Podcasts about Donahue

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

 Trip Ison is the Host of the Ain't Dead Yet podcast, Trip is a deeply reflective and purpose-driven leader. Known for his raw honesty, physical intensity, and commitment to service, he speaks directly to men navigating internal battles, offering a blueprint for rebuilding through consistency, discipline, and community. Jacob Donahue is the Founder of Muse and a high-performing operator, Jacob represents what it looks like to live with quiet discipline. He's built a life around intentionality, simplicity, and constant personal refinement, often leading by example in community, faith, and physical pursuit.  In this powerful roundtable, Harry sits down with Trip and Jacob—two high-integrity men redefining masculinity through purpose, self-discipline, and pain-forged wisdom. The conversation cuts deep on topics like self-love, sobriety, modern dating, and mental health, offering a refreshing and unfiltered take on what it means to show up fully in life. If you're a man in transition, building something bigger than yourself, or battling inner darkness—this one's for you. What we cover:-  Building self-love through boundaries - The power of consistency- Crafting a meaningful daily routine- Dating vs. idolizing a relationshipTimestamps: (00:00) Intro: Meet Trip and Jacob (01:30) Responsibility reveals who you really are (03:45) Stewarding your current gifts before receiving more (06:30) Learning self-love through boundaries (10:00) Why men in their 20s shouldn't date (14:30) Real relationships come from aligned environments (20:00) Daily routines that build discipline (29:00) Who they're speaking to with Muse and Ain't Dead Yet (40:45) Mental health, suicidal thoughts, and pushing through (47:00) “Just keep going”—the mindset that saves lives  *** LINKS***Check out our supplement company - Noble Origins- 100% grass-fed beef protein with added collagen, colostrum and organs- Use code MAFIA25 for 25% OFF your orderCheck out our Newsletter - Food for Thought - to dramatically improve your health this year!Join The Meat Mafia community Telegram group for daily conversations to keep up with what's happening between episodes of the show. Connect with Jacob: Instagram Connect with Trip: InstagramConnect with Brett:InstagramConnect with Harry:InstagramXConnect with Meat Mafia:Instagram - Meat MafiaX - Meat MafiaYouTube - Meat MafiaConnect with Noble Protein:Website - Noble ProteinX - Noble ProteinInstagram - Noble ProteinAFFILIATESLMNT - Electrolyte salts to supplement minerals on low-carb dietThe Carnivore Bar - Use Code 'MEATMAFIA' for 10% OFF - Delicious & convenient Pemmican BarPerennial Pastures - Use CODE 'MEATMAFIA' 10% OFF - Regeneratively raised, grass-fed & grass-finished beef from California & MontanaFarrow Skincare - Use CODE 'MEATMAFIA' at checkout for 20% OFFHeart & Soil - CODE ‘MEATMAFIA' for 10% OFF - enhanced nutrition to replace daily vitamins!Carnivore Snax - Use CODE 'MEATMAFIA' Crispy, airy meat chips that melt in your mouth. Regeneratively raised in the USA.Pluck Seasoning - 15% OFF - Nutrient-dense seasoning with INSANE flavor! Use CODE: MEATMAFIAWe Feed Raw 25% OFF your first order - ancestrally consistent food for your dog! Use CODE 'MEATMAFIA'Fond Bone Broth - 15% OFF - REAL bone broth with HIGH-QUALITY ingredients! It's a daily product for us! Use CODE: MAFIAMaui Nui- 15% OFF. Use CODE: MEATMAFIA 

Do you ever find yourself hiding from the truth? There are 3 people with whom we need to be truthful. without one, each of the others is affected. They are truthfulness with God, truthfulness with ourselves, and truthfulness with one another. This podcast, which was from a workshop I led a few years ago, is an introduction to growing in truthfulness in ourselves and our kids in each of these. This is the second podcast of this series. To hear the first and second, go back to podcasts #147 and #148.00:00 Self-handicapping (continuation from Podcast #36)00:15 Introduction01:59 Examples of the challenge of honesty05:43 Come clean and closer to God07:11 Ways we might lie to ourselves13:41 Honesty is important to grow and my example15:00 Effects of lying to ourselves16:05 Final words and free offer If you wany to talk with me about anything, email me at: Laurie@kidstrength4Life.com Website: https://KidStrength4Life.com

Actor James Donahue talks evolving w/ Cory Kastle.youtube.com/ @draculawmovie https://www.tiktok.com/@actor.james.donah

Do you ever find yourself hiding from the truth? There are 3 people with whom we need to be truthful. without one, each of the others is affected. They are truthfulness with God, truthfulness with ourselves, and truthfulness with one another. This podcast, which was from a workshop I led a few years ago, is an introduction to growing in truthfulness in ourselves and our kids in each of these. This is the second podcast of this series. To hear the first, go back to podcast #147.00:00 Self-handicapping (continuation from Podcast #147)00:15 Introduction01:59 Examples of the challenge of honesty05:43 Come clean and closer to God07:11 Ways we might lie to ourselves13:41 Honesty is important to grow and my example15:00 Effects of lying to ourselves16:05 Final words and free offer If you want to talk with me about anything, email me at: Laurie@kidstrength4Life.com Website: https://KidStrength4Life.com

Gus T. Renegade gives counter-racist analysis on the 4th day of the Sade C. Robinson murder trial in Milwaukee, Wisconsin. More than a year after the murder and dismemberment of the 19-year-old black teen, Suspected Racist Maxwell Anderson is accused of arson, dismemberment, hiding a corpse and homicide. Day 3 of trial concluded with Det. Casey Donahue offering gripping testimony about surveillance footage depicting a Maxwell Anderson lookalike walking away from the scene of Sade's burning Honda Civic on the morning of April 2nd. On Friday, Det. Donahue returned to the stand to explain his participation in searches at the 31st & Galena Playground - which is south of where Sade's car was burned. Donahue testified to finding additional human remains - including Sade Robinson's left foot. This was plastered on the courtroom screens to start our Friday morning. This set an ominous tone for the day's testimony, which concluded with pictures of Sade's butchered torso. She was decapitated, missing one arm, both legs, and her right breast had been sliced away. In between this mountain of demonic carnage, Det. Ryan Bergemann positively identified Max Anderson as the figure who boarded a public bus on the morning of April 2nd, 2024 after setting fire to Sade's Honda Civic. Anderson's attorney had "no comment" about his client's perfect resemblance to the character on the video, and his White parents left early as opposed to staying to view all the body parts their child is accusing of littering throughout park lands of Milwaukee County. #ForSade INVEST in The C.O.W.S. - https://cash.app/$TheCOWS #TheCOWS16Years CALL IN NUMBER: 605.313.5164 CODE: 564943#

Episode SummaryWelcome to We Go Boldly the Podcast, where we're diving deep into taking control and becoming the authors of our own stories! In this powerful episode, we speak with Dr. Melissa Donahue, a Licensed Clinical Social Worker and Certified Sex Therapist, about breaking free from limiting beliefs and intentionally crafting a life filled with purpose and authenticity. Dr. Donahue shares her expertise on sexual health, wellness, and how addressing these important aspects of our lives can help us rewrite our personal narratives.Topics DiscussedBreaking free from limiting beliefs around sexuality and relationshipsThe importance of accurate sexual education for personal empowermentHow sexual wellness connects to overall life satisfaction and authenticityNavigating cultural, religious, and personal barriers to sexual healthResources for those dealing with specific conditions like vaginismusCreating intentional relationships that honor your authentic selfAbout Our GuestDr. Melissa Donahue, DSW, LCSW, CST, CSTS is a Licensed Clinical Social Worker and AASECT Certified Sex Therapist and Supervisor. As the owner of MD Counseling, LLC, she is committed to supporting individuals of all backgrounds with sexual health concerns. Dr. Donahue is a national presenter and advocate for comprehensive sexual education, and co-authored a chapter in "The Art of Sex Therapy Supervision." She completed her Doctorate of Social Work at Rutgers University, where she specialized in vaginismus research, creating the informational resource vaginismushealth.com. Dr. Donahue also serves as an adjunct professor at Montclair State University in the Department of Social Work and Child Advocacy. Listen, subscribe, and share your story with us on Instagram @GoBoldlyTogether and use #AuthorMyStoryThank you for tuning in to this episode of We Go Boldly Podcast. We hope you found our discussion insightful and that the strategies we covered inspire you to take actionable steps towards your personal development goals. Don't forget to subscribe, rate, and review our podcast on Spotify, Apple or wherever you get your podcasts, subscribe to our channel on YouTube, and follow us on IG @goboldlytogether, FB @goboldlytogether, or LI @goboldlyinitiative for more updates and exclusive content.Did you enjoy this episode? We would love to hear your thoughts. Head to Apple Podcasts and then rate, review, and subscribe. This way you will get notified once a new episode goes live.CONNECT WITH RIELLY AND TOVAHInstagram: https://www.instagram.com/goboldlytogether/Website: goboldlythepodcast.comFacebook: https://www.facebook.com/Go-Boldly-Together-105942584706928LinkedIn: https://linkedin.com/company/go-boldly-initiativeYouTube: http://bit.ly/boldlyyoutubePinterest: https://www.pinterest.com/GoBoldlyTogether/_saved/Twitter: https://twitter.com/goboldlypodcastPatreon: https://www.patreon.com/wegoboldly   Did you enjoy this episode? We would love to hear your thoughts and more about your personal development journey. Head to Apple Podcasts and then rate, review, and subscribe. This way you will get notified once a new episode goes live. Don't forget to find us and subscribe on YouTube too. CONNECT WITH RIELLY AND TOVAHInstagram: https://www.instagram.com/goboldlytogether/Website: goboldlyinitiative.com or https://we-go-boldly-podcast.simplecast.com/YouTube:https://www.youtube.com/channel/UCsPh8gu_ugJqvvnYiuRSyPQLinkedIn: https://linkedin.com/company/go-boldly-initiativePatreon: https://www.patreon.com/wegoboldlyFacebook: https://www.facebook.com/GoBoldlyTogetherPinterest: https://www.pinterest.com/GoBoldlyTogether/

Do you ever find yourself hiding from the truth? There are 3 people with whom we need to be truthful. without one, each of the others is affected. They are truthfulness with God, truthfulness with ourselves, and truthfulness with one another. This podcast, which was from a workshop I led a few years ago, is an introduction to growing in truthfulness in ourselves and our kids in each of these. 00:00 Intro02:39 Is honesty a dying character trait in our culture?03:42 A look back at the 1960s04:43 Everyone's own truth05:26 Dishonesty destroys relationships06:23 God's truth vs. man's truth07:00 The values of honesty07:50 The boy who cried wolf10:15 Dishonesty in our culture11:22 Dishonesty in the individual13:16 Lying destroys relationships14:40 Three areas where we need truthfulness15:51 Truthfulness with God18:13 First relationship fail and the hope to follow20:19 God's perfection vs. my perfectionFinal words I am excited to say there are some exciting things to come regarding this series! Stay tuned and remember to rest in the Lord this week! Any questions? email me at: Laurie@kidstrength4Life.com Website: https://KidStrength4Life.com

Want to know how to 10x your impact in business without doing all the things?Feel like you're constantly overwhelmed and desperate for a way to work smarter, not harder?Wish there was a way to achieve all your goals while still enjoying your life?In today's inspiring episode, I have the honour of chatting with Stephanie Donahue; a CEO Growth Partner, High Performance Coach, and Business Strategist who helps faith-driven entrepreneurs and CEOs build profitable, scalable businesses with smart strategy, ethical marketing, and high performance leadership. With over eight years of experience as a Marketing Strategist, Director of Operations, and Offer & Launch Expert, Stephanie has worked alongside business owners as their trusted right-hand strategist, helping them scale their offers, optimize their systems, and execute with confidence. Tune into this value packed episode for insight on:how high performers actually show up (vs. high achievers)the pillars that help every leader grow to their next levelthe advantages of being a Christ-led entrepreneurwhy forward movement is always a winthe importance of ethical marketing SO MUCH MORE!Stephanie is also the host of Commit to High Performance Growth, a podcast where she shares raw insights for self-improvement, business strategy, and faith-driven leadership tips for ambitious entrepreneurs who are serious about scaling with integrity. Tune in to HERE Grab her free E-book: https://link.stephaniedonahue.co/freeguideVisit Stephanie's website: https://stephaniedonahue.co Connect with her on Instagram https://www.instagram.com/stephaniedonahue.co/ Connect with her on LinkedIn: https://www.linkedin.com/in/stephaniedonahueco/OTHER RESOURCES:'Don't Say That' book https://link.stephaniedonahue.co/compliancebookLearn more about FTC: https://www.ftc.gov/enforcementNow I'd love to hear from you! What's one thing you learned and how will you take action today? Let me know by: leaving the show a review. or sending me an email at info@emanuelahall.com YOUR NEXT STEPS:

ABC 15's Lilian Donahue joins Bruce and Pamela Hughes to discuss the latest on the Greer fire

Art Bell - Aaron Donahue - Luciferian Thought Remote Viewing

The Greer fire has burned more than 7000 acres since its start Tuesday morning. Live from Greer, Lily Donahue, ABC 15 reporter, calls into the show to give the latest details. 

Rafe entertains (or is entertained by?) his sister, Big Brain Smart Head™ Maura Donahue.  Together they discuss horses and frogs, stagecoaches and getting to where you want to go, the forthcoming hurdles awaiting higher education, the joys of learning new things in new ways, trusting your gut, hitting a curveball, and much, much more.Maura can be reached at https://www.linkedin.com/in/maura-donahue*****As always, you can reach the Buf at bufnagle@bufnagle.com*****As you know, this is an independent podcast so your hosts also carry all the expenses of running this podcast. As such, some of you have asked how you can help out. Well, here's the answer: support us on Buy Me a Coffee:https://buymeacoffee.com/bufnagleOn this page, you can do a really nice thing like send us a couple dollars to help cover the cost of recording and hosting and microphones and research and all that. Any little bit really helps! Thank you in advance!!!

Resident gearhead Mr. Donahue updates us on what the track was like today and some strategies going into tomorrow. He talks about what it is going to take to win a race like this. He talks about one player who shares one weird piece of history. Tony talks about his upcoming shows and what the new show that he started and how you can catch him on that. He gives his final thoughts on who has a good advantage going into tomorrow and who can give the top man a race for his money. BK joins to talk about his South Bend Cubs game and what he is going to be doing moving forward. He will be running the show next week and the coach is passing the torch for a weekend. He talks about one special player who is no stranger to going yard this week. Jeremiah Johnson joins the show to talk about the Pacers and offers a new perspective on tonight's game. He says we may be able to chalk this one up to too much media attention and they may have needed this wake-up call. He talks about him being confident in their leadership and thinks they will hit film hard tonight and go forward in this series.See omnystudio.com/listener for privacy information.

Art Bell - Aaron Donahue - Luciferian Thought Remote Viewing

Is your child ready for baptism? Do you understand it yourself? In this podcast series, we will talk about those things that you are wondering about. Today we will talk about God's grace and mercy and we will move into what baptism symbolizes and why we should be baptized. Then we will talk about who should be baptized. There is a lot here and it moves pretty fast so you may want to listen more than once! If you want to understand this further, the following book would be a great help! If you have questions and want to talk about this a little more, please contact me at Laurie@KidStrength4Life.com. Laurie Donahue is not new to this topic, as she has had personal experience and many years ago, wrote a book called God Should I Be Baptized? It is a children's preparation workbook that has sold over 50,000 copies and still is selling thousands yearly. It was the first of its kind and has been a standard in baptism preparation. Here is the coupon code for 20% off and free shipping: Podcast20The website is https://LifeSongPublishers.com and this coupon will apply to all available items I mentioned the possibility of re-running the parent preparation course. If we do it, it will be live, with Q&A time and a minimal cost. If you think you might be interested, contact: Laurie@Kidstrength4Life.com Also, I would like to mention that we have been running this podcast for over a year and a half. It has been fun and I pray it has been beneficial to you. As you probably know, there are costs involved in production. If you would like to come alongside us and help us with costs, you can click on this link and give any amount. On the checkout page, you will see our plan for gifting back to you, as well. To support the broadcast, click below. https://www.kidstrength4life.com/offers/GNFr7f3W Thank you for being a listener and supporting our broadcast! May you rest in the Lord in 2024! Laurie

“Turn your beauty routines into beauty rituals, so it's not about adding another 20 minutes of meditation to your scheudle. These are steps you do every single day, and if you can just be a bit slower and more mindful, it affects the rest of your day,” says clean beauty content creator Sara Rose Donahue, also known as @sararosie on Instagram. In this episode of Clean Beauty School, mindbodygreen beauty director and host Alexandra Engler chats with Donahue about her favorite products, how she does a quick glowy makeup look, and her daily routine.  Show notes: -Follow our guest: @sararosie -Shop beauty products mentioned in this episode: MOB BEAUTY Smooth Precision Waterproof Lip Liner in 1990, RMS Beauty SuperNatural Radiance Serum Broad Spectrum SPF 30 Sunscreen, RMS Beauty Eyelights Cream Eyeshadow, RMS Beauty Go Nude Lip Pencil, RMS Beauty ReDimension Hydra Powder Blush, ALPYN Beauty Pore Perfecting Toner, ALPYN Beauty PlantGenius Line-Filling Eye Balm with Bakuchiol, ALPYN Beauty Super Peptide & Ghostberry Barrier Repair Cream, Iris&Romeo Weekend Skin SPF 50, Tweezerman ProCurl Eyelash Curler, LAWLESS Forget The Filler Lip Gloss, YTTP Kale + Spinach Superfood Cleanser, True Botanicals Chebula Active Serum, True Botanicals Chebula Extreme Cream, Odacité Repair Balm Le Blue Balm, Tower 28 SunnyDays SPF 30 Tinted Moisturizer, Tower 28 Swipe Serum Concealer, Tower 28 Make Waves Mascara, Saie Slip Tint Lightweight Tinted Moisturizer with Mineral Zinc SPF 35, Ilia Super Serum Skin Tint, Kosas Revealer Concealer Super Creamy + Brightening, Kosas Cloud Set Baked Setting & Smoothing Powder, Saie Dew Blush & Bronzer Follow the host: @alex_blair_ Call in: sayhi.chat/cleanbeautyschool Comments: podcast@mindbodygreen.com Sponsorship inquiries: sales@mindbodygreen.com 

Pull up a bowl of your favorite sugar cereal and get ready for an episode where Laura Donahue Brady (Dedication: Fans Remember The Bay City Rollers Podcast) and me talk about the famous (or perhaps infamous) Bay City Rollers Show (aka The Krofft Superstar Hour)!What happens when you combine one of the biggest teen pop groups with the likes of Witchiepoo, Stupid Bat, and Mr. Munchie?  A Saturday morning kids' show with the music of the Bay City Rollers and crazy comedy skits that was so over the top, the lead singer left the band as soon as the show filmed it's last episode!But there was some fun to be had in re-watching these classic shows featuring Scotland's greatest export next to Sean Connery, The Bay City Rollers, and Laura and me certainly had fun re-living our respective memories of this classic piece of Saturday morning schtick.

On the latest episode of the State of Choice podcast, Ed Tarnowski and Katherine Schultz welcomed Trish Donahue, Senior Vice President of Legal and Policy at HopSkipDrive, to talk about a topic that's critical but often overlooked in school choice conversations: transportation.

Send us a textIn this month's episode, Beth, Brittany, and Stephanie get a crash course in the Hallyu (Hal –you) Wave as librarian Elena teaches them about the phenomenon of South Korean pop culture. In honor of Mystery Month, they discuss their favorite characters, settings and tropes (spoiler alert – it's the librarian, in the small town, with a cat sidekick). And finally, they're celebrating Mother's Day with books by, for, and about moms!Some upcoming programs:Adults: QCMade: Miss Effie's Country Flowers – Thursday, May 22nd @ 27387 130th Ave, Donahue, IA 52746  Tweens/Teens: Teen Gaming – Every Wednesday, 4pm @ Fairmount  Kids: Yoga Storytime and Pop-Up Library at Autistic & Loved – Thursday, May 22nd, 10am @ 3811 Harrison St Suite 200, Davenport, IA 52806To find out what books were mentioned in this episode, visit our Checked In LibGuide!Helpful links from our discussion:Freegal Kpop Playlist Newspaper ArchiveAmerica's NewspapersCommunity Experience Passes Library Links:Calendar of Events - Learn more about the events discussed in this episode and about what is coming up at the Library!Library Catalog - Place holds on all of the books discussed today!Beanstack - Sign up to participate in our reading challenges!2025 Online Reading Challenge

April 26, 2025 - "Sonnet" by Alice Moore Dunbar-Nelson, read by Frances Donahue by The Desmond-Fish Public Library & The Highlands Current, hosted by Ryan Biracree

“Telecom law is a niche, but it's a powerful one — and it's about to become even more important in the world of vCons.” — Diana James, Attorney, Marashlian & Donahue, PLLC At vCon 2025, Diana James Highlights Why Telecom Law Is Key to the Next Era of Communication Hyannis, MA - April 2025 - Speaking from the vCon Conference in Hyannisport, Massachusetts, Diana James, attorney with Marashlian & Donahue (The CommLaw Group), emphasized how crucial it is to have legal expertise tailored to technology and telecom — especially as new communication formats like vCon emerge. “Telecom law is a very niche area, and there's a lot to keep track of,” said James. “But it's incredibly exciting, and it's becoming even more critical as innovations like vCon reshape how businesses manage, share, and protect conversations.” Marashlian & Donahue represents clients across the telecom industry, including the Cloud Communications Alliance. James and her colleagues are deeply involved in helping organizations navigate the complex regulatory environment that governs emerging technologies like virtualized conversations. The vCon standard, which captures and containers conversations (voice, text, video, chat) into structured, portable files, presents vast new opportunities — but also raises important legal questions around data privacy, consent, and regulatory compliance. “It's not just about building the technology. It's about making sure it's implemented ethically and legally,” James noted. With enterprises and service providers racing to adopt AI, customer intelligence, and new conversational formats, specialized telecom and tech law firms like Marashlian & Donahue are more important than ever — helping innovators stay ahead of regulatory requirements while protecting customer trust. #vCon #TelecomLaw #PrivacyCompliance #EmergingTech #MarashlianAndDonahue #TheCommLawGroup #CloudCommunications #AICompliance #TechRegulation #DataPrivacy #VoiceOfTheCustomer

Use code MAFIA25 and go check out our product Noble Origins.This is a high quality, nutrient packed grass-fed protein powder with colostrum, collagen, and an organ complex (including liver), plus we used beef protein isolate for people who struggle with whey protein or plant protein! Give it a try and let us know what you think!Jacob Donahue is a former collegiate hockey player turned machine learning engineer and competitive CrossFit athlete. Driven by curiosity and relentless self-improvement, Jacob uses his personal experiences in athletics, technology, and mental resilience to inspire others. His pursuit to blend performance, creativity, and entrepreneurship has shaped his unique perspective on what it truly means to find your calling.  In this episode, Brett and Harry sit down with Jacob Donahue—athlete, engineer, and creator behind Muse. From playing college hockey at Babson to reinventing himself as a machine learning engineer and competitive CrossFit athlete, Jacob shares powerful insights on how to unlock personal greatness. They dive deep into overcoming anxiety, embracing resistance, finding clarity in chaos, and turning life's trials into fuel for growth. Jacob challenges listeners to rethink entrepreneurship, emphasizing that the key to success might already be within you—if you're willing to keep tinkering. What we cover:- How to Discover Your Muse- Why You Should Keep Tinkering- Turning Your Energy into Real Action- Balancing Ambition with Strategic Rest- Being Entrepreneurial Within Your OrganizationTimestamps: (00:00) Intro and Babson background (05:00) Leaving hockey and letting go (10:00) Gamifying life and chasing goals (15:00) Outsourcing vs owning your weaknesses (20:00) Leaving corporate life for purpose (25:00) Finding clarity through CrossFit (30:00) Managing anxiety and negative thought loops (35:00) What Muse really means and becoming who you're meant to be *** LINKS***Check out our supplement company - Noble Origins- 100% grass-fed beef protein with added collagen, colostrum and organs- Use code MAFIA25 for 25% OFF your orderCheck out our Newsletter - Food for Thought - to dramatically improve your health this year!Join The Meat Mafia community Telegram group for daily conversations to keep up with what's happening between episodes of the show.Connect with Jacob:InstagramConnect with Brett:InstagramXConnect with Harry:InstagramXConnect with Meat Mafia:Instagram - Meat MafiaX - Meat MafiaYouTube - Meat MafiaConnect with Noble Protein:Website - Noble ProteinX - Noble ProteinInstagram - Noble ProteinAFFILIATESLMNT - Electrolyte salts to supplement minerals on low-carb dietThe Carnivore Bar - Use Code 'MEATMAFIA' for 10% OFF - Delicious & convenient Pemmican BarPerennial Pastures - Use CODE 'MEATMAFIA' 10% OFF - Regeneratively raised, grass-fed & grass-finished beef from California & MontanaFarrow Skincare - Use CODE 'MEATMAFIA' at checkout for 20% OFFHeart & Soil - CODE ‘MEATMAFIA' for 10% OFF - enhanced nutrition to replace daily vitamins!Carnivore Snax - Use CODE 'MEATMAFIA' Crispy, airy meat chips that melt in your mouth. Regeneratively raised in the USA.Pluck Seasoning - 15% OFF - Nutrient-dense seasoning with INSANE flavor! Use CODE: MEATMAFIAWe Feed Raw 25% OFF your first order - ancestrally consistent food for your dog! Use CODE 'MEATMAFIA'Fond Bone Broth - 15% OFF - REAL bone broth with HIGH-QUALITY ingredients! It's a daily product for us! Use CODE: MAFIAMaui Nui- 15% OFF. Use CODE: MEATMAFIA

Donald Trump’s tariffs had many investors worried about their money in the market, but Australian investors continue to be consistent according to HSBCSee omnystudio.com/listener for privacy information.

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160. Becoming the Warrior (with Jenn Donahue) Jenn Donahue PhD, was a US Navy Captain and Commodore for an 1,800-personnel Regiment. She is also a civil engineer who works on large-scale, high profile geotechnical projects. Over her military career, Jenn has built a bridge across the Euphrates River in the midst of the Iraq war, commanded an 800-personnel Battalion in Afghanistan, and constructed combat outposts in the middle of deserts filled with insurgents. Jenn has designed the seismic plans for a bridge over the Panama Canal and built roads by drilling and blasting in Ketchikan. She is President of JL Donahue Engineering and Dare to Rise. Her forthcoming book is titled Becoming the Warrior. In this episode: Jenn shared about her career as an engineer and then going into the Navy for 27 years, both active and reserve. She was only the 3rd woman to lead a battalion at that time. She shared what it has been like to be in male dominated fields for her career where there were always a small percentage of women vs men. How she honed her leadership style which was non-traditional compared to her peers. Discussed why she wanted to write her upcoming book, Becoming the Warrior. The book is for people with big goals that they want to achieve, but they have doubts as to whether they are good enough to complete them. She shared one of the most challenging life or death decisions she had to make. Walked through the Warrior Framework and some of the other tools from her book. Information on Jenn:   JennDonahue.com Jenn Donahue on LinkedIn (in/jenndonahue-phd-pe) The Book that Janet Recommends: The Visibility Factor by Susan M Barber Thank you for listening to The Visibility Factor Podcast Check out my website to order my book and view the videos/resources for The Visibility Factor book. As always, I encourage you to reach out! You can email me at hello@susanmbarber.com. You can also find me on social media everywhere – Facebook, LinkedIn, and of course on The Visibility Factor Podcast! I look forward to connecting with you! If you liked The Visibility Factor, I would be so grateful if you could subscribe and rate it where you listen to podcasts! It helps the podcast get in front of more people who can learn how to be visible too! Thank you to the team at Sheep Jam Productions for the amazing support of The Visibility Factor Podcast! 

Chad and I focus on his career as a Biology teacher and what young people are attracted to in the outdoors. Or how to get them interested in the outdoors. With 25 years of teaching behind him Chad has a lot of experience keeping students engaged in learning about the wild.Thank you to our sponsorsAspen Thicket Grouse Dogs aspenthicketgrousedogs.comPine Hill Gun Dogs phkscllc@gmail.comSecond Chance Bird dogs Field Armor fieldarmorusa.comCollar Clinic collarclinic.comWild Card Outfitters and Guide Service wildcardoutdoors.com

Give to help Chris make Truce Milton Friedman may be the most famous American economist. His research and theories have profoundly shaped the modern American economy. But few of us can clearly articulate what he taught and what it means for our times. Friedman's career was defined by the aftermath of the Great Depression. He worked in the government administering the New Deal, but never really agreed with it. He joined the faculty at the University of Chicago and built a department around him that taught a version of free-market economics known as monetarism. Essentially, monetarism is the idea that inflation is a product of how much money is in circulation. Friedman did not like the Federal Reserve or the gold standard, instead, advocating for a standard 4% increase in the money supply every year that would not be shifted. By setting a rule, he hoped to do away with an entire governmental department. Friedman and his co-authors ventured into areas that other economists thought, perhaps, unwise. They used economics to explain things like marriage and school choice. He was also a proponent of school vouchers. Stanford professor Jennifer Burns joins Chris today to explore the many facets of Milton Friedman. This is the first of two parts. Sources: Milton Friedman: The Last Conservative by Jennifer Burns The Years of Lyndon Johnson: The Part to Power by Robert Caro https://www.merriam-webster.com/dictionary/laissez-faire “Keynesian Economics Theory: Definition and How It's Used” Investopedia article https://www.bls.gov/opub/mlr/2014/article/one-hundred-years-of-price-change-the-consumer-price-index-and-the-american-inflation-experience.htm Reaganland by Rick Perlstein Capitalism and Freedom by Milton Friedman Milton Friedman: A Concise Guide to the Ideas and Influence of the Free-Market Economist by Eamonn Butler Friedman on the Donahue show in 1979 Discussion Questions: Had you heard of Friedman before this episode? If so, what did you know about him? What does "laissez-faire" mean in economic terms? Does it line up with the Bible in any direct way? Why do you think so many conservative Christians lean toward laissez-faire? How bad was the Great Depression? If you had worked for the government during the Depression, what would you have advocated? Why are some people against the New Deal? What did the New Deal mean to starving people during the Depression? How does a fear of communism play into anti-New Deal sentiment? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Please join Author Anna Donahue and Children's Book Illustrator, Beatriz McDonald, as they give a sneak peek into Anna's newest Children's Book: ‘Do You See What I See?' What God Sees When He Looks at You! Order your copy today by visiting: https://annadonahueministries.com/do-you-see-what-i-see/Support the show

Sesame Street is in the news for some not-so-fun reasons these days, so we're warping back in time to 1988 when they were hanging out with Donahue, riffing on Watergate, and sitting pretty on top of the world of public broadcasting! Check out http://kermitmentstuff.com/ to get your Kermitment merch! Kermitment has a Patreon! Running a podcast is deceptively expensive work, so by becoming our Patron, you help us cover those costs and allow us to do funner, cooler stuff in the future! Find out more here! Visit our website to find a link to the Kermitment Patreon and more fun stuff at http://Kermitment.com! If you can't get enough Kermitment, follow @Kermitment.com, where we'll tweet fun stuff and interact with our listeners! And you can follow each of us individually: Matt: @MatthewGaydos Sam: @im-sam-schultz

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1616: Paige Donahue explores how embracing a life with less can lead to greater fulfillment, clarity, and peace. Simplifying possessions, commitments, and distractions creates space for deeper meaning, stronger connections, and true contentment. Letting go of the excess isn't about deprivation, it's about making room for what truly matters. Read along with the original article(s) here: https://nosidebar.com/less-becomes-more/ Quotes to ponder: "Having less isn't about deprivation, it's about making room for what truly matters." "When we clear the clutter from our lives, we create space for more meaningful experiences and deeper connections." "Simplifying doesn't mean giving up what we love; it means keeping only what adds real value to our lives." Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1616: Paige Donahue explores how embracing a life with less can lead to greater fulfillment, clarity, and peace. Simplifying possessions, commitments, and distractions creates space for deeper meaning, stronger connections, and true contentment. Letting go of the excess isn't about deprivation, it's about making room for what truly matters. Read along with the original article(s) here: https://nosidebar.com/less-becomes-more/ Quotes to ponder: "Having less isn't about deprivation, it's about making room for what truly matters." "When we clear the clutter from our lives, we create space for more meaningful experiences and deeper connections." "Simplifying doesn't mean giving up what we love; it means keeping only what adds real value to our lives." Learn more about your ad choices. Visit megaphone.fm/adchoices

UB's Shawn Donahue on the prospect of Andrew Cuomo running for NYC Mayor full 279 Fri, 28 Feb 2025 08:50:54 +0000 B1gbu8Pkso1qfO5pva8k5wS0CfkGYK2F news & politics,news WBEN Extras news & politics,news UB's Shawn Donahue on the prospect of Andrew Cuomo running for NYC Mayor Archive of various reports and news events 2024 © 2021 Audacy, Inc. News & Politics News False https://player.amper

In 2023 I had the pleasure of meeting R. Donahue Peebles, the richest African American real estate developer in America. His journey and wisdom offer key insights for anyone looking to achieve success at the highest level, both in business and in life. Here are the five principles of success that Peebles shared when we met and in his keynote speech at the event: 1. Create an Environment for Wealth Creation – You need to be in spaces that encourage and facilitate financial growth. 2. Develop Skills & Knowledge to Identify Opportunity – Learn how to create value in the marketplace and spot opportunities others may miss. 3. Build a Team & Apply Leverage – Success is not a solo journey; building the right team and applying leverage is essential. 4. Seek Mentorship – Guidance from experienced individuals can accelerate your path to success. 5. Set a WIG (Wildly Important Goal) – Define a bold, clear, and specific goal that will drive your long-term success. By applying these principles, you'll be empowered to reach new heights and elevate your business and personal growth. These lessons are not just theoretical—they have been proven to lead to massive success, as demonstrated by Peebles' journey in real estate development.

About Jenn DonahueJenn is a 27-year retired Navy combat veteran who served on the ground in Iraq and Afghanistan. If you are wondering what the Navy does on the ground, well, she was part of the expeditionary construction group called the Seabees. They deploy to hostile regions and build bases, repair and build roads and bridges, and drill water wells. She retired in 2022 as the Commodore in charge of an 1800-personnel Regiment. Along the way I've dealt with numerous obstacles including self-doubt, fear, and imposter syndrome. Being in charge of a unit that is 90% male construction workers had its own set of challenges. Through my many experiences including getting shot at, having insurgents try to blow up our base, and even an assassination attempt on my life, I found a way to transcend barriers and unlock true potential.https://www.linkedin.com/in/jenndonahue-phd-pe/https://www.jenndonahue.com/---------------------------------About Joe SprangelMy work as an author includes "Humanist Manufacturing: A Humanitarian Approach to Excellence in High-Impact Plant Operations." The book introduces the Humanist Manufacturing framework encompassing what I see as the evolving elements of an exemplary manufacturing operation. I saw a need for a book that laid out a framework that could shape the unique requirements for completing a significant manufacturing operation transformation—one where manufacturing exists for a higher purpose benefiting all internal and external stakeholders.https://www.emmanuelstrategicsustainability.com/----------------------------------When It Worked Podcasthttps://getoffthedamnphone.com/podcast

Sign Up For Patreon—> https://www.patreon.com/MetaMysteriesFor 10% OFF Orgonite----> Click Here! (Use Code: ONE)Reach out to us! ---> MetaMysteries111@gmail.comGive us a follow on Instagram---> @MetaMysteriesBecome a supporter of this podcast: https://www.spreaker.com/podcast/meta-mysteries--5795466/support.

In this episode, FSA speaks with the president of the National Sheriffs Association (NSA), Canyon County Sheriff Kieran Donahue. Now serving his fourth term, Sheriff Donahue talks about the pride he has in serving and protecting the citizens of his county. We learn about the special features of Canyon County, Idaho, and why he ran and was then successfully elected the 84th president of NSA. Sheriff Donahue's platform during his one-year term as president is to focus on border security, national security, and addressing the epidemic of domestic violence. And we cover all three in great detail in this episode!

Join host Bill Donohue as he welcomes former Los Angeles Dodgers first-baseman Steve Garvey, who reflects on his illustrious career and connections to Long Island, where his family roots lie. Garvey shares anecdotes from his time as a bat boy for the Dodgers and his journey in Major League Baseball, highlighting the camaraderie and competitive spirit that defined his time on the field. Following Garvey, author Mark Whicker discusses his new biography, “Up and In,” which delves into the life of legendary Dodgers pitcher Don Drysdale. Whicker explores Drysdale's impact on the game, his fierce pitching style, and the significance of his holdout with Sandy Koufax that changed baseball's economics. This episode offers a rich tapestry of stories from baseball history, celebrating the legacies of two iconic figures in Dodgers lore.Show DetailsBill Donohue opens the show with an engaging introduction, setting the tone for an evening rich in baseball nostalgia and insight, as he welcomes former Los Angeles Dodgers first baseman Steve Garvey to the program. Garvey's presence brings a wave of memories as he reflects on his early years in Tampa and his journey to the major leagues, reminiscing about his childhood as a bat boy with the Dodgers. He shares heartfelt stories about his family's connection to the Long Island area and the influence of legendary players he idolized during his formative years. Garvey's discussions reveal the profound impact of mentorship and community in his development, showcasing the spirit of teamwork that defined the Dodgers during his time. His anecdotes not only highlight individual achievements but also illuminate the collective experience of being part of a storied franchise, offering listeners a glimpse into the camaraderie that fueled their success.As the conversation progresses, the focus shifts to Garvey's illustrious career, where he recounts pivotal moments, including his first game and interactions with Dodgers greats. Donahue steers the dialogue towards the significance of Garvey's contributions to the team, emphasizing his role in the Dodgers' storied history. The discussion seamlessly transitions to the next segment, where Whicker joins to talk about his new biography, “Up and In,” dedicated to the legacy of Don Drysdale. Whicker's insights into Drysdale's career highlight his fierce competitiveness and the cultural significance he held within the game. The author shares captivating anecdotes from his research, including interviews with Drysdale's teammates and friends, enriching the narrative of a player whose influence extended beyond the diamond.The episode culminates in a powerful exploration of the legacies of both Garvey and Drysdale, underscoring the impact they had on the Dodgers and the world of baseball as a whole. Donahue masterfully weaves together the personal stories and historical context, creating a tapestry that celebrates the enduring spirit of the game. The reflections shared by both guests resonate deeply with listeners, leaving them with a sense of connection to the past and an appreciation for the stories that continue to shape baseball culture. This episode is a compelling tribute to two icons of the sport, offering a blend of nostalgia, insight, and a celebration of what it means to be part of the Dodgers legacy.Takeaways: Steve Garvey shares his early experiences as a bat boy for the Brooklyn Dodgers and how it shaped his career. The discussion highlights the significance of Don Drysdale's 58 and two-thirds consecutive scoreless innings record in baseball history. Mark Whicker emphasizes the impact of Don Drysdale and Sandy Koufax's holdout on baseball economics in the 1960s. Garvey recounts his transition from a kid growing up in Tampa to becoming a Major League Baseball star. The episode explores the camaraderie

Beaver Sports Podcast featuring Laura Berg, Lici Campbell, Madison Weir, and Nicole DonahueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Rich Zeoli Show- Hour 1: 3:05pm- On Monday night, President Donald Trump pardoned 1,500+ Americans arrested for a series of crimes related to events at the U.S. Capitol on January 6th, 2021, and he commuted the sentences of 14 others. Rich notes that several things can be true at once: some of those arrested acted abhorrently, but the Department of Justice was overly aggressive with prosecutions. According to some reports, Philadelphia District Attorney Larry Krasner is at least considering charging January 6th offenders with local crimes which would not be covered under President Trump's pardon. 3:15pm- In the Oval Office on Monday night, President Donald Trump signed an executive order clarifying the 14th Amendment—emphasizing limitations to “birthright citizenship.” The Trump Administration's interpretation states that the children of non-U.S. citizens who are in the country unlawfully should not be granted citizenship. The Congressional Research Center has noted that the Supreme Court “has not firmly settled the issue in the modern era.” Rich points out that courts already recognize a narrow exception to the 14th Amendment, not granting U.S. citizenship to the children of diplomats. 3:40pm- Michael Donahue—Cape May GOP Chairman & former New Jersey Superior Court Judge—joins The Rich Zeoli Show to discuss the American First Policy Institute establishing a New Jersey-based chapter of their organization with Donahue serving as Chair!

The Rich Zeoli Show- Full Episode (01/23/2025): 3:05pm- On Monday night, President Donald Trump pardoned 1,500+ Americans arrested for a series of crimes related to events at the U.S. Capitol on January 6th, 2021, and he commuted the sentences of 14 others. Rich notes that several things can be true at once: some of those arrested acted abhorrently, but the Department of Justice was overly aggressive with prosecutions. According to some reports, Philadelphia District Attorney Larry Krasner is at least considering charging January 6th offenders with local crimes which would not be covered under President Trump's pardon. 3:15pm- In the Oval Office on Monday night, President Donald Trump signed an executive order clarifying the 14th Amendment—emphasizing limitations to “birthright citizenship.” The Trump Administration's interpretation states that the children of non-U.S. citizens who are in the country unlawfully should not be granted citizenship. The Congressional Research Center has noted that the Supreme Court “has not firmly settled the issue in the modern era.” Rich points out that courts already recognize a narrow exception to the 14th Amendment, not granting U.S. citizenship to the children of diplomats. 3:40pm- Michael Donahue—Cape May GOP Chairman & former New Jersey Superior Court Judge—joins The Rich Zeoli Show to discuss the American First Policy Institute establishing a New Jersey-based chapter of their organization with Donahue serving as Chair! 4:05pm- On Thursday, President Donald Trump invited reporters to the Oval Office to watch him sign several executive orders—including one which authorizes the release of the John F. Kennedy, Robert Kennedy, and Martin Luther King Jr. assassination files. He also pardoned imprisoned pro-life activists. 4:40pm- While speaking with Sean Hannity on Fox News, President Donald Trump suggested it might be a wise decision to be less reliant upon the Federal Emergency Management Agency (FEMA) and instead allow states to manage their own disaster relief. 5:00pm- Steve Milloy—Senior Legal Fellow with the Energy and Environment Legal Institute & former Trump EPA Transition Team Member—joins The Rich Zeoli Show to recap President Donald Trump's speech to the World Economic Forum (WEF). At one point, Trump defiantly proclaimed: “I terminated the ridiculous and incredibly wasteful Green New Deal—I call it the Green New Scam. I withdrew from the one-sided Paris Climate Accord and ended the insane and costly electric vehicle mandate. We're going to let people buy the car they want to buy.” 5:30pm- On Thursday, President Donald Trump invited reporters to the Oval Office to watch him sign several executive orders—including one which authorizes the release of the John F. Kennedy, Robert Kennedy, and Martin Luther King Jr. assassination files. Will the soon-to-be released files show that President Kennedy was killed by the C.I.A.??? Matt emphatically says he doesn't believe in conspiracy theories and thinks Gerald Posner's assessment is likely correct—there was no “inside job.” But Rich and Justin want to see the unredacted files before accepting that Lee Harvey Oswald acted alone. 5:40pm- While speaking to reporters outside of the White House, Press Secretary Karoline Leavitt confirmed that 1,500 U.S. troops will be sent to the Southern border to protect the country's sovereignty. In an executive order signed on Monday night, the Trump Administration classified unlawful border crossings as an “invasion” and designated drug cartels as “foreign terrorist organizations” which should allow the administration to circumvent the Posse Comitatus Act. 6:05pm- Will former Vice President Kamala Harris run for Governor of California? PLUS, why is Doug Emhoff pretending to be tough? 6:20pm- Appearing on Fox News, Sen. Rand Paul (R-KY) reacted to Dr. Anthony Fauci's pardon—explaining that history will judge Fauci “harshly.” 6:30pm- On Monday night, President Donald Trump pardoned 1,500+ ...

Peter joins Andy to share some stories about some new students he inherited from Andy, as well as the philosophies and methods he's using with them. They also explore various aspects of golf coaching, focusing on the importance of personalized instruction, the challenges of teaching different students, and the significance of experimentation in learning. They discuss the complexities of golf, the lurking fear of the shank, and the necessity of adapting techniques to fit individual needs. The dialogue emphasizes the value of variety in practice, the distinction between learning and performing, and the role of marketing in golf instruction.   03:40Teaching Golf: Lessons and Experiences 07:32Addressing the Shank: A Student's Journey 17:20Innovative Teaching Methods and Learning Process 24:55The Power of Collaboration 26:37Complexity of Problem Solving 34:31The Fallacy of Cause and Effect in Learning 36:13Subtle Changes Leading to Major Improvements 38:25Redefining the Role of a Teacher 41:58Empowering Students Through Intrigue    

Corey, Caroline, & Chunky React To  Milton Friedman On Donahue Show Click "Follow" For The Best Self-Reliance Tips, News & Information.  Subscribe To My Newsletter To Read My eBooks “3% Man” & “Mastering Yourself”  Free: http://bit.ly/CCWeBooks  Follow Caroline on Instagram: https://www.instagram.com/carolinevelsss/

Chicago actor Christopher Donahue (currently playing Ebenezer Scrooge in the Goodman Theatre's production of A Christmas Carol), discusses playing the role of Gayev in the Goodman's 2023 production of Anton Chekhov's The Cherry Orchard, directed by Robert Falls. Donahue reveals the challenges and rewards of discovering a character in rehearsal; how he finds humor alongside absurdity; how he takes inspiration from the original Dickens novel of A Christmas Carol; how people can be capable of change; his relationship with Tony-winning director (and friend of the pod) Mary Zimmerman; and finally, how the audience teaches you how to perform the play because the audience is the reason we do this. (Length 20:51) The post Chekhov To Dickens appeared first on Reduced Shakespeare Company.

00:00 Intro06:40 Upcoming Shows Schedule07:38 Drones in New Jersey09:40 Brian Thompson23:00 Trump & Economy37:00 Russian Economy39:05 EU & Latin America Trade Deal43:30 Trudeau47:25 Vaccines56:48 Energy1:02:45 Gaza Deaths1:09:10 Gaza DealLive Questions:1:19:04 Has your opinion of Australia's political culture improved or declined since your recent visit?1:22:16 Following up. Yes, it was disappointing to see such a large conservative contingent at the conference

December 8-14, 1979 This week Ken welcomes former Farside singer/guitarist, voice actor, and all around good dude Popeye Vogelsang to the show. Ken and Popeye discuss disrespecting the Fonz, leaving a legacy, where Potsy and Ralph Malph ended up, knocking out Paulie Shore, nicknames, ADR, voicing for video games, smoking, putting allen wrenches in cigarette filters, low tar, lower tar, even lower tar, growing up in Orange County, 80s SoCal punk rock, Watt, being innocent, Dick Cavett, SCTV, the greatness of Dave Thomas, Christmas with Cigarettes, how all women love Robert Redford, The Jane Fonda Workout, piledriving, non-sequitur movie ads, "coming this Christmas", Norman Fell, putting two names in alphabetical order incorrectly, Hanna Barbera characters singing We Are Family, Farrah Fawcett and Jeff Bridges in the beloved Christmas classic "Somebody Killed Her Husband", candlepin bowling, The Return of the Pink Panther, Don Kirshner's Rock Concert, being confused by Heart playing with Smokey Robinson and Olivia Newton John, A Charlie Brown Christmas, 8-Tracks, menthol, getting interviewed by Ali G, Surgeon General C. Everett Coop, Happy Days, The Wild Wild World of Animals, Fight or Flight, Lorenzo Lamas, Chuck Berry's weirdness, Real People vs That's Incredible, whistling through your navel, washing coins, Donahue after dark, Doug Henning, how you can't top Martin Short, boxing head injuries, Laverne and Shirley, the god like powers of Michael McKeon, Lenny and the Squigtones, Dom DeLuise, renting VHS tapes to Donny Osmond, Rockford Files, Jaws 2, Summer Without Boys, 30 Minutes: the kids version of 60 minutes, the Christmas miracle of Adam Rich, subversion on television, how massive Hart to Hart was in the UK, being a Presto household, never having to do laundry thanks to promotional t-shirts, and the value of just screwing around. 

Alex, Jesse and Mike jump into the Assassination of JFK one last time. Or so Alex says. MERCH - http://www.theyetee.com/collections/chilluminati HelloFresh - http://www.hellofresh.com/freechill HeroForge - http://www.heroforge.com All you lovely people at Patreon! HTTP://PATREON.COM/CHILLUMINATIPOD Jesse Cox - http://www.youtube.com/jessecox Alex Faciane - http://www.youtube.com/user/superbeardbros Editor - DeanCutty http://www.twitter.com/deancutty Show art by - https://twitter.com/JetpackBraggin http://www.instagram.com/studio_melectro JFK III: NOTE FROM THE PUBLISHER Clip of Donahue shooting faster than Oswald: https://www.youtube.com/watch?v=ghmY6HmR4fs Youtube upload of the Zapruder film (CONTENT WARNING: EXTREME GRAPHIC REAL VIOLENCE): https://www.youtube.com/watch?v=HBJFT-OyDEc Zapruder film frame by frame (CONTENT WARNING: EXTREME GRAPHIC REAL VIOLENCE): https://www.assassinationresearch.com/zfilm/ Most shown photo of Hickey with the AR-15: https://upload.wikimedia.org/wikipedia/commons/e/e4/Hickey-ar-15_jfk.jpg

With a game between the top-ranked Oregon Ducks and No. 3 Penn State in the Big Ten Championship later in the week, the boys are joined by Nittany Lions insider Tyler Donahue to help break everything down. Donahue discusses Penn State's unlikely path to this game, their offensive improvement and what's made this defense so good under James Franklin. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Phil Donahue, the game-changing daytime television host, died last week at 88. Mr. Donahue turned “The Phil Donahue Show” into a participation event, soliciting questions and comments on topics as varied as human rights and orgies.Michael Barbaro explains what Phil Donahue meant to him.Background reading: An obituary for Mr. Donahue, who died last week at 88.Here are 3 episodes that explain Mr. Donahue's daytime dominance.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.