Podcasts about kree skrull

Saldamos una deuda pendiente con un clásico de la casa de las ideas. En esta ocasión, nos vamos a los años 70 para hablar de esta saga que marcó un antes y un después no solo en la serie de Los Vengadores, si no en todo el universo Marvel. Roy Thomas sentó las bases de los eventos marvel, con una historia que involucró a los héroes más poderosos de la tierra en mitad del conflicto bélico e intergaláctico de las facciones Kree y Skrull. De ella saldrían trabajos posteriores de la talla de Siempre Vengadores, Aniquilación, Invasión Secreta y prácticamente cualquier evento Marvel que os podáis imaginar.

CAPÍTULO #352… Esta semana nos adentramos en el cosmos Marvel para hablar de La Guerra Kree - Skrull, la primera macrosaga que vio nacer la casa de las ideas en la cabecera de los héroes más poderosos de la tierra, orquestada por Roy Thomas, Neal Adams y los Buscema. Además, os contamos las próximas firmas que tendremos en la tienda, os hablamos del documental de DC, debatimos sobre la actualidad del UCM y os avanzamos los próximos lanzamientos de novedades. Y por supuesto, no podemos irnos sin reseñar obras tan golosas como la nueva serie de la JSA de Geoff Johns, un doblete noir de Brubaker y Phillips, el cierre de X-Statix, lo nuevo del universo de Radiant Black y muchísimo más. Gracias por estar al otro lado agentes. ¡Nos oímos! NOTICIAS [00:50:41] Próxima firma con Idiocracia Próxima firma con Paco Hernández Remender y Bengal se reúnen para Napalm Lullaby Alien se suma a los White, Black and Blood Novedades Astiberri Diciembre 2023 Dos títulos se unen al sello White Noise de Image Vuelve Invencible en su segunda temporada en Prime Video Análisis:Superpowered la Historia de DC en HBO Max Debate sobre el Universo Cinematográfico de Marvel Próximos avances editoriales NOVEDADES Y RELECTURAS [00:46:34] X-Statix 2 Marvel Crónica de una Época Sociedad de la Justicia de América Asterix y el Lirio Blanco Ragnarok Adrastea Reckless: Sígueme en mi caída Night Fever Los Profesionales Los Amigos de Spirou COWL Navigator ANÁLISIS: LA GUERRA KREE - SKRULL [02:39:26] Saldamos una deuda pendiente con un clásico de la casa de las ideas. En esta ocasión, nos vamos a los años 70 para hablar de esta saga que marcó un antes y un después no solo en la serie de Los Vengadores, si no en todo el universo Marvel. Roy Thomas sentó las bases de los eventos marvel, con una historia que involucró a los héroes más poderosos de la tierra en mitad del conflicto bélico e intergaláctico de las facciones Kree y Skrull. De ella saldrían trabajos posteriores de la talla de Siempre Vengadores, Aniquilación, Invasión Secreta y prácticamente cualquier evento Marvel que os podáis imaginar. CORREO DEL AGENTE [04:17:46] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, ¡Habla pueblo Habla! ¡Muchas gracias por escucharnos y todo vuestro apoyo y participación! Nuestro PODCAST ya está en el CANAL SECUNDARIO ¡Inflate a contenido comiquero aquí! https://www.youtube.com/@tomosygrapaspodcast Tomos y grapas es un medio de comunicación transmedia, disfruta de nuestros contenidos también en nuestra web, YouTube y redes sociales. VISITA TAMBIÉN NUESTRA LIBRERÍA En la Calle Alcalá 211 o nuestra TIENDA ONLINE con el mejor servicio y atención tiendatomosygrapas.com

EPISODE 12!! With new mics lol This week we're giving you part two of the Kree-Skrull war. An epic battle between 2 alien races that could quite possibly obliterate earth as we know it! Will it be Captain Marvel who saves us all or a surprise entrant? Issues we read: Avengers (1971-1972) #89-97 --- Send in a voice message: https://anchor.fm/web-heads/message Support this podcast: https://anchor.fm/web-heads/support

EPISODE 11!! With new mics lol This week we're giving you part one of the Kree-Skrull war. An epic battle between 2 alien races that could quite possibly obliterate earth as we know it! Come along as Captain Marvel and the Avengers work together to save us all. Issues we read: Avengers (1971-1972) #89-97 --- Send in a voice message: https://anchor.fm/web-heads/message Support this podcast: https://anchor.fm/web-heads/support

The Kree/Skrull begins in earnest as Captain Marvel is taken captive by the Kree Sentry and Ronan. The Avengers must attempt to rescue their ally while fighting off the Kree Evo-Rays in an Arctic jungle.

#Podcast #Comics #Marvel #Empyre La guerra Kree Skrull ha sido peleada durante eones alrededor de todo el universo, pero por fin ha llegado a sus fin, ¿la causa? Un enemigo en común que amenaza con terminar con toda la vida a base de carne. Ahora la Tierra está en medio de estos dos nuevos imperios nacientes, y solo los más grandes superhéroes se interponen. Además, hablamos de CÓMICS que han salido recientemente: - Black Widow - Rise of the Ultraman - Inkblot - Willow - Bill and Ted are Doomed - Sin Eater - Venom - We only find them when they’re dead - Cyberpunk 2077 - Trauma Team NOTICIAS sobre: - El problema de los tres cuerpos - Superman - Wonder Woman - Flash - Justice League - Morbius - Venom - Silk - Spider Man - Star Wars - The Walking Dead - Fortnite - Mario - XBox - PS5 - One Piece - Funimation

On this week's review Stack, we're talking: Bill & Ted Are Doomed #1, Dark Nights Death Metal: Trinity Crisis #1, Empyre Aftermath: Avengers #1, Empyre Fallout: Fantastic Four #1, Stealth #5, Something is Killing the Children #10, Superman #25, Ultraman: The Rise of Ultraman #1, Ice Cream Man Presents Quarantine Comix Special #1, Joker/Harley: Criminal Sanity #5, Web of Venom: Wraith #1, G.I. Joe #8, Reaver #11 and Blackwood: The Mourning After #4. SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Transcript: Alex:                 What's up y'all, welcome to The Stack. I'm Alex. Justin:              I'm Justin. Alex:                 And on The Stack we talk about a bunch of comics that come out today. A little bit of a slower week after Labor Day. [crosstalk 00:00:23] chill. Justin:              Never. Alex:                 Never? Justin:              Never. Every week when comics come out… Come on, we just had a… We walked through the great desert of comic drought and here we are back, every week's exciting. There's a lot of fun stuff. Alex:                 I will tell you that in my mind, this is less comics than usual, but just because we did probably 36 comics last week and are doing a little less this week, so there you go. Justin:              I think that may be what it is. We're doing just a slightly less number of them. Alex:                 Yes. We talked for, I don't know, like an hour last week. That was a very long episode of The Stack. But hey, let's see what we get here. Two hours for this one. Justin:              Yeah. Let's extend it. Let's offer our thoughts on everything. Alex:                 And one little business note. Pete is off because he has poison ivy. Now let's get into it. First off, Bill and Ted are Doomed #1 from Dark Horse Comics written by Evan Dorkin and art by Roger Langridge. This is the official prequel to the film Bill and Ted Face the Music. I think it suffered a little bit by switching around of the release schedule of Bill and Ted 3, unfortunately it's coming out afterwards. I talked about this on the live show a little bit. I would just be excited about anything that Evan Dorkin and Roger Langridge are doing together because they're so good. And in my mind, this doesn't disappoint. But how'd you feel? Justin:              Yeah, it was fun. I haven't seen the new Bill and Ted movie. I'm not a die hard Bill and Ted guy. I've seen the first two, but I got to say this played almost like Bill and Ted in an Archie comic, in a fun way. It felt just like a fun, almost episodic, touchstone on all the different characters that are in the universe. Yeah, I'm excited to see where it goes next. Alex:                 It feels like the two dudes who created this are such bit dudes, so they're a perfect field for it. And you get verbal bits, you get little graphic bits from Roger Langridge in the background of things. It definitely, if you haven't seen the third movie, it plays off a lot of the storylines there and sets up those things. So I would highly recommend watching the movie first and then go and read this, because it's not that it ruins bits necessarily for the movie, but it certainly sets up a lot of the plot points there. But this is fun in its own, right. It's Bill and Ted going on a world tour, dealing with the bummer that is their not paying off on the promise of their big concert at the end of Bogus Journey. It's fun stuff. I really enjoyed this issue a lot, particularly for it being like… You could phone in a prequel for a comic like this, but there clearly is a lot of love that went out here. Justin:              Yeah, exactly. And like I said, it does that smart thing that a lot of tie-in books do, where it takes one thing about the characters and it just plays on it, as opposed to getting deep into the mythology of a certain thing or just trying to do something new. It's like, here, let's just touch all these things and then push them down the field a little bit, and it does a good job of that. Alex:                 Next up Dark Nights Death Metal Trinity Crisis #1 from DC Comics written by Scott Snyder and art by Francis Manapul. Now I will say this plays like just another spinoff of Dark Nights Death Metal. This is an essential chapter of the book, I feel like? Justin:              100%. Alex:                 Which is crazy, but you get Francis Manapul art, you get Scott Snyder doing wild writing. It's great. I mean, we had Scott on the live show two weeks ago or a week and a half ago at this point, and he talked quite a bit about the Dark Nights event. It's just fun to see all of those wild ideas at play here. I liked this issue quite a bit, like I've been liking this series, I think. Justin:              I do too. And this is a good distillation of all the characters, as opposed to the main book, which is really grinding the plot forward and having to touch on so many things. This takes the pace down a little bit, I think, and really lets each character give you a little bit of status quo with them. And after hearing from Scott, it was really cool to see all the different, especially the Trinity characters, and the rest of the characters, to see them and look at them through his eyes. Alex:                 Yeah. I'm curious to see how it plays out in the next issue because there's a big cliffhanger at the end here that feels what he is trying to do with the main series. This is an essential issue, but also with the main series, he's just throwing you into the middle of things. Things have already happened. Between the month that the comics have been released or two weeks or three weeks or whatever, other things have gone on and same thing as here, but here we're getting a glimpse of it and everything is great. Let's move from the middle of an event to the end of an event. I want to talk about these together. We got the very alliterative Empyre Aftermath Avengers #1 from Marvel written by Al Ewing, art by Valerio Schiti, Empyre Fallout Fantastic Four #1 from Marvel written by Dan Slott and art by Sean Izaakse, or Izaakse, I guess. Alex:                 We were a little mixed, I think, about the Empyre event. This had the Kree-Skrull armada fighting the Cotati, some plant people, bunch of other stuff going on. But here as the title says, it's not as clean as Avengers and Fantastic Four, it's a little mixed together. But the Avengers issue is dealing a lot with Emperor Hulkling, the Fantastic Four issue is dealing a little more firmly with Fantastic Four, as well as some other things and both of them and big teases for the future of the Marvel universe. Given how mixed I was about the Empyre event, I was surprised how much I liked both of these issues. Justin:              Yeah, I think these books did a good job of giving us the context that we felt we were lacking with the main event. I feel like with the main event, we were like… The storytelling felt like, “Oh, this is exciting, this is building up to something big.” And then it just was actually sort of a smaller event than we thought. It was a hang out event. Not a lot of characters died and not a lot of status quo stuff was changed. It was like, there's this issue, and now we've resolved this issue. And these give us like, “Well, here's what is different,” a little bit. Justin:              And honestly, it's not a ton. But there are great scenes in here. I love this stuff in the Al Ewing written book, Empire Aftermath, where we get the Brand versus versus Captain Marvel stuff. That stuff was really cool. Just seeing the Avengers hanging out and talking. There's a great scene between Captain America and Tony Stark. “I wish we trained them. Registered them. Just kidding. Let's not go there.” That was fun. There were some good moments in here. Alex:                 The other thing that I really liked about that book in particular is framing Hulkling as a different type of king in the Marvel universe, because we've got Black Panther, we've got Doctor Doom, we've got all of these characters who are very regal and serious and are very “We do what we need to do.” “We do what is best for Wakanda.” “I do what is best for Latveria.” And they frame it as Hulkling is at the beginning of this journey, so he may get to that point. Certainly a lot of people warn him that you're going to get to a point where these choices are going to be impossible, and if you want to be emperor, you need to choose the people that you're representing. Alex:                 But right now he is an emperor that doesn't necessarily hold back when things need to be done, but he is trying to be more benevolent for that. And that to me, that is a fascinating character to follow going forward, particularly the idea that Wiccan is going to be with him, and it's the sort of thing, I don't know if there's plans for this. I honestly have just not paid much attention to what's coming forward in comics. But if there was a Emperor Hulkling comic, that would be a great character thing to follow. Just the idea of how do you rule two races that have hated each other for millennia and try to do it the right way with your husband by your side? That's great. Justin:              Yeah, I agree. And being able to… They're the characters that emerged from this as the most interesting. I like the tags at the end of both of these books, but they are the ones… I would definitely like to see them on a day to day basis, what they're up to, because otherwise most of the characters in this book are characters we know and already like and they're just being themselves. Thor and She-Hulk are officially dating, which I thought was a fun revelation here. Alex:                 Also, I think this was in this one, I'm kind of mixing them up now, but I love the line after the unofficial Kree-Skrull wedding where the rabbi says, “This is the first outer space same-sex Jewish wedding that I've ever officiated.” But just fun. Just fun stuff. Good times. And the Fantastic Four issue I thought it was very good as well, and also in terms of delineating itself from the Avengers issue, focusing on the history of the blue area of the moon, which has been very key to Marvel universe continuity, working in the unknown that weird Nick Fury robot dude who took over for the Watcher and coming up with a new status quo for him as well. Just a good stuff. It's very clearly following off of Dan Slott's run on Fantastic Four, and it feels of a piece of that, but his run has been good. His run has been funny. He has a good handle of the characters, so this feels fun as well. Justin:              Yeah. Agreed. What I also want to just real quick want to say, it was nice that each separate issue, they came out the same week, and really reflected the different writers who have shepherded this project, their tones a little bit differently, and they were able to have their own wrap up. Because Dan Slott I feel was so Fantastic Four focused and got to have the humor of a Spider-Man hanging out and Wolverine talking shop and all that. That was a very Dan Slott thing to do. Alex:                 Yeah. So good stuff. Even if you were on the fence about Empyre, maybe pick up these two issues so you can have a sense of the new status quo in the Marvel universe. Let's move on to another one. Stealth #5 from Image Comics, written by Mike Costa and art by Nate Bellegarde. Man, I love this book. We've been talking about every issue of this book. This is about a old dark horse, Darkhawk, excuse me, esque superhero, who is suffering from dementia. His son is investigating mysteries that are tied with it. There is an old villain of his who is tied to his origin who is coming after him. This is the issue before the end, so it definitely feels like, even though some big things happened, there's a little bit of a pause there, but particularly with the villain, with Dead Hand, it's so well written and he's so calculated and terrifying at the same time. It's very impressive to read. Justin:              Yeah, I was going to say this comic… We've raved about it so much. Its main characters are so well done. And then they take the time and this issue to really establish… The most fun character in this issue is the villain and we get a little bit of origin snuck into the back half of the book, but it was just another great book. Great action. Really well drawn. Everyone's on the same plane. I don't know what's going to happen in this last issue. Alex:                 I'm very excited to go and get to the end of it. Let's move on to another one that's been great the entire run, Something is Killing the Children #10 from Boom! Studios, written by James Tynion IV, art by Werther Dell'Edera. This is continuing the storyline of a bunch of invisible monsters killing some children. It's fascinating to me that so little and so much happens in every issue of this book. I don't know if you get that feeling as well. Justin:              100%. I get the exact same feeling of like… I'm always like, “Ooh…” This is such a tonal book. It's something that you read where you're just like… You want the taste of it. It's not about a million things happening because the dread they create each issue and those moments of horror and every day… I'm always reminded reading this of the issue where the cop is like, “Hey, I have a bunch of beer in my bag if you want to grab one.” When they're in the impromptu morgue they made in the high school gym, a couple of issues back. And every issue just has those great little details, and then also just a bunch of horrifying action. And this issue has maybe more action than we've seen for a couple. Alex:                 I have a question for you. When there is a monster comes out and kills one of the children, in your head are you like, “That's the thing that's killing the children.” Justin:              No, because I'm constantly, “Is that the thing killing the children?” Because I don't believe… There's something… The mystery they've created here leaves a little bit of like, “Maybe that's not what's killing the children.” Alex:                 Another great issue of this book, and Werther Dell'Edera's art is so gorgeous. I also love the layouts of this book. I mean, this might be part of getting it digitally, but the fact that they have these huge spreads that are multi panels long, it just feels and reads different from every other comic that I'm reading today. Real good stuff. Moving on to Superman #25 from DC Comics written by Brian Michael Bendis and art by Ivan Reis. This is introducing another new villain for Superman, or maybe ally, we'll see what happens, but it is a race of aliens that we've never met before who are aware of the destruction of Krypton, become concerned about Superman, and then proceed to follow him throughout history. Alex:                 So we get a parallel, for this anniversary issue, of Superman's entire history through this alien's perspective as well as through Superman's perspective and his relationship with Lana Lang, which we're reestablishing here. I like this issue. I'm cautiously optimistic after big guy with weird lip that I'm forgetting of the name, [Roeger Thargar 00:15:49] or whatever, the other villain that he introduced. There's a lot of returning to the destruction of Krypton and mining that, so I'm cautiously optimistic. Justin:              Reading this issue, maybe you want to take a mental check in on Bendis's run in general. What do you think? Because this felt a hard reset and sort of like, “Ah, I don't know, let's start over,” in some ways. And I this issue. It made me really think Superman is going to get with Lana Lang, oddly. In a sort of stressful way of. Alex:                 That would be fucked up if that would happen. Justin:              Agreed. But what do you think this means for Bendis's run in general, or what do you think of Bendis's run in general, reading this? Alex:                 I appreciate the fact that he's added a lot of new characters to the Superman continuity. That's certainly something that's needed, but this is the absolute worst way of saying this. A lot of reading his run feels like a chore. Like, “I got to read this because he's going to be adding this new thing that people are going to pick up on later on and it's going to affect the rest of DC continuity so I got to know what's going on.” I don't know, it doesn't feel exactly the right fit for Bendis at the same time. Justin:              I agree. It feels homeworky, where a lot of it is just so much of laying the groundwork, when it's just like, “What is the story you're telling?” So much of the stuff that came before him, I love so much with Superman, the real Superman family living in Smallville and it was a real family unit, and I was like, “I see what the story is here. It's a family unit rallying around their father/husband who is Superman and what he has to do.” And everyone got to do their own thing. In this it feels like Lois and Superman are always in different places, very busy. John Kent is with the Legionnaires now. It feels like everyone's working so hard and I don't know what's happening. Alex:                 There seems to be a loss of the core values of Superman in a certain way. And I think it's funny, because that's something that he is trying to hit constantly and trying to work around and trying to reemphasize. And he does get around to it sometimes in his run, like the fight with the Injustice League in Metropolis, which I honestly do not remember whether that was in Superman or Action Comics, was very good and very tense and very dangerous, but then it was interrupted by Leviathan coming in to be like, “Let's stop this fighting.” It feels watching a chess game in a certain way, to get to your point about laying the groundwork. Justin:              And that's everyone's favorite activity, is just tucking in and watching some fucking chess. Alex:                 Yeah. Bobby what's his name. Justin:              Yes. Searching for Bobby chess fish. Alex:                 Moving on to another setup thing though, Ultraman, The Rise of Ultraman #1 for Marvel Comics, written by Kyle Higgins and Matt Groom, art by Francesco Manna, Michael Cho, Gurihiru, Ed McGuinness, and Espen Grundetjern. This is the classic Ultraman hero. We get a front story and a bunch of backup stories. I'll tell you what, I wasn't totally sold on the lead story because I felt it actually did kind of a Bendis thing of deconstructing and decompressing the origin of Ultraman, and by the end of the issue, I was like, “Great, that was the thing that I was curious to see you get to at the beginning of this issue, because I don't know any of these characters or what's going on.” But I really liked the back matter a lot. Justin:              Yeah, I agree. It was weird. This story had that confidence of “You know what we're doing here. Look at these characters, they're hanging out, they're screwing around.” And then it sort of ended with “Oh, I don't actually know these characters. I don't know what's happening.” And then I'm like, “Oh, I see. Maybe there's an Ultraman happening here.” But the back matter really set it up, set up the whole thing. The Ultra Q I think was the name of the one that really set up what the deal was and how the Kaiju organization came together. And then they had the fun interspersion of the funnies version of Ultraman. Alex:                 Yeah, I like that stuff quite a bit. It's certainly a big package in terms of there's a lot of stuff going on in the comic, so I think it's worth picking up potentially for that. Particularly if you're a fan of Ultraman. I don't have a connection to the franchise or anything, so I was a little lost to the lead story, but I'm definitely curious to pick up the second issue and see how that continues because clearly Marvel has put a lot of faith of this. This is a big priority for them. So I'm curious to see where it goes, particularly because it gets to the point you want it to get to at the end of that first issue. Alex:                 Let's move on to another one, I'm very curious to talk to you about this one, Ice Cream Man Presents: Quarantine Comix Special #1 from Image Comics written by W Maxwell Prince, art by Martin Morazzo, but also by Declan Shalvey and Chris O'Halloran, Deniz Camp, and Artyom Poplin, with Aditya Bidikar, A Ewing, Al Ewing I guess, and PJ Holden, Christopher Cantwell, and Eoin Marron with Chris O'Halloran. So this is a collection of, as the title says, short comics that the Ice Cream Man team published while in quarantine. There are, I believe, four tales of their own, and then four guests tales that go along with it. What'd you think about this book in total and then any particular stories you want to call out? Justin:              I mean, this felt like such a good ice cream. Obviously we love… We talk about this book nonstop. It's something that is just a scary comic book that does so much with its stories to create dread, but also there are moments of humor and really make a point. And this felt like a great book that really digested what we're going through right now and recontextualized our own everyday horror and put it in these different storylines in a way that I thought was great, really great. Alex:                 Yeah. I really like this a lot too. The thing that I was most curious about reading this book is how other people would handle the idea of Ice Cream Man. And of course the lead stories, they capture it perfectly, they're great. They feel exactly Ice Cream Man because it's the team that's doing it. But the one for me that worked perfectly that I could not believe it was the main team not doing it, that was the one by Deniz Camp and Artyom Poplin with Aditya Bidikar. That was the one, if you haven't read it this is obviously spoilers, but it's basically a girl who is looking out through window at the outside world as it's falling apart, whether it's through coronavirus or something worse, like zombie plague, it's not entirely clear. And in the background it certainly seems like her family is falling apart and breaking apart. Alex:                 And at the same time, she's drawing little pictures on the windows to add things into the landscape and what's going on. And of course, things become more horrible, the drawings take on a life of their own. To me, that was like… This is an Ice Cream Man story. This is exactly what it feels like, particularly in the early days of quarantine, to look outside of the window and see those empty streets. Perfect. Justin:              Yeah, that's what I'm talking about. Being able to really artistically bring that into the comic book form, I thought this whole book just gives that off in a way that I haven't seen anyone do that. How'd you feel about the Animal Crossing? Alex:                 It was all right. I thought that was okay. I haven't really played Animal Crossing necessarily, but it was like… It's a funny story, but it was too jokey for Ice Cream Man for me, if that tracks? Justin:              Yeah, totally. Alex:                 But yeah, this is a great package. And to your point about the quarantine stuff, I've kind of rankled against anything that talks about quarantine, TV shows that are like, “It's set during quarantine. We filmed it during quarantine. Everybody filmed it on their Zoom cameras,” makes me annoyed and I could care less because I'm living that right now. But this is something that worked for me. Justin:              And I think the real smart thing they did is really interpret it as opposed to presented it, and that's what I love about it. I got to give a shout out to the first story, because it's got my man Shakespeare in it. Alex:                 There you go. Love Shake CW. Justin:              Shakes CW. That's how I think. Scholars refer to him in that way. Alex:                 Back in time. Yeah, great stuff though. Definitely pick that up. Next up Joker/Harley: Criminal Sanity #5, excuse me, from DC Comics, written by Kami Garcia, art by Mico Suayan and Jason Badower. We've also talked about almost every issue of this one. This is a more realistic take on Joker and Harley. Joker is a serial killer, Harley is the psychiatrist working with the Gotham PD trying to track him down. This issue, Joker is in her house and she confronts him. This is very well written, but to me, the art is definitely the standout, and it's just gorgeous to look at across the board. Justin:              Agreed. The use of color in this is so smart. The different passages we get in black and white with Joker affectation, and then the other sections that come through. But vivid detail in the black and white. And then later we get the sort of the more comic booky feeling normal coloring passages. It's great. And the way they are positioning Joker and Harley here is something that I haven't really seen in a while, and it was great to see joker with a straightforward origin. There's not a ton of like, “He's a ghost from the future,” or whatever. It was nice to see that. Alex:                 Good book. Definitely pick it up. For adults only. Next up, Web of Venom: Wraith #1 from Marvel written by Donny Cates, art by Guiu Villanova. This is another issue teeing up the big King In Black event that's coming very, very soon. Here we get Wraith, who is in Donny Cates's Guardians of the Galaxy run, dealing with his own symbiote, [Arjun 00:27:03]. Big stuff happens here. This is as tense and big and crazy as usual as we have come to expect from Donnie Cates's Venom run. Good stuff. Justin:              This book doesn't… I'm not super familiar with Wraith, but it didn't have any business being this good and interesting and exciting. It's great. It had the vibe of a great Western story, but bringing in all the symbiote continuity, I guess is the way… It's amazing, just in general, that Venom has become this universe spanning continuity. Alex:                 I don't want to make this one person versus another, but I was struck reading this book, which is something that Donny Cates has already done, where Brian Michael Bendis was like, “Where did the symbiotes come from? The planet Klyntar. That's where they're from.” And the fact that Donny was like, “Yeah, yeah, but also they're the prison for this god Knull. It's not actually their planet or where they come from. It's this other thing,” is in my mind… It's funny that it's a responsible retcon of a retcon, if you know what I mean. Justin:              It's funny to be calling out Bendis so hard in this episode of The Stack, [crosstalk 00:28:23], who we like. Alex:                 Don't come for us, man. Justin:              Don't come for us, man. I also want to call out in this book, the art feels like… The pacing of it, the ramping up and coming down. This feels something that could have been a standalone, Western short story, just with this great Marvel universe stuff laid over top of it. Alex:                 Yeah, it's very good. All of these Web of Venom event things have been very good. Let's move on to another surprisingly good comic, GI Joe #8 from IDW written by Paul Allor and art by Emma Vieceli. I got to say, I went from not caring about GI Joe at all to this being top of my stack every month. This book is great. Justin:              We keep talking about it. Pete's not even here and here we are talking about GI Joe comics, because the depth of the world building they're doing here is just so good. Alex:                 I think my main impression of GI Joe is the 80s cartoon where you have Cobra Commander and it's all very silly and everybody's like, “My name is Ice Cube and shoot ices.” That's pretty much all it is. Justin:              Most of the communication is just the them shouting their names, and their names are also what they do. It's a very Pokemon thing for them to do. Alex:                 And the fact that not only is this team taking the idea of GI Joe seriously, but actually plumbing into their character deaths and making these often excruciating to read character studies about the choices that people need to make in the middle of war, is bonkers. This issue, we get a character who is… Well, the whole setup is Cobra has taken over the world, GI Joe is the underground fighting back, and here we get one of the characters, I'm honestly forgetting which stupid name she has, but she is the Canadian ambassador. She's behind enemy lines. She's starting to fall in love with one of the people from Cobra- Justin:              Are you talking about Bombstrike? Alex:                 Yes. There we go. And the choices that she needs to make across the board where it's like… It's hard to watch. It's hard to read on both sides, when she makes the right choices, when she makes the wrong choices, but that comes down to the writing. The art is good. I really am shocked how great this book is. Justin:              Yeah, and continues to impress. It's not just a flash in the pan one story was good. Continues to be great across the board. Alex:                 Mainly it feels like, and I don't say this to deride the writer or anything, but this feels like if Tom King decided to write GI Joe, what would happen. Justin:              That's good. That's a compliment. Alex:                 Next up, Reaver #11 from Image Comics written by Justin Jordan and art by Niko Henrichon. This follows our fantasy world extreme characters attacking some dudes on a boat. I got to tell you, we've talked about a bunch of issues in this book. It feels like Justin Jordan has finally figured out which characters work, which characters pop, and is just focusing on them, and that in my mind is such a smart decision. Justin:              It's really funny in the page, the author page or the artist page, after the cover, we see all the characters who are initially wandering through the wilderness, and I was like, “Oh yeah, remember all those people?” And now it's just gotten down to these few characters that are just kicking ass. Alex:                 And it's great. I mean, it works. I'm glad they pivoted the book to that. If you have an enormous dude who is impossible to kill and is a crazy murderous barbarian, and a tiny girl with a ghost face and sharp teeth who likes to bite people, focus on them. That's all good. Get rid of the other characters and it's all fine. Justin:              Bring out the bitey girl. Alex:                 But it's good. In terms of being extreme fantasy, I think this is a fun issue. Justin:              Agreed. Alex:                 Last one to talk about, another Evan Dorkin book from Dark Horse Comics Blackwood: The Mourning After #4, art by Veronica and Andy Fish. I'll admit, I haven't really read Blackwood or The Mourning After, but I like this issue quite a bit. This is bunch of people from seemingly a magical school or a magical library who are fighting against somebody. There's some evil masks. The character designs are great. The magic is great. Even knowing nothing about this, I think part of it is that Evan Dorkin is good at plot, Veronica and Andy Fish are great at art, so the issue works even if you don't know anything about it. Justin:              The way that the masked person kills people in this is unbelievable. It's horrifying. Every time I was just like, “Huh.” You see their corpse, it's great. Alex:                 It's kind of amazing reading these two Evan Dorkin Dark Horse books back to back, which I did, Bill and Ted are Doomed and The Morning After #4, because you have one that's like, “Fun times, Bill and Ted, woo.” And the other one's, people's flesh being ripped off their bones. Good stuff. Just very talented guy. Justin:              Yeah, I agree. And to be able to work in those two different tones is very cool. Alex:                 There you go. All right, that is it for The Stack. If you'd like to support our podcast, patreon.com/comicbookclub. Also we do a live show every Tuesday at 7:00 PM to Crowdcast and YouTube. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. @comicbooklive to follow us socially. Comicbookclublive.com for this podcast and many more. We'll see you at the virtual comic book shop. Justin:              Live large. Get out of that poison Ivy patch, baby. The post The Stack: Bill & Ted Are Doomed, Dark Nights Death Metal And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

This week Muse takes over the podcast like immanent Kree/Skrull armada hovering above Earth's atmosphere in Marvel's Empyre. Want us to cover a specific comic next week? Let us know! You can follow us on Instagram, Twitter, and Tumblr @CourtofOwlets! You can also follow Joe on both Twitter and Instagram at @JoeCoOwlets! You can also follow Vi on Twitter and Instagram at @SelinaCoOwlets! You can also follow Muse only on Twitter @muse0ica! |This week's comics: Empyre #1 (00:50 - 12:29) and Fantastic Four #21 (12:30 - 19:11)|

Dark Nights : Death Metal brings us King Robin, and The Darkest Knight, Venom brings us the first appearance of a garbage monster symbiote named, Virus. Ludocrats continues to be crazy pants. Our buddy Joe Schmalke drops a steaming pile of Murder Hobo #1 from Scout Comics. It's the story of a horrible person in a horrible D&D world full of horrible things. We love it. EMPYRE #1 sets us up for the Kree Skrull alliance, and continues in Fantastic Four. Avengers has Moon Knight kicking ass. Some great stuff this week!

The entire comic book industry has been on quite a roller coaster ride all year, but DC just spun us all through the biggest loop-de-loop yet with their sudden departure from Diamond Comic Distributors.  Hear how this seismic shakeup has affected things in the short term, our worries about what the long term results might be, and how it's all much-too reminiscent of a bleak moment in recent publishing history.  Ka-Pow the Pop Cultured Podcast has this and plenty of other comic shop gossip in this brand new episode! Length - 00:48:43 Language - PG-13.  (Contains mild adult language.) - 0:01:33 - COMIC BOOK NEWS DC ends a 25-year monopoly by leaving Diamond Comic Distributors, finding parallels from Marvel's 1990's bankruptcy in Dan Raviv's "Comic Wars," the legendary writer Denny O'Neil passes away, missing this year's Heroes Con, Warren Ellis embroiled in controversy, the launch of Free Comic Book Summer, a surprise epilogue issue of "The Walking Dead" and the start of summer events "Empyre" from Marvel and DC's "Dark Nights: Death Metal."

This week we're talking about the following issues: Zatana #4 (2016) Road to Empyre #1 - The Kree/Skrull (2020) Strayed #1 (2019) Justice #5 (2006) DCeased - Unkillables 3 of 3 (2020) Jessica Jones - Blind Spot #6 (2020) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

While comics are still slowly returning to the shelves, we're going to keep taking some time until we get back to reviews, and in the grand Marvel tradition of returning after a break with news, we have some! But you'll have to listen to find out exactly what it is. It's another SpecialTM episode of Make Mine Multiveristy you won't want to miss. There's hot takes. There's some Who's Who's of our hosts ala the Direct Competition. There's even something about the Kree-Skrull war? I wonder why that's important.An instant classic! 7 variant covers, 3 with holo-foil and 1 made of pure chromium.

Hoy hablamos de una saga de los cómics que creemos que tendra mucha influencia en lo que se viene en el MCU: la guerra Kree-Skrull. La emblemática historia de los 70, la adaptación del conflicto en Capitana Marvel, la presencia de los Kree y los Skrull en lo que vimos hasta ahora, las semillas para Secret Invasion, y la importancia de uno de los personajes que más ganas tenemos de ver en pantalla: Hulkling. // ATAJOS // (00:00) Introducción // NOTICIAS //  (08:03) El elenco de Shang-Chi se prepara para volver a grabar  / (11:23) Nuevos proyectos de Sony: Madame Web y Jackpot // TEMA DE LA SEMANA // (27:56) La Guerra Kree-Skrull

Intro Hello and welcome to All Comics Considered, the comic book podcast with a heart of gold.  Tonight, our madcap hosts talk about some of the books they’re reading that you, dear acction hero, should also go into? Pulls  Marty The Other Side W: Jason Aaron A: Cameron Stewart  Kree Skrull War  W: Roy Thomas A: Sal Buscema  Cable W: Gerry Duggan, A: Phil Noto  Nick Hox Pox W: Jonathan Hickman A: Pepe Larraz A: R.B Silva  Immortal Hulk W: Al Ewing, A: Joe Bennet  Avengers Academy W: Gage, A: McKone  Tim Strikeforce W:Tini Howard A: German Peralta 

 Time for the Comic Talk Headlines with Generally Nerdy!  Legendary just unofficially announced a Dune Movie franchise. Captain Marvel 2 rumors are ramping up in the midst of coronavirus lock downs & MORE! Catch up on all the nerdy headlines in TV and Movies, Tuesdays and Fridays. Plus, don't forget to subscribe for more fresh content  TV/StreamingHelstromOne TV show whose production WASN’T halted by the coronavirus has just been confirmed to be finished filming by the series’ star Tom Austen.https://www.instagram.com/p/B9zgzPjn2A6/ DMZAlso, Ava Duvernay, Rosario Dawson, and co. have wrapped filming on their Pilot for HBO Max.https://www.cbr.com/dmz-ava-duvernay-rosario-dawson-announce-end-shooting/ The MandalorianAhsoka Tano has officially been cast for the series. Rosario Dawson will be playing the fan favorite character.https://www.slashfilm.com/rosario-dawson-ahsoka-mandalorian/ MoviesFreddy Vs Jason 2Screenwriters Damian Shannon and Mark Swift from the first movie are hopeful their sequel still might get made. This time throwing Pinhead and the Cenobites into the mix.https://twitter.com/shannonandswift BloodshotSony will be releasing the movie on VOD March 24th. No word on cost… though that $20 price point we talked about in the last video seems likely. Though it seems that this could be a purchase price and not a rental price.https://www.hollywoodreporter.com/amp/heat-vision/sony-release-bloodshot-demand-early-1285261 DuneLegendary Pictures has moved “Sisterhood” showrunner, Jon Spaihts, from the project to an as-yet-unannounced sequel to Denis Villeneuve’s movie. https://www.hollywoodreporter.com/live-feed/dune-sisterhood-showrunner-exit-hbo-max-series-1252449?utm_source=twitter&utm_medium=social&utm_source=t.co&utm_medium=referral Rumor MillSpider-Man 3Kevin Smith claims to have heard that Charlie Cox will be reprising his role as Matt Murdock in the movie. So will THAT be the lawyer we get and NOT Jen Walters?Captain Marvel 2First, we are hearing that SWORD is going to be a big part of the story. Also that Carol Danvers will be putting together the MCU version of the A-Team; to feature She-Hulk, Scarlet Witch, Spider-Woman, Mighty Thor, Valkyrie, and Spectrum. The rumor goes on to imply the movie will be some sort of cosmic horror a la Alien, by bringing in Brood.Secret InvasionThe same rumor that was talking about Captain Marvel 2, also is giving us more rumors about the Secret Invasion Disney+ series. It claims that the Secret Invasion series will explore a group of Skrull refugees hiding out on Earth who are being pursued by a squadron of Kree sleeper cells led by Yon-Rogg and the remaining members of Starforce. The main character will be Hulkling, a Kree-Skrull hybrid who has taken the identity of Teddy Altman, a normal high school student. Hulkling will also cameo in WandaVision and will be a major character in Captain Marvel 2.You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.

Esta semana echamos un ojo al futuro y revisamos que nos espera este 2020 en el mundo de los cómics, desde guerras de Joker hasta una nueva invasion Kree-Skrull y mucho mucho mas. 2020 sera el año de grandes acontecimientos y cambios. Mas de nosotros en facebook donde recibiréis diariamente trivia interesante y curioso sobre Cine, televisión y cómics: https://www.facebook.com/losguardianesdegotham Podéis encontrar mas información sobre vuestra tienda de cómics favorita en siguientes paginas https://gothamcomicsmallorca.blogspot.com https://www.facebook.com/gotham.comics Si tenéis cualquier pregunta, idea o tema que queréis que revisemos nos podéis contactar: losguardianesdegotham@gmail.com Nuestra intro fue creada y animada por el gran PEPMI podeis seguir su trabajo o incluso encargar algo contactando con el: https://www.facebook.com/pepmiilustrador/

La espera terminó y por fin llegó la ansiada última entrega de la Saga del Infinito: Vengadores: Endgame. En este programa comentamos nuestras impresiones sobre la película. Cuidado al pasar, no resbaléis con nuestras babas. En la segunda parte hablamos sobre algunos de los tebeos más importantes de los Vengadores. Historias como La guerra Kree-Skrull, Ultimateso la Saga de Korvac. Selección musical: Dear Mr. Fantasy de TRAFFIC Supersonic Rocket Ship de THE KINKS Hey Lawdy Mama de STEPPENWOLF Está entrando en otra dimensión, un lugar asombroso solo limitado por la imaginación. Su próxima parada, el programa 113 del podcast de ELHDLT.

Fr. Jonathan talks with writer Leah Libresco about the new Captain Marvel film, the joys of 90s nostalgia, and the need for some Kree/Skrull fan fiction. New full length episodes coming soon, so stay tuned!

The Kree/Skrull conflict finally reaches planet C-53 and out of the madness emerges a truly marvelous hero. Mike, Mike, Ashley, and Alex assemble with author Van Allen Plexico to welcome Carol Danvers to the MCU. Plus, Rob Jones returns to tell us about the continuing adventures of Kate Carter in the comic series, Highspot. All this, along with Angela's Geek Girl Take, Michelle’s Iconic Rock Report, Khan Report, and Shout Outs! Earth Station One wants to hear from you. Please write us at earthstationone@esonetwork.com. Feedback is always welcome, and please subscribe and rate the show up on iTunes, Spotify, Stitcher Radio, Google Play, or wherever fine podcasts are found. Table of Contents 0:00:00 Show Open w/ Rants and Raves About SC Comic-Con 0:20:27 Chat with Rob Jones 0:29:46 Michelle’s Iconic Rock Segment 0:33:08 Captain Marvel Movie Review 1:41:29 A Geek Girl’s Take 1:44:28 The Khan Report 1:46:31 Show Close Links ESO Amazon Link Earth Station One on iTunes Earth Station One on Stitcher Radio Earth Station One on Spotify Past Episodes of The Earth Station One Podcast The ESO Network Patreon The New ESO Network TeePublic Store Suicide Prevention Hotline – 1-800-273-8255 Angela’s A Geek Girl’s Take Ashley’s Box Office Buzz Michelle’s Iconic Rock Talk Show Red Cross Earth Station One: Tales of the Station Volume 2 ESO Network Patreon American Foundation for Suicide Prevention Raices Texas The 2018 Dragon Con Preview Tour The ESO Network on iTunes Earth Station One Tales of the Station Vol. 3 on Amazon.com Ashley’s Captain Marvel Review Van Allen Plexico’s Avengers Assemble site Karilyne: Heart Cold as Ice by Van Allen Plexico Rob Jones’ Highspot ESO Network Upcoming Appearances Mar 22-25 Metrotham Con (East Ridge, TN) ESO (MikeG) If you would like to leave feedback or a comment on the show please call the ESO feedback line at (404)963-9057 (remember long distance charges may apply) or feel free to email us @ earthstationone@esonetwork.com The post Earth Station One Podcast – Captain Marvel Movie Review appeared first on The ESO Network.

Power up, Miscreants, as we battle our way through the Kree/Skrull war! Join William and Daisy for one supremely EPIC spoiler review of the new addition to the Marvel Cinematic Universe, Captain Marvel! The post Captain Marvel – EPIC SPOILER REVIEW! Plus EASTER EGGS – Podcast appeared first on Miscast Entertainment.

Snarf launches into the Marvel Universe with our epic review of Captain Marvel! Listen as we launch into our own Kree - Skrull war, and bring you all the up's and down's of Marvel's newest superhero franchise. Featuring all the news you can use, as well as discussions and reviews of Green Book, Umbrella Academy, Punisher, Disaster Artist, The Bodyguard, The Founder, and Gatsby. Check out our Social Media!!SnarfComics.comSnarf Comics YouTube Channel@SnarfComics Instagram@SnarfComics Facebook@SnarfComics TwitterPlease subscribe and leave us a review on the Apple Podcast App or  iTunes, and send us your feedback, comments, and show ideas!

Captain Marvel fills in the blanks between the events of Captain America: The First Avenger and Iron Man, giving fans a look at the early SHIELD days, the state of Kree/Skrull relationship, and the origins of a new hero. The crew debates the standards placed by Comic Book films, where Captain Marvel fits within a new era of Superhero Film, and why Nick Fury didn't call her during The Battle of New York. Be sure to like and subscribe to the channel to get these episodes as they air! Plus, check us out on Anchor, Apple Podcasts, and all 3rd party podcast apps. Want to be a part of the show? Leave us a voice recording on the Anchor app, or email us at sanctuary1radio@gmail.com and we'll take your questions live, on air! --- Support this podcast: https://anchor.fm/s1radio/support

The dream of the 90s is alive in the MCU! Jon, Steven, Lisa Brown, Tina Canfield, and David Brown discuss whether two directors diluted the vision of the story, spotting Kelly Sue DeConnick in a crowd, and whose side to take in a Kree/Skrull war. Plus, is Carol Danvers a Read more... The post Caffeinated Comics – Captain Marvel appeared first on Radio Misfits.

Brie Larson stars as Carol Danvers, aka Vers, aka Captain Marvel, an ultra-powerful warrior for an alien race called the Kree, from the capital planet Hala, part of an elite group of warriors called Starforce, who are doing battle with the fearsome, shape-shifting Skrulls, who have the power to impersonate other living beings, with a notable limitation in memories. She is haunted by her own memories of a strange time and place, when she was a pilot in the United States Air Force, which she ends up learning more about when she ends up jettisoned on Earth in 1995. After an explosive skirmish and her high-powered suit catches the interest of the agents of S.H.I.E.L.D., she meets the initially skeptical Nick Fury (Samuel L. Jackson), and begins her search for the light-speed engine, another object in Vers's memories, that both civilizations want to get their hands on first.  It is on Earth that she begins to put the pieces of her memory and former life there back together, reuniting with old friends in her old stomping grounds.  She also begins to discover more about her mission, what is being fought for, and the nature of the vicious Kree-Skrull war that she never knew about.  Unfortunately, the Skrulls, led by Talos, are in hot pursuit on a planet completely unaware and unprepared for the arrival of such high-powered beings.

Higher further faster baby!! With Shahir still away visiting his home planet, Matt enlists film director, comic book writer, and old MTV friend Carly Usdin to take the co-pilot seat for this discussion on the 21st MCU film. Does Brie Larson's Carol Danvers shine in this extraterrestrial 90's nostalgia not-so-origin story? Or was this just the same ho-hum Kree-Skrull war, just with 100% more cats? Join us this week for a special early episode to find out. (: If you've got an opinion worth fighting for, please email us at OnlyMoviePodcast@gmail.com or fire it via twitters new photon-beam feature @onlymoviepod

Just two months before Avengers 4 hits cinemas, we get our first solo outing with Captain Marvel - confirmed as being the most powerful hero in the entire MCU - and a chance to see her powers before we see them being put to use trying to defeat Thanos. The film is groundbreaking for Marvel as it will be their first Hollywood blockbuster starring a female superhero and takes place during the 1990s where we see younger versions of Nick Fury and Phil Coulson helping Carol Danvers investigate her former life on Earth before she became a cosmic powerhouse stuck in the middle of the famed Kree/Skrull war. Brie Larson takes on her biggest role to date and all signs point to another smash-hit Marvel films with the trailer showing the film to take place both on Earth and in the deepest regions of space. Let us know your thoughts on the trailer, the character and your expectations for the film itself. We can't wait to see this!

¿Un episodio de los Superweyes enteramente grabado por Skrulls? Pues así parece por los defectos en el audio *ehem*. A pesar de ser una historia icónica, la Guerra Kree Skrull no es tan conocida ni tan elogiada como otras series. Escrita por Roy Thomas, y dibujada por Neal Adams entre otros, se considera representante de una era. Roy Thomas heredó el universo Marvel y le dió las bases firmes que Stan dejó en el aire, mientras que Neal Adams con su dibujo revolucionario asombró a toda una generación de lectores. No es la mejor unión de texto y arte, pero representa los cimientos sobre los que todas las historias actuales de Marvel se basan. Tiene usted que leerlo osado podescucha. Además! Defectos de grabación por falta de aislamiento en los micrófonos!!! 'Nuff Said! Descarga aquí (click derecho y guardar como)o Escucha directamente:If you canto see the audio controls, listen/download the audio file here

En el programa de hoy nos volvemos a atrever con un clásico básico de la casa de las ideas, una gran epopeya cósmica de los héroes más poderosos de la Tierra, Los Vengadores en la guerra Kree-Skrull que a lo largo de 9 números a primeros de los 70 protagonizaron una de las sagas mas recordadas y revisitadas de este grupo en un historia firmada por Roy Thomas e ilustrada por Sal Buscema, John Buscema y Neal Adams.

En el programa de hoy nos volvemos a atrever con un clásico básico de la casa de las ideas, una gran epopeya cósmica de los héroes más poderosos de la Tierra, Los Vengadores en la guerra Kree-Skrull que a lo largo de 9 números a primeros de los 70 protagonizaron una de las sagas mas recordadas y revisitadas de este grupo en un historia firmada por Roy Thomas e ilustrada por Sal Buscema, John Buscema y Neal Adams.

Esta semana hablamos del Capitán Marvel, soldado del imperio kree que se unió a Los Vengadores y tuvo un papel protagonista en los arcos argumentales de La Guerra de Thanos y el enfrentamiento Kree-Skrull. Todo ello acompañado de la música del genial David Bowie. En las noticias comentamos el éxito de taquilla de la película Escuadrón suicida, de la influencia de los trailers, las declaraciones de Natalie Portman sobre Thor: Ragnarok y el final del rodaje de la tercera película en solitario de Hugh Jackman como Wolverine. Enlaces: Los Mensaheros 014 - Parte 2: Suicide Squad: http://nacionpodcast.com/index.php/2016/08/20/los-mensaheros-014-suicide-squad-parte-2-2/ La Parroquia - Homenaje a David Bowie Parte 1: https://www.ivoox.com/gran-noche-homenaje-a-david-bowie-audios-mp3_rf_10080947_1.html Parte 2:https://www.ivoox.com/segunda-parte-del-homenaje-a-david-bowie-audios-mp3_rf_10161931_1.html Web FanCon: http://www.fanconbcn.com/ Recuerda que puedes suscribirte a nuestro podcast a través de iVoox y de iTunes (http://apple.co/2aXis83). Y que las historias sobre superhéroes siempre tienen escenas postcréditos ;)