POPULARITY
9 episodes with Mouly
8 episodes with Mouly
7 episodes with Mouly
5 episodes with Mouly
2 episodes with Mouly
2 episodes with Mouly
WHEN EUSTACE MET FRANÇOISE— I first met Françoise Mouly at The New Yorker's old Times Square offices. This was way back when artists used to deliver illustrations in person. I had stopped by to turn in a spot drawing and was introduced to Françoise, their newly-minted cover art editor.I should have been intimidated, but I was fresh off the boat from Canada and deeply ensconced in my own bubble—hockey, baseball, Leonard Cohen—and so not yet aware of her groundbreaking work at Raw magazine.Much time has passed since that fortuitous day and I've thankfully caught up with her ouevre—gonna get as many French words into this as I can—through back issues of Raw and TOON Books. But mostly with The New Yorker, where we have worked together for over 30 years and I've been afforded a front-row seat to witness her mode du travail, her nonpareil mélange of visual storytelling skills.Speaking just from my own experience, I can't tell you how many times at the end of a harsh deadline I've handed in a desperate, incoherent mess of watercolor and ink, only to see the published product a day later magically made whole, readable, and aesthetically pleasing.Because Françoise prefers her artists to get the credit, I assume she won't want me mentioning the many times she rescued my images from floundering. I can remember apologetically submitting caricatures with poor likenesses, which she somehow managed to fix with a little digital manipulation—a hairline move forward here, a nose sharpened there. Or ideas that mostly worked turned on their head—with the artist's permission, of course—to suddenly drive the point all the way home.For Françoise, “the point” is always the point. Beautiful pictures are fine, but what does the image say? Françoise maintains a wide circle of devoted contributing artists—from renowned gallery painters to scribbling cartoonists, and all gradations between—from whom she regularly coaxes their best work. I thank my étoiles chanceuses to be part of that group.And now, an interview with Françoise. Apparently. —Barry Blitt—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025
Le magazine "New Yorker" fête ses 100 ans. Arnaud Tousch, correspondant de RTL et M6, aux États-Unis, a pu rencontré la directrice artistique du plus new yorkais des magazines : la Française Françoise Mouly, qui a un nombre d'anecdotes incroyables sur ce magazine qui continue d'être publié. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
PODCAST - Le magazine "New Yorker" fête ses 100 ans. Arnaud Tousch, correspondant de RTL et M6, aux États-Unis, a pu rencontré la directrice artistique du plus new yorkais des magazines : la Française Françoise Mouly, qui a un nombre d'anecdotes incroyables sur ce magazine qui continue d'être publié. Chaque semaine, le mardi, Arnaud Tousch nous adresse une lettre d'Amérique. Un podcast sous forme de courrier audio, posté depuis Manhattan, à New York. Une carte postale sonore pour nous aider à mieux comprendre cette Amérique à la fois si familière et parfois totalement déconcertante. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
PODCAST - Le magazine "New Yorker" fête ses 100 ans. Arnaud Tousch, correspondant de RTL et M6, aux États-Unis, a pu rencontré la directrice artistique du plus new yorkais des magazines : la Française Françoise Mouly, qui a un nombre d'anecdotes incroyables sur ce magazine qui continue d'être publié.
PODCAST - Le magazine "New Yorker" fête ses 100 ans. Arnaud Tousch, correspondant de RTL et M6, aux États-Unis, a pu rencontré la directrice artistique du plus new yorkais des magazines : la Française Françoise Mouly, qui a un nombre d'anecdotes incroyables sur ce magazine qui continue d'être publié.
L'Histoire a connu de grands fraudeurs, arnaqueurs, escrocs ou encore manipulateurs… En se faisant passer pour ceux qu'ils n'étaient pas, en créant leur propre système économique frauduleux ou encore en vendant des choses qui ne leur appartenaient pas, nombreux ont été ceux qui ont cherché à se faire de l'argent illégalement.Et c'est leur malice qui a fait leur renommée. Ce sont leurs destins que l'on a souhaité vous raconter dans cette série de podcast appelée Une Fraude Presque Parfaite, imaginée par Finovox. Embarquez donc pour une dizaine de minutes et retracez les grandes histoires de fraudeurs avec Justine Gaget, Content Manager et Podcasteuse. Dans ce nouvel épisode, nous mettons en lumière Marco Mouly et Grégory Zaoui, les cerveaux derrière l'une des plus grandes fraudes à la TVA en Europe. Cette escroquerie a coûté des milliards d'euros aux gouvernements européens et a échappé aux contrôles pendant de longues années. Comment ces deux individus ont-ils exploité les failles d'un système européen supposé être infaillible ? Découvrez leur histoire fascinante dans cet épisode !⭐ Si cet épisode vous plaît, n'hésitez pas à le partager sans modération !
Bienvenue dans la traque. Cette semaine, découvrez une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. La fête est finie 7 juillet 2016, 10 heures. La cour s'installe. La défense des deux principaux accusés n'a pas convaincu les jurés. Le procureur réclame 10 ans de prison pour le “logisticien” de la fraude : Marco, Mardoché Mouly. Et la même peine pour le financier, Arnaud Mimran, dont les actions étaient bel et bien méthodiques et planifiées, contrairement à ce qu'il a déclaré pendant l'enquête. Sur le banc des accusés, Arnaud Mimran est seul. Il n'arrête pas de se retourner, il guette l'arrivée de son co-accusé Marco Mouly. Marco devrait être là… Mais il ne se présentera jamais le jour du procès… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : la rock star de WikiLeaks (1/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : affaires d'abus sexuels en Suède (2/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : six ans et 10 mois sans sortir (3/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : une omerta légale (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Première diffusion le 11 octobre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. Meurtres et trahisons Dans le monde des voyous, L'argent amène souvent le sang. Dans l'affaire de l'arnaque au carbone, les premières gouttes coulent le 30 avril 2010. Amar Azzoug, dit “Amar les yeux bleus”, un caïd, ancien braqueur, proche de l'équipe de Belleville, se fait descendre d'une balle dans la tête par deux hommes casqués, devant témoins. L'euphorie du casse du siècle laisse place à la peur. Les braqueurs de Belleville n'ont pas été élevés dans la violence, ce sont des magouilleurs, mais pas des tueurs… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : la rock star de WikiLeaks (1/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : affaires d'abus sexuels en Suède (2/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : six ans et 10 mois sans sortir (3/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : une omerta légale (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Première diffusion le 10 octobre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. Une vie de millionnaires 11 décembre 1997, la date est historique. 84 pays des Nations Unies s'accordent pour lutter contre le changement climatique. Il est urgent de réduire les émissions de CO2. Et tous les pays du monde sont d'accord : les gros pollueurs doivent payer. L'idée, c'est d'attribuer des quotas de CO2 aux entreprises. Tout le monde s'y retrouve et petit bonus, ce mouvement crée de fait un nouveau marché financier, très prometteur. Qu'importe le produit, dès qu'un nouveau marché émerge, les gars de Belleville ne sont jamais loin. Ils tendent l'oreille, toujours à l'affût… Le bruit court que le marché du carbone pourrait bien être le nouvel eldorado des arnaqueurs… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : la rock star de WikiLeaks (1/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : affaires d'abus sexuels en Suède (2/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : six ans et 10 mois sans sortir (3/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : une omerta légale (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Première diffusion le 9 octobre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. Les petites voleurs de Belleville Marco Mouly grandit à Belleville à la fin des années 60. Il passe le plus clair de son temps dans la rue, fuyant le studio de 25 mètres carrés où sa famille a emménagé. Il traîne avec sa bande de copains Marco ne sait ni lire, ni écrire. Son éducation, il l'a fait dans la rue. Les magouilles, les mensonges, les vols, le gamin apprend vite à embobiner tous les gens qu'ils rencontrent. Quand il ne pique pas discrètement dans la caisse de la boucherie de son père, Marco fait des petits boulots : les marchés, les livraisons, la vente de marchandises tombées du camion… C'est déjà une graine d'escroc et il comprend vite que l'argent ouvre des portes, puisque tout s'achète… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : la rock star de WikiLeaks (1/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : affaires d'abus sexuels en Suède (2/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : six ans et 10 mois sans sortir (3/4) [INEDIT] Julian Assange, “l'homme le plus dangereux du monde” : une omerta légale (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Première diffusion le 8 octobre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Dans cette saison, découvrez la traque du roi des escrocs : Marco Mouly. Son ascension dans le milieu criminel a débuté dans sa jeunesse, où il a rapidement été attiré par des choix de vie risqués. Au fil des années, il a acquis une réputation qui lui a permis de se faire un nom dans des cercles peu recommandables. Il est avant tout connu pour avoir mis en place un système de fraude à la taxe carbone, et pour l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prison en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Joignez-vous alors à nous et découvrez cette nouvelle saison prochainement disponible sur toutes les plateformes d'écoute. À très vite dans La Traque ! Learn more about your ad choices. Visit megaphone.fm/adchoices
Stuur me een bericht.Omdat dit de tiende aflevering van Podlood is, vind ik dat ik ook eens een illustrator mag uitnodigen in m'n atelier. Al vraag ik me luidop af of ‘illustrator' de lading voldoende dekt voor Klaas Verplancke.Klaas is een bevlogen verteller en het valt me op hoe genereus hij zijn ervaringen – hoogtepunten en dieptepunten – deelt. Hij heeft er veel uit geleerd en door erover te vertellen kunnen anderen dat ook. Dat is hoe Klaas lesgeeft: vanuit de buik, vanuit ervaring.We hebben het over Jot en over The New Yorker, twee hoogtepunten in de carrière van Klaas, en over hoe je zowel wat geluk moet hebben als keihard moet doorzetten als artiest. Christoph Niemann komt geregeld om de hoek loeren en Françoise Mouly duwt Klaas bijna de afgrond in om hem tien jaar later bovenop de berg te zetten. Een gesprek over volharding, netwerken en wijsheidstanden.In deze aflevering hebben we het onder andere over Gregie De Maeyer, Steven Heller, Christoph Niemann, Fam Ekman, Jiri Salamoun, Art Spiegelman, Françoise Mouly, Roland Topor, Tomi Ungerer en Saul Steinberg.Meer Podlood? Voor meer info over de podcast en afleveringen, surf naar www.podlood.be. Voor nieuws en updates, abonneer je op Brief uit het atelier, de nieuwsbrief waarin schrijf ik over boeken of andere dingen waaraan ik werk en ook over nieuwe afleveringen van deze podcast. Je kan ook @kristoftekent volgen op Instagram. Je kan Podlood gratis steunen door de show in jouw favoriete podcast-app vijf sterren te geven, een positieve review te schrijven én een vriend of vriendin die veel voor jou (be)tekent over de podcast te vertellen. Dit helpt Podlood echt vooruit. Will je all the way steunen? De Podlood-pin is hét symbool van jouw appreciatie voor de show. Een podcast onderhouden brengt kosten met zich mee en jouw bijdrage helpt deze te dragen, in stijl. Je bestelt de pin op www.podlood.be. Podlood is een productie van en door Kristof Devos. Logo, cover art en branding door Kristof Devos. Theme song door Skilsel. ©Kristof Devos
Bienvenue dans la traque. Cette semaine, découvrez une toute nouvelle saison. Une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. La fête est finie 7 juillet 2016, 10 heures. La cour s'installe. La défense des deux principaux accusés n'a pas convaincu les jurés. Le procureur réclame 10 ans de prison pour le “logisticien” de la fraude : Marco, Mardoché Mouly. Et la même peine pour le financier, Arnaud Mimran, dont les actions étaient bel et bien méthodiques et planifiées, contrairement à ce qu'il a déclaré pendant l'enquête. Sur le banc des accusés, Arnaud Mimran est seul. Il n'arrête pas de se retourner, il guette l'arrivée de son co-accusé Marco Mouly. Marco devrait être là… Mais il ne se présentera jamais le jour du procès… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Frank Abagnale, le plus grand des faux escrocs : des mensonges toujours plus gros (1/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : un parasite en Louisiane (2/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : la métamorphose de l'imposteur (3/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : une vie de mensonge (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une toute nouvelle saison. Une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. Meurtres et trahisons Dans le monde des voyous, L'argent amène souvent le sang. Dans l'affaire de l'arnaque au carbone, les premières gouttes coulent le 30 avril 2010. Amar Azzoug, dit “Amar les yeux bleus”, un caïd, ancien braqueur, proche de l'équipe de Belleville, se fait descendre d'une balle dans la tête par deux hommes casqués, devant témoins. L'euphorie du casse du siècle laisse place à la peur. Les braqueurs de Belleville n'ont pas été élevés dans la violence, ce sont des magouilleurs, mais pas des tueurs… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Frank Abagnale, le plus grand des faux escrocs : des mensonges toujours plus gros (1/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : un parasite en Louisiane (2/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : la métamorphose de l'imposteur (3/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : une vie de mensonge (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une toute nouvelle saison. Une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. Une vie de millionnaires 11 décembre 1997, la date est historique. 84 pays des Nations Unies s'accordent pour lutter contre le changement climatique. Il est urgent de réduire les émissions de CO2. Et tous les pays du monde sont d'accord : les gros pollueurs doivent payer. L'idée, c'est d'attribuer des quotas de CO2 aux entreprises. Tout le monde s'y retrouve et petit bonus, ce mouvement crée de fait un nouveau marché financier, très prometteur. Qu'importe le produit, dès qu'un nouveau marché émerge, les gars de Belleville ne sont jamais loin. Ils tendent l'oreille, toujours à l'affût… Le bruit court que le marché du carbone pourrait bien être le nouvel eldorado des arnaqueurs… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Frank Abagnale, le plus grand des faux escrocs : des mensonges toujours plus gros (1/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : un parasite en Louisiane (2/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : la métamorphose de l'imposteur (3/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : une vie de mensonge (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une toute nouvelle saison. Une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Retraçons ensemble le parcours criminel de l'un des escrocs les plus emblématiques de l'histoire de France, Marco Mouly. Parti de rien, il est connu pour avoir mis en place un système de fraude à la taxe carbone, et est responsable de l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prisons en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Une histoire pleine de rebondissements. Les petites voleurs de Belleville Marco Mouly grandit à Belleville à la fin des années 60. Il passe le plus clair de son temps dans la rue, fuyant le studio de 25 mètres carrés où sa famille a emménagé. Il traîne avec sa bande de copains Marco ne sait ni lire, ni écrire. Son éducation, il l'a fait dans la rue. Les magouilles, les mensonges, les vols, le gamin apprend vite à embobiner tous les gens qu'ils rencontrent. Quand il ne pique pas discrètement dans la caisse de la boucherie de son père, Marco fait des petits boulots : les marchés, les livraisons, la vente de marchandises tombées du camion… C'est déjà une graine d'escroc et il comprend vite que l'argent ouvre des portes, puisque tout s'achète… Pour découvrir une autre traque, cliquez ci-dessous : [INEDIT] Frank Abagnale, le plus grand des faux escrocs : des mensonges toujours plus gros (1/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : un parasite en Louisiane (2/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : la métamorphose de l'imposteur (3/4) [INEDIT] Frank Abagnale, le plus grand des faux escrocs : une vie de mensonge (4/4) Crédits : Production : Bababam Textes : Capucine Lebot Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices
Bienvenue dans la traque. Cette semaine, découvrez une toute nouvelle saison. Une histoire, prête à vous entraîner dans l'exploration d'un parcours criminel, saisissant. Dans cette nouvelle saison, découvrez la traque du roi des escrocs : Marco Mouly. Son ascension dans le milieu criminel a débuté dans sa jeunesse, où il a rapidement été attiré par des choix de vie risqués. Au fil des années, il a acquis une réputation qui lui a permis de se faire un nom dans des cercles peu recommandables. Il est avant tout connu pour avoir mis en place un système de fraude à la taxe carbone, et pour l'un des plus grands détournements financiers de l'histoire. Condamné à 8 ans de prison en 2019, il décide de s'enfuir. Débute alors un véritable jeu avec la police. Joignez-vous alors à nous et découvrez cette nouvelle saison prochainement disponible sur toutes les plateformes d'écoute. À très vite dans La Traque ! Learn more about your ad choices. Visit megaphone.fm/adchoices
Ecoutez L'incontournable de RTL avec Isabelle Choquet du 22 septembre 2024.
Un hombre conocido mundialmente por dedicarse a hacer negocios sucios en relación al carbono. Un tunecino que residía en Francia, y que acabó involucrado en varias investigaciones judiciales, hasta que finalmente termino siendo apresado, no sin antes hacerse millonario.See omnystudio.com/listener for privacy information.
Tous les matins juste après le journal de 6h30, un fait divers repéré et raconté par les journalistes du service Police-Justice de RMC.
Negotiators attempt to establish a six-week cease-fire and hostage exchange deal between Israel and Hamas before the start of the sacred Islamic month of Ramadan; Portugal holds a snap parliamentary election with a far-right party gaining traction; international films gain prominence at the ninety-sixth Academy Awards; and Chinese President Xi Jinping breaks with the thirty-year tradition of the premier's press conference after the National People's Congress. Mentioned on the Podcast J.A. Bayona, Society of the Snow Ilker Çatak, The Teachers' Lounge Manohla Dargis, “‘The Zone of Interest' Review: The Holocaust, Reduced to Background Noise,” New York Times Matteo Garrone, Io Capitano Greta Gerwig, Barbie Johnathan Glazer, The Zone of Interest Andrea Kannapell, Hwaida Saad, and Michael D. Shear, “‘We Need a Cease-Fire,' Biden Says.” New York Times Yorgos Lanthimos, Poor Things Françoise Mouly, “Barry Blitt's ‘Slappenheimer',” New Yorker Christopher Nolan, Oppenheimer Celine Song, Past Lives Justine Triet, Anatomy of a Fall Wim Wenders, Perfect Days For an episode transcript and show notes, visit The World Next Week at: https://www.cfr.org/podcasts/ramadan-cease-fire-prospects-portugals-snap-election-oscars-go-international-and-more
Pascal Praud revient pendant deux heures, sans concession, sur tous les sujets qui font l'actualité. Aujourd'hui, il accueille le docteur Mouly à l'occasion de la sortie de son nouveau livre.Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.
➙ Cette chaîne vit grâce à vos dons ! https://linktr.ee/limit.media BAD INFLUENCE #EPISODE02 si vous ne connaissez pas ce format et que vous avez l'habitude de suivre des vidéos d'experts et de scientifique, vous devez être prévenu car la suite pourrait bien dénoté du reste de nos vidéos et vous surprendre, il s'agit d'un concept où nous allons dans un tout autre monde, celui des influenceurs. Aujourd'hui @marcomouly4430 , pour ceux qui ne le connaissent pas, il est devenu célèbre du grand public suite au documentaire @Netflix "Les Rois de l'Arnaque". Grandeur et décadence de Marco Mouly, des soirées et des fêtes privées avec les plus grands artistes de la pop et du rap, jeter l'argent par toutes les fenêtres c'est bien ce qui le caractérise. Parti d'un milieu défavorisé, certains le considère comme un arnaqueur véreux d'autres comme un robin des bois, il a monté plusieurs business et s'est retrouvé condamné par la justice pour Fraude à la TVA sur les quotas de carbone. Le montant du préjudice : 283 millions d'euros qu'il est condamné à rembourser. Dans cette vidéo nous n'allons pas discuter de l'arnaque qui a déjà fait l'objets de plusieurs vidéos youtube et du documentaire en lui-même mais de tout ce qu'il se passe de l'autre côté quand on devient riche à millions, sa relation au monde, aux autres, l'exemple qu'on montre, le sens, l'ostentation, la compétition, l'égo sur-dimensionné, simulacre du bonheur cette vie de strass et paillette qu'il a tant voulu aurait-elle fait bien pire en le rendant ultra-malheureux ? Si il fallait bien une personne pour un épisode de "BAD INFLUENCE" (Mauvaise influence) c'est bien avec Marco Mouly.
durée : 00:06:51 - L'invité de 6h20 - Des membres de la Civiise démissionnent pour protester contre la nouvelle direction : Angélique Mouly, présidente de la vie sociale de la Maison d'accueil Jean-Bru, membre démissionnaire de la Ciivise est l'invitée de 6h20
durée : 02:58:42 - Le 6/9 - par : Mathilde Khlat, Benjamin Dussy, Marion L'hour, Ali Baddou - Les invités du 6/9 du vendredi 15 décembre, au micro de Marion L'Hour et d'Ali Baddou sont Angélique Mouly, Dominique Seux et Thomas Porcher, et Elias Sanbar. - invités : Angélique Mouly, Elias Sanbar, Dominique Seux, Thomas PORCHER - Angélique Mouly : Présidente du conseil de la vie sociale de la Maison d'accueil Jean-Bru, membre de la CIIVISE, Elias Sanbar : Historien, poète, essayiste, traducteur du poète Mahmoud Darwich et ancien ambassadeur de la Palestine auprès de l'Unesco, Dominique Seux : Directeur délégué de la rédaction des Echos et éditorialiste à France Inter, Thomas Porcher : Économiste, professeur à la Paris School of Business - réalisé par : Marie MéRIER
Longtime friend and editor of Bookworm, Alan Howard, returns to host this episode, the last of 10 shows to journey through Bookworm's 33 years and offer a retrospective look at Michael's accomplishments on behalf of writers and readers. For decades Michael has read almost all of a writer's work, not just the book which has been most recently published. Howard has watched writers glow as they realize that they've been seriously witnessed by the ultimate Bookworm. All of the writers on today's show have become friends of Michael's and of Bookworm. We'll hear from rock band Sparks (brothers Ron and Russell Mael), Art Spiegelman, Françoise Mouly, Ann Beattie, Susan Sontag, and Dennis Cooper.
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Traitement hormonal de la ménopause : conseils du Dr Michel Mouly
Faux passeports : Marco Mouly est poursuivi pour ses propos tenus dans TPMP Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.01.514746v1?rss=1 Authors: Lemerle, E., Laine, J., Moulay, G., Bigot, A., Labasse, C., Madelaine, A., Canette, A., Aubin, P., Vallat, J.-M., Romero, N. B., Bitoun, M., Mouly, V., Isabelle, M., Cadot, B., Picas, L., Vassilopoulos, S. Abstract: Excitation-contraction coupling requires a highly specialized membrane structure, the triad, composed of a plasma membrane invagination, the T-tubule, surrounded by two sarcoplasmic reticulum terminal cisternae. Although the precise mechanisms governing T-tubule biogenesis and triad formation remain largely unknown, studies have shown that caveolae participate in T-tubule formation and mutations of several of their constituents induce muscle weakness and myopathies. Here, we demonstrate that, at the plasma membrane, caveolae composed of caveolin-3 and Bin1 assemble into ring-like structures from which emerge tubes enriched in the dihydropyridine receptor. Overexpression of Bin1 lead to the formation of both rings and tubes and we show that Bin1 forms scaffolds on which caveolae accumulate to form the initial T-tubule. Cav3 deficiency caused by either gene silencing or pathogenic mutations cause defective ring formation and perturbed Bin1-mediated tubulation that may explain defective T-tubule organization in mature muscles. Our results uncover new pathophysiological mechanisms that may prove relevant to myopathies caused by Cav3 or Bin1. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.17.512510v1?rss=1 Authors: Boulanger-Bertolus, J., Courtiol, E., Buonviso, N., Mouly, A.-M. Abstract: Sniffing has proven to be a useful behavioral readout for assessing olfactory performance in adult rats. However, little is known about how sniffing response changes through ontogeny. This study thus aimed at characterizing respiratory response to an odor through development in rats using paradigms applicable to both young pups and adults. We first analyzed the sniffing response to the arrival of a novel neutral odor. Then the value of the odor was changed through either its repeated presentation, i.e. odor habituation, or its association with a foot-shock resulting in odor fear. In the habituation task, we found that at the three ages, the first presentation of the novel odor induced a clear sniffing response but the peak respiratory frequency was higher in adults than in juveniles and infants. When the odor was presented repeatedly, the sniffing response gradually faded. This habituation of the response took more trials as the animals age increases. In the fear conditioning task, the odor induced an increase in respiratory rate that persisted until the end of the session in adults and infants, while it faded rapidly in juveniles. When the odor was explicitly unpaired with the foot-shock, at the three ages the respiratory response to the odor lasted less over the session than in the paired condition. Finally, we observed that shock delivery induced a similar respiratory response at the three ages in paired and unpaired condition. Collectively these data show that sniffing response constitutes a faithful index to assess rats olfactory abilities through ontogeny. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
As the youngest of seven children hailing from a Jewish family, Mardoché “Marco” Mouly didn't have an easy life growing up. Like several others from their community, his family left Tunisia in the mid-1960s, only to settle down in Paris and start a butcher shop. Regrettably, he had to drop out of school at 12 after his father left, leading him to develop other skills. Marco became street smart, bold, and confident, so his speaking style and attitude eventually compensated for his illiteracy. That's how he was able to carve a path in the world, albeit in the form of illegal trades. --- Send in a voice message: https://anchor.fm/you-betterknow4/message
As the youngest of seven children hailing from a Jewish family, Mardoché “Marco” Mouly didn't have an easy life growing up. Like several others from their community, his family left Tunisia in the mid-1960s, only to settle down in Paris and start a butcher shop. Regrettably, he had to drop out of school at 12 after his father left, leading him to develop other skills. Marco became street smart, bold, and confident, so his speaking style and attitude eventually compensated for his illiteracy. That's how he was able to carve a path in the world, albeit in the form of illegal trades. --- Send in a voice message: https://anchor.fm/you-betterknow4/message
This is the second of two podcast conversations with authors of policy briefs in the newest collection published by the Kroc Institute's Peace Accords Matrix. The briefs address content and process-related issues in peace agreement design, especially regarding inclusion of citizens' rights. In this episode, Josefina Echavarría, director of the Peace Accords Matrix and associate professor of the practice, hosts a conversation with policy brief authors Cécile Mouly, research professor at the Latin American Faculty of Social Sciences (FLACSO), Ecuador, and coordinator of the Research Group on Peace and Conflict, and Luis Peña, Visiting Research Fellow at the Kroc Institute for International Peace Studies and Vice President of the International Association of Reconciliation Studies. You can read all policy briefs at peaceaccords.nd.edu/policy.
Marco Mouly, le roi de l'arnaque au carbone revient sur son enfance en Tunisie, ses relations avec son père, son actu musicale et littéraire et évidemment sur les coulisses du documentaire "les rois de l'arnaque" diffusé sur Netflix. Il nous livre en exclusivité que le "cerveau" Gregory Zaoui n'est en réalité que mascarade et nous donne son avis sur les influenceurs et le combat mené par le rappeur Booba pour faire arrêter les escroqueries des placements de produit. C'est un Marco Mouly touchant et sincère qui fait tomber le masque pour Beurn Out. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Retrouvez dans ce podcast le Dr Mouly : gynécologue, obstétricien, chirurgien et cancérologue. Il aborde avec nous le thème délicat de l'infertilité ou du moins, dans une approche plus positive, "la préservation de la fertilité" que ce soit pour l'homme comme pour la femme.
Rejoindre le Campus des Créateurs Nomades : https://createursnomades.com/campus Claire Mouly est directrice artistique. Elle est aussi membre de notre formation phare : le Campus des Créateurs Nomades. Son parcours peut te donner un coup de boost pour te lancer à ton tour. Il y a un an, Claire était encore employée en agence à Londres. Mais se lancer en indépendante la titillait depuis un moment... Alors elle a décidé d'oser, de sauter le pas en y allant étape par étape. Finalement, en octobre, elle a pris la décision de créer son studio graphique et de partir sur les routes. Elle a eu l'occasion de rejoindre une autre membre du Campus lors d'un coliving au Portugal avant d'aller vivre dans un autre coliving 1 mois à Lagos. Son activité commence fort avec de nouveaux clients signés, grâce à cette expérience, et elle reçoit de nouvelles demandes ! Bref, une belle lancée qui devrait te donner des ailes. Claire te partage ses conseils pour te lancer, ce qu'elle a retenu de cette première année... Et comment préparer ton premier voyage en digital nomad. Retrouve Claire Mouly sur : https://www.akenstudio.com/https://www.instagram.com/aken.designstudio https://www.behance.net/clairemouly
Exercise can age you? Yes, in spite of the long list of benefits and disease-halting, preventing features the wrong exercise can age you. This episode unpacks the pros, cons, how's, and what's. Exercise training is one of the few non-pharmecuetical interventions that improves health span by delaying age-related diseases and preventing early death. That's a happy statement that lands a little glum. “I'm going to workout today to prevent early death,” said no one ever. So, let's not forget that with the right exercise you don't have the negative side effects every drug ever has, you also get the positive benefits of exercise too. Immediate gratification is alive and well for exercisers. Click here for benefits of one workout In this episode: How could exercise be aging you at worst, or limiting your results ? What are telomeres? What influences their length Set the Stage for this post: The length of your telomeres (on your chromosomes) is one of the main indicators of biological age. They shorten with cellular division. That's happening constantly as we age. New healthy cells are needed. To imagine telomeres, you can take yourself back to junior high science and the image of DNA and discussion of chromosomes. For an analogy we can all understand, telemeres are like the little plastic covers on the ends of shoelaces that keep them from fraying. With me? The longer your telomere, the better. In the aging process they shorten. But telomeres are influenced by many factors. This is where it gets good. We can influence our telomere length and therefore, change our biological age. Your telemere length is altered by: your diet genetic predisposition healthy (or not) lifestyle But your training status and physical fitness are the major factors that control these kinds of DNA changes. “TL is positively associated with cardiorespiratory fitness, physical activity level (sedentary, active, moderately trained, or elite) and training intensity, but is shorter in over-trained athletes.” Even a single bout of [optimal] aerobic exercise may support telomere length. (Learn other immediate benefits from a single bout of exercise here). “While exercise cannot stop the biological aging process, a rigorous training regime may lead to slower declines in strength or aerobic capacity from their maximal values” Isolating a discussion to telomeres only is almost impossible. The level of strength and endurance, and ability to control for reduced injuries, influences ability to perform activity that improves telomeres. For that reason, it's important to discuss the foundational need for strength training. Especially, that type of challenging strength training that results in muscle fatigue. The use of power, a component of strength + speed, provides an optimal benefit for reaction skills, and maintenance of fast twitch muscle fibers. Fast Twitch Muscle Loss [Click image above to play the video] Establish a foundation of strength with lower weight and higher repetitions (20-25). The benefit during the first 6-8 weeks is derived from the neural connection (brain to muscle messaging) so starting with too much weight is counterproductive to injury risk and offers no additional benefits. From there, progress to a reduced repetition range (that will require a heavier weight or a strategic slowing of movement). Maintain this for another 6-8 weeks, gradually introducing some power in latter weeks. Too Much Exercise and Fat? In prior posts I've shared why too much exercise inhibits your fitness and can prevent weight loss or keep you fat. Women in menopause are much more susceptible to this and the delicate balance of stress, and sleep disruptions. Aging Backwards Sound Good? Each quarter Flipping50 opens one exclusive members-only strength training sessions to the public. Learn more here. The 12-week, made-for-menopause program, consists of less, just better strength training-only workouts, a private group and an easy way to fit this life-altering exercise into your life. The program is closed right now. But you can stick a toe in the water if you want to do something while you wait. Exercise can age you, and if you realize yours might be and isn't working for you right now, the 5 Day Flip may be a perfect next step. References: COLLINS, M., V. RENAULT, L. A. GROBLER, A. ST CLAIR GIBSON, M. I. LAMBERT, E. W. DERMAN, G. S. BUTLER-BROWNE, T. D. NOAKES, and V. MOULY. Athletes with Exercise-Associated Fatigue Have Abnormally Short Muscle DNA Telomeres. Med. Sci. Sports Exerc., Vol. 35, No. 9, pp. 1524–1528, 2003. Sellami M, Bragazzi N, Prince MS, Denham J, Elrayess M. Regular, Intense Exercise Training as a Healthy Aging Lifestyle Strategy: Preventing DNA Damage, Telomere Shortening and Adverse DNA Methylation Changes Over a Lifetime. Front Genet. 2021;12:652497. Published 2021 Aug 6. doi:10.3389/fgene.2021.652497
Retrouvez dans ce podcast le Dr Mouly : gynécologue, obstétricien, chirurgien et cancérologue. Il aborde avec nous le sujet délicat de l'infertilité ou du moins, dans une approche plus positive, "la préservation de la fertilité" que ce soit pour l'homme comme pour la femme.
On this episode of Art Affairs, i talk with, artist, Renee French.We discuss how she first got into making alternative comics, her transition into gallery work and learning to paint, her recent exploration into printmaking, and a whole lot more!Also mentioned in this episode: Penn Jillette, Françoise Mouly, Scott Teplin, Adam Baumgold Fine Art, La Luz de Jesus Gallery, Beinart Gallery, Naoto Hattori, Steven Weber, and Emma Booth.Follow Renee:Instagram: @reneefrenchFollow the Show:Website: artaffairspodcast.comPatreon: artaffairsInstagram: @artaffairspodcastFacebook: @artaffairspodcastTwitter: @art_affairs
The Weekly Briefing podcast: The wearables category is one of the hottest new markets in electronics; we talk with Jérôme Mouly, an analyst with Yole Développement about how the market is going to get hotter. Also, a report from the Double Summits in Shenzhen. The CEO Summit brings some of the top industry leaders from around the world, while the Distribution Summit provides insights into the unglamorous but absolutely critical business of maintaining global supply chains.
Plateau argent sur l’or; discussion sur la décriminalisation des drogues; entrevue avec Félix Auger-Aliassime; rencontre avec Françoise Mouly, directrice artistique du New Yorker; et entretien avec Hugues Aufray.
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.07.31.228866v1?rss=1 Authors: Dupin, M., Garcia, S., Messaoudi, B., Doyere, V., Mouly, A.-M. Abstract: In fear conditioning, where a conditioned stimulus predicts the arrival of an aversive stimulus, the animal encodes the time interval between the two stimuli. Freezing, the most used index to assess learned fear, lacks the temporal resolution required to investigate interval timing at the early stages of learning. Here we monitored respiration to visualize anticipatory behavioral responses in an odor fear conditioning in rats, while recording theta (5-15Hz) and gamma (40-80Hz) brain oscillatory activities in the medial prefrontal cortex (mPFC), basolateral amygdala (BLA), dorsomedial striatum (DMS) and olfactory piriform cortex (PIR). We investigated the temporal patterns of respiration frequency and of theta and gamma activity power during the odor-shock interval. We found that akin to respiration patterns, theta temporal curves were modulated by the duration of the odor-shock interval in the four recording sites, and respected scalar property in mPFC and DMS. In contrast, gamma temporal curves were modulated by the interval duration only in the mPFC, and in a manner that did not respect scalar property. This suggests a preferential role for theta rhythm in interval timing. In addition, our data bring the novel idea that the respiratory rhythm might take part in the setting of theta activity dynamics. Copy rights belong to original authors. Visit the link for more info
Había una vez en un pueblo en Estados unidos llamado Santa fe en el estado de nuevo mexico un grupo de siete monjas que decidieron establecer una pequeña escuela para niñas. Posteriormente, añadieron a la edificación una pequeña capilla construida al más puro estilo del renacimiento gótico, que en su totalidad fue diseñada por el renombrado arquitecto francés Antoine Mouly. Desafortunadamente, Mouly no vivió lo suficiente para ver la conclusión de su obra.La estructura aunque hermosa y sólida, carecía de un medio que les permitiese llegar al segundo piso, donde se había implementado un lugar para el coro. Como la pequeña capilla dista mucho de ser el santuario más grande del mundo, la propuesta de construir una escalera regular fue descartada, pues esta resultaría demasiado grande y reduciría en mucho el espacio útil.La que parecía la solución más lógica, una escalera vertical, como aquellas empleadas por los pintores o albañiles, fue también desdeñada por las monjas, pero esta vez debido a cuestiones de indumentaria.Un problema de aparente sencilla solución, comenzó a complicarse y aunque otras propuestas e ideas eran debatidas, las Hermanas consideraban este asunto como una prueba para su fe.Alrededor de 1880, toda la orden empezó a rezar una Novena en honor a San José, el santo patrono de los carpinteros, para pedirle les ayudara a encontrar una solución al problema de las escaleras de la capilla.En el noveno día de oración, un visitante quien había llegado montado en una mula, misma que cargaba con su un baúl de herramientas, llamó a su puerta. Lo primero que el hombre reveló a las Hermanas fue que era un carpintero de oficio. Se le invitó y descubrió el dilema en el que habían quedado debido al fallecimiento prematuro del arquitecto original.El solitario trabajador, a diferencia de los muchos otros que habían echado vistazo al problema antes que él, dijo que era totalmente factible el construir una escalera de acceso al coro, sin que se convertirse en una monstruosidad devoradora del poco espacio disponible.La única condición que les impuso a las Hermanas, fue la de trabajar en privado. Las Hermanas no pusieron objeción alguna a estos términos, sabedoras de que significaban la solución a sus problemas.Cuando las hermanas debido a sus actividades necesitaban hacer uso de la capilla, el solitario carpintero se retiraba, volviendo sólo cuando la capilla estaba vacía.Algunas de las hermanas afirman haber visto tablones de madera puestos a remojar en tinas que ellas mismas le proporcionaron, pero en honor a la verdad, es justo aclarar que los informes presentados por las hermanas eran bastante contradictorios entre sí. Algunos insisten en que la construcción se completó rápidamente, mientras que otros informan que tomó más tiempo del que podría haber sido necesario.Tan pronto como el misterioso carpintero terminó la escalera de caracol, desapareció sin dejar rastro alguno, sin avisar a las monjas y sin cobrar un centavo por su trabajo. Las hermanas estaban encantadas con el resultado tanto así, que organizaron un banquete en honor del carpintero. Es solamente así que descubren que el hombre había desaparecido.En ningún momento durante su trabajo se identificó. Nunca pidió, ni recibió el pago por su trabajo o incluso por los suministros. Exactamente… ¿quién era este hombre Cuando en un esfuerzo por ubicar al misterioso carpintero se contactó a los proveedores y comercios locales, ninguno de ellos reconoció o identificó al artesano, ni mucho menos fue capaz de ayudar en lo absoluto. No se pudo recuperar ninguna factura de ventas que incluyese una lista de materiales similares a los empleados en la construcción de la escalera. Peor aún, se descubrió que la madera utiliz
Maira Kalman is an Israeli-born American illustrator, writer, artist, and designer. She has written and illustrated eighteen children’s books and is a frequent contributor to The New Yorker, including creating several covers for the magazine that you may have seen before. After initially being afraid of dogs from a young age, Maira eventually had a change of heart and opened up her world to dogs. She realized how much dogs have to teach us, how they’re natural comedians, and how they make us better as people.FEATURED LINKSMaira Kalman website - https://www.mairakalman.comMaira Kalman on Instagram - https://www.instagram.com/mairakalmanMaira Kalman on Facebook - https://www.facebook.com/Maira-Kalman-1602431913332189/Maira Kalman on Twitter - https://twitter.com/mairakalmanWhat Pete Ate: from A To Z book on Amazon - https://www.amazon.com/What-Pete-Ate-Maira-Kalman/dp/014250159XBeloved Dog book on Amazon - https://www.amazon.com/Beloved-Dog-Maira-Kalman/dp/1594205949Françoise Mouly, Art Editor of The New Yorker - https://www.newyorker.com/contributors/francoise-moulyJulie Saul Projects - http://juliesaulprojects.comIsaac Mizrahi episode of Dog Save The People - https://www.dogsavethepeople.com/episodes/isaac-mizrahiSOCIAL MEDIAWebsite - https://www.dogsavethepeople.comInstagram - https://www.instagram.com/dogsavethepeople/Twitter - https://twitter.com/dogsavethepplFacebook - https://www.facebook.com/dogsavethepeople
Illustrator and Cartoonist, Barry Blitt, talks to Giuseppe Castellano about why showing his drawings to Major League baseball players helped start Barry’s career; how he and art editor, Françoise Mouly, of The New Yorker have worked together for decades to create more than 100 covers; and why illustrators can be overly self-critical.
Welcome to another episode of the Bowie Book Club, where wild speculation and grasping for straws about Bowie’s favorite books has reigned supreme since 2016. This time we read three issues from the second volume of the underground/art/indie/lowbrow/highbrow comic book compliation Raw, edited and published by Art Speigelman and Francoise Mouly. Also, Greg proves that an insufferable child becomes an insufferable adult.
In 2016, the senior VP of marketing at Marvel Comics gave an interview claiming that female readership of the brand’s comics and graphic novels is growing. He noted that based on market analysis and info from retailers, nearly half—40 percent—of all Marvel readers are female, and in some markets, that number could be more like 60 percent. He says that’s a dramatic increase from eight years previous, when female readership was at maybe 10 percent, and a big bump from 15 years ago, when female readership was negligible. Women and girls are glued to pages from illustrators and writers who depict the female perspective, like Roxane Gay and Sara Pichelli. I think it’s fair to say our gender can’t get enough of fantastic stories told with pencil, paper and a whole lot of imagination. Whether it’s satirical or educational, in the comics industry, gals are here to stay. The post Françoise Mouly: She’s ‘Tooning’ Kids In appeared first on On The Dot Woman.
Time Codes: 00:31 - Introduction 03:51 - Greetings and apologies 05:36 - Good Night, Planet 13:15 - The Dam Keeper 24:59 - Misfit City 39:30 - A look back at 2017 in young reader comics 56:56 - Wrap up 57:25 - Contact us It's the end of the year, and for their December episode of the Young Readers series, Gwen and Paul discuss three exciting titles as well look back at the past year's releases. They begin by discussing Liniers's Good Night, Planet, part of Françoise Mouly's TOON Books series. After that they look at Robert Kondo and Dice Tsutsumi's The Dam Keeper, recently released from First Second. Then they wrap up with a comic-book series, Kirsten "Kiwi" Smith, Kurt Lustgarten, and Naomi Franquiz's Misfit City (BOOM! Box). They also take a look back at 2017, where both Gwen and Paul discuss what they consider the best of comics of the year for young readers.
Thanksgiving is tomorrow, and the folks at The Comics Alternative all gather around the virtual table to share what they are thankful for in terms of comics and comics culture. Pulling up a seat this year are Gwen, Paul, Sean, Gene, Edward, and Derek. Among the many things that they're thankful for are First Second's Science Comics and Secret Coders series, local comics shops (Comix Revolution in Evanston, IL, and Heroes Aren't Hard to Find in Charlotte, NC) and local conventions (such as CAKE), being able to meet your comics heroes, such as Gary Panter and Trina Robbins, the conclusion of Inio Asano's Goodnight Punpun series, Fantagraphics and its always impressive output, such as this year's Now and How to Read Nancy, Françoise Mouly and Nadja Spiegelman's Resist!, Craig Yoe, the growing number of publishers of Franco-Belgian comics, having dinner with Gilbert Hernandez and his family, Kodansha Comics and its ongoing efforts to publish quality editions of classic (and not-so-classic) manga, and the many creators and publicists who help to make this podcast possible! What more could one ask for in a holiday podcast episode? Well...maybe some pie.
• Part I: AGNEZ MO! • Part 2. '80s Horror Bonanza! • Part 3: Fiksi, Mouly & Marlina! Three different topics from Indonesian pop culture going global. --- Support this podcast: https://anchor.fm/halief/support
Mouly Surya and Face2Face host David Peck talk about her new film Marlina The Murderer in Four Acts, multiple possibilities, writing with images, violence, stillness and why women need to fight back. Biography Born in Jakarta in 1980, Mouly Surya is considered one of the most promising female filmmakers in Indonesia. Surya had a degree in media and literature before studying film in Australia. She directs her first feature film in 2008, FIKSI. The film opens at Busan IFF and wins numerous awards including Best Director at JIFFEST. Her second feature WHAT THEY DON’T TALK ABOUT WHEN THEY TALK ABOUT LOVE (2013) screens at various film festivals including Sundance competition and Karlovy Vary. It receives The NETPAC Award at Rotterdam. MARLINA THE MURDERER IN FOUR ACTS is Surya’s third film. Synopsis “Powerful, provocative, and visually stunning, Marlina the Murderer in Four Acts is a luminous new entry in the feminist western subgenre. Mouly Surya's accomplished third feature is one of a kind: a contemporary reworking of the spaghetti western and smouldering revenge movie that is deeply rooted in the cultural and geopolitical landscapes of Indonesia. Marlina (Marsha Timothy) is a young widow, living alone in a remote farmhouse with the embalmed corpse of her deceased husband. When robbers arrive, entitled by centuries of male domination, to steal her livestock, seize her possessions, and rape her, Marlina has only her courage and intelligence to rely on. She thinks fast and acts even faster. The next day finds her on the road, hitching a ride to town with a severed head in one hand and a sabre in the other. A tale of repossessed strength and personal identity, the film features a compelling protagonist and introduces a gallery of other splendid female characters, especially "10-months" pregnant Novi (Dea Panendra). Surya builds tension with an assured mise en scène then dissipates it with bubbly bursts of caustic humour, playing with overused cinematic languages to find a genuine new style. Witty and subversive, Marlina the Murderer in Four Acts is a bold and welcome affront to the staid sensibilities of male-centred cinema culture.” With thanks to Giovanna Fulvi Trailer ---------- For more information about David Peck's podcasting, writing and public speaking please visit his site here or check out the site of his podcast on film, social change and much more. With thanks to producer Josh Snethlage and Mixed Media Sound. Image Copyright: Mouly Surya and Cinesurya. Used with permission. See acast.com/privacy for privacy and opt-out information.
Meet Françoise Mouly, The New Yorker's art director. For the past 24 years, she's helped decide what appears on the magazine's famous cover, from the black-on-black depiction of the Twin Towers the week after 9/11 to a recent, Russia-influenced riff on the magazine's mascot, Eustace Tilley. In this visual retrospective, Mouly considers how a simple drawing can cut through the torrent of images that we see every day and elegantly capture the feeling (and the sensibility) of a moment in time. Hosted on Acast. See acast.com/privacy for more information.
Rencontrez Françoise Mouly, la directrice artistique du New Yorker. Depuis 24 ans, elle aide à choisir les illustrations qui apparaissent sur la célèbre couverture du magazine, de la représentation noir sur noir des Tours Jumelles après le 11 septembre à la reprise influencée par la Russie de la mascotte dandy du magazine, Eustace Tilley. Dans cette rétrospective visuelle, Françoise Mouly observe comment un simple dessin peut occuper une place proéminente au milieu du torrent d'images que nous voyons quotidiennement et comment il peut capturer avec élégance le ressenti (et la sensibilité) d'un moment précis de l'histoire.
Conheça Françoise Mouly, a diretora de arte do The New Yorker. Pelos últimos 24 anos, ela ajudou a decidir o que aparece na famosa capa da revista, desde a representação das Torres Gêmeas em preto no fundo preto na semana após o 11 de setembro, até a brincadeira com o mascote almofadinha da revista, Eustace Tilley, influenciada pela Rússia. Nesta retrospectiva visual, Mouly considera como uma simples imagem pode se destacar no mar de imagens que vemos todos os dias e, elegantemente, capturar o sentimento e a sensibilidade de um momento no tempo.
Meet Françoise Mouly, The New Yorker's art director. For the past 24 years, she's helped decide what appears on the magazine's famous cover, from the black-on-black depiction of the Twin Towers the week after 9/11 to a recent, Russia-influenced riff on the magazine's mascot, Eustace Tilley. In this visual retrospective, Mouly considers how a simple drawing can cut through the torrent of images that we see every day and elegantly capture the feeling (and the sensibility) of a moment in time.
Conoce a Françoise Mouly, directora de arte de The New Yorker. Durante los últimos 24 años ella ayudó a decidir lo que aparece en la famosa portada de la revista, desde la representación negro sobre negro de las Torres Gemelas la semana posterior al 11 de septiembre a un reciente riff influenciado por Rusia en la mascota de la revista, Eustace. Tilley. En esta retrospectiva visual, Mouly considera cómo un simple dibujo puede atravesar el torrente de imágenes que vemos todos los días y capturar elegantemente la sensación y la sensibilidad de un momento en el tiempo.
Das ist Françoise Mouly, die künstlerische Leiterin des New Yorkers. In den letzten 24 Jahren hat sie mitentschieden, was auf der berühmten Titelseite des Magazins abgebildet wird – von der schwarz-auf-schwarz-Abbildung der Zwillingstürme in der Woche nach dem 9. September zu einer kürzlichen, von Russland-inspirierten Interpretation des Dandy-Maskottchen, Eustace Tilley. In diesem visuellen Rückblick spricht Mouly darüber, wie eine einfache Zeichnung aus der Menge an Bildern, die wir jeden Tag sehen, herausstechen und auf elegante Art und Weise das Gefühl (und die Sensibilität) eines Moments einfangen kann.
"뉴요커"지의 아트 디렉터 프랑소와즈 물리를 만나보시죠. 그녀는 지난 24년간 9/11 직후의 검은 바탕 검은색 쌍동이 빌딩에서부터 이 잡지의 멋쟁이 마스코트인 유스타스 틸리의 최근 러시아 풍 묘사까지 이 잡지의 유명한 표지에 들어간 그림을 결정하는데 핵심적인 조력자였습니다. 이 시각적 회고전에서 물리는 어떻게 단순한 그림이 우리가 매일 보는 그 엄청난 양의 이미지 홍수를 꿰뚫고 어느 순간의 느낌(과 감성)을 우아하게 포착하는지 알려줍니다.
Time Codes: 00:01:26 - Introduction 00:03:38 - Thank you to Red Pegasus Comics! 00:08:36 - Outburst 00:32:32 - Steam Clean 00:44:57 - Resist! Vol. 2 01:24:37 - Wrap up 01:25:36 - Contact us "Smell my book. Feel bad." On this week's episode, the Two Guys with PhDs Talking about Comics look at there new releases...and even smell them. They begin with Pieter Coudyzer's Outburst (SelfMadeHero), a surreal meditation on creative expression and not fitting in. The narrative can even be called an example of magical realism (and the guys don't apply that term indiscriminately), where the natural world not only becomes a refuge from human interaction, but also literally infiltrates and consumes the marginalized. Next they discuss a recent release from one of their favorite publishers, Retrofit Comics/Big Planet Comics. Laura Ķeniņš's Steam Clean is a short yet poignant look at the challenges women and gender non-binary individuals face in their day-to-day lives. The story takes place at a women's sauna party in some Scandinavian country, and its varied attendees use this gathering to explore their relationships and "sweat out" their frustrations. Finally, Andy and Derek wrap up with an in-depth look at the second volume of the freebie newspaper Resist! Edited by Françoise Mouly and Nadja Spiegelman, this latest release is similar to the first -- which the guys reviewed earlier this year -- and includes contributions from well-established as well as younger and first-time artists. Familiar names that the guys discuss include Roz Chast, Cathy Malkasian, Miss Lasko-Gross, Carol Lay, Kristen Radtke, Pénélope Bagieu, and Glynnis Fawkes, but they are equally impressed with artists and cartoonists new to them. These include Palmer Frankel's "Dickface" series of paintings, Ana Christine's "Persistence," and a unique call-to-action from an anonymous contributor working for a Catholic hospital. A special thanks to Red Pegasus Comics in Dallas, TX, for providing the Two Guys with their copies of Resist! Vol. 2!
On the heels of the second issue of Resist, we hopped on the line with publishers Francoise Mouly and Nadja Spiegelman to discuss the free comics protest newspaper. The first issue arrived alongside the Presidential inauguration in January, as a broadsheet process and sequential catharsis. Eight months later, issue two finds the paper exploring similar themes in a world where the reality of Trump has truly settled in. The list of primarily female contributors includes some of comics’ top names, including Roz Chast, Alison Bechdel, Lynda Barry, Daniel Clowes and Art Spiegelman. Mouly and Spiegelman joined the show via Skype to discuss online political discourse, the importance of print and discovering one’s own patriotism when things seem the darkest.
Time Codes: 00:00:27 - Introduction 00:02:44 - We live in a political world 00:12:13 - Love Is Love 00:51:55 - Resist! 01:29:14 - Wrap up 01:30:20 - Contact us Mending Wall This week Andy and Derek get political, and they do so by discussing two recent socially conscious anthologies. They begin with Love Is Love, a collection of short strips and illustrations. This anthology, originated and with an afterword by Marc Andreyko, was released in December by IDW Publishing, and the proceeds from sales go to supporting the survivors of and families of those killed at the Pulse nightclub in Orlando, Florida, on June 12, 2016. As the guys point out, this collection is diverse in contribution and tone, with most comics calling for peace, some taking a more aggressive edge, and many adopting a quiet stance of commemoration. Both DC Comics and the Equality Florida organization had a large hand in bringing this book about, and you can still contribute to the latter's victim's funds via their GoFundMe page. Next, the Two Guys discuss the very timely Resist!, a free tabloid-format anthology published by Desert Island and made available during the June 21 protest marches around the country (and around the world). This incredible effort, edited by the mother-and-daughter team of Françoise Mouly and Nadja Spiegelman, began as a special issue of Gabe Fowler's Smoke Signal, but then it evolved into something more far-reaching. The newspaper's front-page banner, "a woman's place is in the revolution!" is what this collection is all about. The individual contributions vary widely, but what is most impressive about this anthology is its truly democratic nature. Comics from notable names within the industry -- such as Carol Tyler, Bill Griffith, Alison Bechtel, Miss Lasko-Gross, and Lance Tooks -- stand alongside lesser-known, amateur, and possibly first-time cartoonists. Resist! may not be the easiest thing to find after the women's marches, but you can still support these efforts by checking out the project's website. Get your copies of the titles and creators discussed in this episode:
David Remnick is the editor of The New Yorker. “I think it’s important — not just for me, but for the readers — that this thing exists at the highest possible level in 2016, in 2017, and on. That there’s a continuity to it. I know, because I’m not entirely stupid, that these institutions, no matter how good they are, all institutions are innately fragile. Innately fragile.” Thanks to MailChimp, Audible, EveryLibrary, and Igloo for sponsoring this week's episode. Remnick on Longform [2:00] This week's New Yorker cover [5:45] "Cover Story: Bert and Ernie’s ‘Moment of Joy’" (Françoise Mouly, Mina Kaneko • New Yorker • Jun 2013) [9:00] "David Remnick Looks Back on Tough Decisions as ‘The New Yorker’ Turns 90" (Fresh Air • Feb 2015) [11:15] "Going the Distance" (New Yorker • Jan 2014) [15:00] The Bridge: The Life and Rise of Barack Obama (Vintage Books • 2010) [15:15] "Soul Survivor" (New Yorker • Apr 2016) [17:15] The New Yorker Radio Hour [25:00] "Sending Smoke Signals to Our Former Editor in Chief" (Justin Cook • The Smoke Signal • Apr 2015) [27:45] I Married a Communist: American Trilogy (Philip Roth • Houghton Mifflin Company • 1994) [29:45] Lenin’s Tomb: The Last Days of the Soviet Empire (Vintage Books • 1994) [30:00] "The Struggle for Memory" (John Lloyd • The New York Times • May 1993) [43:15] "Beyond the Soviet Abyss" (Washington Post • Mar 1991) [48:30] "Journey to Jihad" (Ben Taub • New Yorker • Jun 2015) [50:00] Wesley Morris on the Longform Podcast [51:45] King of the World: Muhammad Ali and the Rise of an American Hero (Vintage Books • 1998) [53:15] The 40s: The Story of a Decade (New Yorker, Henry Finder • Random House • 2014) [53:15] The 50s: The Story of a Decade (New Yorker, Henry Finder • Random House • 2015) [53:15] The 60s: The Story of a Decade (New Yorker, Henry Finder • Random House • 2016) [55:00] "The Crackin’, Shakin’, Breakin’ Sounds" (Nat Hentoff • New Yorker • Oct 1964) [55:40] "Letter From a Region in My Mind" (James Baldwin • New Yorker • Nov 1962) [56:00] The Looming Tower: Al-Qaeda and the Road to 9/11 (Lawrence Wright • Vintage Books • 2007)
This month, Andy and Gwen discuss two recently released comics: Comics Squad #2: Lunch! (Random House), an anthology for younger readers, edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka, and Dare to Disappoint: Growing Up in Turkey (Farrar, Strauss and Giroux) a graphic memoir written by Özge Samanci, and designated as a comic for readers aged fourteen and up. First up, the two PhDs share reminiscences about their own hijinx at the lunch table when they were in elementary school, and as Andy points out, the short comics collected in Comics Squad #2: Lunch! cover a veritable smorgasbord of subjects, from the anxiety that new kids feel about walking into the school cafeteria for the first time to a non-fiction comic about the way that a particular food item enabled US soldiers to win an important battle during World War II. The eight stories collected in the anthology are relatively short, making them ideal for reluctant readers or for readers who are new to comics. In fact, Andy and Gwen both enjoy Jason Shiga's “The Case of the Missing Science Project” because of its interactive nature: panels in the story are connected by a series of orange arrows, and depending upon the choices that readers make, the story plays out differently. Gwen notes that the instructions could help young readers learn about panel placement, and Andy is amazed at the technical skill necessary for Shiga to present a variety of stories in such a small space. Along those same lines, Andy draws listeners' attention to a couple of features at the end of the book: a template for drawing one's own comic and a lesson on how to draw the Holms' popular character, Babymouse. Both Gwen and Andy enjoy the humor and variety of Comics Squad #2: Lunch! and they inform readers about the previous volume in the series: Comics Squad #1: Recess!, as well as the popular Toon Treasury of Classic Children's Comics (Abrams), edited by Art Spiegelman and Françoise Mouly, another anthology that young readers might want to check out. Next, Gwen and Andy turn to Dare to Disappoint: Growing Up in Turkey, a graphic memoir by Özge Samanci, an artist and assistant professor at Northwestern University, who describes her upbringing in Izmir, Turkey, on the Aegean Sea during the 1980s and 1990s, during a time of political and social upheaval. Samanci attempts to please her parents, her teachers, and her friends by following the approved social script of getting excellent marks on her exams, enrolling in a university major such as engineering, and settling down to raise a family. However, as with most free spirits, Samanci learns that if she wishes to be happy, she must step out of her comfort zone and pursue her dreams. Published by Farrar, Strauss and Giroux, Samanci's comic has been designated for readers aged 14 and above. However, Gwen explains that while Dare to Disappoint contains some allusions to violence and sexuality, for the most part, the memoir focuses on the cultural, familial, and intellectual influences that combine to form Samanci's path to becoming an artist. Both Gwen and Andy praise the artistry of the text, noting that although Samanci studied the comics form for years, and has been publishing comics online since 2006, she resists the traditional waffle pattern that characterizes many contemporary graphic novels. She uses a number of techniques, especially collage and the judicious use of color and sightlines, to create a highly readable and visually gorgeous comic. Gwen observes that one of the central characters in Dare to Disappoint is Mustafa Kemal Atatürk, the founder of the Turkish republic in the 1920s, whose emphasis on secular democracy, combined with paternalism, made him a national hero whose portrait was prominently displayed in every public building and in every home during Samanci's youth. Just as young Marjane Satrapi engages in conversations with God in Persepolis, Ôzge confides her worries and desires to a portrait of Atatürk, and to give the reader a sense for how influential his presence is to the school children of her generation, Samanci recounts the excitement she feels when her sister gives her a large ruler that includes cut-outs of a number of shapes, enabling her to draw, as she says, “a perfect circle, triangle, square, and…Ataturk!” (40). Not surprisingly, the profile of Atatürk is the first one in a series of rows of cutouts, and as young Özge writes, “If you are going to draw Atatuürk, you have to draw him right. Otherwise, you are in deep trouble (40). In a recent interview on the PBS program Chicago Tonight, Samanci pointed out that the cutout of Atatürk served an important purpose for the entire graphic memoir. She says, “I'm dealing with this cookie cutter educational system that traps people into a box which leads to occupations that they don't care about. So it's a beautiful metaphor for the [theme of] the book.” Both Gwen and Andy note that Dare to Disappoint treated many of the universal conflicts that young people face as they come of age, while also providing a window on a fascinating time in Turkish history. They recommend Samanci's text to teens and to adults as an engaging and aesthetically-sophisticated comic. However, they both also agreed that the first half of the memoir, which focuses on Özge's early childhood, could make an interesting read for parents to share with younger readers.
One of the things that has defined 2015 for The Comics Alternative has been the number of Publisher Spotlights it's presented -- seven, up until today. This week, the Two Guys are back with their eighth and final spotlight of the year, one on the fall releases out of Locust Moon Press. They begin their critical focus with a brief interview Derek conducted with Josh O'Neill, the publisher of Locust Moon Press. In that conversation, Josh shares the background and history of Locust Moon, first as a bookstore (which will be closing its doors early next year) and then as a publisher with an impressive catalog. They also discuss the press' success with Kickstarter, including last year's campaign with Little Nemo: Dream Another Dream and the current efforts with The Lost Work of Will Eisner. After that, Andy and Derek get into the nitty gritty of the show, a discussion of Locust Moon's fall releases. They begin with Prometheus Eternal, a short collection of stories inspired by Rubens's famous painting, Prometheus Bound. This work was created in collaboration with the Philadelphia Museum of Art and including work by such creators as Grant Morrison, Paul Pope, Dave McKean, Bill Sienkiewicz, Farel Dalrymple, Yuko Shimizu, and David Mack. Next, the guys turn to another collection, this one the sixth issue of Quarter Moon. The theme to this issue is "Impractical Cats," and with cat-related contributions from a variety of creators including Farel Dalrymple, Tia McClelland, Mike Sgier, Lisk Feng, Jim Comey, Gregory Benton, J.G. Jones, Dean Haspiel, Jeremy Baum, and a host of others. After that, they look at Ben Kahn and Bruno Hidalgo's Shaman, a satiric and inventive mashup of superheroes, the supernatural, and humor. Neither Andy nor Derek were aware of Shaman before this spotlight episode -- they completely missed Kahn's Kickstarter from earlier this year -- but now they're totally on board and look forward to more of this series, because it's funny as hell. Finally, the guys wrap up with a long discussion of Little Nemo's Big New Dreams, a joint effort with Françoise Mouly's TOON Graphics. This is a smaller, more affordable, and more holdable, version of the broadsheet-sized Dream Another Dream, including more than thirty strips from the Eisner Award-winning collection. And like the aforementioned Prometheus Eternal and Quarter Moon collections, this TOON book is chock-full of impressive contributors, including Art Spiegelman, Craig Thompson, Carla Speed McNeil, Mark Buckingham, Roger Langridge, Box Brown, R. Sikoryak, Jim Rugg, Yuko Shimizu, Gerhard...and the list goes on. In fact, you could even see today's show as the most creator-packed episode that the Two Guys have ever recorded.
Today's Guest: "Zippy the Pinhead" cartoonist Bill Griffith, who reveals his late mother's sordid history in Invisible Ink: My Mother's Secret Love Affair with a Famous Cartoonist!!, a graphic novel. Watch this exclusive Mr. Media interview with Bill Griffith by clicking on the video player above! Mr. Media is recorded live before a studio audience full of cartoon characters who want to break through from 2D to 3D… in the NEW new media capital of the world… St. Petersburg, Florida! (Tech Note from Mr. Media: For some stupid reason, my audio during this interview is engulfed in static; I don't know why. The good news is that my guest, Bill Griffith, sounds and looks great. I apologize for the sound difficulties in advance.) Cartoonist Bill Griffith has always shared bits and pieces of his life, his world view – and maybe even a neurosis or two – through his personal window on the soul, Zippy the Pinhead. In fact, as regular readers know, Griffith – as “Griffy” – often plays sidekick to Zippy in the long-running daily comic strip. But in his latest work, Griffith takes readers deeper into his real life than ever before. His subject matter? Mom. BILL GRIFFITH podcast excerpt: "My mother read my work from the very beginning. It caused her quite a bit of discomfort. There's a point in the book where I quote from a letter she wrote to me in the early '70s where she says, 'Tell me, Dear Son, how do I tell my friends about your work, since it's often X-rated and pornographic? What do I say to them when they say, "Your son draws dirty pictures!"' She literally wanted me to advise her." You can LISTEN to this interview with ZIPPY THE PINHEAD cartoonist BILL GRIFFITH, author of the graphic novel INVISIBLE INK: My Mother's Secret Love Affair with a Famous Cartoonist!!, by clicking the audio player above! It seems that Barbara Jackson Griffith led a most interesting life outside of her marriage, carrying on a years-long affair with her employer, a married man who was well known in the industry that Barbara’s son would eventually become an American master of: cartooning. In Invisible Ink: My Mother’s Secret Love Affair with a Famous Cartoonist!!, Griffith takes us from his moment of discovery through the amateur sleuthing that revealed ever greater details of his late mother’s most profound secret. Reading Invisible Ink, you’ll be hard pressed not to laugh, drop your jaw, and occasionally squirm uncomfortably as a legendary cartoonist draws scenes of his own mother in bed with a not-so-legendary cartoonist of an earlier era. BILL GRIFFITH podcast excerpt: "The first Zippy strip was in 1970... He will eventually be in the grave with me. I made a deal in my contract with King Features that when I go, Zippy goes. There is no next-in-line cartoonist waiting to do Zippy." The book has already achieved a mainstream acceptance that has often eluded Griffith; Entertainment Weekly’s website, for example, proudly offers a sneak peak at several pages. NPR and the Toronto Globe and Mail reviewed the book. And Françoise Mouly – wife of Maus cartoonist Art Spiegelman – together with Mina Kaneko interviewed Griffith for The New Yorker. Bill Griffith has a history with Mr. Media that goes back to the mid-1990s when this was a syndicated newspaper column. He most recently joined us in 2012 to talk in depth about Zippy. Key interview moments: • 8:15 Ever wonder how an adult-oriented artist such as Bill Griffith explained their work to Mom? Or how Mom, full of pride, explains it to the neighbors?; • 25:00 Griffith explains a bit about what his mother's lover, artist Lawrence Lariar contributed to the early days of comic books, comic strips, commercial art and mystery novels, and how he inadvertently had an impact on Griffith himself; • 38:50 Griffith reveals the future of his 50-yearold daily comic strip,
Designer, editor and publisher Francoise Mouly joins the show to talk about 20+ years of New Yorker covers, launching TOON Books and cultivating a love for print, the pros and cons of going viral, the changing definitions of what's offensive (and the time she got hauled into a meeting with an Arab Anti-Defamation League), the notion that comics are the gateway drug for reading, and more! (Sorry, no talk about her time with RAW magazine, since she and her husband, Art Spiegelman were interviewed about that later at the festival.) This episode is part of our Cartoon Crossroads Columbus series of live podcasts.
The Greenwich Village loft space occupied by Toon Books is one part office space, part living comics museum. There’s a row of iMacs where most of the business is done, from filling orders to taking product shots, while just above on a second level balcony, a spool of bubble wrap roughly the size of a Volkswagen Beetle leans against a wall of bookshelves fit for a small library. There are decades of fascinating ephemera lining the walls, original comics pages, an in-store cardboard cutout for Chris Ware’s Acme Novelty Library and, most compelling of all, the Gary Panter classic comics head mashup painting that graced the first issue of the RAW’s second volume (1989’s “Open Wounds from the Cutting Edge of Commix”). It’s hardly a surprise, of course, that so many amazing pieces call the space their home. Francoise Mouly has been here for decades herself, since the days when she and husband Art Spiegelman first altered the course of the New York City avant garde comics community with a nascent anthology aimed at offering a publishing home to unknowns like Charles Burns, Joost Swarte, Ben Katchor and, naturally, Spiegelman, who used those pulpy pages to serialize a groundbreaking first-hand account of the holocaust starring a cast of cat and mice. That the Toon Books office occupies the same space is certainly no coincidence. Like RAW before it, the kids comics publishing company was launched to fill a perceived hole in the comics community in the wake of a media that had arguably overcorrected. Thanks to trailblazing works like Maus, the headline-ready phrase “comics aren’t just for kids” had quickly turned from rallying cry to cliche as adult-focused books rapidly became the norm in the intervening decades since RAW closed its doors. In the 00s, Mouly — by then the art director of The New Yorker — pitched a line of education kids bolstered by Jeff Smith’s epic fantasy masterpiece to Scholastic. By 2008, the idea gave way to Toon Books, an independent entity focused on books by cartoonists like Spiegelman, Smith and Eleanor Davis aimed at teaching kids to read and bolstered by detailed lesson plans aimed at reintroducing comics into a classroom setting. A half-dozen years later, Toons’ scope continues to grow, including the recent publication of a Hanzel and Gretel adaptation penned by Sandman scribe Neil Gaiman. I sat down with Mouly in the middle of Toon Books' cramped quarters to discuss the company's role in the ever-evolving perception of comics as a educational tool.
On this episode of The Comics Alternative, Derek and Andy review three new and exciting titles. First, they look at Richard McGuire's Here (Pantheon) a project that actually goes back to 1989. A different, black-and-white 6-page version of the comic appeared in the first issue of Raw Vol. 2, Art Spiegelman and Françoise Mouly's groundbreaking comics anthology that ran from 1980 until 1991. The new book doesn't include or build directly off of that original comic, but it does use the design and concept as a springboard into the larger, more ambitious project. Everything that takes place in this story -- and the guys use the word of "story" loosely, here -- is anchored in one physical space, the corner of a room. What McGuire does is to give us a history of that particular space, revealing events that took place in that area over a span of centuries. The "movement" within the narrative is strictly temporal, reaching back into the prehistoric past (the earliest year being 3,000, 500, 000 BCE) and pushing into a speculative future (the year 22,175). McGuire accomplishes this through an arrangement of two-page spreads, inlaid or nested panels, and precise placements of images that, taken together, provide visual and even thematic coherence. Indeed, it seems as if events across time resonate and interact. This is the kind of book that is difficult to appreciate fully outside of the actual reading process, and it's one that requires diligent and repeated efforts, each of which will be richly rewarded. After their involved discussion of Here -- and the Two Guys spend the better part of this episode on McGuire's work -- Andy and Derek look at two new #1 issues. The first is Wolf Moon, written by Cullen Bunn and with art by Jeremy Haun (Vertigo). This is the first of a 6-issue miniseries based on the werewolf myth. However, Bunn gives his supernatural retelling a unique spin, creating a lycanthrope narrative where physical transformation isn't the only effects of a full moon. Haun's art is appropriately dark, ill-defined in places, and violent. There's a lot of blood in this first issue, and Wolf Moon promises to be a title that isn't for the squeamish. After that, the guys turn to the new comic from Kelly Sue DeConnick and Valentine de Landro, Bitch Planet (Image). Both Derek and Andy like this first issue and plan on continuing to read the series, but they nonetheless disagree as to the impact or accomplishments of this inaugural installment. Andy feels that this is a successful #1 that does everything it's supposed to do. In fact, this may be one of his favorite single issues of the year. However, Derek feels that this is a story that will read better in trade, in that the first issue seemed incomplete and required more story space for effective immersion. There needs to be more there there. What's more, he felt that Danielle Henderson's mini-essay at the end of the issue was unnecessary and potentially undermined the impact of the story itself. While Andy felt that this was a useful supplement that helped to set a critical or thematic framework -- and it does -- Derek sees the essay as an expository exercise that tells (not shows) the reader what the series is all about. Instead, he feels that DeConnick and de Landro's story should speak for itself, especially in this first issue. (Although Henderson's essay would make a nice supplement to a future collected edition.) Still, both guys agree that this is an intriguing title that both will continue reading...if not monthly, then in trade.
What makes a good kid's book?
Jeet Heer joined me to chat about his new book, In Love With Art, a biography of Raw publisher, Toon Books founder and New Yorker Art Editor, Françoise Mouly. Jeet’s an excellent writer and this book is well worth checking … Continue reading →
This week Andy and Derek present the first of two special year-end, holiday season, best of episodes of The Comics Alternative. In this week's show, the Two Guys with PhDs discuss two comics anthologies, Houghton Mifflin Harcourt's The Best American Comics 2012, edited by Françoise Mouly, and Eureka Production's 19th volume in their Graphic Classics series, Christmas Classics. They begin with Mouly's collection and, while appreciating the comics included in this year's volume, speculate on the selection process and wonder about the kind of democratic inclusion that a series with “Best American Comics” in its title necessitates. The Two Guys then turn their attention to the holidays and discuss the various selections found in Christmas Classics. They point out that much like this year's Graphic Classics holiday volume, Halloween Classics, the Christmas one delivers clever and well-crafted versions of classic literature that are sure to please both comics fans and literary aficionados.
The TOON Treasury of Classic Children's Comics (Abrams ComicArts) TOON Books and Raw Books co-editors Spiegelman and Mouly tunneled through archives and private collections to create this perfect anthology of classic children's comics, the spunky kids and sassy animals you may envision at the edges of your memory. Walk down memory's backs streets with us when we explore the golden age of someone else's childhood.
Editor of Toon Books Françoise Mouly describes the new children's books she's bringing into the world...
Big Fat Little Lit (Puffin)Back by popular demand! Editors Spiegelman and Mouly talk about how they recruited and supervised the many artists and writers who created these "comics for kids..."
Little Lit: It Was a Dark and Silly Night (Harper Collins)A new Little Lit is always an event, and this one has work by the dreaded Lemony Snicket and a fabulous four-page Breughel-like phantasmagoria by the Where's Waldo? guy. This volume of comix for kids -- the third -- definitely does justice to its name!
Little Lit: Strange Stories for Strange Kids (Harper Collins) Spiegelman and Mouly discuss their exciting treat for kids of all ages-the newest Little Lit, with weird illustrated tales by the likes of Paul Auster, Maurice Sendak and Jules Feiffer.
Little Lit: Folklore and Fairy Tale Funnies (Harper Collins)In this second interview about Little Lit, its creators, Art Spiegelman and Francoise Mouly, remind us that comic books are not just for adults. They talk about the new maturity that leads underground artists to take the safety pins out of their noses and use them in their babies' diapers.
Little Lit: Folklore and Fairy Tale Funnies (Harper Collins)Author Art Spiegelman and editor Francoise Mouly introduce Little Lit, their new collection of comics by world-renowned children's book artists and underground cartoonists-all based on fairy tales, all for kids, all in color and beautiful beyond belief.
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