Podcast appearances and mentions of Debra Winger

Nationa Bar B Q day,   Entertainment.  1st person known to have died from AIDS, Root Beer invented, Espresso Machine invented,  Todays birthdays - Henry Fonda, Liberace, Pierce Brosnan, Richard Page, Debra Winger, Mare Winningham, Janet Jackson, Ralph Tresvant, Tracy Gold, Rick Trevino, Megan Fox.  Sammy Davis jr died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/Good ol' barbq - Whisker BrothersThis is America - Childish GambinoMent to be - Bebe Rexa  Florida Georgia LineBirthdays - In da club - 50 Cent   http://50cent.com/I'll be seing you - LiberaceKyrie - Mr. MisterWhen I think of you - Janet JacksonMr. telephone man - New EditionBobby Ann Mason - Rick TrevinoCandy man - Sammy Davis jrExit - Chasin' whiskey down - Ben Carter Band   Ben Carter Band on Apple Musiccountryundergroundradio.com

Len proves to bethe only person Vincent knows who actaully used the China in the china cabinet. A white missioary shares his word for breakfront. The Men of Micheaux struggle to reunite a living R&B group for one more great album. Len gives an undefinition for a Black film. And we wonder what were Debra Winger and Cuba Gooding Jr. thinking about her return and Radio's “teeth”, respectively. Rate & Review The Mission on Apple Email  micheauxmission@gmail.com Follow The Mission on Instagram Subscribe to the Mission on YouTube  We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

Fue una de las actrices más famosas de los años 80 del siglo XX. Sin embargo, a mediados de la década de los 90 dio un portazo a Hollywood y abandonó el cine. Bastantes años después regresaría a él pero desde entonces su presencia en las pantallas ha resultado mucho más discreta. Nos referimos a Debra Winger. La actriz cumple 70 años y nosotros repasamos su carrera en este episodio. El próximo jueves día 15 se celebra San Isidro, la fiesta patronal de Madrid y por tal motivo hemos buscado en nuestra “Enciclopedia curiosa” películas del cine americano rodadas en parte o en su totalidad en la capital de España. Charlamos con las directoras Jone Ibarretxe y Nerea Fálagan, responsables del documental “Esto no es Hollywood” y en la sección dedicada al cine del Oeste tenemos esta semana “El forastero” de William Wyler, con Gary Cooper y Walter Brennan de protagonistas.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast (bonus Patti LuPone on Evita clip here!), Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast, Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Matt and Daniel are joined by three-time Academy Award nominee, actor Debra Winger to discuss Israel in the 1970s, the only time she ever felt anti-semitism in Hollywood, and an unforgivable latke topping.Please donate to Medical Aid for Palestinians https://www.map.org.uk/Subscribe to the Patreon https://www.patreon.com/badhasbaraSubscribe/listen to Bad Hasbara wherever you get your podcasts.Spotify https://open.spotify.com/show/5RDvo87OzNLA78UH82MI55Apple Podcasts https://podcasts.apple.com/us/podcast/bad-hasbara-the-worlds-most-moral-podcast/id1721813926Support this podcast at — https://redcircle.com/bad-hasbara/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

A Navy Aviation Officer Candidate with a bad attitude (Richard Gere) must learn to be a team player or risk his chance to make a better life for himself.  Co-starring Debra Winger, Louis Gossett Jr., David Keith, Robert Loggia, Lisa Eilbacher, Harold Sylvester and David Caruso.  Directed by Taylor Hackford and features the hit song "Up Where We Belong" performed by Joe Cocker and Jennifer Warnes.

Esta semana Maru Kokeza nos trae "The Ranch". Ambientada en un rancho de Colorado en la actualidad, El Rancho tiene como protagonista a Ashton Kutcher, que interpreta a Colt, un fracasado jugador de fútbol americano semi profesional que vuelve a casa a llevar el negocio de familia junto con su hermano mayor Jameson «Rooster» (Danny Masterson) y su padre Beau (Sam Elliott), al que no ha visto en 15 años. Debra Winger interpreta a la madre de Colt y Rooster, Maggie, quien lleva el bar del pueblo.

PATREON MOVIE DISCUSSION: This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard! Kathryn joins Melvin to discuss this month's Patreon Supporter selected film, Shadowlands! Based upon the later life of C.S. Lewis, specifically his growing romance with his wife Joy Gresham, and evoking much of his literature, the two discuss this much-celebrated early 90's feature that garnered an Oscar nomination for actor Debra Winger! Topics:(PATREON EXCLUSIVE) 20-minutes discussing a new wave of Filmmakers utilizing YouTube to attract the attention of Hollywood studios and fans around the world, either by showcasing their skillset, producing short films, or releasing high-quality feature-length flicks like Milk & Serial! (PATREON EXCLUSIVE)Kathryn cried. A lot. Melvin wished he was more emotional, only finding the film "decent".Thinking about the film in comparison to Christian-Marketed films like God's Not Dead or War Room, and how it passes what Melvin calls the "Christian Bechdel Test".Kathryn, "I think that [Shadowlands] is very clear on what it is saying about the transition from childhood to adulthood... [and] the requirement of love to have vulnerability..."Melvin celebrates how the film doesn't have any "member-berries", something that plagues most modern nostalgic or referential media.Discussing a few icons and symbols within the film, including, of course, the wardrobe.The perfection of desire, and the fear of experiencing disappointment or shame.How the film displays what Melvin calls "Three Stages of Men".Pondering the lines "Praying doesn't change God, but it changes me." & "Forgive me, Lord. Perhaps I have loved her too much.".Recommendations:Schedule regular medical checkups! Stay healthy!The Texas Chainsaw Massacre 2 (1986) (Movie)MAILBAG: Send questions with your first name and we'll answer them in future episodes! Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

This week we review Urban Cowboy from 1980, starring John Travolta and Debra Winger.

Because there is nothing going on in the world, in history, across the infinite spatio-temporal expanses . . . we watched a movie that Time forgot or never knew to even try to remember, Wilder Napalm (Trailer & Full Movie). Adrian DeLaTorre (@b00tz2big, Never Seen It) joins us once again to meditate upon a timeless tale of two brothers who can generate and control fire with their minds. One (Dennis Quaid) is a brash carnival clown seeking fame and fortune via his powers, the other (Arliss Howard) is a Kwik Foto booth attendant, volunteer firefighter, and a fulltime cuck who fears the use of his powers. Then there's the sexually insatiable, deeply intellectual, manic pixie dream minx and accidental arsonist (Debra Winger) who they both vie for the affections of. Classic storytelling. Also, Jim Varney plays a carnie (or itinerate carnival employee, to be politically correct).Commiserate on Discord: discord.gg/aDf4Yv9PrYSupport: patreon / buzzsproutNever Forget: standwithdanielhale.orgGeneral RecommendationsJosh's Recommendations: 1) Siskel & Ebert 2) Michael Keaton, generally (3) BillionsAdrian's Recommendation: Paul Giamatti's CHINWAG with Stephen AsmaFurther Reading, Viewing, Listening IMDb's Summaries and Synopses of Wilder NapalmJosh's Notes/Bulletpointed Plot OutlineMore From Adrian DeLaTorrePodcast: Never Seen ItLetterboxd: @b00tz2bigTikTok: @b00tz2bigMore From Timothy Robert BuechnerPodcast: Q&T ARETweets: @ROHDUTCHSend us a Text Message.Support the Show.

Anna Smith speaks to director Susan Seidelman about her highly anticipated new memoir, Desperately Seeking Something, as well as Rosanna Arquette, who starred in Seidelman's 1985 cult classic, Desperately Seeking Susan. Anna begins by speaking to Susan Seidelman about her memoir and her recollections of working with Madonna and Rosanna Arquette. Susan talks about the explosion of Madonna's stardom during filming, sharing some of her cherished memories from that time. She reflects on the enduring cultural impact of Desperately Seeking Susan as well as more broadly on her career. Next, Anna speaks to Rosanna Arquette about her memories of starring in Desperately Seeking Susan. Rosanna talks about the celebrated female friendship between her and Madonna's much-loved characters in the film, and how that translated into their off-screen friendship, sharing some of her hilarious highlights of working with Madonna. Rosanna also talks about the Time's Up movement, discussing her powerful allyship with the other women who were amongst the first to speak out against Harvey Weinstein, and sharing insights into the monumental impact that it had on her life. Susan Seidelman's memoir Desperately Seeking Something: A Memoir about Movies, Mothers, and Material Girls is published by Macmillan Publishers and is available online and in bookstores in the US, and through Amazon and Blackwells in the UK. UK Blackwells: https://tinyurl.com/4xfnn8ud UK Amazon: https://tinyurl.com/2z6uakkt US Macmillan: https://tinyurl.com/3z8hnp9c US Amazon: https://tinyurl.com/26ub6sas Trigger warning: The interview with Rosanna Arquette in this episode contains potentially upsetting conversations relating to Harvey Weinstein. This episode also contains very strong language. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Other films mentioned: Desperately Seeking Susan Smithereens After Hours Basic Instinct Thelma and Louise Midnight Cowboy The Graduate Sex and the City The Sopranos She Devil Baby It's You The Linguini Incident Searching for Debra Winger

On this episode of Everything Fab Four, actor and activist Rosanna Arquette shares her favorite Beatles song and recounts where she was when John Lennon died. As part of a large show business family—including siblings Patricia and David Arquette—Rosanna began acting as a child. Her father, character actor Lewis Arquette, was well known as “J.D. Pickett” on The Waltons, while her mother Mardi was a poet, political activist, and therapist. Rosanna started working professionally as a teenager and has never stopped.  She has since appeared in over 70 films, which have earned over $450 million in domestic box office sales. In addition to such early successes as The Executioner's Song and Baby, It's You, Arquette has appeared in such beloved classics as After Hours and Pulp Fiction. Arquette expanded her talent as a filmmaker by directing and producing the documentaries, 2002's Searching for Debra Winger and 2005's All We Are Saying. She is currently developing projects for both television and film through her company, Flower Child Productions. --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support

This one doesn't quite lift me up where we belong, but I'm super-stoked to finally add this key card of a Bay Area Mt. Rushmore player to my personal collection.

Nationa Bar B Q day,   Entertainment from 2006.  1st person known to have died from AIDS, Root Beer invented, Espresso Machine invented,  Todays birthdays - Henry Fonda, Liberace, Pierce Brosnan, Richard Page, Debra Winger, Mare Winningham, Janet Jackson, Ralph Tresvant, Tracy Gold, Rick Trevino, Megan Fox.  Sammy Davis jr died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Good ol' barbq - Whisker BrothersSOS - RihannaWherever you are - Jack IngramBirthdays - In da club - 50 Cent   http://50cent.com/I'll be seing you - LiberaceKyrie - Mr. MisterWhen I think of you - Janet JacksonMr. telephone man - New EditionBobby Ann Mason - Rick TrevinoCandy man - Sammy Davis jrExit - Its not love - Dokken   http://dokken.net/Follow Jeff Stampka on Facebook 

Catherine Gray, the host of Invest In Her, interviews Elisa Parker.  Elisa connects people through the power of story, partnership and solutions to amplify women's leadership and close the gender gap. She has served as the founder of cutting-edge organizations and programs, a nationally acclaimed radio host, producer, coalition builder, strategist and visionary for equity and social justice. She currently oversees Equal Voice | Equal Future, a new gender justice media hub championed by the Fund for Women's Equality and its sister organization, the ERA Coalition. Moving from silos to solidarity through partnership development, programming and hosting the Coalition's new podcast, Equality Talks, she is intent on spreading the word of the Equal Rights Amendment to ensure the 28th Amendment is published in our Constitution. Elisa is the founder, director and host of the award-winning media program and organization, See Jane Do, co-founder of 50 Women Can Change the World in Media & Entertainment, Indivisible Women and 100 Women Change Hollywood. Other notable works include creating the Passion into ActionTM Women's Conference, TEDxGrassValley, Raising Jane and the See Jane Do Media Lounge. She's spoken at events such as, The United State of Women Summit, UN Commission on the Status of Women, TEDx, The Women's March, March for Civility, The Power Women Summit and Netroots Nation. She reaches thousands through partnership with like-minded organizations and develops organizational-wide initiatives, communications strategies for events and digital media campaigns that support gender equality, diversity and inclusion. For over 17 years she has served as an award-winning talk radio host and DJ for KVMR and hosted and managed the Wild & Scenic Film Festival Media Lounge, the largest festival of its kind. Her interviews include luminaries such as Lily Tomlin, Gloria Steinem, Eve Ensler, Melissa Etheridge, Shawn Colvin, Mick Fleetwood, Donna Karan, Geena Davis, Patrick Stewart, Debra Winger, Yvon Chouinard, Jennifer Newsom, Michael Franti, Kathy Griffin, Krishna Das, Joan Blades, Indigo Girls, Sandra Bernhard, Monique Coleman, Simrit Kaur, Terry Tempest Williams, Helen Reddy and other positive deviants across the country who have taken a left turn and are creating new models, programs and systems to create positive social impact. Elisa is a recipient of the Jody Fenimore Award for Public Affairs and Osborn-Woods Community Service Award. She served on the KVMR Board of Directors and the Advisory Committee to SheAngels. Elisa is an alumna of the Women's Media Center Progressive Women's Voices program, Take the Lead Women and the Vote, Run, Lead Go Run program. She holds a BA in Communications from San Francisco State and a MA in Organization Development & Leadership from the University of San Francisco.   seejanedo.com 50womencan-media.com EqualVoice.org eracoalition.org www.sheangelinvestors.com

Dreams do come true.

Jeff and Rob both love performing drama AND comedy! Jeff Daniels joins Rob Lowe to discuss how working with Jim Carrey on “Dumb and Dumber” taught him fearlessness, committing to his thick accent in Netflix's “A Man in Full,” his memories of the brilliant James Gandolfini, their experiences performing Aaron Sorkin dialogue, watching Shirley MacLaine and Debra Winger's process on "Terms of Endearment,” and why Jeff settled down in Michigan. Got a question for Rob? Call our voicemail at (323) 570-4551. Your question could get featured on the show!

On Wednesday's show: The Supreme Court of Texas has blocked implementation of Uplift Harris, the county's guaranteed income pilot program for low-income households. And opening statements and testimony began in the first criminal trial of a former president. We discuss those and other developments in politics in our weekly roundup.Also this hour: We learn about the annual Frida Festival this weekend, a celebration of creative expression and of a legend of visual art, Frida Kahlo. And more than 40 years ago, a film hit theaters showcasing a slice of life in Houston in the 1980s. Urban Cowboy starred John Travolta and Debra Winger – along with Gilley's dance hall in Pasadena and one very popular mechanical bull. We listen back to a 2020 interview with the late Mickey Gilley on his memories from the film and what it did for his career and his business.

Will Rogers gave good advice about taking the right path in life. You better keep moving to avoid getting knocked down; suffering from paralysis caused by too much analysis will keep you stuck in the same position. In other words, dynamic action beats inaction. The blockbuster movie, An Officer and a Gentleman, starring actors Lou Gossett, Richard Gere, and Debra Winger closely mirrored the real-life plot lines and scenarios that marked the beginning of the Naval careers of both Commander Drew and Dr. Paul. Perhaps is was coincidence, but  it was remarkable that in roughly the same time period of our service, a series of military themed movies were released that further chronicled the journey of your two favorite wingmen, but in different ways. Of all of the authority figures we encountered in the Naval establishment, it was our Marine Corps Drill instructors whom we met first, that had the most lasting impact upon us. A few other great films to check out are: The Great Santini, The Final Countdown, Full Metal Jacket and of course,Top Gun. Even though the Navy and Marine Corps no longer fly the EA-6, this remarkable electronic warfare aircraft, in operation for forty five years, had the power to shut down radar and electrical systems in the air as well as on the ground.College can be really expensive. For the highly affluent and wealthy, a college education that costs a half million dollars is quite affordable and considered a necessity for those who want their children to be in the company of a cadre of special students groomed to be the future leaders of government, business and industry. The nation of Finland was able to cut its suicide rate in half through aggressive reforms in the way they approached mental illness. This remarkable transformation has helped the general population of Finland so much so that this country has been labeled the happiest country in the world for the past several years.Mackenzie Scott is a philanthropist that has donated over sixteen billion dollars to charitable causes in a few short years. Her goal is to disperse almost all of her money to others. Her great wealth comes from being one of the principal founders of the ubiquitous company known as Amazon.

Debra Winger Mail Days aren't supposed to happen only a month apart from each other. But what can I say? Right place, right time. This is one you won't want to miss.

Gay homosexuals Nick and Joseph discuss An Officer and a Gentleman - a 1982 American romantic drama film directed by Taylor Hackford, starring Richard Gere, Debra Winger, and Louis Gossett Jr..⁠⁠⁠⁠⁠⁠⁠ Additional topics include: -⁠Top 5 releases of March -Lizzo quitting -Rebel Wilson telling -Parental advisories Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

Once in a while, I have a Debra Winger Mail Day. Today is one of those days. Check it out.

Welcome to the Munsons at the Movies podcast. Each episode we delve into the filmography of a randomly selected actor. In this episode, we explore the life & career of Debra Winger. Best known for her roles as Emma in Terms of Endearment (1983), Paula in An Officer and a Gentleman (1982), and Sissy in Urban Cowboy (1980), Winger is a complicated and interesting actor for us to cover. Joined once again by John Rigby, we discuss her unconventional choice in names for her son, her believability in every role, her infamous off-screen spats with co-stars and producers, and marvel at her ability as an all-time shit talker during interviews. How does she rank on the Munson Meter? Listen to find out.

This week on And the Runner-Up Is, Kevin welcomes back writer and podcaster Josh Parham to discuss the 1993 Oscar race for Best Actress, where Holly Hunter won for her performance in "The Piano," beating Angela Bassett in "What's Love Got to Do with It," Stockard Channing in "Six Degrees of Separation," Emma Thompson in "The Remains of the Day," and Debra Winger in "Shadowlands." We discuss all of these nominated performances and determine who we think was the runner-up to Hunter.  0:00 - 9:31 - Introduction 9:32 - 35:22 - Angela Bassett 35:23 - 56:40 - Stockard Channing 56:41 - 1:22:38 - Emma Thompson 1:22:39 - 1:42:55 - Debra Winger 1:42:56 - 2:11:17 - Holly Hunter 2:11:18 - 3:02:41 - Why Holly Hunter won / Twitter questions 3:02:42 - 3:07:51 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Josh Parham on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Crestview's Cunningham is Park National Bank Athlete of the Month: https://www.ashlandsource.com/2024/02/09/crestviews-cunningham-is-park-national-bank-athlete-of-the-month/ Today - we'll hear from recent Ashland Source Athlete of the month, Crestview's Caleb Cunningham.Support the show: https://www.sourcemembers.com/See omnystudio.com/listener for privacy information.

“Every one knows. Everyone's guilty. No one pays.”   “Everybody Wins is a 1990 mystery thriller film directed by Karel Reisz, starring Debra Winger and Nick Nolte.”   Show Links Trailer: https://youtu.be/tbSzvvT056Q?si=jSC0LhRfMzL-69yJ   Wikipedia: https://en.wikipedia.org/wiki/Everybody_Wins_(1990_film)   Just Watch: https://www.justwatch.com/us/movie/everybody-wins   Socials Facebook: https://www.facebook.com/@moviewavepod   Instagram: https://www.instagram.com/moviewavepod   Letterboxd: https://letterboxd.com/moviewavepod/   Reddit: https://www.reddit.com/user/moviewavepod   TikTok: https://www.tiktok.com/@moviewavepod   Twitter (X): https://twitter.com/moviewavepod   Buy Me A Coffee: https://www.buymeacoffee.com/moviewavepod   Intro/Outro Sample Credits “Aiwa CX-930 VHS VCR Video Cassette Recorder.wav” by Pixabay “Underwater Ambience” by Pixabay “waves crashing into shore parkdale beach” by Pixabay   Movie Wave is a part of Pie Hat Productions.

A white supremacist romantic thriller? Say it ain't so. Today we discuss 1988's Betrayed, a movie that asks, "is it love if you don't hunt a Black man with an uzi in the middle of the night"? We're joined by the fabulous Chauncey K. Robinson to talk about if Tom Berenger understands kissing, if Debra Winger is the worst undercover agent, and much more!  Many thank to Chauncey! Be sure to check her out at @Mschaunceykr on Twitter and subscribe to her excellent Youtube Channel. And be sure to be on the look out for her upcoming docu-series Production Tales From Hell from Dead Meat Productions where she'll detail some of the behind the scenes of some of the most notorious horror movie productions.  We're working on some exciting stuff on our end. Live shows, some video and Tiktok content, and more. Be sure to lookout for everything over at @white_Pod on Twitter and be sure to write in at whitepeoplewontsaveyoupod@gmail.com 

In this episode we discuss the fifty-sixth Best Picture winner, Terms of Endearment, Shirley MacLaine's and Jack Nicholson's wins for acting, rumors of Shirley MacLaine and Debra Winger not getting along, and Irene Cara's historic win for Best Original Song. -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

Jimbo and Kyle take on An Officer and a Gentleman starring Richard Gere, Debra Winger, and Louis Gossett Jr. about a one of the newest recruits to the U.S. Navy, and his relationships with his fellow recruits, a tough drill instructor, and one of the local ladies. Hosted on Acast. See acast.com/privacy for more information.

Aren't movie weddings SUCH fun?? :) Well it certainly depends on who's attending of course along with the current emotional states of the families involved.  This highly acclaimed melodrama from fifteen years ago focuses on the Buchman's, a family which MIGHT not be in the best place at this time despite their oldest daughter Rachel....getting married. (Hence the title)  Rachel is played by Rosemarie DeWitt and the potential monkey wrench in her wedding weekend is the return of her sister Kym who is still in recovery after battling drug addiction for most of her life.  Kym is played by Anne Hathaway delivering a shattering performance which earned her an Oscar nomination.  What follows is a crazy weekend filled with memorable reunions, loads of music, and some intense arguments.  This was directed by the late, great Jonathan Demme (Silence of the Lambs, Philadelphia, Something Wild) towards the end of his storied career.  It also stars Bill Irwin, Debra Winger, Anna Deavere Smith, and Tunde Adebimpe along with several others.Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

The Ringer's Bill Simmons, Chris Ryan, and Sean Fennessey rewatch the 1982 classic ‘An Officer and a Gentleman' because they've got nowhere else to go! They continue “Wait, This Movie Made HOW Much Money??” month by rewatching the romantic hit starring Richard Gere, Debra Winger, and Louis Gossitt Jr. and directed by Taylor Hackford. Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices

Erin Carlson spins Baseball Women stories from the movie of "A League of Their Own". How Penny Marshall earned the respect of the AAGPBL, Stories of the All-American PlayersTomboy & Director Penny Marshall moves from dancer to performing arts to Laverne & ShirleyTransition from Laverne to directorFrom BIG to Baseball Tom Hanks interprets Penny's Bronx to the castBaseball Drill for 6 weeks with coaches in LAActresses who brought Athletic Talent to the field – Rosie O'Donnel, Lori Petty & Freddie SimpsonAll The Way Mae - Madonna could not hit, throw but was trainable per Joe RussoDebra Winger, originally cast as Dottie, leaves the team with $3 millionEnter Geena Davis – untapped athletic ability & a steely game face14:4 – Loop?Lori Petty & Kit brings it to the field but was concerned when Winger leftLori Petty & Geena Davis chemistry was strong onAAGPBL story is resurrected through the son of Helen Callaghan Candaele , the Ted Williams of BaseballCooperstown 1988 - The players were suspicious of what others may do with their storyPenny Marshall was kicked out of a AAGPBL banquetFortuitous Steakhouse dinner with AAGPBL players, Fort Wayne Daisies, Faye Dancer & Pepper Paire DavisMandel & Ganz – 2 great writers selected for the filmGiant Rolodex, Birthday parties with Carrie Fisher and “Bobby D” De Niro Marge & Helen – sisters from Vancouver leave the factories behind in 1944 and joined the Minneapolis Millerettes, later with the Daisies– template for Dottie and KitHelen was the “Ted Williams of Women's Baseball”  Marge had to struggle to keep up with HelenKelly Candaele's documentary on mother Helen & Aunt MargePenny Marshall & David Anspaugh Casting, location selection & costume design put together by David AnspaughAnspaugh, Hoosiers director, had a different sense of funny Studio replaces Anspaugh – heartbroken he had been a fan of the Fort Worth Daisies as a young man.Jimmie Foxx – Lois Youngens & other AAGPBL players had a different view of him than Tom Hanks portrayal of Jimmie Doogan.Marshall honored AAGPBL wishes to stop a Doogan & Dottie intimacy sceneGeena Davis leveling the playing field with Institute on Gender Media https://seejane.org/ Davis found her athletic muscle playing Dottie“A Little League of Their Own”Penny Marshall - plan to develop a biopic on Effa ManleyHealth issues kept Penny from doing moreWhatever happened to the “Pitch” seriesWho would you cast today in A League of Their Own todayGal Gadot as Dottie – the new Geena DavisTaylor Swift as Kit or Dottie – Travis Kelcie as an extraErin Carlson's book – No Crying in Baseball click here can be found on Amazon American Women's Baseball Classic – members of the original AAGPBL teams will be there along with 60 of the top female baseball players in the world.Find BaseballBiz on www.baseballbizondeck.com & on iheartradio, Apple & Google podcasts @TheBaseballBiz on Twitter Special thanks to XTaKeRuX for the music "Rocking Forward" 

The Lovers is a 2017 Dramedy starring Debra Winger and Tracy Letts. Written and directed by Azazel Jacobs, this movie follows a married couple named Michael and Mary who both are cheating on each other behind their backs. When their son Joel calls and plans to visit, their adulterers (played by Aidan Gillan and Melora Walters) pressure them to finally come clean about their extramarital affairs. What will these A24 fans think of the 49th film in the A24 library? Caution: movie spoilers. Intro: 0 to 1:48. Film Discussion: 1:49 to 47:49. Film Rating: 47:49 to End. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support

Welcome back to purgatory!!! This week the boys talk about Rachel Getting Married from 2008 and directed by Jonathan Demme and written by Jenny Lumet. The film star's Anne Hathaway, Rosemarie Dewitt, Bill Irwin, Anna Deavere Smith, Roslyn Ruff, Debra Winger, Mather Zickel, Beau Sia, Anisa George and Tunde Adebimpe. Thanks for checking us out and you can find the rest of our back catalog at pobean.com Outro track "Kym's Homecoming" by Zafer Tawil https://youtu.be/xpS-wbtUD7I?si=gX4-S8J4Eby-7YxV  

  **Apologies for the slightly blown-out vocals on my end; had an audio issue!** This week on And the Runner-Up Is, Kevin welcomes back AwardsWatch editor-in-chief Erik Anderson to discuss the 1983 Oscar race for Best Actress, where Shirley MacLaine won for her performance in "Terms of Endearment," beating Jane Alexander in "Testament," Meryl Streep in "Silkwood," Julie Walters in "Educating Rita," and Debra Winger in "Terms of Endearment." We discuss all of these nominated performances and determine who we think was the runner-up to MacLaine.  0:00 - 16:08 - Introduction 16:09 - 42:07 - Jane Alexander 42:08 - 1:09:37 - Meryl Streep 1:09:38 - 1:29:13 - Julie Walters 1:29:14 - 1:56:58 - Debra Winger 1:56:59 - 2:20:04 - Shirley MacLaine 2:20:05 - 3:05:04 - Why Shirley MacLaine won / Twitter questions 3:05:05- 3:08:59 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Erik Anderson on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

This week on And the Runner-Up Is, Kevin welcomes writer and podcaster Ema Sasic to discuss the 1982 Oscar race for Best Actress, where Meryl Streep won for her performance in "Sophie's Choice," beating Julie Andrews in "Victor/Victoria," Jessica Lange in "Frances," Sissy Spacek in "Missing," and Debra Winger in "An Officer and a Gentleman." We discuss all of these nominated performances and determine who we think was the runner-up to Streep.  0:00 - 10:59 - Introduction 11:00 - 31:41 - Julie Andrews 31:42 - 55:39 - Jessica Lange 55:40 - 1:12:30 - Sissy Spacek 1:12:31 - 1:32:27 - Debra Winger 1:32:28 - 1:53:07 - Meryl Streep 1:53:08 - 2:33:23 - Why Meryl Streep won / Twitter questions 2:33:24- 2:39:59 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Ema Sasic on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

LOVE LIFT US UP Are you willing to put your life on the line and be the best of the best for your country? Or do you just want to put on a nice white naval suit? Either is fine, as we are talking all things An Officer and a Gentleman starring Richard Gere, Debra Winger and Louis Gossett Jr. Music wise, Jennifer Warnes and Joe Cocker combine for the anthemic love song "Up Where We Belong". Alex is keeping the magic alive, Ben wants a new addition to his Arrow video collection and Dietrich is going to get Barbie brunch. Find us on Twitter, Instagram and Threads: @TSFTMpod Like, share and submarine. Did you enjoy the episode? Then please consider leaving a 5 star review wherever you get your podcasts. It means a great deal to us and makes it easier for other potential listeners to find us.  Want to support us further? You can do this on Patreon from £1 ($1.50) a month: https://Patreon.com/TSFTM or via our merch store: https://TeePublic.com/user/TSFTM Thank you! Timestamps:01:45 - What Have We Been Watching06:17 - History09:46 - Movie Discussion18:15 - Critical Reception & Performances24:30 - The Famous Final Scene28:49 - "Up Where We Belong" Discussion44:23 - Top 550:11 - Movie or Song?

Paul Johnson's resume reads like it should cover three careers...managing multiple presidentials, manager/general consultant on twelve Senate races, DSCC Executive Director over two cycles, and several years on Capitol Hill as a Senate Chief of Staff. In this conversation, we talk his roots in Minnesota politics, rising up the ranks through Mondale '84 to manage Tom Daschle's first Senate race in 1986 and then Bob Kerrey's first Senate race in 1988...then staying part of the Kerrey world for the next 20+ years. And eventually managing  presidential campaigns for both Senator Bob Graham and General Wes Clark - plus why Paul has been based out of Shreveport, LA for the past 20 years. This is a great discussion through a fascinating career with one of the most accomplished operatives in Democratic politics.IN THIS EPISODEPaul grows up in the Twin Cities, inspired by the political tradition of Minnesota Democrats...The one time Paul ran for office in his own right...Paul leads a Minnesota brigade to help Walter Mondale in the '84 Iowa Caucus...Paul manages Tom Daschle's first US Senate race in 1986...Paul talks the political impact of the "farm crisis" of the 1980s...Paul connects with Bob Kerrey in the 1988 cycle and stays part of his political world for 20+ years...Paul breaks down the missteps and missed opportunities from the Bob Kerry '92 presidential...Paul speaks to the legacy of political courage shown by Bob Kerrey...Paul's approach as a Senate Chief of Staff on the Hill...A little color on some of the famed friction between President Clinton and Senator Kerrey...Paul's memories of running the DSCCC during the 96 and 98 cycles...Paul goes deep on the boom and bust of the Wes Clark '04 Presidential campaign...An important lesson learned from his time managing Senator Bob Graham's '04 presidential...The Paul Johnson "3 Ms" of what makes an effective campaign manager...Why Paul has been based out of Shreveport, LA for 20+ years...AND...318 area codes, 441 AD, Jim Abdnor, agrarian movements, B+ trip notes, background noise, Scotty Baesler, Brent Blackaby, Jerry Brown, Jim Bunning, Larry Cohen, Susan Collins, Jim Crounse, Jim Crow, Howard Dean, Ron DeSantis, John Edwards, Russ Feingold, Don Foley, Jane Fonda, the Fritz Blitz, going batshit, Grandmother's Restaurant, Gary Hart, Hubert Humphrey, Larry Huynh, Dave Karnes, John Kerry, Carl Levin, Gene McCarthy, meat slicers, Carol Moseley Braun, Sheila Murphy, Ben Nelson, Parade magazine, party mergers, Rudy Perpich, press release routes, Ronald Reagan, Jody Severson, Bob Smith, soft money, Harold Stassen, Pete Stavrianos, Dick Swett, Bob Torricelli, Paul Tsongas, WCCO, Winnebagos, Debra Winger & more!

Terms of Endearment is the classic mother/daughter film and the complex relationship between the two. Shirley MacLaine portrays Aurora who struggles to express joy, she seems constantly annoyed by something especially her daughter. Emma, portrayed by Debra Winger is a free spirit who just seems to be making her way through life encountering many different obstacles. The film also includes suitors of both women who are some very talented actors; Jack Nicholson, Danny DeVito, Jeff Daniels, and John Lithgow.   Timecodes: 00:00 - Introduction :17- The Film stats 4:10 - Casting this film 10:26 - Aurora and Emma's relationship 15:45 - Emma looking for attention and affection 23:24 - The restaurant scene 27:15 - Doctor's bedside manner 28:45 - Head Trauma 29:04 - Smoochie, Smoochie, Smoochie 29:40 - Driving Review 32:09 - To the Numbers   References Made in the Episode: Dinner Scene - Mike was right! The film doesn't appear on the AFI Top 100 films. - Mike strikes again.   To guess the theme of this month's films you can call or text us at 971-245-4148 or email to christi@dodgemediaproductions.com You can guess as many times as you would like. Guess the Monthly Theme for 2023 Contest - More Info Here   Next week's film will be Mermaids (1987)   Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Special thanks to Melissa Villagrana our social media posts. Don't forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Give us a call at 971-245-4148 or email at christi@dodgemediaproductions.com

This week we're diving into the vault as Rob Lowe revisits his 2022 chat with Michael Douglas. In this episode you'll experience the hurdles it took to create One Flew Over the Cuckoo's Nest, what makes a good producer and a good actor, Michael's unique interaction with Debra Winger, and the intricacies of awards ceremonies. We'll be back next week with all-new episodes! Got a question for Rob? Call our voicemail at (323) 570-4551. Yours could get featured on the show!  

About Mark Cousins Mark is a Northern Irish-Scottish filmmaker and writer. His themes are the inspiring power of cinema, cities, walking, childhood, archives and recovery. At the start of his career he made TV documentaries on childhood, neo-Nazism and Mikhael Gorbachev. In the mid 90s he and the Edinburgh International Film Festival showed films in Sarajevo to support its besieged citizens. His first book was Imagining Reality: The Faber Book of Documentary (“Indispensible” - Times Literary Supplement). His 2004 book The Story of Film was published around the world. The Times called it “by some distance the best book we have read on cinema.” Its latest edition was published in October 2020. His 930 minute film, The Story of Film: An Odyssey (“The place from which all future film revisionism should begin” - New York Times), played in the major film festivals and cinemas, and has had an influence on film education. Michael Moore gave it the Stanley Kubrick Award, it won the Peabody Award, was BAFTA Scotland nominated, and received other prizes. In 2021 he added a sequel film, The Story of Film: A New Generation. It premiered as the launch film of Cannes, was called “poetry in motion” by the Hollywood Reporter, and “the soul of the festival” by Cannes director Thierry Frémaux. Empire magazine called it “a poetic opus” and it was nominated for Grierson award. Cousins' first feature documentary, The First Movie, about kids in Kurdish Iraq, won the Prix Italia. It was inspired by growing up in the Troubles in Northern Ireland and his passionate interest in the role cinema can play in kids' lives. In 2012 he was nominated for the London Awards for Art and Performance and the Screen International award. He was guest curator at the Eye Cinematheque in Amsterdam. His next feature film, What is this Film called Love?, played in 20 countries, at the ICA in London, and was nominated for Best Director by BAFTA Scotland. PJ Harvey called it “revelatory and inspiring”. The rock band Maximo Park wrote a song inspired by it. In 2013 he completed Here be Dragons, a film about the vital role of film archives, especially one in Albania. It won the main prize in the Romania Film Festival. In the same year he made A Story of Children and Film, which was in the official selection in Cannes. He curated Cinema of Childhood, a series of 17 films which toured the UK and Ireland for a year and was supported by the BFI. He received the Visionary Award in Traverse City and the Saltzgeber Prize at the Berlin Film Festival. Then he made Life May Be, co-directed with Iranian filmmaker Mania Akbari, and 6 Desires, an adaptation of DH Lawrence's book Sea and Sardinia. Life May Be was noted for its feminism and innovation and was called “transcendent and extraordinarily delicate”. It won the Don Quixote prize. 6 Desires: DH Lawrence and Sardinia, in which Jarvis Cocker plays the voice of DH Lawrence, had its world premiere at the London Film Festival and its international premiere at Sundance. Cousins had his first retrospective at the Wroclaw film festival. Others have followed in London, Thessaloniki, Finland and Geneva. Cousins' The Oar and the Winnowing Fan was a takeover of the DazedDigital website. His I am Belfast was his first full feature about Northern Ireland. It was released by the BFI. Variety compared it to the great director Dziga Vertov. His BBC/BFI film Atomic, a collaboration with the band Mogwai, played in Hiroshima, near Chernobyl and Coventry Cathedral and at the Edinburgh International Festival. He curated a season of films for the Romanian Cultural Institute and made a fiction film, Stockholm My Love, (starring Neneh Cherry, released by BFI). He completed Bigger than The Shining, a secret project, showable only in underground circumstances, and wrote The Story of Looking (“Like a wise man looking at the stars”, the Guardian; “Brilliant” the New York Times). It was nominated for the Saltire Award for best non-fiction book. Cousins' The Eyes of Orson Welles world premiered in Cannes and received rave reviews. His 2 hour, four-screen Storm in My Heart is about Hollywood sexism and racism. His 14 hour film Women Make Film premiered at the Venice, Toronto and Telluride film festivals, is narrated by Jane Fonda, Sharmila Tagore, Debra Winger, Adjoa Andoh, Kerry Fox and Tilda Swinton, and is showing in many countries. The Times called it “Exquisite, emotionally resonant and intellectually unassailable. Pure poetry.” It won the European Film Academy's inaugural Innovative Storytelling award, and has led to the restoration of a series of films directed by women. Two more recent films are The Storms of Jeremy Thomas, about the legendary film producer – which premiered in Cannes 2021 and won the best documentary in Spain's Dias De Cine - and The Story of Looking, in which he filters the history of looking through his own eye operation. Time Out called it “A rich cinematic journey into the art of seeing and how it connects us with culture, ourselves and each other.”  It won the Best Non-Fiction Film award at the Seville Film Festival. Cousins recently completed My Name is Alfred Hitchcock and The March on Rome, an Italian Palomar production about Mussolini and Fascism, part-shot in Cinecitta in Rome and starring Alba Rohrwacher. The latter premiered at the Venice film festival, was called “entirely arresting” by the Guardian, won the audience award for Best International Documentary in Brazil, and was nominated for a European Film Academy Award. The former premiered at the Telluride film festival. In 2022, his films were the subject of a multi screen film installation, Passé Présent Futur, at the huge Plaza cinema in Geneva, and had a retrospective at the Biograf film festival in Bologna. He premiered his first art installation, Like a Huge Scotland, at teh Fruitmarket gallery, Edinburgh, and – along with Cate Blanchette and Sarah Polley - was given the Outstanding Contribution to Cinema medal at the Telluride Film Festival. Cousins has honorary doctorates from the Universities of Edinburgh and Stirling, is Honorary Professor of film at Queen's University, was co-artistic director of Cinema China and did The Ballerina Ballroom Cinema of Dreams and A Pilgrimage, with Tilda Swinton. He and Swinton also ran The 8 ½ Foundation, a two year event which created a movie birthday for children. It was nominated for the Human Rights Award. He was chair of the Belfast Film Festival and Docs Ireland. He was recently given Portugal's Aurelio de Paz dos Reis international award for Outstanding Contribution to Cinema (2019), and the British Association of Film, Television and Screen Studies Outstanding Achievement Award for his work in screen education (2020). Mark's roles in filmmaking, education and advocacy have widened and deepened with the years. He was an early adopter of small cameras and new technology to evolve a business model for filmmaking which was sustainable, international and creatively free. He has walked across Los Angeles, Belfast, Moscow, Beijing, London, Paris, Berlin, Dakar and Mexico City. He drove from Edinburgh to Mumbai, and loves night swimming.     Mark's Info https://twitter.com/markcousinsfilm https://www.womenmakefilm.net/  

Today on the show Mariel and Melissa welcome the great Rosanna Arquette! Rosanna Arquette Filmmaker. Actor. Activist. Rosanna Arquette has nurtured a long and illustrious career in feature films and television as an actress, director, producer, creator, and activist. Currently, she is shooting “Here's Yanni” with Julia Ormond and Kevin Pollak. She has directed two documentaries: “Searching for Debra Winger” at Cannes Film Festival and “All We Are Saying” at Tribeca Film Festival. Rosanna's many credits include iconic roles in “Desperately Seeking Susan” for which she was nominated for a Golden Globe and won a BAFTA Martin Scorsese's “After Hours” for which she was nominated for a BAFTA. And who can forget Rosanna in Quentin Tarantino's “Pulp Fiction!” This past year, Rosanna executive produced the Showtime series “Coercion” and she shot a fun cameo in the Seth Rogen project - Also an LG Series for Peacock directed by Jason Woliner, and is currently in a featured arc on David E Kelly's “Big Sky.” Check out Rosanna's Podcast "Radical Musings with Rosanna Arquette" https://www.rosannaarquette.com Hosts - Mariel Hemingway & Melissa Yamaguchi
Executive Producer - Jeremiah D. Higgins
Senior Sound Engineer - Richard Dugan
Producer and Sound Engineer - Slater Smith Click to Donate to the Mariel Hemingway Foundation
account.venmo.com/u/MHFOUNDATION Follow us on Instagram
www.instagram.com/marielhemingwayfoundation/ Subscribe to the Mariel Hemingway Foundation Youtube Channel Here
www.youtube.com/channel/UCR168j3R1Mtx0iUQXs-VigA

A look back at 1987's… BLACK WIDOW directed by Bob Rafelson and starring Debra Winger and Theresa Russell, also the film adaptation of Judy Blume's, ARE YOU THERE GOD? IT'S ME MARGARET.  Email us at: cinemaxers@talkradioone.com Follow us on Facebook: @cinemaxers weekly podcast on talkradioone.com [...]

It seems most people feel obligated to cringe or shut down when the thought of the inevitable surfaces. But the simple fact exists that we will all leave this life at some point. Ali talks with Valoria Walker and Lauren Lyster-Mensh who are trained as end-of-life doulas, people who shepherd the dying and their loved ones through the often difficult, emotional, complicated process. They serve as non-medical advocates and holistic supporters of the person passing. Valoria and Laura talk about their experiences, the death positivity movement, death cafes and how we can all start planning for and normalizing conversations about death. If you have questions or guest suggestions, Ali would love to hear from you. Call or text her at (323) 364-6356. Or email go-ask-ali-podcast-at-gmail.com. (No dashes) Links of Interest: Washington Post Article with Laura and Valoria Death Doula Days at Historic Congressional Cemetery Doula by Destiny (Valoria Walker) Valoria in Oprah Daily INELDA: International End-of-Life Doula Association Death Doulas Used to Be Rare. The COVID-19 Pandemic Changed That (Time Magazine) How the Death Positive Movement Is Coming to Life Death Cafes Spread Rapidly Around the World (Healthnews) Death Cafe on Facebook 10 Best Books on Death and Dying (according to UpJourney) Credits: Executive Producers: Sandie Bailey, Alex Alcheh, Lauren Hohman, Tyler Klang & Gabrielle Collins Producer & Editor: Brooke Peterson-Bell Associate Producer: Akiya McKnightSee omnystudio.com/listener for privacy information.

Mark and Kenny share their dabblings with Los Angeles, including bungalows, storage units, and random star sightings while discussing the cautionary second song (and second single!) from American Life. Topics include Lisa Cholodenko, Hole, Velvet Underground, the influence of film noir on Madonna, Oscar parties, Debra Winger, Jean-Baptiste Mondino, Guy Bourdin, David Lynch's Mulholland Drive and Naomi Watts, Michael Haneke, performance doubles, Debbie Harry and BLOW-UP, and that notorious MTV Music Awards performance with Missy Elliott, Christina Aguilera, and Miss Britney Spears. And a meeting of pop icons on “Me Against the Music” and Madonna's back to hitch-hiking. Plus, REMIXES (released and unreleased) FOR DAYS, Kenny chases Britney to Vegas, and Mark gets to share a long-gestating riff on Rosanna Arquette. Stretch out, kids, and trip the station, change the channel!

This week, we talk about the 1980s Marvel Cinematic Universe that could have been, and eventually was. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   The Marvel Cinematic Universe is the undisputed king of intellectual property in the entertainment industry. As of February 9th, 2023, the day I record this episode, there have been thirty full length motion pictures part of the MCU in the past fifteen years, with a combined global ticket sales of $28 billion, as well as twenty television shows that have been seen by hundreds of millions of people worldwide. It is a entertainment juggernaut that does not appear to be going away anytime soon.   This comes as a total shock to many of us who grew up in the 1970s and 1980s, who were witness of cheaply produced television shows featuring hokey special effects and a roster of has-beens and never weres in the cast. Superman was the king of superheroes at the movies, in large part because, believe it or not, there hadn't even been a movie based on a Marvel Comics character released into theatres until the summer of 1986. But not for lack of trying.   And that's what we're going to talk about today. A brief history of the Marvel Cinematic Universe in the 1980s.       But first, as always, some backstory.   Now, I am not approaching this as a comic fan. When I was growing up in the 80s, I collected comics, but my collection was limited to Marvel's Star Wars series, Marvel's ROM The SpaceKnight, and Marvel's two-issue Blade Runner comic adaptation in 1982. So I apologize to Marvel comics fans if I relay some of this information incorrectly. I have tried to do my due diligence when it comes to my research.   Marvel Comics got its start as Timely Comics back in 1939. On August 31, 1939, Timely would release its first comic, titled Marvel Comics, which would feature a number of short stories featuring versions of characters that would become long-running staples of the eventual publishing house that would bear the comic's name, including The Angel, a version of The Human Torch who was actually an android hero, and Namor the Submariner, who was originally created for a unpublished comic that was supposed to be given to kids when they attended their local movie theatre during a Saturday matinee.   That comic issue would quickly sell out its initial 80,000 print run, as well as its second run, which would put another 800,000 copies out to the marketplace. The Vision would be another character introduced on the pages of Marvel Comics, in November 1940.   In December 1940, Timely would introduce their next big character, Captain America, who would find instant success thanks to its front cover depicting Cap punching Adolph Hitler square in the jaw, proving that Americans have loved seeing Nazis get punched in the face even a year before our country entered the World War II conflict. But there would be other popular characters created during this timeframe, including Black Widow, The Falcon, and The Invisible Man.   In 1941, Timely Comics would lose two of its best collaborators, artists Joe Simon and Jack Kirby, to rival company Detective Comics, and Timely owner Martin Goodman would promote one of his cousins, by marriage to his wife Jean no less, to become the interim editor of Timely Comics. A nineteen year old kid named Stanley Lieber, who would shorten his name to Stan Lee.   In 1951, Timely Comics would be rebranded at Atlas Comics, and would expand past superhero titles to include tales of crime, drama, espionage, horror, science fiction, war, western, and even romance comics.   Eventually, in 1961, Atlas Comics would rebrand once again as Marvel Comics, and would find great success by changing the focus of their stories from being aimed towards younger readers and towards a more sophisticated audience. It would be November 1961 when Marvel would introduce their first superhero team, The Fantastic Four, as well as a number of their most beloved characters including Black Panther, Carol Danvers, Iron Man, The Scarlet Witch, Spider-Man, and Thor, as well as Professor X and many of the X-Men.   And as would be expected, Hollywood would come knocking. Warner Brothers would be in the best position to make comic book movies, as both they and DC Comics were owned by the same company beginning in 1969. But for Marvel, they would not be able to enjoy that kind of symbiotic relationship. Regularly strapped for cash, Stan Lee would often sell movie and television rights to a variety of Marvel characters to whomever came calling. First, Marvel would team with a variety of producers to create a series of animated television shows, starting with The Marvel Super Heroes in 1966, two different series based on The Fantastic Four, and both Spider-Man and Spider-Woman series.   But movies were a different matter.   The rights to make a Spider-Man television show, for example, was sold off to a production company called Danchuck, who teamed with CBS-TV to start airing the show in September of 1977, but Danchuck was able to find a loophole in their contract  that allowed them to release the two-hour pilot episode as a movie outside of the United States, which complicated the movie rights Marvel had already sold to another company.   Because the “movie” was a success around the world, CBS and Danchuck would release two more Spider-Man “movies” in 1978 and 1981. Eventually, the company that owned the Spider-Man movie rights to sell them to another company in the early 1980s, the legendary independent B-movie production company and distributor, New World Pictures, founded and operated by the legendary independent B-movie producer and director Roger Corman. But shortly after Corman acquired the film rights to Spider-Man, he went and almost immediately sold them to another legendary independent B-movie production company and distributor, Cannon Films.   Side note: Shortly after Corman sold the movie rights to Spider-Man to Cannon, Marvel Entertainment was sold to the company that also owned New World Pictures, although Corman himself had nothing to do with the deal itself. The owners of New World were hoping to merge the Marvel comic book characters with the studio's television and motion picture department, to create a sort of shared universe. But since so many of the better known characters like Spider-Man and Captain America had their movie and television rights sold off to the competition, it didn't seem like that was going to happen anytime soon, but again, I'm getting ahead of myself.   So for now, we're going to settle on May 1st, 1985. Cannon Films, who loved to spend money to make money, made a big statement in the pages of the industry trade publication Variety, when they bought nine full pages of advertising in the Cannes Market preview issue to announce that buyers around the world needed to get ready, because he was coming.   Spider-Man.   A live-action motion picture event, to be directed by Tobe Hooper, whose last movie, Poltergeist, re-ignited his directing career, that would be arriving in theatres for Christmas 1986. Cannon had made a name for themselves making cheapie teen comedies in their native Israel in the 1970s, and then brought that formula to America with films like The Last American Virgin, a remake of the first Lemon Popsicle movie that made them a success back home. Cannon would swerve into cheapie action movies with fallen stars like Lee Marvin and Charles Bronson, and would prop up a new action star in Chuck Norris, as well as cheapie trend-chasing movies like Breakin' and Breakin' 2: Electric Boogaloo. They had seen enough success in America where they could start spending even bigger, and Spider-Man was supposed to be their first big splash into the superhero movie genre. With that, they would hire Leslie Stevens, the creator of the cult TV series The Outer Limits, to write the screenplay.   There was just one small problem.   Neither Stevens nor Cannon head honcho Menachem Golan understood the Spider-Man character.   Golan thought Spider-Man was a half-spider/half-man creature, not unlike The Wolf Man, and instructed Stevens to follow that concept. Stevens' script would not really borrow from any of the comics' twenty plus year history. Peter Parker, who in this story is a twenty-something ID photographer for a corporation that probably would have been Oscorp if it were written by anyone else who had at least some familiarity with the comics, who becomes intentionally bombarded with gamma radiation by one of the scientists in one of the laboratories, turning Bruce Banner… I mean, Peter Parker, into a hairy eight-armed… yes, eight armed… hybrid human/spider monster. At first suicidal, Bruce… I mean, Peter, refuses to join forces with the scientist's other master race of mutants, forcing Peter to battle these other mutants in a basement lab to the death.   To say Stan Lee hated it would be an understatement.   Lee schooled Golan and Golan's partner at Cannon, cousin Yoram Globus, on what Spider-Man was supposed to be, demanded a new screenplay. Wanting to keep the head of Marvel Comics happy, because they had big plans not only for Spider-Man but a number of other Marvel characters, they would hire the screenwriting team of Ted Newsom and John Brancato, who had written a screenplay adaptation for Lee of Sgt. Fury and His Howling Commandos, to come up with a new script for Spider-Man.   Newsom and Brancato would write an origin story, featuring a teenage Peter Parker who must deal with his newfound powers while trying to maintain a regular high school existence, while going up against an evil scientist, Otto Octavius. But we'll come back to that later.   In that same May 1985 issue of Variety, amongst dozens of pages of ads for movies both completed and in development, including three other movies from Tobe Hooper, was a one-page ad for Captain America. No director or actor was attached to the project yet, but comic book writer James L. Silke, who had written the scripts for four other Cannon movies in the previous two years, was listed as the screenwriter.   By October 1985, Cannon was again trying to pre-sell foreign rights to make a Spider-Man movie, this time at the MIFED Film Market in Milan, Italy. Gone were Leslie Stevens and Tobe Hooper. Newsom and Brancato were the new credited writers, and Joseph Tito, the director of the Chuck Norris/Cannon movies Missing in Action and Invasion U.S.A., was the new director. In a two-page ad for Captain America, the film would acquire a new director in Michael Winner, the director of the first three Death Wish movies.   And the pattern would continue every few months, from Cannes to MIFED to the American Film Market, and back to Cannes. A new writer would be attached. A new director. A new release date. By October 1987, after the twin failures of Superman IV: The Quest for Peace and Masters of the Universe, Cannon had all but given up on a Captain America movie, and downshifted the budget on their proposed Spider-Man movie. Albert Pyun, whose ability to make any movie in any genre look far better than its budget should have allowed, was brought in to be the director of Spider-Man, from a new script written by Shepard Goldman.   Who?   Shepard Goldman, whose one and only credit on any motion picture was as one of three screenwriters on the 1988 Cannon movie Salsa.   Don't remember Salsa? That's okay. Neither does anyone else.   But we'll talk a lot more about Cannon Films down the road, because there's a lot to talk about when it comes to Cannon Films, although I will leave you with two related tidbits…   Do you remember the 1989 Jean-Claude Van Damme film Cyborg? Post-apocalyptic cyberpunk martial-arts action film where JCVD and everyone else in the movie have names like Gibson Rickenbacker, Fender Tremolo, Marshall Strat and Pearl Prophet for no damn good reason? Stupid movie, lots of fun. Anyway, Albert Pyun was supposed to shoot two movies back to back for Cannon Films in 1988, a sequel to Masters of the Universe, and Spider-Man. To save money, both movies would use many of the same sets and costumes, and Cannon had spent more than $2m building the sets and costumes at the old Dino DeLaurentiis Studios in Wilmington, North Carolina, where David Lynch had shot Blue Velvet. But then Cannon ran into some cash flow issues, and lost the rights to both the He-Man toy line from Mattel and the Spider-Man characters they had licensed from Marvel. But ever the astute businessman, Cannon Films chairman Menahem Golan offered Pyun $500,000 to shoot any movie he wanted using the costumes and sets already created and paid for, provided Pyun could come up with a movie idea in a week. Pyun wrote the script to Cyborg in five days, and outside of some on-set alterations, that first draft would be the shooting script. The film would open in theatres in April 1989, and gross more than $10m in the United States alone.   A few months later, Golan would gone from Cannon Films. As part of his severance package, he would take one of the company's acquisitions, 21st Century Films, with him, as well as several projects, including Captain America. Albert Pyun never got to make his Spider-Man movie, but he would go into production on his Captain America in August 1989. But since the movie didn't get released in any form until it came out direct to video and cable in 1992, I'll leave it to podcasts devoted to 90s movies to tell you more about it. I've seen it. It's super easy to find on YouTube. It really sucks, although not as much as that 1994 version of The Fantastic Four that still hasn't been officially released nearly thirty years later.   There would also be attempts throughout the decade to make movies from the aforementioned Fantastic Four, the X-Men, Daredevil, the Incredible Hulk, Silver Surfer and Iron Man, from companies like New Line, 20th Century-Fox and Universal, but none of those would ever come to fruition in the 1980s.   But the one that would stick?   Of the more than 1,000 characters that had been featured in the pages of Marvel Comics over the course of forty years?   The one that would become the star of the first ever theatrically released motion picture based on a Marvel character?   Howard the Duck.   Howard the Duck was not your average Marvel superhero.   Howard the Duck wasn't even a superhero.   He was just some wise crackin', ill-tempered, anthropomorphic water fowl that was abducted away from his home on Duckworld and forced against his will to live with humans on Earth. Or, more specifically, first with the dirty humans of the Florida Everglades, and then Cleveland, and finally New York City.    Howard the Duck was metafiction and existentialist when neither of these things were in the zeitgeist. He smoked cigars, wore a suit and tie, and enjoy drinking a variety of libations and getting it on with the women, mostly his sometimes girlfriend Beverly.   The perfect character to be the subject of the very first Marvel movie.   A PG-rated movie.   Enter George Lucas.   In 1973, George Lucas had hit it big with his second film as a director, American Graffiti. Lucas had written the screenplay, based in part on his life as an eighteen year old car enthusiast about to graduate high school, with the help of a friend from his days at USC Film School, Willard Huyck, and Huyck's wife, Gloria Katz. Lucas wanted to show his appreciation for their help by producing a movie for them. Although there are variations to the story of how this came about, most sources say it was Huyck who would tell Lucas about this new comic book character, Howard the Duck, who piqued his classmate's interest by describing the comic as having elements of film noir and absurdism.   Because Universal dragged their feet on American Graffiti, not promoting it as well as they could have upon its initial release and only embracing the film when the public embraced its retro soundtrack, Lucas was not too keen on working with Universal again on his next project, a sci-fi movie he was calling The Journal of the Whills. And while they saw some potential in what they considered to be some minor kiddie movie, they didn't think Lucas could pull it off the way he was describing it for the budget he was asking for.   “What else you got, kid?” they'd ask.   Lucas had Huyck and Katz, and an idea for a live-action comic book movie about a talking duck.   Surprisingly, Universal did not slam the door shut in Lucas's face. They actually went for the idea, and worked with Lucas, Stan Lee of Marvel Comics and Howard's creator, Steve Gerber, to put a deal together to make it happen.   Almost right away, Gerber and the screenwriters, Huyck and Katz, would butt heads on practically every aspect of the movie's storyline. Katz just thought it was some funny story about a duck from outer space and his wacky adventures on Earth, Gerber was adamant that Howard the Duck was an existential joke, that the difference between life's most serious moments and its most incredibly dumb moments were only distinguishable by a moment's point of view. Huyck wanted to make a big special effects movie, while Katz thought it would be fun to set the story in Hawaii so she and her husband could have some fun while shooting there. The writers would spend years on their script, removing most everything that made the Howard the Duck comic book so enjoyable to its readers. Howard and his story would be played completely straight in the movie, leaning on subtle gags not unlike a Zucker/Abrahams/Zucker movie, instead of embracing the surreal ridiculousness of the comics. They would write humongous effects-heavy set pieces, knowing they would have access to their producer's in-house special effects team, Industrial Light and Magic, instead of the comics' more cerebral endings. And they'd tone down the more risqué aspects of Howard's personality, figuring a more family-friendly movie would bring in more money at the box office.   It would take nearly twelve years for all the pieces to fall into place for Howard the Duck to begin filming. But in the spring of 1985, Universal finally gave the green light for Lucas and his tea to finally make the first live-action feature film based on a Marvel Comics character.   For Beverly, the filmmakers claimed to have looked at every young actress in Hollywood before deciding on twenty-four year old Lea Thompson, who after years of supporting roles in movies like Jaws 3-D, All the Right Moves and Red Dawn, had found success playing Michael J. Fox's mother in Back to the Future. Twenty-six year old Tim Robbins had only made two movies up to this point, at one of the frat boys in Fraternity Vacation and as one of the fighter pilots in Top Gun, and this was his first chance to play a leading role in a major motion picture. And Jeffrey Jones would be cast as the bad guy, the Dark Overlord, based upon his work in the 1984 Best Picture winner Amadeus, although he would be coming to the set of Howard the Duck straight off of working on a John Hughes movie, Ferris Bueller's Day Off.   Howard the Duck would begin shooting on the Universal Studios lot of November 11th, 1985, and on the very first day of production, the duck puppet being used to film would have a major mechanical failure, not unlike the mechanical failure of the shark in Jaws that would force Steven Spielberg to become more creative with how he shot that character. George Lucas, who would be a hands-on producer, would suggest that maybe they could shoot other scenes not involving the duck, while his crew at ILM created a fully functional, life-sized animatronic duck costume for a little actor to wear on set. At first, the lead actor in the duck suit was a twelve-year old boy, but within days of his start on the film, he would develop a severe case of claustrophobia inside the costume. Ed Gale, originally hired to be the stuntman in the duck costume, would quickly take over the role. Since Gale could work longer hours than the child, due to the very restrictive laws surrounding child actors on movie and television sets, this would help keep the movie on a good production schedule, and make shooting the questionable love scenes between Howard and Beverly easier for Ms. Thompson, who was creeped out at the thought of seducing a pre-teen for a scene.   To keep the shoot on schedule, not only would the filmmakers employ a second shooting unit to shoot the scenes not involving the main actors, which is standard operating procedure on most movies, Lucas would supervise a third shooting unit that would shoot Robbins and Gale in one of the film's more climactic moments, when Howard and Phil are trying to escape being captured by the authorities by flying off on an ultralight plane. Most of this sequence would be shot in the town of Petaluma, California, on the same streets where Lucas had shot American Graffiti's iconic cruising scenes thirteen years earlier.   After a month-long shoot of the film's climax at a naval station in San Francisco, the film would end production on March 26th, 1986, leaving the $36m film barely four months to be put together in order to make its already set in stone August 1st, 1986, release date.   Being used to quick turnaround times, the effects teams working on the film would get all their shots completed with time to spare, not only because they were good at their jobs but they had the ability to start work before the film went into production. For the end sequence, when Jones' character had fully transformed into the Dark Overlord, master stop motion animator Phil Tippett, who had left ILM in 1984 to start his own effects studio specializing in that style of animation, had nearly a year to put together what would ultimately be less than two minutes of actual screen time.   As Beverly was a musician, Lucas would hire English musician and composer Thomas Dolby, whose 1982 single She Blinded Me With Science became a global smash hit, to write the songs for Cherry Bomb, the all-girl rock group lead by Lea Thompson's Beverly. Playing KC, the keyboardist for Cherry Bomb, Holly Robinson would book her first major acting role. For the music, Dolby would collaborate with Allee Willis, the co-writer of Earth Wind and Fire's September and Boogie Wonderland, and funk legend George Clinton. But despite this powerhouse musical trio, the songs for the band were not very good, and, with all due respect to Lea Thompson, not very well sung.   By August 1986, Universal Studios needed a hit. Despite winning the Academy Award for Best Picture in March with Sydney Pollack's Out of Africa, the first six films they released for the year were all disappointments at the box office and/or with the critics.    The Best of Times, a comedy featuring Robin Williams and Kurt Russell as two friends who try to recreate a high school football game which changed the direction of both their lives. Despite a script written by Ron Shelton, who would be nominated for an Oscar for his next screenplay, Bull Durham, and Robin Williams, the $12m film would gross less than $8m.    The Money Pit, a comedy with Tom Hanks and Shelley Long, would end up grossing $37m against a $10m budget, but the movie was so bad, its first appearance on DVD wouldn't come until 2011, and only as part of a Tom Hanks Comedy Favorites Collection along with The ‘Burbs and Dragnet.   Legend, a dark fantasy film directed by Ridley Scott and starring Tom Cruise, was supposed to be one of the biggest hits… of 1985. But Scott and the studio would fight over the film, with the director wanting them to release a two hour and five minute long version with a classical movie score by Jerry Goldsmith, while the studio eventually cut the film down an hour and twenty-nine minutes with a techno score by Tangerine Dream. Despite an amazing makeup job transforming Tim Curry into the Lord of Darkness as well as sumptuous costumes and cinematography, the $24.5m film would just miss recouping its production budget back in ticket sales.   Tom Cruise would become a superstar not three weeks later, when Paramount Pictures released Top Gun, directed by Ridley's little brother Tony Scott.   Sweet Liberty should have been a solid performer for the studio. Alan Alda, in his first movie since the end of MASH three years earlier, would write, direct and star in this comedy about a college history professor who must watch in disbelief as a Hollywood production comes to his small town to film the movie version of one of the books. The movie, which also starred Michael Caine, Bob Hoskins, Michelle Pfieffer and screen legend Lillian Gish, would get lost in the shuffle of other comedies that were already playing in theatres like Ferris Bueller and Short Circuit.   Legal Eagles was the movie to beat for the summer of 1986… at least on paper. Ivan Reitman's follow-up film to Ghostbusters would feature a cast that included Robert Redford, Debra Winger and Daryl Hannah, along with Brian Denny, Terence Stamp, and Brian Doyle-Murray, and was perhaps too much movie, being a legal romantic comedy mystery crime thriller.   Phew.   If I were to do an episode about agency packaging in the 1980s, the process when a talent agency like Creative Artists Agency, or CAA, put two or more of their clients together in a project not because it might be best for the movie but best for the agency that will collect a 10% commission from each client attached to the project, Legal Eagles would be the example of packaging gone too far. Ivan Reitman was a client of CAA. As were Redford,  and Winger, and Hannah. As was Bill Murray, who was originally cast in the Redford role. As were Jim Cash and Jack Epps, the screenwriters for the film. As was Tom Mankewicz, the co-writer of Superman and three Bond films, who was brought in to rewrite the script when Murray left and Redford came in. As was Frank Price, the chairman of Universal Pictures when the project was put together. All told, CAA would book more than $1.5m in commissions for themselves from all their clients working on the film.   And it sucked.   Despite the fact that it had almost no special effects, Legal Eagles would cost $40m to produce, one of the most expensive movies ever made to that point, nearly one and a half times the cost of Ghostbusters. The film would gross nearly $50m in the US, which would make it only the 14th highest grossing film of the year. Less than Stand By Me. Less than The Color of Money. Less than Down and Out in Beverly Hills.   And then there was Psycho III, the Anthony Perkins-directed slasher film that brought good old Norman Bates out of mothballs once again. An almost direct follow-up to Psycho II from 1983, the film neither embraced by horror film fans or critics, the film would only open in eighth place, despite the fact there hadn't been a horror movie in theatres for months, and its $14m gross would kill off any chance for a Psycho IV in theatres.   In late June, Universal would hold a series of test screenings for Howard the Duck. Depending on who you talk to, the test screenings either went really well, or went so bad that one of the writers would tear up negative response cards before they could be given to the score compilers, to goose the numbers up, pun only somewhat intended. I tend to believe the latter story, as it was fairly well reported at the time that the test screenings went so bad, Sid Sheinberg, the CEO of Universal, and Frank Price, the President of the studio, got into a fist fight in the lobby of one of the theatres running one of the test screenings, over who was to blame for this impending debacle.   And a debacle it was.   But just how bad?   So bad, copywriters from across the nation reveled in giddy glee over the chances to have a headline that read “‘Howard the Duck' Lays an Egg!”   And it did.   Well, sort of.   When it opened in 1554 theatres on August 1st, the film would gross $5.07m, the second best opener of the weekend, behind the sixth Friday the 13th entry, and above other new movies like the Tom Hanks/Jackie Gleason dramedy Nothing in Common and the cult film in the making Flight of the Navigator. And $5m in 1986 was a fairly decent if unspectacular opening weekend gross. The Fly was considered a massive success when it opened to $7m just two weeks later. Short Circuit, which had opened to $5.3m in May, was also lauded as being a hit right out of the gate.   And the reviews were pretty lousy. Gene Siskel gave the film only one star, calling it a stupid film with an unlikeable lead in the duck and special effects that were less impressive than a sparkler shoved into a birthday cake. Both Siskel and Ebert would give it the dreaded two thumbs down on their show. Leonard Maltin called the film hopeless. Today, the film only has a 14% rating on Rotten Tomatoes with 81 reviews.   But despite the shellacking the film took, it wouldn't be all bad for several of the people involved in the making of the film.   Lea Thompson was so worried her career might be over after the opening weekend of the film, she accepted a role in the John Hughes movie Some Kind of Wonderful that she had turned down multiple times before. As I stated in our March 2021 episode about that movie, it's my favorite of all John Hughes movies, and it would lead to a happy ending for Thompson as well. Although the film was not a massive success, Thompson and the film's director, Howard Deutch, would fall in love during the making of the film. They would marry in 1989, have two daughters together, and as of the writing of this episode, they are still happily married.   For Tim Robbins, it showed filmmakers that he could handle a leading role in a movie. Within two years, he would be starring alongside Kevin Costner and Susan Sarandon in Bull Durham, and he career would soar for the next three decades.   And for Ed Gale, his being able to act while in a full-body duck suit would lead him to be cast to play Chucky in the first two Child's Play movies as well as Bride of Chucky.   Years later, Entertainment Weekly would name Howard the Duck as the biggest pop culture failure of all time, ahead of such turkeys as NBC's wonderfully ridiculous 1979 show Supertrain, the infamous 1980 Western Heaven's Gate, Warren Beatty and Dustin Hoffman's Ishtar, and the truly wretched 1978 Bee Gees movie Sgt. Pepper's Lonely Hearts Club Band.   But Howard the Duck, the character, not the movie, would enjoy a renaissance in 2014, when James Gunn included a CG-animated version of the character in the post-credit sequence for Guardians of the Galaxy. The character would show up again in the Disney animated Guardians television series, and in the 2021 Disney+ anthology series Marvel's What If…   There technically would be one other 1980s movie based on a Marvel character, Mark Goldblatt's version of The Punisher, featuring Dolph Lundgren as Frank Castle. Shot in Australia in 1988, the film was supposed to be released by New World Pictures in August of 1989. The company even sent out trailers to theatres that summer to help build awareness for the film, but New World's continued financial issues would put the film on hold until April 1991, when it was released directly to video by Live Entertainment.   It wouldn't be until the 1998 release of Blade, featuring Wesley Snipes as the titular vampire, that movies based on Marvel Comics characters would finally be accepted by movie-going audiences. That would soon be followed by Bryan Singer's X-Men in 2000, and Sam Raimi's Spider-Man in 2002, the success of both prompting Marvel to start putting together the team that would eventually give birth to the Marvel Cinematic Universe we all know and love today.   Thank you for joining us. We'll talk again soon, when Episode 102, the first of two episodes about the 1980s distribution company Vestron Pictures, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Howard the Duck, and the other movies, both existing and non-existent, we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

It's February, which means it's the month of love! We're getting started with the 1995 romantic comedy Forget Paris starring Billy Crystal and Debra Winger as Mickey and Ellen. In this tale of love, travel, and basketball, a group of friends tells the newest member of their group the whirlwind tale of the romance between an NBA referee and an American-born Parisian airline executive and how a lost dead body kickstarted a romance that spans almost a decade. Costarring Julie Kavner, Joe Mantegna, Richard Masur, Cathy Moriarty, and a slew of mid-90s NBA stars, Forget Paris will have you laughing, scratching your head, and suspending disbelief!Sit back, relax, and listen to the Plotaholics discuss Forget Paris!Support the show

On this Friday Buckeye Talk from cleveland.com, Doug Lesmerises is discussing rants from Ohio State text subscribers in preparation for Saturday's Peach Bowl College Football Playoff semifinal between the No. 4 Buckeyes and the No. 1 Gerogia Bulldogs. Among the topics covered: Whether the passion of Ohio State fans is on the line Is the Big Ten back? Bananas Does Ohio State seem tight? New Year's Eve conflicts Running back updates Just wanting Ohio State to not get blown out, cautious optimism, impending doom and every possible view of how the game might go and what it would mean for the program Thanks for listening to Buckeye Talk. If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/LA/MI/NJ/PA/TN/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/KS/NH), 888-789-7777/visit http://ccpg.org (CT), 1-800-BETS OFF (IA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), or 1-888-532-3500 (VA). 21+ (18+ NH/WY). Physically present in AZ/CO/CT/IL/IN/IA/KS/LA(select parishes)/MI/NH/NJ/ NY/OR/PA/TN/VA/WV/WY only. $200 in Free bets: New customers only. Min. $5 deposit. Min $5 bet. $200 issued as eight (8) $25 free bets. Bet must win. Ends 11/20/23 @ 11:59pm ET. Stepped Up SGP: 1 Token issued per eligible game. Opt in req. Min $1 bet. Max bet limits apply. Min. 3-leg. Each leg min. -300 odds, total bet +100 odds or longer. 10+ leg req. for 100% boost. Ends 1/8/23 @ 8pm ET. See eligibility & terms at sportsbook.draftkings.com/footballterms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode 100! Today Rob Lowe sits down with Hollywood legend Michael Douglas to talk all things acting. In this episode you'll experience the hurdles it took to create One Flew Over the Cuckoo's Nest, what makes a good producer and a good actor, Michael's unique interaction with Debra Winger, and the intricacies of awards ceremonies. All of this and a whole lot more—on today's celebration of an episode! Got a question for Rob? Call our voicemail at (323) 570-4551. Yours could get featured on the show!