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“It's only rock n roll, but I like it,” is not really a good answer in Washington State University's popular history of rock music class.Hundreds of WSU students learn how to really dig into the tunes. They study how rock ‘n' roll is tied into American society, history, and culture, by analyzing lyrics and music styles from over the decades.A.J. Miller is the main instructor of the rock ‘n' roll history class through the WSU School of Music. He talks with magazine associate editor Adriana Janovich about the class, why it matters, and what students get out of it.They cover everything from The Beatles to Beyoncé, Bob Dylan to Kendrick Lamar. And along the way, Miller introduces a six-step process for examining songs.--Read more about the class in “School of rock” (Washington State Magazine, Spring 2025).A.J Miller is also assistant director of the Washington State University Cougar Marching Band. Read about the band and watch a video of them in action at Washington State Magazine.Support the show______________________________________________________________________________Want more great WSU stories? Follow Washington State Magazine: LinkedIn @Washington-State-Magazine Bluesky @wastatemagazine.bsky.social X (formerly Twitter) @wsmagazine Facebook @WashingtonStateMagazine Instagram @WashingtonStateMagazine YouTube @WashingtonStateMagazine Email newsletter How do you like the magazine podcast? What WSU stories do you want to hear? Let us know. Give to the magazine
Happy New Year and welcome to season 5 of Metalcore & Muscle! This first episode follows a new episode structure featuring 4 different segments as follows:Throwback Track Faceoff: We will be comparing and contrasting two throwback metalcore songs. This week we dove into Breakaway by In Hearts Wake and Rot by Northlane. We discuss lyrics, vocals, instrumentals, song meaning, etc. Coaches Corner: This segment features health and wellness information/tips to help you meet your goals. This week we examine a concept called "Raising the Floor" helping to reframe your thoughts around your goals this year. Song of the Week: We select a new metalcore song each week to highlight/share with you all. This week's song of the week is "A Liar at Best" by the band Livealie. Exercise of the Week: We select an exercise to highlight, describing the exercise, alternative exercises, muscles targeted, pros & cons, optimal volume, and more. We encountered some audio difficulties and had to record the episode off the computer microphone. The issue will be resolved for next week's episode. Thank you for understanding! Follow us on Instagram @mc_muscle!
Su hondo sentido espiritual—que aglutina catolicismo e hinduismo—,su gran conocimiento del canto de los pájaros(que incorpora por primera vez en el Cuarteto para el fin del tiempo),la sinestesia y el uso de la simetría recorren la apasionante creación del compositor y organista francés._____Has escuchadoCatalogue d'oiseaux. Livre I. Le merle bleu (1958). Markus Bellheim, piano. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 12 de abril de 2014Des Canyons aux étoiles. VI. Appel interstellaire (1971-1974). Michael Thompson, trompa. CBS Masterworks (1988)La transfiguration de notre Seigneur Jésus-Christ. VII. Choral de la Sainte Montagne (1965-1969). Koor van de BRT Bruxelles; Groot Omroepkoor & Radio Symfonie Orkest hilversum; Reinbert de Leeuw, director. Montaigne (1994)Quatuor pour la fin du temps. Louange à l'Éternité de Jésus (1940). Anner Bijlsma, violonchelo; Reinbert de Leeuw, piano. Philips (1980)_____Selección bibliográficaAMBLARD, Jacques, Vingt regards sur Messiaen: une étiologie de la médiation. Presses universitaires de Provence, 2015ANDERSON, Julian, “Messiaen and the Notion of Influence”. Tempo, vol. 63, n.º 247 (2009), pp. 2-18*BALMER, Yves, Thomas Lacôte y Christopher Brent Murray, Le modèle et l'invention: Messiaen et la technique de l'emprunt. Symétrie, 2017BENITEZ, Vincent P., Olivier Messiaen. A Research and Information Guide. Routledge Publishing, 2008—, Olivier Messiaen's Opera, “Saint François d'Assise”. Indiana University Press, 2019BERNARD, Jonathan W., “Messiaen's Synaesthesia: The Correspondence between Color and Sound Structure in His Music”. Music Perception: An Interdisciplinary Journal, vol. 4, n.º 1 (1986), pp. 41-68*BOIVIN, Jean, La Classe de Messiaen. Christian Bourgois, 1995CHADWICK, Roderick, Olivier Messiaen's “Catalogue d'oiseaux”: From Conception to Performance. Cambridge University Press, 2022DINGLE, Christopher, The Life of Messiaen. Cambridge University Press, 2007DINGLE, Christopher y Nigel Simeone (eds.), Olivier Messiaen. Music, Art and Literature. Routledge, 2007FALLON, Robert, “Birds, Beasts, and Bombs in Messiaen's Cold War Mass”. The Journal of Musicology, vol. 26, n.º 2 (2009), pp. 175-204*FORTE, Allen, “Olivier Messiaen as Serialist”. Music Analysis, vol. 21, n.º 1 (2002), pp. 3-34*GRIFFITHS, Paul, Olivier Messiaen and the Music of Time. Faber and Faber, 1985HALBREICH, Harry, Olivier Messiaen. Fayard, 1980HILL, Peter (ed.), The Messiaen Companion. Faber and Faber, 1995HILL, Peter y Nigel Simeone, Messiaen. A Major New Biography. Yale University Press, 2005HOLD, Trevor, “Messiaen's Birds”. Music & Letters, vol. 52, n.º 2 (1971), pp. 113-122*IRLANDINI, Luigi Antonio, “Messiaen's Gagaku”. Perspectives of New Music, vol. 48, n.º 2 (2010), pp. 193-207*MESSIAEN, Olivier, Traité de rythme, de couleur et d'ornithologie: en sept tomes (1949-1992). Leduc, [1994-2002]—, Music and Color. Conversations with Claude Samuel. Amadeus Press, 1994MESSIAEN, Olivier y Claude Samuel (2012), “Fe, amor y naturaleza: entrevista con Olivier Messiaen”. Minerva: Revista del Círculo de Bellas Artes, n.º 19 (2012), pp. 54-62NICHOLS, Roger, Messiaen. Oxford University Press, 1975POPLE, Anthony, Messiaen. Quatuor pour la fin du temps. Cambridge University Press, 1998SAMUEL, Claude, Musique et couleurs, nouveaux entretiens avec Olivier Messiaen. Belfond, 1986SHENTON, Andrew, Olivier Messiaen's Turangalîla-symphonie. Cambridge University Press, 2023SHOLL, Robert, Olivier Messiaen: A Critical Biography. Reaktion Books, 2024WAI-LING, Cheong, “Messiaen's Triadic Colouration: Modes as Interversion”. Music Analysis, vol. 21, n.º 1 (2002), pp. 53-84* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
La aportación del compositor francés a la historia de la música es el espectralismo—teoría musical que desarrolla junto a Tristan Murail y Hughes Dufourt en torno al Ensamble L'Itineraire—, que se basa en la descomposición espectral del sonido, inclinándose hacia la naturaleza propia del timbre._____Has escuchadoAnubis-Nout. I. Anubis [très précis] (1983). Ernesto Molinari, clarinete contrabajo. Kairos (2005)Le Noir de l'Étoile: pour six percussionistes diposés autour du public, bande magnétique et transmission in situ de signaux astronomiques (1989-1990) / texto de Jean-Pierre Luminet. Les Percussions de Strasbourg. Accord (2004)Quatre chants pour franchir le seuil (1997-1998). Catherine Dubosc, soprano; Klangforum Wien; Sylvain Cambreling, director. Kairos (2001)_____Selección bibliográficaBAILLET, Jérôme, Gérard Grisey: fondements d'une écriture. L'Harmattan, 2000BROWN, Jeffrey Arlo, The Life and Music of Gérard Grisey: Delirium and Form. University of Rochester Press, 2023CAGNEY, Liam, Gérard Grisey and Spectral Music: Composition in the Information Age. Cambridge University Press, 2023*COHEN-LEVINAS, Danielle , “Gérard Grisey: du spectralisme formalisé au spectralisme historisé”. En: Vingt-cinq ans de création musicale contemporaine. L'Harmattan, 1998COHEN-LEVINAS, Danielle (ed.), Le temps de l'écoute: Gérard Grisey ou la beauté des ombres sonores. L'Harmattan, 2004COSSETTINI, Luca y Angelo Orcalli, Diffractions: analyse de l'œuvre musicale mixte: “Jour, Contre-Jour”de Gérard Grisey. L'Harmattan, 2018FÉRON, François-Xavier, “The Emergence of Spectra in Gérard Grisey's Compositional Process: from Dérives (1973-1974) to Les espaces acoustiques (1974-1985)”. Contemporary Music Review, vol. 30, n.º 5 (2012), pp. 343-375GRISEY, Gérard, Écrits. Editado por Guy Lelong con la colaboración de Anne-Marie Réby. Éditions MF, 2008HASEGAWA, Robert, “Gérard Grisey and The ‘Nature' of Harmony”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 349-371HENNESSY, Jeffrey J., “Beneath the Skin of Time: Alternative Temporalities in Grisey's Prologue for Solo Viola”. Perspectives of New Music, vol. 47, n.º 2 (2009), pp. 36-58*HERVÉ, Jean-Luc, Dans le vertige de la durée: “Vortex Temporum” de Gérard Grisey. L'Harmattan, 2001KRIER, Yves, “Partiels, de Gérard Grisey, manifestation d'une nouvelle esthétique”. Musurgia, vol. 7, n.º 3-4 (2000), pp. 145-172*MOSCOVICH, Viviana, “French Spectral Music: An Introduction”. Tempo, n.º 200 (1997), pp. 21-27*SOLOMOS, Makis (ed.), Iannis Xenakis, Gérard Grisey. La métaphore lumineuse. L'Harmattan, 2003 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
Camila Cabello's "CXOXO" album kicked off with a hyper pop-tinged lead single, immediately causing comparisons to Charli XCX. This episode discusses how goalposts in pop music are changing as music becomes more conversational online and less about Top 40 appeal. We explore how Camila's artistic pivot isn't about chasing another Señorita or Havana, but about carving a niche within online music stans. Despite high-profile features with Drake and Lil Nas X, slick production from Jasper Harris, and tabloid buzz surrounding Sabrina Carpenter and Shawn Mendes, the album struggles to stick the landing. Is the issue tied to the music itself, the crowded year, albums like "BRAT" in similar lanes, or is something else at play? Tune in as we dissect CXOXO, uncover key moments, and leave you with the tools to form your own verdict.
Keith Montena is back this week breaking down "Disease" by Lady Gaga, the first taste of the singer's upcoming seventh album. After "Die With A Smile" with Bruno Mars and Joker: Folie á Duex, Lady Gaga returns with the biggest changes to her creative team in nearly 15 years, and an album modeling after dark soundscapes similar to Born This Way. Notably far from 2020's Chromatica. Vinyl Drop discusses pop music with an emphasis on new releases, the artists' creative process, collaborators, and their marketing strategy. I want to hear from you - do you like "Disease"? Did you like the rollout? What should be discussed next?
The Bible says the Lord is “worthy of praise” (Psalm 18:3) and calls us to “walk in a manner worthy of the Lord” (Colossians 1:10). Inspired by the worship song “Who Else” by Gateway Worship, Haley and Dustin talk through some of the lyrics and biblical concepts of the song. They discuss the role of music in our spiritual formation, how Jesus is worthy of all our worship, and what it means to “walk in a manner worthy of the Lord” (Colossians 1:10). It's an encouraging conversation about the Lord and how we can live in light of all that Jesus has done for us. See lyrics and link to the song below. Subscribe to the podcast and tune in each week as Haley and Dustin share with you what the Bible says about real-life issues with compassion, warmth, and wit. So you have every reason for hope, for every challenge in life. Because hope means everything. Hope Talks is a podcast of the ministry of Hope for the Heart. Listen in to learn more : Unique Song of Praise Impact | 0:04:32 - 0:05:41 * The Power of Music in Worship | 0:15:25 - 0:16:10 * Elvis Gospel Music Impact | 0:21:56 - 0:22:28 * Focus on Jesus | 0:26:22 - 0:27:47 * Freedom Through Focus on Jesus | 0:35:28 - 0:36:58 * Jesus Concept and Music Analysis | 0:43:28 - 0:44:37 -------------- Helpful links and resources Listen to the song “Who Else” by Gateway Worship -- https://www.youtube.com/watch?v=bRMfMozGBPA Song lyrics: [Verse 1] I am an instrument of exaltation And I was born to lift Your name above all names You hear the melody of all creation But there's a song of praise that only I can bring [Chorus] Who else is worthy? Who else is worthy? There is no one, only You, Jesus Who else is worthy? Who else is worthy? There is no one, only You, Jesus [Verse 2] You are the infinite God of the ages Yet You chose to make my heart Your dwelling place You healed my brokenness, showed me Your glory So I have songs of thanks not even angels sing [Bridge] Lamb of God, anointed one Who was and is and is to come Seated on the throne above Holy, Holy Righteous one who shed His blood To prove to us the Father's love Jesus Christ be lifted up Connect with us on social! Facebook: https://www.facebook.com/hopefortheheart Instagram: https://www.instagram.com/hopefortheheart Learn more about the ministry and resources of Hope for the Heart: https://www.hopefortheheart.org/ Learn more about Hope Talks and submit a question for Haley and Dustin: https://www.hopefortheheart.org/podcast Want to talk with June Hunt on Hope in the Night about a difficult life issue? Schedule a time here: https://resource.hopefortheheart.org/talk-with-june-hope-in-the-night God's plan for you: https://www.hopefortheheart.org/gods-plan-for-you/ -------------- Bible verses mentioned in this episode Genesis 4:21 – “His brother's name was Jubal; he was the father of all who play stringed instruments and pipes.” Psalm 40:1-3 -- I waited patiently for the Lord; he turned to me and heard my cry. He lifted me out of the slimy pit, out of the mud and mire*; he set my feet on a rock and gave me a firm place to stand. He put a new song in my mouth, a hymn of praise to our God. *Mire is defined as 1) wet spongy earth (as of a bog or marsh) 2) heavy often deep mud or slush 3) a troublesome or intractable situation. (See Merriam-Webster: https://www.merriam-webster.com/dictionary/mire) Isaiah 43:7 – “everyone who is called by my name, whom I created for my glory, whom I formed and made.” Luke 19:40 – ““I tell you,” he replied, “if they keep quiet, the stones will cry out.” Colossians 1:16 – “all things have been created through him and for him.” Colossians 3:23-24 -- Whatever you do, work at it with all your heart, as working for the Lord, not for human masters, since you know that you will receive an inheritance from the Lord as a reward. It is the Lord Christ you are serving. Ephesians 4:1 – “As a prisoner for the Lord, then, I urge you to live a life worthy of the calling you have received.” Philippians 1:27 – “conduct yourselves in a manner worthy of the gospel of Christ.” Philippians 4:8 – “Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things.” Colossians 1:10 – “Walk in a manner worthy of the Lord, fully pleasing to him: bearing fruit in every good work and increasing in the knowledge of God” 2 Timothy 2:8 – “Remember Jesus Christ, raised from the dead, descended from David. This is my gospel.” Hebrews 3:1 - “Therefore, holy brothers, you who share in a heavenly calling, consider Jesus, the apostle and high priest of our confession.” Hebrews 12:1-2 – “Therefore, since we are surrounded by such a great cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles. And let us run with perseverance the race marked out for us, fixing our eyes on Jesus, the pioneer and perfecter of faith. For the joy set before him he endured the cross, scorning its shame, and sat down at the right hand of the throne of God.” Revelation 5:9-13 – “And they sang a new song, saying: “You are worthy to take the scroll and to open its seals, because you were slain, and with your blood you purchased for God persons from every tribe and language and people and nation. You have made them to be a kingdom and priests to serve our God, and they will reign on the earth.” Then I looked and heard the voice of many angels, numbering thousands upon thousands, and ten thousand times ten thousand. They encircled the throne and the living creatures and the elders. In a loud voice they were saying: “Worthy is the Lamb, who was slain, to receive power and wealth and wisdom and strength and honor and glory and praise!” Then I heard every creature in heaven and on earth and under the earth and on the sea, and all that is in them, saying: “To him who sits on the throne and to the Lamb be praise and honor and glory and power, for ever and ever!”
Una de las características de su obra es la incorporación de sonoridades no codificadas de la voz, como risas, susurros o carraspeos. He aquí su tema: la voz, su naturaleza orgánica, traspuesta y abierta a la sensibilidad de la escucha a través de los incipientes procedimientos electrónicos._____Has escuchadoCorale (1981). Maryvonne Le Dizès, viola; Ensemble InterContemporain; Pierre Boulez, director. Sony Classical (1990)Folk Songs. Black Is the Color (1964). Cathy Berberian, mezzosoprano; Julliard Ensemble; Luciano Berio, director. BMG Classics (1973)Laborintus 2. Première partie (1965) / textos de Edoardo Sanguineti. Ensemble Musique Vivante; Chorale Expérimentale; Luciano Berio, director. Harmonia Mundi (1987)Sinfonia. O King (1968). Göteborg Konserthus; Peter Eötvös, director. Deutsche Grammophon (2005)_____Selección bibliográficaBERIO, Luciano, Un recuerdo al futuro. Acantilado, 2019*BOULEZ, Pierre y Enzo Restagno, Sequenze per Luciano Berio. Ricordi, 2000COHEN-LEVINAS, Danielle (ed.), Omaggio a Luciano Berio. L'Harmattan, 2006*DALMONTE, Rossana y Bálint András Varga (eds.), Luciano Berio: Two Interviews. Marion Boyars, 1985ECO, Umberto, “Eco in ascolto: entrevista de Umberto Eco con Luciano Berio”. Revista de Occidente, n.º 114 (1990), pp. 123-136*FERRARI, Giordano, “El teatro musical como crítica de la sociedad: Passagio de Luciano Berio y Edoardo Sanguineti”. Doce Notas Preliminares, n.º 14 (2004-2005), pp. 120-138FERRARI, Giordano (ed.), Le théâtre musical de Luciano Berio: actes des six journées d'études qui ont eu lieu à Paris et à Venise entre 2010 et 2013. L'Harmattan, 2016FLYNN, George W., “Listening to Berio's Music”. The Musical Quarterly, vol. 61, n.º 3 (1975), pp. 388-421*HALFYARD, Janet K., Berio's Sequenzas: Essays on Performance Composition and Analysis. Ashgate, 2007*HICKS, Michael, “Text, Music, and Meaning in the Third Movement of Luciano Berio's Sinfonia”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 199-224*JOOS, Maxime, “Luciano Berio: Dramaturgie et Œuvre Ouverte”. Musurgia, vol. 10, n.º 2 (2003), pp. 7-27*MEHINOVIC, Vedran, “Two Late Orchestral Works of Luciano Berio”. Tempo, vol. 69, n.º 273 (2015), pp. 20-29*MULLER, Theo y Luciano Berio, “‘Music Is Not a Solitary Act': Conversation with Luciano Berio”. Tempo, n.º 199 (1997), pp. 16-20*NEIDHÖFER, Christoph, “Inside Luciano Berio's Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*OSMOND-SMITH, David, “Berio and the Art of Commentary”. The Musical Times, vol. 116, n.º 1592 (1975), pp. 871-872*—, Berio. Oxford University Press, 1991SZENDY, Peter, “Un roi à l'écoute”. En: L'Opéra éclaté: la dramaturgie musicale entre 1969 et 1984. Editado por Giordano Ferrari. L'Harmattan, 2005 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
In this episode, we breakdown our picks for the top 10 christian metalcore bands! Whether you are a Christian or not, we can all appreciate some great metalcore music! We breakdown some of our favorite songs by each band along with analyzing some of their lyrics that classify them within the Christian metalcore genre. Our selections are ranked based on lyrics/meaning, vocals, and instrumentals. Our episode rounds out with our selection for song of the week. Enjoy! Song of the Week: Insanely Illegal Cage Fight by Dal Av & Jackson Rose Silent Planet Interview Article Follow us on Instagram @mc_muscle!
For this special Bonus episode, we're re-releasing an episode of Scott's old podcast Pop Unmuted. Tying in with our most recent episode where Comedian and Musician Allie Goertz chose "God Only Knows" as the greatest song she's ever heard in her entire life, this 2016 episode of Pop Unmuted finds Scott and his cohost Kurt Trowbridge breaking down the Beach Boy's song on a music theory level, analyzing the chord and melody structure to answer what should be a simple question: What key is this song in? Be sure to go back and listen to our full episode with Allie Goertz and check out Kurt Trowbridge's website Crownnote.com, a social platform for making your own personal music charts @gr8songpod on twitter, instagram, and tiktok @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence Mixing Assistance by Michael Isabella Podcast Art designed by Roger Feeley-Lussier
Join host Jim Ellermeyer and co-host Producer Mike on “Fishing Without Bait,” where they explore the profound themes embedded in Juice WRLD's poignant track, “Wishing Well.” This episode dives deep into the late artist's struggles with addiction, depression, and his unspoken cries for help through his music. Jim and Mike analyze the lyrics, reflecting on the young rapper's battle with opiate addiction and his tragic overdose at 21. They discuss the metaphor of the wishing well as a symbol of hope and desperation, where Juice WRLD tossed his pain and wishes, highlighting the reality of addiction's grip. Jim, a behavioral health therapist, shares insights on the nature of addiction, emphasizing the importance of action and effort over mere wishing. They discuss how Juice WRLD's lyrics, like “I can't breathe” and “toss my pain with my wishes in a wishing well,” resonate with the experience of many struggling with addiction. The episode underscores the importance of recognizing and addressing the root causes of addiction and depression, rather than merely treating symptoms. Listeners will find a compelling discussion on the emotional and psychological challenges faced by those in addiction, the role of support systems, and the critical need for timely intervention. Jim and Mike also touch on broader themes of mental health, the universality of struggles, and the importance of seeking help. This episode is a heartfelt exploration of hope, resilience, and the continuous journey towards healing.Watch "Wishing Well" by Juice WRLD https://www.youtube.com/watch?v=C5i-UnuUKUI National Suicide Prevention Lifeline: • Phone: 1-800-273-8255 (TALK) • Website: suicidepreventionlifeline.org Crisis Text Line: • Text: HOME to 741741 • Website: crisistextline.org Substance Abuse and Mental Health Services Administration (SAMHSA): • Phone: 1-800-662-HELP (4357) • Website: samhsa.gov Are you finding benefit from this show? We appreciate any support with our Patreon page! Pledge as little as $1 a month for extra clips, behind the scenes and more at www.patreon.com/fishingwithoutbait ! Subscribe to our Podcast on Apple Podcasts, TuneIn, Youtube or look for it on your favorite Podcatcher!
Join host Jim Ellermeyer and co-host Producer Mike on “Fishing Without Bait,” where they explore the profound themes embedded in Juice WRLD's poignant track, “Wishing Well.” This episode dives deep into the late artist's struggles with addiction, depression, and his unspoken cries for help through his music. Jim and Mike analyze the lyrics, reflecting on the young rapper's battle with opiate addiction and his tragic overdose at 21. They discuss the metaphor of the wishing well as a symbol of hope and desperation, where Juice WRLD tossed his pain and wishes, highlighting the reality of addiction's grip. Jim, a behavioral health therapist, shares insights on the nature of addiction, emphasizing the importance of action and effort over mere wishing. They discuss how Juice WRLD's lyrics, like “I can't breathe” and “toss my pain with my wishes in a wishing well,” resonate with the experience of many struggling with addiction. The episode underscores the importance of recognizing and addressing the root causes of addiction and depression, rather than merely treating symptoms. Listeners will find a compelling discussion on the emotional and psychological challenges faced by those in addiction, the role of support systems, and the critical need for timely intervention. Jim and Mike also touch on broader themes of mental health, the universality of struggles, and the importance of seeking help. This episode is a heartfelt exploration of hope, resilience, and the continuous journey towards healing.Watch "Wishing Well" by Juice WRLD https://www.youtube.com/watch?v=C5i-UnuUKUI National Suicide Prevention Lifeline: • Phone: 1-800-273-8255 (TALK) • Website: suicidepreventionlifeline.org Crisis Text Line: • Text: HOME to 741741 • Website: crisistextline.org Substance Abuse and Mental Health Services Administration (SAMHSA): • Phone: 1-800-662-HELP (4357) • Website: samhsa.gov Are you finding benefit from this show? We appreciate any support with our Patreon page! Pledge as little as $1 a month for extra clips, behind the scenes and more at www.patreon.com/fishingwithoutbait ! Subscribe to our Podcast on Apple Podcasts, TuneIn, Youtube or look for it on your favorite Podcatcher!
podcast, pittsburgh
Técnica de composición musical basada en el dodecafonismo de Arnold Schönberg. Mientras este aplica un principio serial a las alturas de las doce notas de la escala cromática, el serialismo amplía la aplicación de este fundamento a diferentes parámetros musicales como ritmo, intensidad y timbre._____Has escuchadoAll Set for Jazz Ensemble (1957) / Milton Babbitt. The Contemporary Chamber Ensemble; Arthur Weisberg, director. Nonesuch (1974)Gruppen: für drei Orchester. Werk Nr. 6 (1955-1957) / Karlheinz Stockhausen. Berliner Philharmoniker; Claudio Abbado, director. Deutsche Grammophon (1996)Scambi (1957) / Henri Pousseur. Sub Rosa (2002)Structures pour deux pianos. Livre II (1961) / Pierre Boulez. Pierre-Laurent Aimard y Florent Boffard, pianos. Deutsche Grammophon (1995)_____Selección bibliográficaBANDUR, Markus, Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Birkhauser Verlag, 2001BAZAYEV, Inessa y Christopher Segall (eds.), Analytical Approaches to 20th-Century Russian Music: Tonality, Modernism, Serialism. Routledge, 2020BENITEZ, Vincent, “Reconsidering Messiaen as Serialist”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 267-299*GALLOPE, Michael, “Why Was This Music Desirable? On a Critical Explanation of the Avant-Garde”. The Journal of Musicology, vol. 31, n.º 2 (2014), pp. 199-230*GRANT, M. J., Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge University Press, 2008GULDBRANDSEN, Erling E., “Pierre Boulez in Interview, 1996 (II). Serialism Revisited”. Tempo, vol. 65, n.º 256 (2011), pp. 18-24*IDDON, Martin, The Cambridge Companion to Serialism. Cambridge University Press, 2023MCCARTHY, John y Joe Peter, Harmonic Grammar and Harmonic Serialism. Equinox Publishing, 2016MOORE, Allan F., “Serialism and Its Contradictions”. International Review of the Aesthetics and Sociology of Music, vol. 26, n.º 1 (1995), pp. 77-95*NEIDHÖFER, Christoph, “Inside Luciano Berio's Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*PERLE, George, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. University of California Press, 1991RAO, Nancy Yunwha, “Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music”. Perspectives of New Music, vol. 40, n.º 2 (2002), pp. 190-231*ROIG-FRANCOLÍ, Miguel A., Understanding Post-Tonal Music. Routledge, 2021SMALLEY, Roger, “Serialism for Today”. Tempo, n.º 90 (1969), pp. 2-7*SMITH BRINDLE, Reginald, Serial Composition. Oxford University Press, 1968VANDER WEG, John D., Serial Music and Serialism: A Research and Information Guide. Routledge, 2000WHITTALL, Arnold, Serialism. Cambridge University Press, 2008* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
Send us a Text Message.In this episode of Veto's Corner, Veto dives into a range of hot topics. The conversation kicks off with Ken and friends (07:05). We then discuss Chris Brown's meet and greet (37:11). Iman Shumpert asking for Teyana Taylor's royalties is next (46:52), followed by a discussion on why, when a couple splits, the father is now a threat to the child (50:50).The episode continues with a conversation about Charleston White (01:14:02). Ryan Garcia's no contest ruling is up next (02:07:59), and we discuss Foolio's death at a hotel (02:21:22). Finally, we speak on FYB J Mane and Lil Durk coming together (02:25:58).Tune in for an engaging and unfiltered conversation.---Support the Show.Follow Veto's Corner: Instagram: https://www.instagram.com/vetoscornerpodcast Facebook: https://www.facebook.com/VetosCornerPodcast Tiktok: https://www.tiktok.com/@VetoscornerpodcastYoutube Subscribe: https://www.youtube.com/@vetoscornerpodcast Follow Veto Vangundy: Instagram: https://www.instagram.com/vetovangundy Twitter: https://twitter.com/vetovangundy Follow Kyng Musix: Instagram: https://www.instagram.com/Ky.n.gmusix Disclaimer "Welcome to “Veto's Corner”. Please note that the views and opinions expressed in this podcast are solely those of the hosts and guests, and do not necessarily reflect the views of “Veto's Corner”or its affiliates. Some of the content shared on this podcast may be intended for comedic or entertainment purposes only, and should not be taken as factual information. We encourage our listeners to conduct their own research and form their own opinions on any topics discussed. Thank you for listening!"
Send us a Text Message.In this episode of Garthology, Deb, Pete, Jess, and special guest Matthew delve into Garth Brooks' song "You Wreck Me" from the album "Man Against Machine." They explore its musical elements, lyrics, and emotional impact. Matthew offers a deep dive into how the song evolves with the listener over time. Deb highlights its storytelling and emotional resonance, while Pete praises Brooks' versatility and Jess appreciates the song's dark, complex lyrics. Support the Show.Find us at:Facebook: facebook.com/garthologycastTwitter: twitter.com/garthologycastInstagram: instagram.com/garthologycastWebsite: garthology.comgarthologycast@gmail.com
In Episode 98, Patrick chats to the Chair of the Women and Equalities Committee, Caroline Nokes MP, about their recent report, Misogyny in Music, looking at ways that misogyny can appear amongst school-age musicians, and its wider implications.Oli Rose, Director of Global Development for the Lang Lang Foundation, introduces their Keys of Inspiration scheme, providing whole suites of free pianos and resources to disadvantaged schools.And composer Dr James Olsen, from the Society for Music Analysis, discusses music analysis, notation, what 'musical literacy' means, and introduces the Society's forthcoming summit in July.Presented and produced by Patrick Johns.Misogyny in Music Report: https://publications.parliament.uk/pa/cm5804/cmselect/cmwomeq/129/report.htmlLang Lang Foundation: https://www.langlangfoundation.org/programs/keys-of-inspiration/Society for Music Analysis: https://www.sma.ac.ukMTA Conference: https://www.musicteachers.org/conference/© Music Teachers' Association www.musicteachers.org
Chapters(00:00) Intro & Taylor News(03:27) The Bolter(05:57) Other Taylor Updates & Corrections(14:17) Tortured Poets Department Album Imagery & Infidelity Speculation(19:03) Leaked Tracks(22:01) Daylight Connection(34:36) Taylor Swift Image & Public Perception(19:03) Leaked Tracks(37:54) Taylor's Songwriting Process & The Inspiration Behind Blank Space(44:28) Music Analysis of “Blank Space”(55:47) “Blank Space” Music Video(01:01:22) Favorite Lyric & Rating(01:04:08) “Blank Space” as a Recipe(01:08:12) Closing & What's NextLinks ReferencedSwift Alert AppRolling Stone's 500 Best Songs of All TimeGQ Interview: Taylor Swift on "Bad Blood," Kanye West, and How People Interpret Her Lyrics“Blank Space” Grammy Museum Performance“Blank Space” Music VideoThe Guardian Article: Taylor Swift in the Blank Space video is the woman we've been waiting forPizza Royal 007Please make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:• email blankplatepod@gmail.com• leave a voicemail at (717) 382-8313• Instagram• TikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: Instagram
“Endless Summer Vacation” by Miley Cyrus finds the singer achieving her biggest hit with “Flowers” and winning Grammys for the first time in her 17-year career. This week, Keith Montena and Carly Giacoio rewind and discuss how prior career moves and projects like She Is Coming & Plastic Hearts led the singer into a rough commercial territory despite being packed with solid material. With a label switch and new management, the pair investigate how her album rollout surrounding a New Years Eve special and fan-driven narrative surrounding Liam Hemsworth sculpted a huge commercial resurgence. Plus, hear about the album's singles and creative collaborators through a track-by-track discussion.
In this podcast episode, Deb, Pete, and Jess delve into Garth Brooks' album "Man Against Machine," focusing on three songs: "All American Kid," "Mom," and "Wrong About You." They explore the emotional depth, musicality, and lyrical significance of the tracks, while also sharing personal connections to the music. Deb praises the album's creativity and the song "Mom" for its tribute to maternal love. Pete reflects on the emotional resonance of "All American Kid" in relation to military service. Jess offers a musical analysis of all three songs, highlighting Garth's vocal performance and the musicians.Support the showFind us at:Facebook: facebook.com/garthologycastTwitter: twitter.com/garthologycastInstagram: instagram.com/garthologycastWebsite: garthology.comgarthologycast@gmail.com
Lady Gaga's "Joanne" showcases the singer ditching dance-pop in exchange for country and americana. Hear about the creative process behind the 2016 album, as well as the aftermath of 2013's ARTPOP album and how this shift helped the singer recover. The album marked a commercial resurgence for Lady Gaga with performances at The Super Bowl Half Time Show and Coachella, projects like Five Foot Two and A Star Is Born. Plus, discussions on "The Cure" and puzzled fan reception to her new sound. Also, is Lady Gaga releasing a new album this year? Hear about rumored collaborators for her seventh LP, and if Joanne is the best indicator of her next artistic venture.
Happy 2024 everyone. This week we take a look at Jonathan Young's song Wolf Within. This song is not that complex of a song - and in many ways could probably be made better by being longer - but overall has many qualities that show why it deserved to be number 3 on the iTunes list of metal songs during the week it came out, as well as number 8 on Metal Hammer's "The 10 best new metal songs you need to hear right now". We look at this song from its instrumentation, vocals, lyrics and how it relates or doesn't to the bible. So join us this week as we learn more about his song. Also check out the review on the website under the blog segment.Blog Article: https://www.useyourwords.cc/blog/jonathan-young-wolf-within-review/Jonathan Young - Wolf Within Music VideoTesla S3XY Light ShowUse Your Words podcast is passion project of two people from Southeastern Wisconsin. Please consider checking out the below links to learn/hear more. And join us every week for new episodes!Linktree: https://bit.ly/uywlinktreeVisit our website: https://useyourwords.ccListen to the podcast on all of your devices: https://useyourwordspod.captivate.fm/listenWatch On Youtube: https://www.youtube.com/@useyourwordsSend us an email: https://www.useyourwords.cc/contactRead the blog: https://www.useyourwords.cc/blog
Matt and Bubba go for a long-form podcast style (like they've ever been short), as they discuss The Crown S6E05 and S6E06. Matt is a historical and hysterical bad pronouncer! Guess as many of what the correct word SHOULD have been as you can and submit them via the ways given above, and the person with the most guesses can win an Amazon gift card from Matt worth one hundred U.S. dollars. Find the mispronunciations here and submit your entries today: https://youtu.be/7KmPSJj6DGI Contest ends December 31st 2023. Matt produces this podcast and video using some sounds and songs licensed through ArtlistIO (https://artlist.io/) and a list of all licenses held can be found in a publicly shared Google Drive folder for inspection: https://drive.google.com/drive/folders/1to5jB5pXtiovOSAkrsaDRaReQQX9TfON?usp=sharing History Notes Citations: Pique News Magazine: https://www.mirror.co.uk/news/uk-news/princess-dianas-grave-18-years-6351264 Variety: https://variety.com/2023/tv/global/the-crown-season-6-accuracy-fact-fiction-1235836339/ The Mirror: https://www.mirror.co.uk/news/uk-news/princess-dianas-grave-18-years-6351264 The Sun: https://www.the-sun.com/lifestyle/8970340/photos-princess-diana-grave-althorp-anniversary-death/ YouTube: https://youtu.be/XczhChd5Rf4 C-SPAN: https://www.c-span.org/video/?121986-1/situation-kosovo The Chicago Tribune: https://www.chicagotribune.com/news/ct-xpm-1999-04-23-9904230097-story.html The Sun (Private Secretary Resignation): https://www.the-sun.com/royals/9639663/robert-fellowes-queens-private-secretary-crown-now/ Radio Times: https://www.radiotimes.com/tv/drama/crown-tony-blair-wi-speech-explained/ Wikipedia (US Supreme Court Ruling): https://en.wikipedia.org/wiki/Bush_v._Gore History Channel: https://www.history.com/news/2000-election-bush-gore-votes-supreme-court The Independent: https://www.independent.co.uk/arts-entertainment/tv/news/the-crown-season-6-true-fiction-royal-family-b2464603.html Timestamps: 00:00:00 Intro 00:01:25 How do people feel about Part 2 of The Crown? 00:02:07 Rating The Crown S6E05 00:08:50 Rating The Crown S6E06 00:15:21 Podcast And CONTEST information 00:19:56 65 Second Recap of S6E05 00:21:01 65 Second Recap of S6E06 00:22:49 Tiny Wheel of Topics: Fathers and Sons 00:32:36 Tiny Wheel of Topics: William 00:34:05 Tiny Wheel of Topics: Camilla 00:38:17 Tiny Wheel of Topics: Dr. Gailey and Feelings 00:40:47 Tiny Wheel of Topics: Tony Bair 00:47:10 Tiny Wheel of Topics: The Dream 00:49:19 Tiny Wheel of Topics: Orders and Customs 00:53:45 - History Notes for S6E05 and S6E06 00:57:30 - What's Worse? 01:07:39 - Music Analysis 01:18:43 - Feedback and Polls Results Directed by May el-Toukhy (S6E05) Erik Richter Strand (S6E06) Writing Credits Peter Morgan (both episodes) Jonathan Wilson (S6E05) Daniel Marc Janes (S6E06) Imelda Staunton ...Queen Elizabeth II Bertie Carvel ..Tony Blair Lydia Leonard ... Cherie Blair Andrew Havill ...Robert Fellowes Jamie Parker .. Robin Janvrin Jonathan Pryce ..Prince Philip, Duke of Edinburgh Dominic West... Prince Charles Lesley Manville ... Princess Margaret Claudia Harrison ... Princess Anne Theo Fraser Steele ... Timothy Laurence Marcia Warren ... Queen Elizabeth the Queen Mother James Murray ... Prince Andrew Sebastian Blunt ... Prince Edward Ed McVey ... Prince William Luther Ford .. Prince Harry Adam Damerell ... Alastair Campbell Charlotte Melia ... Anji Hunter Emma Laird Craig ... Sarah Ferguson Polly Frame ... Sally Morgan Thomas Nelstrop ... Jonathan Powell Christopher Staines ... Warden of the Swans Barry McCarthy ... Yeoman of the Glass and China Patrick Bridgman ... Queen's Guide to the Sands Lorne MacDougall ... Piper to the Sovereign Richard Rycroft ... Archbishop Carey Hilary Burns ... WI Chair Music by Martin Phipps #thecrown #Netflix #Royalty #RoyalFamily #QueenElizabeth #PrinceWilliam #PrinceHarry #KateMiddleton #PrincessMargaret #PrinceCharles
Well this month Paul selected Taylor Swift's song Cruel Summer to be the song to look at for the week. Well let's just say that Paul has his opinions on this song and artist - and her fans might not appreciate it. Let's just say spoiler alert this song is.....Use Your Words podcast is passion project of two people from Southeastern Wisconsin. Please consider checking out the below links to learn/hear more. And join us every week for new episodes!Linktree: https://bit.ly/uywlinktreeVisit our website: https://useyourwords.ccListen to the podcast on all of your devices: https://useyourwordspod.captivate.fm/listenWatch On Youtube: https://www.youtube.com/@useyourwordsSend us an email: https://www.useyourwords.cc/contactRead the blog: https://www.useyourwords.cc/blog
Matt goes through some of his favorite music moments from Part 1 of Season 6 of The Crown on Netflix, how those cues by Martin Phipps work, and what they mean! Send posts to @Lilibetpod or @DoublePHQ across all social media (including Facebook - https://facebook.com/DoublePHQ), or leave comments on the Double P YouTube videos (https://youtube.com/@DoublePMedia), and you can always send emails to mattsaudioblog@gmail.com. We also have a listener/viewer CONTEST for this season! Matt is a historical and hysterical bad pronouncer! Guess as many of what the correct word SHOULD have been as you can and submit them via the ways given above, and the person with the most guesses can win an Amazon gift card from Matt worth one hundred U.S. dollars. Find the mispronunciations here and submit your entries today: https://youtu.be/7KmPSJj6DGI Contest ends December 31st 2023. Matt produces this podcast and video using some sounds and songs licensed through ArtlistIO (https://artlist.io/) and a list of all licenses held can be found in a publicly shared Google Drive folder for inspection: https://drive.google.com/drive/folders/1to5jB5pXtiovOSAkrsaDRaReQQX9TfON?usp=sharing Time Stamps: 00:00- Intro and Spoiler Alert 00:38 - Welcome! 02:10 - Contest and Podcast Info! 03:53 - Music Analysis: Part 1 Overall Commentary 09:39 - Music Analysis: S6E01 27:31 - Music Analysis: S6E02 40:06 - Music Analysis: S6E03 49:30 - Music Analysis: S6E04 The Crown Season 6 Cast and Crew Information: Directed by Alex Gabassi Writing Credits Peter Morgan... (written by) Meriel Baistow-Clare...(staff writer) & Daniel Marc Janes...(staff writer) Cast Imelda Staunton...Queen Elizabeth II Jonathan Pryce...Prince Philip, Duke of Edinburgh Dominic West... Prince Charles Elizabeth Debicki...Princess Diana Lesley Manville...Princess Margaret Olivia Williams...Camilla Parker Bowles Salim Daw...Mohamed Al Fayed Khalid Abdalla...Dodi Fayed Erin Richards...Kelly Fisher Rufus Kampa...Young Prince William Fflyn Edwards...Young Prince Harry Bertie Carvel...Tony Blair Lydia Leonard... Cherie Blair Ben Lloyd-Hughes...Mark Bolland Alex Blake...Stephen Lamport Hanna Alström...Heini Wathén Lee Otway...Kez Wingfield Adam Best...Journalist Nick Jamie Baughan...Journalist Gordon Harry Anton...Trevor Rees-Jones Philippe Spall...Parisian Dog Walker Jana Quiles...Jasmine Fayed Kian Noam Omurca...Karim Fayed (as Kian Noam) Rai Masiques...Omar Fayed Irene Barbero...Camilla Fayed Jack Harrison...Page Music by Martin Phipps Cinematography by Sophia Olsson...director of photography Editing by Richard Graham Casting By Robert Sterne Production Design by Martin Childs Costume Design by Amy Roberts Sidonie Roberts...associate costume designer #TheCrown #Netflix #Royalty #RoyalFamily #QueenElizabeth #PrincessDiana #PrinceWilliam #PrinceHarry #KateMiddleton #DodiFayed #PrincessMargaret #ImeldaStaunton #ElizabethDebicki #DominicWest #JonathanPryce #LesleyManville #PeterMorgan #Paris
In today's episode, we present part two in a multi-part look at the score of Jurassic Park. Caleb Burnett is back with Dino-Score: The Music of the Jurassic Park Franchise, as we continue with our thoughts on the expanded score for Jurassic Park. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Next week we complete the score for Jurassic Park. We'll hear a friendly brachiosaurus, a hungry raptor and a T. rex finale. There's so many great tracks to round out the score, so stay tuned for PART THREE!FOLLOW CALEBhttps://linktr.ee/calebburnettFOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Threads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastTwitter: https://twitter.com/jurassicparkpodApple Podcasts: https://apple.co/2VAITXfSpotify: https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.
This week we take a look at one of Red's songs off of their newest album: Rated R. The song - Cold World - is one that we both agree is but we both agree that it is . What goes into those spoiler blanks? Listen and find out.Use Your Words podcast is passion project of two people from Southeastern Wisconsin. Please consider checking out the below links to learn/hear more. And join us every week for new episodes!Linktree: https://bit.ly/uywlinktreeVisit our website: https://useyourwords.ccListen to the podcast on all of your devices: https://useyourwordspod.captivate.fm/listenWatch On Youtube: https://www.youtube.com/@useyourwordsSend us an email: https://www.useyourwords.cc/contactRead the blog: https://www.useyourwords.cc/blog
Here's the latest in Hard N Heavy Headlines. Join Emmy Mack from RedHook as she takes you on a thrilling ride through the hottest stories in the industry. In this episode, we've got exciting updates on Nickelback's upcoming music documentary titled 'Hate To Love: Nickelback'. Discover the film that's causing a buzz in the rock community as it prepares for its world premiere at the prestigious Toronto International Film Festival this September. Find out what's got fans on the edge of their seats. But that's not all! Pendulum is about to rock your world with a series of electrifying arena-sized headline shows this October. Prepare yourself for an unforgettable experience as the Perth electro-rock outfit hits Sydney, Melbourne, Brisbane, and Perth. Tickets go on sale Monday, so mark your calendars! In other news, Falling In Reverse's Ronnie Radke has found himself in the spotlight once again. We'll discuss the controversy surrounding his recent ban on TikTok and shadow-ban on Twitter due to a transphobic rant. On a lighter note, legendary metalhead YouTuber Anthony Vincent has wowed the internet with his cover of Cardi B's controversial 2021 megahit 'WAP,' delivered in the style of an old-school Slipknot song. The cover is going viral, and you NEED to hear it. Stay tuned for all this and more as Emmy Mack takes you on a wild journey through the hard and heavy world of music.See omnystudio.com/listener for privacy information.
Welcome to episode 2 of music analysis where we talk about the fact that Linkin Park has some good music. But beyond that we look at this song from a few points of view - how is it musically, lyrically, how is the music video and how it ties in with the song, and how does the song fit in with the Bible. You may think come on there is nothing to discuss here - its a quick five minute song. But you would be wrong - we spend almost an hour and a half breaking down this song and what it means when they sing the words "I'm breaking the Habit tonight"Use Your Words podcast is passion project of two people from Southeastern Wisconsin. Please consider checking out the below links to learn/hear more. And join us every week for new episodes!Visit our website: https://useyourwords.ccListen to the podcast on all of your devices: https://useyourwordspod.captivate.fm/listenWatch On Youtube: LinkSend us an email: https://www.useyourwords.cc/contactRead the blog: https://www.useyourwords.cc/blog
Ana continues her conversation with her cousins and discusses the discography of the Jonas Brothers. From their first album "It's About Time" to "Lines Vines and Trying Times". **Part 3 of our Jonas Brothers will be released in May after the release of "The Album". Referenced Links: - Desmond Child Spotify Playlist: https://open.spotify.com/playlist/6zX7A4EFodzbuTWBLKc5rq?si=38ab337b1134444c - Nicholas Jonas "When You Look Me In the Eyes" - https://www.youtube.com/watch?v=QWFUazmTNGQ
A Little Night Music is considered Sondheim's waltz musical. Steve Bell returns to explain how Sondheim uses threes throughout the score in fascinating ways.You can email Steve here: steve@slbway.comOur sponsors this week are: Edmonton Community Foundation - https://www.ecfoundation.org/ - Edmonton Community Foundation connects you to the resources you need. With our help, donors are able to make the best decision for their funds. Students can find the grants that help them succeed. Charities are able to fund their latest projects. We build relationships that strengthen the Edmonton community — because connecting people is what we do best. Park Power - https://parkpower.ca - your friendly, local utilities provider in Alberta. Offering Internet, Electricity, and Natural Gas with low rates, awesome service, and profit-sharing with local charities. Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★
Well this is another experiment that we will see how it goes. This week we are talking about the song Unholy by Sam Smith. We will be looking at this from multiple angles - the musicality, the lyrics, how it aligns with the bible, and how the music video aligns with the song itself. Will this song make it on either of our playlists? Will we attempt to play it for either of our parents? Does Aaron really like this song?Use Your Words podcast is passion project of two people from Southeastern Wisconsin. Please consider checking out the below links to learn/hear more. And join us every week for new episodes!Visit our website: https://useyourwords.ccListen to the podcast on all of your devices: https://useyourwordspod.captivate.fm/listenSend us an email: https://www.useyourwords.cc/contactRead the blog: https://www.useyourwords.cc/blog
Dan catches up with his friends Mike Fantini and Evan Worrell from the Aged Out Podcast. They discuss their outlook on 2023 DCI percussion, the recent rule proposals from the DCI Rules Congress, and what they expect to see this year in WGI percussion. Show Timestamps 00:00 - Intro 00:04:00 - It's a weird time of the season 00:05:00 - How are you feeling about the DCI percussion game? 00:06:40 - Cavaliers last year vs this year 00:08:10 - Disparity between the top 1-3 vs everyone else 00:08:30 - “Crown is the group that I'm the most curious to see what happens” 00:12:50 - Pacing, show segments, and integration 00:14:15 - Jannuals rule changes concerning brass & percussion 00:16:35 - Staff changes with Cadets, Blue Stars, RCC, Blue Devils 00:17:10 - Cadets staff focus & predictions 00:20:00 - Dan's argument with Cadets predictions posed 00:22:30 - The Cadets and how their staff members are able to delegate 00:23:00 - Rhythm X and the Cavaliers this season? 00:24:00 - Percussion “hot takes” for the 2023 DCI season 00:28:30 - Jannuals rule proposal #1 deep dive - Addition of “Brass Ensemble” judge at Regionals and Championships; Removal of additional “Music Analysis” judge 00:35:50 - Jannuals rule proposal #2 deep dive - Competition Times 00:45:15 - Uniforms and props then & now 00:47:00 - “The ticket for entry is so expensive now,” marketing, and sponsorships 00:51:05 - Jannuals rule proposal #3 deep dive - Change the Captions “General Effect 1” and “General Effect 2” to “General Effect Music” and “General Effect Visual” 00:53:10 - Jannuals rule proposal #4 - Pacing of Evaluations 00:53:35 - Jannuals rule proposal #5 deep dive - Brass Amplification Parameters 00:56:40 - “Are you gonna pay or get paid?” 01:00:18 - DCI vs other “entertainment” models 01:01:20 - “I have a feeling that change is afoot” - do the economics no longer support the current touring model? 01:03:45 - WGI show release chat 01:06:00 - Pulse 2022 and their success vs what can we expect in 2023 01:07:00 - Dance & visual ensembles in the WGI Percussion space 01:10:00 - “We have to check the boxes” 1:11:20 - Visual ensembles of 2022 1:12:05 - “Having a Broken City style show” and predicting what's going to be big when 01:15:00 - Making shows that are memorable and cohesive 01:17:00 - Shows that appeal to the masses while groups stick to their “thing” 01:20:23 - Judges tapes frustrations 01:21:00 - 2023 WGI season predictions 01:26:25 - Closing story 01:28:30 - “Back in our day…” + outtro Learn more about your ad choices. Visit megaphone.fm/adchoices
Find the full show notes at www.jurassicparkpodcast.comWelcome to The Jurassic Park Podcast! In episode 337, we finally dive into Michael Giacchino's score for Jurassic World Dominion with our segment Dino-Score: The Music of the Jurassic Franchise. As always, Caleb Burnett joins us to chat about our general thoughts on the full score and the first six tracks. This is PART 1 in a 3 part series. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Don't forget to give our voicemail line a call at 732-825-7763!Email us: jurassicparkpod@gmail.comBook Club Email: jurassicparkbookclub@gmail.comThanks for listening, stay safe and enjoy!
Matt explores 2 themes presented in S1E05 of House of the Dragon “We Light the Way”: The Alicent/Hightower theme, and the Velaryon theme! Tweet @b4thedragonpod, send emails to mattsaudioblog@gmail.com, comment on the website (mattsaudioblog.com) or on our YouTube videos (search “Before the Dragon Podcast” there, subscribe, like, and comment). Download Mp3
Steven Bell returns to deconstruct what Sondheim is doing in the score of Merrily We Roll Along. There are themes that are reused throughout, sometimes they're slowed down or sped up, and there are motifs that follow each character. You can email Steve here: steve@slbway.comYou can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoWe are using three productions to frame our discussion of Merrily We Roll Along.The Original Broadway Cast (1981) starring Jim Walton, Ann Morrison, and Lonny Price.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-original-broadway-cast-recording/738703005Or listen to it on Spotify: https://open.spotify.com/album/3KZq3isCTbYMzGvnXkTfNr?si=u2vq6PhGTCeyOW9W8mTnhwOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Original-Broadway/dp/B01KB0V58O/The Off-Broadway Revival cast (1994) starring Malcolm Gets, Amy Ryder, and Adam Heller.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-the-new-cast-recording-1994-off/1440771486Or listen to it on Spotify: https://open.spotify.com/album/51xg0INwgGytnQTHm2N0Tc?si=Vv_WetrCQ9OaTmgtpBTpZQOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Cast-Recording/dp/B000026G4K/The Encores! revival (2012) starring Colin Donnell, Celia Keenan-Bolger, and Lin-Manuel Miranda.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-2012-new-york-cast-recording/542006479Or listen to it on Spotify: https://open.spotify.com/album/2ouySS4WHFplUHtwduvPKx?si=SLaweV0XRomMEvIPXqlpDAOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Encores-Recording/dp/B007Q1IT1I/Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★
In this episode Matt lends his analysis to the music in Season 8 Episode 5 “The Bells”. The 2nd Look story analysis will be released 24 hours after this podcast. Feel free to hit the podcast up with your thoughts about this final week of Game of Thrones! Find all contact information at mattsaudioblog.com Music […]
Sorry for the delay of the release – thanks for your patience! If you are looking for the Music Analysis segment, please look up podcast 70A (released yesterday May 9th, 2019). Otherwise Matt is joined by the Sirens of ASOIAF, from the south Holly (@HuntPants on twitter) and from the west Kelly (@KellyUnderfoot on twitter) […]
Keith Montena returns this week with previous co-host Ashley Tatum to discuss one of the world's best-selling girl groups, The Pussycat Dolls. The groups sophomore (and last) era was helmed by collaborators like Polow Da Don, Timbaland, and Darkchild. The album, interestingly, was sculpted by beginning sessions for Nicole Scherzinger's debut solo album, "Her Name Is Nicole". Listen to hear about the group's evolving dynamics, why we feel it was always bound to cause drama, and where the girls are now after reuniting in 2020 with "React". While instances of drama at Britney Spears' Circus Tour or the American Music Awards became bait for tabloid culture of the 2000s, the girls still delivered some discography highlights and a huge hit with "When I Grow Up".
Red (Taylor's Version) is the second installment of Taylor Swift's re-recorded albums. Drawing comparisons to the originals and discussing vault tracks, Keith Montena was happy to welcome back Katie Hausler and Hannah Relovsky to the podcast. In Vinyl Drop's first-ever round table, the trio touches on the politics behind the re-recordings, the highlights (and low points) across both versions, and the intricacies of All Too Well's multiple recordings are discussed. Also, is Speak Now (Taylor's Version) next? We'll see.
Keith Montena returns to Vinyl Drop this week with a discussion on "Chromatica" by Lady Gaga. With special guest Logan Powers, the pair dive into Lady Gaga's first dance-pop release in nearly seven years, the rush of "Rain On Me" with Ariana Grande, and how the campaign attached got halted during Covid-19. Diving into every track and video, fan reactions, and how it compares to past efforts like "The Fame", the album still remains a celebration.
This week Keith Montena and special guest Carly Giacoio discuss Lorde's sophomore studio album, "Melodrama". The album gained a reputation of acclaim upon release in 2017, but failed to make waves in terms of hits. This sparks a conversation about where Lorde fits in the pop landscape, and how this album positions her future releases. Make sure to follow @vinyldropodcast on Instagram and the playlist "Vinyl Drop Music" for top-rated songs from the show. Stay tuned for more episodes.
This week Keith Montena welcomes back Carly Giacoio to discuss Avril Lavigne's sophomore studio album, "Under My Skin". The pop-rock singer's debut brought hits like 'Complicated' and 'Sk8er Boi', but when she went back into the studio for this project she channeled a harder, more rock-heavy direction. With lyrics detailing heartbreaking and the career highlight of "My Happy Ending", Carly and Keith talk about what aspects of the release work best, and what don't, seventeen years after release. Follow @vinyldropodcast on Instagram for updates, and follow the "Vinyl Drop Music" playlist on Spotify for top-rated songs from each episode.
Keith Montena welcomes Logan Powers to discuss Lady Gaga's sophomore studio album, "The Fame Monster". Released with her famous debut, "The Fame", the singer's follow-up project featured eight songs that brought a more intense sound, and cemented her "Little Monster" base with darker imagery and concepts. While Bad Romance alone is hailed as one of pop's best songs, the entire collection see's the singer write and create some of her best songs to date. Hear Keith and Logan discuss their thoughts on the album. Remember to follow @vinyldropodcast on instagram to keep up with all updates.
Keith Montena discusses Rihanna's fifth studio album, "Loud". With returning guest Andi Stebbins, the pair talk about the singer's notable singles discography and how the album is jam-packed with only potential hits. Released following "Rated R", an album released a year prior with a much darker edge, Rihanna was in the perfect position to continue her reign in the mainstream. With the red hair carving out a signature look and three number ones, this feels like Rihanna at the height of her powers... Before ANTi of course. Hear Keith and Andi discuss their thoughts on the album. Remember to follow @vinyldropodcast on instagram to keep up with all updates.
Hey everyone and welcome back to the First Act Podcast. This week's episode features Sung Cho. Initially from Korea, Sung is the thought-leader and founder behind the revolutionary, Chartmetric. Listen in as we break down Sung's unique path entering the music industry after holding prominent roles in engineering and product at such companies as Gamevil and Oracle.
Hey everyone and welcome back to the First Act Podcast. This week's episode features Sung Cho. Initially from Korea, Sung is the thought-leader and founder behind the revolutionary, Chartmetric. Listen in as we break down Sung's unique path entering the music industry after holding prominent roles in engineering and product at such companies as Gamevil and Oracle.
Not 1, Not 2, Not 10...
Hey everyone and welcome back to the First Act Podcast. This week's episode features Sung Cho. Initially from Korea, Sung is the thought-leader and founder behind the revolutionary, Chartmetric. Listen in as we break down Sung's unique path entering the music industry after holding prominent roles in engineering and product at such companies as Gamevil and Oracle. This is an episode you won't want to miss!