Sympathetic sorrow evoked by the suffering of others
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Dave and Bethlie continue their series in identifying biblical steps for climbing out of the darkness that depression can bring. From confessing sin and getting right with God, to listing your responsibilities, avoiding pity parties, and anchoring yourself in the truth of Scripture, we know God's Word is powerful enough to help you overcome. Just as David continually brought himself back to the truth of who God is in the midst of his own pain, so can you. If God is real and His Word is true — and it is — you can overcome depression! You can recognize a failing solution when the depression become cyclical Discouragement is normal to live Depression occurs when I handle discouragements and failures in a wrong way Stay focused on duties If discouragement separates us from our duties, it will always lead to depression You MUST continue to perform your duties and meet your obligations Around and around in depression Cf. 2 Corinthians 4:8 Recognize the truth about what is happening Understand the difference in discouragement and depression Steps to take: Confess sin List responsibilities Pity parties Gripe sessions complaining Your family Your home Your job Avoid all the negatives Get to work doing them
Guerssen Records, disquera de Lleida fundada por Antoni Gorgues, protagoniza este episodio. Casa especializada en labores arqueológicas que celebra 30 años de andadura. Entre sus últimos lanzamientos figura la reedición del segundo álbum de The Jaybirds, “Going our own ways” (1998), trabajo que coronó a estos austriacos como una de las mejores bandas del R&B Freakbeat de su tiempo. Excavando aún más hondo, han rescatado el único álbum lanzado en 1970 por los canadienses “It’s All Meat”, así como una compilación con todo el material de The Eyes, oscura y sorprendente banda londinense de mediados de los 60. Tres fantásticos discos de material sepultado por el paso del tiempo y que merecían que se arrojase luz sobre ellos.Playlist;THE JAYBIRDS “Harpstrut”THE JAYBIRDS “Going our own ways”THE JAYBIRDS “Why did you go”THE JAYBIRDS “Take it easy”THE JAYBIRDS “Try it”THE JAYBIRDS “I wanna be free”Versión y Original; JOE TEX “I wanna be free” (1963)IT’S ALL MEAT “Mak some use of your friends”IT’S ALL MEAT “Roll my own”IT’S ALL MEAT “Feel it”IT’S ALL MEAT “Pity in the city”THE EYES “When the night falls”THE EYES “My degeneration”THE EYES “You’re too much”THE EYES “The immediate pleasure”Escuchar audio
By Mary Lindow SUFFERING AND SORROW ARE A PART OF LIFE Knowing this, however, doesn't make it any easier to cope when you find yourself in the midst of the deepest, darkest trials of faith, and mentally anguish and strain. Don't you wish Christianity could make you exempt from suffering? That would be great, but as most of us have learned, following our faith doesn't give us a free ride. We catch as much trouble as unbelievers—often more. The difference, of course, is that we can turn to Jesus when things go wrong. Unbelievers might argue that we're only turning to our imagination, but we know better. At some time in your life, however, suffering will hit you so hard that you won't be able to do any of those things, and that dark time will probably visit you more than once. “Even in darkness, light dawns for the upright, for the gracious and compassionate and righteous man.” Psalm 112:4 WE ALL WANT THINGS WE DON'T GET. Maybe it's a person you're sure would make a perfect spouse, and the relationship crumbles apart. Maybe it's a better job or promotion, and you don't make the cut. Or it might be a goal you poured your time and energy into, and it doesn't come to pass or others sabotage it all. All of us have prayed for the recovery of loved ones who were ill, but they died anyway. It takes real spiritual maturity to stay faithful when things go wrong, but severing our relationship with God punishes us, not him. It's self-destructive behavior that can put us on the path to a miserable life. The parable of the Prodigal Son (Luke 15:11-32) teaches us that God always wants us to come back to him. Whether your problem is discouragement, illness or aging, sometimes all you have left is Jesus. When you're angry and bitter, you can still cling to Jesus in the midst of your tears. You can grab onto him and refuse to let go until he brings you through it. You'll find, to your surprise that he holds on to you even tighter than you hold on to him. JESUS UNDERSTANDS SORROW He knows about being hurt. He remembers the terrible moment on the cross when his Father was forced to abandon him, because he was filthy from taking on our sins. Jesus won't let you go.' And as you age and start down the path from this life to the next, Jesus will take your hand to guide you. He appreciates all that you have done for him through the years, but what he has always wanted most is your love. So there you are in the middle of one of life's train-wrecks-dazed, wounded, wondering what shoe-or bomb-will be dropping next, and up walks Job's comforters. We all remember Job from the Bible. A rich, powerful man, a great father and good in every way was Job. Then, in a series of overlapping upheavals, he lost everything and everybody except his wife-who turned out to be a whole lot less than sympathetic in her changed status. Battered Job ends up sitting alone on a pile of dirt, scratching his boil-covered body with some broken pottery. WE CAN IDENTIFY WITH POOR JOB. Life drags us through some tough times of loss that make us feel every bit like Job. Caught in a vortex of pain, and wondering if we'll ever make it to safety. And, boy, do we recognize Job's so-called friends who showed up to by all accounts offer support and comfort. As they sat with Job in his misery, they took turns playing a self-centered, self-righteous, can-you-top-this game of knowing for certain that every bit of Job ‘s disaster had to be his own fault or a lack of trust in God. They weren't sure how or why because Job seemed so decent, but deep down, they insisted, he just couldn't be all he pretended to be. THIS IS FAMILIAR TERRITORY You get fired, and friends smirk knowingly when you try to explain the political nature of the event. Your child gets into difficulty-well; you know the kind of comfort you'll get from friends about that. (It probably started sometime during potty training.) Yet others try to “help” you with what I call “prayer lecturing.” While praying “for and with you” they let you (and God) know just how lucky you should be to even have running water, had a meal that day and more! Not really comforting in any way, and very very short on compassion. Yet, from the story, it's clear that Job was completely innocent. Dreadful things do happen to completely innocent people, good people. Because of their opinion of Job's guilt, history has bestowed his friends- (and their current replicas) – the label, “Job's comforters.” So-called friends who add to a suffering person's anguish by piling on false charges of blame and guilt and harsh reprimand for daring to show sadness or agony. You may never have met anybody like Job, but you've met his comforters on more than one occasion. They seem to be everywhere. WE CAN CHARGE SOME OF IT OFF TO JEALOUSY Job had everything a person could dream of wanting-and then some-so jealousy was never more than a stone's throw away. The green-eyed monster is a little more subtle with people living everyday, typical lives, but jealousy doesn't need much ground to take root and grow with vigor. WE DON'T WANT TO ADMIT BAD THINGS MAY HAPPEN TO US! If bad things happen to people who don't deserve them, they could happen to anybody, including me. If I don't want bad things to happen to me, (who does?), I have to persuade myself and everybody around me that the victim's actions caused the problem. If blame can be assigned, then I'll be safe as long as I'm good. In other words, if I can claim that the cause of your problem is something you do that I don't do, then what happened to you can't happen to me. There is, of course, n o logic to this, but it brings some shaky comfort to frightened hearts. We see this thinking at work when people stare numbly at adversity and ask, “What did I do to deserve this?” Sometimes the answer is, “nothing.” HAVE YOU EVER ASKED YOURSELF "WHY ME?" And it doesn't have to be bad; you could be excited from something wonderful. Most often then not I ask myself this after something I am looking forward to goes wrong. Even at times when something goes wrong I lay awake at night and my thoughts wonder to what previously occurred. I am sure everyone does it at times, wishing for another try or chance. You may lay awake thinking about your suffering, part of life's suffering is misery's shadow persisting/hanging on; not only do you suffer but you have to think about suffering. I can't prove this with statistics or find it any book I know of, yet I would say that more people either come to the faith or fall away because of this reason above all; the disturbance of suffering. YOU SEE GOD USES TIMES OF SUFFERING… ...TO TEACH AND GROW US. If you allow yourself to recount your sufferings, did you not learn more about faith while suffering then any other time? It has been said that; “Blessings are God's whispers, he speaks in our conscience, but shouts to us in our suffering.” “O my Comforter in sorrow, My heart is faint within me.” Jeremiah 8:18 Suffering becomes the only way to realize our hollow spiritual self. Pain is unmasked, and every person knows when something is not right when they are hurting. Pain insists upon being attended to. So when you travel down this line of thought you come to the idea, why do I or someone else suffer when others don't? I KNOW SUFFERING IS EXHAUSTING AND PAIN HURTS That is why it is called pain and suffering. If there were an escape a person of great wisdom and insight would have done it already. Yet Discipleship demands such trials to compel us towards renewal. Read Hebrews 2:10 “God, for whom and through whom everything was made, chose to bring many children into glory. And it was only right that he should make Jesus, through his suffering, a perfect leader, fit to bring them into their salvation.” The real question is what to do when life has just punched us a good one, and Job's comforters show up at our door. Nobody says we have to let them in. And certainly nobody says we have to entertain them. And, most positively, nobody says we have to believe them. “For just as the sufferings of Christ flow over into our lives, So also through Christ our comfort overflows.” 2 Corinthians 1:5 We can sort out the who's-to-blame-for-what after we get some solid ground under our feet and a little energy back into our lives. But we still won't want Job's comforters anywhere around us… ...We will want people who care. "Compassion" To me not to be kind is evil of the mind. No need to pray or preach, Let us our children teach with every fond caress, Pity and gentleness: So in the end may we God's Kingdom cause to be. Author of Poem- R.W. 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Transition to Study Material: Joy: Jevon Perra announced the group was moving on to the topic of "joy" in their manual, "Manual for Teachers". Jevon Perra and Brian Genovese briefly sang a song with lyrics about having joy in their heart.Soo Kim's Status and Return: Soo Kim joined the call, apologizing for being on mute, and shared that they are doing okay and are finished with midterms for the week. Jevon Perra acknowledged that Soo Kim is managing a difficult schedule of full-time school and full-time work.Reading and Analysis of "Joy": Jevon Perra read a passage stating that joy is the "inevitable result of gentleness," which was the previous week's characteristic, and that gentleness makes harm and fear impossible. Jevon Perra connected the text to a spiritual concept that the joyous cannot suffer, referencing a verse about the sinless having no pain. They elaborated that suffering is linked to identifying with the physical body or the character, and that striving and difficulty, while necessary for the physical world, are also the destiny of a character that believes they are separate.God's Teachers and the Purpose of Salvation: The reading continued, affirming that God's teachers trust in God and are protected from harm, with joy serving as their song of thanks. The material suggests that Christ looks on them in thanks as well, noting Christ's need for them is as great as their need for Christ, and how "joyous is it to share the purpose of salvation".The Nature of God, Jesus, and Christ: Jevon Perra initiated a discussion about the distinction between God, Jesus, and Christ, spurred by a question from their eight-year-old about how the world kept going when Jesus was on Earth. Brian Genovese suggested that God puts things on autopilot, while Soo Kim offered the analogy of a dream, asking who takes care of the body while one is dreaming. The conversation shifted to the idea that science is beginning to align with spiritual explanations, but Jevon Perra criticized that current medical science can still cause harm.Spiral Dynamics and Expanding Identity: Jevon Perra introduced the concept of Spiral Dynamics, describing it as a framework for human social development from individuals striving for survival to expanding groups like families, villages, regions, and eventually countries. Jevon Perra noted that while people can expand their identity to include more and more individuals, there is always a tendency to define an "other" or an "enemy".God as Impersonal and Non-Dualism: Jevon Perra postulated that Jesus was an example of God incarnate, but that God is an impersonal, ever-present source, not a person. This perspective suggests that a person is a separate individual, whereas God is everything, including the good, the bad, and the indifferent. Brian Genovese agreed that "we label everything," and the non-dual explanation suggests there are no things or labels.Self-Realization and Character in the Dream: The speakers discussed that the character in the dream who remembers God is no different from anyone else, and every manifestation, including a rock, is "God stuff". They briefly discussed concepts related to a system of ladders or levels of consciousness and the idea that animals may operate as a group consciousness.Reading and Analysis of "Defenselessness": Soo Kim read the next passage, "Defenselessness," which states that God's teachers are simple and have "no dreams that need defense against the truth". The text concludes that laying down defenses does not bring danger but safety, peace, joy, and God.Defense as Attack and the Illusion of Guilt: Jevon Perra equated defense with attack, explaining that guilty people often see judgment and offense everywhere, and angry people constantly dish out attacks, which they often rationalize as defense or correcting what is right. Brian Genovese supported this idea, noting that people who feel the need to be right are often wrong and trying to defend the ego.Astrology, Defense Mode, and Internal State: Soo Kim provided an example from their class where a peer became defensive while discussing Western versus Vedic astrology, insisting that Vedic astrology was the only accurate system and attempting to make up explanations when confronted with conflicting data. Jevon Perra suggested that in such engagement, the most important thing is one's internal state, specifically whether they view the other person as a "beautiful expression of God" or an "imbecile".Pity versus Perfection and Separation: Soo Kim wondered if pity could be a step toward compassion, which Jevon Perra suggested is a step on a "continuum of resonance" towards the much higher resonance of seeing everyone as perfect. They concluded that pity is still a judgment and an expression of separation, where one views themselves as "better" than the person they are pitying.Time as a Construct and Limited Perception: Jevon Perra discussed the concept of time as a construct of diminished perception, a linear progression that creates the experience of a separate person. They stated that the reality of defenselessness is realizing that the contrived reality is "all not real" and that there is literally nothing to defend, including ideas like spiritual architecture.The Importance of Buoyancy and Letting Go of Resistance: Jevon Perra emphasized that the main source of suffering is the belief that one can get something wrong or change past moments. They concluded that their mantra is "it's okay," and that the "looser" they hold the world and other people, the higher their resonance becomes because they are not adding resistance, which allows their natural buoyancy to take over.Attraction of Lower Frequencies and Poking Judgments: The speakers discussed how people operating at lower frequency levels tend to be attracted to those with higher resonance, sometimes trying to pull them down, like “crabs in a bucket”. Jevon Perra explained that an outside accusation only triggers a defensive response if it pokes at one's own internal belief systems and judgments.Conclusion on Freedom and Contentment: Jevon Perra finalized the conversation by asserting that defense is an attack because it acknowledges that the threatening thing is real. The ultimate goal is to recognize one cannot be hurt or lose because they "are it all," and the experience of life is about engaging without constraints, seeking freedom. They concluded by discussing the next topic, "Generosity".
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El dúo cubano de París 'Somos Naí' está formado por la cantante Anahí Díaz Itte y el pianista José Ramón 'Pity' Cabrera. Su sonido fusiona pop, electrónica y ritmos latinos tradicionales como el candombe, el bolero o la cumbia. Ya tienen cinco singles en el mercado, entre ellos 'La Mano' que ha tenido un gran éxito en las plataformas digitales con más de 1.200.000 reproducciones. Ya están preparando disco y el 4 de marzo actúan en la sala Misstinguett de de la capital francesa. El proyecto 'Somos Naí' nace del encuentro casual de Anahí y Pity en la fiesta de la música en la plaza Gambetta de París en 2018. Sin pensarlo mucho, casi de forma instintiva, los dos músicos cubanos comenzaron a crear juntos y de ahí salió el primer tema. "Una noche me dio por escribir, escribí un texto y de ahí nació 'Duele', nuestra primera canción", recuerda la cantante. Después, la pandemia de Covid-19 y el confinamiento hizo lo demás. "Nos permitió tener todo ese tiempo para seguir desarrollando otras ideas", agrega. Desde entonces, ya han creado diez canciones, cinco de ellas ya se pueden escuchar en las plataformas digitales, y formarán parte del disco que están preparando. El proyecto 'Somos Naí' se nutre de un amplio abanico de géneros que abarca desde la música pop y electrónica hasta ritmos tradicionales latinoamericanos como el candombe, el bolero o la cumbia. Los dos artistas no esconden sus influencias que, más allá de la música latinoamericana, pueden ir desde Madonna o Michael Jackson para ella y Bach o Rachmaninov para él. “La música tradicional latina, sea cubana, o sea la cumbia, o sea el candombe, está muy presente en la música que hacemos. Esto mezclado a sonidos un poco más electrónicos”, resume 'Pity' Cabrera. Temas como "La mano", gran éxito en las plataformas digitales, destacan por su ritmo bailable y mensaje contra la violencia hacia las mujeres, aunque insisten en que estos contenidos surgen de emociones sinceras y vivencias personales, no de una agenda calculada. “Cuando escuchas la letra, te das cuenta de que hay un mensaje detrás contra la violencia hacia las mujeres y la falta de respeto”, explica, pero insiste en que más que un mensaje militante, se trata de "experiencias de vida que queremos compartir con nuestro público". Pareja en el escenario y en la vida real, basan su proceso creativo en la colaboración y hacen de una gran compatibilidad. “Algo muy lindo que tenemos en este proyecto es la mirada del otro, estamos corrigiéndonos el uno al otro en permanencia y eso es lo que nos ayuda”, subraya 'Pity' Cabrera. Su música es, sin duda, el producto de los viajes y la historia también familiar de Anahí Díaz Itte, de padre cubano y madre uruguaya. La cantante ha vivido en Cuba, Perú, Uruguay y Francia, una trayectoria que se refleja en temas como 'Candombe': “Es la historia de la inmigración, y el tambor lo llevamos dentro”, explica Anahí Díaz Itte, instalada en París desde los doce años. 'Pity' Cabrera llega a Francia de la mano del también artista cubano Raúl Paz. Con él había grabado el disco 'Revolución' en Cuba y luego se lo llevó de gira. Con apenas 18 años actuó con él en la sala Olympia de París. Ambos celebran el auge global de la música latina y se sienten parte activa de este fenómeno: “La música latina está de fiesta... Es lindo que esté pasando eso y que el mundo esté dándole un espacio a este tipo de música. Y ahí estamos nosotros, tratando también de llevar nuestro granito de arena, nuestra contribución”, concluye el pianista. #EscalaenParís también está en redes sociales Un programa coordinado por Florencia Valdés, realizado por Souheil Khedir, Mathias Taylor y Vanessa Loiseau.
El dúo cubano de París 'Somos Naí' está formado por la cantante Anahí Díaz Itte y el pianista José Ramón 'Pity' Cabrera. Su sonido fusiona pop, electrónica y ritmos latinos tradicionales como el candombe, el bolero o la cumbia. Ya tienen cinco singles en el mercado, entre ellos 'La Mano' que ha tenido un gran éxito en las plataformas digitales con más de 1.200.000 reproducciones. Ya están preparando disco y el 4 de marzo actúan en la sala Misstinguett de de la capital francesa. El proyecto 'Somos Naí' nace del encuentro casual de Anahí y Pity en la fiesta de la música en la plaza Gambetta de París en 2018. Sin pensarlo mucho, casi de forma instintiva, los dos músicos cubanos comenzaron a crear juntos y de ahí salió el primer tema. "Una noche me dio por escribir, escribí un texto y de ahí nació 'Duele', nuestra primera canción", recuerda la cantante. Después, la pandemia de Covid-19 y el confinamiento hizo lo demás. "Nos permitió tener todo ese tiempo para seguir desarrollando otras ideas", agrega. Desde entonces, ya han creado diez canciones, cinco de ellas ya se pueden escuchar en las plataformas digitales, y formarán parte del disco que están preparando. El proyecto 'Somos Naí' se nutre de un amplio abanico de géneros que abarca desde la música pop y electrónica hasta ritmos tradicionales latinoamericanos como el candombe, el bolero o la cumbia. Los dos artistas no esconden sus influencias que, más allá de la música latinoamericana, pueden ir desde Madonna o Michael Jackson para ella y Bach o Rachmaninov para él. “La música tradicional latina, sea cubana, o sea la cumbia, o sea el candombe, está muy presente en la música que hacemos. Esto mezclado a sonidos un poco más electrónicos”, resume 'Pity' Cabrera. Temas como "La mano", gran éxito en las plataformas digitales, destacan por su ritmo bailable y mensaje contra la violencia hacia las mujeres, aunque insisten en que estos contenidos surgen de emociones sinceras y vivencias personales, no de una agenda calculada. “Cuando escuchas la letra, te das cuenta de que hay un mensaje detrás contra la violencia hacia las mujeres y la falta de respeto”, explica, pero insiste en que más que un mensaje militante, se trata de "experiencias de vida que queremos compartir con nuestro público". Pareja en el escenario y en la vida real, basan su proceso creativo en la colaboración y hacen de una gran compatibilidad. “Algo muy lindo que tenemos en este proyecto es la mirada del otro, estamos corrigiéndonos el uno al otro en permanencia y eso es lo que nos ayuda”, subraya 'Pity' Cabrera. Su música es, sin duda, el producto de los viajes y la historia también familiar de Anahí Díaz Itte, de padre cubano y madre uruguaya. La cantante ha vivido en Cuba, Perú, Uruguay y Francia, una trayectoria que se refleja en temas como 'Candombe': “Es la historia de la inmigración, y el tambor lo llevamos dentro”, explica Anahí Díaz Itte, instalada en París desde los doce años. 'Pity' Cabrera llega a Francia de la mano del también artista cubano Raúl Paz. Con él había grabado el disco 'Revolución' en Cuba y luego se lo llevó de gira. Con apenas 18 años actuó con él en la sala Olympia de París. Ambos celebran el auge global de la música latina y se sienten parte activa de este fenómeno: “La música latina está de fiesta... Es lindo que esté pasando eso y que el mundo esté dándole un espacio a este tipo de música. Y ahí estamos nosotros, tratando también de llevar nuestro granito de arena, nuestra contribución”, concluye el pianista. #EscalaenParís también está en redes sociales Un programa coordinado por Florencia Valdés, realizado por Souheil Khedir, Mathias Taylor y Vanessa Loiseau.
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ในคลิปนี้ คุณไลอ้อน The Library และคุณโส่ย ได้พูดถึงความรู้สึกของจิตใจมนุษย์ โดยแบ่งออกเป็นใจสีต่างๆ จำนวน 13 แบบ (โดยอ้างอิงจากการ์ตูนแม่มดสาวหัวใจกุ๊กกิ๊ก シュガシュガルーン ; Shuga Shuga Rūn สามารถดูรายละเอียดการ์ตูนโดยย่อที่อ้างอิงด้านล่าง)คุณไลอ้อนได้ตกตะกอนและสะท้อนจิตใจมนุษย์ออกมาเป็น 13 รูปแบบ และเบื้องลึกของจิตใจสีนั้นๆ รวมทั้งวิธีพัฒนาจิตใจให้ขึ้นไปในระดับที่สูงขึ้น โดยประกอบด้วย 1) ใจสีเทา (Pity, Dislike) 2) ใจสีเขียวขี้ม้า (Fear) 3) ใจสีเขียว (Friendship) 4) ใจสีเหลือง (Surprise) 5) ใจสีส้ม (Infatuation) 6) ใจสีรุ้ง (Amusement) 7) ใจสีชมพู (Limerence) 8) ใจสีแดง (Passionate Love) 9) ใจสีม่วง (Lust) 10) ใจสีน้ำเงิน (Respect) 11) ใจสีฟ้า (Family) 12) ใจสีดำ (Jelousy, Hate) 13) ใจสีขาว (Unconditional Love)[อ้างอิง: เรื่องย่อ Shuga Shuga Rūn : เรื่องราวของสองเพื่อนรักแม่มด ช็อกโกล่า (จอมแก่น) และ วานิลา (ผู้อ่อนโยน) จากโลกเวทมนตร์ ที่ต้องลงมายังโลกมนุษย์เพื่อแข่งขันเก็บหัวใจ (ความรู้สึก) ของมนุษย์ เพื่อชิงตำแหน่งราชินี (ใครสะสมหัวใจให้ได้มากที่สุด ใครชนะได้เป็นราชินี) โดยต้องเรียนรู้มิตรภาพและความรัก ท่ามกลางภารกิจการแข่งขันที่น่าตื่นเต้นและการเติบโตของหัวใจ)
Send a textThe scene begins with the king saying - Though yet of Hamlet our dear brother's death The memory be green, and that it us befittedTo bear our hearts in grief, and our whole kingdomTo be contracted in one brow of woe,Yet so far hath discretion fought with natureThat we with wisest sorrow think on himTogether with remembrance of ourselves.Therefore our sometime sister, now our queen,Th' imperial jointress to this warlike state,Now If Act 1, Scene 1 is Denmark at night — cold, nervous, haunted — then Act 1, Scene 2 is Denmark in daylight — warm, ceremonial, confident, and polished.And here's the spine of this scene and the simple phrase that keeps coming back:The court is telling Hamlet, with polite smiles and royal authority, “Get over it.”And Hamlet is thinking, “I can't. And I won't. Because something is wrong.”GEORGE:Master Shakespeare, we begin with a ghost on the battlements — and then we jump into court ceremony and speeches. Master Shakespeare - how does the ghost begin speaking.Ah, Mr. Bartley - My hour is almost comeWhen I to sulf'rous and tormenting flamesMust render up myself.Pity me not, but lend thy serious hearingTo what I shall unfold.Well Master Shakespeare, why place these scenes back-to-back?SHAKESPEARE:Because the world is split, Mr. Bartley.Night shows what day denies.GEORGE:Let me say that again in modern terms:Scene 1 shows you the secret weather of Denmark.Scene 2 shows you the official forecast of Denmark.SHAKESPEARE:Aye.Support the showThank you for experiencing Celebrate Creativity.
What happens when your body is slowly losing its ability to breathe, but your brain is busy building the future of technology? This week, the fellas (and a very helpful Brock) sit down with Chouaieb (Cho), an AI Black Belt at Google who is quite literally using technology as a personal savior. Cho lives with Ulrich Congenital Muscular Dystrophy (UCMD), a rare condition that has left his diaphragm functioning at just 16% capacity. For Cho, the "AI revolution" isn't about deepfakes or taking jobs - it's about cloning his own voice so he can keep telling stories to his three kids after his inevitable tracheostomy. We dive into the raw logistics of "engineering a life": from why he has to basically dehydrate himself just to sit through a podcast, to the nightmare of calling 50 hotels just to find one with a bed that fits a medical lift. It's a conversation about "Career Pivots," the BS "Saint or Pity" binary society forces on disabled people, and why Cho identifies more as an entrepreneur than a patient.Connect with Cho:LinkedIn: https://linkedin.com/in/nemriInstagram: @choe_nemriMentorship & Advocacy:FREE Mentorship (Disabled in Tech): https://cal.com/nemri/disabilityProfessional Paid Mentorship: https://mentorcruise.com/mentor/chouaiebnemri/Cho's Accessibility Projects:* Airbnb Accessibility Analyzer: https://github.com/cnemri/airaccess* WheelAir: A repository of airline wheelchair policies: https://wheelair.netlify.app/You can watch this entire episode over on YouTube: https://www.youtube.com/playlist?list=PL0EVgIbBQOxtKJ4qjAlfeutzZRfCGV8nbFollow Sickboy: Instagram: https://www.instagram.com/sickboypodcastTiktok: https://www.tiktok.com/@sickboypodcastDiscord: https://discord.gg/expeUDN
What happens when your body is slowly losing its ability to breathe, but your brain is busy building the future of technology? This week, the fellas (and a very helpful Brock) sit down with Chouaieb (Cho), an AI Black Belt at Google who is quite literally using technology as a personal savior. Cho lives with Ulrich Congenital Muscular Dystrophy (UCMD), a rare condition that has left his diaphragm functioning at just 16% capacity. For Cho, the "AI revolution" isn't about deepfakes or taking jobs - it's about cloning his own voice so he can keep telling stories to his three kids after his inevitable tracheostomy. We dive into the raw logistics of "engineering a life": from why he has to basically dehydrate himself just to sit through a podcast, to the nightmare of calling 50 hotels just to find one with a bed that fits a medical lift. It's a conversation about "Career Pivots," the BS "Saint or Pity" binary society forces on disabled people, and why Cho identifies more as an entrepreneur than a patient.Connect with Cho:LinkedIn: https://linkedin.com/in/nemriInstagram: @choe_nemriMentorship & Advocacy:FREE Mentorship (Disabled in Tech): https://cal.com/nemri/disabilityProfessional Paid Mentorship: https://mentorcruise.com/mentor/chouaiebnemri/Cho's Accessibility Projects:* Airbnb Accessibility Analyzer: https://github.com/cnemri/airaccess* WheelAir: A repository of airline wheelchair policies: https://wheelair.netlify.app/You can watch this entire episode over on YouTube: https://www.youtube.com/playlist?list=PL0EVgIbBQOxtKJ4qjAlfeutzZRfCGV8nbFollow Sickboy: Instagram: https://www.instagram.com/sickboypodcastTiktok: https://www.tiktok.com/@sickboypodcastDiscord: https://discord.gg/expeUDN
Today, Pastor Al Dagel believes that, since the resurrection is a fact, no one should ever pity those who have put their faith in Jesus, because that faith gives us peace and salvation!
Saturday of the Fifth Week in Ordinary Time
"Be glad of your human heart....Pity those who don't feel anything at all.” What if the meteoric rise of the romantasy genre isn't about fae courts and dragon riders—but about our deepest and most human longings? Romantasy has taken the publishing world by storm. While some dismiss these stories as escapist fantasy, we believe their deeper power lies in how they illuminate the human heart. In this series on the alchemy of romantasy, we explore the mythic and psychological currents running through books like A Court of Thorns and Roses and Fourth Wing. Through the lenses of Jung and the Hero's (and Heroine's) Journey, we examine the desire to individuate, to be truly seen, to claim inner sovereignty, to find belonging, security, and freedom—and to join with a soulmate who honors the self we are becoming. Join us as we ask why these stories resonate so profoundly right now, and what they reveal about who we are. References: Books & Series A Court of Thorns and Roses and A Court of Mist and Fury – Sarah J. Maas Fourth Wing – Rebecca Yarros Psychology & Myth Enneagram 4 type Jung & the collective unconscious The Hero's Journey – Joseph Campbell Pop Culture Moana Frozen Monica Lewinsky's podcast Related Gathering Gold Episodes Escape Hatch Fantasies What Could Have Been You Do Not Have to Be Good Bonus: Books that Changed Us Join us on Patreon for bonus content and virtual gatherings: patreon.com/gatheringgold Some of our recent bonus episodes include: What Sheryl Forgot and Victoria's Experiment | The Slipstream of Time | Give and Receiving - Shudder - Feedback | The Problem with Pedestals | Are Intrusive Thoughts like Stray Cats?
We would love to pray for you! Please send us your requests here. --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.
The LORD patiently confronts Jonah with his pity for sinners Praise him for his pity Share in his pity
Text: Jonah 4 We finish our travel through Jonah. Nineveh has repented, God has shown them mercy, and then Jonah's true fear is revealed. He wasn't afraid that the Ninevites might hurt him, or that he'd fail; he was afraid that God would actually show them mercy. In the final chapter of the book, we get the true punch, the true point of the whole book: what if God chooses to show mercy to those whom we hate, despise, fear, or think are truly evil? How will we react? The final question is the deepest challenge and the greatest call for our day, when the voice of the stranger screams, "Hate your enemy, pray for their destruction," a much quieter voice, the voice of the shepherd says, "Love your enemy, pray for their redemption."
We would love to hear from you! Please send us your comments here. --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.
AT&T, AWS and Amazon Leo have announced a new partnership. The US House Science, Space, and Technology Committee (SSTC) unanimously approved a new NASA authorization bill. Interlune has been awarded a NASA Small Business Technology Transfer Phase I contract to support several NASA missions, and more. Remember to leave us a 5-star rating and review in your favorite podcast app. Be sure to follow T-Minus on LinkedIn and Instagram. T-Minus Guest Our guest today is Ryan Kirby, Junior Partner at Alderman & Company. You can connect with Ryan on LinkedIn, and learn more about Alderman & Company on their website. Selected Reading AT&T, AWS, and Amazon Leo Collaborate to Accelerate Modernization of Nation's Connectivity Infrastructure House Committee Approves New NASA Authorization Bill – SpacePolicyOnline Interlune Announces Details of NASA STTR Project to Advance Scalable, Multipurpose Lunar Trenching and Excavation Technology NASA Awards Grant to Montana State For Quantum Space Communications Russian space vehicles are tapping comms from key European satellites, report Space-born butterfly reflects advances in orbital life-support systems - CGTN Share your feedback. What do you think about T-Minus Space Daily? Please take a few minutes to share your thoughts with us by completing our brief listener survey. Thank you for helping us continue to improve our show. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at space@n2k.com to request more info. Want to join us for an interview? Please send your pitch to space-editor@n2k.com and include your name, affiliation, and topic proposal. T-Minus is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices
Brian wants to hang out with Case, as long as Case is working. Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Dave and Alonso discuss a Nia DaCosta two-fer and other films. Leave a five-star review on Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Facebook, talk to me in French. For ad-free episodes, join our Patreon: https://patreon.com/LinoleumKnife Subscribe to Dave's magazine: https://sluggish.ghost.io
"I pity the fool who messes with me, or my van!" In this week's caramelicious throwback discussion, The Caramel Apples once again embark on an exciting Trek Retro, where the spotlight is white hot on some of the career highs, lows and nail-biting moments of former pro wrestler-turned actor, Mr. T! Are you a fan? See you on the other side!If you like what we do in the way of caramelicious nostalgia, drop by and show us some support at Buy Me a Coffee dot com… (go to link below), we so appreciate you! Thanks a latte!!
In this high-fashion sun spin celebration episode, Dani cuts through the emotional theatrics propping up the reparations/cultural appropriation sham to examine what's actually happening beneath the rhetoric. We look at directionality, money flows, NGOs, philanthropy, and why backward-facing “solutions” only exacerbate the very problems they claim to solve. Clear-eyed, uncomfortable, and super very necessary.Watch on Odysee. Listen on Progressive Radio Network and podcast platforms everywhere.Part 2:danikatz.locals.comwww.patreon.com/danikatzAll things Dani, including books, courses, coaching + consulting, and her one-of-a-kind, critically acclaimed POP PROPAGANDA DIGITAL MEDIA LITERACY COURSE:www.danikatz.comPlus, schwag:danikatz.threadless.comSacred Honor Educational Fellowship:https://bit.ly/42L4xwzShow notes:Watanabe's Iconic Tweed CollectionPop propaganda Class- Providing Context & connecting dotsPSA- Publicists & cold-callersFamily- outgrowing old projections and need for validationCuriosity brings relationships into the presentPassing out at the movie theatre Pity is hierarchical & arrogant The Irrationality of California's ReparationsQui bono? Following the (In)Justice Philanthropy moneyPop Propaganda Book Reading- Egregious Associations Liberation Ventures- funders list for reparationsPsyop silos & fragmentation Missing Foreskin is Cultural Appropriation
Inglourious Basterds (2009), written and directed by Quentin Tarantino, revolves around two plots to assassinate Nazi leaders during the closing years of World War II. One plot centers on a secret band of Jewish-American soldiers under the command of Ltn. Aldo Raine (Brad Pitt)—the “Basterds”—who terrorize Nazis. The other involves Shosanna Dreyfus (Melanie Laurent), a young Jewish woman who narrowly escapes death at the hands of notorious “Jew hunter” Hans Landa (Christoph Waltz) and flees to Paris where she runs a cinema under a false identity. The plot lines converge at the Paris cinema where the Basterds and Shosanna are each separately plotting to kill Hitler and other Nazi leaders while they are attending the premiere of a German propaganda film. The film utilizes alternate history to explore themes surrounding the pursuit of justice against the perpetrators of mass atrocities and the complex relationship between law and vengeance.Timestamps:0:00 Introduction2:37 Reimagining the arc of justice8:00 Alternatives to the progress narrative16:51 The power of violence and revenge21:56 Counterfactuals and alternative histories27:03 The limits of legalistic responses to atrocities32:24 The role of cinema in Nazi Germany39:00 Narratives of progress44:10 Ending with a primal moment of revenge Further reading:Hussain, Nadine, “‘Inglorious Basterds': A Satirical Criticism of WWII Cinema and the Myth of the American War Hero,” 13(2) Inquiries Journal 1 (2021)Jackson, Robert H., Opening Statement before the International Military Tribunal, Robert H. Jackson Center (Nov. 21, 1945)James, Caryn, “Why Inglourious Basterds is Quentin Tarantino's Masterpiece,” BBC (Aug. 16, 2019)Keydar, Renana, “‘Lessons in Humanity': Re-evaluating International Criminal Law's Narrative of Progress in the Post 9/11 Era,” 17 (2) J. Int'l Criminal Justice 229 (2019)Kligerman, Eric. “Reels of Justice: Inglourious Basterds, The Sorrow and the Pity, and Jewish Revenge Fantasies,” in Quentin Tarantino's Inglourious Basterds: A Manipulation of Metacinema (Robert Dassanowsky ed., 2012)Tekay, Baran “Transforming Cultural Memory: ‘Inglourious Basterds'”, 48(1) Film Criticism (2024)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast
The Jonas Brothers surprised Kerry and Collin with their charming holiday offering this past season that they decided to devote an entire episode to "A Very Jonas Christmas Movie." Please know that the hosts have little to no knowledge of the Brothers Jonas and their back-catalog, so be patient with the little that they do know. What exactly is figgy pudding (Andrea Martin wanted to know, so the question is being asked on her behalf)? Is Jesse Tyler Ferguson's Santa beard real or fake? Finally, if the Jonas Brothers returned for a version of A Christmas Carol, who would they play? And how would Miley Cyrus fit in? All this, plus a cheerfully jaunty Book segment. Book movies covered: Underground (1995) Head-On (2004) The Sorrow and the Pity (1969) Visit collinsouter.com RogerEbert.com Follow Collin and Kerry on Letterboxd.
We hear about the Blessed Mother's love for us in the second volume of The Whole Truth About Fatima.Please support the Our Lady of Fatima Podcast:http://buymeacoffee.com/TerenceMStantonLike and subscribe on YouTube:https://m.youtube.com/@OurLadyOfFatimaPodcastFollow us on X:@FatimaPodcastSubscribe to our Substack:https://terencemstanton.substack.comThank you!
Study the daily lesson of Sefer HaMitzvos for day 318 with Rabbi Mendel Kaplan, where he teaches the mitzvah in-depth with added insight and detail.
Bryan Clark joins. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bryan Clark joins. Learn more about your ad choices. Visit megaphone.fm/adchoices
We go back a few years with a classic conversation about Perez's real life relationship with Hilaria Baldwin. Shonda Rimes has a "dispute" with Disney. The Fifth Harmany fans should slow their roll. Enjoy our trip back in time with The PHP Replay! Happy New Year! See omnystudio.com/listener for privacy information.
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The Packers head into Saturday's frigid showdown against Chicago with 18 players on the injury report—and Vegas has officially made them underdogs. But this isn't the time for pouting or placing emotional hedge bets against your own team. This game day episode breaks down everything you need to know heading into the NFC North battle: the full injury report with Rob Demovsky's insider intel on Zach Tom, Evan Williams, and Josh Jacobs; the brutal weather conditions with wind chills in single digits; and why the betting line has swung dramatically toward Chicago despite losing Luther Burden and Roma Odunze. We dive into Jeff Hafley's defensive adjustments without Micah Parsons, the strategic shift to compress the pocket against Caleb Williams, and why Jordan Love's previous dominant performance against this Bears defense should give fans hope. Plus, callers weigh in on managing expectations, and we have some fun with the Bears' potential relocation to Gary, Indiana. This is championship football weather. Time to show up. This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Help keep the show growing and check out everything I'm building across the Packers and NFL world: Support: Patreon: www.patreon.com/pack_daddy Venmo: @Packernetpodcast CashApp: $packpod Projects: Grade NFL Players ➜ fanfocus-teamgrades.lovable.app Packers Hub ➜ packersgames.com Create NFL Draft Big Boards ➜ nfldraftgrades.com Watch Draft Prospects ➜ draftflix.com Screen Record ➜ pause-play-capture.lovable.app Global Economics Hub ➜ global-economic-insight-hub.lovable.app
The Packers head into Saturday's frigid showdown against Chicago with 18 players on the injury report—and Vegas has officially made them underdogs. But this isn't the time for pouting or placing emotional hedge bets against your own team. This game day episode breaks down everything you need to know heading into the NFC North battle: the full injury report with Rob Demovsky's insider intel on Zach Tom, Evan Williams, and Josh Jacobs; the brutal weather conditions with wind chills in single digits; and why the betting line has swung dramatically toward Chicago despite losing Luther Burden and Roma Odunze. We dive into Jeff Hafley's defensive adjustments without Micah Parsons, the strategic shift to compress the pocket against Caleb Williams, and why Jordan Love's previous dominant performance against this Bears defense should give fans hope. Plus, callers weigh in on managing expectations, and we have some fun with the Bears' potential relocation to Gary, Indiana. This is championship football weather. Time to show up. This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Help keep the show growing and check out everything I'm building across the Packers and NFL world: Support: Patreon: www.patreon.com/pack_daddy Venmo: @Packernetpodcast CashApp: $packpod Projects: Grade NFL Players ➜ fanfocus-teamgrades.lovable.app Packers Hub ➜ packersgames.com Create NFL Draft Big Boards ➜ nfldraftgrades.com Watch Draft Prospects ➜ draftflix.com Screen Record ➜ pause-play-capture.lovable.app Global Economics Hub ➜ global-economic-insight-hub.lovable.app
Support the show. Become a Patron: www.patreon.com/highscore510 ----more---- We discuss: 1) INTROS: Go Bills! 2) NEWS: Latvia's Husbands for Hire {7:11} 3) NEWS: Nations w/ Greatest Average Length of Sex {11:00} 4) When Keeping it Real Goes Wrong: Burned Hash Browns at the Waffle House {16:47} 5) MLB Hall of Fame: Jeff Kent {22:33} 6) College Football Playoff {27:46} 7) University of Michigan Coach, Sherrone Moore FIRED {30:12} 8) Diddy Documentary: The Good, The Bad, & The WTF?! (43:13} 9) Cutty Corner Shoutout {1:09:45} *Patreon Page: www.patreon.com/highscore510 *Email: (HighScore510.Fans@gmail.com) *MUSIC BY: Taj Easton (https://www.tajeaston.com) *SPONSORS: 1) New Parkway Theatre, Oakland: https://www.thenewparkway.com 2) Til Infinity Clothing
No hay nada más transformador que el enamoramiento. Aunque vulgarmente lo explicamos como mariposas en la panza, para la narradora de este cuento sus sentimientos por Pity más bien parecen potentes pisadas de búfalos. En el boliche, esta noche, parece que va a pasar algo más. Pero la expectativa no se cumple y la estampida amenaza con quebrar a la joven por dentro. La Reina es uno de los cuentos que conforman la antología Bebé vampiro escrita por Nadine Lifschitz y publicada por Concreto editorial en 2020. ++++++++++++++++++++++++++++++++++ Pre producción y voz: CECILIA BONA Editó este episodio: DANY FERNÁNDEZ @danyrap.f para @activandoproducciones.proyecto ⚙️ Producción: XIMENA GONZALEZ @ximegonzal3z Edición de video: LUZ FERNÁNDEZ @luzma.fz ¡Ayudanos a crecer! Patrociná POR QUÉ LEER: https://porqueleer.com/patrocina Nuestras redes sociales: ⚡https://instagram.com/porqueleerok ⚡https://twitter.com/porqueleerok ⚡https://www.facebook.com/porqueleerok/
Pity the Foo full 905 Thu, 04 Dec 2025 16:24:00 +0000 ZDVk2YUXMG6ZUFTVVuhGBbtxT6J785xu society & culture Klein/Ally Show: The Podcast society & culture Pity the Foo Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.net
HOUR 3- New Christmas Classics, Pity the Foo and MORE full 1989 Thu, 04 Dec 2025 16:42:00 +0000 CENt5SUHDqsZWFtXlZucXspWAC5D9qQG society & culture Klein/Ally Show: The Podcast society & culture HOUR 3- New Christmas Classics, Pity the Foo and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?
Send us a textIntro: Pocketful of Sunshine by Natasha BedingfieldAlbum 12: Narrow Stairs by Death Cab for Cutie (2008)Song 1: Bixby Canyon BridgeSong 2: You Can Do Better Than MeSong 3: Pity and FearAlbum 11: Piper at the Gates of Dawn by Pink Floyd (1967)Song 1: FlamingSong 2: Chapter 24Song 3: ScarecrowLink to Narrow Stairs (Andrew's Mix)
In the wake of her 2021 conviction for sex-trafficking and related charges, Maxwell has repeatedly denied wrongdoing — including rejecting allegations linking her to certain abuses. For example, in interviews and during recent meetings with investigators she has dismissed claims of sexual encounters involving Prince Andrew and one of her accusers as “fabricated.” Most notably, she described a notorious photo said to show Andrew with the accuser as “a fake,” claimed she never introduced Andrew to her former associate Jeffrey Epstein, and argued certain alleged crimes “could not have happened.” These denials, and her continued refusal to accept guilty responsibility, make clear that she has not publicly acknowledged remorse for the trafficking, exploitation, and suffering tied to her conviction.Yet in her first in-prison interview since the verdict, Maxwell expressed that she “felt so bad” for Prince Andrew, calling him a “dear friend” she cares about — even while acknowledging that their connection “could not survive” after her conviction. She spoke of him as “paying such a price for the association,” portraying him as someone suffering consequences because of his ties to her and Epstein. Her sympathy for Andrew — while simultaneously rejecting responsibility for her own role — sent a jarring message: she was willing to voice pity for a powerful man whose public standing was damaged, but not willing to extend empathy or accountability to the victims of her crimes.to contact me:bobbycapucci@protonmail.com
In the wake of her 2021 conviction for sex-trafficking and related charges, Maxwell has repeatedly denied wrongdoing — including rejecting allegations linking her to certain abuses. For example, in interviews and during recent meetings with investigators she has dismissed claims of sexual encounters involving Prince Andrew and one of her accusers as “fabricated.” Most notably, she described a notorious photo said to show Andrew with the accuser as “a fake,” claimed she never introduced Andrew to her former associate Jeffrey Epstein, and argued certain alleged crimes “could not have happened.” These denials, and her continued refusal to accept guilty responsibility, make clear that she has not publicly acknowledged remorse for the trafficking, exploitation, and suffering tied to her conviction.Yet in her first in-prison interview since the verdict, Maxwell expressed that she “felt so bad” for Prince Andrew, calling him a “dear friend” she cares about — even while acknowledging that their connection “could not survive” after her conviction. She spoke of him as “paying such a price for the association,” portraying him as someone suffering consequences because of his ties to her and Epstein. Her sympathy for Andrew — while simultaneously rejecting responsibility for her own role — sent a jarring message: she was willing to voice pity for a powerful man whose public standing was damaged, but not willing to extend empathy or accountability to the victims of her crimes.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Sam and Sierra answer a letter from somone who is happy being single even though the world doesn't want her to be Join us on Patreon for an extra weekly episode, monthly office hours, and more! SUBMIT: justbreakuppod.com FACEBOOK: /justbreakuppod INSTAGRAM: @justbreakuppod Learn more about your ad choices. Visit megaphone.fm/adchoices
Start Your Transformation Now In this episode of The Jim Fortin Podcast, Jim continues his Shaman's Tips for an Amazing 2026 series with Part 4, diving even deeper into Don Javier's teachings about silence, power, and divine connection. Building on previous insights, Jim unpacks how the endless “noise” in our inner and outer world separates us from hearing divine guidance—and how true transformation begins when that noise stops. Drawing from a 2024 conversation with Don Javier, Jim explains how constant internal dialogue, emotional reactions, and pity masquerading as compassion drain our energy and block our awareness. He reveals why meditation isn't an escape, but a return to truth—and how stillness is the warrior's gateway to the infinite. Through these profound lessons, Jim invites listeners to step out of the illusions of mind chatter and into luminous presence. If you're ready to reclaim your awareness, quiet the inner noise, and reconnect with your higher consciousness, this episode will show you how silence itself can become your most powerful spiritual practice. What You'll Discover in This Episode: Escaping the prison of noise (03:24): Jim shares Don Javier's wisdom on how every thought, judgment, and reaction pulls you out of divine awareness—and how silence restores peace. The truth about empathy (12:59): Learn how true empathy is unity, not emotion, and why ordinary compassion often hides self-importance and ego. Pity vs. Love (15:50): Discover why pity is not love but disguised ego—and how real compassion is silent, radiant presence. Becoming love itself (18:41): Jim reflects on Don Javier's reminder that awakened beings don't send love—they are love, and that vibration transforms everything effortlessly. Meditation and stillness as the path of power (21:32): Find out why meditation isn't an escape but the art of “stopping the world,” allowing reality to become fluid, luminous, and alive. Living fully in the present (24:26): Explore why the past is smoke, the future a mirage, and how only the present moment holds true power and connection with the divine. Listen, apply, and enjoy! Transformational Takeaway Noise is the great thief of power. Every moment you silence your mind, you strengthen your link with the infinite. The path of mastery begins with stillness—because silence is not emptiness; it's the space where divine mind speaks. Guard your awareness like sacred fire, and enter 2026 grounded in peace, clarity, and luminous presence. Let's Connect: Instagram | Facebook | YouTube | LinkedIn LIKED THE EPISODE? If you're the kind of person who likes to help others, then share this with your friends and family. If you have found value, they will too. Please leave a review on Apple Podcasts so we can reach more people. Listening on Spotify? Please leave a comment below. We would love to hear from you! With gratitude, Jim
In the 1980s, the tiny town of Arcadia, Florida, was “fifty miles and fifty years from Sarasota.” With its cowboy roots, low-wage agricultural industries, and violent frontier history, Arcadia was a curious mix of the desolate ranchlands of West Texas and the stately homes and bitter race relations of the South. In A Town without Pity, award-winning author Jason Vuic recounts two heartbreaking stories from Arcadia that rose to national prominence at the end of the Reagan era and forced the town to reckon with not only AIDS hysteria but also the legacies of a racist past. This book delves into the case of James Richardson, a Black migrant worker accused in 1967 of poisoning his seven children. Richardson spent twenty years in prison due to suppressed evidence for a crime he didn't commit. Vuic also tells the story of the public mistreatment of the three Ray brothers, white school-age children with hemophilia who contracted the HIV virus from a tainted medicine called factor VIII. The Rays were barred from attending their local church and school, and when their house burned down in a mysterious arson, reporters dubbed Arcadia the “town without pity.”Through extensive use of newspapers, court records, and interviews, Vuic shows how the actions of authorities and residents left little room for the voices that spoke up against bias, harassment, and coercion. At the same time, this cautionary tale places Arcadia as a microcosm of many small towns in the late twentieth-century United States, reminding readers of the staying power of social divisions and prejudice even after the achievements of the civil rights movement. A TOWN WITHOUT PITY: AIDS, Race, and Resistance in Florida's Deep South—Jason Vuic