American actor
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10 episodes with John Carradine
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5 episodes with John Carradine
2 episodes with John Carradine
En el episodio 30 de esta temporada hablaremos de la película "EL CLUB DE LOS MONSTRUOS" ('The Monster Club', 1981). Dirigida por Roy Ward Baker, esta antología británica de terror y humor nos sumerge en un exclusivo club donde criaturas de todo tipo se reúnen para compartir sus macabras historias. Basada en relatos de R. Chetwynd-Hayes, la película combina segmentos de terror clásico con un tono desenfadado y una sorprendente banda sonora, con la presencia de Vincent Price y John Carradine como maestros de ceremonias. *Sintonía de entrada: Lucidator de Saggitarius V.
We're taking a look at one of my favorite Twilight Zone episodes this week: "The Howling Man." It's the story of David Ellington, played by H.M. Wynant. A man on a backpacking trip through Europe, gets caught in a bad storm. He finds an old castle being run by an order of monks, but something is not right. Rather than help David, they want him to leave. And there is a strange sound ringing throughout the halls of the castle, a howling. When David learns that there is a man being held captive in the castle, he tries to confront the head of the order, Brother Jerome, played by John Carradine. What happens next is something that David will never forget. We'll talk about why David is so easily tricked; we'll discuss why he feels so comfortable trusting the maid at the end; and I'll reveal my moment of awe, one that is roughly 20 years in the making. So, grab your keys, and let's unlock this door to the fifth dimension. As always, spoiler alert. If you have note seen the episode, go check it out and then come back here for the analysis. We're walking through Rod Serling's class Twilight Zone series and asking difficult questions about life. So, if you love The Twilight Zone, science fiction, or even just philosophizing about life, consider joining us on this journey. There's always room for more. Google form to rate this Twilight Zone episode: https://forms.gle/bh1XPxUeqCg3vcpCADiscord: discord.gg/QjNY9jcyFZX Handle: x.com/keyofishowYouTube Channel: https://www.youtube.com/@thekeyofimaginationHead over to thekeyofimagination.com to learn more about me, check out my Twilight Zone trinkets and collectibles, and to to continue the conversation. Episode outline:00:00 Introduction00:46 Plot synopsis02:59 Episode Specifics03:54 Episode tidbits04:56 Question 113:48 Question 219:09 Question 321:46 Episode rating23:58 Next episode and your questions24:23 Listener shout-outs and messages from me26:54 How to get involved and how to support the showNo show did a better job than The Twilight Zone at generating awe and wonder within its audience. It just so happens that awe is exactly what we need in these difficult, divisive times. So, join me, Joe Meyer, and let's walk through the fifth dimension with Rod Serling. Along the way, we'll discuss big questions and relate them back to our Twilight Zone episodes.Opening and Ending theme: by Jacob Williams @jakeproduces on Fiverr#twilightzone #rodserling #scifi #zone #outerlimits #sciencefiction
This week on Seddy Bimco Part Two The Revenge: We talk Bigfoot…because we talk about the 1970 movie, BIGFOOT!Follow Tim on letterboxd!https://letterboxd.com/search/tjhamilton/ See the Seddy Bimco watchlist! Email us at seddybimcoe@gmail.com Most art by Tim Hamilton Music by Tim Hamilton Check out the Seddy website. Website: https://www.seddy-bimco-part-2-the-re... Links: https://linktr.ee/seddybimco Check out George O'Connor's books: https://www.georgeoconnorbooks.com/ Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/ Hosted on Acast. See acast.com/privacy for more informationBIGFOOT 1970In this episode of SETI BIMCO, hosts Tim Hamilton and George The Mighty dive into the 1970 film 'Bigfoot'. They discuss the film's production, cast, and its cultural significance as the first movie to feature Bigfoot. The conversation is filled with humor, trivia, and anecdotes about the film's stars, including John Carradine and Joy Lansing. The hosts also explore the film's plot, which involves Bigfoot's abduction of women and the ensuing rescue mission by bikers. Throughout the episode, they reflect on the film's legacy and its place in the genre of monster movies. In this conversation, Tim Hamilton and George The Mighty delve into the film's portrayal of Bigfoot, exploring its influence on pop culture and the dynamics between characters. They discuss humorous moments, the quest for Bigfoot, and the interactions with local townsfolk, all while analyzing the film's comedic elements and character development. The conversation highlights the absurdity and charm of the film, making it a nostalgic reflection on 1970s cinema. In this episode, George and Tim delve into the absurdities of the 1970s cult film featuring Sasquatch. They explore the film's plot, character dynamics, and the humor that arises from its ridiculous scenarios. The conversation touches on the film's connections to King Kong, the various tight spots the characters find themselves in, and the climactic showdown with Bigfoot. They also discuss the potential for a revenge sequel and the comedic elements that make the film memorable. Hosted on Acast. See acast.com/privacy for more information.
FBTHS #089 - "Steve & Nan Explore the Wild, Wild West of Old Hollywood" In this episode of From Beneath the Hollywood Sign, hosts Steve and Nan saddle up for a lively conversation about their favorite Western films. From dusty saloons to sweeping desert vistas, they explore the iconic imagery, unforgettable characters, and timeless themes that make the Western genre a cornerstone of American cinema. Whether you're a fan of classic John Ford shootouts or revisionist tales that challenge the myth of the Old West, Steve and Nan share personal picks and behind-the-scenes stories that will have you reaching for your cowboy hat. SHOW NOTES: AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: “Ride the High Country: The seed from Which Peckinpah's Revisionist Approach to the Western Genre Would Ultimately Grow,” by Koralkja Suton, www.cinephiliabeyond.org; “The Real-Life Feud That Gave Joan Crawford's Johnny Guitar A Vicious Edge,” September 4, 2022, by Lee Adams, www.SlashMagazine.com; "From Blood Brother to Broken Arrow,” September 18, 2017, by Doug Hocking, True West Magazine; “Winchester '73,” May 2013, by Jonathan Dawson, www.senseofcinema.com; “Philip Yordan,” April 8, 2003, The Guardian; Naked Spur: Offbeat Film of Chase in Colorado, starring Stewart, Ryan, At Stake, March 26, 1953, New York Times; John Ford: The Man Who Invests America (2019) Documentary directed by Jean-Christophe Klotz Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; The Criterion Collection; Movies Mentioned: Ride the High Country (1962), starring Joel McCrea, Randolph Scott, Mariette Hartley, Ron Star, James Drury & Warren Oates; Broken Arrow (1950), starring James Stewart, Jeff Chandler, Debra Paget, & Jay Silverheels; Day of the Outlaw (1959), starring Robert Ryan, Burl Ives, Tina Louise, David Nelson, Alan Marshall, Venetia Stevenson, & Elisha Cook, Jr.; My Darling Clementine (1946), starring Henry Fonda, Linda Darnell, Victor Mature, Walter Brennan, Cathy Downs, Tim Holt, Ward Bond, Alan Mowbray, & John Ireland; The Naked Spur (1953), starring James Stewart, Robert Ryan, Janet Leigh, Ralph Meeker, & Millard Mitchell; Johnny Guitar (1954), starring Joan Crawford, Mercedes McCambridge, Sterling Hayden, Scott Brady, Tim Holt, Ernest Borgnine, & John Carradine; Winchester 73 (1950), starring James Stewart, Shelley Winters, Stephen McNally, Dan Duryea, Millard Mitchell, John McIntyre, Rock Hudson, & Tony Curtis; Ride Lonesome (1959), starring Randolph Scott, Karen Steele, James Coburn, Lee Van Cleef, & Pernell Roberts; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
RMR 0316: Special Guest, Rick DellaRatta, joins your hosts, Chad Robinson and Bryan Frye for the Retro Movie Roundtable as they revisit The Man Who Shot Liberty Valance (1962) [PG] Genre: Western, Drama Starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan, John Qualen, Willis Bouchey, Carleton Young, Woody Strode, Denver Pyle, Strother Martin Floyd, Lee Van Cleef, Robert F. Simon, O.Z. Whitehead, Paul Birch Directed by: John Ford
This week, we go back to 1977 to discuss THE SENTINEL, a supernatural horror film boasting a sublime cast including Burgess Meredith, Jeff Goldblum, John Carradine, Beverly D'Angelo and Christopher Walken. We've got demons, gateways to Hell and creepy priests all set in Brooklyn Heights. Intro: “Necromaniacs” – Mike Hill Outro: “The 11th Commandment”– Bethlehem
The Martians are coming! Don't trust anyone! So it goes when a young boy descends into a nightmare of tentacled alien heads, mind-controlled parents, and Martians in green pajamas. And it's all shot in surreal, colorful imagery. Grab your telescopes, get in your tank, and cover your necks - we're digging into this seminal, yet underseen, sci-fi film that influenced the likes of Spielberg, Scorsese, Dante, Cameron, and more. Then, if that wasn't enough, Peter Lorre trims his lilacs on the Poverty Row Picture Show covering the John Carradine classic, Bluebeard (1944). What a time to be alive! Thanks for listening!If you enjoy Camp Kaiju, please leave a rating and review. Subscribe to campkaijupodcast.com or leave a comment at campkaiju@gmail.com, Letterboxd, or Instagram (@camp_kaiju); or call the Kaiju Hotline at (612) 470-2612.Visit Patreon.com/campkaiju and campkaiju.threadless.com for perks and merchandise.We'll catch ya next time for Species (1995) - a very '90s flick about an alien-woman hybrid looking for a mate in Los Angeles. Things get... weird. Can't wait!TRAILERSInvaders from Mars (1953); The War of the Worlds (1953); It Came from Outer Space (1953); Invasion of the Body Snatchers (1956); The Day the Earth Stood Still (1951); The Amazing Colossal Man (1957); Invaders from Mars (1986)SHOUT OUTS & SPONSORSSubstack Film Criticism by Matthew Cole LevinePlays by Vincent S. HannamWatch the Skies! TCM doc about 1950s sci-fiJohn Sayles introduction to "Invaders from Mars" from TCMAn Army of Phantoms by J HobermanZack Linder & the Zack Pack Camp Kaiju: Monster Movie Podcast. Invaders from Mars (1953) movie review. Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced by Vincent S. Hannam; © 2025 Vincent S. Hannam, All Rights Reserved.
Join Jim & Livio as they once again travel to Paris and are witness to the crimes of the person known as 'Bluebeard'. Made in 1944 and directed by Edgar G. Ulmer (The Black Cat, 1934) and starring John Carradine. Carradine delivers one of his finest performances as the tortured, yet evil Gaston Morrell. The film also stars Jean Parker, Nils Asther, Ludwig Stossel, and Sonia Sorrell. What on the surface seems like a typical 1940's PRC quickie horror movie, it quickly turns to a fantastically dark, moody, and deep horror film. This is truly a hidden gem of the 40's horror cycle! We discuss the movie itself, the actors, Ulmer, and the production. You don't want to miss this! The Regular Guy Movie ShowIn this podcast, three longtime friends revisit the movies they grew up with to...Listen on: Apple Podcasts Spotify
Dana and Tom with 13x guest, Kieran B (Host and Creator of the Best Picture Cast; @bestpicturecast) discuss the adaptation of John Steinbeck's famous novel, The Grapes of Wrath (1940) for its 85th anniversary: directed by John Ford, written by Nunnally Johnson, ainematography by Gregg Toland, music by Alfred Newman, starring Henry Fonda, John Carradine, and Jane Darwell.Plot Summary: The Grapes of Wrath, directed by John Ford and based on John Steinbeck's novel, follows the Joad family, struggling to survive during the Great Depression. After being evicted from their Oklahoma farm, they journey west to California in search of work and a better life. Led by Tom Joad (Henry Fonda), the family faces hardship, exploitation, and disillusionment as they encounter the harsh realities of migrant labor. Despite suffering immense loss, their resilience endures, with Ma Joad (Jane Darwell) embodying the family's unwavering hope. The film is a poignant exploration of poverty, injustice, and the strength of the human spirit.Guest:Kieran B (10x Member Club)Host and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Letterboxd - PersonalPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, 12 Angry Men (1957) Revisit, The Shawshank Redemption (1994) Revisit, Saw (2004), Up in the Air (2009), Bad Day at...
Welcome to Myopia Movies, the podcast where we revisit the films of our youth to see if they hold up under the lens of nostalgia—or crumble under the weight of time! This week, we're plunging headfirst into the campy chaos of 1984's Ice Pirates. With space herpes, robot pirates, and a desert-dry water crisis, this sci-fi comedy is equal parts swashbuckling adventure and ‘80s absurdity. But does it still have treasure hidden beneath its dated special effects, or has it been lost in the black hole of bad cinema? Strap in, mateys, and let's find out! Make sure to like and subscribe where ever you are getting this! Please leave us a review and follow us on Bluesky, Reddit, and Facebook! How will Ice Pirates hold up? Host: Nic Panel: Nur, Alex, Keiko, and Matt Directed by Stewart Raffill Starring: Robert Urich, Mary Crosby, Michael D. Roberts, Anjelica Huston, John Matuszak, Ron Perlman, John Carradine, Natalie Core, Jeremy West, Bruce Vilanch
Welcome to Myopia Movies, the podcast where we revisit the films of our youth to see if they hold up under the lens of nostalgia—or crumble under the weight of time! This week, we're plunging headfirst into the campy chaos of 1984's Ice Pirates. With space herpes, robot pirates, and a desert-dry water crisis, this sci-fi comedy is equal parts swashbuckling adventure and ‘80s absurdity. But does it still have treasure hidden beneath its dated special effects, or has it been lost in the black hole of bad cinema? Strap in, mateys, and let's find out! Make sure to like and subscribe where ever you are getting this! Please leave us a review and follow us on Bluesky, Reddit, and Facebook! How will Ice Pirates hold up? Host: Nic Panel: Nur, Alex, Keiko, and Matt Directed by Stewart Raffill Starring: Robert Urich, Mary Crosby, Michael D. Roberts, Anjelica Huston, John Matuszak, Ron Perlman, John Carradine, Natalie Core, Jeremy West, Bruce Vilanch
Hustle on up and hitch a ride with us as we are joined by Bloody Good Horror's Eric Newell to chat about Martin Scorsese's dusty crime thriller Boxcar Bertha. I mean, it was have been desrepectful NOT to cover one of the many films that Roger Corman produced which launched a major career. And who doesn't wanna see Bernie Casey being an all around badass. So, come for the violence & nudity and stay for the weird Wizard of Oz allegory.
Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is book reviewer Joanne Sheppard, who's writing in to an early evening BBC magazine show for confirmation that she's not just making up Fax, rival human-ape hybrid thrillers First Born and Chimera, Next Of Kin, Mother Love, I'm Your Number One Fan, BBC Schools show The History Trail, The Yolk Folk, Angela Rippon's Victoria Plum and ITV's attempt at televised Cluedo. Along the way we'll be stocking up on Mark Phillips And His Horses merchandise, declining to eat some fifty year old corned beef, debating which lasted longer out of Whither Tarrant? and Whither Oddie?, finding out what would happen if you described Mark And Lard to your grandparents and finally explaining the ending of Life On Mars via a series of clues relating to Gene Hunt's thumb.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Joanne talking about The December Rose, Colorado Beetle paranoia, Brontosaurus, Will You Wait For Me? by David Bellamy, Timbuctoo, KP Wickers, The Enchanted Castle, Major Morgan The Electronic Organ and Wilderness Road here, The Bump by MC Mallett, Horror Chews, The Strange Affair Of Adelaide Harris, Matchbox Fighting Furies, Mouthtrap, Connoisseur, World Magazine, All Aboard! and The Guinness Book Of Pet Records here, Dramarama: The Exorcism Of Amy, Spine Chillers, Blue Peter's Witch Puppet Make, Monsters Of The Movies by Denis Gifford, Nothing To Be Afraid Of by Jan Mark, Paperhouse, Dekker Toys' Movie/TV Horror Make-Up Kit and Remus Playkits Identispook here and Go For It!, What-A-Mess, My Pretty Pony, John Carradine's The Legend Of Sleepy Hollow, The Water Babies, The Magnificent Race, Amazon Adventure by Willard Price and Snapper Crocodiles here. You can also find Joanne on The Golden Age Of Children's TV talking about The Baker Street Boys here.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. Just make sure Bill Oddie doesn't pay for his own using your PIN number live on air.
Happy December! We're taking it (mostly) easy this month, but stay tuned for a special episode coming soon. Meanwhile, The Johns take in as much December cheer as they can with Don Bluth's The Secret Of Nimh. Will we find shelter or die from sickness? Listen and find out!
Jim reflects on the last film in the Universal Frankenstein/Dracula Universe - "House of Dracula" starring Lon Chaney Jr, Onslow Stevens, John Carradine, Glenn Strange, Martha O'Driscoll, Lionel Atwill, Jane Adams, and Skelton Knaggs. Dr. Eidelman (Stevens) known for helping those with unique problems, draws the interest of Dracula and Larry Talbott for relief from their respective curses. Throw in the Frankenstein Monster and you have a full set. Find out more about this 1945 classic on this episode MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
Jim reflects on the last film in the Universal Frankenstein/Dracula Universe – “House of Dracula” starring Lon Chaney Jr, Onslow Stevens, John Carradine, Glenn Strange, Martha O’Driscoll, Lionel Atwill, Jane Adams, and Skelton Knaggs. Dr. Eidelman (Stevens) known for helping those with unique problems, draws the interest of Dracula and Larry Talbott for relief from […] The post House of Dracula | Episode 439 appeared first on The ESO Network.
MONSTER PARTY SALUTES A GLORIOUS EIGHT-DECADE CAREER! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, celebrate the works of one of the most talented and prolific character actors of our age. Take a journey with us into a wondrous land whose boundaries are that of imagination. That's a signpost up ahead: your next stop... THE WORLD OF H.M. WYNANT!!! H.M Wynant is an actor who, although you may not be familiar with his name, you have probably seen hundreds of times. He has an IMDB bursting list of credits and has appeared in almost every radio, stage, television, and film genre. His massive resume features numerous westerns including BONANZA, WAGON TRAIN, MAVERICK, SHOTGUN SLADE, and THE BIG VALLEY, popular dramas like PERRY MASON, 77 SUNSET STRIP, THE ROCKFORD FILES, QUINCY, DALLAS, and THE WEST WING, the spy shows I SPY, THE MAN FROM U.N.C.L.E., MISSION IMPOSSIBLE, and GET SMART, and even the somewhat controversial WWII comedy, HOGAN'S HEROES. Yes, he almost sent Colonel Klink to the Russian Front! Wynant has also worked with a veritable "who's who" of Hollywood legends including Charles Bronson, John Carradine, Clint Eastwood, Errol Flynn, Samuel Fuller, Clark Gable Katharine Hepburn, Burt Lancaster, Bruce Lee, Sal Mineo, Laurence Olivier, Elvis Presley, Phil Silvers, Rod Steiger, and a whole "Walk of Fame" more! So you better believe he has some stories to share! But this is MONSTER PARTY, and what guest would be worth his salt with a slew of genre credits? Wynant drove Ricardo Montalban to suicide in CONQUEST OF THE PLANET OF THE APES, managed to keep a plane in the air while battling supernatural forces in THE HORROR AT 37,000 FEET, helped Mr. Freeze (Eli Wallach) take on The Caped Crusader in the 60's BATMAN TV series, and infamously freed The Devil to wreak havoc in the world in the classic episode of THE TWILIGHT ZONE, THE HOWLING MAN. Providing us entry into THE WORLD OF H.M. WYNANT is a past guest with an amazing resume of his own. He's an acclaimed author, playwright, graphic novelist, screenwriter, and film director, who happens to have written the definitive Wynant biography, H.M. WYNANT: YOU MUST BELIEVE! Please welcome back... STEVEN PEROS! (THE CAT'S MEOW, FOOTPRINTS (with H.M. Wynant), THE UNDYING, STOKER & WELLS: ORDER OF THE GOLDEN DAWN, GIANT BUG CINEMA, GIANT BEAST CINEMA) SO GRAB HOLD OF YOUR "STAFF OF TRUTH" AND GET TO LISTENING!
This Sunday, Vintage Classic Radio's "Sunday Night Playhouse" invites you to step back in time with the "NBC University Theater" radio show for an engaging adaptation of E.M. Forster's "Howard's End." Originally broadcast on March 26th, 1950, this episode stars Angela Lansbury in a compelling narrative that delves into the intertwining lives of three families in England's changing social landscape of the early 20th century. The story meticulously explores themes of class division, cultural clash, and the challenges of personal integrity. Angela Lansbury's portrayal is both nuanced and powerful, supported by John Carradine's authoritative voice and Vanessa Brown's lively and spirited character interpretation. This performance not only brings the complex characters and emotional depth of Forster's work to life but also underscores the timeless relevance of his themes. "Sunday Night Playhouse" continues to celebrate the golden age of radio by bringing such classic tales to new and returning audiences, bridging the past and present with thoughtful, high-quality productions. "Howard's End" exemplifies this mission, offering a rich auditory experience that echoes the concerns of its era while resonating with today's listeners. Join us on Vintage Classic Radio to relive this timeless story through the voices of a remarkable cast, ensuring an evening of entertainment that is as enriching as it is enjoyable.
GGACP celebrates one of Gilbert's favorite seasons by revisiting this Halloween episode from 2020, featuring film directors (and monster kids) Joe Dante and Mick Garris. In this episode, Joe and Mick join the boys for a frighteningly good conversation about giant insects, evil hunchbacks, cheesy haunted house flicks, the glory days of horror anthologies and the 60th anniversary of “Psycho.” Also, Basil Rathbone goes slumming, Bogie plays a mad scientist, Anthony Perkins puts Mick to the test and Joe sings the praises of Dick Miller and John Carradine. PLUS: “She-Wolf of London”! “The Man with Kaleidoscope Eyes”! The genius of William Castle! The “Colossal” cinema of Bert I. Gordon! And Joe and Mick salute the late, great Larry Cohen! Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 59 - "POLITICS: THROUGH THE LENS OF CLASSIC CINEMA" - 10/28/2024 As we all get ready to go to the polls and vote in what might be the most important election of our lives, we wanted to take a look at politics in the films of old Hollywood. This week, we explore the movies that reflected the politics and the issues of the day and left an indelible mark on cinema. From labor wars in New Mexico to a mayor's race in New England to the early years of Abraham Lincoln, join us as we take a look at some great political movies. SHOW NOTES: Sources: Hearst Over Hollywood (2002), by Louis Pizzitola; Pictures at A Revolution: Five Movies and the Birth of a New Hollywood (2008), by Mark Harris; Hollywood's White House (2010), by Peter C. Rollins and John E. O'Connor; The Great Depression on Film (2022), by David Luhrssen; “The Best Man Took On Cutthroat Campaigning,” August 21, 2024, The Hollywood Reporter; “How Blacklisted Hollywood Artists Joined Forces to Make a Truly Subversive film,” June 6, 2024, forward.com; “Subversives: Salt of the Earth,” UCTV TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: Gabriel Over the White House (1933), starring Walter Huston, Karen Morely, Franchot Tone, Dickie Moore, David Landau, Arthur Byron, Jean Parker, and C. Henry Gordon; Salt of the Earth (1954), starring Juan Chacón, Rosaura Revueltas, Mervin Williams, Henrietta Williams, and Virginia Jencks; The Great McGinty (1940), starring Brian Donlevy, Muriel Angelus, Akim Tamiroff, William Demarest, Allyn Joslyn, Louis Jean Heydt, Thurston Hall, Jimmy Conlin, and Arthur Hoyt; The Best Man (1964), starring Henry Fonda, Cliff Robertson, Edie Adams, Margaret Leighton, Ann Sothern, Lee Tracy, Shelley Berman, Kevin McCarthy, and Gene Raymond; The Last Hurrah (1958), starring Spencer Tracy, Jeffery Hunter, Dianne Foster, Pat O'Brien, Basil Rathbone, Donald Crisp, James Gleason, John Carradine, Willis Bouchey, Ricardo Cortez, Ken Curtis, Frank Albertson, Anna Lee, and Jane Darwell; The Parallax View (1974), starring Warren Beatty, Paula Prentiss, William Daniels, Walter McGinn, and Hume Cronyn; Three Days of the Condor (1975), starring Robert Redford, Faye Dunaway, Cliff Robertson, Max von Sydow, John Houseman, Addison Powell, Tina Chen, Walter McGinn, Michael Kane, Carlin Glynn, and Hank Garrett; Abe Lincoln in Illinois (1940), starring Raymond Massey, Ruth Gordon, Gene Lockhart, Mary Howard, Minor Watson, Howard Da Silva, and Alan Baxter; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
10 years after MILDRED PIERCE and Crawford hasn't aged a day. Raise a glass for Turkey, and don't forget the importance of beating Ernest.SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com SHOP THE SHOW: TEE PUBLIC
This week Harrison will review "'House of Dracula" (1945) starring John Carradine and directed by Erle C. Kenton with special guest Nate Sierra Geeks & Flix, Action Movie Guys Podcast. #houseofdracula #johncarradine #erleckenton#reelyoldmovies Nate's Instagram: https://www.instagram.com/nateflixreviews/ Geeks and Flix YouTube: https://www.youtube.com/@GeeksandFlix Geeks and Flix Instagram: https://www.instagram.com/geeksandflix/ Action Movie Guys Spotify: https://open.spotify.com/show/6k3xFlPAsbYqvwnINLy5i6?si=567b7023d0d34616 Social Media Links: https://linktr.ee/reelyoldmovies
This week we have “The Thirsty Death,” the audition episode of Bela Lugosi's Mystery House, recorded in 1944. It stars Bela Lugosi and John Carradine. For more from Brick Pickle Media, visit BrickPickleMedia.com/podcasts. Find our store at AThrillingPublication.com.
Three time Ms. Noir City Audra Wolfmann joins us once again to look at some of the strangest Westerns ever produced by Hollywood. Both of these films have surprisingly feminist themes while being directed by two of the studio system's true iconoclasts. First, Joan Crawford as saloon keeper Vienna is pitted against Mercedes McCambridge as the sexually-frustrated matriarch Emma Small in JOHNNY GUITAR (1954) for control of an Arizona town, and its two most eligible bachelors: The Dancin' Kid (Scott Brady) and Johnny Guitar (Sterling Hayden). Vienna has had both of them, which Emma has had none, but Emma appears to be more attracted to her feminine rival judging by the intensity of her rages whenever she's around Vienna. Directed by Nicholas Ray, whose best-known film, REBEL WITHOUT A CAUSE (1955), also concerns a love triangle that doesn't conform to the gender norms of the time. Also starring Ernest Borgnine, Ward Bond, and John Carradine, and filmed in striking Trucolor by Henry A. Stradling (Hitchcock's SUSPICION; A STREETCAR NAMED DESIRE). Next, Barbara Stanwyck is the "high ridin' woman with a whip in director Sam Fuller's utterly bizarre FORTY GUNS (1957), a movie as obsessed with dicks as its title would suggest. Three very Earp like brothers played by Barry Sullivan, Gene Barry, and Robert Dix (they couldn't find another Barry?) ride into Cochise County, Arizona and are immediately confronted by the movie's titular 40 guns. Stanwyck is Jessica Drummond, who rules the territory with lead and leather. Incredible camera work here by Fuller and cinematographer Joseph F. Biroc (THE AMAZING COLOSSAL MAN). We discussed Fuller previously way back in our Dark AF episode (S1E7) with THE NAKED KISS (1964). FORTY GUNS also stars Dean Jagger, Elvis' milquetoast dad from KING CREOLE (S2E10), as the milquetoast sheriff. We also ask all the hard questions like why Lady Gaga doesn't want to call the musical JOKER sequel a musical? The answer may surprise you. And please give us good reviews on Apple Podcasts. We could use em. Please check out Audra's amazing podcasts: SPEAKEASILY VS. THE 80s and RETROPHILIA. www.audrawolfmann.net podcasts.apple.com/no/podcast/retr…re/id1598247675 Hosts: Philena Franklin, Bob Calhoun and Cory Sklar Special Guest: Audra Wolfmann Greg Franklin is on assignment OMFYS theme by Chaki the Funk Wizard used with permission "Drink to Forget" by the Hot Patooties used with permission. Thanks Beth! Trailer audio courtesy of Archive.org "Bone Dry" and "Spirit Riders" by Telecasted; "Desert Drive" by Everet Almond; and misc. gun shot sounds courtesy of YouTube Audio Library Horse sounds courtesy of freesound.org neighing horse.wav by soundslikewillem -- https://freesound.org/s/418428/ -- License: Attribution NonCommercial 4.0 Horse galloping (coconut shells) version 1 by alanmcki -- https://freesound.org/s/403025/ -- License: Attribution 4.0 snorting horse.wav by soundslikewillem -- https://freesound.org/s/418427/ -- License: Attribution NonCommercial 4.0 Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com NEXT EPISODE: Hammer Horror with horror blogger Rowan Lee. Still haven't figured out what movies yet because we're stoned.
Before he starred as Grandpa Munster in Rob Zombie's movie The Munsters Daniel Roebuck was the first zoom guest ever on The Dark Mark Show as the pandemic hit. This week Mark was under quarantine but the show must go on so with the help of modern technology he interviewed one of the best character actors of the last 30 years Daniel Roebuck You may not know the name but you have seen Daniel in movies and TV shows like River's Edge, The Fugitive, Final Destination, The Late Shift, The Devil's Rejects, Phantasm V, Matlock, Lost and many many more. He claims to have more credits than even John Carradine and has great stories about Keanu Reeves, Dennis Hopper, Crispin Glover, Tommy Lee Jones, Jay Leno, Joe Pesci, Rob Zombie, Paul Giamatti and Andy Griffith among others. And did you know Daniel almost played one of the burglars in Home Alone? He sets the record straight on this show. Dark Mark Show merch on sale for a limited time here: https://www.teepublic.com/t-shirt/8830646-the-dark-mark-show?fbclid=IwAR1TJOHd3-Y5mQvtv_6xU7Ilm6D-r_LOwfeueP-XG23o7JubetRZlsbQBxA This show is sponsored by: Eddie by Giddy FDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology. Get rock hard erections the natural way again. Using promo code DARKMARK20, you can save 20% on your Eddie purchase, and you and your partner will be chanting incantations of ecstasy together faster than you can say “REDRUM.” Go to buyeddie.com/DarkMark for 20% off your purchase using code DARKMARK20 today. Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash Renagade CBD Go to renagadecbd.com for all of your CBD needs Tactical Soap Smell Great with Pheromone infused products and drive women wild with desire! Go to https://grondyke-soap-company.myshopify.com/?rfsn=7187911.8cecdba Your listens
This month Don Bluth out-disneys Disney with 1982's atmospheric animated action adventure The Secret of NIMH. Featuring the vocal talents of Elizabeth Hartman, Peter Strauss, Arthur Malet, Dom DeLuise, John Carradine, Derek Jacobi, Hermione Baddeley, Paul Shenar, Shannen Doherty, Wil Wheaton, Ina Fried, and Jodi Hicks This episode features contributions from: (in order of appearance) James Knight (with Tyranna and Ellen) Joe Richter of Hindsightless (podcast) Jason Connerley of Nerd's RPG Variety Cast (podcast & blog) Goblin's Henchman (podcast & blog) & the Umber Bulk Lex Mandrake of Dank Dungeons (YouTube, itch.io, Bandcamp) M. W. Lewis of The Worlds of M. W. Lewis (podcast) Honourable mentions: Sleeping Beauty (1959), One Hundred and One Dalmatians (1961), Robin Hood (1973), The Rescuers (1977), The Fox and the Hound (1981), Dragon's Lair (1983), Space Age (1984), Dragon's Lair II: Time Warp (1991), Banjo the Woodpile Cat (1979) The movie for next month is Ralph Bakshi's Fire & Ice from 1983. See below for details on contacting the show. The episode airs on August 26th, submissions by the 24th, please. "Warning" by Lieren of Updates From the Middle of Nowhere Leave me an audio message via https://www.speakpipe.com/KeepOffTheBorderlands You can email me at spencer.freethrall@gmail.com You can find me in a bunch of other places here https://freethrall.carrd.co You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com
A cult classic from 1977 with The Great Peter Cushing and John Carradine , nazis zombies that can live underwater what else could be more terrifying
Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967
Nowhere man, the world is at your command! In this episode: William and Jason talk about the spanning cinematic career of John Carradine and his siblings. Then Jason found the invisible plot and showed it squeezing a lemon on it to reveal it, proving quite cumbersome every time he ran one dry and had to get another. Is there anything good you can use invisibility for? Let's find out! ------ Music by RoccoW: Welcome! (RoccoW) / CC BY-SA 3.0 Sweet Self Satisfaction (RoccoW) / CC BY-SA 3.0 License: https://filmmusic.io/standard-license Audio clips used: The Day the Earth Stood Still, The Wolf Man, 2001: A Space Odyssey, Godzilla (1954), Invisible Man, Frankenstein (1931), The Invisible Man's Revenge (1944) --- Send in a voice message: https://podcasters.spotify.com/pod/show/cinematic-fantastic/message Support this podcast: https://podcasters.spotify.com/pod/show/cinematic-fantastic/support
You can watch the VIDEO version of this episode here: RETRO HORROR TV MOVIE REVIEW | THE CAT CREATURE (1973) | MUMMY TERROR AND CAT HORROR! - YouTube On Terror On The Tube, Joel, Peter, and Allyson pick, at random, a made-for-TV horror/suspense movie that aired sometime during the decades of the 1970s, 80s, or 90s. In this episode we talk about The Cat Creature from 1973. Originally released on ABC on Tuesday, December 11th, 1973, The Cat Creature stars Meredith Baxter, David Hedison, Gale Sondergaard, John Carradine, and Renne Jarrett. ................................................................................................................................................ Synopsis: A deceased rich man's collection is the key to solving a string of murders committed by a mysterious black cat. ................................................................................................................................................ ................................................................................................................................................ Special thanks to Ross Bugden for the use of his music for the theme of this podcast under the Creative Commons Attribution 4.0 International License. You can find the track titled Something Wicked here.
In “It's A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it's quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She's cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother's Day, Nan and Steve are taking a page from Bondi's playbook as they discuss the good and bad mothers of classic cinema. SHOW NOTES: Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com; "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver',” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home',” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate',” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment; “Pacific's largely forgotten Oscar winner made impact on screen,” March 3, 2024, University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned: The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O'Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O'Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles; A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Monsters rule, okay!? We're kicking off Anthology Month by checking in with some vintage horror heavy hitters in 1981's The Monster Club. We talk all things Vincent Price, John Carradine, and Donald Pleasence as well as other topics such as how we enjoy preparing eggs, Eric the night manager at Sheetz, and interesting ways to pronounce "weird". Drop that Caramello and check out our Patreon! This month we play a rousing game of Two Truth & A Lie. For as little as $2 a month you can get in on the action as well with bonus episodes, Discord privileges, livestreams, exclusive merchandise and more! Interested in more British flair from the show? Check out our previous episodes on Bloody New Year (episode 16), Gothic (episode 20), The Company Of Wolves (episode 50), Don't Open Till Christmas (episode 66), and An American Werewolf In London (episode 197).
Reinhard Heydrich sucks. Like real bad. Like he's in blue ribbon contention at the Nazi 4H show. You know... where kids raise Nazis themselves and show them off at the Exhibition before sending them off to slaughter as a character-building exercise? We're getting off track here. Big picture: He sucked so bad that people killed him. He needed killin', sure, but it also cost the world the village of Lidice. Is this the ultimate portrayal of this man's fall? Or little more than a well-intentioned propaganda film? Jason and Brendan, as usual, are happy to tell you. Next week: Back to the list! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Hitler's Madman stars Alan Curtis, Patricia Morison, Howard Freeman, Ralph Morgan, Edgar Kennedy, Ludwig Stössel, Al Shean, Elizabeth Russell and John Carradine; directed by Douglas Sirk. Learn more about your ad choices. Visit megaphone.fm/adchoices
Seducing the Wizard's Wife – 4 days of wizardry. By BradentonLarry - Listen to the Podcast at Steamy Stories. Chapter 10 Day One Toshia's day with the satyrs When Don awoke, he found himself lying on his back upon a large four-poster bed. There was sunlight pouring in from somewhere, and he had a woman on his left with her head on his chest and another curled up on his right. Trying not to disturb the sleeping women, he opened his eyes a bit further and raised his head to have a look around. [[MORE]] The woman with her head on his chest was Shelonda, and the one on his right was Amy, who was spooning Nicole. They were all still clothed, and in what seemed to be a large bedroom. Don couldn't help but remember waking up in the Manor next to Toshia what seemed like a very long time ago. That time the room had been dark and mysterious, and rather Spartan. This time, though, the room was brightly lit as two large windows let in a great deal of light. Although there was definitely the rather serious and looming question of how in the world they had been brought here, there was nothing even vaguely sinister about this room. Adding to the benign aspect of the room was, no doubt, the profusion of cut flowers that covered every available horizontal surface. As Don lowered his head again, Shelonda shifted and then raised her head to look around. When she saw that Don was also awake, she gave him a confused smile. He smiled back as reassuringly as he could and caressed her back. He wasn't terribly surprised to feel her hand moving up along the inside of his thigh. "If danger isn't threatening it must be time for sex" seemed to be the default rule among Eros dwellers. Don tried to think of a good reason to deny himself and Shelonda. He knew they were someplace strange, the guests of some new set of kidnappers, and that they had very likely completely lost track of Toshia, but all of those things had been true for hours, since they had apparently slept through the night, and if anyone meant them any harm, they surely would have carried through on that desire while they had been unconscious, rather than putting them on a comfortable bed. So, when the beautiful woman pushed his kilt up and began to stroke his cock, Don didn't resist and instead pulled her up so he could kiss her warmly. After all the stress of the last couple of days, with the plants, the watchers, the human attackers, and the chase after Toshia – not to mention seeing her cavorting with actual satyrs -satyrs! - it felt very good indeed to lay back and feel Shelonda's mouth on his, her tongue pushing past his lips, and her warm hand on his quickly thickening cock. Moving slowly, so as to not wake Amy and Nicole, Don moved his right arm up so he could get his hand on Shelonda's full breast, squeezing it gently through her tank top. This prompted her to squeeze and pull on his cock more strenuously. Don decided that two could play at that game, and, rolling onto his side a little, moved his right hand from her tit down to her strong left thigh. Slipping up under her skirt, Don's hand slid along her smooth brown skin and around to squeeze her firm ass tightly. Shelonda moaned her approval very quietly. Don kissed her more deeply in a vague attempt to get her to be quieter. Don worked his hand around in front of Shelonda. She parted her legs for him, raising her left one and wrapping it around Don's legs. This left Don free to run his fingers over her very moist lips. He teased her a bit before parting those lips with his fingertips and spreading her juices over her inner lips and clit. Soon his fingers were inside her, slipping in and out of Shelonda's pussy, as Don's thumb pressed against and rubbed her clit. Shelonda liked this quite a bit, and showed her approval by rolling back on the bed, pulling Don with her. They continued kissing as he moved naturally into position over her. Her legs spread and her hand pulling him forward, Don slipped into Shelonda's welcoming pussy. As he sank deep into her hot, wet sex, she reached down to clasp his butt in both of her hands, squeezing and pulling him into her. Their bodies were pressed tightly together as they fucked and kissed, moving slowly against each other on the bed. It was a passionate, loving and intense encounter there in the strange bedroom. Don had become extremely fond of the beautiful young woman, and he knew she felt the same way. The connection between the two of them was stronger and deeper than the casual sex relationship either or both of them shared with the other two women. Amy was a great sexual athlete, Nicole was a playful little minx, but Shelonda had a seriousness about her that made sex with her more than just sex. If it wasn't a romantic coupling, and it hardly seemed quite like that, it was a bit more than friends-with-benefits. Don resisted the urge to fuck Shelonda more vigorously, partly because he didn't want to disturb the others, and partly because the way they were screwing was building up its own intensity. Shelonda pulled him into her tightly with her legs and arms, kissing him intently. Then she threw her head back, gasping through clenched teeth. She let go of his ass to clench the sheets at her side, and then was burying her face into his shoulder. Don pushed himself deep into her clasping, clutching pussy riding out her quiet, intense orgasm by holding her in his arms. When Shelonda slowly relaxed, and lay back on the bed, he smiled down at her happily. She actually blushed and turned her face away. "Well, that looked like a good one," Amy said. Don looked over to see that the curvy blonde had rolled over onto her back to watch him and Shelonda. Nicole was also watching, but was resting her head on Amy's soft breast. Nicole's hand had already found its way down between Amy's thighs and was busy making mischief there. "Got enough to share with the rest of the class, Professor?" Nicole asked with a smirk. "I just might," Don grinned over at the two women. Then he leaned down to kiss Shelonda again. By the time he had withdrawn from Shelonda's exquisite embrace, Nicole had gotten down between Amy's legs and was giving some serious head, and Amy had pulled her tank top up over her head and thrown it aside. Don moved around behind Nicole and coaxed her up enough that he could get his cock down and into her waiting cunt. He admired Nicole's narrow waist and tight, brown ass as he began to fuck in and out of her. Shelonda moved over to be close to the action, and soon reached around so she could get her fingers on Nicole's clit. Nicole was only barely able to make Amy come, gasping and twisting on the bed, before she was coming herself. Don still hadn't come, and he was acutely aware of that fact. He pulled out of Nicole and urged her over toward Shelonda. Moving up between Amy's legs, he smiled down at her happy face, and said, "Where do you want it?" "Come on my tits, Professor," she said immediately. Don nodded, but took a moment to push his cock deep into Amy's juicy twat. After fucking Shelonda and Nicole, he only needed a couple of thrusts into her tight pussy before he was ready to blow. He pulled out of her and quickly straddled her abdomen. He had planned to jerk himself off, but Amy's hands beat him to it. She took him in a tight, enthusiastic grip and pumped his thick organ several times until a huge spout of white cum burst out of him and splattered over her chest, neck and chin. Several days of abstinence, coupled with the XYZ in his system and the sex leading up to this moment made Don's orgasm both extremely intense and voluminous. A second stream of jizz splashed over Amy's tits and then a flood of it spilled over her hands onto her belly. Don felt like he was coming for minutes. As he finally took a deep breath and opened his eyes, Shelonda and Nicole clapped and laughed. He managed to get off Amy while the other two girls closed in on her and began to play with and lick up the cum he had left there. As soon as his head stopped reeling from the intense orgasm, Don decided it was time to have a better look around. Sitting on the edge of the bed, he noticed that there were not only two big windows, but also three sets of doors, all double and all closed. The room had a thick carpet. Don reached down and took off his sandals, and enjoyed the feeling of the carpet on his bare feet. There was a couch against the wall opposite the bed, as well as a large framed mirror. There was a low table in front of the couch and a pair of overstuffed chairs at either end of the table. One of the chairs had their satchels piled on it. Don and Shelonda's staffs were standing in a corner. All of the furniture was in an overly ornate style that Don thought of as rococo, though he wasn't confident that that was the right term. (Perhaps it was baroque, or regency; he could never tell.) Don got off the bed and moved over to one of the windows. They were apparently on the second or third floor and overlooked a vast well-tended and colorful flower garden. There was no one to be seen among the flowers or paths of the garden. He moved over to one of the sets of doors, and was surprised when they swung open of their own accord. Don stepped onto the tiled floor of a large and ornate bathroom, illuminated by an impressive skylight over a huge tub. Strewn about this room were more flowers and a liberal supply of towels and toiletries. As Don moved closer to the tub, water began to pour out of the four faucets set around it. The sound of the steaming, fragrant water quickly filling the bathtub drew the attention of the girls, who quickly crowded into the bathroom with Don. Clothes were quickly stripped off and thrown aside. Although they had only been out of the Manor for a few days, and had hardly been living a hard life outdoors, the opportunity to bathe properly was most welcome. They took quite a while, scrubbing each other clean, which naturally enough led to more splashing about than was strictly necessary as well as more fondling and play. Don was the first to get out of the tub, and so was the first to notice that their clothing had somehow been removed. He dried himself with a heavy, soft towel and then padded out into the bedroom naked. His sandals and Amy's top had also been removed. He moved toward one of the other sets of doors. When they failed to open for him, Don tried the handles, but they wouldn't budge. Frowning, he turned to the last set of doors, which did swing open as he approached. This time he found a large walk-in closet, full of clothing. On the right, taking up about a quarter of the available space was an assortment of strangely old-fashioned men's clothing. On the floor was a good selection of footwear. Don chose a pair of light cotton slacks and a buttoned shirt, and tried them on. He was not at all surprised that the clothes fit him perfectly. As he came out of the closet, the girls were just coming out of the bathroom. Seeing his attire and catching on that there were new, fresh clothes to be had, they swarmed around him and into the closet. They were each able to find at least a quarter of the closet that had clothing perfectly fitted to them, and spent some time selecting outfits. Don was amused to watch them trying various combinations. Ultimately they came out to model their selections, and he smiled to see their individual styles come through. Shelonda was wearing a light vest and a pair of loose silk pajama bottoms that were bloused at the ankles. Amy had on a low cut top and stockings and a garter belt, and a short pleated skirt that flared out from her waist. Nicole had on a form fitting sheath dress with slits running up the lengths of her legs. While Don was complimenting them on their outfits, the third set of doors swung open, revealing a long marble hallway. Cautiously, the four of them moved out into the corridor. There was nowhere else to go, so they proceeded along, until a large pair of doors opened before them. On the other side of this portal, they found a vast dining room, lit by a dazzling number of candles. There were a dozen chairs around the large, long table in the center of the room. There were also bowls full of fruit and gleaming glasses of water. On each of the three walls without doors there were large mirrors. Don eyed those reflective surfaces suspiciously, his mind on the likelihood that they were being observed through those mirrors. Like the trusting souls they were, Amy and Shelonda had made themselves comfortable at the table, drinking and eating freely. Don and Nicole shared a glance, but then joined the others in dining. Only when they had each eaten a small amount of fruit and drank a whole glass of water – in short, when they had their fill – did someone broach the subject that was on everyone's mind. Amy said, "Well, where are we anyway?" "I have no idea," Don admitted. "You are in my home," said a deep voice. They turned sharply to see a tall man standing in the doorway. He had white hair and a beard, a prominent brow adorned by bristling eyebrows, a pronounced hawkish nose, and bright eyes glittering at them in the candlelight. He wore a deep blue robe, like one would expect to see worn by a magician in a fantasy movie. He was over six feet tall, and stood erect and easily. Though his deeply lined face indicated great age, he carried himself as if he were quite healthy. "And you are?" Don asked. "I am called the Wizard of the Wood," declared the man in that voice that reminded Don of a not quite ancient John Carradine. "Well, I am Don, and this is Amy, Nicole and Shelonda. We're grateful for your hospitality. May we ask why you brought us here?" "Of course you may," the Wizard intoned. "I brought you here so that you might assist me with a particular task." "Um, well, we were trying to find a friend of ours..." "The one who was, and has been copulating so vigorously with those three satyrs, I suspect." "Yes," Don nodded, "that would be her." "She is in no danger. The satyrs mean her no harm. I believe they are enjoying her company far more than they expected to. She is quite spirited and has a great deal of stamina." "Well, you seem to be quite well-informed and have resources at your disposal." "You mean magic," the Wizard said. "I have magical resources." "Um, sure," Don said. "If you could bring our friend here like you did us, we'd be happy to help you with your task." "There are three problems with that proposal." The Wizard gestured and a chair slid out from the table. As he took his seat, he said, "One, I have no reason to trust you. This is of small consequence, though, because you would still have your freedom to gain. Two, I believe the desire to be reunited with your friend will be a better motivator in any case. Three, as a matter of fact, I cannot at this time bring your friend here." "Why not?" Nicole asked. "My power is largely focused upon this location. Within the bounds of this house and the grounds I have great power, but to exercise that power to bring people here is ... difficult. I do however have the means to convey you to your friend, which means I will make available to you following the completion of your task. I assure you, the task is within your power, and I will compensate you well for your efforts. You will not regret helping me." Don frowned, "And what if something should happen to our friend while we're here?" "I am monitoring your friend's situation and will find a way to intervene if she should actually be endangered. I am afraid I can only offer you my assurances as to this and my other promises. I hasten to point out that you do not seem to have any other viable options." "We could try to escape," Don pointed out. "Feel free," the Wizard shrugged. "You will only waste time and energy, uselessly." "Can you give us some evidence that you can actually know how and where Toshia is?" "Your friend? Yes, I think so," the Wizard nodded toward the large mirror to his right. Looking at that mirror, they could suddenly see Toshia. She was lying back against a satyr, while another satyr was in front of her. Her legs were around the front satyr's haunches and her hands were on his shoulders. It seemed clear that both of the satyr's were fucking her, and, moreover, that Toshia was enjoying herself quite a bit at the moment. "Alright," Don said after taking a moment to take in the expression on Toshia's face as the satyr's had their way with her, or she had her way with them. "What do you want us to do?" "I want you to seduce my wife." Don looked at the Wizard of the Wood to see if he was joking. He looked to the girls and saw that they were as confused as he was. "Well," Don said, "first, you're the first person I've met in Eros who's even in a monogamous relationship, let alone married." "Yes," the Wizard nodded, "we have always had an unconventional relationship." "OK," Don shrugged. "Why do you want us to seduce your wife?" "Well, it is not so much all of you, as you yourself, Don, though the others may of course help." "Alright, why do you want me to seduce your wife?" The Wizard stood up and began to pace alongside the table as he spoke. "We live alone here. The house and my power see to it that we want for nothing. I love my wife very much. She is a wonderful woman and a good companion. However, I am aware of what goes on out there in the world. I see the fun people have in the woods. I can watch the witches of the glen working their orgiastic magic. I know what goes on in that Manor. I want to enjoy some of that fun, Don. I want to convince my wife to have an open marriage." "Well, I certainly wasn't expecting that," Don admitted. He noticed that Nicole was having a very hard time keeping a straight face, while Amy and Shelonda simply seemed confused. "Have you talked to her about this?" asked Don. The Wizard shook his head, saying, "Oh, she would never agree to it. She is far too jealous and possessive. She would think I do not love her any more and that I just want to couple with other women." "But, you do want to 'couple' with other women," Nicole pointed out. "By all the gods, yes!" the Wizard shouted. "I want to so very badly. But it is only sex. Do you know how long we have been married?" "No, of course..." "A very long time, believe me! I love her madly, of course, but I need some variety now and then. I honestly believe it would do each of us and both of us as a couple a great deal of good to enjoy other people. Having sex with just the same person for many years is simply not healthy." "Well, I can't argue with that," Don smiled. "So, what are you thinking?" "If you seduce her, make her want to sleep with you, it will give me the opportunity to broach the subject." "That's extremely indirect," Don mused. "What if she doesn't want to sleep with Don, or just wants to sneak around on you?" Nicole asked. "My wife would never do such a thing," the Wizard insisted. "Perhaps," Don said, "but, as much as I hate to ask this, what about that other option? What if I can't seduce her?" "If you give a good faith effort to seduce her but she does not succumb, I will grant you your freedom and help you find your friend." "Are you sure you don't just want us to help you talk to her?" Don asked. It had just occurred to him that the Wizard's wife was going to be as ancient as he was. "No," the Wizard said with finality. "I have given this a great deal of thought, and I am certain that would never work. It has to be done this way." "Alright, then," Don said. He looked around to gauge the reactions of the women; Nicole shrugged, while Amy and Shelonda both nodded. "We'll help. I take it you have a plan, then." Day Two Toshia is caught by the warrior women and is taken to their castle The next day, the Don and the three women had a brief conference, during which they considered the merits of attempting to escape from their luxurious prison. It was Nicole who pointed out that even if they were able to get out of the house and the grounds, however far those might extend, they would have no idea where they were or how to find Toshia. It did seem that their best bet was to cooperate with the Wizard of the Wood and trust that he would honor his end of the bargain. So, they passed the day exploring the immense house, going only where the doors would allow them to pass. There was no sign of anyone else in the building, though everything was dusted and the flowers and fruit were freshly laid out. They found a large library, an indoor pool, and a billiard room, among other less well-defined rooms. Following the spirit of the Wizard's plan, they deliberately resisted the urge to fill the day with sexual play. Instead, they built up their frustration by engaging in playful banter and flirting. Things became particularly heated during their skinny-dip in the pool. Don had to herd the women into the showers, which did frankly very little to help, except that it introduced an all-too-ephemeral break in the action. Amy was particularly wound up by the time they returned to their room to change for dinner. "I will tell my wife that we have guests," the Wizard had explained. "I'll say that you were travelers who I rescued from hooligans using my magic, and that I offered you hospitality for a few days." "Hooligans?" Amy had asked. "That's what I call the bands of ill-mannered men who roam about the forest attacking anyone they come across." "We met some of those," Don had nodded. "It didn't end well for them," Nicole said quietly, looking across the table at Don. "They are thoroughly unpleasant," the Wizard had scowled. "Anyway, I will tell my wife that you seem to be very interesting people, and I will arrange to have her looking in on you during your dinner. You use that time to, shall we say, put on a show for her." "A show?" asked Shelonda. "Yes, well, a demonstration of unfettered sexuality," the Wizard explained. "You want us to have sex for your wife to watch," Nicole said. "Yes," the Wizard nodded. "I know my wife enjoys reading books with erotic scenes in them, and I suspect seeing one played out in front of her eyes will titillate her. Moreover, the fact that there are more than just two of you will work to our advantage if we are to be successful in tempting her toward a more open attitude toward sex." "I think we can manage that," Don smiled at the three women. He knew Amy in particular would rise to the occasion. "Remember, though," the Wizard had admonished before bidding them goodnight, "it must seem spontaneous. If my wife suspects chicanery she'll never go along with the rest of the plan." The three women all wore outfits that were at once frilly and feminine and were also simple enough that it would be quite easy to have sex in them. Nicole wore a form-fitting, backless dress with a very short skirt and puffy sleeves, all in black with large bright red flowers. Shelonda wore a frilly little sundress in light pastels. Amy wore a silk negligee and a long, sheer robe. All of the girls surprised Don by wearing high heels. For himself, Don wore dress slacks, a white shirt and a dark blue jacket. As an afterthought, he added socks and perfectly shined, black dress shoes. Arm in arm en masse the foursome left the bedroom and headed to the dining room. Along the way, Don reminded them to act as if no one was watching. "But, also make sure we put on a good show," Amy pointed out. "How are we supposed to do that?" Shelonda wanted to know. "Well, make sure that anyone looking can tell what you're doing; don't cover up anything," Amy suggested. "And make noise," added Nicole. "Let everyone hear that you're having a good time." "Wow," Don said, "that's really good advice. You're making me horny already." "You have to wait a bit, Professor," Nicole winked. With that they came to the dining room and gathered around the middle of the table, Don and Shelonda on one side and Amy and Nicole on the other. "Who do you think puts out this fruit and water?" Amy asked, as she picked up and examined a red apple. "I have no idea," Don shrugged. "Perhaps the same person who washed our clothes and put them back when we weren't looking yesterday." "Our host, maybe?" wondered Nicole. "The Wizard?" Amy laughed. "I doubt that." "He doesn't exactly seem the sort to do housework," Don admitted. With a mischievous gleam in her eye, Amy sank her teeth into her apple and leaned over toward Nicole, who, catching on immediately, bent in to take a bite out of the opposite side of the fruit. While they were doing this, Shelonda said, "Well, whoever's doing the cleaning and other stuff, it sure is nice of the Wizard to let us stay here." "We should try to find a way to thank him," Amy said around a mouthful of apple. "Oh? What did you have in mind?" Don asked with a laugh. "There are lots of ways a girl can thank a man," Amy smiled, taking another bite of the apple. "She can say, 'Thank you very much, Mr. Wizard, sir,'" Nicole smiled coyly while she toyed with a strawberry. "Exactly," Amy laughed, "but that wasn't exactly what I had in mind." "Whatever could you mean?" Nicole asked. She had now turned toward Amy and was running her hand up and down her arm. "Oh, you mean..." "Exactly!" Amy grinned and grabbed a nearby banana. She proceeded to peel it slowly. "But isn't he rather old?" Nicole persisted mischievously. "He seemed healthy enough to me," Amy said as she pulled the last peel down. "Anyway, I think I like older men. Plus, he's quite tall, and that usually means..." "You think so?" Shelonda joined in. "I do," Amy said. "Anyway, I'd be happy to show my appreciation." To demonstrate her capabilities, she slid the length of the banana into her mouth and down her throat. Don and the girls laughed, and Don said, "Well, fruit's one thing. Are you quite sure you're up to the real thing?" "Quite sure, sir," Amy said after swallowing the last of the banana down. "I'm unconvinced," Don said with a frown. "Well, how in the world can I convince you?" "You could show him on his cock," Shelonda said with exasperation. Don thought she was the best actress of the bunch. "Alright, Professor, hop up here on the table and let's see what you've got," Amy grinned. Don stood up and took off his jacket and kicked off his shoes, while the women pushed the bowls and glasses out of the way. Then, he climbed up on the table and knelt in front of Amy. Getting into her act, Amy ran her hands up along Don's thighs and made a show of unfastening his pants. She slipped her hand into his slacks and took hold of his quickening cock. Pulling it out, she held it up for Nicole to see. "Very nice," Amy said, "but it needs more work, I think." She lowered her head to Don's lap and took the entire length of his cock into her mouth. Pulling on it with both her lips and hand, she quickly had him fully hard. While Amy was doing this, Shelonda climbed up on the table next to Don so she could see too. Amy pulled back to show the girls that Don was now erect. "That's more like it, Professor!" Amy said. "Now, what was it I was going to do with this?" "Oh, I can show you," Shelonda offered quickly. "By all means," Amy laughed. To be continued. Nicole & Amy Seek To Seduce The Wizard Shelonda leaned in over Don's lap and immediately lowered her mouth all the way down his cock, letting his fat head slip into her throat. She accompanied this with a loud, very satisfied, "Um!" When she came up for air, Shelonda smiled at Amy and Nicole and said, "That's what you were saying you could do." "Oh, yes, I remember now. Let me see if I've got this right," Amy laughed. Straight away, she took hold of Don's cock and lowered her mouth and throat on him. Don took advantage of the situation by gently grabbing Amy's head and holding her there on him so that he could flex himself in and out of her throat a bit. Following Shelonda's lead, Amy gurgled and moaned her approval of this maneuver loudly enough for everyone to hear. Always happy to oblige, Don fucked her throat a bit longer before letting her go. As soon as Amy was up again, Nicole jumped in with, "Let me give that a try!" Crowding in front of Amy, Nicole inhaled Don's shaft in one eager motion. Once he was in all the way, she bobbed her head up and down on him, murmuring her pleasure while he moved in and out of her throat. When she backed up off him, she gave the slippery head of his cock a kiss and flashed a grin around the room. "Is that all you'd do to thank the Wizard?" Shelonda asked. "Don't you think that's enough?" Amy asked. "Not nearly," Don said with a smile. "Oh, well, I might be able to come up with something else," Amy said thoughtfully. "Like what?" Shelonda asked as she reached over to stroke Don's wet cock, which was twitching in anticipation. Amy shrugged out of her sheer robe, said, "Well, I could do this," and, using her chair as a step up, climbed up on the table with Don and Shelonda. Amy planted her feet on either side of Don's thighs, and pulled up her silk negligee to expose her bare pussy and ass to view. "Now that looks delicious!" Don grinned. He leaned forward to kiss Amy's nether lips, reaching up between her legs to get his hands on her ass. Holding her in place, Don reached out with his tongue to lightly lick over the soft curve of her lips. Pushing up between them, he tasted her juices and slipped his long tongue up inside her. Amy moaned and pushed forward a bit, encouraging him to do more. He proceeded to fuck his tongue in and out of her, and then began to lick at her clit. Shelonda was still stroking Don's cock, or was until Nicole took Amy's chair and got into position in front of Don and began to suck on his cock with great enthusiasm. Shelonda leaned back for a moment, admiring the sight of Amy standing on the table while Don buried his face between her legs. Then she decided to get back into the fun. Pulling her sundress up over her head and casting it aside, but leaving her heels on, she got up to stand behind Don. She reached forward and took Amy's head in her hands and pulled her forward into a long, slow passionate kiss. Amy, who had been holding on to Don's head, both for a little support and to keep him there where he was giving her so much pleasure, reached up to get her hands on Shelonda's full tits. She moaned into Shelonda's mouth while squeezing and caressing those beautiful breasts. She moaned again when she felt Don pushing several fingers up inside her grasping pussy. When she felt Shelonda tugging at her negligee, Amy took a few seconds to quickly pull that garment up and over her head. She wasn't sure where it fell; it was out of her mind as Shelonda began to kiss and suckle on her tits. Then Don's tongue was making her come. Amy remembered Nicole's advice and cried out enthusiastically as the explosion of delight erupted in her clit and pussy and then spread through her body, making her shake and sob. "Oh fuck yes!" Amy gasped loudly. "That's so good! Don, you've got the best tongue. Damn!" Shelonda embraced Amy, whose legs were suddenly unsteady, and helped her to lie down with her on the table behind Don. Don took advantage of the momentary break to push Nicole back enough so that he could get off his knees. Instead, he sat on the edge of the table with his feet dangling. Nicole wasted no time, though, and climbed up on the table with the others. Pushing Don back so that he was leaning on his arms, she pulled up her short black dress and straddled Don's lap. She rose up as high as she could, to give anyone watching a clear view, and lifted Don's cock straight up. Pushing the head into her, Nicole slowly slid down its length, moaning happily as it filled her. Don grinned up at her and took her narrow waist in his hands. As soon as she was all the way down on him, Nicole pushed herself back up, almost all the way off, and paused there so anyone could see his thick pole disappearing into her tight pink sleeve as well as the shiny wetness she left on him. Then, finally she let herself down on him again, until his head was pressed against her cervix. Up again and pause, then down, harder this time. Don's strong hands and arms helped to raise and lower her, sparing her thighs some work. With each descent on his shaft, Nicole let out a happy, lustful moan. Soon she was grunting and crying out as she rode up and down on him with almost violent abandon. She began to throw herself into the performance aspect of the evening. "Fuck yes! God yes! That feels so good! Fuck me, Professor! Fuck me!" Nicole cried out. Don was pushing up into Nicole each time she came down on him. He was quietly amazed at how hard a fucking the tiny girl was taking and enjoying. As she bounced on his cock, he watched as she clawed at her dress to pull it aside and get her hands on her little breasts and hard nipples. Then she was coming on top of him, still bouncing as she screamed and shook. "Yes! Yes! Fuck yes!" she called. Then abruptly, she stopped and slumped forward on Don, gasping for air. "Damn!" she whispered, "I guess I like having an audience." "Well, it suits you," Don whispered back, kissing her ear. When Nicole pushed herself up a bit, they noticed that Shelonda and Amy had worked themselves into a 69. They lay on their sides, with Amy's feet and back toward Don and Nicole's side of the table. They could see the top of Shelonda's head as she worked her tongue over Amy's slick lips and sensitive clit. Both girls were moaning enthusiastically while they kept their mouths busy. Nicole pushed herself the rest of the way up, and struggled to get out of her dress. Don finally got around to unbuttoning his shirt, and when Nicole climbed off him to walk down the table, naked but for her heels, Don took the opportunity to get out of his clothes. By the time he got back on the table, Nicole was down by Amy's head, reaching around to get her fingers on and probably in Shelonda. Don decided he would make himself useful at this end of things. Lying down behind Amy, he scooted in and guided his cock between her legs. He felt Shelonda's breath and then tongue on the head of his cock just as he felt the wetness of Amy's waiting pussy. He didn't pause, but just went ahead and pushed himself in. Amy let out a particularly loud moan as he filled her in one sure motion. Steadily he began to fuck her, enjoying the sensation of her slippery cunt squeezing and pulling at him as well as Shelonda's tongue brushing against him. What Amy and Nicole were doing to Shelonda had the desired effect, because she was the next one to come, crying out loudly in ecstasy. This precipitated some rearrangement on the table, as Shelonda disentangled herself. Amy turned her head and said over her shoulder, "Get on your back, Don." Don quickly rolled back, reluctantly pulling out of Amy in the process. She wasn't done with him yet, though. Without turning around to face him, she got up over him. She took his cock and lifted it up and pushed the broad head of it up into her ass. Don said, "Oh, god that feels so good – so hot and tight!" "That's right, baby," Amy grinned back at him. Then she pushed herself down on him, taking his thick cock deep into her bowels. She leaned back then, and Nicole came around and knelt in front of her, pushing several fingers up into her pussy and attacking Amy's clit with her tongue. Meanwhile, Shelonda straddled Don's face, so that she could have her pussy licked while she reached around to play with Amy's tits. Don reached up to adjust Shelonda's position a little and began to lap at her very wet pussy and clit. His nose slipped into her vagina and then teased her ass as he moved back and forth over her. All the while, he could feel Amy moving up and down on him and Nicole's fingers inside her pussy. He couldn't see what was going on, but he could definitely tell when Amy began to come again. Not only did her ass clench and relax on him as she came, but she cried out in a dramatic and heartfelt wail. As the girls climbed off him, Don realized that he still had not come. He also knew that there was one woman he had not yet fucked that evening. He caught hold of Shelonda's narrow waist and quickly coaxed her into position on her hands and knees. As the other two girls focused their attention on Shelonda's pretty face and swinging breasts, Don drove his cock into her waiting vagina. Once he was good and slick again, though, he pulled back and then pushed himself firmly into Shelonda's tight ass. He remembered the night in the disco when he had first been welcomed into that sweet embrace. He smiled down at her dark, muscular back and fucked her with passionate abandon. She pushed back at him eagerly. "Come inside my ass, Don!" Shelonda called out. "Fill me with your cum!" He felt Amy's fingertips moving on Shelonda's pussy lips and clit, and tried to hold off until Shelonda was coming, but it was too late for that. Everything up until that moment had brought him to the brink and he was too far gone to hold back. He threw his head back and groaned, shoving himself deep into Shelonda as his cock spasmed and filled her ass with hot cum. This helped carried Shelonda over the edge too, and she cried out as her own orgasm swept through her leaving her and Don lying collapsed on the table in a quivering, laughing pile. The other two girls lay down with them, caressing and kissing their hair and sweaty skin. The next day Don was allowed to find his way out into the garden. Since the Wizard had let him know beforehand that this would happen, he was wearing clothing that would allow him to practice his kung fu in the open center of the garden – loose pants, shoes that were almost moccasins, and a light vest. After taking the time to stretch thoroughly, Don began to put himself through a full routine. He was very happy to notice that he was not only maintaining his conditioning but seemed to be in quite a bit better shape than he had been when had arrived in Eros. He was able to hold his stances longer and lower, had more stamina and endurance, and was able to kick and jump higher and more nimbly. He was enjoying the workout so much that he had almost forgotten that he was supposed to have an ulterior motive. Upon finishing a particularly long and demanding open-hand form, he was a little surprised to hear a woman's voice saying, "That was very graceful, sir." Don smiled, turned and bowed, "Thank you..." He was about to add, "milady," because it sounded like the appropriate way to address the Wizard's wife, but he was suddenly caught off guard. He had expected a woman who more or less resembled the Wizard. Not necessarily so tall, or quite so old, perhaps, but certainly older and not particularly attractive. Instead he beheld a beautiful young woman with long auburn hair falling over her bare shoulders in loose curls. She wore a white gown with flowing skirts and a cinched bodice that accentuated her very thin waist and full, medium-sized breasts. Her smiling lips were red, and her emerald green eyes were framed by long lashes. Don thought she bore a striking resemblance to Rita Hayworth, and found himself wondering if she had gorgeous dancer's legs. Still smiling, Don said, "My name is Don, are you the lady of the house?" She inclined her head and said, "I am. My name is Madeleine." "It is an honor to meet you, milady. My friends and I are your very grateful guests." "Ah, yes," she murmured. "And where are your three enthusiastic friends?" "I believe they are swimming in the pool. Would you like me to go fetch them?" She laughed a little. "No, that's quite alright. I am only taking my daily walk through the garden. Would you care to accompany me?" "It would be my pleasure," Don bowed again. He approached her and offered her his arm. Without hesitation, she slipped her arm through his and laid her warm hand on his sweaty wrist. "Do you have a customary path, milady?" "I do," she nodded, "but perhaps it is a good day to try something new." This certainly seems to be going well, Don thought. "My husband tells me that you seek a friend of yours who is lost in the forest." "Yes, he has graciously offered to help us find her." "How generous of him," she smiled. "He strikes me as a particularly generous man," Don nodded, thinking of things quite different than the offer of assistance. "Yes, I'm sure. And you are determined to find this friend of yours?" "Certainly." "She is perhaps more than just a friend?" "Much more, milady." "And yet you have three other friends, with whom you are apparently on rather intimate terms." Don decided to play coy, "Milady?" She paused a moment, then said, "So my husband has informed me." "Yes, well, my three companions are my friend's friends as well." "Interesting," Madeleine smiled, "and does this include intimacy as well." "It certainly does, milady," Don chuckled, "and quite a bit of it at that." "And neither you nor your friends are jealous of each other?" "No. We want each other to be happy, and to experience as much joy as possible." "How open minded and generous of you, Don. Let us sit there by that fountain." He led her to the indicated fountain and sat next to her on a stone bench. "Now we can speak directly," she said with a smile that was almost a grin. "My husband can't hear us here, though he is no doubt still watching." "Milady?" "I know what my husband is up to," she laughed. "I've known all along. The horny bugger wants you to seduce me so that I'll let him sleep around, or so we can both sleep around." "Um, the latter," Don nodded. "And I'll bet he's holding out the promise of helping you find your friend to get you to play along." "Yes," Don smiled, "but that was before I met you. If he had just let me meet you first I would have been quite happy to help him in this regard." She smiled and patted his knee, "You're sweet. However, things aren't quite as he would have you believe." "No?" "He wants to believe I'm terribly jealous, but the real problem is that he's quite insecure. I know my husband, and if I agree to an open marriage too easily he'll be plagued with doubts and utterly baseless worries. I know the difference between love and sex, Don. Moreover, I know the difference between sex and fucking amazing sex – and what you four showed off last night was fucking amazing sex!" Don was a bit taken aback to hear her saying "fucking" so freely. "I love my husband more than any other man or woman, and I knew plenty of both before I met him, let me tell you! And, I know my husband loves me. It doesn't bother me that he wants to screw the occasional hottie, or three. I certainly want to let you fuck me till I can't walk straight." Don smiled broadly, and said, "I'm glad to hear that, because..." "Hold on there, stud," she laughed. "We've got to play this just right. It's important that my husband thinks it was his plan that did the trick. That way he won't think I just let the first guy with a nice dick and a talented tongue, fuck me." "I don't suppose the two of you would consider just talking to each other," Don offered, hoping she would reject the idea. He was quite taken with the idea of seeming to seduce this gorgeous woman. "Oh, certainly," Madeleine smiled. "We've talked. He knows that I found the show you put on last night very titillating. I practically attacked him as soon as you were done. He's mentioned the open attitude of most of the people in Eros frequently enough that I know what's on his mind. But, as I said, I know my husband, and I know what it will take to make this work." "OK then," Don nodded, "what's next then?" "I will play hard to get, but intrigued, until tomorrow," she said. "I suspect he'll want you to put on another show this evening. Would you mind going down on the other two girls?" "No, not at all!" "Wonderful! That looked divine," she sighed. "Then, after he drops a few more hints, I'll suggest something like... Oh, I know. I'll tell him that if someone like you were to slip into my bedroom without warning I wouldn't mind being ravished, or something to that effect." "That does sound a little awkward," Don admitted. She waved that off, "I'll work it out. Maybe I'll just wait until he's got his cock in me. He'll get the gist then without paying attention to the way I phrase it." "Um, yes, I can see that." "Then, all you have to do is follow through," she smiled. "Think you can do that?" Don chuckled, "Yes, I'm quite sure." "Wonderful." Then she lowered her voice, though she had said they couldn't be overheard, "I really am looking forward to letting you have your way with me." "The feeling is quite mutual, milady!" "It's a date, then," she laughed. "Now, would you be so kind as to escort me back to the house?" Just as Madeleine had said, the Wizard came to them before dinner time and said that, although she found Don charming, she still wasn't quite sold on the idea of doing anything intimate with anyone. He suggested that they put on yet another show with dinner, and our four heroes were quite happy to oblige. This time, Don made a point of making each of the three women come with his lips, tongue and – here and there – his teeth. Don repeated his kung fu routine in the garden. Again, the Wizard's wife met him, and again they walked back to the fountain. She confirmed that she had dropped the appropriate hint to her husband, and then said, "Now, grab me and kiss me." Don had been thinking how much he wanted to kiss those ruby red lips since the day before, so he didn't need to be told twice. He quickly slipped his arm around her slim waist, and pulled her to him. Holding the side of her face gently in his hand so she couldn't turn away, he pressed his ardent lips against hers. He thrilled to feel her arms slip around him and hold him for a moment. She began to return his kiss, but then pushed him away. She slapped him then, but not too hard, and he was able to catch her wrist. Holding her hand to his face, he turned and kissed her palm. Yanking her hand away and scowling angrily, Madeleine said, "That was perfect, I can't wait to do more of that!" Then she made a show of storming off to the house. Don shook his head, and then made his way back inside. He was relaxing with the girls in the shallow end of the pool when the Wizard came to see them. Though he was obviously a bit distracted by the naked women, he was intent on his plans in regard to his wife. The Wizard paced back and forth by the pool as he enthused, "Everything is going perfectly!" "Are you sure?" Don asked, though he was pretty confident on that particular score. "Yes, she insists that she is angry with you for kissing her, and perhaps she is, but she is much more excited than angry." "How can you tell?" Shelonda wanted to know. "The ardor she displayed during our lovemaking just after her walk in the garden was exceptional!" the Wizard explained. "I know just how to proceed tonight. She said she was afraid you might steal into her bedroom and ravish her. I could tell this thought excited her very much, though." "Well, alright," Don said, "but how will this help convince her to try an open relationship?" This was a point of the plan that remained sincerely murky to him, and the wife's complicity hadn't helped clarify matters. "Ah," the Wizard smiled, "that will depend upon me getting her to admit that she had a good time." "Assuming she has a good time, eh, Professor?" Amy winked at Don. "Well, I'll do my best," Don grinned. That evening, while the girls were as frisky in the dining room as before, Don remained aloof. He had no doubt that he could perform more than adequately later even if he did play with the girls, but he frankly wanted to concentrate his attention on the Wizard's lovely wife at least for tonight. For himself, the Wizard had said that, though he would be sure she was again watching the dining room, he would find some reason to be unable to satisfy any resulting "urges" his wife might develop that evening. Later, after the girls had given a good warm-up show and after the door out of the bedroom opened of its own accord, Don left his three companions and followed the opening doors into a part of the house he had not yet seen. He was wearing only a soft, dark dressing robe he had found in the closet. He eventually found himself climbing a staircase up to at least the fourth floor of the large building. As the stairs stopped at this level, Don supposed this was the top floor of the house. There were only two doors available to him in the short corridor, and he had been told to go to the left one, which he now did. The door did not swing open as he approached, so he put his hand on the lever and slowly pushed it down. Madeleine was expecting him, but he was sure the Wizard would be watching and he wanted to make things look convincing. In the back of his mind, Don was worried that if the Wizard caught on to his wife's subterfuge he might withhold his assistance in finding Toshia. Don opened the door just enough to slip through into the candlelit bedroom. This chamber was even larger than the rather large bedroom Don had been sharing with his companions. Across the room, near the large, canopied bed, Madeleine sat in front of a gilded table and mirror brushing her long auburn hair. She was wearing a sheer robe of pink. She was turned three-quarters away from him, and the mirror was facing the wrong way to reflect Don as he crept into the room. Apparently sensing his entrance anyway, she said, "Ah, couldn't carry on with me after all, eh?" Don waited until he was almost to her before he said, "What man could?" Madeleine twisted and rose in a single lightning motion, raising her hairbrush as a weapon against him. "You!" she gasped. "What are you doing here?" Don paused a moment to admire the feminine form only barely obscured by her see-through robe. He had been right to imagine that she had long, dancer's legs. Her waist was narrow, her belly flat, and her breasts full, but not too big. She was glaring at him with a good semblance of shock, fear and anger. "I have followed where my desire led," Don said taking a step forward. "It brought me here." "Well, it had better lead you back the way you came." He slowly reached up and took hold of the hand holding the brush, saying, "I don't believe you want me to leave." "But I tell you that I do," Madeleine insisted. "Your eyes tell me that you lie," Don smiled. He moved a bit closer, and took the brush from her hand. "My eyes?" "They dwell too long on my bare flesh, and on my lips, and when you look me in the eye I see that you want more of what I started in the garden." He slipped up close enough to her that he could set the brush on the table behind her. Madeleine leaned back away from him, and said, "I look at your bare flesh because I'm shocked that you would come into the bedroom of another man's wife wearing only that robe. I look at your lips because I remember the liberty you so rudely took. As for what you think you see in my eyes, well, you see what you want to see." Don moved his hand – the one that had put the brush down – to her lower back, lightly touching her. Very slowly he raised his right hand up to brush his fingers along her jaw. "I do see what I want," he smiled. She kept her hands at her sides, hands now grasping the edge of her dressing table, "I will scream for my husband." "Scream then," Don leaned in closer, so that his nose was next to hers. They were both whispering now. "Do you think I could be here now if he didn't permit it?" "How dare you!" she hissed. He held her soft cheek in the palm of his hand and said, "If you tell me to leave, I will leave." "I have said it," she murmured. "But you don't say it," Don smiled. His lips brushed against hers. "If I do anything that displeases you, say so and I'll go." "And if what you don't do..." Don kissed her then, not quickly like in the garden but slowly and sensuously. She returned the kiss, tentatively at first but with increasing passion. He felt her hands on his sides, holding him in place. To be continued. By BradentonLarry for Literotica
Scotty talks to comic-book artist and writer Aaron Campbell about his early horror influences from Dungeons and Dragons, T.E.D. Klein, and H.P. Lovecraft, and the labyrinthine path through the early days of his career. They discuss "Infidel" (2018, Image Comics), Aaron's acclaimed collaboration with writer Pornsak Pichetshote and colorist José Villarrubia, which was named one of NPR's "100 Favorite Horror Stories of All Time" in 2018. They spend time on Aaron's current work with DC Comics in the "Hellblazer" and "Sandman" universe, and finish with a long conversation about Aaron's writing debut with the Hammer-Horror influenced "West of Sundown" (Vault Comics), his collaboration with co-writer Tim Seeley and artist Jim Terry. Aaron talks about bridging the gap between disparate genres (gothic horror and the "Spaghetti Western"), and the importance of representing the truth of America's southwestern colonial past, even in the context of genre fiction. They also spend more than a few minutes breaking down the Hammer classic "The Brides of Dracula" (1960), discussing how its style influenced the aesthetic of "West of Sundown," and Aaron rhapsodizes about his favorite piece of cinematic schlock: 1981's "The Monster Club," starring Vincent Price and John Carradine. Find Aaron online at: https://www.aaroncampbellarts.com Find "Infidel" at Image Comics: https://imagecomics.com/comics/series/infidel Read NPR's "Click If You Dare: 100 Favorite Horror Stories:" https://www.npr.org/2018/08/16/632779706/click-if-you-dare-100-favorite-horror-stories Search for Aaron at DC Comics: https://www.dc.com/talent/aaron-campbell Read "John Constantine Hellblazer Dead in America #1:" https://www.amazon.com/John-Constantine-Hellblazer-Dead-America-ebook/dp/B0CPZZVJLT/ Find "West of Sundown" at Vault Comics: https://vaultcomics.com/products/west-of-sundown-vol1#variant=Paperback%20+%20eBook Read artist/writer Jim Terry's memoir "Come Home, Indio:" https://www.streetnoisebooks.com/come-home-indio-a-memoir This podcast is powered by Pinecast.
Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is book reviewer Joanne Sheppard, who's putting a little bit in to get a little bit out of remembering 'keep fit'-themed magazine show Go For It!, Frank Muir's What-A-Mess, My Little Pony ancestor My Pretty Pony, John Carradine's The Legend Of Sleepy Hollow, The Water Babies, The Magnificent Race, Amazon Adventure by Willard Price and Snapper Crocodiles. Along the way we'll be finding out how bending up and down while holding the back of a chair can make you the next Steve Ovett, meeting Frank Muir 'making friends', critically evaluating The Vintage Car Cinematic Universe and assessing just how useful My Little Pony would be for hand to hand combat, as well as debating Danny Kendall's hidden influence on modern society and culture.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Joanne talking about The December Rose, Colorado Beetle paranoia, Brontosaurus, Will You Wait For Me? by David Bellamy, Timbuctoo, KP Wickers, The Enchanted Castle, Major Morgan The Electronic Organ and Wilderness Roadhere, The Bump by MC Mallett, Horror Chews, The Strange Affair Of Adelaide Harris, Matchbox Fighting Furies, Mouthtrap, Connoisseur, World Magazine, All Aboard! and The Guinness Book Of Pet Records here and Dramarama: The Exorcism Of Amy, Spine Chillers, Blue Peter's Witch Puppet Make, Monsters Of The Movies by Denis Gifford, Nothing To Be Afraid Of by Jan Mark, Paperhouse, Dekker Toys' Movie/TV Horror Make-Up Kit and Remus Playkits Identispook here.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. Please note this does not include any that Hal and Roger Hunt have 'liberated' from natives on their Fairtrade-averting 'Coffee Adventure'.
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In honor of the Academy Awards, we're revisiting our 2017 interview with Keith Carradine, who won his Oscar for writing and performing the song “I'm Easy” in Robert Altman's masterpiece Nashville (1975). Since we spoke, the actor has remained a familiar face on television as he and his siblings carry on the acting tradition that began with his prolific papa John Carradine. Like his dad, he eased into the niche of a “working actor,” starring on Broadway, logging 105 episodes of Madam Secretary—as the President of the United States—and even turning up in Jane Campion's Oscar-winning The Power of the Dog. He's a laid-back charmer who makes what he does look easy.
TVC 639.3b: Greg and Ed discuss the Kino Lorber special edition Blu-ray release of House of the Long Shadows (1983), the remake of Seven Keys to Baldpate starring Vincent Price, Peter Cushing, John Carradine, and Desi Arnaz Jr. that Greg describes as “It's a Mad, Mad, Mad, Mad World, done for horror.” Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices
Steve and Alejandro skip the rabbits this time and take a journey with some rats and mice for this 1982 American animated fantasy adventure film directed by Don Bluth, based on the children's novel by Robert C. O'Brian. The film stars Elizabeth Hartman, Dom DeLuise, John Carradine, Derek Jacobi, Hermione Baddeley, and many more. Will our hosts be as traumatized as in their last animated adventure? Listen and find out. --- Send in a voice message: https://podcasters.spotify.com/pod/show/rememberthatmovie/message
The second episode of our season on the awesome movie year of 1939 features our pick for a movie from a major filmmaker, John Ford's Stagecoach. Directed by John Ford from a screenplay by Dudley Nichols and starring John Wayne, Claire Trevor, Andy Devine, John Carradine, Thomas Mitchell and Louise Platt, Stagecoach was Wayne's breakthrough film and the first Western that Ford shot in Monument Valley.The contemporary reviews quoted in this episode come from Frank S. Nugent in The New York Times (https://www.nytimes.com/1939/03/03/archives/the-screen-a-fordpowered-stagecoach-opens-at-music-hall-mickey.html), Variety (https://variety.com/1939/film/reviews/stagecoach-1200412191/), and Jay Carmody in The Washington Evening Star.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment featuring the year's biggest flop, ice skating musical The Ice Follies of 1939.
Merry Christmas, and happy holidays to everyone. Today on the podcast, the 70s horror curiosity, Silent Night, Bloody Night. The mansion. The madness. The Maniac. No Escape. A lawyer and his paramour are tending to an estate, converting a sprawling mansion into equity. The scion of the Butler family, Jeffrey, meanwhile, leaves California for New England to help settle the family matter as well. He soon finds that his grandfather's home, is cursed. And that the townsfolk are less than welcoming, claiming bad mojo about the dwelling that's persisted for decades. Genre heads will enjoy this, as we've got legendary John Carradine as a newspaper magnate and Mary Woronov as the mayor's daughter.
Bobby, Chef Robby, Terry, and Mike kick off Camvember with the unforgettable, Fred Olen Ray produced, direct-to-video slasher, Jack-O. Cameron's performance is brief but memorable in this one as he does something NO Grindbin all-star has ever done before! Also featuring a long dead John Carradine, the most uncomfortable nude scene of Linnea Quigley's career, and an bunch of pumpkins Fed kept in his garage for six months before filming started.
Clay Sayre joins Jim in a rousing Halloween discussion of the 1981 Werewolf Classic "The Howling," starring Dee Wallace, Christopher Stone, Patrick Macnee, Elizabeth Brooks, Robert Picardo, Slim Pickens, Dennis Dugan, Belinda Balaski, Kevin McCarthy, John Carradine, Kenneth Tobey, and directed by Joe Dante. A series of murders leads a newswoman to a psychological retreat inhabited by werewolves. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
Clay Sayre joins Jim in a rousing Halloween discussion of the 1981 Werewolf Classic “The Howling,” starring Dee Wallace, Christopher Stone, Patrick Macnee, Elizabeth Brooks, Robert Picardo, Slim Pickens, Dennis Dugan, Belinda Balaski, Kevin McCarthy, John Carradine, Kenneth Tobey, and directed by Joe Dante. A series of murders leads a newswoman to a psychological retreat … The Howling | Episode 382 Read More » The post The Howling | Episode 382 appeared first on The ESO Network.
This week, Josh and Drusilla have the blues, BUT! They cheer themselves up with the incredibly chic The Sentinel (1977.) From wiki: “The Sentinel is a 1977 American supernatural horror film directed by Michael Winner, and starring Cristina Raines, Chris Sarandon, Ava Gardner, Burgess Meredith, Sylvia Miles, and Eli Wallach. The plot focuses on a young model who moves into a historic Brooklyn brownstone that has been sectioned into apartments, only to find that the building is owned by the Catholic diocese and is a gateway to Hell. It is based on the 1974 novel of the same name by Jeffrey Konvitz, who also co-wrote the screenplay with director Winner. It also features Christopher Walken, Jeff Goldblum, John Carradine, Jerry Orbach, Tom Berenger, Nana Visitor and Beverly D'Angelo in supporting roles.”Josh is rewatching Project Runway which causes the pair to discuss how mean the 2000s were and all the nasty reality shows and horror films from the era. Dru brings up the super fucked-up There's Something About Miriam. They discuss the Errol Morris documentary Tabloid. They also discuss The Swan and Boy Meets Boy. Drusilla is really bummed about the allegations against Justin Sane, front man for Anti-Flag. They rage about J.K. Rowling. Enya is the model! Drusilla saw the new Indian Jones and the new Mission: Impossible. Also discussed: Cannon Films, Susan Sarandon, Jeff Goldblum, Charles Bronson, and more!NEXT WEEK: The Addiction (1995)Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkelJoshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel
In this episode, I discuss the life of John Carradine. Doug Hess is the host!
Shock Waves (1977) synopsis: “Visitors to a remote island discover that a reclusive Nazi commandant has been breeding a group of Zombie soldiers.”Starring: Brooke Adams, Luke Halpin, John Carradine, and Peter CushingDirector: Ken WiederhornThis week on Podcasting After Dark, Zak and Corey breakdown and review Shock Waves! Another entry in their ongoing 70s-zombie-movie discussion, along with Children Shouldn't Play With Dead Things and Lucio Fulci's Zombie. This time the boys are treated to some truly amazing underwater photography and creepy ghouls, all on a shoestring budget and with a PG rating! Shock Waves is a great example of a movie that is infinitely better than it has any right to be.Leave a comment on our social media pages or Patreon and let us know what you think of this episode or Shock Waves itself. We always love hearing from our listeners!— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!REDDIT - Join our growing Subreddit community!INSTAGRAM / FACEBOOK - Follow us on social media for updates and announcements!Purchase 7 WINTERS ALONE on Amazon: HARDCOVER / PAPERBACK / KINDLEThis podcast is part of the BFOP Network
GGACP celebrates the birthday (August 8, 1949) of one of their favorite guests, veteran actor and Academy Award-winning musician Keith Carradine with this ENCORE of an interview from 2018. In this episode, Keith looks back at his frequent collaborations with mentor Robert Altman, reminisces about his friendships with Lee Marvin, Ernest Borgnine and Robert Mitchum, and reflects on the life and career of his dad, horror icon John Carradine. Also, Harvey Keitel loosens up, Jerry Lewis shoots hoops, Rod Steiger pays a surprise visit and Jessica Tandy lights up the stage. PLUS: "Love American Style"! Sam Fuller eats a stogie! Kwai Chang Caine hosts SNL! Deconstructing "The Aristocrats"! And Keith wins an Oscar for Best Original Song! Learn more about your ad choices. Visit megaphone.fm/adchoices
GGACP celebrates the 40th anniversary of the release of "E.T. the Extra-Terrestrial" (June 11, 1982) with veteran actress Dee Wallace. In this episode, Dee joins Gilbert and Frank for an informative (and inspiring!) conversation about the power of intuition, the challenges of sudden fame, the generosity of Harold Prince and the precision of Steven Spielberg. Also, John Carradine soldiers on, Dudley Moore replaces George Segal, Harrison Ford ends up on the cutting room floor and Dee embraces the term "scream queen." PLUS: "The Frighteners"! The cinema of Blake Edwards! Dee praises Cloris Leachman! Slim Pickens holds court! And Gilbert and Larry David go to the movies! Learn more about your ad choices. Visit megaphone.fm/adchoices
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