Podcasts about Ramis

Miquel Ramis Bordoy está acostumbrado a que lo llamen “el último molinero de Mallorca”, pero él siempre insiste en que más que molinero, él es un maestro de molinos que trabaja tanto la madera como el metal. Su taller familiar, Es Moliner, que abrió en 1952, es el único dedicado a la restauración y reparación de molinos en la isla. Hoy en día, después de que los molinos hayan perdido la importancia crucial que tuvieron en la extracción de agua y la agricultura de un tiempo, el oficio de Ramis se relaciona con el mantenimiento de estructuras y la conservación de un patrimonio material y simbólico. Más información de este acto

IT'S GROUNDHOGS DAY! Groundhogs Day is an American tradition where a rodent decides the weather. Very similarly to how our country is run, a rodent sticks its head outside and the future is decided upon the sudden verdict. Groundhogs Day is also a beloved and celebrated classic comedy starring Bill Murray and directed by Harold Ramis. This movie is the stuff of legends - something on set even caused Murray and Ramis to never speak AGAIN. Find out all about this movie and more on this fresh from the grave episode of Death By DVD! Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD AND it is a New Years themed event! Perfect to ring in the New Year. DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVDHAVE YOU HEARD DEATH BY DVD GOES TO THE MOVIE? Hear the thrilling tale of your faithful host Harry-Scott Sullivan's adventure to Augusta, Georgia to see the cast and crew premiere of an all new independent horror film called LEFT ONE ALIVE.Hear all three parts, or read the story exclusively at deathbydvd.com. Tap here to learn more, or copy and paste the link belowhttps://deathbydvd.com/goes-to-the-moviesDid you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comNEED MORE DEATH?Hear DEATH BY DVD'S exclusive interview with underground artist CHRISTOPHER BICKEL and learn more about their work and new film PATER NOSTER AND THE MISSION OF LIGHT today! Tap here or copy and paste the link belowhttps://listentodeathbydvd.transistor.fm/episodes/death-by-dvd-presents-six-feet-under-the-underground-art-of-christopher-bickelBUY Pater Noster And The Mission Of Light NOW : https://www.indiegogo.com/projects/pater-noster-and-the-mission-of-light-horror-film

El caso Yeremay sigue dando que hablar. En este viernes, Óscar Gilsanz analiza la situación y cuenta cómo está el canario. También se refiere a él Manuel Pablo, que entrenó a Yeremay y con el que tiene una gran relación. Tras contar la última hora del entrenamiento, escuchamos a Ramis hablar del duelo ante el Dépor. En Burgos nos espera Héctor, de la peña deportivistas del Arlanzón de Burgos. Una peña que se inaugura mañana y en la que está el padre de Kevin Sánchez. Repasamos la agenda del fin de semana y nos paramos en el partido del Maristas ante Cortegada y el derbi coruñés entre el OAR y el Culleredo. Cerramos. como siempre. con la imagen de la semana.

El caso Yeremay sigue dando que hablar. En este viernes, Óscar Gilsanz analiza la situación y cuenta cómo está el canario. También se refiere a él Manuel Pablo, que entrenó a Yeremay y con el que tiene una gran relación. Tras contar la última hora del entrenamiento, escuchamos a Ramis hablar del duelo ante el Dépor. En Burgos nos espera Héctor, de la peña deportivistas del Arlanzón de Burgos. Una peña que se inaugura mañana y en la que está el padre de Kevin Sánchez. Repasamos la agenda del fin de semana y nos paramos en el partido del Maristas ante Cortegada y el derbi coruñés entre el OAR y el Culleredo. Cerramos. como siempre. con la imagen de la semana.

Rami Bladlav har både fightats i MMA på proffsnivå och satt nordiskt rekord i Statisk apnea (i folkmun även kallat att hålla andan under vatten) med sina hisnande 10 minuter och 3 sekunder. Vi går igenom Ramis minnespalats, faktorerna som skulle få honom att kasta allt i soptunnan de njutningsfulla stunderna när man äntligen får andas igen. Det är helt vanisinnigt underbart och helt orimligt för en själv som börjar få panik efter 30 sekunder av att hålla andan. Följ @ramibladlav på Instagram och hejja honom fram till pallplats på VM i Japan!

This week's pick is the turn of one of our longest supporters, Kent! And he's chosen THE road trip movie that spawned a franchise and influenced all that came after. It's the 1983 black comedy, National Lampoon's Vacation! The movie began as an adaptation of John Hughes's short story, “Vacation '58,” published in National Lampoon magazine. The screenplay was penned by Hughes himself, marking one of his early ventures into Hollywood comedy. Directed by Harold Ramis, the film starred Chevy Chase as the hapless family patriarch, Clark Griswold. Chase's improvisational comedy style helped shape the film's humor, with Beverly D'Angelo, Anthony Michael Hall, and Dana Barron rounding out the Griswold family. The road trip concept, centered on the Griswold family's disastrous journey to the fictional Wally World amusement park, resonated with audiences, blending slapstick humor with relatable family dynamics. Principal photography took place across various U.S. locations, including Arizona, California, Colorado, and Missouri, to capture the authentic feel of a cross-country road trip. Notable challenges included shooting in sweltering heat during desert scenes and the logistical complexities of filming with a live moose at the park. The film also saw some creative last-minute changes, such as altering the original ending (where Wally World was closed indefinitely) after test audiences found it too dark. The film's mix of irreverent comedy, Hughes's sharp writing, and Ramis's deft direction made it a critical and commercial success. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Clark Griswold is an overenthusiastic father, determined to take his family on the ultimate cross-country road trip to the Wally World amusement park. Along the way, Clark, his wife Ellen, and their children, Rusty and Audrey, face a series of increasingly absurd and catastrophic setbacks, including a car breakdown, disastrous stays with relatives, a flirtation with a mysterious woman in a Ferrari, and the tragic demise of their aunt's dog. Despite the chaos, Clark's relentless optimism drives the family to press on, culminating in a hilariously chaotic finale at Wally World that underscores the unpredictable and often hilarious nature of family vacations. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠

2 atletas profesionales de trail running nos cuentan su experiencia en gravel por primera vez. ¿Cómo ha sido su experiencia qué han sentido, qué similitudes han visto entre trail y gravel, repetirían la experiencia? Son algunas de las cuestiones que escucharéis en el episodio de hoy.Ambos combinan el running con algo de ciclismo de carretera para añadir volumen y quitar impacto pero nunca se habían subido a una gravel. Una ruta de corta de menos de 2 horillas y una ruta más larga de Mataró a Girona fueron sus salidas. Ambos son deportes de resistencia y comparten, en cierto modo, superfície por donde se practican. Veremos qué conclusiones sacamos en esta tertúlia gravelera.A partir de aquí una charla muy informal, una conversación donde hubo tiempo para todo poniendo el gravel en el centro de la conversación.Para poner en contexto, tanto Álex García como Damià Ramis son amigos de Carlosy estaban pasando unos días en su casa, en un magnífico sofá cama, para pasar unos días juntos y entrenar. Así que ya os podéis imaginar el tono, insistimos, informal de la tertúlia. Un poco de palmarés e los invitados:Álex García es atleta profesional del equipo Brooks Trail Runners (3 veces consecutivas campeón de España de Trail Running, ganador media de Lavaredo o del Montblanc, 2º en la ETC by UTMB, ganador de la Media de Ultrapirineu y 2º en la maratón de Ultrapirineu y un merecido podio en el Mundial de Trail Running en la Subida Vertical. Damià Ramis también atleta Brooks, ganador de Transgrancanaria Starter, top 10 Campeonato España Trail corto y ganador de la marató de Camí de Cavalls, entre otras carreras nacionales.Como siempre, si os ha gustado el episodio dejas un comentario, dadle 5 estrellistas al podcast, compartdilo con vuestros amigos, dadle a follow, a seguir, like... todo eso, que no cuesta nada y a nosotros nos ayuda a seguir posicionando el podcast y creciendo.¡Feliz entrada de año 2025! 

Content creator and vlogger Ramis Ansari, famous for his POV, lip-sync, and comedy videos, has amassed over 460,000 followers on social media. In an insightful conversation, he discusses the challenges desi content creators face, the social vibe, and why he chose social content creation as a career over traditional jobs. - وی لاگر رامس انصاری اپنے سوشل میڈیا اکاؤنٹ پر POV، لپ سنِک، اور کامیڈی ویڈیوز پوسٹ کرنے کے لیے مشہور ہیں۔سوشل میڈیا پلیٹ فارم پر ان کے 4,60,000 سے زیادہ فالوورز ہیں۔ان سے کی گئی دلچسپ بات چیت میں کرکٹ، شادی، اور لگی بندھی ملازمت کے بجائے سوشل کانٹنٹ کو زریعہ روزگار بنانے جیسے موضوعات پر دلچسپ بات چیت سنئے۔

Shoot Us A Message!Welcome back to another exciting episode of The Insurance Dudes! Today, we're diving deep into the world of entrepreneurship and the insurance industry with our special guest, Ramis Hakim. Ramis, an industry veteran, shares his journey from aspiring minister to becoming a powerhouse in final expense life insurance sales. We'll explore his strategic focus on ultra-specialization, the importance of building a robust business system, and how a strong company culture with core values encapsulated in the acronym TEAM—Trust, Enthusiasm, Advancement, and Money—can drive success.Ramis also opens up about his unique business model, which includes handling customer service internally for better satisfaction, moving 350 employees to remote work successfully, and the power of maintaining consistent business practices. Plus, he offers valuable advice for newcomers to the industry and the importance of mentorship.Secrets to Success in Insurance Sales with Ramis HakimJoin the elite ranks of P&C agents. Sign up for Agent Elite today and get exclusive resources to grow your agency!

El universo Bloodborne vuelve a Noviembre Nocturno de la mano de Games Tribune Magazine, que ha invocado un nuevo grimorio, “Memorias de Yharnam”, un compilatorio de las narrativas principales del Cazador y la vieja sangre, el ya mítico videojuego de Hidetaka Miyazaki ambientado en la desolada tierra de las pesadillas y sueños de Yharnam… ¿Qué queda de los dioses cuando mueren?… En la costa gris de la aldea pesquera, las olas bañan el cadáver inmenso y blanquecino de un cuerpo retorcido, ajeno a las leyes que rigen nuestro mundo, su presencia distorsiona la atmosfera en el hedor de la podredumbre. Es el cuerpo inerte de un dios más antiguo que las mareas, su silencio engañoso se alimenta de los sueños oscuros de aquellos que osan acercarse. Pero no hay oraciones ni plegarias que puedan alejar su maldición ponzoñosa.. Se esparcirá con la brisa de las mareas y de sus llagas abiertas, nacerán las pequeñas y retorcidas visiones… Aquí os dejamos el link a esta maravilla! 👇👇👇 https://www.gtm-store.com/product/memorias-de-yharnam-ecos-de-sangre/ Háganse con uno de los ejemplares de Memorias de Yharnam. Allí encontrarán este y otros maravillosos ensayos de Lola Fernández; con su impecable estilo, capaz de transmitirnos el delirante trasfondo de los antiguos mitos, con la elegancia y el horror que caracterizaban al videojuego original… Además, podrán deleitarse con toda una colección de ilustraciones de artistas del calibre de J. Giner, Tomas Hijo, Isa Fernández y Álvaro Jiménez Texto central de Lola Fernández 👇👇👇 https://bsky.app/profile/lolatsubasa.bsky.social Locución, Producción sonora y Guion de introducción y conclusión de Láudano 👇👇👇 https://www.instagram.com/lavdano/ Ilustración de portada de J. Giner 👇👇👇 https://x.com/Jennestudios Gracias al maestro Ramis y a todo el equipo de GTM por hacerlo posible! Ramisfactions 👇👇👇 https://bsky.app/profile/ramisfactions.bsky.social GTM 👇👇👇 https://bsky.app/profile/gamestribune.bsky.social Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

El universo Bloodborne vuelve a Noviembre Nocturno de la mano de Games Tribune Magazine, que ha invocado un nuevo grimorio, “Memorias de Yharnam”, un compilatorio de las narrativas principales del Cazador y la vieja sangre, el ya mítico videojuego de Hidetaka Miyazaki ambientado en la desolada tierra de las pesadillas y sueños de Yharnam… Aquí os dejamos el link a esta maravilla! 👇👇👇 https://www.gtm-store.com/?s=Yharnam&post_type=product La Academia de Mensis nació para encontrar los secretos arcanos de los Grandes Antiguos, seres cósmicos cuya naturaleza, la humanidad no estaba preparada para comprender. Buscaban la trascendencia, obsesionados con obtener el favor del mundo sobrenatural, engendraron el mas terrible de todos los males… En lugar de iluminación, sus cuerpos quedaron inertes y sus almas atrapadas en la condenación eterna. Háganse con uno de los ejemplares de Memorias de Yharnam. Allí encontrarán este y otros maravillosos ensayos de Lola Fernández; con su impecable estilo, capaz de transmitirnos el delirante trasfondo de los antiguos mitos, con la elegancia y el horror que caracterizaban al videojuego original… Además, podrán deleitarse con toda una colección de ilustraciones de artistas del calibre de J. Giner, Tomas Hijo, Isa Fernández y Álvaro Jiménez Texto central de Lola Fernández 👇👇👇 https://bsky.app/profile/lolatsubasa.bsky.social Locución, Producción sonora y Guion de introducción y conclusión de Láudano 👇👇👇 https://www.instagram.com/lavdano/ Ilustración de portada de Isa Fernández 👇👇👇 https://bsky.app/profile/isaconlimon.bsky.social Gracias al maestro Ramis y a todo el equipo de GTM por hacerlo posible! Ramisfactions 👇👇👇 https://bsky.app/profile/ramisfactions.bsky.social GTM 👇👇👇 https://bsky.app/profile/gamestribune.bsky.social Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

El universo Bloodborne vuelve a Noviembre Nocturno de la mano de Games Tribune Magazine, que ha invocado un nuevo grimorio, “Memorias de Yharnam”, un compilatorio de las narrativas principales del Cazador y la vieja sangre, el ya mítico videojuego de Hidetaka Miyazaki ambientado en la desolada tierra de las pesadillas y sueños de Yharnam… Aquí os dejamos el link a esta maravilla! 👇👇👇 https://www.gtm-store.com/?s=Yharnam&post_type=product "Yharnam, en otro tiempo considerada la cúspide de la civilización, sufre una terrorífica maldición. En lo más profundo de las entrañas de la ciudad se extiende un laberinto subterráneo conocido como la Tumba de los Dioses, donde se halló una sustancia única: la vieja sangre… el néctar de los magos y alquimistas de la muerte. Sus descubridores, cegados por sus pecaminosas ambiciones, la consumieron y condenaron a los humanos a caer en desgracia debido a la infección de las bestias latente en su interior". Háganse con uno de los ejemplares de Memorias de Yharnam. Allí encontrarán este y otros maravillosos ensayos de Lola Fernández; con su impecable estilo, capaz de transmitirnos el delirante trasfondo de los antiguos mitos, con la elegancia y el horror que caracterizaban al videojuego original… Además, podrán deleitarse con toda una colección de ilustraciones de artistas del calibre de J. Giner, Tomas Hijo, Isa Fernández y Álvaro Jiménez Texto central de Lola Fernández 👇👇👇 https://bsky.app/profile/lolatsubasa.bsky.social Locución, Producción sonora y Guion de introducción y conclusión de Láudano 👇👇👇 https://www.instagram.com/lavdano/ Ilustración de portada de Álvaro Jiménez 👇👇👇 https://bsky.app/profile/alvarojimenez.bsky.social Gracias al maestro Ramis y a todo el equipo de GTM por hacerlo posible! Ramisfactions 👇👇👇 https://bsky.app/profile/ramisfactions.bsky.social GTM 👇👇👇 https://bsky.app/profile/gamestribune.bsky.social Música y efectos de Epidemic Sounds Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

On February 24, 2014, Harold Ramis — the comedic genius who shaped some of the most iconic films in American cinema—passed away from complications of autoimmune inflammatory vasculitis at the age of 69. With his uniquely dry wit and unforgettable charm, Ramis left an indelible mark on Hollywood, not only as a writer and director but as an actor who brought beloved characters to life. From Ghostbusters to Groundhog Day, his work redefined comedy and inspired a generation of filmmakers, infusing humor with unexpected depth and intelligence. Hosts: Jason Beckerman & Derek Kaufma Learn more about your ad choices. Visit megaphone.fm/adchoices

Bienvenidos al Hotel Esperit Roca, un refugio con esencia y singularidad ideal para desconectar, a pocos kilómetros del corazón de Girona. Sus jardines, en armonía con la piscina al aire libre, lo convierten en un oasis de paz. Inspirado por la majestuosidad de la montaña dels Sants Metges, os recibimos en un enclave elevado impregnado de serenidad y hospitalidad. Ubicado en la cumbre de la montaña dels Sants Metges, el hotel ofrece vistas panorámicas de 360º hacia Girona y l'Empordà. Forma parte del proyecto Esperit Roca, en el Castillo de Sant Julià de Ramis, de los hermanos Roca, donde podréis conocer su nuevo restaurante gastronómico, descubrir su destilería y explorar su última exposición. Las 15 habitaciones del hotel, construidas con materiales naturales, son concebidas para armonizarse con su entorno y brindar un espacio exclusivo y apacible. Creadas para ser estancias sumamente confortables, cada una cuenta con vistas impresionantes del entorno de Girona. La gastronomía ocupa un lugar central en la experiencia. Comenzad el día con nuestro desayuno buffet que ofrece vistas inigualables. Calidad, proximidad y elaboración artesanal guían la selección de productos del desayuno, acompañado de unas vistas panorámicas del Empordà. En el restaurante del hotel ofrecen una carta elaborada con productos locales de la región de Girona. Cada plato está cuidadosamente diseñado para resaltar la estacionalidad y la calidad de los ingredientes, reflejando lo mejor de nuestra tierra. Descuento 5% en tu seguro de viaje https://www.iatiseguros.com/seguros-viaje/21593/seguro-viaje-iati-estandar?r=90512541896105

Va venir a estudiar a Barcelona i aqu

Hay varios detalles que hacen singular a la Menorca Talayótica. Una sociedad que se inventó a sí misma con los elementos naturales de los que disponía. Además de su geología, fauna y flora, existe un factor diferencial importante; los lugares que habitó.En función a la manera de construir edificios, la Menorca talayótica puede decir que es única en, al menos, tres aspectos muy concretos que nos desvela el arqueólogo Quim Pons.Las navetas funerarias. Es singular la elección donde se ubican, en espacios planos o ligeramente cóncavos. Los patrones de orientación muestran también una relación con la interpretación del cielo, lo que da la idea del interés por la observación astronómica y la relación con ritos funerarios. Las navetas funerarias como Es Tudons y Rafal Rubí son tumbas únicas y exclusivas de Menorca y, de hecho, constituyen uno de los monumentos más emblemáticos e identificadores de la isla. Se empiezan a construir dentro del período naviforme y su final está dentro del período talayótico, por lo que es un tipo de monumento a caballo entre dos períodos culturales.El recinto de taula es un tipo de construcción de la cultura talayótica exclusiva de la isla de Menorca, que estuvo en uso durante el talayótico final. Esta característica T, formada por dos losas rectangulares de grandes dimensiones que pueden sobrepasar los cuatro metros de altura, es la columna central del edificio y es su elemento más singular. De hecho, es lo que le ha acabado dando el nombre.Actualmente, se conocen 31 recintos de taula, en algunos de los cuales ya no existe la propia taula. Algunos autores (como Joan Ramis y Ramis) aventuró que las taulas serían sitios donde se celebrarían sacrificios y rituales. Aún hoy está vigente el reto de dilucidar qué aspectos religiosos o ideológicos pueden explicar su existencia, con múltiples elementos cargados de valor simbólico. El singular patrón de orientación astronómica de estos edificios hacia el sur geográfico demuestra la importancia de los elementos a la hora de establecer su diseño.

Hoy, en nuestro penúltimo episodio, viajamos en el tiempo, pero esta vez no para explorar la prehistoria, sino para recorrer el largo camino que ha llevado a Menorca talayótica a ser reconocida por la UNESCO como Patrimonio Mundial. Un viaje que no solo ha sido arqueológico, sino también diplomático, cultural y social.El trayecto comenzó hace más de 14 años, en 2009, cuando el Institut Menorquí d'Estudis propuso por primera vez que Menorca talayótica fuese reconocida como Patrimonio Mundial. Al año siguiente, el Pleno del Consell Insular aprobaba por unanimidad iniciar los trámites para conseguir la declaración, y poco después se iniciaba la redacción del expediente. El hecho de que la iniciativa se aprobara con el apoyo de todos los grupos políticos fue clave para conseguir mantener el interés por el proyecto, pese a los sucesivos relevos ocurridos en el Consell a lo largo de la candidatura.Los primeros pasos fueron lentos, centrados en la recopilación de datos sobre los yacimientos. Se trataba de crear un dosier sólido que convenciera a los evaluadores de ICOMOS de la conveniencia de inscribir a la Menorca Talayótica en la lista de Patrimonio Mundial.Pero ese esfuerzo no fue solo de las instituciones. Muchos sectores de la sociedad menorquina se implicaron en el proyecto, conscientes de la importancia de proteger y promover su patrimonio. Se organizaron eventos, exposiciones y visitas guiadas para sensibilizar a la población local y turistas, por igual, sobre la relevancia de este patrimonio único.El trabajo no se empezó desde cero: Menorca cuenta con una larga tradición de estudio de la prehistoria, que puede remontarse hasta el pionero trabajo de Joan Ramis i Ramis, de 1818, titulado “Antigüedades célticas de la isla de Menorca”. Las diversas excavaciones realizadas durante las últimas décadas del siglo XX, que se multiplicaron en número a principios del siglo XXI, proporcionaron una enorme cantidad de datos con los que construir un expediente que recibió la aprobación de los técnicos del Ministerio de Cultura.

¡Cruzada veraniega! El capitán Ramis se ha enfundado su servoarmadura para catar Space Marine II, la esperada secuela del aclamado título del oscuro universo de Warhammer 40.000. Rami tuvo oportunidad de jugar unas horas al frenético título de Saber Interactive y nos asegura que el Emperador da su beneplácito. Nuestro marine favorito nos adelantará sus impresiones, repasando todo lo que Space Marine II tiene que ofrecer. ✔️ Ramiro Díez · @Ramisfactions GTM LINKTREE: https://linktr.ee/gtmediciones ====================== GTM (Games Tribune Magazine) 2024 @GamesTribune www.gamestribune.com

"Groundhog Day," released in 1993 and directed by Harold Ramis, is more than just a comedy; it's a timeless exploration of human nature, personal growth, and the possibility of redemption. At the heart of this film is Bill Murray's iconic portrayal of Phil Connors, a cynical and egotistical weatherman who finds himself inexplicably trapped in a time loop, reliving the same day repeatedly. This seemingly simple premise blossoms into a rich narrative that balances humour with profound philosophical questions, making "Groundhog Day" a film that resonates on multiple levels and remains relevant more than three decades after its release.CinematographyThe cinematography by John Bailey is subtle yet effective, capturing the small-town charm of Punxsutawney, Pennsylvania, while enhancing the film's repetitive structure. The film cleverly uses visual cues to signify the passage of the same day, such as the recurring shot of the alarm clock flipping to 6:00 AM, accompanied by Sonny & Cher's "I Got You Babe." This repetitive visual motif reinforces the loop and creates a sense of claustrophobia and familiarity, making Phil's frustration palpable to the audience. Tight framing and repetitive angles help to convey Phil's initial sense of entrapment, while the gradual introduction of more dynamic shots mirrors his evolving perspective on his predicament.StorytellingAt its core, "Groundhog Day" is a masterclass in storytelling. The script, co-written by Ramis and Danny Rubin, expertly balances the comedic and the existential. The film begins with a focus on Phil's narcissism and the comedic potential of his situation. His initial attempts to exploit the time loop for personal gain provide some of the film's most humorous moments, from binge-eating and reckless driving to seducing women. However, as the days continue to repeat, the narrative shifts to a deeper exploration of Phil's character.One of the most compelling aspects of "Groundhog Day" is its structure. The repetitive nature of the plot allows for a unique form of character development. Phil's journey from cynicism to enlightenment is not a straightforward path but a series of trials and errors, successes and failures. This cyclical progression mirrors real-life growth, where change occurs incrementally and through repeated effort. The film's pacing is meticulously crafted, ensuring the repetitive sequences remain engaging and progressively reveal more about Phil's inner transformation.Character DevelopmentBill Murray's performance as Phil Connors is nothing short of brilliant. He brings a nuanced blend of sarcasm, vulnerability, and, eventually, sincerity to the role. Initially, Phil is the epitome of a self-centred jerk, treating those around him with disdain and seeing Punxsutawney as a backwater trap. However, as the loop forces him to confront his own flaws and the impact of his actions on others, we witness a profound change. Murray's portrayal of this transformation is both believable and moving. His comedic timing is impeccable, but his ability to convey the subtler moments of despair and introspection truly anchors the film.Supporting Murray is Andie MacDowell as Rita, Phil's producer and the object of his initially superficial affections. MacDowell's performance adds a layer of warmth and earnestness to the film. Rita serves as a moral compass for Phil, embodying the virtues of kindness, patience, and genuine human connection that he initially lacks. As the bumbling cameraman Larry, Chris Elliott provides additional comic relief while also serving as a foil to Phil's arrogance.Historical and Cultural Significance"Groundhog Day" has achieved a rare status in popular culture, becoming a reference point for discussions about time loops and repetitive experiences. The film's impact extends beyond its comedic roots, influencing various genres and spawning countless homages and parodies. Its humour and existential inquiry blend has resonated with audiences and critics alike, cementing its place as a modern classic.The film also taps into universal themes of self-improvement and the search for meaning. Phil's journey is emblematic of the human condition—the struggle to overcome one's flaws, find purpose, and connect authentically with others. This timeless message ensures that "Groundhog Day" remains relevant across different generations and cultures.Relevance to Pop Culture"Groundhog Day" has left an indelible mark on pop culture, becoming a shorthand for any situation involving repetition or feeling stuck in a rut. Its influence can be seen in various films, TV shows, and even video games that explore similar themes of time loops and self-improvement. The concept of reliving the same day has been adapted in diverse genres, from the horror-thriller "Happy Death Day" to the action-packed "Edge of Tomorrow."The film's enduring popularity is also reflected in its continued relevance in discussions on personal growth and resilience. In a world where many people feel trapped by routines and unfulfilled aspirations, "Groundhog Day" offers hope and transformation. Phil's eventual realisation that he can change his circumstances by changing himself is a powerful reminder of the potential for personal redemption and the importance of empathy and kindness.In conclusion, "Groundhog Day" is a film that transcends its comedic premise to offer a profound exploration of human nature and the possibility of change. Its clever cinematography, masterful storytelling, and stellar performances combine to create an entertaining and thought-provoking narrative. As Phil Connors discovers the value of selflessness and genuine human connection, the audience is invited to reflect on their lives and how they can break free from their metaphorical time loops. For these reasons, "Groundhog Day" remains a beloved and culturally significant film that continues to inspire and entertain audiences worldwide.

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the most influential sci-fi horror comedy to ever exist, "Ghostbusters". Ghostbusters is a 1984 American supernaturalcomedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. It stars Bill Murray, Aykroyd, and Ramis as Peter Venkman, Ray Stantz, and Egon Spengler, three eccentric parapsychologists who start a ghost-catching business in New York City. It also stars Sigourney Weaver and Rick Moranis, and features Annie Potts, Ernie Hudson, and William Atherton in supporting roles.Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan and Steven on their fantastic Podcast "The Talk No Justsu Podcast" https://open.spotify.com/episode/05FUyTQLzBHBjGA8EIAjRB?si=b3CkutraR-Wjj5Cr1GI0FQ

“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {

¡NUEVO PROGRAMA! Y viene cargadito… Os contamos qué nos han parecido los tráilers de Elden Ring: Shadow of The Erdtree, y Warhammer 40,000: Space Marine 2. También tenemos a Ramis, que nos habla de GTM, Kaibun y de muchas cosas más. Y además os traemos una buena ristra de reseñas guapas: Hellblade II, Reveil, Paper Mario La puerta milenaria, Ghost of Tsushima para PC, The Murder of Sherlock Holmes, An english Haunting, Indika para consolas, y Horizon Chase 2. ¡Casi nada!

Mswati III viu com un rei. Se li atribueix una col

In this talk, Ajahn Nisabho speaks about the final six of the ten Pāramitā, or "Perfections", viriya (effort), khanti (forbearance), sacca (honesty), adhiṭṭhāna (determination), mettā (benevolence), upekkhā (equipoise). Naming and orienting ourselves towards these qualities of heart allows us to broaden our conception of practice, growth, and the path.

In this talk, Ajahn Nisabho speaks about the first four of the ten Pāramitā, or "Perfections", Dāna (giving), sīla (virtue), nekkhamma (renunciation), and paññā (wisdom). Naming and orienting ourselves towards these qualities of heart allows us to broaden our conception of practice, growth, and the path.

Al orar por los demás, sé que nada es imposible --- Send in a voice message: https://podcasters.spotify.com/pod/show/unityvisionencienciayfe/message

El amor de Vida me consuela --- Send in a voice message: https://podcasters.spotify.com/pod/show/unityvisionencienciayfe/message

The TMI guys are back with an episode you'll want to hear over and over and over again! They're diving deep into this beloved 1993 Bill Murray/Harold Ramis collaboration — a cinematic masterpiece disguised as a standard-fare early '90s rom com. Jordan and Heigl speak at length (and with an almost pathological intensity) about the startlingly deep themes of Groundhog Day, and argue why Danny Rubin's clever screenplay is a genius-level meditation on life, love and what it means to grow as a human being. You'll learn all about the EXTREMELY dark early version of the script that had the main character reliving the same day for 10,000 years, the philosophical and spiritual implications of the movie that touch seemingly every single religion, and the psychotic lengths that some fans have gone to calculate exactly how long Bill Murray spent stranded in Punxsutawney. You'll also hear how on-set drama sparked a heartbreaking feud that ended Ramis and Murray's unparalleled creative partnership (until a the deathbed reunion that rekindled their friendship), the even bloodier feud Murray had with an on-set groundhog, the bizarre origins of the titular holiday, and the perfect reason why that deathless Sonny & Cher song was featured so prominently. See omnystudio.com/listener for privacy information.

Destacamos dos temas que afectan a Dyego Sousa, del Alcorcón y a Jauregi, del Amorebieta. Analizamos la remontada in extremis del Espanyol en Ipurua y la posibilidad que tiene ocupar el liderato esta jornada. Eibar-Leganés, es el partido de la jornada y desgranamos todas las claves con el comentarista Xavi Rodríguez.

This week the boys can finally have a little fun with Groundhogs Day. They have a nice, heated discussion of Marvel to kick things off, followed by some animated Mortal Kombat goodness, then finally they discuss the genre created by Harold Ramis when he made the comedy classic, Groundhogs Day. They take that concept and compare it to other time loop films Palm Springs and Edge of Tomorrow. Hold on, things get interesting.

A new month means a new theme, but in a first ever for the podcast, it's a SECOND episode on the same movie! Fittingly, Groundhog Day kicks off Romcom Month Strikes Back, a sequel to our first ever themed month back in February 2022. Ben, Anthony, and Sam get (time)loopy talking about Harold Ramis' classic existential romantic comedy. Directed by Ramis and starring Bill Murray, Andie MacDowell, and Chris Elliott.

A "El mat

MD24 leaves a number of managers on the brink of the sack with speculation about Ramis' future at Espanyol as well as others such as Albes at Albacete and Sarabia at Andorra. On the up are Oviedo, Ferrol and Eibar whilst Burgos become the only unbeaten team at home in Segunda after Real Sporting's 96th minute defeat.   Enter the Super Cinco by completing the form on the link below! https://forms.gle/nRG5YDYTUJaTEtxMACheck who you picked in your team on the link below https://docs.google.com/spreadsheets/u/0/d/1VlKSZGEf6CNrVBWZ7hdbBUrunOFNveoLyX6n4_dBHg4/htmlview?pli=1#PrizesMonthly winner: 50% off at @davethephotowww.footballstadiumphotography.co.ukANDA Spanish Segunda Show mug*Season winner: £30 voucher at @davethephotowww.footballstadiumphotography.co.uk*Free UK deliveryVisit www.footballstadiumphotograhphy.co.uk to see their range of A3 and A4 prints, t-shirts, mugs, coasters and more, with a choice of over 100 stadia!Join our Segunda Spanish Show community FOR FREE on discord - link below. https://discord.gg/Wt9YssuQau- Free App- Free to join- Chat with like minded Segunda fans, including Alex and Liam(Similar to a whatsapp group chat but does not reveal your phone number to other users)

Nick welcomes the incredible actor and amazing storyteller Stephen Tobolowsky back to the podcast to chat about his upcoming appearance in Chicago to celebrate the movie "Groundhog Day" (in which he plays Needlenose Ned Ryerson!) and the great Harold Ramis. Tobo also remembers the legendary Norman Lear with personal stories about working with the television icon (including an absolutely beautiful story about spending a very special Yom Kippur with Norman) and how his work, along with Ramis', changed the entertainment world as we know it. Stephen also has time to talk about working with Christopher Nolan, getting kneed in the nuts by Bridget Fonda, and playing "Porn Clerk" opposite O.J. Simpson. Then, Esmeralda Leon and Nick have fun talking about dogs, dog-poop bag dispensers, feeding pets, and how being cold in Chicago is actually no big deal.  [Ep212]

Fran Garagarza, director deportivo del RCD Espanyol de Barcelona, protagoniza este episodio donde comparte cómo fueron sus inicios, su etapa en la SD Eibar, la llegada al club perico, la apuesta por Ramis... Junto a ⁠⁠⁠⁠⁠⁠⁠⁠Roberto Benito⁠⁠⁠⁠⁠⁠⁠⁠.

Si fem cas dels grecs, que ho sabien tot, la paraula Balcans vol dir caos. I, certament, parlem d'un territori complex. No nom

Grosso modo, els mars del sud ocupen la meitat del planeta. Aix

The league leaders felled a rival in BuVARque, Ramis made his Espanyol dugout debut, two promoted sides continued to make waves, Burgos' home record continues after a sensational second half and a mini crisis for Garitano in Tenerife.  Enter the Super Cinco by completing the form on the link below! https://forms.gle/nRG5YDYTUJaTEtxMACheck who you picked in your team on the link below https://docs.google.com/spreadsheets/u/0/d/1VlKSZGEf6CNrVBWZ7hdbBUrunOFNveoLyX6n4_dBHg4/htmlview?pli=1#PrizesMonthly winner: 50% off at @davethephotowww.footballstadiumphotography.co.ukANDA Spanish Segunda Show mug*Season winner: £30 voucher at @davethephotowww.footballstadiumphotography.co.uk*Free UK deliveryVisit www.footballstadiumphotograhphy.co.uk to see their range of A3 and A4 prints, t-shirts, mugs, coasters and more, with a choice of over 100 stadia!Join our Segunda Spanish Show community FOR FREE on discord - link below. https://discord.gg/Wt9YssuQau- Free App- Free to join- Chat with like minded Segunda fans, including Alex and Liam(Similar to a whatsapp group chat but does not reveal your phone number to other users)

Featuring Rami Margron Hey kids!  This week on the cast of casts, The Full Moon Energy Burps with Impending Doom.  But not to fear, cuz Rami's here and they're to the Rescue!!  We get to hear tails of Ramis time in Louisville, about their choice to not wait to ride the emotional wave and their resultant crashed onto the beach of life.  Ramis record keepers then come to Ramis rescue and magic ABOUNDS!  Namaste, bitches.  We love you! Please support at patreon.com/AllTheAnswersPodcast All The Answers is a podcast about Consciousness, Friendship, The Akashic Records,  Psychic Awareness, Spirituality, Comedy, Enneagram, Human Design Starring Katie Rubin and Cassidy Brown, featuring Guests and your energy.  Go to Katie Rubin .com  FB/IG/T @allanswerspod Send your questions to, allanswerspod@gmail.com, maybe we'll answer your question, maybe we'll just get you on the show to ask it yourself. Join the facebook community for great conversations with like minded individuals.  Thanks for the listens and support, Please Rate/Review and tell a friend.  Special Thanks to Safiya Fredericks for all the preparation. 

Comentario sobre el libro En la cabaña del tiempo escondido de Magali García Ramis. --- Send in a voice message: https://podcasters.spotify.com/pod/show/teresita-vazquez/message

Continuem en temps de televisi

VISIT OUR SPONSORS The Louisiana Renaissance Festival https://www.larf.org The Patrons of the Podcast https://www.patreon.com/RenFestPodcast Happy To Be Coloring Pages https://happytobecoloring.justonemore.website The Ren List http://www.therenlist.com SONGS Tom of Bedlam performed by Bedlam from the album Angels Dark Lady performed by The Shantyman (Gregg Csikos) from the album Pirate's Life Broom of Cowdeknowes performed by Kevin Tyler from the album Songs of the Savage Spirit Hovedel (Trad. Welsh) performed by Leah Jorgensen from the album Peace - Love - Harp Wild Rover Blues performed by Cross Rogues from the album The Obligatory Self-Titled Debut https://jesselinder.bandcamp.com/ Two Magicians performed by Off Keel from the album Running At A Slant Rosen De Beau performed by Bret Blackshear from the album Fingers, Frets and Fire https://www.facebook.com/blackshearsmusic/ I'll Tell My Ma performed by Belles of Bedlam from the album Folked Up! Come By The Hills performed by Zoe Alexander from the album Bardsong Carnivalito , Ramis performed by Owain Phyfe from the album Lagrimas de Sangria Hard Times Come Again No More performed by Curtis & Loretta from the album Just My Heart For You https://www.curtisandloretta.com The Merry Blacksmith / Lilac Reel performed by Calliope House from the album Within the Fire https://www.amazon.com/Within-Fire-Calliope-House/dp/B000O77WQO The Effects of Whisky performed by Ed Miller from the album Lolander http://songsofscotland.com/ The Leprechaun performed by Maidens III from the album Charm & Fire Whisky in the Jar performed by Keelhaul from the album A Maritime Tradition Man You Don't Meet Every Day performed by The Fisticuffs from the album Bruised but not Beaten Planxty Irwin performed by John C. Wiseman from the album Simply Entitled http://johncwiseman.com/ The Journey performed by Rovers Way from the album The Journey www.https://roverswaystudios.com/ Best Damn Life performed by Rovers Way from the album The Journey www.https://roverswaystudios.com/ Fishy Mermaid performed by Mallory & McCall from the album Kings of the Sea Forty Shades Of Green performed by Molly and the Tinker from the album Pour Us Another One Little Beggarman performed by Muses from the album The Muses - Live! The Whistling Gypsy performed by Mistress Bawd from the album Give Back My Bordello Wild Mountain Thyme performed by Celtic Stone from the album Digital Flashback HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/  

"Groundhog Day used to mean something in this town." For Episode 284, Brandon and Thomas are kicking off their series of movies about Being Stuck in a Small Town. And for their first movie, they're discussing GROUNDHOG DAY. Listen as they talk about the development complications, the cold weather that plagued the shoot, and the massive tensions between Harold Ramis and Bill Murray during the film's production.  Opening Banter (00:00:10) Intro to the Stuck in a Small Town Genre (00:07:20) Intro to Groundhog Day (00:12:05) History of How Groundhog Day Got to Production (00:16:46) Favorite Scenes (00:37:42) On Set Life - (00:55:02) Aftermath: Release and Legacy (01:05:38) What Worked and What Didn't (01:14:52) Film Facts (01:26:17) Awards (01:33:07) Final Questions (01:40:56) Preview for Next Week (01:52:19) Join our Patreon for More Content: https://www.patreon.com/cinenation Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

The Portland region needs 60,000 housing units to resolve the current housing shortage. What new land use laws are helping close the gap? And what legal developments make it even harder for developers to keep up with demand? Ezra Hammer and Jamie Howsley are attorneys at Jordan Ramis, a firm that serves the businesses of Pacific Northwest. Ezra and Jamie have expertise in land use and development, environmental and natural resource permitting and government affairs. On this episode of The Portland Real Estate Podcast, Ezra and Jamie join hosts Joe Fustolo and Steve Nassar to discuss what's behind the moratorium on new development in Washington County and why it's so challenging to build in Multnomah.å Ezra and Jamie explore the benefits of a new law promoting the adaptive reuse of old commercial buildings into residential units and explain how residential infill projects give property owners the freedom to build ADUs and attached homes. Listen in for Ezra and Jamie's take on cities banning natural gas in new construction and learn what we can do to support thoughtful real estate development and alleviate the growing housing crisis. Key Takeaways  What's behind the moratorium on new development in Washington County How the Washington County moratorium will impact the housing market The benefits of a new law supporting the adaptive reuse of old commercial buildings into residential units Why developers might be slow to take on adaptive reuse projects Why the City of Portland expanded the opportunity to build senior housing in residential zones How residential infill projects make it easier for residents to build ADUs and attached homes and why that's still not enough fix the housing shortage Why it's so challenging to build in Multnomah County and what's being done to change that How short-term rentals affect the housing landscape and recent court cases to restrict STRs How Ezra & Jamie think about cities mandating what you can and can't use for power (and why municipalities go after new construction vs. retrofitting existing stock) Why the growth Portland has seen over the past several decades is likely to continue and increase Ezra & Jamie's take on where the next annexations or developments will be Connect with Esra & Jamie Jordan Ramis Connect with Joe Soldera Properties Joe on LinkedIn Connect with Steve Steve's Team at Premiere Property Group Steve on LinkedIn Resources  Masters in Real Estate Facebook Group Ezra on Portland Real Estate Podcast EP127 Renaissance Homes Riverside Homes ‘Empty and Unwanted, the Iconic Buildings of Portland's Skyline Are in Trouble' in Willamette Week City of Portland Residential Infill Project Report ‘Milwaukie Becomes Second-Largest Oregon City to Pass Natural Gas Ban Resolutions' on KGW8

"Stripes" surfaced some pretty great Army stories from Big D— including the joy's of kitchen duty, henpecked drill sergeants, incompetent officers and what it means to be a Five-Jump Chump—while giving us a glimpse of '80s comedy giants in their prime. Bill Murray, Harold Ramis, John Candy, Judge Reinhold, John Larroquette, Sean Young and even Bill Paxton (blink and you'll miss him) brought their youth and talent to this classic war comedy that served up boobs by the dozen. In this episode, Dick and Gene shred Chevy Chase, offer strip-club advice, champion the underrated EM-50 urban assault vehicle, compare the sex toys of the '80s to our modern arsenal and debate whether "Stripes" should have been split into two movies. The Shat Crew also fields a voicemail seeking justice for Jean-Claude Van Damme's reputation as a lover. And Big D discovers he has a writing job waiting for him at Marvel Studios. Donate to Paws For Patrick at https://www.pawsforpatrick.org/ SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Braga, King, and Ski talk about the original Ghostbusters. Murray, Aykroyd, Ramis, and Hudson establish what would become a billion dollar franchise of movies, cartoons, toys, etc. But does the movie stand the test of time? Listen!

Happy Groundhog Day! Don't know what that is? Well, we sort of explain in this episode, but mostly we talk about this little film who's title has become synonymous with the feeling of deja vu - the heartwarming Harold Ramis & Bill Murray comedy, GROUNDHOG DAY! Lolo has seen this movie before and loved it, but Patrick is reticent as per usual. Will he hate it? Will he love it? Will he feel like he's maybe seen it before...? Listen now for all those answers and more!Become a Patron for access to exclusive episodes and videos: https://www.patreon.com/ixfilmproductionsNew episodes of First Timers Movie Club come out every other Friday so click SUBSCRIBE and rate us five stars to make sure you don't miss our next episode!Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, stand up comedy, original web shorts and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsTwitter: www.twitter.com/ixproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

We made it to Episode 300! This "Ghostbusters II" review has it all: Ash learns about New Coke; Gene learns he might not like young Bill Murray; Big D teaches us all about "Tears in Heaven;" and a plot summary is so ridiculous we can't stop laughing. In our second discussion of the Ghostbusters franchise, the Shat Crew examines birthday packages, debates the quality of Vigo's painting, contrasts movie montages, dives deeper into the new Ghostbusters logo, weighs when it's OK to clean your host's apartment, discovers someone's been throwing out her partner's belongings and outlines the appropriate use of children in comedies. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite