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On this week's episode of Spinsterhood Reimagined, I talk to Toronto-based culture writer, copywriter, podcaster, and creator of Instagram account @womenlivingalone, Danita Steinberg. I absolutely loved this conversation and I know that you will too.In this episode, Danita and I talk about how she has always been single, and that she identifies as asexual and queer; how we live in a very heteronormative society and how there are so many more incarnations and levels of sexuality; and the dawning realisation growing up that she did not experience sexual attraction. Danita also talks to me about how she never had crushes in high school and how this caused her difficulties when it came to relating to her school friends; how hard it was growing up as asexual and how she eventually came out to her friends; and the concept of compulsory heterosexuality. We chat about how romantic and sexual attraction are two completely different things; how her female friendships have changed in recent years as many of them have got married and had kids, and how she has been grieving the relationships they once were; and her experiences with Bumble BFF, the ‘dating' app for friendship. This conversation also covers the ups and downs of living alone once Danita moved into her own place just a month before lockdown; her thoughts around feelings of loneliness; how she has always been fascinated with all things paranormal and spooky; and how she thinks Jane Fonda is very underrated as an actor. I truly hope you enjoy this conversation as much as I enjoyed having it!Follow Danita on Instagram: @womenlivingalone and @danitasteinbergFollow Danita on Twitter: @danitasteinbergListen to Danita's Podcast, We Really Like Her!, on Apple Podcasts: https://podcasts.apple.com/ca/podcast/we-really-like-her/id1393872370 Listen to Danita's podcast on Spotify: https://open.spotify.com/show/1j7gF9A4NKiw4TT7PT3sp6 Join my private Facebook Group: Join my private Facebook Group: https://www.facebook.com/groups/1870817913309222/?ref=shareFollow me on Instagram: @spinsterhoodreimaginedFollow me on Twitter: @LucyMeggesonEmail me: lucymeggeson@gmail.com
We're back for our third full-length episode of S2! For our very first Low Brow Takes on High Brow Culture takedown episode, Ama and Ameema have invited on former co-host and fellow podcaster from the show We Really Like Her, Danita Steinberg to discuss all things Oscars 2022.Between the three of us, we analyze everything that has to do with the Oscars 2022 show that we hope hasn't already been discussed to death already (cough, The Slap, cough) including: How brand new producer Will Packer made the executive decision to present eight of the 23 awards before the live broadcast began and totally fumbled the bagHow diversity is still so lacking with The Oscars and what they could learn from independent awards showsHow influencers and content creators were invited to this year's Oscars to help appeal to a younger demographicWhy the Marvel Cinematic Universe has such a grip on cinema worldwide (no, but really)In our first segment, Danita Steinberg walks us through her top 10 snubs of the 2022 Oscars and if anyone disagrees, we will fight you.Making a case for why the Oscars are still relevant Discussing the fashion and why we miss Joan RiversFinally, all three of us decide to award our own Oscars! Some of the awards include Celeb with the Most Audacity (here's looking at you, Judd Apatow!) and the Celeb Who Was the Most Wholesome (yep, it was obviously Youn Yuh-jung and Troy Kotsur!) but that's just the tip of the iceberg!If you liked what you heard, maybe think about rating us! You can also find all our social links by visiting our Lnk.Bio page. Heck, if you want - leave us a voicemail. We love to answer questions from our listeners or take suggestions about what you'd like us to cover. Maybe we'll even feature it in a future show! Hell, if you even want to support us (we're a small team and a lot of work goes into what you hear today) then we would love it if you send us a few bucks via our Ko-Fi! All the money helps us with production costs and creating the podcast you hear today.~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~Further Reading on this Topic!Diversity at the Oscars: ‘CODA,' ‘Encanto,' ‘West Side Story' Wins Show Breadth of Inclusion - The Hollywood ReporterWe Aren't Just Watching the Decline of the Oscars. We're Watching the End of the Movies - The New York TimesWill Smith's slap after Chris Rock's joke dominated the Oscars. But how does inherited racial trauma fit into the story? - ABCCan TikTok Help Save the Oscars? - Vanity FairThe Oscars is a show fighting for its life, but should we even care? - CBC~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~Support the show
All hands on deck as Becky, Cam and supervising producer Emily Gagne (also the co-host of We Really Like Her! podcast and screening series) set their sights on 1980 seaside horror flicks The Fog and Ghost Ship. ABOUT EMILY GAGNEEmily Gagne is a Toronto-based filmmaker, critic and programmer. She currently co-hosts We Really Like Her!, a podcast in which she and Danita Steinberg speak to women about the films and filmmakers they are inspired by. She and Steinberg also host screenings at the Revue Cinema, programming films written and/or directed by women like Valley Girl, Pet Sematary, Crossroads and Wayne's World. They are currently hosting a miniseries dedicated to the career of Jane Fonda. See acast.com/privacy for privacy and opt-out information.
So you're starting a podcast, and you're wondering how podcast music works, right? Well in this episode I'm going to give you a few different ways to use podcast music, where you can get podcast music and the various things to consider when choosing your podcast music.We're covering:> How do you use music in a podcast?> What can music do to set you apart from other podcasters?> What are the different types of podcast music you can get?> How Custom Podcast Music Works> What kind of music should you use for your podcast?I'll also be sharing examples of music I've written for these podcasts!> Caper Cast hosted by Whitney Garder and Stephanie Cooke> We Really Like Her hosted by Emily Gagne and Danita Steinberg> Weird Magnets hosted by Stephanie Cooke and Katy Sawatsky> VRMP Radio Presents: The 5 People You Meet In Hell> Her Name Is... hosted by me and my pal Jenny TangLinks:• Check out full links in the blog post at: https://theultimatecreative.com/how-podcast-music-works• Rain News: https://rainnews.com/podcast-music-licensing-4-things-you-need-to-know/• Envato Elements (Note: This is an affiliate link and I may receive a small commission at no extra cost to you): https://1.envato.market/tuc-music• Sounds Like An Earful: https://soundslikeanearful.com/• Episode 9 of The Ultimate Creative Podcast: https://theultimatecreative.com/podcasting-with-stephanie-cooke/Learn how my team can help you launch and grow a podcast:• Free Masterclass: 5 Simple Steps to Start a Podcast: https://theultimatecreative.com/simple-steps-to-start-a-podcast/• Learn at your own pace with Podcast Rocket: https://theultimatecreative.com/podcast-rocket• Already have a podcast? Learn how my team can help you manage your monthly production with our top notch editing and marketing packages: https://theultimatecreative.com/podcasting
This is High Low Brow, the podcast with high brow takes about low brow culture, a power hour of dissociation for the Extremely Online. Join us - Ama Scriver and Danita Steinberg, your trusty co-hosts - and some of our friends for thoughtful analysis of all things pop culture and the Internet, from social and political moments to memes and the best notes app apologies. Subscribe now so you don't miss our mini-episode, dropping May 23. From there, we'll show up in your feed bi-weekly.We are ready to - in the words of Satan herself, Vicki Gunvalson - WHOOP IT UP! Support the show
Take a trip to Italy with Alicia, Becky and special guest Emily Gagne (filmmaker and co-host of We Really Like Her! podcast) as they discuss women's roles in front of and behind the camera through Lina Wertmüller's Seven Beauties and Michelangelo Antonioni's The Passenger. This episode contains discussions of sexual violence, fascism and the Holocaust. If that's not for you, join us next week when we discuss two Jim Henson fantasy movies.ABOUT EMILY GAGNEEmily Gagne is a filmmaker, writer and marketing professional based in Toronto. The co-founder of the Toronto-based Spooky B Films, she co-wrote and co-directed short horror film Best Friends Forever (2019) with business partner Josh Korngut. Emily is also the co-host of We Really Like Her!, a podcast she and Danita Steinberg created to celebrate the great work of women in front of and behind the camera. You can listen to WRLH!'s Jane Fonda miniseries (Fondavision) now wherever you get your podcasts. Got a question for the hosts, or want to know more about the show? You can always email us at podcast@hollywoodsuite.ca or reach out via one of the platforms below.WebsiteTwitterFacebookInstagram TikTok See acast.com/privacy for privacy and opt-out information.
Climb into our fur(s) and get cozy because we’re closing out 2019 with an extended episode dedicated to our favourite films directed by women this past decade! We’re talking everything from underrated tearjerkers (YOUR SISTER’S SISTER, anyone?) and acclaimed dramedies (LADY BIRD!) to fearless horror flicks (remember THE VOICES?) and genre-defying docs (here’s looking at you, SHIRKERS). Plus, we reveal our top movie of 2019 (it is, shockingly, unanimous!) and which gore-geous horror film we’ll be screening at Toronto’s Revue Cinema on January 30! We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
Climb into our fur(s) and get cozy because we’re closing out 2019 with an extended episode dedicated to our favourite films directed by women this past decade! We’re talking everything from underrated tearjerkers (YOUR SISTER’S SISTER, anyone?) and acclaimed dramedies (LADY BIRD!) to fearless horror flicks (remember THE VOICES?) and genre-defying docs (here’s looking at you, SHIRKERS). Plus, we reveal our top movie of 2019 (it is, shockingly, unanimous!) and which gore-geous horror film we’ll be screening at Toronto’s Revue Cinema on January 30! We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
Which hit film is heartfelt, hilarious, head-banging, and helmed by a most righteous babe of punk cinema? It’s WAYNE’S WORLD (party time, excellent)! In honour of Emily’s birthday, we’re bowing down to Penelope Spheeris’s WAY worthy 1992 comedy about friendship, “foxy” ladies, and finding success on your own terms. Let’s look straight into the camera and address important questions like, did you ever find haiku writer, secret drummer and possible Scorpio Garth Algar endlessly relatable? Also, has there ever been a more excellent faux rocker chick than - cue Gary Wright’s “Dream Weaver” - Tia Carrere’s Cassandra? And why in the hell did Mike Myers not trust Penelope’s vision for what would become one of the most iconic music moments in movie history???We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
Which hit film is heartfelt, hilarious, head-banging, and helmed by a most righteous babe of punk cinema? It’s WAYNE’S WORLD (party time, excellent)! In honour of Emily’s birthday, we’re bowing down to Penelope Spheeris’s WAY worthy 1992 comedy about friendship, “foxy” ladies, and finding success on your own terms. Let’s look straight into the camera and address important questions like, did you ever find haiku writer, secret drummer and possible Scorpio Garth Algar endlessly relatable? Also, has there ever been a more excellent faux rocker chick than - cue Gary Wright’s “Dream Weaver” - Tia Carrere’s Cassandra? And why in the hell did Mike Myers not trust Penelope’s vision for what would become one of the most iconic music moments in movie history???We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
This week we’re taking a trip to 1960s Louisana with Toronto filmmaker Lu Asfaha! As Kasi Lemmons tours the world with her new film, HARRIET, we’re revisiting her magical debut feature, EVE’S BAYOU, a film about growing up, sisterhood and the complicated nature of memory. After lamenting the fact that Lemmons didn’t get all the calls after this truly remarkable work (which Roger Ebert dubbed best film of 1997!!) killed at the box office, we celebrate the other incredible women who helped her bring the film to life (including cinematographer Amy Vincent, actresses Jurnee Smollett-Bell and Debbi Morgan). Plus, Lu speaks to the ways Lemmons inspires her as a genre writer/director and gives us a sneak peek of her two (!!) films screening at the Regent Park Film Festival this month: DEAD END (November 20) and PALADIN (November 21). And Danita debuts her fan theory linking Eve Batiste to Danny “Redrum” Torrence! We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
This week we’re taking a trip to 1960s Louisana with Toronto filmmaker Lu Asfaha! As Kasi Lemmons tours the world with her new film, HARRIET, we’re revisiting her magical debut feature, EVE’S BAYOU, a film about growing up, sisterhood and the complicated nature of memory. After lamenting the fact that Lemmons didn’t get all the calls after this truly remarkable work (which Roger Ebert dubbed best film of 1997!!) killed at the box office, we celebrate the other incredible women who helped her bring the film to life (including cinematographer Amy Vincent, actresses Jurnee Smollett-Bell and Debbi Morgan). Plus, Lu speaks to the ways Lemmons inspires her as a genre writer/director and gives us a sneak peek of her two (!!) films screening at the Regent Park Film Festival this month: DEAD END (November 20) and PALADIN (November 21). And Danita debuts her fan theory linking Eve Batiste to Danny “Redrum” Torrence! We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
A perfect example of an early, long-list Oscar prediction movie, 2005′s Ladies in Lavender arrived after multiple festivals to a successful arthouse run thanks to the presence of its Dame headliners Judi Dench and Maggie Smith. But despite coming in the era primed to reward this kind of women’s picture and both actresses in particular, … Continue reading "069 – Ladies in Lavender (with Danita Steinberg)"
For this year’s Halloween episode, we’re digging up a forgotten favourite! Yes, it’s time to revive the conversation around director Mary Lambert and her grossly (emphasis on the GROSS!) underrated 1989 adaptation of Stephen King’s Pet Sematary. Follow us to the forests of Ludlow, Maine as we unearth our true feelings about the 2019 remake and the ways in which it (im)pales in comparison to Mary’s revolting and revolutionary take. We also mourn the loss of Mary’s original concept for Pet Sematary II (which would have followed Ellie Creed!) and wonder whether the Fun and Fucked Up horror film is dead, or just buried under a pile of “elevated” yet uninteresting spins on the genre. We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
For this year’s Halloween episode, we’re digging up a forgotten favourite! Yes, it’s time to revive the conversation around director Mary Lambert and her grossly (emphasis on the GROSS!) underrated 1989 adaptation of Stephen King’s Pet Sematary. Follow us to the forests of Ludlow, Maine as we unearth our true feelings about the 2019 remake and the ways in which it (im)pales in comparison to Mary’s revolting and revolutionary take. We also mourn the loss of Mary’s original concept for Pet Sematary II (which would have followed Ellie Creed!) and wonder whether the Fun and Fucked Up horror film is dead, or just buried under a pile of “elevated” yet uninteresting spins on the genre. We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
One, two, a new episode for you! We’re back from our hiatus to celebrate the 25th anniversary of NEW NIGHTMARE with dreamghoul and fellow horror lover Lindsay Traves. Join us in the boiler room as we slice and dice the NIGHTMARE ON ELM STREET franchise, revisiting Heather Langenkamp’s ongoing role as Nancy Thompson. Why do we still scream for Robert Englund as literal child murderer Freddy Krueger, but hardly ever talk about Nancy, a true survivor, pyjama enthusiast, and precursor to one of the best modern final girls (calling Sidney Prescott!)? And what would a new NEW NIGHTMARE look like, especially without Nancy’s biggest fan, Wes Craven, in the picture? We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
One, two, a new episode for you! We’re back from our hiatus to celebrate the 25th anniversary of NEW NIGHTMARE with dreamghoul and fellow horror lover Lindsay Traves. Join us in the boiler room as we slice and dice the NIGHTMARE ON ELM STREET franchise, revisiting Heather Langenkamp’s ongoing role as Nancy Thompson. Why do we still scream for Robert Englund as literal child murderer Freddy Krueger, but hardly ever talk about Nancy, a true survivor, pyjama enthusiast, and precursor to one of the best modern final girls (calling Sidney Prescott!)? And what would a new NEW NIGHTMARE look like, especially without Nancy’s biggest fan, Wes Craven, in the picture? We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, with a theme song by Emily Milling.
We're finally over our post-festival colds (okay, Emily's still coughing a bit) and ready to share our final TIFF thoughts! Settle in with a seasonal beverage (pumpkin spice cold brew, anyone?) and listen in as we reflect on all the women-directed films we saw, including new works from Kasi Lemmons (HARRIET) and Alma Har'el (HONEY BOY) as well as debut features from Aisling Chin-Yee (THE REST OF US, a.k.a. Danita's new favourite film!) and Rose Glass (SAINT MAUD). Plus, what did Movie Club think of Renée Zellweger's buzzed-about performance in JUDY? Will Beanie Feldstein be redefining teen cinema (again!) with HOW TO BUILD A GIRL? And why is Emily so obsessed with KNIVES OUT?We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, and features a theme song by Emily Milling.
We're finally over our post-festival colds (okay, Emily's still coughing a bit) and ready to share our final TIFF thoughts! Settle in with a seasonal beverage (pumpkin spice cold brew, anyone?) and listen in as we reflect on all the women-directed films we saw, including new works from Kasi Lemmons (HARRIET) and Alma Har'el (HONEY BOY) as well as debut features from Aisling Chin-Yee (THE REST OF US, a.k.a. Danita's new favourite film!) and Rose Glass (SAINT MAUD). Plus, what did Movie Club think of Renée Zellweger's buzzed-about performance in JUDY? Will Beanie Feldstein be redefining teen cinema (again!) with HOW TO BUILD A GIRL? And why is Emily so obsessed with KNIVES OUT?We Really Like Her! is produced by Emily Gagne and Danita Steinberg, edited by Danita Steinberg, and features a theme song by Emily Milling.
TIFF 2019 is fully underway and we were lucky enough to interview Shelly Love, director of A BUMP ALONG THE WAY. In this minisode, Shelly talks about the importance of childcare funding within film budgets, the process of preparing to make her first feature, and travelling with her two year old.We Really Like Her! is produced by Emily Gagne and Danita Steinberg. Edited by Danita Steinberg and theme song by Emily Milling.
TIFF 2019 is fully underway and we were lucky enough to interview Shelly Love, director of A BUMP ALONG THE WAY. In this minisode, Shelly talks about the importance of childcare funding within film budgets, the process of preparing to make her first feature, and travelling with her two year old.We Really Like Her! is produced by Emily Gagne and Danita Steinberg. Edited by Danita Steinberg and theme song by Emily Milling.
In our first interview of TIFF 2019, we chat with WORKIN’ MOMS writer Karen Moore about her directorial debut, VOLCANO! In this mini episode, Karen tells us why she, in particular, wanted to make a short film about two friends (Hannah Cheesman and Jess Salgueiro) sharing drinks and secrets at Toronto’s Shameful Tiki Bar. Plus, a few hot tips on the best spots to grab a drink during the fest and some words of wisdom for first-time directors. We Really Like Her! is produced by Emily Gagne and Danita Steinberg. Sound engineering by Perry Jackson and theme song by Emily Milling.
In our first interview of TIFF 2019, we chat with WORKIN’ MOMS writer Karen Moore about her directorial debut, VOLCANO! In this mini episode, Karen tells us why she, in particular, wanted to make a short film about two friends (Hannah Cheesman and Jess Salgueiro) sharing drinks and secrets at Toronto’s Shameful Tiki Bar. Plus, a few hot tips on the best spots to grab a drink during the fest and some words of wisdom for first-time directors. We Really Like Her! is produced by Emily Gagne and Danita Steinberg. Sound engineering by Perry Jackson and theme song by Emily Milling.
Pull up a Muskoka chair and a huge box of Kleenex because this week’s episode is dedicated to birthday girl Danita and two of her all-time faves: Bette Midler and BEACHES. Listen in as Danita looks back on her lifelong relationship with the Divine Miss M, including a devastating childhood story involving a VHS tape, an autograph, and a couple of extra 'D's (!). Plus, what does Emily really think of BEACHES after only watching it for the first time two years ago (with Danita, of course)? And did Garry Marshall really want there to be “more catfights” in this ode to the ups and downs of female friendship? We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Danita Steinberg, with a theme song by Emily Milling.
Pull up a Muskoka chair and a huge box of Kleenex because this week’s episode is dedicated to birthday girl Danita and two of her all-time faves: Bette Midler and BEACHES. Listen in as Danita looks back on her lifelong relationship with the Divine Miss M, including a devastating childhood story involving a VHS tape, an autograph, and a couple of extra 'D's (!). Plus, what does Emily really think of BEACHES after only watching it for the first time two years ago (with Danita, of course)? And did Garry Marshall really want there to be “more catfights” in this ode to the ups and downs of female friendship? We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Danita Steinberg, with a theme song by Emily Milling.
We’re, like, freaking out because Hollywood Suite archival producer and film programmer Alicia Fletcher is with us this week to talk about Martha Coolidge and her bitchin’ 1983 flick VALLEY GIRL! Listen in as we flip right out over this California-set riff on Romeo and Juliet, including its seriously cute cast (Deborah Foreman + Nic Cage 4 ever!), rad soundtrack (we melt for “I Melt with You”!), and totally tubular costumes. Why is this literally perfect movie not talked about as much as John Hughes’s entire (and, honestly, grody on reflection) filmography? The patriarchy can “Fuck off, fer sure! Like, totally!” We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Danita Steinberg, with a theme song by Emily Milling.
We’re, like, freaking out because Hollywood Suite archival producer and film programmer Alicia Fletcher is with us this week to talk about Martha Coolidge and her bitchin’ 1983 flick VALLEY GIRL! Listen in as we flip right out over this California-set riff on Romeo and Juliet, including its seriously cute cast (Deborah Foreman + Nic Cage 4 ever!), rad soundtrack (we melt for “I Melt with You”!), and totally tubular costumes. Why is this literally perfect movie not talked about as much as John Hughes’s entire (and, honestly, grody on reflection) filmography? The patriarchy can “Fuck off, fer sure! Like, totally!” We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Danita Steinberg, with a theme song by Emily Milling.
Finish up your Snapple because it’s time to take an emotionally-charged tour through Reese Witherspoon’s career and filmography with writer and person Anne T. Donahue! Follow us as we travel down the Oscar-winning actress/producer’s many roles and career paths before we reach our final destination: her raw, riveting performance in Jean-Marc Vallée’s 2014 film WILD. Can we talk about Reese’s fearless commitment to Cheryl Strayed’s story about grief, loss, addiction and perseverance without making a pit-stop to address the Andrea Arnold / Big Little Lies controversy? Also, when is Reese going to do Anne’s book, NOBODY CARES, for her Book Club? We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Danita Steinberg, with a theme song by Emily Milling.
Finish up your Snapple because it’s time to take an emotionally-charged tour through Reese Witherspoon’s career and filmography with writer and person Anne T. Donahue! Follow us as we travel down the Oscar-winning actress/producer’s many roles and career paths before we reach our final destination: her raw, riveting performance in Jean-Marc Vallée’s 2014 film WILD. Can we talk about Reese’s fearless commitment to Cheryl Strayed’s story about grief, loss, addiction and perseverance without making a pit-stop to address the Andrea Arnold / Big Little Lies controversy? Also, when is Reese going to do Anne’s book, NOBODY CARES, for her Book Club? We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Danita Steinberg, with a theme song by Emily Milling.
It’s summer and we’re in *a mood* so we decided it was finally time to talk about the unfairly maligned and absolutely brilliant Diablo Cody. If we’re going to be honest to blog, we love everything Diablo does (Emily especially), but this week we’re focusing on one of her most challenging works: 2011’s YOUNG ADULT. Why does this uncompromising, uncomfortable character study about a depressed writer obsessed with her high school beau not get discussed more? Could it have something to do with how so many other Diablo scripts - JENNIFER’S BODY, TULLY, RICKI AND THE FLASH - are dismissed for centering on “unlikeable” leading ladies (a.k.a. women dealing with legitimate issues like life, death and mental health)? We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
It’s summer and we’re in *a mood* so we decided it was finally time to talk about the unfairly maligned and absolutely brilliant Diablo Cody. If we’re going to be honest to blog, we love everything Diablo does (Emily especially), but this week we’re focusing on one of her most challenging works: 2011’s YOUNG ADULT. Why does this uncompromising, uncomfortable character study about a depressed writer obsessed with her high school beau not get discussed more? Could it have something to do with how so many other Diablo scripts - JENNIFER’S BODY, TULLY, RICKI AND THE FLASH - are dismissed for centering on “unlikeable” leading ladies (a.k.a. women dealing with legitimate issues like life, death and mental health)? We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Break out your purple clogs and your most capable outfit! Drunk Feminist Films cast member Bernita Rebeiro is in the passenger seat of our Jeep this week, giving us the 411 on why she’s still majorly, totally, butt crazy in love with Alicia Silverstone and her performance in CLUELESS. Better buckle up because we’re not only discussing Amy Heckerling’s, like, totally important teen film and its utterly aspirational protagonist, (fashion icon/do-gooder Cher Horowitz!), but also the “Crazy” gross trend that may have made Alicia say “Outie!” to other major acting roles. We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Break out your purple clogs and your most capable outfit! Drunk Feminist Films cast member Bernita Rebeiro is in the passenger seat of our Jeep this week, giving us the 411 on why she’s still majorly, totally, butt crazy in love with Alicia Silverstone and her performance in CLUELESS. Better buckle up because we’re not only discussing Amy Heckerling’s, like, totally important teen film and its utterly aspirational protagonist, (fashion icon/do-gooder Cher Horowitz!), but also the “Crazy” gross trend that may have made Alicia say “Outie!” to other major acting roles. We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
This week, we are sitting and talking about Nicole Holofcener's debut film, critically-acclaimed ode to female friendship WALKING AND TALKING. How is it that this film, which paved the way for so many great modern works by and about women (including, yes, BRIDESMAIDS), isn’t talked about as much as the films of, say, Cameron Crowe and Noah Baumbach? And, more importantly, whatever happened to Anne Heche? All of this and more as we finally give the lovely, amazing, and recently Oscar-nominated Nicole the episode she deserves!We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
This week, we are sitting and talking about Nicole Holofcener's debut film, critically-acclaimed ode to female friendship WALKING AND TALKING. How is it that this film, which paved the way for so many great modern works by and about women (including, yes, BRIDESMAIDS), isn’t talked about as much as the films of, say, Cameron Crowe and Noah Baumbach? And, more importantly, whatever happened to Anne Heche? All of this and more as we finally give the lovely, amazing, and recently Oscar-nominated Nicole the episode she deserves!We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Hope you’re hungry because Danita, Emily and Nerdist writer/editor Lindsey Romain are serving up an all-new episode dedicated to Keri Russell in WAITRESS. On the menu: mourning the loss of late actor/writer/director Adrienne Shelly, drooling over pies (they’re better than cakes!), and predicting who Keri will play in a galaxy far, far away.We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Hope you’re hungry because Danita, Emily and Nerdist writer/editor Lindsey Romain are serving up an all-new episode dedicated to Keri Russell in WAITRESS. On the menu: mourning the loss of late actor/writer/director Adrienne Shelly, drooling over pies (they’re better than cakes!), and predicting who Keri will play in a galaxy far, far away.We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Emily and Danita are in interview mode this week as they chat with Stacey Tenenbaum, the director of PIPE DREAMS, a documentary that follows five young organists as they compete in Canada’s prestigious International Organ Competition (or the CIOC) in Montreal. In anticipation of the film’s upcoming world premiere at the Hot Docs Canadian International Documentary Festival, we ask Stacey about the technical challenges of making a film about multiple subjects, subjectivity in documentary, and, most importantly, why we should all eat bananas when we are anxious. We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Emily and Danita are in interview mode this week as they chat with Stacey Tenenbaum, the director of PIPE DREAMS, a documentary that follows five young organists as they compete in Canada’s prestigious International Organ Competition (or the CIOC) in Montreal. In anticipation of the film’s upcoming world premiere at the Hot Docs Canadian International Documentary Festival, we ask Stacey about the technical challenges of making a film about multiple subjects, subjectivity in documentary, and, most importantly, why we should all eat bananas when we are anxious. We Really Like Her! is produced by Danita Steinberg and Emily Gagne, edited by Sonya Suraci, with a theme song by Emily Milling.
Emily and Danita are back from their escape to L.A. and ready to talk - at great length! - about the crown jewel of Brooklyn and star of almost every single indie drama directed by woman, Michelle Williams. While the second half of this episode is an extended ode to the sexiest film about Toronto (TAKE THIS WALTZ), there’s also talk of BLUE VALENTINE, DAWSON’S CREEK, MEEK’S CUTOFF and HALLOWEEN: H20. Speaking of HALLOWEEN, the girls share an exclusive, first-hand account of visiting Michael Myers’ bush! You don’t wanna wait to listen to this episode because new things get old and also, Luke Kirby is very hot. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Emily and Danita are back from their escape to L.A. and ready to talk - at great length! - about the crown jewel of Brooklyn and star of almost every single indie drama directed by woman, Michelle Williams. While the second half of this episode is an extended ode to the sexiest film about Toronto (TAKE THIS WALTZ), there’s also talk of BLUE VALENTINE, DAWSON’S CREEK, MEEK’S CUTOFF and HALLOWEEN: H20. Speaking of HALLOWEEN, the girls share an exclusive, first-hand account of visiting Michael Myers’ bush! You don’t wanna wait to listen to this episode because new things get old and also, Luke Kirby is very hot. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week, Danita and Emily take a detour to review Juanita, a new Netflix dramedy starring the always incredible Alfre Woodard. Did Juanita ever eat the turkey leg she had with her at the start of her journey of self-discovery? Why did everyone keep asking her if she had a makeover when she wore a colour other than black? Is Blair Underwood okay? The girls ask these and more pressing questions, while also previewing their next episode (coming April 10)! Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week, Danita and Emily take a detour to review Juanita, a new Netflix dramedy starring the always incredible Alfre Woodard. Did Juanita ever eat the turkey leg she had with her at the start of her journey of self-discovery? Why did everyone keep asking her if she had a makeover when she wore a colour other than black? Is Blair Underwood okay? The girls ask these and more pressing questions, while also previewing their next episode (coming April 10)! Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Bring your appetite and your best dress because Emily and Danita are taking an impromptu trip to Italy with Diane Lane and UNDER THE TUSCAN SUN! This 48-minute tour of Diane’s ridiculously cool life and filmography (ladies and gentlemen, THE FABULOUS STAINS!) also includes a detour to the land of worshipping all things Sandra Oh. And don’t miss Emily’s conspiracy theory about “the best movie of 2018” (hint: it’s not GREEN BOOK). Produced by Emily Gagne and Danita Steinberg. Edited by Danita Steinberg. Theme music by Emily Milling.
Bring your appetite and your best dress because Emily and Danita are taking an impromptu trip to Italy with Diane Lane and UNDER THE TUSCAN SUN! This 48-minute tour of Diane’s ridiculously cool life and filmography (ladies and gentlemen, THE FABULOUS STAINS!) also includes a detour to the land of worshipping all things Sandra Oh. And don’t miss Emily’s conspiracy theory about “the best movie of 2018” (hint: it’s not GREEN BOOK). Produced by Emily Gagne and Danita Steinberg. Edited by Danita Steinberg. Theme music by Emily Milling.
Take a trip to LADYWORLD as Emily and Danita interview crazy cool filmmaker Amanda Kramer! Listen up as the trio chat about LADYWORLD’s upcoming screening at the Toronto International Film Festival’s (TIFF) Next Wave Film Festival, as well as the implications of portraying female conflict on screen and the importance of challenging expectations through art. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Take a trip to LADYWORLD as Emily and Danita interview crazy cool filmmaker Amanda Kramer! Listen up as the trio chat about LADYWORLD’s upcoming screening at the Toronto International Film Festival’s (TIFF) Next Wave Film Festival, as well as the implications of portraying female conflict on screen and the importance of challenging expectations through art. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Grab a pair of tinted glasses and loudly sing-shout Tiny Dancer in a bus, cause we're talking about Almost Famous! Joined by special guests Danita Steinberg and Emily Gagne, we discuss Frances McDormand's epic wardrobe, how much Billy Crudup suuuucks, and Kate Hudson's pretty pretty hair, while reminiscing over our favourite concert memories. Brought to you in part by HelloFresh. HelloFresh is a meal kit delivery service that shops, plans, and delivers step-by-step recipes and pre-measured ingredients so you can just cook, eat, and enjoy. Get $80 off your first month at HelloFresh.com/loveit80 and enter the promo code LOVEIT80 This episode is brought to you by Quip, an electric toothbrush designed by dentists with a built-in two minute timer that pulses every 30 seconds to remind you when to switch sides, helping guide a full and even clean. Go to GETQUIP.com/LoveIt right now and get your first refill pack for FREE with a Quip electric toothbrush. Check out www.TeePublic.com and discover your next favourite Tee. Psst... they also have nerdy hoodies, sweaters, baseball tees and long sleeves. Check out our favourite designs at www.TeePublic.HateLovePodcast.com Edited by Andrew Ivimey and produced for the From Superheroes network. Visit www.FromSuperheroes.com for more podcasts, YouTube series, web comics, and more. IHIBILI Logo by Cubbyhole Studio www.cubbyhole.studio
Get carried away with Danita, Emily and Drunk Feminist Films co-founder Steph Guthrie as they discuss Debra Winger’s Oscar-nominated performance in AN OFFICER AND A GENTLEMAN. Listen in as they lift the so-called “difficult” actress up where she belongs, showering her with endless TERMS OF ENDEARMENT for her fearless drive to create memorable (and messy!) female characters. Plus, the first WRLH! sing-a-long? Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Get carried away with Danita, Emily and Drunk Feminist Films co-founder Steph Guthrie as they discuss Debra Winger’s Oscar-nominated performance in AN OFFICER AND A GENTLEMAN. Listen in as they lift the so-called “difficult” actress up where she belongs, showering her with endless TERMS OF ENDEARMENT for her fearless drive to create memorable (and messy!) female characters. Plus, the first WRLH! sing-a-long? Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week, Danita and Emily are having what Ariel Fisher’s having as they chat with the Fangoria writer and AFTER ALL podcast co-host about Nora Ephron, Carrie Fisher and the best rom-com of all time, WHEN HARRY MET SALLY. Put on your best sweater and blazer combo for a stroll through Central Park and the incredible careers of Nora and Carrie (on and off camera). And of course, we spend some time tipping our hats to Meg Ryan's perfect hair.Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week, Danita and Emily are having what Ariel Fisher’s having as they chat with the Fangoria writer and AFTER ALL podcast co-host about Nora Ephron, Carrie Fisher and the best rom-com of all time, WHEN HARRY MET SALLY. Put on your best sweater and blazer combo for a stroll through Central Park and the incredible careers of Nora and Carrie (on and off camera). And of course, we spend some time tipping our hats to Meg Ryan's perfect hair.Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Danita and Emily rev up for another year of celebrating all things women in film with some BIG love for late, great director/actress/tinted glasses aficionado Penny Marshall. Buckle in as they take a tour of Penny’s career, discussing why she was, truly, in a league of her own. Her final film, 2001’s RIDING IN CARS WITH BOYS, is a perfect representation of her hilarious and heartfelt brand. Plus, details on WRLH!’s upcoming A LEAGUE OF THEIR OWN screening and Penny tribute (January 24 at the Revue Cinema!). Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Danita and Emily rev up for another year of celebrating all things women in film with some BIG love for late, great director/actress/tinted glasses aficionado Penny Marshall. Buckle in as they take a tour of Penny’s career, discussing why she was, truly, in a league of her own. Her final film, 2001’s RIDING IN CARS WITH BOYS, is a perfect representation of her hilarious and heartfelt brand. Plus, details on WRLH!’s upcoming A LEAGUE OF THEIR OWN screening and Penny tribute (January 24 at the Revue Cinema!). Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Emily and Danita get emotional in all the ways as they look back on all the great films made by and/or starring women they watched this year. Settle in with a festive beverage of choice (or iced coffee, Danita’s fave) as they gush about everything from the “difficult women” of TULLY and CAN YOU EVER FORGIVE ME?, to the film that changed both of their movie-going lives (it’s not, to Emily’s chagrin, MAMMA MIA! HERE WE GO AGAIN!), to their fave first watches (see: “the best movie of TIFF 2018”, THE JOY LUCK CLUB). Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Emily and Danita get emotional in all the ways as they look back on all the great films made by and/or starring women they watched this year. Settle in with a festive beverage of choice (or iced coffee, Danita’s fave) as they gush about everything from the “difficult women” of TULLY and CAN YOU EVER FORGIVE ME?, to the film that changed both of their movie-going lives (it’s not, to Emily’s chagrin, MAMMA MIA! HERE WE GO AGAIN!), to their fave first watches (see: “the best movie of TIFF 2018”, THE JOY LUCK CLUB). Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Emily and Danita are saying “Whoopi!” this week as film writer and Black Gold programmer Sarah-Tai Black stops in to talk about Whoopi Goldberg and her performance (and amazing wardrobe!!) in “action comedy thriller” Fatal Beauty. Consider this a bonus episode of The View as the Hot Topics include The Pagemaster, malls in ‘80s movies, and sex with Sam Elliot. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Emily and Danita are saying “Whoopi!” this week as film writer and Black Gold programmer Sarah-Tai Black stops in to talk about Whoopi Goldberg and her performance (and amazing wardrobe!!) in “action comedy thriller” Fatal Beauty. Consider this a bonus episode of The View as the Hot Topics include The Pagemaster, malls in ‘80s movies, and sex with Sam Elliot. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
It’s three on two in this week’s all-new episode, as Emily and Danita are joined by Actual Basketball Fan and funny lady extraordinaire Alexis McLaren to take on actress Sanaa Lathan AND writer/director Gina Prince-Bythewood! All’s fair in this discussion of Love & Basketball, with topics including the lack of female-driven sports films, how to set an actually sexy scene (one word: Maxwell), and possible (read: slam dunk) titles for the sequel (Double or Nothing, anyone?).Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
It’s three on two in this week’s all-new episode, as Emily and Danita are joined by Actual Basketball Fan and funny lady extraordinaire Alexis McLaren to take on actress Sanaa Lathan AND writer/director Gina Prince-Bythewood! All’s fair in this discussion of Love & Basketball, with topics including the lack of female-driven sports films, how to set an actually sexy scene (one word: Maxwell), and possible (read: slam dunk) titles for the sequel (Double or Nothing, anyone?).Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Happy Halloween, you ghouls! Emily and Danita are celebrating their fave holiday by revisiting Alison Lohman’s performance in Drag Me to Hell. Is this movie actually commenting on female ambition and the mental and physical rituals women have to perform in order to be taken seriously by society? Or is it just another example of a male filmmaker making a deal with the devil known as misogyny? Also, when it comes to evil talking animals, who is cinema’s G.O.A.T.??Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Happy Halloween, you ghouls! Emily and Danita are celebrating their fave holiday by revisiting Alison Lohman’s performance in Drag Me to Hell. Is this movie actually commenting on female ambition and the mental and physical rituals women have to perform in order to be taken seriously by society? Or is it just another example of a male filmmaker making a deal with the devil known as misogyny? Also, when it comes to evil talking animals, who is cinema’s G.O.A.T.??Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
On this week’s all-new episode, Danita and Emily pick up ‘The Hitchhiker’ with Richelle Charkot, Programming Director of the Royal Cinema! Buckle in for a tribute to the incredible Ida Lupino: the only woman to direct an episode of the original ‘The Twilight Zone’ (“Masks”) and an all-around post-Code trailblazer.Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
On this week’s all-new episode, Danita and Emily pick up ‘The Hitchhiker’ with Richelle Charkot, Programming Director of the Royal Cinema! Buckle in for a tribute to the incredible Ida Lupino: the only woman to direct an episode of the original ‘The Twilight Zone’ (“Masks”) and an all-around post-Code trailblazer.Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Grab some ‘Popcorn’ and stay clear of men with suspiciously bad skin because Emily and Danita are kicking off the best month of the year with close ghoulfriend Kristal Cooper and her favourite underappreciated scream queen, Jill Schoelen! In this terrifying triple bill, the girls take a stab at discussing Freddy “The Phantom” Kreuger, ‘The Stepfather’ (1987, NOT 2009!), and why horror is a safe space for women… if they’re brunette.Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Grab some ‘Popcorn’ and stay clear of men with suspiciously bad skin because Emily and Danita are kicking off the best month of the year with close ghoulfriend Kristal Cooper and her favourite underappreciated scream queen, Jill Schoelen! In this terrifying triple bill, the girls take a stab at discussing Freddy “The Phantom” Kreuger, ‘The Stepfather’ (1987, NOT 2009!), and why horror is a safe space for women… if they’re brunette.Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
It’s time for another WRLH! Live Report as Emily and Danita are joined by critic and comedian Jourdain Searles to recap TIFF 2018! Strap in for reviews of some the most talked about female-directed flicks of the fest (like Stella Meghie’s ‘The Weekend’, Marielle Heller’s ‘Can You Ever Forgive Me?’ and Claire Denis’ ‘High Life’!) and steaming takes on David Gordon Green’s ‘Halloween’ and Bradley Cooper’s ‘A Star is Born’. #ShareHerJourney! Produced by Emily Gagne and Danita Steinberg. Edited by Perry Jackson. Theme music by Emily Milling.
It’s time for another WRLH! Live Report as Emily and Danita are joined by critic and comedian Jourdain Searles to recap TIFF 2018! Strap in for reviews of some the most talked about female-directed flicks of the fest (like Stella Meghie’s ‘The Weekend’, Marielle Heller’s ‘Can You Ever Forgive Me?’ and Claire Denis’ ‘High Life’!) and steaming takes on David Gordon Green’s ‘Halloween’ and Bradley Cooper’s ‘A Star is Born’. #ShareHerJourney! Produced by Emily Gagne and Danita Steinberg. Edited by Perry Jackson. Theme music by Emily Milling.
Danita Steinberg and Erica Gagne join me at The Rivoli as TIFF 2018 coverage continues.
In a Very Special Episode, Emily and Danita report live from TIFF 2018, chatting with Carolina Hellsgård, the director of female zombie flick 'Endzeit' (or 'Ever After')! Listen up for discussions about blueberries, butterflies and being inspired by Lynne Ramsay. Produced by Emily Gagne and Danita Steinberg. Edited by Perry Jackson. Theme music by Emily Milling.
In a Very Special Episode, Emily and Danita report live from TIFF 2018, chatting with Carolina Hellsgård, the director of female zombie flick 'Endzeit' (or 'Ever After')! Listen up for discussions about blueberries, butterflies and being inspired by Lynne Ramsay. Produced by Emily Gagne and Danita Steinberg. Edited by Perry Jackson. Theme music by Emily Milling.
We’re going (back!) to school again with Reel Honey founder Sydney Urbanek! Yes, it’s time to talk (and sing!) about our fave “girl for all seasons”: Stephanie Zinone, or Michelle Pfeiffer in Grease 2. You guys, female agency has never looked so C-O-O-L! Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
We’re going (back!) to school again with Reel Honey founder Sydney Urbanek! Yes, it’s time to talk (and sing!) about our fave “girl for all seasons”: Stephanie Zinone, or Michelle Pfeiffer in Grease 2. You guys, female agency has never looked so C-O-O-L! Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week we’re getting honest to blog about everything from reproductive rights to pulling off skirts over pants with the help of Badvice co-host/comedian Robin Hebb and Ellen Page’s performance in ‘Juno’! Get ready for Diablo Cody stanning, Jason Bateman hating, and an ongoing analysis of the appeal of the hamburger phone. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week we’re getting honest to blog about everything from reproductive rights to pulling off skirts over pants with the help of Badvice co-host/comedian Robin Hebb and Ellen Page’s performance in ‘Juno’! Get ready for Diablo Cody stanning, Jason Bateman hating, and an ongoing analysis of the appeal of the hamburger phone. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Becky Shrimpton, co-host of the Royal Canadian Movie Podcast, stops by to discuss Sarah Polley’s “Mamma Mia! situation”/docu-drama Stories We Tell. This may be our most Canadian episode yet, but we will not be apologizing for loving a somber ending, wanting more people to worship cinematographer Iris Ng, or defending Michelle Williams’ character in Take This Waltz. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Becky Shrimpton, co-host of the Royal Canadian Movie Podcast, stops by to discuss Sarah Polley’s “Mamma Mia! situation”/docu-drama Stories We Tell. This may be our most Canadian episode yet, but we will not be apologizing for loving a somber ending, wanting more people to worship cinematographer Iris Ng, or defending Michelle Williams’ character in Take This Waltz. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In the We Really Like Her! / What About Meryl? crossover event you’ve been waiting for, Emily and Danita are joined by Stephanie and Candis, two dynamic women and ‘Mamma Mia’ superfans, to talk about ‘Mamma Mia! Here We Go Again’! Come for the celebration of Cher’s glitter eyeshadow and real talk about Meryl’s limited role, stay for the women following their dreams and the power of female friendship. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In the We Really Like Her! / What About Meryl? crossover event you’ve been waiting for, Emily and Danita are joined by Stephanie and Candis, two dynamic women and ‘Mamma Mia’ superfans, to talk about ‘Mamma Mia! Here We Go Again’! Come for the celebration of Cher’s glitter eyeshadow and real talk about Meryl’s limited role, stay for the women following their dreams and the power of female friendship. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In the We Really Like Her! / What About Meryl? crossover event you’ve been waiting for, Emily and Danita are joined by Stephanie and Candis, two dynamic women and ‘Mamma Mia’ superfans, to talk about ‘Mamma Mia! Here We Go Again’! Come for the celebration of Cher’s glitter eyeshadow and real talk about Meryl’s limited role, stay for the women following their dreams and the power of female friendship. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In anticipation for her role in Sharp Objects, Emily and Danita get enchanted by the magnetic force that is Amy Adams and her meerkat-loving character, Ashley, in Junebug. Settle in for red hot takes on sad masturbation scenes, the legend that is Miss Honey, Julie & Julia (#TeamJulie!), and being “content.”Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In anticipation for her role in Sharp Objects, Emily and Danita get enchanted by the magnetic force that is Amy Adams and her meerkat-loving character, Ashley, in Junebug. Settle in for red hot takes on sad masturbation scenes, the legend that is Miss Honey, Julie & Julia (#TeamJulie!), and being “content.”Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Alexandra West, co-host of The Faculty of Horror and author of ‘The 1990s Teen Horror Cycle: Final Girls and a New Hollywood Formula’, teams up with Danita and Emily to celebrate ‘Halloween: H20’ (the ultimate mother-daughter slasher!) and the Adult Woman who makes it a total scream, Jamie Lee Curtis. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Alexandra West, co-host of The Faculty of Horror and author of ‘The 1990s Teen Horror Cycle: Final Girls and a New Hollywood Formula’, teams up with Danita and Emily to celebrate ‘Halloween: H20’ (the ultimate mother-daughter slasher!) and the Adult Woman who makes it a total scream, Jamie Lee Curtis. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Mallory Andrews, editor of cléo, drops by WRLH! HQ to talk about the ever-incredible Holly Hunter and Broadcast News. Please standby for *pretty hot* takes on how hard it is to be a Successful Working Woman, being attracted to mediocre men, the joys of a scheduled cry, and (of course) Joan Cusack. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Mallory Andrews, editor of cléo, drops by WRLH! HQ to talk about the ever-incredible Holly Hunter and Broadcast News. Please standby for *pretty hot* takes on how hard it is to be a Successful Working Woman, being attracted to mediocre men, the joys of a scheduled cry, and (of course) Joan Cusack. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Do you like scary movies? Emily Gagne and Danita Steinberg, hosts of the new podcast We Really Like Her!, bring the love for Wes Craven’s Scream, the 1996 movie that taught us all to be afraid of crank calls and department-store ghost costumes. Your genial host Norm Wilner made sure to record this during the day in a … Continue reading Emily Gagne and Danita Steinberg on Scream →
NOW Magazine writer and stand-up comedian Michelle da Silva joins Danita and Emily to discuss Greta Gerwig and “the Casablanca of female friendship." Lively discussions about the Awkward Female Lead, movie theatre etiquette and the future of the GGCU (Greta Gerwig Cinematic Universe) ensue. References: Frances Ha (2012)-If 27 Is Old, How Old is Grown Up?: ‘Frances Ha with Greta Gerwig (New York Times, 2013)-‘Greta Gerwig is a Director, Not a Muse’ (Vulture, 2017)-Tweet about Greta Gerwig watching I Feel Pretty - https://mobile.twitter.com/hayejunt/status/994310706970415104?s=12Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In the first-ever episode of We Really Like Her!, co-hosts Danita and Emily worship at the altar of everyone’s favourite “strange and unusual” actress and her performance in 1990 “mother-daughter drama” Mermaids. Stay tuned for extremely hot takes on nuns, the virgin and whore complex, and why we should all repent for the ways we treated Winona in 2001. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
NOW Magazine writer and stand-up comedian Michelle da Silva joins Danita and Emily to discuss Greta Gerwig and “the Casablanca of female friendship." Lively discussions about the Awkward Female Lead, movie theatre etiquette and the future of the GGCU (Greta Gerwig Cinematic Universe) ensue. References: Frances Ha (2012)-If 27 Is Old, How Old is Grown Up?: ‘Frances Ha with Greta Gerwig (New York Times, 2013)-‘Greta Gerwig is a Director, Not a Muse’ (Vulture, 2017)-Tweet about Greta Gerwig watching I Feel Pretty - https://mobile.twitter.com/hayejunt/status/994310706970415104?s=12Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
In the first-ever episode of We Really Like Her!, co-hosts Danita and Emily worship at the altar of everyone’s favourite “strange and unusual” actress and her performance in 1990 “mother-daughter drama” Mermaids. Stay tuned for extremely hot takes on nuns, the virgin and whore complex, and why we should all repent for the ways we treated Winona in 2001. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week, the sublime Danita Steinberg (@danitasteinberg) rejoins host Sam Herbst (@mrsamherbst) to discuss Strangerland! In what is perhaps Nicole's most forgettable movie, Sam and Danita combine their expertise to discuss Nicole and Meryl's careers, recite some bad teenage poetry and casually discuss the movie along the way! Check out Danita's first podcast What About Meryl? and follow @WeReallyLikeHer for news on her upcoming podcast celebrating women in film! Comments? Requests? Let us know at @thekidmanifesto or thekidmanifesto@icloud.com! Don't forget to review and subscribe in Apple Podcasts, Google Play or PocketCasts! --- Support this podcast: https://anchor.fm/the-kidmanifesto/support
Coming soon to a podcast provider near you… We Really Like Her! Find out what you can expect from this women in film podcast from your co-hosts: best friends and movie lovers Emily Gagne and Danita Steinberg (formerly of What About Meryl?, a Meryl Streep podcast). Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Coming soon to a podcast provider near you… We Really Like Her! Find out what you can expect from this women in film podcast from your co-hosts: best friends and movie lovers Emily Gagne and Danita Steinberg (formerly of What About Meryl?, a Meryl Streep podcast). Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
This week we solve roomate drama, are let into the secret society of Sarnia Secrets, and tackle a small boys package. Danita Steinberg, host of What About Meryl/We Really Like Her! joins us in the professional podcast studio/Gorjan's bedroom.
Future episode guest (and now current KidMINI star) Danita Steinberg (@danitasteinberg) joins host Sam Herbst (@mrsamherbst) to discuss some breaking news: Nicole Kidman is on the TIME 100 and got a cover AND a Naomi Watts-penned tribute! Danita gives a dramatic reading of Naomi's beautiful blurb which causes Sam to reevaluate everything we know about the Naomi Watts Scale, and together they decide who will write the eventual bios of the remaining Big Little Lies women. Run to your newsstands and buy this issue! Check out Danita's podcast What About Meryl on Apple Podcasts! Got a scoop on the latest Nicole news that you think we should discuss? Let us know at @thekidmanifesto or thekidmanifesto@icloud.com! --- Support this podcast: https://anchor.fm/the-kidmanifesto/support
This week we Meryl things up with Danita and Emily from the What About Meryl Podcast as we discuss ADAPTATION, the 2002 comedy starring Nicholas Cage as Charlie Kaufman, the guy who wrote the movie, and Meryl Streep as Susan Orlean, the woman who wrote the book the movie is based on. Also Chris Cooper plays the guy who Meryl Streep's character writes about. Also the cast of Being John Malkovich plays themselves. This movie blew our minds when we were younger, but how does it hold up now? Listen below to find out. Also, please Subscribe on iTunes or Stitcher. Also, follow us on Twitter. And please consider supporting our Patreon campaign. Special Thanks to our sponsors, Hello Fresh and Endy Mattresses To receive 50% off your first Hello Fresh box, use this code: REWATCH50 To receive $50 off any Endy Mattress purchase use code: PODCAST50 WARNING: this podcast contains strong language and immature subject matter, please be advised.
Joy outscams a scammer at a yard sale and Caitlyn Jenner gets a seat at the table to talk OJ Simpson and revenge porn with Mischa Barton. Plus - Sunny and Sara fantasize about foursomes, a fight breaks out in the FB comments, and looking back on the time Whoopi gave Kate Gosselin a piece of her mind on The View. Follow Marie and Danita on Twitter @hariecmudson & @danitasteinberg and ME @hazlewitch | @dejatheviewpod