil and Payne, James, edited by Mitchell, R. Keith GENERAL REFERENCE Gemology, An Annotated Bibliography, Sinkankas, John The Complete Handbook for Gemstone Weight Estimation, Carmona, Charles Dictionary of Gems and Gemology, Shipley, Robert The Jewelers Manual, Liddicoat Jr., Richard T. and Copeland, Lawrence L. Gemstone and Mineral Data Book, Sinkankas, John DIAMONDS Diamonds, Bruton, Eric Diamond Cutting: Complete Guide to Cutting Diamonds, Watermeyer, Basil Famous Diamonds, Balfour, Ian Hardness 10, Vleeschdrager, Eddy Diamond Handbook, Newman, Renee Laboratory Grown Diamonds, Simic, Dusan and Deljanin, Branko Fluorescence as a Tool for Diamond Origin Identification – A Guide, Chapman, John, Deljanin, Branko and Spyromilios, George PEARLS Book of the Pearl, Kunz, George F. and Stevenson, Charles Hugh Pearls, Strack, Elizabeth Beyond Price, Donkin, R.A. JADE Jade, A Gemmologist's Guide, Hughes, Richard Jade For You, Ng, John Y. and Root, Edmund COLORED STONES Ruby and Sapphire, Hughes, Richard Emerald and Other Beryls, Sinkankas, John Opal Identification and Value, Downing, Paul JEWELRY HISTORY Brilliant Effects, Pointon, Marcia Understanding Jewelry, Bennett, David, and Mascetti, Daniella Jewelry in America, Fales, Margha Gandy Victorian Jewellery, Flowers, Margaret Transcript: In appraiser Jo Ellen Cole's opinion, the best thing a jewelry lover can have is a well-stocked library. Information on gems and jewelry abounds online today, but much of that information is incorrect. For that reason, Jo Ellen—a Graduate Gemologist who also passed Gem-A's FGA examination—turns to books when she has a question about a specific piece, hallmark or stone. She joined the Jewelry Journey Podcast to share which books she recommends for every jewelry interest; how jewelry trends shifted over the years due to cultural forces; and how to quickly identify the characteristics of different jewelry periods. Read the episode transcript here.
What you'll learn in this episode: Which essential jewelry books you should have in your library Why books are so much more reliable than internet research when it comes to gemstones and jewelry Why the Renaissance opened up a new world of adornment An overview of the periods of jewelry and how they overlapped and influenced one another How cultural turning points, like World War II and the South African diamond rush, influenced what materials were used during different time periods About Jo Ellen Cole Jo Ellen Cole is the owner of Cole Appraisal Services and the director of fine jewelry at Abell Auctions. She earned her Graduate Gemologist Diploma at the Gemological Institute of America in Santa Monica and successfully passed the prestigious Gemological Association of Great Britain's FGA examinations. Additional resources: LinkedIn Gemological and Jewelry Books for a Professional Library: GEMOLOGICAL IDENTIFICATION BOOKS Gemstones: Their Sources, Descriptions and Identification, Webster, Robert Gem Testing, Anderson, Basil Handbook of Gemstone Identification, Liddicoat Jr., Richard T. Gem and Ornamental Materials of Organic Origin, Pedersen, Maggie Campbell Gemstones of the World, Schumann, Walter Photoatlas of Inclusions in Gemstones, Vols. 1, 2 and 3, Gubelin, Edward and Koivula, John Color Encyclopedia of Gemstones, Arem, Joel The Spectroscope and Gemmology, Anderson, Basil and Payne, James, edited by Mitchell, R. Keith GENERAL REFERENCE Gemology, An Annotated Bibliography, Sinkankas, John The Complete Handbook for Gemstone Weight Estimation, Carmona, Charles Dictionary of Gems and Gemology, Shipley, Robert The Jewelers Manual, Liddicoat Jr., Richard T. and Copeland, Lawrence L. Gemstone and Mineral Data Book, Sinkankas, John DIAMONDS Diamonds, Bruton, Eric Diamond Cutting: Complete Guide to Cutting Diamonds, Watermeyer, Basil Famous Diamonds, Balfour, Ian Hardness 10, Vleeschdrager, Eddy Diamond Handbook, Newman, Renee Laboratory Grown Diamonds, Simic, Dusan and Deljanin, Branko Fluorescence as a Tool for Diamond Origin Identification – A Guide, Chapman, John, Deljanin, Branko and Spyromilios, George PEARLS Book of the Pearl, Kunz, George F. and Stevenson, Charles Hugh Pearls, Strack, Elizabeth Beyond Price, Donkin, R.A. JADE Jade, A Gemmologist's Guide, Hughes, Richard Jade For You, Ng, John Y. and Root, Edmund COLORED STONES Ruby and Sapphire, Hughes, Richard Emerald and Other Beryls, Sinkankas, John Opal Identification and Value, Downing, Paul JEWELRY HISTORY Brilliant Effects, Pointon, Marcia Understanding Jewelry, Bennett, David, and Mascetti, Daniella Jewelry in America, Fales, Margha Gandy Victorian Jewellery, Flowers, Margaret Transcript: In appraiser Jo Ellen Cole's opinion, the best thing a jewelry lover can have is a well-stocked library. Information on gems and jewelry abounds online today, but much of that information is incorrect. For that reason, Jo Ellen—a Graduate Gemologist who also passed Gem-A's FGA examination—turns to books when she has a question about a specific piece, hallmark or stone. She joined the Jewelry Journey Podcast to share which books she recommends for every jewelry interest; how jewelry trends shifted over the years due to cultural forces; and how to quickly identify the characteristics of different jewelry periods. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. I met Jo Ellen about six or seven years ago when I was studying for the GG, or the Graduate Gemology degree. In order to pass it, I needed to identify about 18 stones and get them all right, and I only had three chances to do that. This was daunting to me because I'm not a science person; I'm not a math person or anything. I wasn't working with the stones. I wasn't working in a jewelry store, so I really didn't have the opportunity to handle the stones. I called another appraiser, Charlie Carmona, whom we've had on this podcast, and asked him for a recommendation for a tutor. I thought it was a pretty weird recommendation that I was asking for, but he immediately recommended Jo Ellen, and I never looked back. She's been a great tutor. It was a few years ago, but she helped me a lot. She knows a lot about jewelry, and not just jewelry, but I find her extremely knowledgeable about vintage and antique pieces. I have talked to and been to enough appraisers to know that this is its own specialty. She's also been helpful when it comes to directing me to researchers for whatever I need. She pointed me in the right direction. Today, she's going to share with us the books that she thinks will help us with our jewelry journey. Jo Ellen, welcome to the program. Jo Ellen: Thank you so much for having me. I'm happy to be here. Sharon: I'm so glad that you deigned to be on. Now, tell us, with a GG, which is part of the GIA, you can do a lot of things. So, why did you go into appraisal as opposed to other things? Jo Ellen: Well, I found that I was lacking in salesmanship abilities, to say the least. I'm just not a salesperson, but I love to categorize; I love to research. Appraising seemed to fit that bill very well. Plus, when I realized that I was not good at sales, I met Charles Carmona, whom you mentioned before, at American Society of Appraisers—no, it was the AGA. I can't remember what that stands for, but it was a meeting. I met him, and a couple of years later, he asked me to work with him and I jumped on it. It was a wonderful experience. He's still my mentor. He's so knowledgeable and knows so much about appraising. I always feel comfortable talking to him about any problem I might encounter. He's been very instrumental. Sharon: And a big name in the L.A. market, I would say. Jo Ellen: He's really gone worldwide. He has three laboratories in China and Thailand as well. Sharon: I didn't realize that. Jo Ellen: Yeah, he's really opened up his market. He also leads a lot of traveling groups and things. He's very well-known. Sharon: I knew he was well-known in Los Angeles, but I didn't know he was that well-known around the world. Jo Ellen: Having factories in Africa, he's been around doing a lot of different things. Sharon: I've stopped purchasing books when it comes to novels or something like that. I just listen to them. Why should I purchase a book as opposed to listening online when it comes to jewelry? Why should I purchase a jewelry book? Jo Ellen: What I've noticed is that when I go online to research prices of jewelry, which I do often, I find that a lot of the information I find is not correct. I think part of the reason for that is because it's so easy to list something online. It gets your name out there, so people do that. However, they don't always double check their information. There's a lot of misinformation out there. Whereas in a book, it takes a lot longer to set it up, edit it, make sure everything's proper. I've been able to count on the information coming from books a lot better than I have been from online sources. However, I must say there is certainly a good reason to look online as well. Some of the information is very good. It's just that, personally, I feel more comfortable with a book form. Then, you can revisit that if you need to. It's easier to find. Sharon: Do you have to know if it's right or wrong before you look at a book? Jo Ellen: You have to figure that out on your own. But generally, if you have a good background in terms of knowledge of gems and gemology and antique jewelry from reading through books, a lot of times, you'll find that information is incorrect when you go online. Sharon: I know instances where I've found incorrect information about pearls or something like that. I wouldn't say I'm any kind of expert, but I know it's incorrect. Jo Ellen: Yeah. Sharon: Can you tell us quickly what you do every day? What does an appraiser do every day? Jo Ellen: If I'm not reviewing a book for a gemological publication like The Gemologist or Gems & Gemology, which doesn't do book reviews anymore—but a lot of times, I'm asked by people in the industry to review new books. So, I do that a lot, which involves going over the book line by line and figuring out what I think is proper and what isn't, or what is clear and what is not. I do that a lot. I also work at a local auctioneer two days a week, at Abell Auctions, as their fine jewelry director. I'm constantly cataloguing things and looking for prices on things, always encountering something unusual there. You get things from all over the world, and people like to use that venue as a way to sell their items. If I'm not doing that, I'm actually going to people's localities to appraise their jewelry for them, either for insurance purposes or for estate purposes if somebody has passed or wants to set up a trust. I do that a lot, but a lot of my days are spent doing what I love, which is reading. Sharon: You sound pretty conscientious to look at a book that closely when you're writing a book review. Jo Ellen: For me, it's really important to get it right. Generally, most books, even if I don't particularly like them, I can at least validate that their information is correct. I did have one book about a year-and-a-half ago that was just so egregious in its information I had to give it a bad review, which I've never done before. I called up the editor the week before it was due and said, “Why are you even covering this book? It's so awful.” He asked why, and I started pointing out little things. He was like, “Oh,” but he published the review anyhow. I didn't feel great about it because I don't like to slam people for things, but it was just so awful I had to point it out. Sharon: So, we should do our own reading, both online and with books. Jo Ellen: Absolutely. Sharon: Let's talk about a book or books and talk about the history. If you want to learn about the history of jewelry through the ages, what would you look at? Jo Ellen: There are a couple of really good books. When you write a book, it seems like the best formula is always to start at the beginning and take them through the ages. That's what they do with jewelry history. Usually, they'll start with prehistoric jewelry and how jewelry first came to be—it's one of the oldest things that humans have done that marks them as humans—and then it goes through medieval times and Renaissance, and then to Georgian and Victorian and Arts and Crafts or the Aesthetic Period, and then through Art Nouveau and Art Deco and Retro and on up to modern jewelry for today. That's usually how a book on jewelry history is set up. There are couple of really good ones out there that encapsulate what you need to know in terms of jewelry history. Sharon: Before you tell us that, I wanted to tell our listeners that we will have all this information on the website. Yes, take notes, but you don't have to write everything down; it'll be on our website. Jo Ellen: Yeah, I created a list of things that you can look for. One of the main books I recommend for overall jewelry history is a book called “Understanding Jewelry.” It's by David Bennett and Daniela Mascetti, who were both cataloguers at Sotheby's for many years and very knowledgeable in their field. It really helps to set up all those different ages of jewelry and gives wonderful examples and photographs. It's a picture book as well as an informative book, but all the information they offer has always been spot-on. I've learned so much from that book. It's one that I would definitely recommend. Sharon: I've probably seen it in every jewelry office that has books. I see that book. Jo Ellen: It's a great book. It really is. Another good one that's much simpler and has more pictures is a book called “Warman's Jewelry.” Sharon: Warman's? Jo Ellen: Yeah, W-A-R-M-A-N. The second edition was actually written by a good friend of mine, Christie Romero, who has since passed on. She used to be on the Antiques Roadshow. You'd see her on Antiques Roadshow a lot, a very knowledgeable woman. She had started her journey by traveling down to Mexico and learning all about Mexican silver and then just expanded from there. She used to give classes on jewelry at Valley College in Los Angeles. She just knew how to present things in such a way that it was very easy to assimilate that information. It has tons and tons of pictures. It also has a jewelry timeline. It's very thorough for being such an easily read book. There are even some prices in there, I think. It's now an older book, and I think there have been other editions that have been written since hers, but I always liked hers because I'm familiar with it. So, that's another good one that I would offer. Sharon: What about a book if we want to be more specific, like Georgian or Victorian jewelry? It's funny that when you say prehistoric, you could take many of the prehistoric pieces and wear them today and nobody would know the difference. But it seems to jump then to Renaissance. Jo Ellen: Because it has to do with the Dark Ages. A lot of it is about human history and civilization. During the Dark Ages, people were in such terrible shape as a civilization, they didn't have time to decorate themselves, so they usually used items from the past. There wasn't a lot of information coming out between, let's say, the 5th and 13th centuries. Then things started rolling again once society got more stabilized. Sharon: Is there a particular book we should look at if we want to pick up where society picked up? Let's say Georgian. Jo Ellen: There's a really good book on jewels of the Renaissance by Yvonne Hackenbroch. It's quite a tome. It's big, and it goes through the history of civilization as well as jewelry. It talks about the light occurring in the beginning of the Renaissance, when people started realizing there's more to life than just eating and sleeping and staying alive. You can decorate yourself. You can show your social status by what you wear, some of it being jewelry. That's a very good book for the Renaissance period. There's also another Renaissance book called “Renaissance Jewels and Jeweled Objects: From the Melvin Gutman Collection” by Parker Lesley. It shows wonderful examples of Renaissance-oriented jewelry. There's one called the Hope Pearl Jewel. It's this big, baroque pearl that's decorated as the body of a man. It's very well known. It demonstrates jewels like that. Sharon: From there, does it continue to Georgian and Victorian? Jo Ellen: Yeah, there's a really good book, “Georgian Jewelry 1714-1830,” by Ginny Redington and Tom Dawes with Olivia Collings. It's great because I had never seen a book specifically on Georgian jewelry. It's not glamorous jewelry because the techniques weren't there. It's just that people wanted to adorn themselves to help their social status. It's very collectable today. People collect Georgian jewelry all the time. It goes through the period before Queen Victoria took the throne and clarifies a lot of things. And, again, the information is spot-on. I've never had a problem with these books. When I go to confirm that information, I've never had a problem with it. Sharon: I don't collect Georgian jewelry, but I do know it's very hard to find. Jo Ellen: Yeah, it is, but it shows up at different auctions, sometimes in the most unusual places. Even at Abell Auctions you'll see it. People just hold onto these things. A lot of Georgian jewelry isn't available anymore because people would melt down those items to make new items in a newer fashion, such as a Victorian fashion. They would take the stones out, melt down the metals and then either recast them or remake them in some way into a newer-looking form. That's why you don't see a lot of Georgian jewelry anymore. Sharon: How about Victorian jewelry? There seems to be a lot of it. Jo Ellen: There's a lot of Victorian jewelry. Even though people also did it then, where they would melt things down and make a new piece out of older pieces, there is a lot of Victorian jewelry because Queen Victoria, whom that period is named after, wore a lot of jewelry. She was a big jewelry person. She loved jewelry and she used it for sentimental reasons to give imagery, to bestow favor on people. So, there's a lot of it around because people would want to copy her. Everybody started doing that. You'll have mourning jewelry from Victorian times. A lot of historical things happened during her reign, such as the finding of diamonds in South Africa, which changed the diamond market forever. Before then, there were diamonds from Brazil, primarily, or India, but they're very hard to come by and very, very expensive. Once they opened up the diamond fields in South Africa, you started getting a lot more diamond jewelry. Sharon: By mourning, you mean if somebody dies? Jo Ellen: Yeah. A lot of times, when someone would die, they would leave a certain amount of money in their will to make mourning rings or pendants for their friends and family to remember them by. So, you have this memento mori-type jewelry which has its own collecting base. People collect their little pendants, which are like little baskets with a little enamel skeleton inside, little rings that say the man or woman's name written around the inside of the band, all sorts of things like that. It's kind of sweet because, when you think about it, jewelry is one of the few art forms that's worn close to the body. It makes it more sentimental. Sharon: And the diamonds from South Africa, were they different than the other diamonds, besides being less expensive? Jo Ellen: The thing with Brazilian diamonds in particular is that they had what they call a lot of knots in them, where their crystals grow into crystals. You would have these harder-to-polish areas. With African diamonds, it's such a pure form that they're easier to polish. They didn't take as much time to polish, and they didn't break on the wheel the way that some of the Brazilian diamonds would break. Sharon: They used those diamonds in Victorian jewelry? Jo Ellen: They did. Sharon: What books should we look at if we want to learn about Victorian jewelry? Jo Ellen: There is a wonderful book—in fact, I used to know an antique dealer that used to give out these books to his clients because they were wonderfully organized. There's a book called “Victorian Jewelry” by Margaret Flower, and it goes through the different phases of Victorian jewelry. There's an early, a mid and a late phase. What she does is describe exactly what you can see during each of the phases, what types of jewelry. It's very interesting, and it gives you an overall picture of how things came to be during that time period. It's really nicely done. There's a much larger book I'm still reading because it's so big. It's called “Jewelry in the Age of Queen Victoria” by Charlotte Gere and Judy Rudoe. That also has a lot of very specific information on different types of jewelry, the makers during that time. What's interesting is you'll see the same authors over and over again because these people really use it. It's their way to express themselves as a lifestyle, almost. They're wonderful authors, and they do their research and know what they're talking about. So, those are two Victorian jewelry books I would highly recommend. I think they're wonderfully done. Then, if you want to go into French jewelry, there's another book called “French Jewelry of the Nineteenth Century” by Henri Vever. It's an enormously fat book. I'm still reading that one as well, but again, it's jewelry makers. It's huge. It gives makers' information and techniques, and it's beautifully done. That's a good book to have as well. Sharon: First of all, it strikes me that you seem to look at the pictures a lot more. You read. Most people don't read any of the book. They look at the pictures. That's different. Jo Ellen: They have pictures with jewelry; that's sure to entice you to continue looking. Sharon: Then what do you go into? Edwardian and Art Nouveau? Jo Ellen: Before that, there's actually a period called the Aesthetic Period, which is also covered in the “Jewelry in the Age of Queen Victoria” book. It was in the late 1870s through the 1900s. There were certain makers that specialized in it, like Child & Child of London. They would make these beautiful pieces that harkened back to classical times but using new techniques and materials. That was a specific period. It was a very small period, but all the jewelry that was done during that time is beautifully done. There's a book by Geoffrey Munn called “Castellani and Giuliano,” and it talks about that specific time period. For example, Castellani was known for taking antique or ancient jewelry and refiguring it for that time period around the 1900s. Sharon: He was a goldsmith? Jo Ellen: He was a goldsmith. It was actually two brothers who were goldsmiths. One of the brothers was very politically active and lost an arm when they were demonstrating or something. He got put in jail, but the other brother kept on, and then their children took over after them. In Giuliano's case, which was another manufacturer in Rome, he was known for his enamels. You will see jewelry specifically with black and white enamel accenting other colored enamels. The work is beautifully done, and it's very detailed. Sharon: We may be going back a few years. What was Berlin iron, and when was that popular? Jo Ellen: Berlin ironwork, I believe, was like 1840 through 1860. It was a result of people giving up their precious metals for the Prussian Wars that were happening at that time. They would make this Berlin ironwork, which is very delicate and lacey, but it was made out of iron because they didn't want to use precious metals for that; they wanted to use it for warfare. So, they would use ironwork as a substitute for precious metals. There are some beautifully intricate bracelets and necklaces. It looks like lace. It's really beautiful. Sharon: Is it wearable? Jo Ellen: It is wearable. It's kind of a Gothic look, so it's a heavier look. I don't know if you'd want to wear it every day because, again, it's kind of—I hate to say gloomy, but it is kind of a sober look because it's black and the tracery is so fine. But it's certainly wearable. Sharon: After the Aesthetic Period, we have Edwardian and Art Deco. What do we have? Jo Ellen: What we start with is Arts and Crafts, which is actually my favorite period. I have a lot of books on it, but there are a couple that were really good in terms of pushing forward the information I knew. One is a book called “Jewelry and Metalwork in the Arts and Crafts Tradition” by Elyse Zorn Karlin, who's a very active member of the jewelry industry. She gives lectures. It's this wonderful book on Arts and Crafts jewelry and metalwork and leads you through the making of it with the guilds. They tried to restart jewelry guilds in England where everything was made from first to last by the same person. The metal would be drawn and shaped by the person. If enamels were used, they would make the enamels themselves and apply them themselves. The stone setting was done by the same person. That was the beginning of Arts and Crafts, the person making the piece from beginning to end. Usually they're not terribly intricate, but they're beautifully fashioned with a lot of feeling. It's a very comfortable look, and it's infinitely wearable. The first part of Arts and Crafts started around 1883 through 1900. Then there was a repeat of it between around 1920 and 1935, around the same time as Art Deco. What I forgot to mention during the Aesthetic Period was Carl Fabergé from Russia. He did a lot of Aesthetic pieces. Sharon: He did the eggs, right? Jo Ellen: He did the eggs for the Russian monarchy, but he also did jewelry for everyday people. He would make little, miniature enameled eggs for the general Russian population. Those still come up today once in a while. I saw an entire necklace of Fabergé eggs, all in different enamel colors beautifully done. Everything is so beautifully fashioned. You can tell they really took time in every single aspect of the making of that jewel. That's what I love about it. It shows so much attention to detail. Sharon: We will have photos posted on the website. Please head to the JewelryJourney.com to check them out.
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In his farewell episode, Editor-in-Chief Jeffrey Ross takes us on an audio tour of 8 recently published articles. Many thanks to Dr. Ross for hosting 102 episodes of this series! (25:10) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes us on an audio tour of 8 recently published articles in his May episode. (26:49) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
The highly controversial fluoridation program in the U.S. started in the 1940's. But despite over 73 percent of the US population being on a fluoridated community water system, tooth decay remains the most prevalent chronic disease in both children and adults, even though it is largely preventable. Many of the doctors who spoke out against it in the early days were called quacks and shunned. In 2017 a coalition of fluoride opposition groups including the Fluoride Action Network and the Food & Water Watch filed a landmark lawsuit against the EPA to “protect the public and susceptible subpopulations from the neurotoxic risks of fluoride by banning the addition of fluoridation chemicals to water.” This lawsuit is still ongoing due to many delays from the EPA,The case recently revealed government attempts to limit available evidence and avoid having the facts of water fluoridation reviewed in court. There have also been well over 100 studies done since 2015 showing numerous detrimental health issues caused by fluoride including kidney and liver damage, brittle bones and more recently a study showing fluoride can be harmful to pregnant woman and can cause brain-based disorders in their offspring. Today on DTH I have two women involved in the ongoing battle against the EPA we will discussing detail of the suit. They'll be sharing: -The history of fluoride -What fluoride is and how it's made -The landmark studies and health issues associated with fluoride consumption - What we can do to limit fluoride in our daily lives My guests joining me today are Brenda Staudenmaier & Karen Spencer. Brenda is a named plaintiffs in that ongoing lawsuit against the EPA, calling on the EPA to “protect the public and susceptible subpopulations from the neurotoxic risks of fluoride by banning the addition of fluoridation chemicals to water.” Karen is a member representative for the Food & Water Watch mentioned on the in the initial filing. PLEASE SUPPORT our work. It takes time and effort to make these videos. Every little bit helps! **To donate/tip our channel, below through our Paypal. Paypal Donation Link: https://www.paypal.com/donate/?hosted_button_id=6YECDNX33L4KQ Learn More: Fluoride Action Network: https://fluoridealert.org/ Food and Water Watch: https://www.foodandwaterwatch.org/ To make a donation to our lawsuit through Fluoride Alert https://fluoridealert.org/ Lawsuit schedule with Zoom link https://www.fluoridelawsuit.com/ Brenda & Karen email exchange with CDC https://www.fluoridelawsuit.com/actions Annotated Bibliography of Recent Science https://www.fluoridelawsuit.com/science International Academy of Oral Medicine & Toxicology https://iaomt.org/resources/fluoride-facts/ Karen on GreenMed and personal story https://greenmedinfo.com/gmi-blogs/karenspencer https://fluoridealert.org/wp-content/uploads/SalemState2016.09.07.pdf 2006 Bassin study from Harvard on bone cancer https://pubmed.ncbi.nlm.nih.gov/16596294/ Associations of low level of fluoride exposure with dental fluorosis among U.S. children and adolescents, NHANES 2015-2016 https://pubmed.ncbi.nlm.nih.gov/34166938/ NTP website for fluoride review documents https://ntp.niehs.nih.gov/whatwestudy/assessments/noncancer/ongoing/fluoride/index.html NTP draft report https://ntp.niehs.nih.gov/ntp/about_ntp/bsc/2023/fluoride/documents_provided_bsc_wg_031523.pdf Lawsuit filings with CDC emails https://fluoridealert.org/wp-content/uploads/tsca.plaintiffs-filed-redacted-notice.12-15-22.pdf Something in the Water: 12 Steps to Ending Fluoridation in Your Town by Clint Griess https://www.amazon.com/Something-Water-Steps-Ending-Fluoridation/dp/B0BQ58K4NQ The Fluoride Deception by Christopher Bryson https://www.amazon.com/Fluoride-Deception-Christopher-Bryson/dp/1583227008 Stay In Touch with Us! Instagram: @DiscoveringTrueHealth Twitter: @DTrueHealth Facebook: @discoveringtruhealth Rumble: Discoveringtruehealth Listen On: Apple Podcast Spotify Watch On: YouTube www.discoveringtruehealth.com Additional Information: https://www.sciencedirect.com/science/article/pii/S0048969722082523 https://fluoridealert.org/studies/caries05/ https://www.fluoridealert.org/wp-content/uploads/nidr-dmft.pdf https://fluoridealert.org/articles/hileman-1989/ https://iaomt.org/resources/fluoride-facts/ https://www.scbwa.org/sites/default/files/docs_forms_media/fluoride_subcommitte_presentation_scbwa_19_may_2022.pdf https://youtu.be/RCnIJS3bQ3c https://www.democracynow.org/2004/6/17/the_fluoride_deception_how_a_nuclear https://www.hsph.harvard.edu/magazine/magazine_article/fluoridated-drinking-water/ Medical disclaimer: Discovering True Health LLC does not provide medical advice. Discovering True Health and the content available on Discovering True Health's properties (discoveringtruehealth.com, YouTube, and other channels) do not provide a diagnosis or other recommendation for treatment and are not a substitute for the professional judgment of a healthcare professional in diagnosis and treatment of any person or animal. The determination of the need for medical services and the types of healthcare to be provided to a patient are decisions that should be made only by a physician or other licensed health care provider. Always seek the advice of a physician or other qualified healthcare provider with any questions you have regarding a medical condition.
Join us for the 100th episode(!), as Editor-in-Chief Jeffrey Ross takes us on his audio tour of the recently published literature. (26:00) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
In the March episode, Editor-in-Chief Jeffrey Ross takes us on an audio tour of 8 recently published articles. (23:53) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes us on an audio tour of 8 recently published articles in his February episode. (24:15) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Kick off the new year with the first AJNR Blog Annotated Bibliography podcast of 2023! Join Editor-in-Chief Jeffrey Ross for his January episode, featuring an audio tour of 8 recently published articles. (31:07) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
It's the final AJNR Blog Annotated Bibliography podcast of 2022! Join Editor-in-Chief Jeffrey Ross for his December episode, featuring an audio tour of 9 recently published articles. (29:48) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
We are joined by our final dinner guests, writer Nibedita Sen and Ana and Luca of The Mayday Podcast, to talk speculative fiction, colonialism and some disastrous adventures that may not have ended in survival cannibalism, but probably should have. Did you know Casting Lots now has merch? Find us on Redbubble: https://www.redbubble.com/people/CastingLotsPod/shop TRANSCRIPT https://castinglotspod.home.blog/2022/11/29/s4-e5-dinner-guests-nibedita-sen-the-mayday-podcast/ CREDITS Written, hosted and produced by Alix Penn and Carmella Lowkis. With guest appearances from Nibedita Sen and The Mayday Podcast. Nibedita can be found on Twitter and Instagram as @her_nibsen, or check out her website at https://www.nibeditasen.com/. 'Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island' is published in Nightmare Magazine (May 2019, 80). Read it here: https://www.nightmare-magazine.com/fiction/ten-excerpts-from-an-annotated-bibliography-on-the-cannibal-women-of-ratnabar-island/. The game 'First Times' is available in Strange Horizons (2022): http://strangehorizons.com/fiction/first-times/. Watch Nibedita and Carmella along with some other familiar faces in the panel 'Worldbuilders After Dark: Cannibalism in Real World and Genre Fiction' via Worldbuildersinc on YouTube (14 December 2020): https://www.youtube.com/watch?v=ik7yV0kVJdM. The Mayday Podcast can be found online at https://themaydaypod.com/, and on Twitter and Instagram as @TheMaydayPod. Theme music by Daniel Wackett. Find him on Twitter @ds_wack and Soundcloud as Daniel Wackett. Logo by Ashley. Find her on Twitter and Instagram @tallestfriend.Casting Lots is part of the Morbid Audio Podcast Network. Network sting by Mikaela Moody. Find her on Bandcamp as mikaelamoody1.
Join Editor-in-Chief Jeffrey Ross for the November AJNR Blog Annotated Bibliography podcast, featuring an audio tour of 9 recently published articles. (25:43) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Join Editor-in-Chief Jeffrey Ross for the October AJNR Blog Annotated Bibliography podcast, featuring an audio tour of 9 recently published articles and a commentary. (25:35) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Take an audio tour of 8 recently published articles with Editor-in-Chief Jeffrey Ross in the September AJNR Blog Annotated Bibliography podcast. (24:52) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Join Editor-in-Chief Jeffrey Ross for the August AJNR Blog Annotated Bibliography podcast, featuring an audio tour of 8 recently published articles and a commentary. (27:53) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
https://www.buymeacoffee.com/jared.ingle/resource-reviews-annotated-bibliography
Join Editor-in-Chief Jeffrey Ross for the July AJNR Blog Annotated Bibliography podcast, featuring an audio tour of 8 recently published articles. (27:17) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Join Editor-in-Chief Jeffrey Ross for the June AJNR Blog Annotated Bibliography podcast, featuring an audio tour of 8 recently published articles. (24:43) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Join Editor-in-Chief Jeffrey Ross for the May AJNR Blog Annotated Bibliography podcast, featuring an audio tour of 8 recently published articles. (27:16) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
This month's AJNR Blog Annotated Bibliography podcast features an audio tour of 8 recently published articles discussed by Editor-in-Chief Jeffrey Ross. (27:56) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
This month's AJNR Blog Annotated Bibliography podcast features an audio tour of 8 recently published articles discussed by Editor-in-Chief Jeffrey Ross. (24:22) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
The February AJNR Blog Annotated Bibliography podcast features an audio tour of 8 recently published articles discussed by Editor-in-Chief Jeffrey Ross. (26:31) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Join Editor-in-Chief Jeffrey Ross for an audio tour of 8 recently published articles in the January AJNR Blog Annotated Bibliography. (28:58) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
welcome to the nonlinear library, where we use text-to-speech software to convert the best writing from the rationalist and ea communities into audio. This is: How to run a high-energy reading group, published by tessa on the effective altruism forum. Why are reading groups and journal clubs bad so often? I think there are two reasons: boring readings and low-energy discussions. This post is about how to avoid those pitfalls. The problem I have participated in (and organized) some really bad reading groups. This is a shame, because I love a good reading group. They cause me to read more things and read them more carefully. A great group discussion will give me way more than I'd get just by taking notes on a reading. This is what a bad reading group looks like: six people gather around a table. Two kind of skimmed the reading, and two didn't read it at all. No one knows quite what to talk about. Someone ventures a, “so, what surprised you about the paper?” Another person flips through their notes, scanning for a possible answer. Most people stay quiet. No one leaves the table feeling excited about the reading or about being a part of the group. This is avoidable, but you need to find interesting and valuable readings and you need to structure your group to encourage high-energy discussions. How to find good readings If you're lucky, someone in your group will propose a reading that they're excited to re-read and discuss in depth. However, at our East Bay Biosecurity meetups, we often wanted to learn about a topic (say, "regulation of gene drives" or "basic immunology") that no one in the group knew much about. A Google search for “basic immunology biosecurity” will not reliably find interesting readings. What are better ways to find good readings? 1. Follow a syllabus or reading list People may have already compiled good readings on the topic you're interested in. Take advantage of their work! Some examples: Annotated Bibliography of Recommended Materials from the Center for Human-Compatible AI at UC Berkeley My Most of the 80,000 Hours podcasts include links to recommended further reading 2. Ask an expert for recommendations Find someone who is working on the problem you're interested in and ask them for advice. It's okay to cold-email people, and to send them a follow-up or two if they don't respond (see It Is Your Responsibility to Follow Up). You'll get better responses if you give some (brief) details on your interests and level of background knowledge; I've received random LinkedIn messages asking “how to learn about biosecurity” and that's not enough information for me to give useful recommendations. A (hypothetical) better example would be something like, “I'm running a reading group of undergrads (a mix of life sciences and computer science) and we're currently trying to understand how to improve vaccine availability in future pandemics. I reached out because I saw you were involved in [thing]. Are there any papers or readings you'd recommend for the group? Thanks so much for your time!” 3. Browse back catalogs If you can identify a few organizations, researchers, or journalists whose writing you enjoy, just read their work for a while. For example, in East Bay Biosecurity we read a lot of reports from the Johns Hopkins Center for Health Security and the US National Academies Press. 4. Ask one group member to identify good readings by giving a talk If you want to learn about a topic, but you can't find anything useful from a syllabus, expert, or back catalog, someone is going to have to wade through messy search results until they find something good. To encourage productive Google-wading, I suggest you nominate one of your group members to give a talk on the topic of interest. Preparing the talk will force them to read many things about the topic, and they're likely to find useful standalone readings along the way. This will require quite a lot of time on that one group member's part (I recall East Bay Biosecurity ...
Join Editor-in-Chief Jeffrey Ross for an audio tour of 8 recently published articles in the December AJNR Blog Annotated Bibliography. (29:37) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his November AJNR Blog Annotated Bibliography. (25:06) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his October AJNR Blog Annotated Bibliography. (25:14) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 9 recently published articles in his September AJNR Blog Annotated Bibliography. (30:36) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his August AJNR Blog Annotated Bibliography. (24:29) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his July AJNR Blog Annotated Bibliography. (26:05) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his June AJNR Blog Annotated Bibliography. (22:16) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his May AJNR Blog Annotated Bibliography. (21:23) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his April AJNR Blog Annotated Bibliography. (27:39) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Peer Assisted Learning (PAL) Groups Podcast: College Group Tutoring and Study Review Groups
(Bonus PDF) This is the complete annotated bibliography of publications concerning leadership skills and leader identity acquired by study group leaders. This contains all publications mentioned during the podcast plus many more.
Peer Assisted Learning (PAL) Groups Podcast: College Group Tutoring and Study Review Groups
(Bonus PDF) This is an annotated bibliography of Supplemental Instruction which is also known by other names such as PAL, PASS, and others. This is a subset of the larger annotated bibliography of the seven major peer learning programs.
Peer Assisted Learning (PAL) Groups Podcast: College Group Tutoring and Study Review Groups
(Bonus PDF) This is the annotated bibliography of the seven major peer assisted learning programs.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his March AJNR Blog Annotated Bibliography. (24:39) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his February AJNR Blog Annotated Bibliography. (22:29) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
This month's guest is is Dr. Mark Taylor talking about chess fiction and narrative--we thought this would be a fun time to have this discussion as The Queen's Gambit continues to be popular on Netflix, and of course it was based on Walter Tevis' 1984 novel. Taylor is an Associate Professor of English at Berry College in Rome, Georgia. He is currently at work on Chess and Chessic Motifs in English Prose Narrative Since 1700: An Annotated Bibliography, a comprehensive work featuring approximately 2000 entries. Berry earned his PhD in English Literature in 1995 at the University of Texas at Austin. He teaches freshman writing and medieval and renaissance literature. He published over 200 articles in various chess periodicals between 2002 and 2015, including the December 2012 Chess Life cover story “The White Collection: Exploring the largest chess library in the world.” awarded the “Best Feature Article” by Chess Journalists of America. He has been editor of Georgia Chess and The Chess Journalist. His son Paul Taylor was an accomplished scholastic player who reached an expert rating, and his wife Melinda is our Publications Editor at US Chess.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his January AJNR Blog Annotated Bibliography. (23:34) The American Society of Neuroradiology is accredited by the Accreditation Council for Continuing Medical Education (ACCME) to provide continuing medical education for physicians. Visit the ASNR Education Connection website to claim CME credit for this podcast.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his December AJNR Blog Annotated Bibliography. He also announces the opportunity to earn CME credit for listening to this podcast, beginning in January. (22:04)
The general view of Nineteenth Century European narrative is somehow incomplete. The literary critics who set up the canonical banquet table of the XIX century novelists made name tags for only a few: Balzac, Dickens, Dostoyevsky, Tolstoy, Flaubert, Zola and Henry James. Meanwhile writers of equal talent, like Benito Pérez Galdós —considered the most important fiction writer in Spain after Miguel de Cervantes— were not even contemplated as possible guests. In this episode, Germán Gullón, literary critic, writer and Professor emeritus of Spanish Literature at the University of Amsterdam, presents the life, work and significance of this outstanding figure in Spanish culture. With readings of Galdós by Heilet van Ree. Presented by Maria Jenell Nicolas Books and publications about Benito Pérez Galdós Nobelprize.org: Benito Pérez Galdós at the Nomination Archive Berkowich, H. C., Pérez Galdós: Spanish Liberal Crusader, Madison, University of Wisconsin, 1948. Bly, Peter A., ‘Galdós as Traveller and Travel Writer’, The Tenth Annual Pérez Galdós Lecture, Sheffield, The University of Sheffield, 2010. Dendle. Brian J., The Spanish Novel of Religious Thesis, 1876-1936, Valencia - Princeton, Princeton University - Castalia, 1968. Dupont, Denise, Realism as Resistance: Romanticism and Authorship in Galdós, Clarín, and Baroja, Bucknell, Bucknell University Press, 2006. Gilman, Stephen (1981), Galdós and the Art of the European Novel: 1867-1887, Princeton, Princeton University Press, 2014. Gullón, Germán, ‘Sentimental Genetics: The Birth of the Human Intimate Sphere (Miau)’, The Third Annual Pérez Galdós Lecture, Sheffield, The University of Sheffield, 1999. McKinney, Collin, Mapping the Social Body: Urbanization, the Gaze, and the Novels of Galdós, Charlotte, University of North Carolina Press, 2010. Pattison, Walter T., Benito Pérez Galdós, New York, Twayne, 1975. Percival, Anthony, Galdós and his Critics, Toronto, University of Toronto, 1985. Ríos-Font, Wadda C., The Canon and the Archive: Configuring Literature in Modern Spain, Bucknell, Bucknell University Press, 2004. Sackett, Theodore A., Pérez Galdós. An Annotated Bibliography, Albuquerque, University of New Mexico Press, 1968. Snow, C. P., The Realists. Eight Portraits, New Yok, Macmillan, 1978. Tsuchiya, Akiko, Images of the Sign: Semiotic Consciousness in the Novels of Benito Pérez Galdós, Columbia, University of Missouri Press, 1990. Walton, L. B., Pérez Galdós, London, Dent, 1927 English editions of Galdós’ works Trafalgar and The Battle of Salamanca [La batalla de Arapiles], translation by Rick Morgan, Bath, Brown Dog Books, 2019. Tristana, translation by Margaret Jull Costa, New York, NYRB Classics, 2014. Our Friend Manso [El amigo Manso], translation by Robert Russell, New York, Columbia University Press, 1987. Fortunata and Jacinta: Two Stories of Married Women, translation by Agnes Moncy, New York, Penguin, 1986. The Shadow [La sombra], translation by Karen. O. Austin, Athens, Ohio, Ohio University Press, 1980. The Disinherited [La desheredada], translation by Lester Clark, London, The Folio Society, 1976. Miau, translation by J.M. Cohen, London, Methuen, 1963. Torment, translation by J. M. Cohen, New York, Farrar Straus&Young, 1953. The Spendthrifts [La de Bringas], translation by G. Woolsey, London, Weidenfeld and Nicolson, 1951. Saragossa: A Story of Spanish Valor [Zaragoza], translation by Minna Caroline Smith, Boston, Little and Brown, 1899. Doña Perfecta, translation by Mary Jane Serrano, with an Introduction by William Dean Howells, New York, Harper&Brothers, 1894-1895. Lady Perfecta, translation by Mary Wharton, London, T. Fisher Unwin, 1894. Marianela, translation by Mary Wharton, London, Digby, Long, 1893. Marianela: A Story of Spanish Love, translation by Helen W Lester, Chicago, AC McClurg, 1892. The Court of Charles IV [La corte de Carlos IV], translation by Clara Bell, New York, William S Gottsberger, 1888.
This event is part of the Intermarium Lecture Series sponsored by The Institute of World Politics. About the book: “The Katyn Forest Massacre: An Annotated Bibliography of Books in English” begins with a history of the Katyn Massacre and an overview of the literature on Katyn. The subsequent chapters discuss the authors and contents of some 38 books that have been published over the decades in English about Katyn. Each book contributed something to the evolving literature and general knowledge about the history of the Massacre. Books were written by some prisoners who survived (Czapski and Młynarski), witnesses who were brought to the exhumations (Stroobant and Werth), diplomats and generals who tried to find out what happened to the missing officers (Kot and Anders), family members who were deported to Kazakhstan and Siberia (Adamczyk), researchers and historians (Zawodny, Ciencala, Sanford and Maresch), and authors who believed that raising awareness about Katyn was worthwhile because it might help rectify an injustice (FitzGibbon and Allen). Books written before the Soviet admission of guilt pointed an accusatory finger at the Kremlin. Those written afterwards had the benefit of archival revelations that helped shed light on previously unknown details of the NKVD Katyn operation. The Foreword is by Dr. Alexander M. Jablonski, President of the Oskar Halecki Institute in Canada. About the speaker: Mr. Andrew Kavchak was born in Montreal. He studied political science (BA – Concordia University, MA – Carleton University) and law (LL.B. – Osgoode Hall Law School). He spent his career in the Canadian federal civil service mostly working in policy units with the departments of revenue, industry and international trade. Since retiring he has pursued his hobbies of reading and writing about history. He has written and published several books that are available on Amazon, including Remembering Gouzenko: The Struggle to Honour a Cold War Hero and The Katyn Forest Massacre: An Annotated Bibliography of Books in English. He lives in Ottawa, Canada.
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his November AJNR Blog Annotated Bibliography. (24:13)
Editor-in-Chief Jeffrey Ross takes listeners on an audio tour of 8 recently published articles in his October AJNR Blog Annotated Bibliography. (26:42)
This episode is dedicated to the memory of Brian Robert Middlemiss (20 July 1930 - 5 June 2020). David and Perry talk about the shorter fiction nominees for the 2020 Hugo Awards, and then take the Hugo Time Machine back to 1962, when Stranger in a Strange Land won Best Novel. Dedication to Brian Middlemiss (03:26) Awards season (00:46) Nebula Awards (01:40) Locus Awards (02:10) Hugos 2020 Short Fiction (00:41) Hugo Voting Package (01:16) Novelettes (14:56) Away With the Wolves by Sarah Gailey (01:23) For He Can Creep by Siobhan Carroll (01:35) Emergency Skin, by N.K. Jemisin (02:09) The Blur in the Corner of Your Eye by Sarah Pinsker (01:58) The Archronology of Love by Caroline M. Yoachim (02:49) Omphalos by Ted Chiang (04:42) Short Stories (11:24) Blood Is Another Word for Hunger by Rivers Solomon (01:02) And Now His Lordship Is Laughing by Shiv Ramdas (01:49) As the Last I May Know by S.L. Huang (01:21) A Catalog of Storms by Fran Wilde (01:31) Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island by Nibedita Sen (02:06) Do Not Look Back, My Lion by Alix E. Harrow (03:24) The Hugo Time Machine~1962 (01:01) Special awards (02:26) Handbook of Science Fiction and Fantasy~Donald Tuck (01:31) Novels (29:28) Second Ending by James White (03:32) Dark Universe by Daniel F. Galouye (04:06) Planet of the Damned by Harry Harrison (03:10) Time Is the Simplest Thing by Clifford D. Simak (05:16) Stranger in a Strange Land by Robert A. Heinlein (13:03) Short Fiction (12:06) Status Quo by Mack Reynolds (01:49) Lion Loose by James H. Schmitz (01:24) Scylla's Daughter by Fritz Leiber (01:31) Monument by Lloyd Biggle, Jr. (02:32) Hothouse series by Brian W. Aldiss (04:26) Other categories (02:12) Windup (01:20) Photo by Bill Kasman on Flickr
Nightmare Magazine - Horror and Dark Fantasy Story Podcast (Audiobook | Short Stories)
“There are few tales as tragic as that of the denizens of Ratnabar Island. When a British expedition made landfall on its shores in 1891, they did so armed to the teeth, braced for the same hostile reception other indigenous peoples of the Andamans had given them. What they found, instead, was a primitive hunter-gatherer community composed almost entirely of women and children. [ . . . ] The savage cultural clash that followed would transmute the natives' offer of a welcoming meal into direst offense, triggering a massacre at the hands of the repulsed British . . .” | Copyright 2019 by Nibedita Sen. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we conclude our discussion on the topic of nuclear war in the arts. Subscribe on iTunes Download mp3 On Stitcher Links: Nuclear Texts & Contexts Nuclear Holocausts: Atomic War in Fiction, by Paul Brians Vladimir Gakov and Paul Brians: Nuclear-War Themes in Soviet Science Fiction, An Annotated Bibliography