POPULARITY
2 episodes with Mary Lambert
3 episodes with Mary Lambert
2 episodes with Mary Lambert
3 episodes with Mary Lambert
2 episodes with Mary Lambert
2 episodes with Mary Lambert
2 episodes with Mary Lambert
2 episodes with Mary Lambert
3 episodes with Mary Lambert
Hello Wholigans! On today's episode of Who's There, our weekly call-in show, we find out about the upcoming BEST PODCAST category at the Golden Globes before hearing from friend of the pod Alex on his fourth place win over at The Floor, and a Bill Belichick stan who assures us that he always just...dresses like that, meaning in shirts covered in holes. Moving on, we chat about the Met Gala, namely Law Roach's return from retirement, Tom Francis's potential rise from Tony-nominee star to Themdom, and the necklace almost worn by Punjabi superstar Diljit Dosanjh. Then, we'll catch you up on Maria Menounos's Olympics title, Mary Lambert's TLC appearance, and more!! As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Get a ton of bonus content over on Patreon.com/WhoWeekly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Sometimes....Dead is Better This week, we are joined by returning guest, Anastasia Elfman to dig up the horror of Pet Sematary (1989), the unsettling Stephen King adaptation directed by Mary Lambert and starring Dale Midkiff, Denise Crosby, Fred Gwynne, and a murderous toddler you'll never forget. They unpack what makes this film so brutally effective—especially for parents—while roasting Louis Creed for being the world's worst doctor, husband, and homeowner. From zombie cats to Wendigo lore and that unforgettable Zelda nightmare fuel, we're diving deep into grief, guilt, and gore. Plus, a few rants about embalming logistics, 80s parenting fails, and the movie's weirdly psychic side characters. Learn more about Anastasia Elfman Instagram- https://www.instagram.com/dahliadimont/ Bloody Bridget- https://bloodybridget.com/ RETURN OF THE LIVING DEAD 3 w/ BRIAN YUZNA & ANASTASIA ELFMAN! | Shock-A-Go-Go Film Festival JUNE 7th / Lumiere Cinema / Beverly Hills / 9:45PM! With Special Guest, Director Brian Yuzna and a Special Burlesque Performance by Anastasia Elfman! Part of The Shockagogo Film Festival! Purchase Tickets Here- https://lumieretickets.com/purchase?showId=65557 NEWSLETTER and UNCUT REELS!!!!! We are adding a weekly companion newsletter for the podcast that will feature EXCLUSIVE BONUS CONTENT, our raw discussions on movies, tv, and life that don't fit the podcast! We're calling it "UNCUT REELS!" SIGN UP HERE TO GET THE BONUS CONTENT!! https://mailchi.mp/41902cbf6549/exclusive-newsletter Follow The Cinema Psychos Show on Socials ❤️
We're back and we've brought 20 (plus a few sneaky bonus) movies with us!This time we're checking out some recent Oscar nominees, get O.G. with Superman, discover that Mary Lambert directed a crazy girl flick, spend an outrageous night in 80's New York City, watch "Cheech" unleashed in Australia, watch a duo of remakes, Chris makes a decision about M. Night, Josh watches his first Fassbinder and so much more!Thanks for listening! Be sure to subscribe, rate and review the show wherever you listen to podcasts; join in the discussion on our Facebook group, and if you like what you hear - tell a friend and spread the word - every little bit helps!Links to all our web stuff at www.gbwpodcast.com
Film journalist and critic Marya E. Gates talks with Justin about her new book, Cinema Her Way: Visionary Female Directors In Their Own Words. The book is a stylishly illustrated collection of interviews with 19 film directors, including Gillian Armstrong, Jane Campion, Mira Nair, Mary Lambert, and Katt Shea. Another great chat for our cinephile listeners! Hosted and produced by Justin Remer. Recorded remotely via Zencastr. Opening Music: "Optimism (Instrumental)" by Duck the Piano Wire. Closing Music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band.
En el episodio 6 de esta temporada nos sumergiremos en el mundo de las adaptaciones cinematográficas de las novelas de Stephen King durante la década de los 80. El maestro del terror fue una fuente inagotable de inspiración para el cine de la época, con títulos inolvidables. Exploraremos cómo directores como Stanley Kubrick, Rob Reiner y Mary Lambert lograron plasmar en la pantalla grande la atmósfera inquietante y los personajes complejos del universo de King, dejando una marca imborrable en el cine de terror y suspense. *Sintonía de entrada: Lucidator de Saggitarius V.
Charlie Sprinkman is a young person with a vision! After working in a job that required him to travel across 50+ states, Charlie recognized there was a lack of visibility to queer-owned businesses when he tried to find them in his travels and his searches came up empty. This is how Everywhere is Queer was born. Everywhere is Queer is a free app where people can list and search for queer-owned businesses. With an enormous amount of hard work and a boost from major media outlets, Everywhere is Queer's visibility has dramatically taken off, with thousands participating on the app worldwide. Tune in to hear host Anne-Marie Zanzal chat with Charlie about their journey, from their early days growing up in conservative Wisconsin, coming out, his fearless 'just do it' attitude, the country that surprised him the most, his business coaching service, and much more.You can learn more about the Everywhere is Queer app at https://www.everywhereisqueer.com/A song that is meaningful to Charlie is 'Same Love' by Macklemore feat. Mary Lambert: https://youtu.be/hlVBg7_08n0?si=TOvY3aMo1wogizyjA television show that Charlie recommends is 'Pose': https://www.imdb.com/title/tt7562112/Find out more about Everything is Queer, sign up for his newsletter, and find links to connect on Instagram and TikTok at www.everythingisqueer.com.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Charlie Sprinkman is a young person with a vision! After working in a job that required him to travel across 50+ states, Charlie recognized there was a lack of visibility to queer-owned businesses when he tried to find them in his travels and his searches came up empty. This is how Everywhere is Queer was born. Everywhere is Queer is a free app where people can list and search for queer-owned businesses. With an enormous amount of hard work and a boost from major media outlets, Everywhere is Queer's visibility has dramatically taken off, with thousands participating on the app worldwide. Tune in to hear host Anne-Marie Zanzal chat with Charlie about their journey, from their early days growing up in conservative Wisconsin, coming out, his fearless 'just do it' attitude, the country that surprised him the most, his business coaching service, and much more.You can learn more about the Everywhere is Queer app at https://www.everywhereisqueer.com/A song that is meaningful to Charlie is 'Same Love' by Macklemore feat. Mary Lambert: https://youtu.be/hlVBg7_08n0?si=TOvY3aMo1wogizyjA television show that Charlie recommends is 'Pose': https://www.imdb.com/title/tt7562112/Find out more about Everything is Queer, sign up for his newsletter, and find links to connect on Instagram and TikTok at www.everythingisqueer.com.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Fridays mean Ryan posts monologues on Have You Ever Seen and our 617th episode digs a one-man hole into Pet Sematary. Mary Lambert's 1989 horror show about unholy reanimation keeps on reminding us that "sometimes dead is better". The one who's always saying that, Fred Gwynne, is probably the best actor in this cast, although he's not THAT much better than the underwhelming Dale Midkiff or Denise Crosby. The horror highlights in the last act are excellent though. Pet Sematary also has many links to The Shining, which are 2 of the most-vivid Stephen King books. No, this gore-soaked film isn't close to perfect, but it might chill your blood more than once. So stop listening to the coot who lives across a very dangerous road and start listening to the 617th edition of Have You Ever Seen. Go to "sparkplug.coffee" to discover the coffee gems they offer. One thing they offer is a onetime 20% discount to those who use our "HYES" promo code, so add "/hyes" to the web address to make that happen. Anyone wanting to tell us what they think can hit us up on Twi-X (@moviefiend51 and @bevellisellis) or fire off an email (haveyoueverseenpodcast@gmail.com). Bev is available with that same @ on Threads. Also, rate and review our show on your podcast app. And look for our work on YouTube (@hyesellis in your browser). We look forward to comments, likes and subscriptions.
Sometimes dead is better! Jack and Corey kick off October Spooky Movie Month with actor/patchmaker David Neher (AP Bio, Community, New Girl) to go deeper than a mug on Mary Lambert's chilling adaptation of Stephen King's PET SEMATARY (1989)! The three talk halloween festivities, how children change your relationship to horror movies, Stephen King books, being buried with your pets, The Legend of Zelda, Rob Zombie, Miko Hughes' incredible 2 year old performance, addiction metaphors, southern accents, canceled cemeteries, twisted sisters, remembering the dead, harrowing scenes, and patches.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.
So many podcasts!I thought I could make one podcast episode where I talked to some folks who podcast about horror, and it would be a one-stop-shop for folks looking for a new favorite commute time killer (hmm. commute-time killer? commute time-killer?)Well, as is often the case, it wasn't until I was in the middle of it that I realized two things:* There are so many podcasts talking about horror books.* Podcasters love to talk - so my 15-20 minute target often ended up going way longer than that.* (I know I said two, but heck this deserves a bullet) There's a ton of podcasts where the only topic is Stephen King and his books.Episode OneClick above to check out the first episode, if you haven't already. For this first installment, You'll hear from Stephanie Gagnon from BOOKS IN THE FREEZER, followed by Michael David Wilson from THIS IS HORROR.The GuestsBooks In The Freezer - Stephanie GagnonThis is Books in the Freezer, a podcast dedicated to the deliciously disturbing world of horror fiction. Our topical, bi-weekly episodes will cover those scary books that you might want to put in the freezer. Don't forget to subscribe so you don't miss any of our recommendations!This Is Horror - Michael David WilsonThe This Is Horror Podcast is a weekly show for readers, writers, and creators hosted by Michael David Wilson and Bob Pastorella. We interview writers, artists, publishers, editors, and creatives every week. We have interviewed over 100 creatives including Chuck Palahniuk, Joe Hill, Joe R. Lansdale, Charlaine Harris, Ellen Datlow, David Moody, Jennifer Lynch, Gemma Files, and Josh Malerman.Episode TwoNeil McRobert kicks off the second episode, talking about his well respected podcast TALKING SCARED. Max Booth III follows, always fun to talk to Max, and we get into the various podcast projects they have going on. Finally, I included myself in this series - not out of vanity, but rather, in case a listener came to these episodes from an outside audience, I thought they might be curious about what I get up to at the ARC PARTY, so I brought in backup to interview me about this humble effort.The GuestsTalking Scared - Neil McRobertConversations with the biggest names in horror fiction. A podcast for horror readers who want to know where their favorite stories came from ... and what frightens the people who wrote them.Ghoulish & Dog Ears - Max Booth IIIGHOULISH is a weekly comedy podcast celebrating all things spooky, hosted by Max Booth III.DOG EARS is a podcast about publishing, writing, and dogs.The ARC Party - Robb Olson (with Ryan McRae interviewing)Your first look at upcoming books!My goal with the ARC Party is to connect readers with books before they release! Much of the success of a new book is connected to pre-orders and early sales numbers, but sometimes people don't hear about a book until long after it's been released.An episode typically consists of an author giving a quick description of their book, followed by a spoiler free discussion about it. We often talk about themes, characters, settings, etc.But I'm careful to not talk about anything that would ruin the reading experience!SubscribedHungry for more?I asked the internet for recommendations of podcasts that they like that talk about horror books, and here is a giant list of their responses. (descriptions borrowed and sometimes shortened from their websites)NOTE: I tried to focus on currently active podcasts and exclude any that seemed defunct, and I can't be 100% sure that all of these are still publishing episodes.* Behind Your Face There Is A Place: Host Johnny Compton has conversations with creative guests, broadly, but not strictly about one of three possible subjects: I LOVED THIS!, Author's Commentary, Studying the Scares.* Bleeding Page: A bi-weekly podcast wherein authors Chad Lutzke & Jason Brant discuss self-publishing dark fiction and the craft of writing with special guests.* Fearmongers: Bestselling author Clay McLeod Chapman hosts FEARMONGERS, featuring interviews with and readings by horror fiction's biggest stars.Produced in cooperation with Verso Studios at the Westport Library.* Geek's Guide to the Galaxy is a podcast hosted by science fiction author David Barr Kirtley. The show features conversations about fantasy & science fiction in books, movies, games, and comics, as well as related subjects such as science, history, and critical thinking.* Killer Mediums: Horror Podcast hosted by author William Sterling, examining how horror tropes manifest across different mediums of entertainment. Let'ss Get Spooky!* Lifewriting: Authors and screenwriters Steven Barnes and Tananarive Due (and guests!) on writing, the writer's life, Hollywood, the work/family balance and relationships - the tools writers need to make themselves the heroes/heroines of their own story.* Lovecraft E-Zine: A friendly horror podcast. Panelists are Bridgette Brenmark, Matthew Carpenter, Pete Rawlik, John Langan, Benjamin Handelman, Melissa Walsh, Michael DaBronzo, Stephen Mark Rainey, Alan Hughes, and Mike Davis.* Postcards From A Dying World: Postcards from a Dying has been my blog for the last decade with more than 1,000 book reviews to promotional bonuses for my fiction. This podcast feed collections all the audio bonus materials for the blog, interviews and will include a monthly digest of my book reviews.* She Wore Black: A gothic, mystery, and horror podcast.* Sley House Presents: Sley House Presents is a podcast offered by Sley House Publishing. Our episodes are dedicated to discussing the best in genre literature, interviewing notable professionals in the field, reviewing movies, producing radio dramas based on your favorite classic and new short stories, and deep dives into your favorite horror topics.And here are the ones that are, ostensibly, entirely focused on Stephen King and his writing:* Chat Sematary: Chat Sematary will dive into the works and adaptations of the King of Horror, Stephen King. Hosted by Deanna Chapman.* Dark Tower Palaver: Join hosts Tadd and Peter for in-depth discussion and analysis of Stephen King's Magnum Opus The Dark Tower series. Explore the Novels, comics, upcoming film/TV adaptations, and all things Dark Tower. Join in on both the Round Table Discussions covering the entire series, as well as the Book Club where each book is systematically read, analyzed and discussed in order from the first line to the last. Come let's Palaver Gunslinger!* Derry Public Radio: Welcome to the basement of the Derry Civic Center. Pay no mind to the strange sounds coming from behind the Unfound Door. It's just your ka-tet, who are here to provide you with a variety of perspectives on Stephen King's work - ranging from the comfortably familiar to the frighteningly fanatic. Derry Public Radio is here to keep you up-to-date with all that's happening in Derry, Maine and "beyond."* Just King Things: is a monthly podcast about reading the books of Stephen King in publication order. Join hosts Michael and Cameron, two cultural critics and horror fans who literally grew up reading this stuff, as they embark upon a quest to revisit and review a vast body of work spanning five decades, reading one book a month for… only ten years or so* Kingcast: is a Stephen King podcast for Stephen King obsessives hosted by former film bloggers and rabid horror fans Eric Vespe and Scott Wampler. Each week, the pair welcome a notable guest to the show to discuss the King adaptation (or unadapted novel/short story) of their choice. It's an unpredictable show, one that can turn on a dime between being legitimately emotional and outright hilarious, and always approaches the work of its legendary namesake with the love, respect, and top-shelf nerdery that it deserves.* Loser's Club: Founded in 2017, The Losers' Club® is an award-winning weekly series that chronologically digs through the work of Stephen King with humor, irreverence, and a critical eye. Each episode, the Losers gather together to read between the iconic pages and share the latest in King's Dominion, whether it's the author's oft-controversial tweets, the boldest Hollywood headlines, or his endless forthcoming projects. The series also regularly features special guests. In the past, the Losers have spoken to Mike Flanagan, Thomas Jane, Tananarive Due, Chapo Trap House, Owen Teague, Mick Garris, Mary Lambert, Jerry O'Connell, Wil Wheaton, Joe Bob Briggs, and even King himself. Suitable for readers both Constant and casual. King says check us out.* The Constant Reader Podcast: Everything Stephen King, from Carrie to The Institute, from the novels to the short stories, from the small screen to the big screen. Each month we take a deep dive into one book from the bibliography of the King of horror fiction, while also charting the byways of King's forays into other genres (The Dark Tower series, On Writing etc) and also casting an eye on the many TV and film adaptations of King's work.Recorded live from the UEA media suite, Richard Sheppard interviews writers, academics, superfans and anyone with a passion for the work of Stephen King.* The Year of Underrated Stephen King: This is a one-woman, (lecture style) Stephen King podcast that analyzes Stephen King's lesser-known novels and short stories in depth and explores why Stephen King is the greatest fiction writer alive!Applying what I teach my Fiction students, in this podcast we will examine: Strong Writing, Storytelling Principles, Genre, Literary Analysis, Stephen King Universe Nerdery and the Constant Reader Community at Large!* Tower Junkies: A podcast celebrating the work of Stephen King with an occasional focus on his magnum opus, The Dark Tower series.SubscribedFor those of you who prefer YouTube: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thearcparty.com/subscribe
So many podcasts!I thought I could make one podcast episode where I talked to some folks who podcast about horror, and it would be a one-stop-shop for folks looking for a new favorite commute time killer (hmm. commute-time killer? commute time-killer?)Well, as is often the case, it wasn't until I was in the middle of it that I realized two things: * There are so many podcasts talking about horror books.* Podcasters love to talk - so my 15-20 minute target often ended up going way longer than that. * (I know I said two, but heck this deserves a bullet) There's a ton of podcasts where the only topic is Stephen King and his books. Episode OneThis is now part one of what I'm guessing/hoping will be a series about horror podcasts. For this first installment, You'll hear from Stephanie Gagnon from BOOKS IN THE FREEZER, followed by Michael David Wilson from THIS IS HORROR.The GuestsBooks In The Freezer - Stephanie GagnonThis is Books in the Freezer, a podcast dedicated to the deliciously disturbing world of horror fiction. Our topical, bi-weekly episodes will cover those scary books that you might want to put in the freezer. Don't forget to subscribe so you don't miss any of our recommendations!This Is Horror - Michael David WilsonThe This Is Horror Podcast is a weekly show for readers, writers, and creators hosted by Michael David Wilson and Bob Pastorella. We interview writers, artists, publishers, editors, and creatives every week. We have interviewed over 100 creatives including Chuck Palahniuk, Joe Hill, Joe R. Lansdale, Charlaine Harris, Ellen Datlow, David Moody, Jennifer Lynch, Gemma Files, and Josh Malerman.Episode TwoNeil McRobert kicks off the second episode, talking about his well respected podcast TALKING SCARED. Max Booth III follows, always fun to talk to Max, and we get into the various podcast projects they have going on. Finally, I included myself in this series - not out of vanity, but rather, in case a listener came to these episodes from an outside audience, I thought they might be curious about what I get up to at the ARC PARTY, so I brought in backup to interview me about this humble effort. The GuestsTalking Scared - Neil McRobertConversations with the biggest names in horror fiction. A podcast for horror readers who want to know where their favorite stories came from ... and what frightens the people who wrote them.Ghoulish & Dog Ears - Max Booth IIIGHOULISH is a weekly comedy podcast celebrating all things spooky, hosted by Max Booth III.DOG EARS is a podcast about publishing, writing, and dogs.The ARC Party - Robb Olson (with Ryan McRae interviewing)Your first look at upcoming books!My goal with the ARC Party is to connect readers with books before they release! Much of the success of a new book is connected to pre-orders and early sales numbers, but sometimes people don't hear about a book until long after it's been released.An episode typically consists of an author giving a quick description of their book, followed by a spoiler free discussion about it. We often talk about themes, characters, settings, etc.But I'm careful to not talk about anything that would ruin the reading experience!Hungry for more?I asked the internet for recommendations of podcasts that they like that talk about horror books, and here is a giant list of their responses. (descriptions borrowed and sometimes shortened from their websites)NOTE: I tried to focus on currently active podcasts and exclude any that seemed defunct, and I can't be 100% sure that all of these are still publishing episodes. * Behind Your Face There Is A Place: Host Johnny Compton has conversations with creative guests, broadly, but not strictly about one of three possible subjects: I LOVED THIS!, Author's Commentary, Studying the Scares.* Bleeding Page: A bi-weekly podcast wherein authors Chad Lutzke & Jason Brant discuss self-publishing dark fiction and the craft of writing with special guests.* Fearmongers: Bestselling author Clay McLeod Chapman hosts FEARMONGERS, featuring interviews with and readings by horror fiction's biggest stars.Produced in cooperation with Verso Studios at the Westport Library.* Geek's Guide to the Galaxy is a podcast hosted by science fiction author David Barr Kirtley. The show features conversations about fantasy & science fiction in books, movies, games, and comics, as well as related subjects such as science, history, and critical thinking.* Killer Mediums: Horror Podcast hosted by author William Sterling, examining how horror tropes manifest across different mediums of entertainment. Let'ss Get Spooky!* Lifewriting: Authors and screenwriters Steven Barnes and Tananarive Due (and guests!) on writing, the writer's life, Hollywood, the work/family balance and relationships - the tools writers need to make themselves the heroes/heroines of their own story.* Lovecraft E-Zine: A friendly horror podcast. Panelists are Bridgette Brenmark, Matthew Carpenter, Pete Rawlik, John Langan, Benjamin Handelman, Melissa Walsh, Michael DaBronzo, Stephen Mark Rainey, Alan Hughes, and Mike Davis. * Postcards From A Dying World: Postcards from a Dying has been my blog for the last decade with more than 1,000 book reviews to promotional bonuses for my fiction. This podcast feed collections all the audio bonus materials for the blog, interviews and will include a monthly digest of my book reviews.* She Wore Black: A gothic, mystery, and horror podcast.* Sley House Presents: Sley House Presents is a podcast offered by Sley House Publishing. Our episodes are dedicated to discussing the best in genre literature, interviewing notable professionals in the field, reviewing movies, producing radio dramas based on your favorite classic and new short stories, and deep dives into your favorite horror topics.And here are the ones that are, ostensibly, entirely focused on Stephen King and his writing:* Chat Sematary: Chat Sematary will dive into the works and adaptations of the King of Horror, Stephen King. Hosted by Deanna Chapman.* Dark Tower Palaver: Join hosts Tadd and Peter for in-depth discussion and analysis of Stephen King's Magnum Opus The Dark Tower series. Explore the Novels, comics, upcoming film/TV adaptations, and all things Dark Tower. Join in on both the Round Table Discussions covering the entire series, as well as the Book Club where each book is systematically read, analyzed and discussed in order from the first line to the last. Come let's Palaver Gunslinger!* Derry Public Radio: Welcome to the basement of the Derry Civic Center. Pay no mind to the strange sounds coming from behind the Unfound Door. It's just your ka-tet, who are here to provide you with a variety of perspectives on Stephen King's work - ranging from the comfortably familiar to the frighteningly fanatic. Derry Public Radio is here to keep you up-to-date with all that's happening in Derry, Maine and "beyond."* Just King Things: is a monthly podcast about reading the books of Stephen King in publication order. Join hosts Michael and Cameron, two cultural critics and horror fans who literally grew up reading this stuff, as they embark upon a quest to revisit and review a vast body of work spanning five decades, reading one book a month for… only ten years or so* Kingcast: is a Stephen King podcast for Stephen King obsessives hosted by former film bloggers and rabid horror fans Eric Vespe and Scott Wampler. Each week, the pair welcome a notable guest to the show to discuss the King adaptation (or unadapted novel/short story) of their choice. It's an unpredictable show, one that can turn on a dime between being legitimately emotional and outright hilarious, and always approaches the work of its legendary namesake with the love, respect, and top-shelf nerdery that it deserves.* Loser's Club: Founded in 2017, The Losers' Club® is an award-winning weekly series that chronologically digs through the work of Stephen King with humor, irreverence, and a critical eye. Each episode, the Losers gather together to read between the iconic pages and share the latest in King's Dominion, whether it's the author's oft-controversial tweets, the boldest Hollywood headlines, or his endless forthcoming projects. The series also regularly features special guests. In the past, the Losers have spoken to Mike Flanagan, Thomas Jane, Tananarive Due, Chapo Trap House, Owen Teague, Mick Garris, Mary Lambert, Jerry O'Connell, Wil Wheaton, Joe Bob Briggs, and even King himself. Suitable for readers both Constant and casual. King says check us out.* The Constant Reader Podcast: Everything Stephen King, from Carrie to The Institute, from the novels to the short stories, from the small screen to the big screen. Each month we take a deep dive into one book from the bibliography of the King of horror fiction, while also charting the byways of King's forays into other genres (The Dark Tower series, On Writing etc) and also casting an eye on the many TV and film adaptations of King's work.Recorded live from the UEA media suite, Richard Sheppard interviews writers, academics, superfans and anyone with a passion for the work of Stephen King.* The Year of Underrated Stephen King: This is a one-woman, (lecture style) Stephen King podcast that analyzes Stephen King's lesser-known novels and short stories in depth and explores why Stephen King is the greatest fiction writer alive!Applying what I teach my Fiction students, in this podcast we will examine: Strong Writing, Storytelling Principles, Genre, Literary Analysis, Stephen King Universe Nerdery and the Constant Reader Community at Large!* Tower Junkies: A podcast celebrating the work of Stephen King with an occasional focus on his magnum opus, The Dark Tower series.For those of you who prefer YouTube: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thearcparty.com/subscribe
Send us a Text Message.In this episode of the "I Love New Mexico" podcast, host Bunny Terry converses with historian and author Kevin McDevitt about the rich history of Cimarron, New Mexico, and the Saint James Hotel. Bunny introduces the historical significance of Cimarron, a key stop along the Santa Fe Trail. Kevin shares intriguing stories about the hotel's original proprietor, Henry Lambert, and notable figures like Wyatt Earp who frequented the establishment. They also delve into the hotel's haunted reputation, discussing ghostly encounters with spirits such as Mary Lambert. The episode blends tales of the Wild West with paranormal intrigue, highlighting New Mexico's unique heritage.LinksSt. Jame HotelKevin on PBSKevin's Book: History of the St. James HotelHaunted Highways by Ralph LooneyI Love New Mexico blog pageBunny's websiteI Love New Mexico InstagramI Love New Mexico FacebookOriginal Music by: Kene Terry
Erika and Layla Quinones are an married couple who started an annual Pride celebration in their small town of Pulaski, TN. What began as a plan to welcome about 40 people to a potluck with a few vendors turned out to be an event that drew over 1300 visitors to the community. Pulaski has the dubious distinction of being the community where the KKK, a far-right terrorist organization, was formed in 1865. Erika and Layla, an inter-racial couple, quickly found themselves in the spotlight, garnering praise and support, but also hatred from the community. Tune in and listen to their story, as host Anne-Marie Zanzal asks about their coming out experiences, what it's like being a queer, racialized couple in small-town Tennessee, and their successes and challenges in starting Pulaski Pride.To volunteer or donate and support Pulaski Pride, visit pulaskipride.onlineA song that is special to Erika and Layla is She Keeps Me Warm by Mary Lambert. Listen on YouTube: https://youtu.be/NhqH-r7Xj0E?si=HKhMftGvDwXG5HOpA movie that was impactful to Layla in her youth was Bound, starring Jennifer Tilly and Gina Gershon. https://www.imdb.com/title/tt0115736/This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Erika and Layla Quinones are an married couple who started an annual Pride celebration in their small town of Pulaski, TN. What began as a plan to welcome about 40 people to a potluck with a few vendors turned out to be an event that drew over 1300 visitors to the community. Pulaski has the dubious distinction of being the community where the KKK, a far-right terrorist organization, was formed in 1865. Erika and Layla, an inter-racial couple, quickly found themselves in the spotlight, garnering praise and support, but also hatred from the community. Tune in and listen to their story, as host Anne-Marie Zanzal asks about their coming out experiences, what it's like being a queer, racialized couple in small-town Tennessee, and their successes and challenges in starting Pulaski Pride.To volunteer or donate and support Pulaski Pride, visit pulaskipride.onlineA song that is special to Erika and Layla is She Keeps Me Warm by Mary Lambert. Listen on YouTube: https://youtu.be/NhqH-r7Xj0E?si=HKhMftGvDwXG5HOpA movie that was impactful to Layla in her youth was Bound, starring Jennifer Tilly and Gina Gershon. https://www.imdb.com/title/tt0115736/This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Even people who are willing to divulge the most intimate details about their lives are hesitant to talk about how much money they earn. This episode looks at the origins of that pressure to keep your pay a secret, including who benefits and who gets harmed. Karen Brown talks to experts and activists about the role of pay secrecy in gender and race wage gaps — and recounts one recent case study in the publishing industry. And she considers why even the loudest advocates for pay transparency find the topic of money so awkward.We meet:Carl Lavigne, a library worker in Michigan who puts his salary in his email signature as a social experiment.Hannah Williams, a 20-something woman who, after discovering she was underpaid as a data analyst, started a TikTok channel interviewing people on the street about their salaries. Her company, Salary Transparent Street, now pays her more than she got as an analyst.Andrea Johnson, a policy advocate at the National Women's Law Center, about campaigns to increase pay transparency as a way to reduce the gender wage gap.Tochi Onyebuchi, a Black science fiction author who started a Twitter campaign in which white and Black writers publicly announced how much they got for book advances in order to call out the publishing industry for its race-based pay discrepancies.Then, Karen wraps up the series with what she learned about secrets, ending with a defiant anti-secret song by Amherst musician Mary Lambert.The Secrets We Keep is written/produced/hosted by Karen Brown, edited by Sam Hudzik, with music by Katie Semro. Find out more at nepm.org/secrets.
A bonus minisode where each guest answers 10 surprising questions with unexpected results. Hilarity ensues.
If you'd like to learn more about mental health care by and for fat folks, please check out Tend and Cultivate Counselling.(Content Note: this episode mentions childhood assault, sexual assault, and incest.)Mary Lambert (she/her) shares how she uses music and poetry to “make art for the wound” of being made to feel wrong. As someone who is fat, queer, and bipolar, her journey towards joy has been worth all the challenges as she's now in her “body euphoria” era.Mary Lambert is a multi-platinum artist, author of the poetry collection Shame is an Ocean I Swim Across, and has performed on the Colbert Show, Ellen, The Today Show, Good Morning America, The Tonight Show, and the American Music Awards. Lambert also received the Human Rights Campaign's Visibility Award, The SAMHSA Special Recognition Award from the U.S. Department of Health and Human Services for her work on destigmatizing mental illness, and was invited to speak at the UN.Lambert is currently working on a new book and album about body image; co-starring in the Netflix animated musical and series, I ♥️ Arlo and Arlo the Alligator Boy; co-hosting The Manic Episodes, a queer and mental health podcast; and facilitates a virtual workshop on body image called Everybody is a Babe.Please connect with Mary on Instagram and her website.Mary reads her own poem to us. It's called “Jesus Loves My Crop Top” from her book Shame is an Ocean I Swim Across.Connect with Fat Joy on the website, Instagram, subscribe to the Fat Joy newsletter, and watch full video episodes on YouTube.Want to share some fattie love? Please rate this podcast and give it a joyful review.Our thanks to Chris Jones and AR Media for keeping this podcast looking and sounding joyful.
Welcome to the Horror Project Podcast. Join hosts Laura and Phil as they review Pet Sematary (1989).Let's delve into the world of Stephen King's Pet Sematary with our shovels at the ready. During the Creed family's time in Maine, we talk about that busy road, undead pets, and other tragic events that unfold. We discuss Judd, a seemingly lovely man often seen with a Budweiser, withholds crucial information about the family's new home. Death is a prominent theme in this film, and we explore the characters' different relationships with this weighty concept. The child stars' performances left us amazed, while some of the adult cast fell a bit short.Plus we shall be finding a place on the leaderboard for the movie during our Ranking.We hope you enjoy the show, thanks for listening!Email - Horrorprojectpodcast@hotmail.com X (Formerly Twitter) - @TheHorrorProje1Instagram - horrorprojectpodcastTikTok - @horrorprojectpodcast
Lesbian dating – specifically when a long-time out lesbian dates a newly out lesbian – is the topic of this week's episode, featuring guest conversationalist, Tonda McKay. In addition to being an award-winning photographer and community advocate, Tonda holds a very special role of distinction: she is wife to podcast host, Anne-Marie Zanzal! Tonda and Anne-Marie met just as Anne-Marie was beginning her coming out/divorce journey. In this engaging episode, Tonda and Anne-Marie talk about the benefits and challenges of the long-out/newly out dating dynamic, the hurdles they have overcome, and the rewards of perservering through what can sometimes be characterized as a difficult pairing of long-out/newly out lesbians. This is an episode that will be of great interest to anyone who is embarking on a dating journey later in life!Tonda McKay earned her bachelor's degree in photography at Middle Tennessee State University and has been a professional corporate photographer for over 35 years. She has worked for several Fortune 500 companies, including Philips/Magnavox and DESU, LLC. While working at Philips she received two ADDY awards, which recognizes and rewards the creative spirit of excellence in the art of advertising. In 2001, her coffee table book, A City In Harmony, on Nashville was published. This was a two year collaborative project with the Nashville Chamber of Commerce. Tonda also won several national magazine awards (Best Cover - National Magazine Association) for her editorial work on Business Nashville and Nashville LifeStyle. While architectural photography (including Matterport 3D Imaging) and drone photography is her niche now, Tonda has worked in every imaginable area of photography, from jewelry, furniture, editorial & photojournalism. Tonda likes to say there isn't anything she hasn't done in photography and she still enjoys learning new processes and information. She has gone from shooting on an 8x10 view camera to HDR digital photography. She believes photography is ever changing and it is always a journey of learning and growth. When not photographing Tonda enjoys kayaking, travel, and of course scenic photography.To learn more about Tonda and her work as a photographer, visit https://tondamckay.com/A song that has special meaning to Tonda are 'She Keeps Me Warm' by Mary Lambert. https://youtu.be/NhqH-r7Xj0E?si=1c3fLiKIE5Rogo0TA book that has impacted Tonda and she recommends to others is 'Another Mother Tongue' by Judy Grahn. https://www.goodreads.com/en/book/show/64767This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Lesbian dating – specifically when a long-time out lesbian dates a newly out lesbian – is the topic of this week's episode, featuring guest conversationalist, Tonda McKay. In addition to being an award-winning photographer and community advocate, Tonda holds a very special role of distinction: she is wife to podcast host, Anne-Marie Zanzal! Tonda and Anne-Marie met just as Anne-Marie was beginning her coming out/divorce journey. In this engaging episode, Tonda and Anne-Marie talk about the benefits and challenges of the long-out/newly out dating dynamic, the hurdles they have overcome, and the rewards of perservering through what can sometimes be characterized as a difficult pairing of long-out/newly out lesbians. This is an episode that will be of great interest to anyone who is embarking on a dating journey later in life!Tonda McKay earned her bachelor's degree in photography at Middle Tennessee State University and has been a professional corporate photographer for over 35 years. She has worked for several Fortune 500 companies, including Philips/Magnavox and DESU, LLC. While working at Philips she received two ADDY awards, which recognizes and rewards the creative spirit of excellence in the art of advertising. In 2001, her coffee table book, A City In Harmony, on Nashville was published. This was a two year collaborative project with the Nashville Chamber of Commerce. Tonda also won several national magazine awards (Best Cover - National Magazine Association) for her editorial work on Business Nashville and Nashville LifeStyle. While architectural photography (including Matterport 3D Imaging) and drone photography is her niche now, Tonda has worked in every imaginable area of photography, from jewelry, furniture, editorial & photojournalism. Tonda likes to say there isn't anything she hasn't done in photography and she still enjoys learning new processes and information. She has gone from shooting on an 8x10 view camera to HDR digital photography. She believes photography is ever changing and it is always a journey of learning and growth. When not photographing Tonda enjoys kayaking, travel, and of course scenic photography.To learn more about Tonda and her work as a photographer, visit https://tondamckay.com/A song that has special meaning to Tonda are 'She Keeps Me Warm' by Mary Lambert. https://youtu.be/NhqH-r7Xj0E?si=1c3fLiKIE5Rogo0TA book that has impacted Tonda and she recommends to others is 'Another Mother Tongue' by Judy Grahn. https://www.goodreads.com/en/book/show/64767This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Maine topography, hiking without snacks and a few cat-related PSA's - we cover all that and more as we discuss Mary Lambert's adaptation of Stephen King's "Pet Sematary".
Welcome back to the Horror. Cult. Trash. Other. Podcast! This is the first of our Adaptation Vs. Adaptation episodes, a spin-off of our Original Vs. Remake episodes and, for a Women in Horror special, we're discussing Mary Lambert's camp and creepy adaptation of Stephen King's Pet Sematary as well as the aggressively average 2019 adaptation. Alongside our main discussion, we also discuss what we've been watching recently including Waiting to Exhale and Madame Web. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash TikTok - @horrorculttrashother Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary's old band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!
Is dead really better? Scotty is once again joined by Stanley, of The Gory Gays podcast, as they continue their journey through the "Pet Sematary" franchise. This time, they're discussing the 1992 sequel to the original movie, "Pet Sematary Two". And stay tuned until the end of the episode as a wild Andrew appears to hear what Scotty has chosen for their next movie!"Pet Sematary Two", again directed Mary Lambert, introduces us to new characters, Jeff and Chase Matthews, played by Edward Furlong and Anthony Edwards. After the tragic death of Renee, Jeff's mother and Chase's ex-wife, they move together to Ludlow, Maine, where Jeff is befriended by Drew. When Drew's dog is killed, he and Jeff bury him in the burial grounds beyond the Pet Sematary, and the dead rising cycle begins anew.Listen to The Gory Gays - https://thegorygays.buzzsprout.comFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!
As the curtain falls on another vibrant season of Big Sexy Chat, we can't help but bask in the glow of our favorite moments and the electric anticipation for what's around the corner. Picture us at Fat Con in Seattle, mingling with fellow advocates, sharing laughter and forging deeper connections within the fat liberation movement. It's been a year of profound growth, from reveling in Aubrey Gordon's melodic wisdom to tackling the pervasive issue of medical fatphobia head-on. We've been inspired by Aubrey's transformation from an anonymous blogger to the subject of a documentary that may soon dazzle on the Oscar stage, and we're eager to keep this momentum rolling into the next year.Imagine the sweet scent of liberation as Ohio ushers in a new era with the legalization of recreational marijuana, a game-changer for both politics and pleasure. Our recent episode was a romp through the lush fields of this fresh legislation, from the medicinal to the downright amusing. Budtenders, the unsung heroes of this green revolution, have enlightened us on the finer points of cannabis enjoyment, leading to some unforgettable tales and well-earned recognition. As we've navigated family feasts and fended off food critics with style, our advocacy guests have armed us with the ultimate guide to confident clapbacks and self-love during the holiday season and beyond.Looking ahead, 2024 promises to be a treasure trove of influential voices and groundbreaking conversations. We're set to explore the rollicking terrain of polyamory, the spicy secrets of sexual turn-ons, and the real-talk of dating while fat—and we're not doing it alone. Expect guest spots from the likes of Kate McKinnon and the big gay podcast hosts, as we continue to break down barriers and champion inclusivity. From the empowering escapades at Mary Lambert's babe camps to the relatable hilarity of "Survival of the Thickest," we're on a quest to redefine beauty standards and celebrate the richness of diversity. Strap in, listeners—our journey is one of joy, empowerment, and a whole lot of big sexy chat.Support the showBigSexyChat.com appreciates you and our community. We do this for you, so if you ever have any ideas about a subject we can discuss for you, email us at Sexy@BigSexyChat.com.You can find us on Facebook and Instagram as BigSexyChat.Twitter (who knows how long we will stay there) is BigSexyChatPodCheck out our merch at www.BigSexyTees.com (credit to Toni Tails for setting this up for us!)Chrystal also sells sex toys via her website BlissConnection.com and you can use the code BSC20 for 20% off. Big thanks to our Sponsor Liberator Bedroom Adventures. We ADORE the products from Liberator. And, to be clear, we all loved their products even before they became a sponsor!
Film critic Marya E. Gates joins Collin and Kerry to talk about Netflix's latest holiday offering, "Best. Christmas. Ever!" This "fam-com" stars Heather Graham, Brandy and Jason Biggs and is directed by Mary Lambert of "Pet Sematary" fame. How does this film figure into the rest of her work? Do rich people really have multiple, full-size Christmas trees throughout their homes? Would a solar powered hot air balloon fly successfully on a cold winter night? Plenty of questions, some of which get answered. Plus, Kerry talkes about three more entries from the book "1,001 Movies You Must See Before You Die." Also, stay tuned for some exciting news about the show and upcoming episodes. Book movies covered: "Winchester 73" (1950) "Terms of Endearment" (1983) "Dead Man" (1995)
Renowned director of music videos and feature films Mary Lambert is the next guest on the Post Mortem slab! With decades of oeuvre under her belt, ranging from the original 'Pet Sematary' and 'The In Crowd' to music videos for Madonna, Michael Jackson, and many others; Mary discusses her unique career, as well as her artistic perspective on the various mediums she has grasped. POST MORTEM WITH MICK GARRISNICE GUY PRODUCTIONS 2023See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this edition of Parallax Views, it's spooky season and we're getting into the Halloween spirit! Cecil Laird of the Youtube channel The Horror Show joins the show to tell us about his fan film, DYLAN'S NEW NIGHTMARE. A sequel to the surprisingly innovative 1994 meta-horror NIGHTMARE ON ELM STREET entry WES CRAVEN'S NEW NIGHTMARE, DYLAN'S NEW NIGHTMARE isn't your average fan film. In addition to being made with a rather professional crew and having a slick, pro look, the movie also features a starring turn from Miko Hughes aka Heather Langenkamp's son Dylan in WES CRAVEN'S NEW NIGHTMARE (and also horror royalty due to his childhood turn as the killer toddler Gage in Mary Lambert's adaptation of Stephen King's PET SEMATARY). It tells the story of Dylan's trauma and struggles 30 years after being haunted by The Entity that took the form of horror icon Freddy Krueger in WES CRAVEN'S NEW NIGHTMARE. Dylan is trying to make a career in acting, but The Entity is returning in the form of Freddy Krueger slowly but surely to haunt him. Cecil and I discuss DYLAN'S NEW NIGHTMARE, the possibility of a sequel, our favorite NIGHTMARE ON ELM STREET movies, and much, much more! Watch DYLAN'S NEW NIGHTMARE here: https://www.youtube.com/watch?v=51JPiePa5dc
Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 199: Like A Prayer - Mary Lambert Videos... It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band: www.rewind80sband.com Facebook: the80smontagepodcast twitter: 80_montage instagram: the80smontage Links from Episode 199: Like A Prayer - Mary Lambert Videos..Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast Rewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auSaturday 28th October 2023 - GV in SheppartonSaturday 11th November 2023 - Commercial Hotel - South MorangSaturday 25th November 2023 - Macs Hotel - MeltonSaturday 2nd December 2023 - Cardinia Cultural Centre - PakenhamBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $1.50 a month (Get On It)https://www.patreon.com/the80smontagepodcastPatreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: We'll Be Together - Stinghttps://www.youtube.com/watch?v=KYps5LfOaGgJean Beauvoir - Feel The Heat (official video reworked)https://www.youtube.com/watch?v=RdFfRN3MrAkMADONNA BORDERLINE RARE ON SET & DEMO - Making of 1984 backstage by LaRakela.comhttps://www.youtube.com/watch?v=6YHkNZg3_Z0Madonna - Borderline (Official Video) [HD]https://www.youtube.com/watch?v=rSaC-YbSDpoSheila E. - The Glamorous Life (Official Music Video)https://www.youtube.com/watch?v=6Zqtl8azCs8Janet Jackson - Nastyhttps://youtu.be/ujnq2v6R02U?si=luceSs7eeRkPVW14Bobby Brown - Rock Wit'cha (Official Music Video)https://youtu.be/OQ7Rdzxt8zQ?si=8xBr-m6KGjB6UihLThe Go-Go's - Turn To You#TheGoGos #TurnToYou #Remasteredhttps://youtu.be/gc-WHZ0AH50?si=OGdvHrYS9IWGUFycLeon Looks Back At His Career From 1989 Controversial Madonna Video to “The Five Heartbeats"https://youtu.be/qm6-riAHVEE?si=V62ELkGCeHY9hworMadonna - Like A Prayer (Official Video)https://youtu.be/79fzeNUqQbQ?si=H3pMvuhKHVG0p5W8Thanks For Listening!The 80's Montage Podcast..
Aine and Alex venture to where the ground is sour with returning guest, Elizabeth Lally, as they discuss Mary Lambert's Stephen King adaptation Pet Sematary. With nothing but baby Gage on their minds, the girls cover everything from differences in the book to Elizabeth's Pascow nightmares. So watch out for Windigos and tell Ellie to quit whining for the eighth Tangential Terror minisode! Vote for Aine in the Face of Horror competition here: https://faceofhorror.org/2023/aine-geraghty
Boo, dudes! JFD resturns with our annual Schlocktober spook-tacular with three flicks to get you into the Halloween season! Up first, Peter Cushing stars as Victor Frankenstein, the fabled mad scientist set on reanimating dead flesh and Christopher Lee plays his monstrous creation in the 1957 Hammer Horror film The Curse of Frankenstein. Then, a series of murders, suicides and accidents lead a group of people to travel through Hell in the surreal Japanese film Jigoku from 1960. And finally, Mary Lambert directs the sequel to her successful adaptation of Stephen King's novel, this time starring Edward Furlong, Anthony Edwards, and Clancy Brown in the very 90's gore-fest Pet Sematary Two from 1992.All this plus more Halloween snax chat, Parker's down with the sickness, Sean's movie round up, Toxic Avenger news, the hottest blu-rays and so much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.
In this episode, Pake and Daphne discuss Pet Sematary, directed by Mary Lambert and released on April 21, 1989. Website: http://www.runforyourlivespodcast.comEmail: runforyourlivespodcast@gmail.comFacebook: https://www.facebook.com/runforyourlivespodcastTwitter: https://www.twitter.com/rfylpodcastInstagram: https://www.instagram.com/runforyourlivespodcastYoutube: https://www.youtube.com/@runforyourlivespodcastRFYL Spotify Music Playlist: https://open.spotify.com/playlist/71Bsx083ldVuGwSgJKKEwr?si=0yB3Zq4iTeaMU_cBk6yAlw
Welcome to Little Bracket of Horrors. The pod that puts the fight in fright!In this episode we are heading to Ludlow, Main with the Creed family to see just how sour the ground has become. Jud shows us the way with resurrecting Ellie's cat, Church, but of course Louis won't listen to anyone and has to attempt it as well on poor little Gage. This is going to make for one awkward family reunion.So join the LBOH Crew as make the long trek from the “Pet Sematary” to the Mi'kmaq burial ground just to find out that sometimes, dead is better.Don't miss out and tune in, for at the end of the season where we will be taking all 20 of the films we watch this year and putting them into our “Little Bracket of Horrors Deathmatch Tournament”. It's a march madness style tournament where only the strongest films will survive. Does Pet Sematary (1989) have what it takes? Stay with us to find out.Follow us on:Facebook- https://www.facebook.com/profile.php?id=100076990656434&mibextid=LQQJ4dInstagram- https://instagram.com/littlebracketofhorrors?igshid=YmMyMTA2M2Y=Little Bracket of Horrors Merch- http://tee.pub/lic/flQJfo1eXdwContact us:Email- littlebracketofhorrors@yahoo.comPlease donate to Give the Kids the World Charity: https://give.gktw.org/fundraiser/4770727
Hospitality may seem like a rather innocuous thing: something that's nice and kind to do, and usually appreciated, but perhaps not a sort of make-or-break, life-or-death thing. Try telling that to those who have fled their homes and nations to seek out refuge and sanctuary in the Twin Cities. Host Patrick Conley was joined by three representatives from Guardian Angels in Oakdale to talk about refugee resettlement in our local Church. Like what you're hearing? Leave us a review and follow us on social media @practicingcatholicshow!
After a long hiatus, Nightmares & Dreamscapes returns so that Terry and Joe can discuss Daphné Baiwir's King on Screen, which focuses on Stephen King adaptations.Alas there are some pretty significant issues with the doc: 1) *it's all white men* (where are Mary Lambert and Kimberly Pierce?!) 2) Most of the comments are complimentary and focused on King, not necessarily the adaptation process 3) The only time a "bad" adaptation is addressed is Kubrick's The Shining, so the dead director can't even defend himself.This is messy and self-indulgent, folks!Wanna connect with the show?Joe: @bstolemyremoteTerry: @gaylydreadfulMusic Credit: ForestTales by Sebastian Pangal / Art Credit: Dennis OttDiscover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx! Hosted on Acast. See acast.com/privacy for more information.
Change is in the air! In a very special 2-year anniversary episode, Scotty and Andrew are once again joined by their good friend Stanley of the Stanny Boy Reviews YouTube channel as they all take a trip to some Native American burial grounds to discuss 1989's "Pet Sematary", and announce a change to their long-standing "2 rules". Spoiler: They can choose whatever movie they want now. And stay tuned until the end of the episode to hear what Andrew has chosen for their next movie!"Pet Sematary" was directed by Mary Lambert and was the first adaptation of Stephen King's horrifying novel. The story revolves around the Creeds, a family that has moved into a new house that just happens to sit near an old pet cemetery. They will soon learn that the "pet sematary" hides something evil.Follow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!
On this episode, we delve into the classic horror film "Pet Sematary" from 1989, directed by Mary Lambert and based on Stephen King's novel. The movie follows the Creed family's journey into a mysterious pet cemetery and the disastrous consequences of meddling with death. If you're a fan of horror movies or Stephen King's works, tune in to hear our take on this unforgettable and chilling film. (Disclaimer: some of the audio is of poor quality due to unknown technical issues while recording) --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-from-the-crypt/message
“Same Love” singer-songwriter Mary Lambert opens up to Elizabeth Vargas about how experiencing childhood trauma, including sexual assault, being diagnosed with bipolar disorder, and a difficult relationship with the church as a queer woman, led to her intentionally misusing alcohol for many years. Now two years without alcohol, the Grammy-nominated singer-songwriter explains how writing music and poetry acts as a healthy outlet for her, with a mission to share songs that are, as she describes, “productive and helpful.” Content warning: This episode contains mentions of death, as well as in-depth discussions of substance use, suicide and sexual abuse. If you or someone you know is struggling with a mental health or substance use disorder, please contact SAMHSA's National Helpline at (800) 662-4357. These programs provide free, confidential support 24/7. You are not alone. Explore more on topics and themes discussed in this episode:Substance Use + Mental Health GuideLGBTQ+, Family & Substance UseHow to Connect with Your Teenager to Prevent Drug UseEditor's Note: The views and opinions expressed on Heart of the Matter are those of the podcast participants and do not necessarily reflect the official policy or position of Partnership to End Addiction. We are also mindful that some of the personal stories feature the word “addict” and other terms from this list. We respect and understand those who choose to use certain terms to express themselves. However, we strive to use language that's health-oriented, accurately reflects science, promotes evidence-based treatment and demonstrates respect and compassion.To learn more:Partnership to End Addiction websiteLike us on FacebookFollow us on InstagramFollow us on Twitter
We continue our look back at the movies released by independent distributor Vestron Pictures, focusing on their 1988 releases. ----more---- The movies discussed on this episode, all released by Vestron Pictures in 1988 unless otherwise noted, include: Amsterdamned (Dick Maas) And God Created Woman (Roger Vadim) The Beat (Paul Mones) Burning Secret (Andrew Birkin) Call Me (Sollace Mitchell) The Family (Ettore Scola) Gothic (Ken Russell, 1987) The Lair of the White Worm (Ken Russell) Midnight Crossing (Roger Holzberg) Paramedics (Stuart Margolin) The Pointsman (Jos Stelling) Salome's Last Dance (Ken Russell) Promised Land (Michael Hoffman) The Unholy (Camilo Vila) Waxwork (Anthony Hickox) TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. At the end of the previous episode, Vestron Pictures was celebrating the best year of its two year history. Dirty Dancing had become one of the most beloved movies of the year, and Anna was becoming a major awards contender, thanks to a powerhouse performance by veteran actress Sally Kirkland. And at the 60th Academy Awards ceremony, honoring the films of 1987, Dirty Dancing would win the Oscar for Best Original Song, while Anna would be nominated for Best Actress, and The Dead for Best Adapted Screenplay and Best Costumes. Surely, things could only go up from there, right? Welcome to Part Two of our miniseries. But before we get started, I'm issuing a rare mea culpa. I need to add another Vestron movie which I completely missed on the previous episode, because it factors in to today's episode. Which, of course, starts before our story begins. In the 1970s, there were very few filmmakers like the flamboyant Ken Russell. So unique a visual storyteller was Russell, it's nigh impossible to accurately describe him in a verbal or textual manner. Those who have seen The Devils, Tommy or Altered States know just how special Russell was as a filmmaker. By the late 1980s, the hits had dried up, and Russell was in a different kind of artistic stage, wanting to make somewhat faithful adaptations of late 19th and early 20th century UK authors. Vestron was looking to work with some prestigious filmmakers, to help build their cache in the filmmaking community, and Russell saw the opportunity to hopefully find a new home with this new distributor not unlike the one he had with Warner Brothers in the early 70s that brought forth several of his strongest movies. In June 1986, Russell began production on a gothic horror film entitled, appropriately enough, Gothic, which depicted a fictionalized version of a real life meeting between Mary Godwin, Percy Shelley, John William Polidori and Claire Clairemont at the Villa Diodati in Geneva, hosted by Lord Byron, from which historians believe both Mary Shelley's Frankenstein and John William Polidori's The Vampyre were inspired. And you want to talk about a movie with a great cast. Gabriel Byrne plays Lord Byron, Julian Sands as Percy Shelley, Natasha Richardson, in her first ever movie, as Mary Shelley, Timothy Spall as John William Polidori, and Dexter Fletcher. Although the film was produced through MGM, and distributed by the company in Europe, they would not release the film in America, fearing American audiences wouldn't get it. So Vestron would swoop in and acquire the American theatrical rights. Incidentally, the film did not do very well in American theatres. Opening at the Cinema 1 in midtown Manhattan on April 10th, 1987, the film would sell $45,000 worth of tickets in its first three days, one of the best grosses of any single screen in the city. But the film would end up grossing only $916k after three months in theatres. BUT… The movie would do quite well for Vestron on home video, enough so that Vestron would sign on to produce Russell's next three movies. The first of those will be coming up very soon. Vestron's 1988 release schedule began on January 22nd with the release of two films. The first was Michael Hoffman's Promised Land. In 1982, Hoffman's first film, Privileged, was the first film to made through the Oxford Film Foundation, and was notable for being the first screen appearances for Hugh Grant and Imogen Stubbs, the first film scored by future Oscar winning composer Rachel Portman, and was shepherded into production by none other than John Schlesinger, the Oscar winning director of 1969 Best Picture winner Midnight Cowboy. Hoffman's second film, the Scottish comedy Restless Natives, was part of the 1980s Scottish New Wave film movement that also included Bill Forsyth's Gregory's Girl and Local Hero, and was the only film to be scored by the Scottish rock band Big Country. Promised Land was one of the first films to be developed by the Sundance Institute, in 1984, and when it was finally produced in 1986, would include Robert Redford as one of its executive producers. The film would follow two recent local high school graduates, Hancock and Danny, whose lives would intersect again with disastrous results several years after graduation. The cast features two young actors destined to become stars, in Keifer Sutherland and Meg Ryan, as well as Jason Gedrick, Tracy Pollan, and Jay Underwood. Shot in Reno and around the Sundance Institute outside Park City, Utah during the early winter months of 1987, Promised Land would make its world premiere at the prestigious Deauville Film Festival in September 1987, but would lose its original distributor, New World Pictures around the same time. Vestron would swoop in to grab the distribution rights, and set it for a January 22nd, 1988 release, just after its American debut at the then U.S. Film Festival, which is now known as the Sundance Film Festival. Convenient, eh? Opening on six screens in , the film would gross $31k in its first three days. The film would continue to slowly roll out into more major markets, but with a lack of stellar reviews, and a cast that wouldn't be more famous for at least another year and a half, Vestron would never push the film out to more than 67 theaters, and it would quickly disappear with only $316k worth of tickets sold. The other movie Vestron opened on January 22nd was Ettore Scale's The Family, which was Italy's submission to that year's Academy Awards for Best Foreign Language Film. The great Vittorio Gassman stars as a retired college professor who reminisces about his life and his family over the course of the twentieth century. Featuring a cast of great international actors including Fanny Ardant, Philip Noiret, Stefania Sandrelli and Ricky Tognazzi, The Family would win every major film award in Italy, and it would indeed be nominated for Best Foreign Language Film, but in America, it would only play in a handful of theatres for about two months, unable to gross even $350k. When is a remake not a remake? When French filmmaker Roger Vadim, who shot to international fame in 1956 with his movie And God Created Woman, decided to give a generational and international spin on his most famous work. And a completely different story, as to not resemble his original work in any form outside of the general brushstrokes of both being about a young, pretty, sexually liberated young woman. Instead of Bridget Bardot, we get Rebecca De Mornay, who was never able to parlay her starring role in Risky Business to any kind of stardom the way one-time boyfriend Tom Cruise had. And if there was any American woman in the United States in 1988 who could bring in a certain demographic to see her traipse around New Mexico au natural, it would be Rebecca De Mornay. But as we saw with Kathleen Turner in Ken Russell's Crimes of Passion in 1984 and Ellen Barkin in Mary Lambert's Siesta in 1987, American audiences were still rather prudish when it came to seeing a certain kind of female empowered sexuality on screen, and when the film opened at 385 theatres on March 4th, it would open to barely a $1,000 per screen average. And God Created Woman would be gone from theatres after only three weeks and $717k in ticket sales. Vestron would next release a Dutch film called The Pointsman, about a French woman who accidentally gets off at the wrong train station in a remote Dutch village, and a local railwayman who, unable to speak the other person's language, develop a strange relationship while she waits for another train that never arrives. Opening at the Lincoln Plaza Cinemas on New York's Upper West Side on April 8th, the film would gross $7,000 in its first week, which in and of itself isn't all that bad for a mostly silent Dutch film. Except there was another Dutch film in the marketplace already, one that was getting much better reviews, and was the official Dutch entry into that year's Best Foreign Language Film race. That film, Babette's Feast, was becoming something more than just a movie. Restaurants across the country were creating menus based on the meals served in the film, and in its sixth week of release in New York City that weekend, had grossed four times as much as The Pointsman, despite the fact that the theatre playing Babette's Feast, the Cinema Studio 1, sat only 65 more people than the Lincoln Plaza 1. The following week, The Pointsman would drop to $6k in ticket sales, while Babette's Feast's audience grew another $6k over the previous week. After a third lackluster week, The Pointsman was gone from the Lincoln Plaza, and would never play in another theatre in America. In the mid-80s, British actor Ben Cross was still trying to capitalize on his having been one of the leads in the 1981 Best Picture winner Chariots of Fire, and was sharing a home with his wife and children, as well as Camilo Vila, a filmmaker looking for his first big break in features after two well-received short films made in his native Cuba before he defected in the early 1980s. When Vila was offered the chance to direct The Unholy, about a Roman Catholic priest in New Orleans who finds himself battling a demonic force after being appointed to a new parish, he would walk down the hall of his shared home and offered his roomie the lead role. Along with Ned Beatty, William Russ, Hal Holbrook and British actor Trevor Howard in his final film, The Unholy would begin two weeks of exterior filming in New Orleans on October 27th, 1986, before moving to a studio in Miami for seven more weeks. The film would open in 1189 theatres, Vestron's widest opening to date, on April 22nd, and would open in seventh place with $2.35m in ticket sales. By its second week in theatres, it would fall to eleventh place with a $1.24m gross. But with the Summer Movie Season quickly creeping up on the calendar, The Unholy would suffer the same fate as most horror films, making the drop to dollar houses after two weeks, as to make room for such dreck as Sunset, Blake Edwards' lamentable Bruce Willis/James Garner riff on Hollywood and cowboys in the late 1920s, and the pointless sequel to Critters before screens got gobbled up by Rambo III on Memorial Day weekend. It would earn a bit more than $6m at the box office. When Gothic didn't perform well in American theatres, Ken Russell thought his career was over. As we mentioned earlier, the American home video store saved his career, as least for the time being. The first film Russell would make for Vestron proper was Salome's Last Dance, based on an 1891 play by Oscar Wilde, which itself was based on a story from the New Testament. Russell's script would add a framing device as a way for movie audiences to get into this most theatrical of stories. On Guy Fawkes Day in London in 1892, Oscar Wilde and his lover, Lord Alfred Douglas, arrive late at a friend's brothel, where the author is treated to a surprise performance of his play Salome, which has recently been banned from being performed at all in England by Lord Chamberlain. All of the actors in his special performance are played by the prostitutes of the brothel and their clients, and the scenes of the play are intertwined with Wilde's escapades at the brothel that night. We didn't know it at the time, but Salome's Last Dance would be the penultimate film performance for Academy Award winning actress Glenda Jackson, who would retire to go into politics in England a couple years later, after working with Russell on another film, which we'll get to in a moment. About the only other actor you might recognize in the film is David Doyle, of all people, the American actor best known for playing Bosley on Charlie's Angels. Like Gothic, Salome's Last Dance would not do very well in theatres, grossing less than half a million dollars after three months, but would find an appreciative audience on home video. The most interesting thing about Roger Holzberg's Midnight Crossing is the writer and director himself. Holzberg started in the entertainment industry as a playwright, then designed the props and weapons for Albert Pyun's 1982 film The Sword and the Sorcerer, before moving on to direct the second unit team on Pyun's 1985 film Radioactive Dreams. After making this film, Holzberg would have a cancer scare, and pivot to health care, creating a number of technological advancements to help evolve patient treatment, including the Infusionarium, a media setup which helps children with cancer cope with treatment by asking them questions designed to determine what setting would be most comforting to them, and then using virtual reality technology and live events to immerse them in such an environment during treatment. That's pretty darn cool, actually. Midnight Crossing stars Faye Dunaway and Hill Street Blues star Daniel J. Travanti in his first major movie role as a couple who team with another couple, played by Kim Cattrall and John Laughlin, who go hunting for treasure supposedly buried between Florida and Cuba. The film would open in 419 theaters on May 11th, 1988, and gross a paltry $673k in its first three days, putting it 15th on the list of box office grosses for the week, $23k more than Three Men and a Baby, which was playing on 538 screens in its 25th week of release. In its second week, Midnight Crossing would lose more than a third of its theatres, and the weekend gross would fall to just $232k. The third week would be even worse, dropping to just 67 theatres and $43k in ticket sales. After a few weeks at a handful of dollar houses, the film would be history with just $1.3m in the bank. Leonard Klady, then writing for the Los Angeles Times, would note in a January 1989 article about the 1988 box office that Midnight Crossing's box office to budget ratio of 0.26 was the tenth worst ratio for any major or mini-major studio, ahead of And God Created Woman's 8th worst ratio of .155 but behind other stinkers like Caddyshack II. The forgotten erotic thriller Call Me sounds like a twist on the 1984 Alan Rudolph romantic comedy Choose Me, but instead of Genevieve Bujold we get Patricia Charbonneau, and instead of a meet cute involving singles at a bar in Los Angeles, we get a murder mystery involving a New York City journalist who gets involved with a mysterious caller after she witnesses a murder at a bar due to a case of mistaken identity. The film's not very good, but the supporting cast is great, including Steve Buscemi, Patti D'Arbanville, Stephen McHattie and David Straithairn. Opening on 24 screens in major markets on May 20th, Call Me would open to horrible reviews, lead by Siskel and Ebert's thumbs facing downward, and only $58,348 worth of tickets sold in its first three days. After five weeks in theatres, Vestron hung up on Call Me with just $252k in the kitty. Vestron would open two movies on June 3rd, one in a very limited release, and one in a moderate national release. There are a lot of obscure titles in these two episodes, and probably the most obscure is Paul Mones' The Beat. The film followed a young man named Billy Kane, played by William McNamara in his film debut, who moves into a rough neighborhood controlled by several gangs, who tries to help make his new area a better place by teaching them about poetry. John Savage from The Deer Hunter plays a teacher, and future writer and director Reggie Rock Bythewood plays one of the troubled youths whose life is turned around through the written and spoken word. The production team was top notch. Producer Julia Phillips was one of the few women to ever win a Best Picture Oscar when she and her then husband Michael Phillips produced The Sting in 1973. Phillips was assisted on the film by two young men who were making their first movie. Jon Kilik would go on to produce or co-produce every Spike Lee movie from Do the Right Thing to Da 5 Bloods, except for BlackkKlansman, while Nick Weschler would produce sex, lies and videotape, Drugstore Cowboy, The Player and Requiem for a Dream, amongst dozens of major films. And the film's cinematographer, Tom DiCillo, would move into the director's chair in 1991 with Johnny Suede, which gave Brad Pitt his first lead role. The Beat would be shot on location in New York City in the summer of 1986, and it would make its world premiere at the Cannes Film Market in May 1987. But it would be another thirteen months before the film arrived in theatres. Opening on seven screens in Los Angeles and New York City on June 3rd, The Beat would gross just $7,168 in its first three days. There would not be a second week for The Beat. It would make its way onto home video in early 1989, and that's the last time the film was seen for nearly thirty years, until the film was picked up by a number of streaming services. Vestron's streak of bad luck continued with the comedy Paramedics starring George Newbern and Christopher McDonald. The only feature film directed by Stuart Margolin, best known as Angel on the 1970s TV series The Rockford Files, Newbern and McDonald play two… well, paramedics… who are sent by boss, as punishment, from their cushy uptown gig to a troubled district at the edge of the city, where they discover two other paramedics are running a cadavers for dollars scheme, harvesting organs from dead bodies to the black market. Here again we have a great supporting cast who deserve to be in a better movie, including character actor John P. Ryan, James Noble from Benson, Lawrence Hilton-Jacobs from Welcome Back Kotter, the great Ray Walston, and one-time Playboy Playmate Karen Witter, who plays a sort of angel of death. Opening on 301 screens nationwide, Paramedics would only gross $149,577 in its first three days, the worst per screen average of any movie playing in at least 100 theatres that weekend. Vestron stopped tracking the film after just three days. Two weeks later, on June 17th, Vestron released a comedy horror film that should have done better. Waxwork was an interesting idea, a group of college students who have some strange encounters with the wax figures at a local museum, but that's not exactly why it should have been more popular. It was the cast that should have brought audiences in. On one side, you had a group of well-known younger actors like Deborah Foreman from Valley Girl, Zack Gailligan from Gremlins, Michelle Johnson from Blame It on Rio, and Miles O'Keeffe from Sword of the Valiant. On the other hand, you had a group of seasoned veterans from popular television shows and movies, such as Patrick Macnee from the popular 1960s British TV show The Avengers, John Rhys-Davies from the Indiana Jones movies, and David Warner, from The Omen and Time after Time and Time Bandits and Tron. But if I want to be completely honest, this was not a movie to release in the early part of summer. While I'm a firm believer that the right movie can find an audience no matter when it's released, Waxwork was absolutely a prime candidate for an early October release. Throughout the 1980s, we saw a number of horror movies, and especially horror comedies, released in the summer season that just did not hit with audiences. So it would be of little surprise when Waxwork grossed less than a million dollars during its theatrical run. And it should be of little surprise that the film would become popular enough on home video to warrant a sequel, which would add more popular sci-fi and horror actors like Marina Sirtis from Star Trek: The Next Generation, David Carradine and even Bruce Campbell. But by 1992, when Waxwork 2 was released, Vestron was long since closed. The second Ken Russell movie made for Vestron was The Lair of the White Worm, based on a 1911 novel by Bram Stoker, the author's final published book before his death the following year. The story follows the residents in and around a rural English manor that are tormented by an ancient priestess after the skull of a serpent she worships is unearthed by an archaeologist. Russell would offer the role of Sylvia Marsh, the enigmatic Lady who is actually an immortal priestess to an ancient snake god, to Tilda Swinton, who at this point of her career had already racked up a substantial resume in film after only two years, but she would decline. Instead, the role would go to Amanda Donohoe, the British actress best known at the time for her appearances in a pair of Adam Ant videos earlier in the decade. And the supporting cast would include Peter Capaldi, Hugh Grant, Catherine Oxenberg, and the under-appreciated Sammi Davis, who was simply amazing in Mona Lisa, A Prayer for the Dying and John Boorman's Hope and Glory. The $2m would come together fairly quickly. Vestron and Russell would agree on the film in late 1987, the script would be approved by January 1988, filming would begin in England in February, and the completed film would have its world premiere at the Montreal Film Festival before the end of August. When the film arrived in American theatres starting on October 21st, many critics would embrace the director's deliberate camp qualities and anachronisms. But audiences, who maybe weren't used to Russell's style of filmmaking, did not embrace the film quite so much. New Yorkers would buy $31k worth of tickets in its opening weekend at the D. W. Griffith and 8th Street Playhouse, and the film would perform well in its opening weeks in major markets, but the film would never quite break out, earning just $1.2m after ten weeks in theatres. But, again, home video would save the day, as the film would become one of the bigger rental titles in 1989. If you were a teenager in the early 80s, as I was, you may remember a Dutch horror film called The Lift. Or, at the very least, you remember the key art on the VHS box, of a man who has his head stuck in between the doors of an elevator, while the potential viewer is warned to take the stairs, take the stairs, for God's sake, take the stairs. It was an impressive debut film for Dick Maas, but it was one that would place an albatross around the neck of his career. One of his follow ups to The Lift, called Amsterdamned, would follow a police detective who is searching for a serial killer in his home town, who uses the canals of the Dutch capital to keep himself hidden. When the detective gets too close to solving the identity of the murderer, the killer sends a message by killing the detective's girlfriend, which, if the killer had ever seen a movie before, he should have known you never do. You never make it personal for the cop, because he's gonna take you down even worse. When the film's producers brought the film to the American Film Market in early 1988, it would become one of the most talked about films, and Vestron would pick up the American distribution rights for a cool half a million dollars. The film would open on six screens in the US on November 25th, including the Laemmle Music Hall in Beverly Hills but not in New York City, but a $15k first weekend gross would seal its fate almost immediately. The film would play for another four weeks in theatres, playing on 18 screens at its widest, but it would end its run shortly after the start of of the year with only $62,044 in tickets sold. The final Vestron Pictures release of 1988 was Andrew Birkin's Burning Secret. Birkin, the brother of French singer and actress Jane Birkin, would co-write the screenplay for this adaptation of a 1913 short story by Austrian novelist Stefan Zweig, about a about an American diplomat's son who befriends a mysterious baron while staying at an Austrian spa during the 1920s. According to Birkin in a 2021 interview, making the movie was somewhat of a nightmare, as his leading actors, Klaus Maria Brandauer and Faye Dunaway, did not like each other, and their lack of comfort with each other would bleed into their performances, which is fatal for a film about two people who are supposed to passionately burn for each other. Opening on 16 screens in major markets on Thursday, December 22nd, Burning Secret would only gross $27k in its first four days. The film would actually see a post-Christmas bump, as it would lose a screen but see its gross jump to $40k. But after the first of the year, as it was obvious reviews were not going to save the film and awards consideration was non-existent, the film would close after three weeks with only $104k worth of tickets sold. By the end of 1988, Vestron was facing bankruptcy. The major distributors had learned the lessons independents like Vestron had taught them about selling more volumes of tapes by lowering the price, to make movies collectables and have people curate their own video library. Top titles were harder to come by, and studios were no longer giving up home video rights to the movies they acquired from third-party producers. Like many of the distributors we've spoken about before, and will undoubtedly speak of again, Vestron had too much success with one movie too quickly, and learned the wrong lessons about growth. If you look at the independent distribution world of 2023, you'll see companies like A24 that have learned that lesson. Stay lean and mean, don't go too wide too quickly, try not to spend too much money on a movie, no matter who the filmmaker is and how good of a relationship you have with them. A24 worked with Robert Eggers on The Witch and The Lighthouse, but when he wanted to spend $70-90m to make The Northman, A24 tapped out early, and Focus Features ended up losing millions on the film. Focus, the “indie” label for Universal Studios, can weather a huge loss like The Northman because they are a part of a multinational, multimedia conglomerate. This didn't mean Vestron was going to quit quite yet, but, spoiler alert, they'll be gone soon enough. In fact, and in case you are newer to the podcast and haven't listen to many of the previous episodes, none of the independent distribution companies that began and/or saw their best years in the 1980s that we've covered so far or will be covering in the future, exist in the same form they existed in back then. New Line still exists, but it's now a label within Warner Brothers instead of being an independent distributor. Ditto Orion, which is now just a specialty label within MGM/UA. The Samuel Goldwyn Company is still around and still distributes movies, but it was bought by Orion Pictures the year before Orion was bought by MGM/UA, so it too is now just a specialty label, within another specialty label. Miramax today is just a holding company for the movies the company made before they were sold off to Disney, before Disney sold them off to a hedge fund, who sold Miramax off to another hedge fund. Atlantic is gone. New World is gone. Cannon is gone. Hemdale is gone. Cinecom is gone. Island Films is gone. Alive Films is gone. Concorde Films is gone. MCEG is gone. CineTel is gone. Crown International is gone. Lorimar is gone. New Century/Vista is gone. Skouras Films is gone. Cineplex Odeon Films is gone. Not one of them survived. The same can pretty much be said for the independent distributors created in the 1990s, save Lionsgate, but I'll leave that for another podcast to tackle. As for the Vestron story, we'll continue that one next week, because there are still a dozen more movies to talk about, as well as the end of the line for the once high flying company. Thank you for joining us. We'll talk again soon. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Don't Kill the Messenger with movie research expert Kevin Goetz
Kevin is joined by Nancy Kirhoffer, a highly experienced post-production supervisor, to delve into the intricacies of successfully bringing movies to completion.Nancy Kirhoffer, Post-Production SupervisorToday we have the pleasure of speaking with Nancy Kirhoffer, a distinguished post-production specialist with over 150 films to her name. With a remarkable career spanning indie films to blockbuster hits, Nancy has gained a wealth of knowledge and experience in the art of bringing movies to completion. In this episode, Nancy shares her insights on the intricacies of post-production, the challenges and rewards of audience test screenings, and the secrets to delivering a successful final product. What is the role of a post-production supervisor/producer? (3:04)Kevin and Nancy discuss the role of a post-production producer and the difference between a post-production producer and a post-production supervisor and how her role has changed over time.How Nancy got her start by working with one of her idols (7:30)Nancy recounts getting her start in Hollywood, crashing film classes, and how she went from a PA to working as an assistant with one of her idols, Mary Lambert.Guiding first-time filmmakers through the screening process (16:07)Nancy has done a lot of work with independent filmmakers and first-time directors. Kevin asks Nancy what it is like walking a first-time director through the screening process. Nancy discusses the importance of getting out of the editing room and into a theater to see how the movie plays on the big screen, and in front of an audience.Screening surprises and Neighbors 2 (20:35)Kevin asks Nancy about the biggest surprise she has seen at an audience test screening. Nancy talks about the screening for Neighbors 2 and the changes that had to be made to improve the testing scores.Walking Olivia Wilde through her first test screening (22:54)Nancy shares a story about the first audience screening for the movie Booksmart and walking first-time director Olivia Wilde through the screening process.Working with Screen Engine/ASI and what sets them apart (28:19)Nancy talks about working with Kevin's company, Screen Engine/ASI, and how the moderators at Screen Engine have a real and genuine love of movies. The pair discuss some of the intricacies of audience screen testing, and how the moderator's enthusiasm for movies can add authenticity to the screening process.The most important questions asked at a screen test (32:18)Kevin asks Nancy about moderator questions during a focus group. Kevin and Nancy both share the questions that they find to be the most useful to the filmmakers. Advice for anyone wanting to go into the field of post-production (37:21)Nancy discusses the role of post-production, and the skill set required to be a good post-production supervisor. She talks about money and time and being able to manage both while keeping a project on track.Host: Kevin GoetzGuest: Nancy KirhofferProducer: Kari CampanoFor more information about Nancy Kirhoffer:LinkedIn: https://www.linkedin.com/in/nancy-kirhoffer-b75007a/IMDB: https://www.imdb.com/name/nm0449331/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website:
How to raise kids that are not fat-phobic assholes. Thanks to Jen McLellan, the founder of Plus Mommy, PlusBirth.com, and the creator of Plus Mommy Podcast for her amazing interview.Asherlee stepped in to help me interview Jen while Merf was off having a few fun days in Atascadero. Thanks, Adherlee. We discussed so many topics about getting competent health care for your kids. Jen and Asherlee give some really great advice for dealing with your kids' healthcare providers. We also discuss the new (garbage) AAP guidelines and what trash they are. We asked Jen how she handles the grandparents and aunties/uncles to NOT fat shame and NOT talk about bodies of any size. #boundariesaresexyHow does Jen handle it when her son asks about her fat body and so much more.Jen feels there is some hope for younger doctors that are just coming out of medical school. She talks with and interviews them and she does see a glimmer of hope with the new doctors who want to offer health care to marginalized communities, empathic health care to people in fat bodies, Jen got to interview Mary Lambert here>> https://plusmommy.com/mary-lambert/Here is a link to Mary Lambert's 4-week babe camp:https://everybodyisababe.teachable.com/Mary's Weight Neutral Provider Spreadsheet. Great tool. We also asked Jen which is her favorite sex toy at the end of the episode. Support the showBigSexyChat.com appreciates you and our community. We do this for you, so if you ever have any ideas about a subject we can discuss for you, email us at Sexy@BigSexyChat.com.You can find us on Facebook and Instagram as BigSexyChat.Twitter (who knows how long we will stay there) is BigSexyChatPodCheck out our merch at www.BigSexyTees.com (credit to Toni Tails for setting this up for us!)Chrystal also sells sex toys via her website BlissConnection.com and you can use the code BSC20 for 20% off. Big thanks to our Sponsor Liberator Bedroom Adventures. We ADORE the products from Liberator. And, to be clear, we all loved their products even before they became a sponsor!
We close out this guest series with the incredibly talented Mary Lambert. She is not your typical triple-platinum-selling artist. She had […] The post Healing Is Joy with Mary Lambert appeared first on Queer Theology.
Back in 1992, Mary Lambert followed up her popular adaptation of Stephen King's Pet Sematary with a sequel that is flat out bonkers. Tonal shifts that are so abrupt you'll get whiplash, an already checked out tweenage Eddie Furlong in the lead, a totally confused Anthony Edwards in the kindly dad role, bizarre sex dreams involving naked women with dog heads and that's just the tip of the iceberg.
Kevin & Chris continue their trip down Stephen King lane with Mary Lambert's Pet Sematary (1989). The 'mos talk yuppies in peril, undead animals and children, family tragedies and childhood trauma, the wonderfully folksy Fred Gwynne, extraneous characters, and more. Bonus topics include M3GAN, Crystal Lake: The Series, and a surprise Fright Night Part 2 announcement. Connect with us on Patreon and social media for updates! Patreon (on hold): https://www.patreon.com/homosonhauntedhill Instagram: https://www.instagram.com/homosonhauntedhill Facebook: https://www.facebook.com/hohhpodcast Twitter: https://twitter.com/hohhpodcast
Of all genres of film, few genres match horror for giving strong roles to women for as long the horror genre has. Elsa Lanchester, Bette Davis, Janet Leigh, Jamie Lee Curtis, Sigourney Weaver, Dee Wallace and Neve Campbell… all examples of actors who portrayed women of strength and power. In a genre that so many associate with women in peril, these women reminded audiences that not only could a woman survive the night, she could do so with depth and ferocity. Our guest today is one such actor. Though she has worked in a wide variety of genres, she has earned her place in the horror hall of fame through her work with filmmakers like David Lynch, J.S. Cardone and Mary Lambert. Always challenging, mysterious, unexpected and grounded in the role she is portraying, she is an actor that demands your attention as soon as she enters the frame.Spill Your Guts is pleased to have Lori Heuring with us today.Lori is an actor whose work we have always greatly admired. There's an intrinsic strength and integrity she brings to her work. She's played many different kinds of characters and all of them are unique and different. Some of them good, some bad and some in between and Lori always finds the in-road to creating a character that we end up rooting for.This has a lot to do with who Lori is as a person. Lori is a caring, razor-sharp, funny, genuine thoughtful person and she compels filmmakers to cast her in roles that show those qualities in the role. Though she's of course beautiful, this ain't your gal if you're looking for the archetypal slasher fodder.Lori and Kevin discuss her formative years developing her craft while growing up in Texas, why she is drawn to working on darker stories and why she enjoys the challenge of working on edgy, independent films over big studio projects.Kevin had the great privilege of directing Lori in Lineage, where her tremendous talent as an actor was also matched by her equally tireless work ethic.So, let's get into what it takes to become a Scream Queen with Lori Heuring.Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. ★ Support this podcast on Patreon ★
Episode 185: Vat of Goo The Gaylords continue to live by Lifetime with Mary Lambert's Face of Evil (1996)! Stacie and Anthony talk Tracey Gold vs. Shawnee Smith, crime beanies, feminist murder-artists, and eyebrow aesthetics before a bloody new Chopping Block. Find out more at https://gaylords-of-darkness.pinecast.co
Mark Ellis returns to the Glitter and Garbage studios for a review of the 1989 horror classic Pet Sematary, as well as a sneak peak at director Mary Lambert's latest project A Castle for Christmas.
In celebration of the 30th anniversary of Pet Sematary 2, we're unlocking one of our older Patreon exclusive episodes from the Derry Private Library. It's a Lobstrosities installment that dates back to October 2020 and features a star-studded assembly of guests, specifically Meagan Navarro of Bloody Disgusting and Brett Arnold of The New Flesh Podcast. Our fellow Loser Rachel Reeves even makes one of her earlier appearances on the show, too. Together, they discuss the '90s appeal of Edward Furlong, the leading man qualities (?) of Anthony Edwards, and why Clancy Brown is the MVP of Mary Lambert's underrated sequel. Follow us on Facebook | Twitter | Instagram | Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Tune in for Annie's interview on The Manic Episodes podcast with Mary Lambert and Wyatt Hermansen. They discuss an array of topics from: how the conversation about alcohol has shifted in our society - To what Annie wishes she would have known prior to starting This Naked Mind. You won't want to miss any part of this funny, yet deeply personal conversation! Please don't forget to check out This Naked Mind Companion App in the app store, on Google Play, or online at ThisNakedMindApp.com. More than 700 Q&A videos, The Alcohol Experiment, our global community, and so much more - private, off social media, free. All in one place and conveniently tucked right in your back pocket. I really hope to see you there. ThisNakedMindApp.com. And as always, rate, review and subscribe to this podcast as it truly helps the message reach somebody who might need to hear it today. Episode Links: The Manic Episodes Podcast The Manic Episodes - Instagram Mary and Wyatt's TNM Podcast Interview
Within a year, Mary Lambert went from bartending to singing on stage at the Grammy's next to Madonna. Mary is a triple-platinum artist, queer singer-songwriter, poet, and activist for mental health, fat liberation, and the LGBTQ+ community. And this is her story!
Mary and Wyatt are pleased as punch to welcome Kat Eves to the pod! Kat Eves is a plus size celebrity stylist dedicated to ethical and sustainable, size-inclusive fashion. Her red carpet styling has made the best-dressed lists from Vogue to Guardian UK, and she's been published in Essence, Bust, and more. Her clients include The Daily Show's Dulcé Sloan, The Walking Dead's Pollyanna McIntosh, comedian Caleb Hearon, and of course, Mary Lambert, with a major recent highlight being dressing Dulcé for her guest appearance on Ru Paul's Drag Race. She is based in LA and sometimes Palm Springs, and is committed to helping the fashion industry step up to contribute to creating a more ethical, equitable, and inclusive world. Also on the agenda: Mary and Wyatt are addicted to family vloggers on YouTube; Wyatt talks some trash about Jeopardy!; and poems by Caitlyn Siehl and Kiki Petrosino.
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