Podcast appearances and mentions of Peter Whelan

Peter Whelan goes the Whole Hogg with his sausages for the Leinster Final! "Are We There Yet" the remarkable story of the Molloy family of Who's Eddie fame. David Sheehan and Colum Corrigan's preview of the Leinster Final. The Meath car and supporters of both counties from countries who, through the GAA, have become part of local communities and made Ireland home. Hosted on Acast. See acast.com/privacy for more information.

Gerry, who said an emotional farewell to his treasured Labrador Retriever Messi after fourteen years, was joined today by pet bereavement counsellor Ann Marie Troy. Peter Whelan is back on the delivery trail with his wonderful Whole Hoggs range, Peter Bills gets to the heart of Irish rugby union in his new book and composer Michael Holohan has captured the bells of Drogheda in his new composition. Hosted on Acast. See acast.com/privacy for more information.

Conductor and researcher, Peter Whelan on what we're still learning about Handel in Dublin; Orit Gat attempts to see Monet in London through the fog, and artist, Rada Iva Sibila on working with pain.

What did George Frideric Handel hear at the Messiah's first performance in Dublin in 1743? Irish Baroque Orchestra's Peter Whelan turns his attention to the composer's little giant.

Die umjubelte irische Sopranistin Rachel Baptist war wahrscheinlich die einzige Schwarze Operndiva des 18. Jahrhunderts. Rachel Redmond und Peter Whelan entreißen eine faszinierende Künstlerin der Vergessenheit.

Our Best Banger in the Northeast gong went to Lorenzen's Butchers in Navan after a close run contest between five excellent breakfast sausage makers. Cooked in the kitchen of the Marcy Hotel by Tara Walker, sampled and judged by Tara, Peter Whelan and Sabrina Sherlock. And guess who popped in for a pint, a sausage and a chat? None other than the simply wonderful James Nesbitt! Hosted on Acast. See acast.com/privacy for more information.

Who makes the Best Banger in the Northeast? We're on the hunt for the nicest butcher shop's breakfast sausage, with head judge Peter Whelan on hand to launch our search. Brewers Fergal Carroll and Cathal Byrne are onto something special with their non alcoholic Fierce Mild extra pale ale. The talented Dr Austin Duffy who is both oncologist & author and originally from Dundalk, joined us as his latest novel "Cross" is published. And florist Darina Feeney is taking to the highways and byways in her new van! Hosted on Acast. See acast.com/privacy for more information.

Hailstones, frogs and sexy trills. Monteverdi Choir's director Peter Whelan joins Amy Wood and Nick Pritchard to introduce the detail and the colour in Handel's oratorio Israel in Egypt.

A great chat with Peter Whelan of Irish Baroque who came in today to chat about their upcoming Messiah performances in the national Opera house  and St. Patrick's Carhedral

Peter Whelan, Information Security Officer, looks ahead to the transformative shifts expected in the next two decades. He highlights the exponential growth in computing power and its implications for cyber threats, expressing concerns about the rise in cybersecurity impacts. Peter emphasizes the need for a shift in mindset, challenging preconceived notions and being critical of information from mainstream media. He also explores the vulnerability of individuals to scams and voice cloning in an era of increased ease for cybercriminals. Finally, Peter provides valuable insights for leaders to better prepare their teams and organizations for the future by encouraging the use of AI tools and promoting critical thinking in evaluating information. This is a can't miss episode for your own cyber security and that of your enterprise.

Capt. Paul Dixon & Capt. Peter Whelan stopped by the Guide Post before the upcoming ASMFC Spring Meeting to provide a perspective on what striper fishing used to look like - and what we should continue to strive for.#BetterBusinessThroughConservation

Dublin: A Writer's City investigates the extent to which Dublin has been created by its authors, poets and dramatists - Peter Whelan on the busy spring and summer ahead for the Irish Baroque Orchestra - Television BAFTAs nominations - Great Expectations, the Charles Dickens classic, is the new Sunday night drama on BBC TV.

In this episode we go way back to 2015 to review the Hobie Kayak Fishing Series, season 7 which was held in Marlo Victoria on the 21-22 of February. I cover all the statistics including fish caught, weights, tides and bite periods all the way through to angler prizes and pay outs. This particular weekend was just after a massive rain event an the waterway had been turned to a "rust" colour. It is interesting to hear how the winning anglers fished in these conditions. I did miss the big bream which went to Peter Whelan weighing in at a healthy 1.52 kg on day one. For the angler interviews 2nd place Corey Gallagher spills the beans on how he caught his fish using a technique that I have never used for bream. Corey also explains how a sea fog can affect fishing at Marlo. Ist place Joel Crosbie runs through how he caught his fish using a lure that was a proto-type at the time. Joel shares how using this lure he was able to catch fish within a group of competitors while most were struggling. This was not Joel's first win at Marlo so we also discussed his first win at the end of the interview. I then spoke with a mystery guest who has achieved some massive 3 fish bags at Marlo. This guest shared some of his insights as to how he caught this massive bag. This episode is a "must listen" for anyone competing or just fishing for bream on lures at Marlo.    

Customer Service, Davin's comedy gig, and free speech

This week ASGA's New Hampshire Board Member Captain Peter Whelan swings by the Guide Post to tell some fish tales and talk about his recent appointment to the New England Fishery Management Council. As a guide for the past 15 years who has been actively engaged in the management process, Peter will be a strong voice for fisheries conservation and habitat protection, and we're thrilled to see him take on this role in the coming months.This podcast is presented by Costa Sunglasses.Follow ASGA on Social to stay up to date on current events!Instagram = @SaltwaterGuidesAssociationFacebook = American Saltwater Guides Association

Filmmaker Carrie Cracknell discusses 'Persuasion', her fresh take on a Jane Austen classic which stars Dakota Johnson, Peter Whelan, Artistic Director of the Irish Baroque Orchestra, previews HandelFest, and Declan Burke reviews Black Bird.

Aoife Bradley needs a premises to continue in business, Peter Whelan is looking to Save the Boyne, Nicky Kyle knows how to grow, Rita Brogan's in her shed, our 2 on Toosday and music from the Waitress.. See acast.com/privacy for privacy and opt-out information.

I recently interviewed the fabulous bassoon soloist and conductor Peter Whelan. Peter is not only a concerto soloist, he is in constant demand as a soloist and chamber musician. He has performed in many prestigious venues around the world, and he is also the founder and Artistic Director of Ensemble Marsyas, and the Artistic Director of the Irish Baroque Orchestra. He is also an Artistic Partner of the Irish National Opera. We speak about many interesting and inspiring topics like his musical journey, how he found his voice in early and baroque music, his studies with Sergio Azzolini, how he got into conducting and directing, his work with the Ensemble Marsyas, how we can stay inspired when performing and interpreting overly-played repertoire, “the game” in interpreting early music, the importance of musicians in finding “a middle ground”, his upcoming projects and he speaks about his new disc, “Mozart's Bassoon. Works for solo Bassoon”. He even teaches me some Irish slang. Listen to his album here: https://open.spotify.com/album/4FhwOW1szuLuPMhpAsWeK8?si=EogfQ_wpRvSQw1Y1DlWuGw Find out more about him: https://www.peterwhelan.co.uk/about/ LOR is now sponsored by Barton Cane, to enjoy free shipping use the coupon code "legendsofreed". https://www.bartoncane.com/

In this episode, Peter Whelan from Bernabei & Kabat in Washington, DC joins us to discuss various labor issues in the workplace. Follow Peter Whelan on Twitter https://twitter.com/PeterMWhelan Website: employmentlawguidance.com We all know how frustrating working in the retail/grocery and service industry can be. From low wages to ridiculous job expectations we are here to shine a light on the horrors that exist after you punch the clock. //Recommended videos: ▶️ The Traits of a Toxic Boss – https://youtu.be/pasMOQFVxM8 ▶️ Justice for Evan | The organizers speak – https://youtu.be/LDyXD5OmAGI ▶️ An Evening with Senator Jeff Brandes of Florida – https://youtu.be/r7acO4wozEc ▶️ Mental Health in Retail | Why your stories matter – https://youtu.be/c2iWxR1pNHE ▶️ “Please Don't Be a Karen This Year” – https://youtu.be/n4QrKqw9mGU //Let's Connect:

Peter Whelan on INO's production of Vivaldi's Bajazet, which has won this year's Olivier for Outstanding Achievement in Opera.

Netty has a cuppa with Peter Whelan. Peter is a man of many parts. He used to be principal bassoon for the OAE and the Scottish Chamber Orchestra and he now has his own ensemble; Ensemble Marsyas. He has directed for English Touring Opera and Irish National opera and teaches at the Royal Conservatoire of Scotland. ___Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Garry Hynes and Marty Rea discuss Druid Theatre taking three O'Casey plays on tour, Peter Whelan on the 300th anniversary of Bach's Brandenburg concertos, and Chris Wasser chats about the new Apple TV series The Shrink Next Door

RTE’s Arts and Media Correspondent, Sinéad Crowley on museums, galleries and libraries opening, Jess Kavanagh previews the drama series adaptation of Colson Whitehead's The Underground Railroad on Amazon Prime Video, the RTÉ National Symphony Orchestra LIVE series of concerts, conductor Peter Whelan, Na Cailleacha exhibition, Catherine Marshall.

Einer der großen Opernstars des 18. Jahrhunderts, der italienische Kastrat Giusto Ferdinando Tenducci, gastierte von 1765 bis 1766 in Irland. Auf einer CD des Irish Baroque Orchestra unter der Leitung von Peter Whelan schlüpft die Mezzosopranistin Tara Erraught in die Rolle Tenduccis.

Associate Professor Ted Steele was born in 1948 at Darwin Hospital. He now lives in Melbourne but he says he ‘feels emotionally as a “Territorian” every waking minute (we really are different)’. Ted went to Adelaide University in January 1967 and joined a group of Territorians there that included: Don Fuller, Peter Whelan, Bob Richards and Barbara Larcombe. Roger Steele, a pioneer of Territory politics, is his older brother. Ted talks about growing up in post war Darwin and provides some interesting insights including the existence of a Japanese war cemetery in Berrimah. An accomplished career scientist, Ted also offers his theory on the origins of Covid-19. It’s a fascinating if not controversial theory that for some will test the boundaries of credulity. This is Ted’s Territory Story. --- Send in a voice message: https://anchor.fm/territorystory/message

Trigger warning : Knife attack, Murder, PTSD. Sinéad O’Leary was only 19 when her life changed forever. She and her friend Nichola Sweeney, were getting ready to go out, when a neighbour (Peter Whelan) broke into Nichola’s home and attacked them both. Sinéad was stabbed 20 times and managed to survive the onslaught, while her friend Nichola unfortunately died, due to her wounds. In this conversation, Sinéad speaks about her friendship with Nichola, the night itself, the court case and how 19 years on, she doesn't feel safe or respected by the state. It is without a doubt, the most affecting podcast I’ve ever recorded. * Further viewing - TG4 documentary Finné, Series 3 Episode 4 which is still available on the TG4 player Some extra points from Sinéad…. ‘My overall experience is that there has been a lack of duty and care for victims throughout the process. A process which I have found to be inhumane and negligent. I was a State Witness in a murder trial but once I had testified against Peter Whelan, I felt completely disposable. When his numerous appeals were launched I would learn of same only through media outlets. I learned about his day releases, parole hearings and sentence remission from a journalist in 2019. Parole hearings which were unconstitutional, which he was not legally entitled to. These revelations shocked me to the core. Only now that I have made a concerted effort to seek the truth, have I been given the right to receive updates of parole hearings and upcoming day releases. It shouldn’t be this hard for victims. After Prime Time aired in 2019 no accountability was taken by the department of justice with regard to the gross mishandling of Peter Whelan's sentence management. I was assured by the then Minister for Justice, Charlie Flanagan, that the new Parole Act would give much needed and increased rights to victims. That the minimum term for parole eligibility for lifers would be increased from 7 to 12 years. I was made to believe, time and time again, that the act would apply retrospectively to Peter Whelan. This would mean that he would only be entitled to a parole hearing when he had served the minimum of 12 years for Nichola's murder and therefore wouldn’t eligible for a parole hearing until 2025. Yet here we are today, the Parole Act is still not in place and another parole hearing is imminent for Whelan. Despite reassurances, I am yet again in limbo. Nicholas family and I have have been tremendously let down and neglected by the state again. As have many other families who have been thrust into the harrowing and frightening parole process a mere 7 years into the life sentences of their loved ones killers. I was invited to submit a Victim Impact Statement for the latest parole hearing; my first invitation after 19 years. This is welcome in written form only. I am not allowed to address the Parole Board in person nor is there someone to advocate on my behalf. My attacker will have full access to my statement; my fears and vulnerabilities will be fully exposed. When the new act is finally established there will be a prisoners rights advocate from a non government body appointed to the board to advocate for him. I have been fighting for the introduction of a Victims Advocate to the Parole Board in order to address this imbalance. My attacker will have psychologists, prison staff, lawyers and others to speak on his behalf. My voice and the voices of Nicholas family members will be constrained to a written statement There will be no one there to advocate for us. Victims should be involved in this process. Their ongoing pain and suffering needs to be acknowledged and addressed. It is those who are bereaved by homicide who serve the real life sentences. Their human rights need to be accounted for. I cannot emphasise this enough. The scales of justice need to be rebalanced.’

Tenducci was one of the most acclaimed operatic singer, Peter Whelan, artistic director at the Irish Baroque Orchestra & mezzo-soprano, Tara Erraught, discuss their new CD, based on the life of Tenducci, Adam Mohamed is an Irish Sudanese spoken word artist, film-maker Paul Duane revisits his documentary Barbaric Genius 10 years on.

A series of undiagnosed heart attacks at thirty - Ciaran Byrne takes his second chance. Dr Karen Ward understands the link between a woman's fertility cycle and that of the moon. Peter Whelan's no advocate of the "throw away" society especially in his kitchen! Burke's Banter is right on the money and David McLean's beautiful photograph has been selected to appear on the RTE weather forecast. See acast.com/privacy for privacy and opt-out information.

V začetku januarja sta v Viteški dvorani ljubljanskih Križank v sklopu cikla Mladi virtuozi nastopili oboistka Tjaša Škvorc in fagotistka Eva Fritz. Najprej se je vsaka predstavila kot solistka, za konec pa sta zaigrali še v triu s korepetitorjem Tadejem Horvatom. V oddaji boste slišali Vokalizo Rahmaninova in Dutilleuxovo sonato v izvedbi Tjaše Škvorc, skladbo Iz polsna Leona Firšta in Saint-Saënsovo sonato v interpretaciji Eve Fritz, končala pa se bo s Triem za klavir, oboo in fagot Francisa Poulenca. Tjaša Škvorc se je začela glasbeno izobraževati pri devetih letih na glasbeni šoli Krško, trenutno pa se šola na konservatoriju za glasbo in balet v Ljubljani pri Mateju Šarcu. Je članica Pihalnega orkestra Krško in Simfoničnega orkestra Krško, s katerim je maja 2016 nastopila kot solistka z Albinonijevim duetom za dve oboi. Do zdaj je osvojila že dve zlati priznanji na tekmovanju TEMSIG, in sicer leta 2012 in leta 2019. Svoje znanje je izpopolnjevala pri številnih oboistih, kot so German Diaz Blanco, Clara Dent-Bogányi, Guy Porat, Irmgard Krajter Anderl, Branko Mihanović in Marta Rožanska. Eva Fritz je končala osnovno glasbeno izobraževanje v Krškem, deluje pa kot članica Simfoničnega orkestra glasbene šole Krško in Pihalnega orkestra Krško, s katerima je nastopila tudi kot solistka. Sodelovala je v različnih komornih sestavih (pihalnem kvintetu, pihalnih triih), s katerimi je nastopala in tekmovala doma in v tujini. Kot solistka in komorna glasbenica se je udeleževala regijskih, državnih in mednarodnih tekmovanj (npr. Temsiga, tekmovanj Davorina Jenka v Beogradu ter Woodwind and Brass v Varaždinu in Svireli) in osvajala prve nagrade in zlata priznanja, trikrat pa je dosegla tudi največ točk. Svoje znanje je izpopolnjevala pri fagotistih, kot so Peter Whelan, Fabio Cury, Agnes Herpay, Michael Tavernaro, Zoran Mitev in Ole Kristian Dahl. Leta 2017 je opravila sprejemne izpite na Akademiji za glasbo v Zagrebu, na kateri se zdaj izobražuje pri profesorju Žarku Perišiću.

Mary Lou McDonald on Golf Gate, Sinead O'Leary on Nicola Sweeney's Murder and Peter Whelan's Parole and the Ballincollig Credit Union Competition. Tune into the Neil Prendeville Show weekdays from 9am on Cork's RedFM

This is the second of a two-part podcast produced by the Irish National Opera in partnership with dlr Libraries. The series will explore the different voice types you'll hear in an opera performance. Part 2 explores the higher voices including sopranos, mezzo sopranos and those rare male voices the countertenors. This episode features special guest interview with countertenor Xavier Sabato. Researched and presented by INO Artistic Partner and mezzo-soprano, Sharon Carty. Edited and mixed by Laoise O'Brien. Audio References: Mozart, Overture, Die Zauberflöte. Irish National Opera / Irish Chamber Orchestra conducted by Peter Whelan. 2019. Handel, Pena tiranna, Amadigi di Gaula. Performed by Xavier Sabata. Il Pomo D'oro conducted by Riccardo Minasi. Aparté. https://www.apartemusic.com/produit/bad-guys-xavier-sabata/ Handel, Sorge nel petto, Rinaldo. Performed by Xavier Sabata. Il Pomo D'oro conducted by Riccardo Minasi. Aparté. https://www.apartemusic.com/produit/bad-guys-xavier-sabata/ Handel, Dover, giustizia, amor, Ariodante. Performed by Hilary Summers. Opera Theatre Company / Irish Baroque Orchestra conducted by Markellos Chryssicos. 2016. Bach, Ave Maria. Performed by Alessandro Moreschi. https://www.youtube.com/watch?v=KLjvfqnD0ws Vivaldi, Ho il cor già lacero, Griselda. Performed by Katie Bray. Irish National Opera / Irish Baroque Orchestra conducted by Peter Whelan. 2019. Rossini, Non più mesta, La Cenerentola. Performed by Tara Erraught. Irish National Opera conducted by Fergus Sheil. 2019. Highest note ever sung, Adam Lopez. https://www.youtube.com/watch?time_continue=172&v=Kdp4NHWr7G8&feature=emb_logo Wagner, Liebestod, Tristan und Isolde. Performed by Miriam Murphy. Wide Open Opera conducted by Fergus Sheil. 2012. Puccini, Un bel dì vedremo, Madama Butterfly. Performed by Celine Byrne. Irish National Opera / RTÉ Concert Orchestra conducted by Timothy Redmond. 2019. Mozart, Der Hölle Rache, Die Zauberflöte. Performed by Kim Sheehan. Irish National Opera / Irish Chamber Orchestra conducted by Peter Whelan. 2019. Mozart, Dove sono, Le Nozze di Figaro. Performed by Máire Flavin. Irish National Opera / Irish Chamber Orchestra conducted by Peter Whelan. 2018. Gluck, Che fiero momento, Orfeo ed Euridice. Performed by Sarah Power. Irish National Opera / Irish Baroque Orchestra conducted by Peter Whelan. 2019.

This is the first of a two-part podcast produced by the Irish National Opera in partnership with dlr Libraries. The series will explore the different voice types you'll hear in an opera performance. Part 1 explores the male voices from bass to tenor with special guest interview with vocal coach and répétiteur Brenda Hurley. Researched and presented by INO Artistic Partner and mezzo-soprano, Sharon Carty. Edited and mixed by Laoise O'Brien. Audio References: Mozart, In diesen heil'gen Hallen, The Magic Flute. Performed by Lukas Jacobski. Irish National Opera / Irish Chamber Orchestra conducted by Peter Whelan. 2019. Rossini, Largo al factotum, The Barber of Seville. Performed by Gavan Ring. Wide Open Opera conducted by Fergus Sheil. 2016. Lehár, Dein ist mein ganzes Herz, Land des Lächelns. Performed by Gavan Ring. RTÉ National Symphony Orchestra conducted by David Brophy. 2019. Verdi, La donna è mobile, Rigoletto. Performed by Luciano Pavarotti and Antonio Tonini. 1964. https://www.youtube.com/watch?v=I4Iv9WdI4LE Luciano Pavarotti masterclass, Barbican London, 1987. https://www.bfi.org.uk/films-tv-people/4ce2b755b0342 Perotin le Grand, Viderunt Omne. Performed by the Early Music Consort of London, David Munrow. 2002. Monteverdi, Vi ricorda, o boschi ombrosi, L'Orfeo. Performed by John Elwes. Conducted by Yoshio Watanabe. 1990. Britten, Canticle II, Op. 51 Abraham and Isaac. Performed by John Elwes and Benjamin Britten. ℗ 2013 Naxos Classical Archives https://www.youtube.com/watch?v=_tMcopHJ9Bk

This week Andrew speaks with bassoonist Peter Whelan, who has undoubtedly crossed your Facebook feeds in the last week. Peter's Websites:https://www.askonasholt.com/artists/peter-whelan/https://www.peterwhelan.co.uk/about/Contact Ussurvivingclassicalmusic@gmail.comOur Social Media Pages:Instagramhttps://www.instagram.com/surviving.classicalmusic/Facebookhttps://www.facebook.com/survivingclassicalmusic/

Peter Whelan killed Sineads best friend and nearly killed her. He's shouldn't even be eligible for parole yet, but he's already getting day release & Sinead wants to know why. Did you watch the documentary "Redress" - the survivors still have no justice, says Seamus. A listener wants our help after her affair ended.. & there's lots more See acast.com/privacy for privacy and opt-out information.

Fr. Peter Whelan was an elderly Irish priest in Georgia and South Carolina who brought Christ to the sick and imprisoned during the Civil War. Tom and Noëlle Crowe tell how brought Christ to both Confederate POWs in the North, and Union POWs at the most notorious prison camp in the South, Andersonville. The post Father Peter Whelan: The Angel of Andersonville appeared first on SQPN.com.

Back in 2002, Sinéad O’Leary survived a knife attack in Cork that killed her best friend, Nichola Sweeney. Peter Whelan, from Rochestown, pleaded guilty to the savage murder of Nichola and the attempted murder of Sinéad, but he has now been granted parole in Cork. Sinéad O’Leary joined Susan to talk about how parole changes are so badly needed in Ireland.

In our January 2020 podcast, we find out about violinist Nicola Benedetti's latest venture, an impressive educational initiative that she's been dreaming of starting for years. She's our cover star on the January issue of BBC Music Magazine, and in this podcast we also enjoy a clip from our cover CD of works by Mozart and Schubert, played by BBC Radio 3 New Generation Artists.Plus, in this episode we pay tribute to the late conductors Mariss Jansons and Stephen Cleobury, bring news of the winners at the 2019 Royal Philharmonic Society Awards and hear about Olga Neuwirth's Orlando, which became the first opera by a woman to be staged in 150 years at the Vienna State Opera.And, as usual, we each bring along a new recording we've been enjoying this month.This episode is presented by deputy editor Jeremy Pound, who is joined be managing editor Rebecca Franks and reviews editor Michael Beek. It was produced by Ben Youatt and Jack Bateman.Recordings:Mahler Symphony No. 3Randi Stene; Oslo Philharmonic Orchestra & Chorus/Mariss JansonsSimax PSC1272Jeremy's choice: Forgotten TreasuresBuffalo Philharmonic/JoAnn FallettaBeau Fleuve 6059960998531Rebecca's choice: The Etudes Project: Volume OneJenny Lin (piano)Sono Luminus DSL-92236Michael's choiceVivaldi/JupiterLea Desandre, Bruno Philippe, Peter Whelan, Thomas DunfordAlpha Classics ALPHA550Stories:Mariss Jansons (1943-2019)https://www.bbc.co.uk/news/entertainment-arts-50630050Sir Stephen Cleobury (1948-2019)https://www.theguardian.com/music/2019/nov/24/sir-stephen-cleobury-obituaryWinners of the Royal Philharmonic Society Awards:http://www.classical-music.com/news/winners-royal-philharmonic-society-awards-2019-revealedOrlando world premiere review:https://www.theguardian.com/music/2019/dec/14/orlando-vienna-state-opera-review-olga-neuwirth-world-premiere-virginia-woolfJanuary 2020 issue of BBC Music Magazinehttp://www.classical-music.com/magazine/next-issue/bbc-music-magazine See acast.com/privacy for privacy and opt-out information.

No better man than Peter Whelan to face the music which he has following a difficult time for his Whole Hoggs business. Money Doctor John Lowe explained why so many of us are victims of the Great Irish Mortgage Rip Off. Travel Advisors in Ratoath picked up an industry national award recently and Andrew Lynch is a Happy Man! While Thomas Clare explained the ins and outs of the Louth GAA Double House Draw. See acast.com/privacy for privacy and opt-out information.

Sinéad tells PJ the justice system has shown no respect to the victims of convicted murderer Peter Whelan. See acast.com/privacy for privacy and opt-out information.

Sinead O'Leary came into studio to talk about Peter Whelan, who murdered her best friend and tried to kill her, Ciara McManus spoke about the murder of her brother John, we heard Laura's story of Post Natal Depression, and what was that strange light over Passage? See acast.com/privacy for privacy and opt-out information.

"I live in the area still why should I be looking over my shoulder for the rest of my life?" Sean tells PJ. He is disappointed Justice Minister Charlie Flanagan is already approving day release for the man who murdered his sister. See acast.com/privacy for privacy and opt-out information.

Today we spoke to Sean Sweeney, brother of murder victim Nichola, about the day release granted to her killer Peter Whelan.. as the Mary Elmes Bridge is officially opened, we heard from a very special guest who's here for the ceremony... how important is it to learn History in school & more See acast.com/privacy for privacy and opt-out information.

When Handel met Matthew Dubourg, who would later become Master of the Music at the court in Dublin, he was a little boy playing the violin standing on a stool. When the audience clapped afterwards, little Matthew Dubourg became so startled that he fell off the stool. Dubourg would later save Handel’s career. In this episode we will be joined by musician and conductor Peter Whelan, who will tell us about his latest discoveries about the relationship between Handel and Dubourg.Music: Dunedin Consort ‘Handel’s Original Dublin Version 1742’

Da Händel mødte Matthew Dubourg, den senere chefkomponist ved hoffet i Dublin, var han en lille dreng, der stod på en taburet og spillede violin. Da publikum bagefter klappede, blev lille Matthew Dubourg så befippet, at han faldt ned af taburetten. Senere var det Dubourg, der reddede Händels karriere. I dette afsnit får vi besøg af Peter Whelan, musiker og dirigent, der fortæller om sine seneste opdagelser om Händel og Dubourgs forhold til hinanden.www.handelmessiah.dk

This is the NSW election special and we are talking with Peter Welan from the Outdoor Recreation Party.Peter talks firearms ownership in Australia, ORP policies, the fight against government, and how to get the government out of your business.

Making their debut at this year's Festival, Ensemble Marsyas launch their new CD of Zelenka Sonatas at their concert on Sunday 16 September. We talk to Peter Whelan, founder member and bassoonist with the Ensemble, and give our listeners a taste of some of the beautiful music by Zelenka featured in advance of the concert and CD release, by kind permission of Linn Records. www.linnrecords.com www.ensemblemarsyas.com