Podcasts about Record Plant

In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Here's a preview from a new audiobook we think you'll love, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music by Robert Margouleff. In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping to create some of the most significant and influential music of our time. Along with his long-time partner, Malcolm Cecil, Robert invented the world's largest analog synthesizer, TONTO (The Original New Timbral Orchestra), which helped unleash Stevie Wonder's genius on his era-defining classic albums, Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale. In legendary studios like Electric Lady and the Record Plant, Robert became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. Shaping Sounds is a story about creativity, collaboration, and artistic courage. In this preview, Robert shares the creative bond and mutual trust he, Malcolm, and Stevie had during the early 1970s, when they were working on three of Stevie's landmark albums. Find the audiobook wherever you get audiobooks and use the code SOUNDS25 at pushkin.fm/shapingsounds to save 25%. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology in the new immersive audiobook, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music. In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround sound, developing new mixing techniques for home theaters that brought some of Hollywood’s biggest blockbusters to life. Travel deep into the world of a music maker who created some of the most significant and influential music of our time. Here's a preview. Find the full audiobook at Pushkin.fm, Spotify, Audible, Apple Books or wherever you get audiobooks.See omnystudio.com/listener for privacy information.

The legend himself Jack Douglas (1945-2026) shares stories from five decades of rock history — from producing John Lennon's final album to the memories Aerosmith, Cheap Trick, The Who, and his recent production of Silverplanes. Topics Include: Jack Douglas joins Nate from a snowy driveway, cigar in hand. Silverplanes' debut album Airbus is finally releasing after years of delays. Jack met Silverplanes' Aaron Smart through his college-age son. Aaron turned out to own the Sunset Boulevard studio Jack had worked in. Jeff Emerick mixed the album shortly before his sudden death in 2018. The pandemic added two more years of delay to the release. Jack and Aaron are now label partners with New York real estate billionaire Douglas Durst. Their label operates 50/50 with artists — no standard royalty deals. Signed artists include Robin Taylor Zander and the Detroit Youth Choir. Jack builds songs from a single acoustic guitar performance first. Aerosmith was different — built from the band groove up, lyrics last. Walk This Way had no lyric until a Young Frankenstein gag unlocked it. Jack started his career as a TV composer while janitoring at Record Plant. He worked on sessions that became The Who's Who's Next. Kit Lambert and Keith Moon were both, politely, out of their minds. Jack survived eccentric clients by being reliably sober and crazy simultaneously. John Lennon was the easiest artist Jack ever worked with. John would say: "I'm the artist, you're the producer — let's work like that." Jack engineered Imagine and stayed close to Lennon through the Lost Weekend years. He was in and out of the Fame sessions with Lennon and Bowie. John told Bowie: "I'm writing you the best hit you'll ever have." John knew about — and liked — Aerosmith's cover of "Come Together." George Martin gave Jack a flat in Kensington and a Morgan sportscar. Jack helped produce Ringo's "Grow Old With Me," hiding Here Comes the Sun in the strings. Double Fantasy was secretly recorded at Hit Factory, too far west for fans. John wanted a middle-of-the-road record aimed at people aged 28 to 40. Earl Slick was kept from rehearsals deliberately — a wildcard for fresh solos. Rick Nielsen discovered John's Shea Stadium Rickenbacker with the setlist still taped on. Rick later gifted John a custom all-white Rickenbacker, model 001, never cashed his check. Cheap Trick's "I'm Losing You" session was thrilling but too edgy for the album. Jack hid microphones throughout the sessions, gifting John cassettes on his birthday. Jack destroyed the tape of the last day — John had sworn him to secrecy. After John's murder, Jack and Yoko listened to vault tapes alone until dawn. Yoko later sued Jack; Phil Spector's incoherent testimony and a wig mishap followed. Jann Wenner called Jack a nobody — until Jack's lawyer read Wenner's own book aloud. The jury was out ten minutes. Jack won millions. The 2010 Stripped Down version was mixed in the exact same Record Plant room. Live at Budokan was actually Osaka — Budokan tapes were too poorly recorded. Jack rebuilt the Osaka drum kit using speaker-driven bass frequencies and filtered signals. Aerosmith's Live Bootleg was sent back to Sony unchanged after Jack faked a remix session. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

On this episode of Talking Guitars, we remember legendary producer Jack Douglas, who has passed away at the age of 80. Throughout his incredible career, Douglas worked with some of rock's biggest names, including Aerosmith, Cheap Trick, John Lennon, Blue Öyster Cult, Patti Smith, and the New York Dolls. Born in the Bronx, New York, Douglas started out as a folk musician before attending the Institute of Audio Research and landing a job at the legendary Record Plant — first as a janitor, then quickly rising to become one of rock's most respected engineers and producers. Along the way, he contributed to classic recordings by The Who, Miles Davis, Alice Cooper, and many more. Douglas is perhaps best known for producing Aerosmith's classic albums Get Your Wings, Toys in the Attic, Rocks, Draw the Line, Rock in a Hard Place, Honkin' on Bobo, and Music from Another Dimension! He also engineered and co-produced landmark albums including John Lennon's Imagine, Double Fantasy, and Milk and Honey, while contributing to legendary records like The Who's Who's Next and Cheap Trick's self-titled debut album. His close relationship with Aerosmith even earned him the nickname “the sixth member” of the band, and his influence on rock music can still be heard today. Join us as we look back at the life, music, and legacy of one of rock's most influential producers.

Send us Fan MailIntro: Caroline70. Homeward Bound69. Big Love68. Station Man67. Book of Love66. HypnotizedExtras: Big Love (from The Dance), Hypnotized (from Live at the Record Plant), Believe Me & The City (from Mystery To Me)Outro: Tango in the Night

Richard Smith began his recording career at the famed Record Plant Los Angeles in the early 70's.Then owners Gary Kelgren and Chris Stone along with iconic studio manager Rose Mann Cherney helmed one of the most famous recording studios in the world.Th record Plant was home to many well known recordings, including Steve Wonder's -"Songs In The Key Of Life",, Frank Zappa's Burnt Weenie Sandwich, and may more. Richard worked with many well known artists and producers of that time. Gary Ladinsky also a Record Plant alum opened an audio gear rental company -Design FX where Rick worked alongside his best friend and well known Record Plant alum Lee Kiefer.He then went on to live and work in Honolulu HI, working at studios throughout Honolulu and also working with the Honolulu Symphony.Richard returned to his hometown of Charleston SC a few years ago where he continues to play guitar and delight the residents of Charleston.AND btw he is also my older brother. Love you Rick!

Send us a textKick-off those worn-out shoes, let your hair down and pour yourself some lite roast, because the Bo-Hosts welcome you to: Sammy Sunday Mornings! The "BONUS OTIS" mini-episodes are bite-size and focus on the mellower side of the RedRocker's catalog!This time, we feature Sammy's first solo retail single, Flamingos Fly, from his first solo album, 1976's Nine on a Ten Scale.Flamingos Fly was "gifted" to Sammy from Van Morrison, as Hagar and Morrison were both recording at the same studio (The Record Plant) at the same time. Morrison liked Hagar's voice and essentially "gifted" him the song.  While Van Morrison wrote the lyrics, Sammy's choice to record them as his first solo statement feels prophetic in that the song is drenched in imagery of the Cabo Wabo lifestyle long before it existed, almost like this song was the subconscious - or conscious- blueprint for his "Billionaire Beach Bum" persona. Come to think of it, did Sammy hit upon this lifestyle vibe before Buffet? Buffet only became recognized for his "island escapism" persona" following the release of the song "Margaritaville" in 1977, a full year after 1976's Nine on a Ten Scale! Also, if you listen to Van Morrison's version (released in 1977), it sounds wayyyy different!Ponder that as you enjoy a lazy, hazy Sammy Sunday!All songs available for purchase on iTunes! We bought it- so should you!"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enConnect with the Bo-Hosts:bogusotisshow@gmail.com

How Did Michael Jackson's $98,000 Console Inspire the Ultimate Studio Compressor? What happens when missile-grade engineering meets music? Get access to FREE mixing mini-course: https://MixMasterBundle.com Bill Cheney of Spectra 1964 joins me to reveal how a company born from aerospace tech became the secret sauce behind Stax, Ardent, and The Record Plant - and how that same precision lives on in Spectra's modern C610, STX mic pres, and new designs shaping today's studios. Bill shares the incredible story of the $98,000 Spectra console built for Michael Jackson, how John Lennon, Elton John, ZZ Top, and others tracked through Spectra desks, and why their gear still defines headroom and musical accuracy sixty years later. We dig into RMS vs peak clipping, console restoration, plugin modeling with Chad Blake, and what makes Spectra's circuits run ice cold while sounding hot as hell. If you've ever wondered why the most musical recordings in history still sound so alive, this episode takes you inside the circuits that made it possible.     THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2TzboLsCf0C4mlKX1dNqtT?si=k3tHsiPgR3CRv-zuuo5GKA   If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/541

Today's episode features an interview with Martin Porter, a journalist with nearly 50 years of experience writing about the audio world. Martin shares fascinating stories from his career, including his experience with legendary recording studios like Record Plant where iconic albums such as Bruce Springsteen's 'Born to Run,' Fleetwood Mac's 'Rumors,' and Eagles' 'Hotel California' were recorded. Additionally, Martin delves into the intricate roles within a recording studio, the magic of sound, and the transformational changes in recording technologies. Don't miss this immersive discussion that celebrates connections, resilience, and the timeless impact of music. https://www.facebook.com/recordplantdiaries https://a.co/d/65W7b2s 01:16 Introducing Martin: A Journey Through Audio Journalism 04:25 The Magic of Sound and Recording 08:06 Understanding the Roles in a Recording Studio 14:07 The Evolution of Bruce Springsteen's Recording Studios 36:37 Military Techniques to Stay Awake 37:36 The Passion Behind the Book 38:37 The Record Plant's Legendary Studios 39:26 The Magic of Record Plant's Hit-Making Formula 43:13 Aerosmith's 'Walk This Way' Inspiration 46:09 The Unique Environment of Record Plant Studios 48:02 The Influence of Record Plant on Iconic Albums 52:56 The Evolution of Recording Studios 01:03:55 The Legacy of Record Plant Studios 01:04:41 Final Thoughts and Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode features an interview with Martin Porter, a journalist with nearly 50 years of experience writing about the audio world. Martin shares fascinating stories from his career, including his experience with legendary recording studios like Record Plant where iconic albums such as Bruce Springsteen's 'Born to Run,' Fleetwood Mac's 'Rumors,' and Eagles' 'Hotel California' were recorded. Additionally, Martin delves into the intricate roles within a recording studio, the magic of sound, and the transformational changes in recording technologies. Don't miss this immersive discussion that celebrates connections, resilience, and the timeless impact of music. https://www.facebook.com/recordplantdiaries https://a.co/d/65W7b2s 01:16 Introducing Martin: A Journey Through Audio Journalism 04:25 The Magic of Sound and Recording 08:06 Understanding the Roles in a Recording Studio 14:07 The Evolution of Bruce Springsteen's Recording Studios 36:37 Military Techniques to Stay Awake 37:36 The Passion Behind the Book 38:37 The Record Plant's Legendary Studios 39:26 The Magic of Record Plant's Hit-Making Formula 43:13 Aerosmith's 'Walk This Way' Inspiration 46:09 The Unique Environment of Record Plant Studios 48:02 The Influence of Record Plant on Iconic Albums 52:56 The Evolution of Recording Studios 01:03:55 The Legacy of Record Plant Studios 01:04:41 Final Thoughts and Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

Our latest Book Club is a blast. Music writers David Goggin and Martin Porter have collaborated on a fascinating new book, Buzz Me In, detailing the history of the Record Plant studios. The story begins with business partners Gary Kellgren and Chris Stone but includes the juicy in-studio stories of Jimi Hendrix, Sly Stone, the Eagles, Stevie Wonder and John Lennon and what it takes to extract as much money as possible from artists like these. Sex, drugs and rock and roll are in abundance. You won't want to miss this great book!   The Hustle Podcast | creating podcasts | Patreon

Authors Martin Porter and David Goggin (aka Mr. Bonzai) join the podcast to unpack their collaborative book, “Buzz Me In: Inside the Record Plant Studios.” Staci spotlights the book's expansive deep dive into the storied studios that shaped so many iconic 1970s rock albums. With locations in New York, Los Angeles, and Sausalito—and a legendary fleet of remote recording trucks—Record Plant's influence spanned every corner of the music world, and Porter and Goggin share the stories behind it.

Martin Porter - "Interview" https://www.wfmu.org/playlists/shows/155448

In the summer of 1975, Bruce Springsteen and the E Street Band released an album that saved their careers. In jeopardy of being dropped by their record company, they came up with a masterpiece of an album that now ranks as one of rock's all-time greatest. Randy Renaud looks back at the story behind its creation on the Chronicles of Rock.

Fleetwood Mac's Rumours is undoubtedly one of the best pop rock albums ever. But the story behind its creation reads like a soap opera. Everyone -- Stevie Nicks, Lindsey Buckingham, Christine McVie, John McVie, and Mic Fleetwood -- were enduring heartbreak during its recording. Stevie and Lindsey were breaking up. The McVies had already split, but John wasn't ready to let go. Even Mic Fleetwood was separating from his wife back home. For three months, they were stuck in a recording booth together nearly round the clock, singing each other's breakup songs and harmonizing with their exes. Heartbreak is encoded in every song, from Lindsey Buckingham's "Never Going Back Again" to Christine McVie's "You Make Loving Fun" to Stevie Nick's "Dreams". But in spite of ... or maybe because of? ... this termoil, Rumours has become one the best selling albums of all time. Peter and Adam listen to this pop rock masterpiece front-to-back, deconstructing each song (and the stories behind them) to understand what makes this album great. -----Keyboards? Albums we haven't covered. "Boomer" talk. We know you have opinions about this show. Help us make You'll Hear It better by sharing your feedback with us and answering a short survey. You could win one of three $100 Amazon gift cards! Visit youllhearitsurvey.com to learn more and fill out the survey.

Martin Porter and David Goggin are the authors of “Buzz Me In: Inside The Record Plant Studios”, which chronicles the history of the famous Record Plant recording studios. This studio was the hit factory of the 1970s, where Jimi Hendrix, John Lennon, Bruce Springsteen, the Eagles, Prince and many others recorded. In 1976 alone the studio recorded three #1 albums.At the same time the studio was also known for the extreme debauchery which took place there - sex, drugs and rock ‘n roll. They provided all the necessary accoutrements to ensure that the artists stayed there as long as possible, with the studio reaping the hourly fees.My featured song is “Get Out!” from the album PGS 7 by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARTIN:www.martinporter.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Martin Porter & David Goggin in conversation with David Eastaugh https://www.amazon.co.uk/Buzz-Me-Inside-Record-studios/dp/0500028699 Strap yourself in and take a helter-skelter ride through more than a decade's worth of high drama, hedonism, high tech and musical genius as told by the insiders at the heart of Record Plant studios, one of the most prolific recording factories of all time, founded in 1968 by charismatic audio engineer Gary Kellgren and ace businessman Chris Stone. In the 1970s, Record Plant was everywhere there was music. In 1976 alone, the studios produced three No. 1 albums: Stevie Wonder's Songs In The Key Of Life, The Eagles' Hotel California and Fleetwood Mac's Rumours. Based on the memoirs and archives of Chris Stone, as well as interviews with over 100 studio employees, music producers and recording artists, Buzz Me In tells the incredible story of Record Plant's evolution and the making of more than a decade's worth of Gold and Platinum albums, tape by tape. Illustrated throughout with behind-the-scenes images, archive photos of artists recording and performing live and album cover art, this revelatory and extensively researched book explores and celebrates the way the studios were designed to cater to every rock'n'roller's fancy. From the living-room-style studio in New York, where Jimi Hendrix's Electric Ladyland was recorded and where John Lennon later encamped, to the VIP clubhouse studio in Los Angeles where Stevie Wonder produced his classic hits, and the destination recording venue in Sausalito where Sly Stone, Bob Marley and Fleetwood Mac holed up, each studio location had its own inherent character – but all showcased the founders' proven formula of combining state-of-the-art audio, fantasy bedrooms and group Jacuzzis with sex, drugs and celebrity jams. Was Record Plant ‘the real Hotel California'?

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In this episode of The SOUND Project, Gavin sits down with Jason Carson—former chief tech and VP of operations at Record Plant. Jason shares his path from runner to studio integration expert, what it was like designing Chip Freeman's studio, and advice for those looking to break into the audio world. From wiring diagrams to teaching young engineers, Jason's seen it all.Video By: More Than Media - www.morethan.mediaInstagram: https://www.instagram.com/morethan.media/TikTok: https://www.tiktok.com/@morethan.mediaYouTube: https://www.youtube.com/@morethanmedia_The S.O.U.N.D. Project Podcast:Apple Podcasts: https://podcasts.apple.com/us/podcast/the-sound-project/id1680525959Spotify: https://open.spotify.com/show/6dkk1s642VFjZGsdYGyxBPGoogle: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kZTBiZGNlOC9wb2RjYXN0L3JzcwFull episodes playlist: https://www.youtube.com/playlist?list=PLghfvh2wd7A9MnVKr44jtPEg0qcZ1esTFKeep up with us on our Socials:- YouTube: https://www.youtube.com/@haverstickdesigns- Instagram: https://www.instagram.com/haverstickdesigns/- Facebook: https://www.facebook.com/HaverstickDesigns- TikTok: https://www.tiktok.com/@haverstickdesigns- LinkedIn: https://www.linkedin.com/company/haverstick-designs/- Linktree: https://linktr.ee/haverstickdesigns- Website: https://www.haverstickdesigns.com/#TheSOUNDProject #StudioIntegration #RecordPlant #Studio333 #AudioEngineering #RecordingStudio #ProAudio #StudioBuild #haverstickdesigns 00:00 – Intro00:20 – Meet Jason Carson01:00 – Breaking into audio through Chip Freeman02:00 – Starting at Record Plant and moving into tech03:00 – Becoming chief tech and VP of operations04:30 – Freelance work and studio integration05:30 – Building Studio 333 with Chip07:00 – Remote integration, wiring plans, and team collaboration08:30 – Tech Awards and Jason's 2007 win10:00 – Lessons from Record Plant projects11:00 – Advice for studio runners and newcomers12:00 – Berklee, LA life, and balancing family13:30 – Planning personal recording projects14:30 – Biggest challenges in integration15:30 – Full circle: revisiting Studio 333 for future recording16:10 – Final thoughts and gratitude

Show Open 06.21.25 

Buzz Me In: Inside The Record Plant Studio chronicles how two men (with a little help from Hendrix) built the go-to recording hub of the decade. Over-the-top partying, tight deadlines, all-night sessions, and egos the size of hotel suites — this is the 1970s music scene in full throttle. *This episode is sponsored by Thames & Hudson - the world's great publisher of illustrated books on Art, Architecture, Design, Photography, Fashion, Lifestyle, Music, History. *Authors David Goggin and Martin Porter created a Spotify playlist to go with every chapter— Listen here *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox? Sign up for the Monthly BLAST!! the newsletter that comes out on the last Friday of the month that features book buzz and doc news, recently released titles, top 5 lists, and more. Just shoot me over an email at the address below and say Big Rick, send me over that Blast!Support the showemail Big Rick at:info@rocktalkstudio.com

It's possible that Aerosmith is the greatest American rock band of all time. And in our opinion, their best album was 1975's Toys In The Attic which is still their biggest selling original record with over 9 million sold in the US. As it turns 50 we decided to dive deep into what makes this album so great and why it endures to this day as a hard rock classic. Yes, it has singles that were popular in their day and are still staples on classic rock radio in Sweet Emotion and Walk This Way. But the title track is a killer way to start a rockin album and is an Aerosmith signature. You See Me Cryin' allows the Bad Boys from Boston to show their tender side (and incorporate strings), Round And Round shows a harder Aerosmith, and Big Ten Inch Record shows off the tongue-in-cheek lyrics that have made the band famous (though that one is a cover, it's classic Steven Tyler). The boys had been touring hard and were really firing on all cylinders. The previous year's Get Your Wings had been well received and had a killer cover of Train Kept A Rollin which was one of their live staples. But what made this album different from the previous two is that when they went to the Record Plant in New York City to record Toys, they didn't have any songs ready. They'd honed the songs from the previous albums live before heading into record them but this time they started from scratch with a few ideas they'd been noodling on. Joe Perry came up with the riff to Walk This Way on stage in Hawaii. Tom Hamilton had the Sweet Emotion bits for years before he worked with Steven Tyler to mold them into an all time classic. Brad Whitford got a co-write on Round And Round and Joe Perry really established himself as one of the killer guitar slingers of his generation. As it turns 50, we celebrate Aerosmith's greatest album - Toys In The Attic! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's possible that Aerosmith is the greatest American rock band of all time. And in our opinion, their best album was 1975's Toys In The Attic which is still their biggest selling original record with over 9 million sold in the US. As it turns 50 we decided to dive deep into what makes this album so great and why it endures to this day as a hard rock classic. Yes, it has singles that were popular in their day and are still staples on classic rock radio in Sweet Emotion and Walk This Way. But the title track is a killer way to start a rockin album and is an Aerosmith signature. You See Me Cryin' allows the Bad Boys from Boston to show their tender side (and incorporate strings), Round And Round shows a harder Aerosmith, and Big Ten Inch Record shows off the tongue-in-cheek lyrics that have made the band famous (though that one is a cover, it's classic Steven Tyler). The boys had been touring hard and were really firing on all cylinders. The previous year's Get Your Wings had been well received and had a killer cover of Train Kept A Rollin which was one of their live staples. But what made this album different from the previous two is that when they went to the Record Plant in New York City to record Toys, they didn't have any songs ready. They'd honed the songs from the previous albums live before heading into record them but this time they started from scratch with a few ideas they'd been noodling on. Joe Perry came up with the riff to Walk This Way on stage in Hawaii. Tom Hamilton had the Sweet Emotion bits for years before he worked with Steven Tyler to mold them into an all time classic. Brad Whitford got a co-write on Round And Round and Joe Perry really established himself as one of the killer guitar slingers of his generation. As it turns 50, we celebrate Aerosmith's greatest album - Toys In The Attic! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Stylistics announce their first new album in almost two decades titled "Falling in Love with My Girl" to be released on February 21, 2025. Soul legends collaborate with Shania Twain on single "Yes, I Will" which drops on Valentine's Day, February 14th.This new collection to also feature music legends Ronnie Wood, Gene Simmons, Billy F. Gibbons, The Elton John Band, Steve Lukather, Bill Champlin, Tower of Power, and many more. The Stylistics announce their first new album in almost two decades titled "FALLING IN LOVE WITH MY GIRL," which will be released worldwide on February 21, 2025. The soul legends known for their iconic hits, "Stop, Look, Listen (To Your Heart)," "You Are Everything," "You Make Me Feel Brand New," and more, earning them 5 Gold singles and 3 Gold albums, will bring audiences their first new single from the 21-track album "Yes, I Will," featuring Shania Twain, on February 14. "FALLING IN LOVE WITH MY GIRL," produced by Tom Cridland and Executive Produced by Deborah Cridland, will feature a who's who of legendary and noted artists who collaborated on the album alongside Twain: Ronnie Wood of The Rolling Stones, Gene Simmons of KISS, The Elton John Band (including Nigel Olsson and Davey Johnstone), Bill Champlin of Chicago, Billy F. Gibbons of ZZ Top, Steve Lukather of Toto, Tower of Power, Ray Parker, Jr., Jay Graydon, Justin Hawkins of The Darkness, The Real Thing, Nathan East and Carly Paoli. For "Yes, I Will," Twain had been invited to sing on one of the tracks already written, but she had in mind the perfect song for the album that she had co-written with Nathan East, (to which Tom Cridland contributed), that was a soulful fit for The Stylistics. Ray Parker Jr., Steve Lukather and East performed on the track that was the last song recorded for the collection, and is the first new track in 17 years to be released by the legendary group. Says Twain, "I'm so happy that this song I wrote 'Yes, I Will' has found a home on The Stylistics album. That is just so exciting. It's a special song that came together on one special day at my home where I was hanging out with some friends and musicians. So I think it turned out great and I'm just really excited to share it with the whole world." Airrion Love from The Stylistics adds, "I fell in love with Shania Twain the first time I heard 'You're Still the One' - a great song that I still love. When we heard there might be a chance to do something with her we said, "Hell yeah!"" The Stylistics' original members Airrion Love and Herb Murrell, together with Jason Sharp who joined the group in 2011, recorded their vocals at Spice House Sound in Philadelphia, Pennsylvania, and at Wright Way Studios in Baltimore, Maryland. Tom Cridland arranged and recorded the background vocals in the Scottish Highlands and at Fame Studios in Muscle Shoals, Alabama. The Elton John Band including Nigel Olsson and Davey Johnstone laid down the instrumental tracks at the Record Plant in Hollywood, California. "FALLING IN LOVE WITH MY GIRL" was the last album ever made at the legendary recording studio. Most of the songs were written by Tom Cridland together with Anthony King of Blackpool and Anthony's wife, Fiona Shaw. Two tracks were written by Airrion Love, "Sad Tomorrows" and "I Get A Feeling." Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

The Stylistics announce their first new album in almost two decades titled "Falling in Love with My Girl" to be released on February 21, 2025. Soul legends collaborate with Shania Twain on single "Yes, I Will" which drops on Valentine's Day, February 14th.This new collection to also feature music legends Ronnie Wood, Gene Simmons, Billy F. Gibbons, The Elton John Band, Steve Lukather, Bill Champlin, Tower of Power, and many more. The Stylistics announce their first new album in almost two decades titled "FALLING IN LOVE WITH MY GIRL," which will be released worldwide on February 21, 2025. The soul legends known for their iconic hits, "Stop, Look, Listen (To Your Heart)," "You Are Everything," "You Make Me Feel Brand New," and more, earning them 5 Gold singles and 3 Gold albums, will bring audiences their first new single from the 21-track album "Yes, I Will," featuring Shania Twain, on February 14. "FALLING IN LOVE WITH MY GIRL," produced by Tom Cridland and Executive Produced by Deborah Cridland, will feature a who's who of legendary and noted artists who collaborated on the album alongside Twain: Ronnie Wood of The Rolling Stones, Gene Simmons of KISS, The Elton John Band (including Nigel Olsson and Davey Johnstone), Bill Champlin of Chicago, Billy F. Gibbons of ZZ Top, Steve Lukather of Toto, Tower of Power, Ray Parker, Jr., Jay Graydon, Justin Hawkins of The Darkness, The Real Thing, Nathan East and Carly Paoli. For "Yes, I Will," Twain had been invited to sing on one of the tracks already written, but she had in mind the perfect song for the album that she had co-written with Nathan East, (to which Tom Cridland contributed), that was a soulful fit for The Stylistics. Ray Parker Jr., Steve Lukather and East performed on the track that was the last song recorded for the collection, and is the first new track in 17 years to be released by the legendary group. Says Twain, "I'm so happy that this song I wrote 'Yes, I Will' has found a home on The Stylistics album. That is just so exciting. It's a special song that came together on one special day at my home where I was hanging out with some friends and musicians. So I think it turned out great and I'm just really excited to share it with the whole world." Airrion Love from The Stylistics adds, "I fell in love with Shania Twain the first time I heard 'You're Still the One' - a great song that I still love. When we heard there might be a chance to do something with her we said, "Hell yeah!"" The Stylistics' original members Airrion Love and Herb Murrell, together with Jason Sharp who joined the group in 2011, recorded their vocals at Spice House Sound in Philadelphia, Pennsylvania, and at Wright Way Studios in Baltimore, Maryland. Tom Cridland arranged and recorded the background vocals in the Scottish Highlands and at Fame Studios in Muscle Shoals, Alabama. The Elton John Band including Nigel Olsson and Davey Johnstone laid down the instrumental tracks at the Record Plant in Hollywood, California. "FALLING IN LOVE WITH MY GIRL" was the last album ever made at the legendary recording studio. Most of the songs were written by Tom Cridland together with Anthony King of Blackpool and Anthony's wife, Fiona Shaw. Two tracks were written by Airrion Love, "Sad Tomorrows" and "I Get A Feeling." Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Marv Ross is an American musician, best known as the lead guitarist and primary songwriter for the 1980s rock band Quarterflash. With a distinctive style blending rock, jazz, and blues influences, Ross helped craft the band's signature sound. His work on hits like "Harden My Heart" and "Take Me to Heart" showcased his skillful guitar playing and lyrical depth, earning Quarterflash widespread acclaim. Beyond his success with the band, Ross is also recognized for his contributions as a composer and producer in the music industry. On this episode of Dystopia Tonight, Marv Ross and I dive into a fascinating conversation about his diverse musical career. He shares stories from recording an album at the iconic Jersey Shore, finding inspiration in John Denver, working with renowned producer John Boylan, and recalls touring with major acts like Elton John, Loverboy, Sammy Hagar, Starship, and Night Ranger. We also touch on his experience writing music for Ron Howard's film Night Shift, and Marv tells a memorable story about Burt Bacharach's obsession with Pac-Man. Additionally, he opens up about his time at The Record Plant, with stories of Ron Wood, Rod Stewart, Giorgio Moroder, Randy Newman, Fleetwood Mac, and Dolly Parton come rushing back to memory.

Paul Prestopino was a musician, inventor, and technician with a long and varied career. From 1970 until its closure in 1989, Paul was a technician at the Record Plant in NYC, a venerated studio that helped produce an endless stream of hit records and launched dozens of careers for the engineers and producers that worked there. While working at the studio, Paul, known to everyone as “Presto,” was charged with the maintenance and care of the recording equipment, but he also played on dozens of albums for bands like Aerosmith, The Hooters, Alice Cooper, Slade, and Edgar Winter. He was also an integral member of the bands of Peter, Paul, and Mary, John Denver, and The Chad Mitchell Trio. Paul was part of the lifeblood of the Record Plant, and his passing in 2023 was felt deeply by those who worked with him at the studio. Our very own John Agnello organized this special memorial episode for Paul, where we interview Record Plant alumni and Paul's brother, Greg Prestopino, to pay homage to a man who touched so many lives through his work and music.   

On this episode of Adventures in Vinyl, Adam and I discuss this 2nd studio album named for a color in the year 1994.  That band is Stone Temple Pilots and the album is Purple.Song of The Week!Pennyroyal Tea - Nirvana, In UteroStump The Barron!I'm The One - Descendants - Everything SucksSearching for Tomorrow - Coheed & Cambria - The Father of Make BelieveStone Temple Pilots - PurpleGenre:  Alternative RockRelease Date:  June 7, 1994Studio(s):  Record Plant, Paisley Park, Harptone, Southern TracksProducer(s):  Brandon O'BrienLabel:  AtlanticLength: 46:59Number of Tracks:  11For more information on the band Stone Temple Pilots  you can check out their website at https://stonetemplepilots.com.  If you enjoyed this podcast be sure to check us out at our website at www.adventuresinvinyl.com where you can find links to our episodes and through our support section you can find a place to order you very own adventures in vinyl T Shirt. 

fWotD Episode 2721: New York Dolls (album) Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 16 October 2024 is New York Dolls (album).New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics.New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement as the group's crude musicianship and youthful attitude on the album challenged the prevailing trend of musical sophistication in popular music, particularly progressive rock. Among the most acclaimed albums in history, it has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time.This recording reflects the Wikipedia text as of 00:57 UTC on Wednesday, 16 October 2024.For the full current version of the article, see New York Dolls (album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Matthew.

fWotD Episode 2674: Segundo Romance Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 30 August 2024 is Segundo Romance.Segundo Romance (English: Second Romance) is the tenth studio album by Mexican singer Luis Miguel, released on 30 August 1994 through WEA Latina. Like Miguel's 1991 album Romance, Segundo Romance comprises cover versions of boleros (Latin ballads) written between 1934 and 1993. It was produced by Miguel with Juan Carlos Calderón, Kiko Cibrian and Armando Manzanero and recorded in early 1994 at the Record Plant in Los Angeles.Miguel promoted the album with tours in the United States and Latin America from August to December 1994. Four singles were released: "El Día Que Me Quieras", "La Media Vuelta", "Todo y Nada", and "Delirio". The former two reached the top of the Billboard Hot Latin Songs chart in the United States.Segundo Romance received positive reviews from music critics, who praised its production, Miguel's vocals and the choice of songs. It won several awards, including the Grammy Award for Best Latin Pop Performance. By 1995, Segundo Romance had sold over 4.5 million copies and achieved multi-platinum status in many Latin American countries and Spain, and was certified platinum in the United States. Like its predecessor, the album helped continue renewing mainstream interest in bolero music.This recording reflects the Wikipedia text as of 01:06 UTC on Friday, 30 August 2024.For the full current version of the article, see Segundo Romance on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Ruth.

New research shows the cooling effect trees can have on cities.

A Netflix documentary about Prince is being ‘held hostage' as the Prince estate & Netflix disagree on the length and content of the film, Los Angeles' legendary Record Plant studio is going to be closing after 55 years,  Nirvana settles lawsuit over their smiley face logo with fashion designer Marc Jacobs & more… PLUS this week in Rock & Roll History Trivia, Weekly WTF & so much more!   Everything is up at www.rocknewsweekly.com   Watch us LIVE, chat with us & more… Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweekly   Watch all of our videos & interviews on demand at Youtube.com/@rocknewsweekly   Follow us online: Instagram.com/rocknewsweekly Facebook.com/rocknewsweekly Twitter.com/rocknewsweekly     All of our links are up at www.rocknewsweekly.com every Monday, where you can Check it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)   #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Prince #Netflix #RecordPlantStudio #RecordPlantLA #Nirvana #MarcJabos #TenaciousD #TheSmile #JohnnyGreenwood -#Radiohead

Mark, Lou and Perry discuss and listen to original versions of songs plus Redbone performing "Come and Get Your Love" from 1974 also music arranger Charles Calello and the Record Plant recording studio closing plus random relish topics and music trivia including song intro trivia and much more.

For this week's episode of the Plural Pod, Gareth and Joel ponder liquid-filled discs and the latest ways of trying to make vinyl records appealing. There are reviews of fresh pressings from Stephen Pastel & Gavin Thomson, The Round Robin Monopoly and Ana Frango Elétrico. We delve into the world of second hand sales and find out some of the highest value titles snapped up recently, including some obscure, clattering garage rock and some bloke called Nick Drake. John-Paul from Record Plant in Farsley, Leeds talks us through how this new business was established and Tom from Cheap Indie Vinyl joins us with top tips for bargain records this week. All that and we hear about your catalogue quests.Get in touch with us via pluralofvinylpod@gmail.com or @PluralVinylPod on Twitter. You can also Whatsapp via 07455680866The Plural Of Playlist, featuring tracks discussed: https://open.spotify.com/playlist/5M566WI1NstJoQcZU0KRMR?si=8h8NUeaXR_acMIrYYQ-rDQ&pi=MBWJA5SvSUewV&nd=1&dlsi=2a5d31635f704542Join the Cheap Indie Vinyl WhatsApp channel:https://whatsapp.com/channel/0029VaWT9tnElagoIHB2ed1GEclipse sale: https://eclipse-records.co.uk/collections/june-saleVinilo sale: https://vinilo.co.uk/collections/summer-sale-24Lost In Vinyl sale: https://www.lostinvinyl.org/saletitles Hosted on Acast. See acast.com/privacy for more information.

fWotD Episode 2592: The Ecstatic Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 9 June 2024 is The Ecstatic.The Ecstatic is the fourth studio album by American rapper Mos Def, released on June 9, 2009, by the independent record label Downtown Records. After venturing further away from hip hop with an acting career and two poorly received albums, Mos Def signed a recording contract with Downtown and recorded The Ecstatic primarily at the Record Plant in Los Angeles. He worked with producers such as Preservation, Mr. Flash, Oh No, and Madlib, with the latter two reusing instrumentals they had produced on Stones Throw Records. The work of Stones Throw rapper MF Doom was also cited by Mos Def as an influence, while singer Georgia Anne Muldrow, formerly of the record label, performed as one of the album's few guest vocalists, along with rappers Slick Rick and Talib Kweli.Described by music journalists as a conscious and alternative hip hop record, The Ecstatic features an eccentric, internationalist quality. Mos Def's raps about global politics, love, war, spirituality, and social conditions are informed by the zeitgeist of the late 2000s, Black internationalism, and Pan-Islamic ideas, incorporating many Islamic references throughout the album. Its loosely structured, lightly reverbed songs use unconventional time signatures and samples taken from a variety of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def titled the album after one of his favorite novels, Victor LaValle's The Ecstatic (2002), believing its titular phrase evoked his singular musical vision. For the album's front cover, a still from Charles Burnett's 1978 film Killer of Sheep was reproduced in a red tint.The Ecstatic charted at number nine on the Billboard 200 in its first week of release and eventually sold 168,000 copies. Its sales benefited from its presence on Internet blogs and the release of a T-shirt illustrating the record's packaging alongside a label printed with a code redeemable for a free download of the album. To further support the album, Mos Def embarked on an international tour with concerts in North America, Japan, Australia, and the United Kingdom between August 2009 and April 2010. As his DJ on the tour, Preservation began to develop remixes of the album's songs, which he later released on the remix album The REcstatic in 2013.A widespread critical success, The Ecstatic was viewed as a return to form for Mos Def and one of the best albums from 2009, with reviewers applauding its exuberant musical feel, adventurous creative range, and shrewd lyrical performances. Some publications ranked it among the greatest albums of the 2000s decade, including The Times at number 30. However, it struggled to reach mainstream audiences beyond Mos Def's fan base and led the already disillusioned rapper further away from the music industry, resulting in less recorded work from him over subsequent years.This recording reflects the Wikipedia text as of 01:01 UTC on Sunday, 9 June 2024.For the full current version of the article, see The Ecstatic on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Olivia Neural.

The Aerosmith axeman recounts how he ripped the blazing lead on the Rocks hit, dishing some critical history along the way. Behind Steven Tyler's unhinged howls, Aerosmith's twin-guitar attack with Joe Perry and Brad Whitford cemented them as one of the greatest hard-rock bands of the '70s. “Last Child,” the street-strutting, hard-blues hit off their breakout 1976 record Rocks, is one of the greatest demonstrations of this dangerous duo's interplay. While Perry holds down the funky rhythmic chord stabs, Whitford burns through a volcanic, first-take solo. Did any pedals help snare that screaming tone? Nope. Just a '57 goldtop Les Paul and a 100-watt Marshall. That combo just “makes you play real good,” Whitford says with a grin on this week's episode. Whitford gives Shifty the background story on how Rocks came together between the band's Massachusetts rehearsal space and the Record Plant in New York. They dig deep on Aerosmith's influences and the guitar players that shaped Whitford's lead style, including the shredders that knew when to pause. “Whatever you play, you're still replicating the human voice for the most part, and you have to take a breath,” Whitford notes. Later on, Brad's son Graham—an established player in his own right—joins the episode to talk about raiding his dad's guitar and amp vault, and Brad muses on a big question: Will Aerosmith's upcoming tour be their last? Click below to subscribe to the podcast! Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudoin Video Editors: Dan Destefano and Addison Sauvan Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Jack Douglas shares memories of the production and recording of John Lennon & Yoko Ono's "Double Fantasy", John Lennon's last day and memorial, unheard studio recordings, the 2010 'Stripped Back' version, Cheap Trick's "Live at Budokan" and more. John Lennon's records Bringing in Cheap Trick for Double Fantasy Rick Nielsen gifts John Lennon a guitar John Lennon wanted to redo “Strawberry Fields Forever” Were there any elements of Double Fantasy John or Yoko wanted to redo? Making “Walking on Thin Ice” John Lennon's last day John wanted to create a musical platform for Yoko Recording the orgasm for “Kiss Kiss Kiss” The plans for a John Lennon / Yoko Ono World Tour The album name “Double Fantasy” The two “Beautiful Boy(s)” songs Records and video from the “Double Fantasy” sessions The recording of John's final day was destroyed The private memorial with John's studio tapes Yoko distanced herself from Jack The “Double Fantasy” royalty lawsuit The 2010 “Double Fantasy” stripped back version Revisiting the Record Plant for transferring “Double Fantasy” tapes Jack's thought watching John on “Get Back” series John was constantly drawing, making art Discovering Cheap Trick, early albums Making “Live at Budokan” – using Osaka tapes The overdub for “Live at Budokan” Making Aerosmith's “Live Bootleg” album The Record Plant radio station for mixdowns Jack produced Silverplanes' LP "Airbus", enjoy it here! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

"Tunes of the Season: Phish, Grateful Dead, and Merry Jams"Larry Mishkin   discusses Christmas-themed songs performed by various artists, including The Who and Grateful Dead. Larry delves into The Who's rock opera "Tommy," particularly focusing on the song "Christmas" and its critical reception. He transitions to discussing Grateful Dead's rendition of Chuck Berry's "Run, Rudolph, Run" performed at the Felt Forum in 1971 and analyzes its significance in the band's repertoire.Larry further explores the potential residency of bands like Dead & Company at the Sphere in Las Vegas, following U2's shows there. He touches on Phish's upcoming performances at the same venue and discusses the difficulty in acquiring tickets for these highly anticipated shows.Later, Larry reminisces about New Year's Eve shows by various bands, specifically mentioning Grateful Dead's memorable performances during the countdown. He also features unconventional Christmas renditions by Phish and Jerry Garcia with David Grisman..Produced by PodConx   Theme – Rock n Roll ChristmasIf you were in the Mishkin household earlier this morning, you might have heard this blasting out of the speakers:INTRO:               ChristmasThe WhoFebruary 14, 1970University of Leeds, Leeds, England  aka  “Live At Leeds”The Who - Christmas - Live At Leeds (with Footage) (youtube.com)2:00 – 3:17 "Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera Tommy. On the original LP, it opens the second side of the album.  Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969.[2] Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of Tommy Walker and his experiences through life. The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind.[2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." "Christmas" was praised by critics. Richie Unterberger of AllMusic called it an "excellent song."[5]Rolling Stone's Mac Randall said it was one of several "prime Pete Townshend songs" on the album.[6] A review in Life by Albert Goldman considered it beautiful and highlighted the song's "croaking chorus".[7] James Perone said it was "perhaps one of the best sleeper tracks of the collection." Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career. Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released on 11 May 1970 by Decca and MCA in the United States,[2] and by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been ranked by several music critics as the best live rock recording of all time SHOW No. 1:                   Run Rudolph RunGrateful DeadFelt Forum at MSG, NYCDecember 7, 1971Track No. 10Grateful Dead Live at Felt Forum, Madison Square Garden on 1971-12-07 : Free Borrow & Streaming : Internet Archive0:11 – 1:54 Run Rudolph Run"[2][3][4] is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks' trademark on the character of Rudolph the Red-Nosed Reindeer.[5][note 1] It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.It has since been covered by numerous other artists, sometimes with the title "Run Run Rudolph".[16] The song is a 12-bar blues, musically similar to Berry's popular and recognizable song "Johnny B. Goode", and melodically similar to his song "Little Queenie", the latter of which was released shortly after, in 1959.During its initial chart run, Berry's 1958 recording peaked at number 69 on the Billboard Hot 100 chart in December 1958.[22] Sixty years later, the single re-entered the Hot 100 chart at number 45 (on the week ending January 5, 2019), reaching an overall peak position of number 10 on the week ending January 2, 2021, following its third chart re-entry, becoming Berry's third top-ten hit and his first since 1972's "My Ding-a-Ling". In doing so, it broke the record for the longest climb to the top 10 since its first entry in December 1958, at 62 years and two weeks.This Ciip:Out of Brokedown Palace and into You Win AgainPlayed a total of 7 times.This was the first timeLast:  December 15, 1971 Hill Auditorium, Ann Arbor, MI  SHOW No. 2:     Little Drummer BoyPhishJuly 3, 1999Coca Cola Lakewood Amphitheatre, Atlanta, GAPhish - The Little Drummer Boy - 7/3/1999 - Atlanta, GA (youtube.com)Start to 1:30 Out of Contact to close the second set.  Played it again as the first encore (into, Won't You Come Home Bill Bailery starring Page's dad, Jack, on vocals and kazoo. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a Czechoslovakian popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, "I played my best for him" and "He smiled at me". Phish has only performed the song three times during the month of December – the debut performance segueing out of “Mike's Song” and into “Whipping Post,” a tease during the 12/28/94 “Weekapaug Groove,” and jammed out of the “YEM” vocal jam (12/2/99) (which melted down until Jon was left singing it to close the set). But the song was jammed out of season during “My Friend, My Friend” (3/18/93) and “Stash” (7/15/93), and teased during “Weekapaug Groove” and “Big Ball Jam” (4/9/94), “Wilson” (8/13/97), “Silent in the Morning” (7/4/99), and "Wilson" (4/16/04). This version is generally considered to be Fishman's most memorable version.  SHOW No. 3:     God Rest Ye Merry GentlemenJerry Garcia and David GrismanNovember 9, 1991Warfield Theater, S.F.God Rest Ye Merry Gentlemen - Jerry Garcia - Bing videoStart – 1:37Out of The Two Sisters to close second set "God Rest You Merry, Gentlemen" is an English traditional Christmas carol. It is in the Roxburghe Collection (iii. 452), and is listed as no. 394 in the Roud Folk Song Index. It is also known as "Tidings of Comfort and Joy", and by other variant incipits. An early version of this carol is found in an anonymous manuscript, dating from the 1650s it appeared in a parody published in 1820 by William Hone.               Story here is the way Jerry and David play so tight, trading off leads and filling in gaps.  A great sound for a traditional tune.  There are many sides of Jerry and we don't get to see all of them.  Nice to take a break from the traditional Dead stuff and take a look in at what else Garcia was doing during that creative period of his life. SHOW No. 4:                   Stagger LeeGrateful DeadDecember 30, 1985Track No. 6Grateful Dead Live at Oakland Coliseum on 1985-12-30 : Free Borrow & Streaming : Internet ArchiveStart – 1:32 As is made clear by the opening lyrics, this is a tale about events that unfolded and played out on Christmas: “1940 Xmas Eve with a full moon over town”.  On some occasions, Jerry was  known to substitute in “Christmas” Eve. "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959. The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (went to social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who demanded attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation. On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5]Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death. Based on the traditional song "Stagger Lee", "Stagolee" or "Stack O'Lee." Robert Hunter wrote a version that he performed solo, and Jerry Garcia subsequently re-ordered the lyrics and rewrote the music for the Grateful Dead's version. More recently Bob Weir has also been performing some of the older traditional versions with Ratdog. Dead released it on Shakedown Street, Nov. 8, 1978 Played 146 times by the Dead1st:  August 30, 1978Last:  June 18, 1995 Giants Stadium  OUTRO:              Santa Clause Is Coming To TownBruce Springsteen and the E Street BandCW Post University, Greenvale, NYDecember, 19756Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975) - Bing video2:15 - 4:00               Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band.[1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.[2][3] The version for Bluebird Records by George Hall and His Orchestra (vocal by Sonny Schuyler) was very popular in 1934 and reached the various charts of the day.[4] The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5 A rock version by Bruce Springsteen & the E Street Band was recorded on December 12, 1975, at C. W. Post College in Brookville, New York, by Record Plant engineers Jimmy Iovine and Thom Panunzio.[14][15] This version borrows the chorus refrain from the 1963 recording by the Crystals.[16] It was first released as a track on the 1981 Sesame Street compilation album, In Harmony 2, as well as on a 1981 promotional, radio-only, 7-inch single (Columbia AE7 1332).[17][18] Four years later, it was released as the B-side to "My Hometown," a single off the Born in the U.S.A. album.[19] Springsteen's rendition of the song has received radio airplay perennially at Christmastime for years; it appeared on Billboard magazine's Hot Singles Recurrents chart each year from 2002 to 2009 due to seasonal air play. Live performances of the song often saw the band encouraging the audience to sing some of the lyrics with—or in place of—the band's vocalists (usually the line "you'd better be good for goodness sake", and occasionally the key line "Santa Claus is Comin' to Town" as well). Sometimes, concert crowds would sing along with the entire song, and the band, who were known to encourage this behavior for the song, would do nothing to dissuade those audiences from doing so, instead welcoming the crowds' enthusiasm. This version remains a Springsteen concert favorite during the months of November and December (often concluding the show), and the band is among the few that keep it in their roster of songs during the holidays. Dead & Co at the Sphere?Phish – sold out fast Merry ChristmasHappy Holidays .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this episode, we're delighted to talk with industry legend, Thom Panunzio. Getting his start as an assistant at NYC's Record Plant, Thom went on to work in every facet of the music business. He's produced, mixed, and engineered albums for Tom Petty, Bob Dylan, Joan Jett, Ozzy Osbourne, Bruce Springsteen, Patti Smith, Alice Cooper, and Aerosmith just to name a few. He helped design The Hit Factory in NYC, A&M Studios in LA, and the Thom Thom Club in Santa Monica, and was the Executive VP for Universal Music and head of A&R at Geffen Records for many years. Thom talks with John and Stewart about his time on staff at the Record Plant, his favorite mixing desks, his reluctant entrance into the world of A&R,  and how the industry and technology has changed over the course of his almost 50 year career. 

The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.Guests: Donna Jean Godchaux-MacKay, Bob Matthews, Alan Trist, Nicholas Meriwether, Brian Kehew, Michael Parrish, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Staci talks with hard rock and metal guitarist Marc Ferrari, who started in the KEEL band and has worked with Gene Simmons, Pantera, and many others. He's in the rock & roll comedies, Wayne's World 1 and 2, and is a music producer, an entrepreneur, and an author—plus, he contributed a cocktail recipe for Rock & Roll Nightmares: RockTails. Marc remembers wild parties at The Record Plant in Hollywood (the only recording studio with its own hot tub?) and gives us info on new music with KEEL and Cold Sweat.

Host Paul Romanuk talks with singer/songwriter/musician Jerry Leger about John Lennon's 1973 album Mind Games.EPISODE NOTES:You can find out about all things Jerry Leger at his official web site jerryleger.com Anything we discuss about his music, album covers and so on is on that site.More information on host Paul Romanuk and The Walrus Was Paul podcast at Paul's official website romycast.com Here's a link to a television commercial that was done in 1973 to promote Mind Games. I believe that's John Lennon you can hear laughing in the background.We talk about John Lennon appearing on a syndicated US talk show - The Mike Douglas Show - where Lennon apparently came up with the idea for the song Only People. I have clear memories of running home from school that week to see John and Yoko on TV.We talk about legendary US session drummer Jim Keltner. Here's a great interview he did with Ross Garfield (aka The Drum Doctor).The album was recorded at The Record Plant in NYC. It's long gone. Here's a photo of Lennon in the control room. The guy with him in the yellow shirt is legendary engineer Roy Cicala.

Effervescent record producer/podcaster John Agnello (Sonic Youth, Dream Syndicate, Dinosaur Jr., Drive-By Truckers) and Tony Award-winning actor/musician Michael Cerveris (The Gilded Age, Fun Home, Tommy) join us in the Feral Zone as we take a break from recording to chat. John has seen a lot since his start in 1979 as an intern at the famed Record Plant recording studios in NYC. We discuss John’s illustrious career as well as his work with Michael and the band on the next Loose Cattle record. Forced ping pong with Meat Loaf, Gene Simmons’ book of groupies, boudin balls…all that and more. Topics include Dockside Studio, a first single, Americana music, a traumatic memory, a magical experience, 10,000 hours, the bayou, isolation, Jay Gonzalez, mutual admiration, an analog mindset, creative solutions, a Redd Kross track, trusting the process, Mark Lanegan, picking takes, a subtle method, mentors, Jack Douglas, nightmare sessions, a legendary brother, going AWOL, being lucky, Cindy Lauper, William Wittman, Zebra, Randy Jackson, Jimmy Iovine, Louie Michot, the Red Rockers, moving faders, Shelley Yakus, forensic audio, Horsegirl, young bands, Wet Leg, Michael Imperioli, and much more. Intro music: "Trucker Takes A Wife" by Styler/Coman Break and Outro Music: "Antiversary" and "Eating Birthday Cake" rough mixes from the new Loose Cattle record in progress Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Shirts here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook Michael Cerveris Homepage Michael Cerveris Facebook Michael Cerveris Instagram John Agnello Homepage John Agnello Facebook Loose Cattle Homepage

On Part 2 of R&B Money's Omarion Episode, the eponymous artist delves into his resplendent history as a multifaceted innovator. Audiences can expect to gain insight on Omarion's illustrious career trajectory; including details concerning transformative dance battles with Chris Brown at Los Angeles' iconic musical mecca, The Record Plant, divulging an admirable shift from B2K to Unbothered Man, seasoned R&B veterans Tank and J Valentine's tutelage illuminate the way.  Additionally, enthusiasts will hear firsthand about his most impressive advance check while charting out initiatives in endeavoring business opportunities through Young Money Records and Maybach Music, all culminating towards unveiling impending plans which include captivating film projects striving for full articulation within Dance Culture itself - not neglecting mention of his revered Versus Battle alongside Mario. Enjoy Omarion Part 2 on The R&B Money Podcast. Follow The Podcast: Tank: @therealtank   J Valentine: @JValentine Podcast: @RnbMoneyPodcast  https://www.youtube.com/RnBMoneyPodcastSee omnystudio.com/listener for privacy information.

Episode 248: In New York City on the 8th of December, 1980, the world was rocked by the murder of influential rock and roll icon, artist, sometimes controversial activist and dad John Lennon. After an evening recording session at the Record Plant, John Lennon and his wife, artist Yoko Ono returned to their Central Park West apartment building, The Dakota. As John and Yoko approached the entrance to the building, they passed a man for whom, only hours earlier, Lennon had signed an autograph. The man, Mark David Chapman, 25, watched the couple walk by and then pulled a .38 special from his coat and unloaded on John Lennon, shooting him in the back four times. The deadly hollow point bullets tore through the former Beatle, mortally wounding him. He was pronounced dead at Roosevelt Hospital later. When police arrived, they found Chapman patiently reading his book, Catcher in the Rye.  Sources: JOHN LENNON. GIMME SOME TRUTH. The Beatles This Is: The Beatles | Spotify Playlist This is: John Lennon | Spotify Playlist John Lennon's “bigger than Jesus” quote | Slate 23 December 1969: John Lennon and Yoko Ono meet Canadian prime minister Pierre Trudeau | The Beatles Bible The Catcher in the Rye | Summary, Analysis, Reception, & Facts | Britannica Two Marks — Mark David Chapman, the man who killed John Lennon — Crime Library BBC NEWS | Entertainment | John Lennon killer ‘wanted fame' BBC ON THIS DAY | 8 | 1980: John Lennon shot dead Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever ask yourself how Bach and Fleetwood Mac are connected? No...just us? Bach makes an appearance in this episode, well his likeness and name make it into the conversation, and you'll be surprised to know that Shawn wasn't the one to bring it up. Stevie Nicks gets credit for this song, but nearly refused to lay down her vocal tracks due to a difference of opinion. Strong opinions, fueled by drugs and alcohol, flew freely in Studio B at Record Plant in Sausalito California. (Here's a great article to read more about the current status of this historic studio.) Is our version of this song perfect, no. Did we have fun trying, oh yeah!

In this episode, John & Stewart chat with GRAMMY award-winning engineer and producer, Steve Marcantonio. Steve is a staple of the Nashville music scene but got his start in New York at The Record Plant under the instruction of the likes of Roy Cicala and Jay Messina. Listen in as Steve discusses his journey through the ranks at The Record Plant, his move to Nashville, and shares some insights on how to get a leg up as an engineer.