Podcasts about Aykroyd

The movie you're making us watch today is The Great Outdoors (1988)! This classic John Candy and Dan Aykroyd comedy throws us into a vacation from hell, complete with bear attacks, speedboat mishaps, and Aykroyd's relentless one-upping. But this time, we're not watching alone—our guest and good friend Haig chose this movie, so you can blame him for all the 80s nostalgia, dad jokes, and questionable vacation planning. Does The Great Outdoors still hold up, or is it just another relic of its time? Grab a plate of Old 96er and join us as we break it all down!Message us DIRECTLY to tell us how much you hated this episodeSupport the showFOLLOW US: INSTAGRAM - @MMwM_podcast TIKTOK - @MMwM_podcast YOUTUBE - @MMwM_podcast ALSO: @anthony_eslami @goldenroad85 @_schwizzyy_

Danielle Aykroyd is a singer-songwriter and multi-instrumentalist who performs under the name Vera Sola. Sometimes called the "lost love child of Leonard Cohen and Nancy Sinatra," Vera Sola's smoky vocalization and searing, soaring songs have a cinematic aspect to them, and would feel equally at home in a David Lynch film or a prairie full of phantoms. A trained poet, her lyrics are twisting and imagistic, marked alternatively by restrained mystery and a resplendent, wild-eyed rage.Her 2018 debut LP, Shades, which she plays every instrument on, is a study in shadowy Americana and mesmeric incantation. Her sophomore album of 2024, Peacemaker, is a more expansive extravaganza with lush orchestration, dark dreamscapes, and tales of vengeance, heartache, and haunting. Vera Sola's new EP, Ghostmaker is a pared-down resurrection of Peacemaker tracks, and features a brand new song, “The Ghostmaster's Daughter.”On this episode, Danielle discusses howspirits guide her music, her relationship to ghosts, and the liberating power of finding her voice.Pam also talks about the feminist history of Spiritualism, and answers a listener question about a precarious prediction. Vera Sola's songs featured in the audio version of this podcast episode are as follows:“Circles” from Shades“Bad Idea” from Peacemaker“The Ghostmaster's Daughter” from Ghostmaker“Blood Bond” from Peacemaker“Instrument of War” from PeacemakerCheck out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Mithras Candle, BetterHelp, Black Phoenix Alchemy Lab, and Dear Antigone.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

We were all set to record an episode about Dan Aykroyd this week, and then Tom got to talking about a magic show he went to and well, that just led to more talk about other magic shows we've been to and, long story short, this episode is about magic shows. Our sincere apologies to Mr. Aykroyd.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For Saturday Night Live's 50th anniversary, we're featuring interviews with some of the early cast members/writers. Dan Aykroyd talks about the moment he and John Belushi came up with the Blues Brothers. Writer Alan Zweibel talks about working with Gilda Radner on two of her most iconic characters. And Al Franken tells us about a sketch he wrote that didn't make it past the censors. Jon Lovitz tells Terry how his character Master Thespian came to be. Also, film critic Justin Chang reviews The Annihilation of Fish, a romantic comedy starring James Earl Jones, Lynn Redgrave and Margot Kidder, made in 1999 and released now for the first time. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For Saturday Night Live's 50th anniversary, we're featuring interviews with some of the early cast members/writers. Dan Aykroyd talks about the moment he and John Belushi came up with the Blues Brothers. Writer Alan Zweibel talks about working with Gilda Radner on two of her most iconic characters. And Al Franken tells us about a sketch he wrote that didn't make it past the censors. Jon Lovitz tells Terry how his character Master Thespian came to be. Also, film critic Justin Chang reviews The Annihilation of Fish, a romantic comedy starring James Earl Jones, Lynn Redgrave and Margot Kidder, made in 1999 and released now for the first time. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

I talk to Danielle Aykroyd about her family's involvement in spiritualism, and growing up in a home where the paranormal is just normal. For the full episode, sign up for the Otherworld Patreon Danielle Aykroyd, also known by her stage name Vera Sola, is a singer-songwriter, poet, and multi-instrumentalist. She is the daughter of the actor and comedian Dan Aykroyd who came from a long line of spiritualists. His family was heavily involved in the movement and the movie Ghostbusters was actually based on the experiences of his great grandfather.  His great-grandfather, Samuel Augustus Aykroyd, was a dentist and an avid spiritualist who held séances at the family home in Ontario, Canada. He was deeply interested in communicating with spirits, which was a popular practice during the late 19th and early 20th centuries. Samuel Aykroyd even kept detailed journals documenting his experiences and beliefs. If you want to hear the entire interview, it's out now on the Otherworld Patreon. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This year marks the 50th anniversary of “Saturday Night Live” – and while many of the “Not Ready for Prime Time Players” have gone on to achieve remarkable careers, few have had as fascinating a journey as Dan Aykroyd's. As the youngest member of the 1975 original cast, Aykroyd quickly became known for his iconic sketches, including parodies of Julia Child and Richard Nixon, the beloved “Two Wild and Crazy Guys,” and the absurd “Bass-o-Matic.” His sketch “The Blues Brothers” not only became a cultural touchstone, but evolved into successful feature films and a live musical act. Aykroyd's talents also extend to behind the camera, as he wrote and starred in the comedy classics “Dragnet,” “Coneheads,” “Spies Like Us” and “Ghostbusters.” Aykroyd's career has earned him numerous accolades, including an Emmy Award and Grammy and Academy Award nominations. He is also an entrepreneur and co-founder of the House of Blues music venues and Crystal Head Vodka. In this conversation, host Alec Baldwin speaks with Aykroyd about the early days of “SNL,” the evolution of his career into music and dramatic roles, and how his upbringing helped shape the creation of “Ghostbusters.”See omnystudio.com/listener for privacy information.

John Belushi and Dan Aykroyd were at the forefront of American comedy in the late 1970s and early '80s. Emerging from The Second City, they both joined the original cast of the Not Ready for Prime Time Players as Saturday Night Live was being formed in 1975. On that show, they helped redefine television comedy and ushered in a new era of revolutionary satire. By 1979, they had a #1 hit record with their band, The Blues Brothers, and a year later, they released a motion picture about the characters, which became a major box office success.Daniel de Vise chronicles the lives and careers of both Aykroyd and Belushi in his recent biography, The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic. Beginning with their childhoods, the book recounts their individual comedic beginnings, explores the friendship they forged, details their joint rise to comic stardom, and culminates in an in-depth look at the making of this comedy classic.Daniel joins us to discuss not only John and Dan but also to share stories about his research and writing process. We delve into their iconic roles and the legacy of both performers—as well as that of Jake and Elwood—helping to cement what makes these two comedic legends truly unforgettable.Listen till the very end to hear how you can win an autographed copy of Daniel's book,The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic!You can also purchase a copy of here!---------------------------------Subscribe today!Follow us on social media: X (Twitter): NotReady4PTPodInstagram: notready4ptpodFacebook: The Not Ready for Prime Time PodcastContact Us: Website: https://www.notready4ptpod.comEmail: notready4ptpod@gmail.com

E siamo giunti alla finalissima della nostra gara estiva! Le due colonne sonore più votate, ovvero The Blues Brothers e Rocky Horror Picture Show si sono ritrovate una di fronte all'altra e, grazie al voto degli ascoltatori, abbiamo finalmente saputo quale tra le due è più gradita al pubblico di Bollicine. E'stata una sfida molto accesa, ma alla fine il film con Belushi e Aykroyd ha avuto la meglio: 50-42 che comunque è un risultato onorevole per il film tratto dal musical di Richard O'Brien. La scaletta si trova su www.bolliblog.com

We're back with a new episode of the SNL Hall of Fame Water Cooler. This week Joe, Shari, and jD discuss this weeks episode of the SNL Hall of Fame. Transcript: Track 1:[0:20] Hey, it's JD here, and welcome to the SNL Hall of Fame Water Cooler. I am JD, and I'm thrilled to be here with you this week and every week. But I'm more excited to be hanging out with Joe and Shari because they've done such a great job the last few weeks. So, Joe, how are you doing today?Track 2:[0:42] I'm doing great. How are you doing?Track 1:[0:45] I'm actually pretty darn good. The sky is blue and there's clouds. I took the dogs to the beach today for a nice walk. So it's been a good time.Track 2:[0:57] Okay.Track 1:[0:58] Shari.Track 3:[1:00] Hello. How about you? I'm doing really well, thanks.Track 1:[1:05] Are you ready to talk about Saturday Night Live, guys?Track 3:[1:08] Absolutely. Absolutely.Track 2:[1:09] We got a great subject this week.Track 1:[1:11] We do have a good subject. We are talking all about Garrett Morris.Track 2:[1:17] Yes.Track 1:[1:19] Shari, do you want to start with a brief recap of the actual episode?Track 3:[1:26] Oh, certainly. It was a fun one. Thomas was joined by the fabulous Darren Patterson from the podcast SNL Nerds, which if you haven't listened to it out there in SNL podcast land, It is a fabulous podcast. They break down episodes of Saturday Night Live and in the summer and during the off times, they do movies and other topics. They just did a great interview with a crew member who does one of the film units. So really excited to have Darren. And Darren is a fountain of knowledge and he's bringing that knowledge to discuss Garrett. And making a lot of good points about Garrett's involvement in the show, how he was often a little bit taken for granted, but he was a very much an in the clutch player. And I think there makes a very good case. And Thomas backs him right up, adding that Garrett's also one of the very best singers of all of the cast.Track 2:[2:26] I learned that from the podcast.Track 3:[2:30] Yeah, I wasn't really aware of that either. Oh, he was a fantastic singer. I actually watched the episode that he was most known for where he sang a song. And he's incredible. I mean, he's an operatic Juilliard-trained singer. And you can hear it.Track 1:[2:50] Wow.Track 3:[2:51] So that's the episode. And it was a good one. And Darren made a lot of great points, as did Thomas, as always.Track 1:[2:58] Joe, what do you think of Garrett Morris as a whole? Do you think he's somebody who is...Track 2:[3:09] Now, anyone who's in that first five years, I feel deserves at least special consideration for being in the Hall of Fame. And especially since Garrett was in all five years of the first five. and the thing is uh you'll hear this a lot it was mentioned on the podcast and you'll hear it today he was very underused now i just want to also point out that he was in all five years, however dan akroyd john belushi they weren't they left uh before season five that's right but But they each got best of DVDs. And Garrett did not. So that just shows you how underused. And I feel like people, when you go out and vote, I really suggest that you give him a second look because I believe he really is talented and underappreciated.Track 3:[4:10] It's interesting to think of somebody being underappreciated and yet part of that pioneering first cast that's uh very interesting to me um especially.Track 1:[4:25] Because he stood out he stood out because the rest of the cast was very white and he was not and a lot of the jokes and and themes of his sketches were racially charged in like a in a great way.Track 3:[4:43] Yes yes agreed in an appropriate way yeah definitely i don't know that you could do it now there'd be too too much sensitivity i think, but um it was hard hitting at the time for sure i mean it was something worth addressing, yeah yeah the white guilt relief fund that i know they oh my god and i watched that a couple of times it's unfortunately edited way down and it's not that long to begin with but the part I saw was just it's a riot and that was really really edgy for 70 was it 77 yeah they weren't talking about that, They weren't talking about the book. It was a hot topic when Saturday Night Live started. Yes.Track 2:[5:28] So, I mean, that's just worth mentioning that he had to tackle a subject that was very taboo. And he had to do it pretty much, I don't want to say all by himself, I'm sorry to all the writers, but he was the only one to represent the show. There wasn't any other African-American cast members.Track 3:[5:44] It was just him.Track 2:[5:45] And he had to tackle a very hot-button issue.Track 1:[5:48] You i don't even know and this would be something if you know this send us an email uh snl hof watercooler at gmail.com and let us know if and if if shari or joe you know this like let me know but i don't know that there were any african-american uh or or any minorities, as part of the writing staff.Track 3:[6:16] I'm so positive there was not.Track 1:[6:20] So he would have been somebody looking for his own, he would have been somebody looking for his own voice, you know?Track 3:[6:26] And not only that, J.D., but he was also, as they brought up in the podcast, and it hasn't been brought up, anyone talking about Garrett on the show, he was many years older than all of them. And he was the only one who wasn't from a stand-up or an improv background.Track 2:[6:45] Excellent point.Track 3:[6:46] Which they also talked about, Darren and Thomas also talked about. He was a straight-up actor and musician. He'd come off the Belafonte Singers. And Lauren was interested in him because of his playwright experience, apparently. Which I didn't realize I learned that on the podcast. Because, you know, Thomas does his homework.Track 2:[7:08] Kevin, that background is unique for Saturday Night Live just in general. That's very unique. Usually you come from Second City, Groundlings, Stand Up, and I know it's very rare not to come from one of those.Track 3:[7:26] Yes.Track 1:[7:28] Yeah, it would be interesting to see a list of people that are, and I suspect it would be very short.Track 3:[7:34] Pie graph.Track 1:[7:35] Pie graph, yeah.Track 2:[7:37] I mean, it would be a very thin slice.Track 3:[7:39] Yeah, when I hear, because I listen to Fly on the Wall, which I'm sure a lot of our listeners do, And they talk a lot about how it was pretty divided between improv and stand-up, with the bulk being improv. I didn't even hear them discuss any that had, like, theater or serious acting background. They all came from one of the two comedy tracks. So that makes him very unique. If I were to guess.Track 2:[8:09] I would say that, like, Michael McKean or maybe Robert Downey Jr.Track 3:[8:14] True, true. you know like the whole season 11 cast it wouldn't be a long list yeah agreed, yeah I like that Thomas and Darren talking about how he.Track 1:[8:29] May be the best singer because.Track 3:[8:32] I you know like there's some strong singers that have been on the show like.Track 1:[8:35] I think of Chloe Trost right now.Track 3:[8:37] Yes but Garrett Broser why is John Lewis but I don't want to get off topic. But Garrett is a classically chained operatic singer.Track 1:[8:53] That's nuts.Track 3:[8:54] He went to freaking Juilliard. It's crazy. And like opera and comedy.Track 2:[9:00] Those can go together. I mean, if Bugs Bunny has taught me anything, it's that opera and comedy is funny. And they could have used that in multiple ways.Track 1:[9:15] Well, tell us.Track 3:[9:16] I mean, like, opera.Track 2:[9:18] They could have tackled news stories. They could have been a Weekend Update character is an opera man.Track 3:[9:24] I mean, right there. Yeah, Gers could have actually sang opera.Track 2:[9:28] Yeah, I mean, yeah, where you get an opera singer, you got M. Chandler, who did it ironically, you know? Or you could, I mean, look at, I mean, he could have just sang funny songs. I mean, look at Weird Al. I mean, that's a whole genre is.Track 3:[9:42] Like, a funny song.Track 2:[9:45] You have this classically trained singer, and that could have been a whole segment. It could have been his reoccurring character.Track 1:[9:54] Yeah, I agree.Track 2:[9:57] So basically, the whole theme of Garrett Morris or this episode is how underly appreciated he was.Track 3:[10:05] And yeah, if you listen to the other podcasts, they pretty much list the best of.Track 2:[10:10] If not, pretty much the best of everything that he did.Track 3:[10:15] And right there that should if you're gonna vote for him uh it should be off of those, and like even with the douchebag skit yeah or sketch sketch i got it right on my hand he only had one line in it and he delivered it on a bullseye yes so you have the whole grand finale uh sketch where you got all the cast members here we share bill murray everyone doing the last sketch of the last five years and only give Garrett Morse one line and I'll be damned if it's the most memorable line and not only that that's the one they always use in the clip shows of like all the anniversary shows yes I agree and that is the point that Darren and Thomas made even though he's not on screen as much and he doesn't have as many lines when he has a line or he has a bit, it is very memorable. Like we're talking about him now and that was, 50 years ago, almost. 50 years ago? Yeah, coming out. He was definitely memorable.Track 1:[11:22] Yeah.Track 2:[11:23] And then, also in that superhero sketch, he played Ant-Man. Didn't have that much lines, but was memorable enough for them to reference it in the Paul Rudd movie. So, you know, he had just a couple lines. It was like, oh, wait, yeah, that's right. Garrett Morris played him back in the 70s.Track 3:[11:46] He probably had three lines.Track 2:[11:48] And it was rememberable enough to be in a Marvel movie.Track 1:[11:53] That's hilarious.Track 2:[11:57] So, I mean, he's a scene stealer.Track 3:[11:59] Yeah, and his new president of the New York School for the Hard of Hearing, that's in every clip show they do. It's so, so funny. Again, you can't really find a lot of his most memorable stuff online. line, and I could only find one of those. I wish I'd been able to watch more. I was just saying I wish I'd been able to find more of those hard-of-hearing sketches, or bits on Weekend Update, because they were so funny, but I could only find one.Track 1:[12:31] You guys have Peacock, right?Track 3:[12:33] Absolutely.Track 1:[12:34] See, we don't have Peacock in Canada. So I don't have access to just dial back into a... I've got a whole bunch on my hard drive, like but there's a lot of them that are dud episodes.Track 3:[12:50] Okay. The character is so rememberable that they did it verbatim with Garrett Morris on Family Guy. Really? Yeah, they just, they had him come on and do that.Track 2:[13:03] Like, that's how rememberable that character or that sketch was.Track 1:[13:10] That's fascinating.Track 3:[13:12] Yeah, it's a classic.Track 1:[13:13] It really has permeated pop culture in a way that not every star or performer on the original cast did necessarily.Track 2:[13:28] Here's another way he was remembered. I just came up with this off the top of my head. Robert Smigel for the 25th anniversary show. He did a joke about how Lorne Michaels was making merchandise based on the show.Track 3:[13:41] He had the Dennis Miller talking doll he had conehead suppositories and then he also had I forget the character's name but very very good drink, Chico Azuela Chico Azuela very very good drink so again another character that wasn't used that much but was rememberable enough to be referenced in the 25th anniversary cartoon, wow Wow.Track 1:[14:12] I mean, Darren mentions him as an unsung hero.Track 3:[14:19] I agree. 100%.Track 1:[14:21] Right? Yeah.Track 3:[14:25] In the documentary, Saturday Night Live.Track 2:[14:29] The first five years, even Al Franken said that he saw Garrett in a sketch performing. And while Al Franken was on stage watching Garrett perform, Al Franken was having this realization like, oh my God, we should use this guy more. Just like year four, we just had this realization now?Track 3:[14:51] Are you joking?Track 2:[14:54] In the documentary. I mean, I remember it was Al Franken that said it. It was the show, I don't know which basketball player.Track 3:[15:01] But the sketch was the basketball player.Track 2:[15:06] The host, was sneaking around playing on a basketball team and Garrett Morris played his mom. And he was playing this mom character so well that Al Franken had a realization that, like, this guy is good. And I'm realizing this in year four?Track 1:[15:24] I'm telling you, a big part of it would have been that he would have been writing for himself.Track 3:[15:31] Right. There was nobody.Track 1:[15:32] And, sorry, Shari.Track 3:[15:34] No, you're absolutely right, JD. he was he was there on his own and they talk a lot about how important it is for cast members to find a writer who gets them yeah and garrett didn't have that there was nobody who exactly got him both because of his age because of his race obviously and because he was coming from a less comedic background and nobody could hook into that but imagine if they They could have hooked into that. Imagine if Franken had realized the things that could have happened. They could have done some really amazing things.Track 1:[16:12] I think so, too.Track 2:[16:13] Plus, it seemed like people paired up better or they didn't pair up with them. Like, obviously, Ackroyd and Belushi paired up. The girls kind of lumped together. And Ackroyd and Curtin did stuff on Weekend Update.Track 3:[16:31] And I, you know.Track 2:[16:33] It's worth pointing out that Garrett wasn't an update host.Track 3:[16:37] I think everyone else was, except for Belushi, but not him.Track 2:[16:45] He probably would have appeared out better if he was an update host with someone.Track 3:[16:51] I also find it interesting, speaking of Jane and Lorraine, I also find it interesting that Jane got in first ballot because I was looking at our current Hall of Fame, who's already in, and I thought it was interesting that the three that I feel get at the case made that they were underutilized are Jane, Lorraine, and Garrett.Track 1:[17:13] That's right.Track 3:[17:14] And Jane got in first ballot, which I was amazed because I voted for her, but she's not as well known for being on SNL as Belushi or Aykroyd or Murray. So I was happy to see her get in. I'm very sad that Lorraine's still not in. And I feel like, I fear that Garrett's going to have that same fate because people, as I said, have kind of short memories. and I really urge you to look at his stuff and vote for him if you truly believe he does but I really want to, urge people to vote for him and I want to campaign for him because he really was talented and even though he didn't have that much stuff the stuff that he did have is worthy of everyone else that's already in there, A hundred percent agree. And I also want to suggest something to you two and to anybody, any listener out there. I found his ceremony for getting his star on the Hall of Fame, the Hollywood Walk of Fame, rather.Track 3:[18:29] And it's very it's very basic like i love how bare bones it is they're in a little shelter because it was raining and they're just on the hollywood walk of fame having this ceremony it's not fancy there's not a lot of fancy camera work and garrett gives like a 20 minute speech about his career and it's fascinating stuff it's really fascinating i didn't know how much he had done And he talks a lot about his beginnings, how he was homeless for some time. So I really urge people to check that out to get a full picture of this gentleman's career, because it is really pretty amazing.Track 1:[19:10] The burden of voting is a lot. You know, you're sort of expected to have listened to the nomination episodes. episodes, and then now you're listening to Water Cooler, where we're going to remind you even more. And it's interesting. Shari, you mentioned Lorraine. She, last year was her first year on the ballot, and she got 38%. So using that as an over-under number, Where do you think Garrett will land voting-wise?Track 3:[19:48] I feel like Garrett's going to be right there with her, maybe right around 37%, 38%. It's going to be real close.Track 1:[19:58] So right around the same.Track 3:[19:59] I think so.Track 1:[20:00] How about you, Joe?Track 2:[20:02] Sadly, and this breaks my heart.Track 3:[20:05] And I hope I'm wrong, but he might be in the 20% because he's not recognizable as some of the other people and it's hard to research him and, he just doesn't have that much stuff out there and I don't want people thinking he should just get in just because he's in the first five years. I want him to get in because of the stuff that he did in the first five years.Track 2:[20:33] But if you're asking me what his percentage is, it's probably going to be low because he doesn't have that much stuff out there.Track 1:[20:40] Do you think it'll be lower than Lorraine then?Track 2:[20:43] It breaks my heart, but if I was to go above or below Lorraine, it breaks my heart, but I'm probably going to say below. It breaks my heart, though.Track 3:[20:55] I think he's a little above Lorraine because he's been in the public eye and people know him more where she's not been in a lot of things. And he's been around, so people know him. People watch Two Broke Girls. People rock some of his stuff. So I think he's going to at least be the same or a tiny bit higher.Track 1:[21:19] Well, I wonder how much influence the fact that it's the 50th anniversary this year and will be, whether or not they revisit previous things on the show. You know, there's going to be the 50th anniversary show. I suspect it's going to be with the movie. It's going to be more in people's minds. So I wonder if that'll have any impact on voting.Track 2:[21:47] That's a worthy point. And it probably will on some people.Track 3:[21:53] And hopefully it'll have an impact on Garrett.Track 1:[21:56] Yeah, that's what I mean, mainly.Track 2:[21:58] I agree. I'm agreeing with you, yeah.Track 3:[22:00] And I've heard the, I just read a Rolling Stone article just before I came on with you two, that they had seen it at the Telluride and it was a bit of a review. And they mentioned Lamorne Morris's, performance as garrett and it was one of the things they pointed out in the article so that that might give garrett a little push it's that performance is getting a lot of talk and uh that will put garrett back in people's consciousness which is a great okay yeah maybe he will be uh equal or above lorraine oh i could you're starting to sway me well i i wonder what What Lorraine will get in terms of a bump this year. Right.Track 2:[22:44] Like whether it's going to go down or up.Track 3:[22:47] I feel like I've been hearing more about Lamorne's portrayal than I've heard about. I can't even remember the actress who's doing Lorraine. Lamorne's been getting a lot of positive buzz. And I've heard he just nails it. Well, I've got a ticket to see it at the Toronto International Film Festival. Oh, so jealous. Alas.Track 1:[23:09] Yeah. So we'll definitely talk about it.Track 2:[23:11] I'll follow me and T.D. because he's going to take me.Track 3:[23:13] Right?Track 1:[23:14] If you can get up here, I'll take you. I got an extra ticket.Track 2:[23:19] Oh.Track 1:[23:20] Yeah.Track 2:[23:21] Well, Shuri's like in Michigan, so she's got a head start.Track 3:[23:25] That's true.Track 1:[23:26] I'll send my private jet over. I'll send the SNL Hall of Fame jet over.Track 3:[23:30] All right. I'll pack my bag.Track 1:[23:34] Okay. I want to know a little bit more about some of the other candidates that you guys have talked about this year. You've talked about Beck Bennett.Track 3:[23:46] Yeah.Track 1:[23:47] And you've talked about Sherry O'Terry.Track 3:[23:50] Yeah.Track 1:[23:52] Now we're discussing Garrett Morris. So if you had to rank those three, and I'm not saying if you had to, I'm going to say you have to. rank those three in terms of their likelihood to get in or get a substantial amount of the vote. And I could tell you, Oh, Beck Bennett wasn't on the ballot last year. Nevermind. So I can't tell you what he got last year, but, um.Track 3:[24:24] Yeah, I'm curious.Track 2:[24:26] I would say, if I were to go one, two, three, with one being highest, I would say it would go Shiri.Track 3:[24:35] Garrett, Beck.Track 2:[24:36] Shiri is recognizable for having multiple characters. Garrett is recognizable for being first five years, among other things. And then Beck Bennett is just newer. So he just hasn't been around as long as the other two.Track 1:[24:54] That's right yeah he's only been away from the show for a couple years too.Track 3:[24:58] I'm gonna disagree there i think back to the edge because of his recency look at how well kate did now brandon kate's in a class how did kate not get in oh yeah she's very close though i i i do think i do think her chances are good this year but sticking with back i think you're right I think he's got that recency. I think people really like him. I think people are realizing, just like with Bobby, who we're going to talk about in later watercolor episodes, people are realizing how essential these players were to the game now that they're away from it. Because I think we all took back Bobby, maybe not all, but I certainly didn't think about them. But now that I'm watching more and more of their sketches and what a pivotal role they played during their seasons. I think they're both going to do quite well, and I do think it's because they're more recent, and again, people have short memories. So I think it's going to be back, Sherry, and I think Garrett is going to be, unfortunately.Track 2:[26:07] I like that reasoning.Track 1:[26:09] I don't agree with it.Track 3:[26:10] But I like it.Track 1:[26:10] You've made mention, Sherry, as well, that you're worried that he doesn't even get the 10%.Track 3:[26:17] Yeah, I am kind of, I am worried. I did, I think I mentioned that with Sherry and Garrett too. I just, people have such short memories and Sherry was a long time ago too, but I'm hoping that with the 50th and people re-watching things, like I said, she wasn't on the 40th anniversary. She hasn't been around as much. That's not been back yet, Yeah, but I feel like he's going to be back.Track 1:[26:48] I think you're right.Track 3:[26:49] I feel like he and Kyle are going to sneak their way in, if not in cameos, in some way. And yeah, I don't think she's interested in coming back. I think she's kind of moved on with her life, which is totally her prerogative. But I think that's going to be a big decision.Track 2:[27:12] Because I like that point that you made, is that she kind of just came and went.Track 3:[27:16] Kind of like Jim Brewer.Track 2:[27:17] Who just came by, did her term, and moved on and never looked back.Track 3:[27:23] Yeah, agreed.Track 1:[27:24] Well, Jim Brewer, a little bit different. Like, I mean.Track 2:[27:27] Yeah, yeah.Track 1:[27:28] No, no, no, no.Track 2:[27:28] I know, I know.Track 1:[27:30] I don't think people look back as fondly.Track 2:[27:32] Just, you want to pick someone from that generation.Track 1:[27:35] Right. Well, I think a good comp for back might be Will Forte, who was on the list last year, and he ended up with like 63% or something like that. Will did very well. Sorry?Track 3:[27:52] Will did very well. I was surprised how well he did because he is such a controversial. People seem to love or totally not love him.Track 1:[28:01] Yes.Track 3:[28:02] How is that going to seem how well he did?Track 1:[28:06] Yeah, I'm very curious.Track 2:[28:08] Falcon, Aaron, and McGruder are very specific, either are on board or not.Track 1:[28:12] Well, I think he gets in this year because he was only three points away.Track 3:[28:16] Oh, I agree. And I feel like Beck's going to get like 60, 63% this year. Very similar to Will.Track 1:[28:24] You know, I would have been somebody who years ago would have consciously not voted for Beck Bennett. it. But man, did he ever win me over? By the time he left, I remember his last sketch was, he did Vin Diesel. It was the 10 to 1 sketch. And he just nailed it. And it's Vin Diesel.Track 2:[28:52] Just for trivia, do you know someone else that did Vin Diesel? I don't. Richie O'Shans.Track 1:[28:59] Really?Track 2:[29:00] David Spade hosted.Track 1:[29:02] Ah indeed I.Track 2:[29:06] Just wanted to point out because there's two totally different performers, that's why it's a cut in my head.Track 1:[29:15] So that's how you have them so that's how you have them ranked we'll revisit this next week and see once we add a fourth layer, where they fit in and you know we'll sort of revisit this as the season goes on like we do with your ballots I'm very curious. You guys talked about your ballots in the first episode. I'm curious, by the time we get to maybe the fifth episode, we'll revisit it and see if anything has changed.Track 2:[29:42] Okay.Track 1:[29:43] Like, Joe, you only used 10 votes, so you've got some room, if you wanted.Track 2:[29:51] I went first in the DECA system, but I'll look at it again.Track 1:[29:56] Yeah, well, Well, Shari had used all 15, and I believe she said she had two that were on the cusp.Track 3:[30:04] Yes, and Garrett was one of those two, and I really want to put him on my ballot. So many of the ones on my ballot are ones that don't have much time left, and I don't want them to fall off. I know.Track 1:[30:21] We lost a lot last year.Track 3:[30:23] We did, and I have several that are going to go this year because it's their fifth time on the ballot. So I hope they all get in, but I'm not really too hopeful, but who knows?Track 1:[30:40] Well, I think one of the things we changed the way the ballot looked last year, and we included little factoids, like last chance, that sort of thing. And I think that helped people realize. I do think that helped. Yeah, I think so.Track 3:[30:58] I'm so happy Maya and Molly got in, because that would have been it for them.Track 1:[31:02] They were done, right?Track 3:[31:04] Yeah, which would have been a travesty. So I'm very glad.Track 1:[31:08] This year, we've got Jack Handy, Dave Grohl, Paul Lappel, Candice Bergen, Paul Rudd that could fall off the ballot.Track 3:[31:21] Voters, we're urging you. Don't let this happen.Track 1:[31:27] Candice Bergen, 35%.Track 3:[31:31] The original first female five-timer. Yes. And she still shows up in cameos And I guarantee you she'll be at the 50th anniversary She's such a huge friend of the show She's royalty, Even though she hasn't done any TV shows or movies recently She still shows up And does her time I wouldn't be surprised if she showed up on Only Murders But as far as Saturday Night Live goes She shows up to Acknowledge her place In the Five Timers Club Yeah, so yeah she absolutely does belong in the whole thing I really think, I'm a big pusher of Jack Handy and Paula Pell as well so I hope that people remember this and I'm glad you're adding it to the ballot JD to remind people that they're not on forever that's right.Track 1:[32:31] Paul Rudd looks rough. He's got 17%. I don't know that that looks good for him at all. Or no, sorry, he had 12% last year.Track 3:[32:39] Yeah.Track 1:[32:40] So he went from 23 in his first year, and he's dropped. He went from 23 to 17 to 18 to 12. So I don't feel good about him. Candice Bergen fell from 41 to 35. Whereas Paula Powell went from 29 to 41. so there's good news for her.Track 3:[33:03] I'm hoping she gets her name out there more often and gets recognized for her connections Paula? Yeah because I'm not sure how the great majority of people, know what she contributed to the show She's been showing up She was very important Yeah and she's been showing up a lot lately She was in a couple of episodes She was in Kristen Wiig's Five Timers sketch.Track 2:[33:33] Oh, that's right. She had a great joke where she goes, I wrote here for five years, but right now, Kristen Wiig's... I'm going to play an audience member, and Kristen Wiig's going to pretend not to know me.Track 3:[33:44] She was also in at least one sketch in the Kate McKinnon. I feel like she was in that singing...Track 2:[33:54] Yeah, I could see that.Track 3:[33:56] I just can't remember the name of it, but they did a big song pre-date and I believe Paula was in it too Tampon Farm Tampon Farm Tampon Farm.Track 1:[34:07] Oh right Oh there you go The Kate with the guitar, Yeah.Track 2:[34:13] Yeah, she, and I mean, again, she helped with the cheerleaders. So if you're going to vote for Sherry.Track 3:[34:18] Vote for Paula.Track 2:[34:20] She helped with the cheerleaders.Track 3:[34:22] With the cheerleaders, yeah. Yeah. Well, I'm getting pretty excited about next week's episode, J.D.Track 1:[34:28] Yeah, I think so. We're going back to the host well after talking about three cast members. Shari, do you want to share who we're going to be talking about?Track 3:[34:40] Out you know they were just talking about him on the saturday night network which i know we talk about a lot right they were just talking about him because they're doing that they're doing that host countdown and he's quite high on their list he was number 10 i think uh yeah i believe 10 might be right 10 11 right he's in the top 12 i believe uh of course i'm talking about kylo ren friend himself, Mr. Adam Driver. Again, very recent, but this one I have to say I agree with. He is one of those serious actors like Garrett who does this great comedic turn, becoming a baby on a plane and just undercover boss. I mean, beep, beep. He's got a great couple. Oh, he was in a science room.Track 2:[35:34] Which is always great.Track 1:[35:40] Cecily and Mikey?Track 3:[35:41] Yes.Track 1:[35:42] Yeah.Track 3:[35:42] So very, very excited to see the case that our guest...Track 1:[35:47] So it's actually Bauer will be joining us. And... it should be a great episode because there's a lot of meat on that bone.Track 3:[35:59] Oh yeah. I'm very excited to come back next week with you too and talk all about Adam driver and what his possibility of getting into the hall of fame might be where he's going to land on those ballots. Yeah. I mean, he's on his way to become a five timer.Track 2:[36:18] So I believe that he could be in the hall of fame.Track 3:[36:24] I think so too. I think there's a good chance he's going to be a host in season 50, even though he was just on in 49. Other hosts have done back-to-backs. Yeah. He always has projects. I mean, he's always in several movies. He could be appearing in a couple of TV shows these days with streaming. Who knows? Anything goes. So he'll definitely have something to promote.Track 1:[36:50] I would think so. He's always got something on the go.Track 3:[36:52] Or he could just show up in cameo and just be a scene stealer that's true.Track 1:[36:57] That's true i i suspect he'll have a part of the 50th anniversary i just think oh absolutely he's you know the last 10 years he's one of the most memorable hosts exactly.Track 2:[37:08] I was thinking the same thing.Track 1:[37:10] So you know he's almost like this cast this generation's jt or walk-in walk-in or yeah Yeah, like how they all had different generations they worked with.Track 3:[37:22] I love the I'm all out of cash.Track 1:[37:25] I'm all out of cash.Track 3:[37:27] That's so good.Track 2:[37:28] Oh, yes, yes.Track 3:[37:30] And that's another one they could have went to Beck Bennett.Track 2:[37:32] But that's like a good team effort sketch. Yeah, yeah.Track 1:[37:36] Totally Kyle and Beck.Track 3:[37:38] Very exciting. And then he played that elderly teacher.Track 2:[37:40] But we'll talk about this next week.Track 3:[37:41] Yeah, very excited to talk next week. It was great fun talking with you both this week and always the highlight of my week. so very excited for next week's episode and very excited to listen to next week's episode because I know it's going to be a great one, absolutely I love talking to you guys and I love telling our audience to like and subscribe and do all those fun things with those fun buttons yes David Spade says smash that button smash that button, I will tell you smash the button And then just get another burner phone and just repeat.Track 1:[38:20] That's amazing. That's amazing. Yeah. Do that for sure. And again, the email I want to remind you is SNLHOFWC at gmail.com. So shoot us a mail. We'd love to hear from you. And on behalf of Joe and Shari, this is JD saying stay thirsty.Support this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Meet Joe and Shari as they assemble around the SNL Hall of Fame watercooler to discuss a variety of things relating the SNL and its Hall of Fame. Transcript:Track 2[0:22]All right. Welcome to the SNL Hall of Fame Water Cooler Podcast. I'm Joe Gannon and I'm sitting at the water cooler with...Track 3[0:30]Me, Shari Fasco. I'm very excited to be here. I've got my cup and I'm filling it up.Track 2[0:38]All right. And then there I go. All right. Let's get into it. All right. So on On this podcast, we're going to be talking about the SNL Hall of Fame and who we believe should and shouldn't be in it. But first, let's kind of just introduce ourselves. I'm Joe Gannon. I've been an SNL fan since, I guess, 1991. 91 and what I enjoyed about it was as I was watching it like as it was going on since 91 I got to watch the reruns like on Comedy Central E and whatnot so it's kind of cool seeing a show develop and then learn its history at the same time and I just found it absolutely fascinating about how important it is to our society about because the show makes fun of our society and politics, and everything. And the last thing is, I grew up in the central time zone, so the TV show was on at 10.30 to midnight. So to me, it was like a show that waited until the last hour and a half of the week to make fun of the previous week. And you, Sherry, introduce yourself.Track 3[2:00]Hi, I'm Shari, rhymes with Starry, as I tell everybody, and I am a Michigan native, and I have been into Saturday Night Live probably since I was about nine, since it started in 75. I was really, really young in 75, so I don't remember it that young, but I definitely, definitely remember watching it at like eight, nine, ten. I was really into Mr. Bill. I vaguely remember having a Mr. Bill t-shirt. I just always loved the show and it's always been like a rock for me. It's been something that I've always come back to when things are good and when things are not so good. My husband is also into it. He's been watching a lot of sketches with me lately, getting ready for this podcast. And it's just, it's really just, it's comfort food. Just like what Joe's saying, it's comfort food. It's something that's always been there. and now it's going into its 50th year. I'm 54. It's kind of incredible. It's kind of crazy to think that it's been around. So I'm really excited to be here with Joe. I think both of us are super excited to be talking about these incredible people. I think we're ready to get into it. Are we ready, Joe?Track 2[3:15]I believe so.Track 3[3:16]We're going to talk about the season six draft. We're each going to do the two people we would like to see get in. And then the two that we don't think really have much of a chance of getting in possibly. I will let you go ahead and go first, Joe, and then I'll go after you.Track 2[3:33]Okay. So the first person I think should get in is Lorraine Newman. I believe that the only reason why she hasn't gotten in sooner is there's just a series of people that are a little bit more obvious. Uh you know that just i feel like should be uh you know people that just feel like they should be in uh like will ferrell but um as far as the original cast like obviously everyone from the original five years should be in um as far as where lorraine is in that uh group she's not She's not really a household name. She wasn't a Ghostbuster. She wasn't a Blues Brother. She didn't have a sitcom afterward. Everyone knows Aykroyd, Murray, Jane Curtin, Chevy Chase, John Belushi. And I feel like Lorraine Newman, who is extremely talented, just doesn't have that star power name. So when people are voting and they see her name... It just doesn't connect, or they don't immediately remember all of the great sketches that she was a part of. Or, if they do, they remember someone else that was in that sketch.Track 2[5:01]So that's why I chose Lorraine Newman. All right, and who's your pick?Track 3[5:06]My pick, I just stuck to strictly the season six draft. So I went with one, two of the draftees for this coming season that I would like to seek it in that I'm not really hopeful about. But my first is Sherry O'Terry. For all of the reasons you just said about Lorraine, I think Sherry is very, very, very, very, very underappreciated. She is absolutely hilarious. hilarious she stands up against the likes of will freaking farrell and holds her own yes even though she's this diminutive little she can't be more than five two but against will farrell who's like i don't know six four she still holds her own her comedic chops are that strong that she can hold her own and i feel that way in the zimmermans with chris katan i i watched her playing against Sylvester Stallone in one of her Rita sketches. And she really is amazing and so funny and so able to bring real relatability to these outrageous characters that she plays.Track 3[6:19]And I'm feeling like I don't think she's going to get in on the first ballot, but I do hope that The people remember her. I know she was a long time ago. I remember her vividly because I was in college. And that's the time when you remember the gas.Track 3[6:38]So I hope there's a lot of Gen Xers and a lot of Zs and millennials that are going back and watching and listening to our great guest. And Thomas, of course, make an excellent argument for her this season, I'm sure. So that's my first choice. Now back to you.Track 2[7:01]You made a great point, and the only word I want to add to it, just literally one word, is energy. She was full of energy in pretty much everything she did. I mean, with the exception of maybe Barbara Walters, but that's because it wouldn't fit. But if you look at all of her characters, that's the common theme, is that she was almost like twitchy.Track 3[7:23]I totally agree.Track 2[7:24]But, yeah. That's an excellent, excellent pick. Okay, so I'm going to go with my one, and we're going to continue the female trend. Someone a little bit more current. I'm going to go with Kate McKinnon.Track 3[7:41]Absolutely.Track 2[7:42]She, yes, yes, yes. She is one of those people, she reminds me of Amy Poehler in the sense that her talent seems to have been made for Saturday Night Live. Um now just i want to say this on our first episode uh to me the three things that make up a great snl cast member are characters impressions and hosting we can update not doing characters but hosting now you don't need to do all three to be great sometimes you can like jimmy fallon will ferrell dan ackroyd uh sometimes you can do just one dennis miller however when you do two or three, that shows that you're able to play any position.Track 2[8:31]So with that being said, with Kate McKinnon, she did characters and impressions extremely well.Track 2[8:39]The various characters, like the alien abductions sketch, that to me is timeless. That is one of the latest great reoccurring sketches. Sketches um and then as far as her impressions uh you look at amy puller who did like you know hillary clinton um and ever uh ever levine um kate mckinnon said hold my beer and then did uh not only female impressions but male she did rudy giuliani uh and such and a bunch of other politicians um and just i mean i'm having a hard time thinking of all you know it's trying to like name all the santa's reindeer or the seven dwarves you know you like you get down a few or you're like wait uh there's also uh you know so i'm i don't want to um take up too much time saying a lot of urs and ums as i try and think of them all but she is just where she just blended into those impressions and then characters and she was like Phil Hartman where she could be in she could do the whole show, you know she could do and it was almost unfair to the other cast members I don't want to overhype her too much you can't overhype her but.Track 2[10:02]I will. I do, but I want to be fair to everyone else. I want to be fair. I don't want to make it seem like the rest of the cast that they were less. I don't want to make them seem like they were less than they were.Track 3[10:16]But she's amazing.Track 2[10:18]But she was just, Kate McKinnon was just, her talent was made for Saturday Night Live. And I'm not going to lie, I miss her.Track 3[10:28]She definitely left a hole and she was part of a she was part of a trinity when you talk about her and cecily 80 unbelievable with things like twin bad i mean back home ballers just amazing the three of them together will just fire so excellent choice joe i'm gonna shake things i'm gonna shake things up a little i'm gonna i'm gonna break i'm finally gonna break up our like female male domination that's going on, which I love, but I'm going to break it up a bit. Like I said, I chose two from season six because that's where my head was at, and I chose a musical act, and I know J.D. Mentions this. Thomas mentions this.Track 3[11:12]Musical guests don't seem to get into the Hall of Fame. I think Paul Simon might be the only one still. Dave Grohl is knocking on the door, and he's he's on my list but the act i want to talk about they're coming up this season like i said is one of my favorite bands and remember i'm a gen xer so i know you know joe who i'm talking about uh you too you do i mean i watched a couple of performances it's hard to find musical performances especially when you don't have peacock which i know right i know snl fan without peacock But anyways, I love you two. I could not believe how amazing they were on that 8-H stage. Thomas made a really good point in the draft episode.Track 3[12:03]They were selling out stadiums at this time. I mean, they were huge at this time. But then they could bring it down and be right on that 8-H stage and be intimate and personal. And Bono, let's face it, it's the Bono show, right? The man can sing. He has charisma oozing out of his pores. And he just captivates. And that's exactly what he did. it. These days on current SNL, the musical acts are really getting out of control. And I know they talk about this in several of the podcasts I listen to. They're throwing all these dancers and visual effects and explosions. You don't need it. If you can sing and you're talented, you don't need it. U2 does not need it. I'd love to see them get in at some point. I hope they get at the 10% to at least stay on the ballot. But after Dave Grohl, I think they should be in next because they're just amazing. So those are my two.Track 2[13:07]All right. So let's get into the two that we think definitely won't. I just want to go first because I want to continue the trend of what we're talking about with the musical guests. Now, you said that it's going to be really hard for musical guests to get into the Hall of Fame, because they're not really a major part of the show. They're rememberable, but not as much as the cast, the writing, the host. So they're kind of like the fourth tier. But they're very important, don't get me wrong. It's just not one of the initial people that you think of when you think of the show. So as far as my first pick, I'm going to say Randy Newman. I agree with everything that was said when they were doing the ballot show. I agree with Randy Newman's great toy story. I love L.A. He's funny. When he accepted an Oscar, I don't remember specifically what he said, but he had a great Oscar speech.Track 2[14:10]Let's just put it this way. When you're voting for an SNL Hall of Fame, you know, person, I doubt that you're going to vote for Randy Newman. I mean, there's just a lot of people ahead of him in line, you know, like, you know, like the people that we're saying, you know, and then there's you got, you know, you got hosts that are well known. You got cast members that are well known. Writers are kind of a gray area, you know. And then musical guests are just hard to get into, period. And then Randy Newman is, you know, like people might know him from Toy Story and such, but they might not know him that well, or at least current people or whatnot. And I'm not saying anything, I don't want to say anything too much, too negative about him, but he's just not really a household name anymore. So with that being said, like it would be hard to vote him in the snl hall of fame so yeah i don't i don't know what more i could say after that it's just kind of kind of cut and dry i guess like you know like it's hard for a musical guest to get in and he's not really that well known as a musical guest so agreed.Track 3[15:30]In fact i agree so much my first totally won't get in was also randy newman and i'm not gonna to rehash it because you said it well. And even when J.D. nominated him in the draft, he said that he wondered if people would remember because he hasn't been... I mean, I'm sure he's still doing music for movies and doing movie songs and things, but you don't hear about him much. Like, I don't know if he had a new song in the new Pixar movie, the one that just came out or not. But yeah, I'm not going to go into it too much since you did a great job. I will go on to my second person and then I'll throw it back to you. My second person is a writer and I have to disagree with you a little bit. I actually, well, I don't know quite how you feel about writers, but you kind of sounded like you thought they were gray area. I don't think they're gray area. I think writing comes first. Great writing.Track 2[16:34]I don't think it's important. It's just not, the writers might not be well known.Track 3[16:38]Oh, I agree with that. But I feel that writers are the most important. They're that base ingredient. read yet. I don't care if you have the best cast in the world, if the sketch sucks and is poorly written and the characters aren't well-developed, nobody's going to be able to bring that to life. Whereas if you have a great sketch or a great script, a so-so actor, like say even myself, could do a good job with it. I think writing is essential. I don't think writers get enough love in the Hall of Fame. I don't think they get enough love in general. So that all being said, I'm going to talk about Alan Zweibel. Unfortunately, unlike Jim Downey, who I'm so happy got in, he doesn't have name recognition. He's done a lot. I've been reading a lot about him, and I was sent a list of the sketches he's worked on. I mean, Roseanne, Rosanna, Dana, Anna, Letella, Emily Letella. He worked very closely with Gilda, very close with Gilda. He was very, very, very, very essential to those early years.Track 3[17:56]Unfortunately, and I worry about this with Garrett Morris, too. I don't want to get off track, and Lorraine. People don't have long memories always. And especially these days, Joe, you know the kids are jumping on, they're watching sketches, they're watching the Beavis and Butthead sketch, they're not watching the whole show. So it's very different now. And I feel like writers like Alan Zubow have been lost to the anals of time, unfortunately. And maybe I'll be wrong. I hope I am wrong, but I feel like there's other writers ahead of him a bit. However i'd be thrilled if he got in i'd like to see writers get more love but i don't think it's happening so now i'm gonna throw it back over to you.Track 2[18:41]I just want to add on a little bit to that because i think he might have been a cast member in season five because okay yeah everyone started leaving so they just started pulling people from like the writers and like because like i think paul schaefer was a cast member in season five so season five was It was just kind of that running on fumes before everyone left. And then also, I just want to mention, as far as the Gildan Radner connection, I just love this memory, which is her last television appearance, which was on It's a Gary Shandling Show. And I know this isn't Saturday Night Live, but um uh he gary shanley uh developed that show with alan's i or uh zybel and uh after, gildan ran there was um she had a pause where she started to look good uh health-wise and so she showed up on that show and i just wanted to recommend people to look that moment up because it's such a gift from alan and gilda um so i know it's outside saturday night live but uh, But anyway, to segue to my pick, I also picked a writer for the same reason. Again, writers, it would be cool if writers, if you could see their name on the sketch.Track 3[20:04]Right.Track 2[20:04]That would be great. You know, that way, you know, like the only one that I think of is Jack Handy, The Deep Thoughts. You saw his name on that sketch. Right. So that kind of made you familiar. Now, anyway, my pick is Julio Torres, who is more recent. I just don't, he's not like John Mulaney, where he's a recent writer who has standout specials or hosted the show and all this stuff. I'm sure he's a great writer. He's just not well known. I think he's the least known person on the list.Track 3[20:41]I think you're right. He does have that I'm a Stone Actress sketch, which was great. But, yeah, he's not really talked about as much.Track 2[20:49]I mean, I don't want to, I literally don't have anything negative to say about him other than the fact that he's not known enough. And I'm sure people found out, you know, what sketches he wrote. They'd be like, oh, yeah, absolutely. I love that. But at this point, you know, I mean, you know, I just can't see people looking at this list and voting for him. I mean, and I'm not saying anything negative about him. I just don't see him being well known enough.Track 3[21:23]Now, let's reveal our ballots. Do you mind if I go first, Joe?Track 2[21:27]Yes, please.Track 3[21:28]I'm just going to zoom through it. But my 15, and I did use all 15. I know some people don't, but I had a hard time keeping it to 15. I could have gone to 16 or 17. My ballot is... And a guest hire, Sherry O'Terry, Dave Grohl, Vanessa Bayer, Rosie Schuster, and Paula Pell, both writers. Candice Bergen, Rachel Dratch, Dick Ebersole, Herb Sargent, Lorraine Newman, Buck Henry, Jack Handy, Tracy Morgan, and you too. Those are my 15. And let me tell you, I didn't really know who Buck Henry was. I didn't know much about Dick Ebersole, rather. Then I listened to this podcast, and it changed my voting. And I put these two on. This is the first time I've put them on because I think they're essential to the show's history. So thank you, SNL Hall of Fame. Thank you, Thomas. Thank you, JD. Thank you, Matt, for making me a more educated viewer. Now your turn, Joe.Track 2[22:39]All right. So with me, I just went with 10. My brain just works in the DECA system. So shout out to the Romans. um so the list goes paul rudd dick ever saw dave grohl paul lapel lorraine newman kate mckinnon adam samler martin short chris parnell and john malane um i just and to me that would almost be a great show all of himself they were together so that's my time agreed well Well.Track 3[23:10]I'm surprised at like how similar our lists are because I think we have slightly different tastes, but I think we're ready to move on. Beck Bennett is our first season six nominee. And the way this is going to go every episode is one of us is going to be pro and one of us is going to be con. It does not reflect our true feelings, but we're arguing the side we're arguing, and that's how it's going to go. And are we ready to get started? Do you want to start, Joe? You're the con and I'm the pro. What do you think?Track 2[23:50]Well, how about this? we'll go pro just to kind of introduce him and then uh i'll do con.Track 3[23:55]Okay we'll just throw it back and forth how's that sound yes sounds good all right so i am arguing the pro for mr beck bennett eight seasons that alone meets one of my criteria i feel like a great cast member has to have at at least five. Beck has eight. Eight seasons, and he came out of the gate on fire. He brought ideas to the show. He, of course, had a relationship with Kyle Mooney, and they came with sketches. So that's my first pro. Want to give a con, Joe?Track 2[24:37]Yes. Yes. So now, first off, let me just say I agree with every positive thing. However, my assignment is to come up with cons. So I agree with everything that you're saying and everything on the podcast. However, for the con, I feel like he was a part of a big cast.Track 3[25:01]True.Track 2[25:02]And he didn't really pop. He didn't really stand out. So to give an example or demonstration of this, imagine if he came back to host, you know, people wouldn't be saying, oh, I hope he does this sketch, you know, like, or I hope he does this character. There wasn't anything. He did Baby Boss, but that wasn't rememberable. I don't think people are going to be quoting or re-watching that on YouTube. A lot of the Kyle Mooney pre-taped stuff is funny, don't get me wrong, but not rememberable. He didn't you know he just didn't pop and then um he also did a lot of the straight man stuff which is a thankless task like he did a lot of uh game show hosts and you know so i just that's my con he just didn't pop he didn't stand out i i just i can't make a list of uh stuff i would want him to do again if he came back to host so that's my con all.Track 3[26:09]Right so i i just want to add I've got a few more things for the, for the pro. Let's talk about his pre-tapes. I mean, he and Kyle came with the SoCal boys, kind of the clueless boys who were all over the internet at that time. They're probably still all over the internet. And they just nailed it. And it was so funny. I just rewatched a couple of those SoCal boys pre-tapes and they were hilarious. But I just want, I have to mention my, one of my absolute favorite pre-tapes, which is the Leslie Kyle back.Track 3[26:48]Triangle specifically the one with the masquerade with the eyes wide shut for those of you young listeners it's a movie that came out a long time ago watch the sketch watch the pre-tape i i can't even do it justice so funny even colin jost gets into the act it is hilarious i just think beck was one of those in the clutch performers who could come and be the straight man and all the the craziness could bounce off of him against Santa Baby with Gosling and Vanessa Bayer. They're going nuts about Santa, and Beck has to play the straight dad role. Like you said, Joe, always having, often having to be the one that everybody else sort of plays. He's sort of the canvas, and they play off. He's just so perfect at that. And they mentioned so many good examples in the Hall of Fame episode that I don't think I need to do anymore. So that's my wrap up. I think he deserves a shot. And I was very happy I got to be pro because I know, Joe, that you struggled with the cons. But I think you did an excellent job and made some excellent points about why maybe he is not quite Hall of Fame material.Track 3[28:13]All right, Joe, I think it's time for our final, final segment, our hopes for the 50th season. And the theme for this, this week's our first is which two cast members do we want to see more of? All right, I'll start. Let me tell you, I had two, I had two people. One, I didn't change. One, I did. Guess why? Why? Because my buddy Joe and I had a conversation and he made me rethink and I'm like, he's right. I need to go with my gut and I need to say a regular cast member. I was going to do a newer cast member, but instead I'm going with a I believe she's going into her sixth year.Track 3[28:59]She's getting the screen time. But thank you, Mike Murray, on Saturday night or Saturday as an on the Saturday Night Network. Network yeah because mike murray if you haven't listened and i'm assuming if you're listening to this podcast you listen to the hasn't on uh mike murray does a great stats breakdown and he gave me some stats and he's he talks a lot about uh minutes per episode and i don't think i don't think she's getting enough time on screen and he has solidified that for me i'm talking about the the one, the only, the incredible Ego Nwudum. She is my favorite cast member, bar none, hands down.Track 3[29:45]I think she's absolutely hilarious in every sketch she's featured in. She just holds her own so beautifully against the likes of Kenan and Mikey Day and Heidi Gardner. Ego stands tall and proud. She's amazing. I'm really happy she got one of the first reoccurring characters in a long time, Lisa from Temecula, and she delivers. And I'm thrilled that she's got a TV show now, I believe on Peacock. I think it's called The Throwback, but I might be messing up the name. But I'm really, I'm thrilled that she has a show and I want to see her. I hope that doesn't mean she's going to get less screen time i want to see her get more screen time okay joe.Track 2[30:33]Who do you want to see more of again i guess this is a very female themed episode because my first one is my comedy crush uh and by that i mean i love her comedy is sarah sherman uh.Track 2[30:53]So I just love she is so unique, but I'm also glad she could blend in to the cast. Like, I'm glad that she could do both her unique style and, you know, that doesn't alienate her from everyone else. She's able to be in sketches that don't work, you know, that aren't about her unique sense of humor. She is so she has such a unique identity. She just does goes with her gut and just and then on top of that. And then the second point is I want to see her on Weekend Update. She did Sarah's News, I believe was the segment. But most importantly, and I do mean this, which is important to me. I want to see her roasting Colin Jost because she is aside from those swap joke swaps that he does with Michael J. I love seeing Colin Joe's get roasted by Sarah she just does it in this goes for the jugular just really you know she did one where she went backstage in his dressing room and there was like yeah this is where he keeps the interns in the cage and stuff like that and she, chef's kiss I mean I just love her unique sense into humor and I love seeing her roast Colin Jost. So yes, that's my first pick. And now yours.Track 3[32:19]My second is a little newer and he just nailed it this past season. I think he's getting more time, but again, thank you Mike Murray. His screen time is not where it needs to be. His Tim Scott is one of my favorite political impressions currently. Of course, I'm talking about the fabulous Devin Walker. I think Devin is fantastic. I love Marcelo Hernandez, don't get me wrong, but he seems to be the newbie getting the most love, and I'd like to see the love spread a little evener for Longfellow as well, but really for Devin. I think this is Devin's season to shine. I hope so. I hope they give him more impressions. I hope they put him on update. Let him have Devin's take, kind of like they did with Longfellow and let him give his takes on certain cultural happenings in the zeitgeist. Yeah, I want more Devin Walker this season. A lot more than last season.Track 2[33:16]So my second pick is Michael Longfellow. It's just real... Yes. It's just real simple. I just look at that guy and I know this is kind of a part of the con that I said about Beck Bennett, but he has great deadpan.Track 3[33:34]Yes.Track 2[33:34]So and that is really one of the thankless tasks of a cast member is looking at the other ones, looking at the character and just, you know, acting, you know, and just having a facial expression that says you're weird and stuff like that.Track 3[33:51]Yes.Track 2[33:52]You know and then um how about this is what came to me i can't believe it was an snl cast member or or anything but it keaton has this thing where he just goes no no and michael longfellow just has that in his face where he's able to do that without saying anything like you're weird you're just he's got it in his eyes it reminds me of like dave foley from news radio um he just he's He's able to look at the joke and not say anything. And to me, it's more important to act instead of saying, you know, like, you know, brevity is the soul of wit. So just to be and I just like seeing that from him. So that's what I'm hoping to see more of from him.Track 3[34:33]OK, so I think the moral of our episode today is we want more women getting involved and we want the newbies getting some love because both Devin and Michael came in. And Marcelo seems to be getting all of the love, which he's super talented. But like I said, I'd like to see them spreading it out a little more. Okay. I cannot believe that this is the end already, Joe. This is so much fun. You are so much fun to talk to because you're as geeky, passionate about SNL as I am. And so thank you.Track 2[35:10]Yes. And I believe you have excellent taste. No, no, you're great. You know, you have mountains and mountains of information and passion. So, yeah, this is great. You know, I hope to be doing this every week. We will be doing this every week right here at the Butter Cooler.Track 3[35:26]We're throwing our cups away until next week when they'll be, when Thomas will be joined by another great guest on the SNL Hall of Fame. Well, they'll be talking about the one and only, and we talked about her today, right, Joe?Track 2[35:41]Yes, we did.Track 3[35:41]The fabulous sherry o terry very.Track 2[35:47]Energetic a mountain yeah we got a lot to get into on.Track 3[35:50]Yeah looking forward to it but for now leaving the water cooler till next time throwing out the cup.0:00 / 36:410.5x0.75x1.0x1.25x1.5x1.75x2xSupport this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ghostbuster! Beldar the Conehead! Blues Brother Elwood! The one and only Dan Aykroyd joins us. In the audio documentary Blues Brothers: The Arc of Gratitude, Aykroyd tells the story of how the band formed, how it persevered through decades of tumult, including the death of its co-founder and friend, John Belushi. Dan Aykroyd talks about the history of The Blues Brothers, the making of Ghostbusters, and so much more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Ohhhhhhhhhhhhh man... Chris doesn't want to admit it, but he loves Grosse Pointe Blank. One of the best rom-coms ever crafted, starring John Cusack, Minnie Driver, Dan Aykroyd (Chris' personal favorite), and ... others. It's a thrill ride. Enemies become friends, and friends become enemies. POPCORN!!! let's do this. Hunky hitman hooks up with honey from high school for hi-jinks and hilarity! Jumpy John's judo-ing a gentleman in the gym! Aykroyd abusers! Randy Quaid & the Star-Whackers?Minnie Driver! Jeremy gets Jameson and Cusack gets a club soda! A convincing level of guarded enthusiasm! Actio-dramedy? Extreme pipe logic, and much, much more on this week's episode of The Worst Movie Ever Made! www.theworstmovieevermade.com

Nothing But Trouble is so bizarre that it's hard to believe it exists. The brain child of Dan Aykroyd, it is a menagerie of his wildest ideas and characters. And, since he wrote, directed, and produced it, there was nobody on set with enough clout to have him rein it in a little. Ghostbusters this is not. Despite that, Aykroyd should be commended for going all in on his ideas. When your film involves a prosthetic nose shaped like the tip of a penis and two ghastly looking grown men covered in crud and oil and wearing diapers, it's clear you've committed to the bit. Nothing But Trouble is a singular vision. Whether you think it works or not—more than likely not—is up to you. Critics, for their part, hated it, sentencing it to 15% on Rotten Tomatoes. Audiences were apparently also baffled by it. Nothing But Trouble is one of the largest box office flops of all time. It grossed less than $9 million on a budget of $45 million. Hey, hey, ha! Ho ha! Heh heh heh heh! Hoola, Hoola, Hoola! The Boola Boola Boola! Look who's got the front seats to the Mexican hat dance now! Now, sit back, tour Judge Alvin "JP" Valkenheiser's house of horrors with a King Crispy Pilsner from Deschutes Brewing, and get yourself up a couple of dogs! I, the Thunderous Wizard (@WriterTLK), Bling Blake, and Chumpzilla are riding the harrowing rails of Mr. Bone Stripper! This Week's Segments: Introduction/Plot Breakdown – All they wanted was a little getaway. All they got was nothing but trouble! (0:00) Lingering Questions – Is this the oddest movie we've ever done? (35:14) The "Mr. Bone Stripper" Trivia Challenge – I challenge the field to trivia about the movie. (43:32) Recommendations – We offer our picks for the week and next up: We finish Objection! Flops with the worst gift the 90s ever gave us Pauly Shore in Jury Duty! (50:36) And, as always, hit us up on Threads, Twitter, Facebook, or Instagram to check out all the interesting factoids from this week's episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Podcasts, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, Vurbl, Amazon Music, and more!

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the most influential sci-fi horror comedy to ever exist, "Ghostbusters". Ghostbusters is a 1984 American supernaturalcomedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. It stars Bill Murray, Aykroyd, and Ramis as Peter Venkman, Ray Stantz, and Egon Spengler, three eccentric parapsychologists who start a ghost-catching business in New York City. It also stars Sigourney Weaver and Rick Moranis, and features Annie Potts, Ernie Hudson, and William Atherton in supporting roles.Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan and Steven on their fantastic Podcast "The Talk No Justsu Podcast" https://open.spotify.com/episode/05FUyTQLzBHBjGA8EIAjRB?si=b3CkutraR-Wjj5Cr1GI0FQ

This week we're back with the popular Roundtable episode of the program. In this version we invited Ashley Bower and Deremy Dove to share their ballots with host Thomas Sena. Enjoy and don't forget to vote! https://forms.gle/ECAVQbPBE6r3krpS6Transcript:Track 2:[0:42] Yes, hello, welcome to the SNL Hall of Fame podcast.Track 2:[0:45] I'm your master of ceremonies, your co-host for today's proceedings, Thomas Senna. Everybody, welcome. I think I would be remiss, and I think I need to do, Jamie, do a solid here, because it's very important to Jamie for me to tell you to wipe your feet before you enter the SNL Hall of Fame. I think Jamie would fire me from this post if I didn't tell you guys that. So welcome to the SNL Hall of Fame. Today is our customary end of season extravaganza. It's the SNL Hall of Fame Roundtable. This is the show in which we invite SNL Hall of Fame voters to share their ballots and their thought processes behind their choices. So this is always an interesting exercise to get into the psyche of some of the voters.Track 2:[1:40] Previous roundtables, I think minds have been changed. I think people have stood on islands and been steadfast on who they're voting for. It was interesting to see. I think we all just gained a great insight as to what voters may be thinking. Friendships were formed. I think rivalries were formed. So we've had some interesting roundtables in the past. It's always nice to get a peek into the mindset of SNL Hall of Fame voters. So with me today is two of my guests for this past season on the SNL Hall of Fame podcast.Track 2:[2:16] One first-time roundtable panelist, which is going to be fun. I'm excited to hear her thoughts today.Track 2:[2:24] So we have two panelists, and for full disclosure, for transparency here on the SNL Hall of Fame podcast, I will be sharing my ballot as well. So it's going to be the three of us sharing ballots today. So I'm not just like the co-host here on the SNL Hall of Fame. I am a panelist today, and I will give some transparency and let you all know my ballot and how I'm feeling about the voting cycle, about the votes this year. So without further ado, let me introduce our panel for today. And I have an icebreaker question, too. So I'm going to introduce them. My icebreaker question, I asked this last panel, last roundtable, and got some interesting responses. I haven't asked these to this question. I don't think. So...Track 2:[3:15] I want to ask which current cast member, not including Kenan Thompson, because that's the obvious one. Kenan's an SNL Hall of Famer. So not including Kenan Thompson, who on the current cast could you see in the SNL Hall of Fame someday? So that's going to be the little icebreaker question. Get a little peek into the mindset of our panel today. So my first guest, Ashley Bauer, SNL super fan. My guest for Kate McKinnon this year. Ashley did such a great job. And Ashley, thank you so much for joining us today here on the roundtable. How are you? Good. Good to see and talk to you again. Excited to be back. Yeah, this is great. So which current cast member, not including Kenan, that's the obvious one, could you see in the SNL Hall of Fame someday?Track 2:[4:03] So I thought about this and I went back and forth between two, but I think my vote's going to ultimately go to Bowen Yang. I'm going to have to give it to Bowen. And I think he kind of came out of the gate, you know, really with a bang. And he's really been in some pretty epic and memorable sketches already. And I kind of think he's a jack of all trades. And it's rare that he's in something I'm not dying of laughter in. So, yeah, I'm going to go with Bowen. Bowen's like Mr. Charisma. He really is. I love the iceberg weekend update sketch that he did. That was a really great performance. It's like one of the most memorable things that I can think of that Bowen's done. He's just a very likable person, a lot of charisma. Bowen Yang, Ashley could see in the SNL Hall of Fame someday. That's awesome. All right, so also with us is my partner in crime on the Pop Culture 5 podcast. He also is co-host of the Bigger Than the Game podcast. He's just podcasting all over the place.Track 2:[5:07] He's everywhere. And he was my guest for Tracy Morgan. this season on the SNL Hall of Fame. So I'm welcoming Mr. Deremy Dove to the proceedings. Deremy, how are you? I'm good, man. Always a pleasure to talk SNL and SNL Hall of Fame with you guys. So I'm honored to be on. Yeah, you're one of our go-to guests for the SNL Hall of Fame. Your insights are always so great. So welcome. You've been on for Dick Ebersole. You were on for Adam McKay and this year for Tracy Morgan, which was an interesting one. I think we did Tracy Justice with kind of a more loose sort of format I think Tracy would have wanted it that way I agree I agree absolutely yeah that was fun so who on the current cast not including Keenan could you see in the SNL Hall of Fame uh like like Ashley said it was there's a few who I was going back and forth with but I I went with James Austin Johnson um as my pick I think he um.Track 2:[6:02] He really brings, I love the impressions he does, and he kind of fits that mold of like what I think of. I think of just like what you need to make a great SNL cast member. He has that design. I feel I get like some Daryl Hammond kind of feels from him. I just really love what James Austin Johnson can bring to the table. And I see him. I don't know if he's going to be like the big star, but he's that person when we have rankings in a few years. It's going to be like, we'll be surprised. We'll be like, oh, James Austin Johnson, he's a Hall of Famer. He's a top whatever cast member of all time. So he's who I pick as like that future Hall of Famer for the current cast. I could see that.Track 2:[6:44] He's not just, so he started obviously with his Trump and Biden impressions. And I think he got hired on the strength of that. But he's not just an impressionist. I think he's filling out a lot of important kind of glue guy types of roles. He's kind of branching out and not just being an impressionist. Right, right. Yeah, he plays the dad role really well, kind of the everyday. Because I could see maybe a little bit of Phil Hartman in him, too. Yeah, it's big. In that ways. I mean, Phil's personally one of my top three cast members of all time. So I don't think James is on that tier. But I think there's elements of Phil Hartman that I can see in James. Yeah, I think he's a glue, like you said, a glue guy. And I and I feel like especially those if you're listening to the show or you vote for the SNL Hall of Fame, you're probably a big fan. We all know how important the glue people are to an SNL cast. And I think he fits that role very well. Yeah. What do you think, Ashley? James Austin Johnson's trajectory?Track 2:[7:42] I had to laugh because that was actually who I went between. I was going between whether or not I wanted to vote for Bowen Yang or James Austin Johnson. So I am right there with you, Deremy. I agree. I think he's so versatile. You're right. He definitely evokes some of the greats in the past. He has that, Tom, you said charisma for Bowen. I think James Austin Johnson does too. He just has this swagger every time he's in a sketch. And yeah, he can play just a side character or the main character. Or he can do an impression yeah i was really close to voting for him but um ultimately went with bowen obviously but 1000 agree yeah good solid choices i think i could see in a few years we could be looking up and seeing heidi gardner having the hall of fame kind of resume she has talent she's a hall of fame talent i think she needs to get maybe a couple more seasons have some more good sketches she's very good on weekend update i think that's a lot of times where she's shines is coming on weekend update and doing kind of off the wall but sometimes relatable.Track 2:[8:46] Characters heidi so i can definitely see heidi forming a case uh dark horse it's for me and he's been awesome i think he's my mvp of season 49 is andrew just mugs honestly yeah he has and he has his own lane on the show too it's almost like a will forte ish kind of lane like andrew he has a more offbeat kind of sense of humor than a lot of the cast and i think he's all of my My favorite pieces from this current season 49 have been Andrew Dismuke's pieces, quite frankly. So I see maybe Andrew a little bit of a dark horse, but I wouldn't be surprised if he if he continues what he's doing this season. We could be possibly making a case for Andrew Dismuke. So those are a couple of people that I wanted to shout out.Track 2:[9:29] So how this SNL Hall of Fame voting is going to work every season. The voters have up to 15 votes that they can use. Voters can use one vote if they'd like. I don't know why they would, but maybe that's, you know, they're very hardcore and stringent and they only think one person deserves to be in the SNL Hall of Fame each season. Though from looking at the ballot, that would just mean like, I think you're an SNL Grinch or something and you might be shamed if you just come on here and say you're just using one vote. I don't know. So I'm curious, how many votes, Jeremy, are you leaning toward using today? I'm using all 15. All 15. All 15. I think there's some easy slam dunk people to put in, and there's a lot of people who I don't want to knock the SNL family, the SNL fan base, but I'm just like, why are these people still on the ballot? And this is a shame, and I'm going to stick up for it. I'm going to continue to do it. So I got all 15. Jeremy's going to be an advocate. Awesome. All 15, the opposite of a Grinch. Good job, my man. Yes, yes, yes. Ashley, how many votes are you using?Track 2:[10:39] I'm going to copy Deremy again. I'm using all 15. I found it difficult to keep it at 15, to be honest. And there was one that I realized wasn't on the list. And so I had to unfortunately kind of kick somebody off to make sure this person got on my ballot. But yeah, again, a lot of great, so much talent over the years. And I'm going to fight for them too. All right. So both Jeremy and Ashley are using 15. Coming in, I have 13 locks. So what I'm doing right now is I have 13 on my list that I feel are locks for me. But I have two that are open. So I think my goal here, one of my goals here on this roundtable is to be persuaded maybe as to how I'm going to use those final two votes. Votes so 13 i have locked in but you dare me you ashley you could persuade me you can make the case for maybe somebody that i don't have on my list and as to why they should be in the eston hall of fame so if there's anybody that's a grinch it seems like it's uh it might be me more so than ashley and dare me but it's strategic grinch it's it's i'm utilizing strategery on the round.Track 2:[11:52] Well done yes uh so then i'm gonna name the nominees and then we'll get to it just to refresh everybody's memory uh on who the nominees are uh this season on the snl hall of fame uh in the cast member category we have 13 cast members first time nominees rachel dratch will forte taryn killam kate mckinnon tracy morgan lorraine newman and adam sandler returning to the ballot We have Fred Armisen, Vanessa Baer, Ana Gasteyer, and Chris Parnell. And their final time on the ballot.Track 2:[12:32] Maya rudolph and molly shannon so that means if maya and molly don't get voted in in this cycle they're off the ballot so i know jeremy's shaking his head what a shame i can't believe it i know i know it's the will of the people i don't know what to say that's true that's true so for the host category there's 12 on the ballot first time nominees john ham and hathaway and martin short returning to the ballot but not for their final time candace bergen jim carrey buck henry scarlett johansson and paul rudd final time on the ballot for these folks melissa mccarthy john mulaney emma stone and justin timberlake we'll see if emma stone she's been on the ballot since snl hall of fame season one she just became a five-timer here in season 49 we'll see if that That helps bumper up as far as making the SNL Hall of Fame. So I'm curious about that. Musical guests. There's one first-time nominee. That's Pearl Jam. Great episode with Ryan McNeil. I love doing that Pearl Jam episode. Returning to the ballot, we have David Bowie, Dave Grohl, and Lady Gaga.Track 2:[13:43] On the ballot for the final time, Paul McCartney, Tom Petty and the Heartbreakers, and Prince. So those are the musical guests, which is always a fascinating category to me, musical guests. And we'll probably get into that and your philosophies behind musical guests and the SNL Hall of Fame as well. Writers, there's eight writers on the ballot. First-time writers, John Mulaney. So yes, you heard him as a host. John Mulaney is also on the ballot as a writer. So when we did the draft, I believe it was Matt Ardill who said, let's, you know, John Mulaney is a great host. But he's also known for a writer. Let's put him on the ballot as a writer, too, and just kind of see what happens. So Mulaney's on the ballot for the first time as a writer, as is Julio Torres.Track 2:[14:28] Returning is Jack Handy, Adam McKay, Paul Lappel, Herb Sargent, and Rosie Schuster. Final time on the ballot for Frankenden Davis and Michael O'Donohue. So the writer's always interesting, again, to me. And one producer on the ballot, Dick Ebersole, which Jeremy and I did an episode on. I believe back in season three. Yes. Yeah. So Dick Ebersole on the ballot still here on the SNL Hall of Fame. So with that said, let's reveal those ballots, those votes. So I'm going to start with Deremy to kick things off. Who's the first person, Deremy, you want to talk about who you're voting for? Well, I just think you guys did a great episode on this person. And if there's the biggest lock or just slam dunk for the Hall of Fame, SNL Hall of Fame, it's this person. And let's just get her out the way because it's just so obvious. But Kate McKinnon, I think it's just, we're looking at somebody who.Track 2:[15:32] Is a top 10, maybe top five cast member of all time. And we're almost at 50 year history of the show. And someone, I heard you guys talk about just, just a prodigy and just from day one, you're just like, you know, and for me, I get nervous with that because I'm always like, oh, this person shows so much promise and you start thinking, can they be a great, but there's so many great names in SNL history. You don't want to put that pressure, but Kate McKinnon lived up to deliver and exceeded all these expectations. And when I think of SNL in the decade of the 2010s, she's the first name that comes to my mind. So I figured let's just the number one slam dunk on this list to me, Kate McKinnon. Yeah, the most recent cast member on the ballot. Season 47 was her final season, and she went through the waiting period for the SNL Hall of Fame on the ballot this year. I wonder if there's going to be some sort of recency bias maybe against Kate, because she's so recent, and maybe some people feel like they need to put others ahead of Kate in the Hall of Fame. I mean, that's the only reason that I could think of as to why somebody would not vote for her. Because I agree with you, Jeremy. I think she's a slam dunk. Definitely on my ballot. I assume, Ashley, you were my guest for Kate McKinnon. I assume Kate's on your ballot.Track 2:[16:56] I feel like I could call myself a Kate fan. And my entire podcast should have been thrown away if I didn't put Kate on my ballot. So, yeah, she was actually my number one. I think, Jeremy, you and I are on the same wavelength. We're twins. We're SNL twins.Track 2:[17:09] Yes. So, I was going to come out of the gate strong with Kate, too. And, yeah, like, I was worried about that, too, was, yeah, is she too, quote, unquote, young? Is she still too junior? We were kind of talking about, you know, are we putting people up with, you know, people like Phil Hartman and all these kind of big greats. But I think she is up there already. I think she has proved herself to be a name that will forever echo the halls of Saturday Night Live with the impact that she's had. Yeah, and I can't imagine, you know, don't sleep on her just because we think she's going to sit on this ballot for a little bit. Like, I think she's she deserved it for sure. Yeah, I definitely agree. And I know some people have a philosophy of deciding whether somebody's a first ballot or not. I've always been of the mind, even in sports halls of fame, that if somebody's a Hall of Famer, they're a Hall of Famer. And I don't think there should be tiers as far as first ballot Hall of Fame. And to me, if they're a Hall of Famer, they're a Hall of Famer. And I don't look at them as like, I don't separate the Hall of Fame into tiers like that. Some people do. I think Kate's, even if somebody does separate into tiers, I think Kate's a quote-unquote first ballot Hall of Famer, even if somebody is strict like that. To me, she's almost comfortably in the top 10 all-time cast members.Track 2:[18:28] For me and i hope i hope as the years go along that people really have an appreciation for what she did on the show i know there were a lot of maybe hardcore snl fans toward the end of her tenure who were like oh we need some new blood i'm kind of sick of kate and that's unfortunate because we didn't know how good we had it with kate honestly apparently some people didn't know because she's an all-timers all-timer so that's just kind of where i stand so jeremy i'm curious i don't know if we've talked about this do you separate halls of fame in general into like Like, if somebody's a first ballot, if somebody's not? No, I don't have, like, the tier list. Like, I don't do, like, oh, you're on tier one. But there are in SNL Hall of Fame or in Sports Hall of Fame, there are names that are, like, you can just say their name and there's, like, enough said. And, like, you know, you stand up and you sit down. And there's some Hall of Famers where you have to have a discussion more and, you know, talk about it and you might have some debate. And I understand there's, like, both. But once they're in, there's no separation. You're a Hall of Famer. But there's some where it's like, you know, in the NFL, if I say Tom Brady, and if someone goes, really, I'm not sure about him, I'd be like, what's wrong with you? And, you know, Kate McKinnon's like on that level.Track 2:[19:40] It's like if someone's like, I don't know. I'd be like, really? You don't know about Kate McKinnon? Like, it's going to be a long day. So it's like Kate McKinnon's just, you just got to say her name, and then you sit back down. Exactly. No, I'm with you. I'm going to suck up to Ashley here and say Kate McKinnon's like Tim Duncan. In the nba like tim duncan ashley's his first fans oh okay nice tim tim duncan is like you say tim duncan it's like oh he's like a top 10 all-time great nba player like for sure hall of fame like he's on that first tier of hall of famer so to me kate mckinnon's like a tim duncan yeah like it's just a no-brainer like that absolutely and ashley like did a raise the roof there so i'm on her good side i i think my love for saturday night live may be tied with my love for the san antonio spurs it's really close i'm quite a fan girl when it comes to both so yeah tom could not have picked a better reference for me exactly and i'm jealous you get to follow victor wimpy llama same year how many years she's so lucky with the spurs, I was really happy that draft day, for sure. Oh, I bet. So, Deremy, Kate McKinnon, all three of us have Kate McKinnon on our ballots. Ashley, I want to go to you. Who do you want to start with?Track 2:[20:56] The next person I had right after Kate McKinnon on my list that I want to put on my ballot is Maya Rudolph.Track 2:[21:03] Again, I think she's another name. You say her name and it's no question. Profession the the breadth and the depth of talent that she had while on that show i i think was unmatched and i don't think there's been anyone like maya since on the show that's been able to kind of hold the candle to what she was able to do um i mean vocally she could do any of the you know finger impressions and and give us either you know song parodies um but she could also just really own and commit to being silly and ridiculous um but comes to mind is the sketch that she did with kristin wig where they're the prize girls on the on the game show and kate's you know driving around in the golf cart and they're just acting ridiculous and there's a lot of breaking and again i'm sure lauren wasn't too pleased with it but you could get these really serious impressions like beyonce out of maya but then also these just ridiculous ditzy dumb you you know, physical comedy, throw yourself type of sketches from her. And I think she's definitely, you know, she belongs in this hall of fame. Yeah. Well said. I think we've talked a little bit about Maya. Jeremy, is this the, one of the ones you've been upset about over the last few seasons? Yes, Ashley. I don't know what it is. We're on the same page. I'm going to say this. I think Maya Rudolph is the most.Track 2:[22:26] Under appreciated underrated cast member in the history of snl and i think it's crazy i to me i think she's top 10 but at most i'll give someone top 15 like cast member of all time um i think and maybe that's like a people have that sexist view could we say glue guy so we think of just like phil hartman dan akroyd no to me it's a glue person because my rudolph I think maybe the only glue person I think of more than her is a Phil Hartman, in my opinion. I just think, like what Ashley said, the versatility, what she was able to do, how unique she was, where before or since there's not a talent that Saturday Night Live has seen like her. And I think it's a travesty that she's been on this ballot for so long. So absolutely Maya Rudolph. off.Track 2:[23:17] Jeremy, you could partly blame me for some of that because I have been one of those people that's a little on the fence about Maya. And I know that's one of the things that you and I probably disagree about the most. Absolutely. As far as us in the Hall of Fame. And Ashley wants to throw a tomato at me right now, I think. And I love Maya. I love Maya.Track 2:[23:37] I'll watch anything that she pops up. If she's on a podcast, she was just on Dax Shepard's podcast. And I made sure that moved up in the queue. you like i wanted to listen to maya on dax's podcast like i absolutely love maya and i landed on why i was on the fence about it in the beginning and i talked this over we did actually a relitigation episode with rebecca north she came on and advocated for maya and i think for me i think maya was in the wrong era i think the the type of humor that was around when maya was on the cast probably in the early 2000s. I don't think it really fit the skill set that she had. I think she was honestly better than a lot of the material that was on the show around that time. I think if she was on the show early 90s, or even if she got to be more part of the cast in the other Golden Era from about 2007, I know she overlapped a little bit, but I would have liked to see her move on into like 2012 and you know i think she left the cast a little too soon before it really gelled and blossomed so i just think a lot of the material a lot of this the humor in the early 2000s.Track 2:[24:49] I always felt like it was a little edgelordy it was just weird all around like we were in a weird time in the country and just in comedy in general and i think the humor was just kind of off in the early 2000s and i didn't and i think that that didn't cater to to what made maya truly great I always love watching her on screen, but there was always something missing, but I think I landed on that it wasn't her fault. Really?Track 2:[25:15] You know, what gets me is like a lot and not this isn't at you, Thomas, but a lot of people look at the ladies of that era with Maya as like really breaking through the boys club of Saturday Night Live. And Maya was a big part of that.Track 2:[25:28] And the other women to me get talked about so much more than her when I think she was the best of those ladies who broke through, which is always kind of weird and conflicting for me where it's like there was great women on SNL before. But you know they had to fight that boys club and then it's like that's the era where it's like oh like the ladies broke through but then they leave maybe like one of the biggest pieces or the biggest piece off that list when we're talking about we give amy polar love and everybody like we don't give maya rudolph so it always kind of confuses me yeah i can agree with that what do you think about that ashley oh gosh yeah i can't imagine anybody being on the fence about maya rudolph um i think you saw my jaw hit the floor um because yeah it was oh yeah we talked you know jeremy.Track 2:[26:13] You talked about the glue person i think she could have been in every sketch and she held it together she always brought something to it even if she wasn't the star of that sketch or wasn't bringing her main like impressions um to it and again i know on my kate podcast i talked about you know to me when i think of somebody in the hall of fame for saturday night live is you know does their talent take them beyond the show and again look at her i mean she's still making amazing stuff and i i do i see where you're coming from tom a little bit when you're talking about um you know it not being her fault i can see that i think had she stayed and gotten to do a little bit more with like tina fey and annie puller she was like kind of in this weird she She wasn't on too long before they left.Track 2:[26:59] But then kind of also left herself not long after like Kristen wig and stuff was there, you know, only overlapped a little bit with those. I think she was kind of a little bit in between where it really would have catapulted her to a little bit more star power. Had she had a little bit, you know, better chemistry to meld with, but I loved her every second she was on the show. I loved every sketch that she was in. Um, huge fan of her impressions, of course, who I thought she was really good at it.Track 2:[27:32] Yeah, I'm trying to like, I'm a lawyer in my day job and I'm totally failing right now because I'm like, how do I advocate and convince Tom to put Maya on this ballot? Well, I will say that she's one of my locks. So Maya's on my ballot as a lock. So and I think I think she's going to get in this time around. But I had to have a sort of epiphany as to why I didn't 100 percent connect with Maya like everybody else. And it was like a goodwill hunting thing. I had to look at Maya and say, it's not your fault. And then she's in the SNL Hall of Fame as far as I'm concerned. So I'm writing my previous wrong and putting her as a lock on my ballot. And I think it's going to happen for her. I think she's going to get in this time around. That's just my gut feeling. I hope so. Yeah, I think you'll be fine. I will withdraw my objection. I apologize, Tyler. I've apologized. I've done all of, I think, the right thing here and admitted my error. And arrived at a proper conclusion, I think. So Maya Rudolph is on all three of our ballots here on the SNL Hall of Fame. I'm curious. I'll stick with you, Ashley. I'm curious as to who you want to talk about next. So this is a name that I am shocked is still on the ballot.Track 2:[28:51] That she hasn't been voted into the Hall of Fame yet. I got to go with Molly Shannon. Yeah, I think I talked a little bit on on my episode about, you know, what really made me fall in love with Saturday Night Live. And again, I think, you know, there's a few other names from her era that are on my ballot, too, that I won't bring up yet. But again.Track 2:[29:12] I mean, Mary Catherine Gallagher, just how can you not put Mary Catherine Gallagher in the Hall of Fame? She's a superstar. It's literally on her name. Well said. Yeah, she's on my ballot. So Molly Shannon is one of those. And similar to Maya Rudolph, this is her last year on the ballot. So if she doesn't get in, she's just off the ballot.Track 2:[29:33] So I have her as a lock. So that's one of my other locks. Um daramie uh molly shannon uh what are you what's your feeling on molly oh absolutely a lock um and and i agree with you guys i agree with ashley like she should have she should have been in i'm always going to give love for those cast members and writers who bridge a gap at a really tough time in snl history when i know like we all know the stuff like every year saturday night dead and blah blah blah and it's like okay but there's certain points in the show's history where it was really at a shaky point and on the rocks and she came midway through that awful 94 95 season and stayed on one of the few people who stayed on and really helped bring in a new transition with that fall of 95 96 cast and just the different characters the way she just jumped into the bazaar and didn't hold back and could you know have mary katherine gallagher but just really brought such a weird uncomfortable character to the mainstream and she was able to do that time and time again on this show uh definitely a hall of famer for.Track 2:[30:44] Yeah that's both of you said everything i think especially like she i think mary catherine gallagher on the snn they did a character count and i think mary catherine gallagher finished top five i want to say and that that's that's molly shannon's work her physicality is something.Track 2:[31:01] That i think everybody will always mention probably to her detriment like you watch some of those sketches back and she probably will admit like yeah she could have heard like she probably shouldn't have done that necessarily like i bet the producers on the show and writers and stuff like what are you doing like you don't have to like totally throw yourself through this table or wall or so i think she did a little damage to her body but she sacrificed herself for the good of the show and for our entertainment and she's just so wonderful and she has a really great memoir called hello molly uh i don't know if you have ever if you have a chance to read it i don't you need to pick that up Ashley if you haven't it's so good it's in my it's in my to read list right now for sure I admit I got a little bit sidetracked by some other kind of book talk recommendations that I very cliche got into but it is downloaded it is in my queue I've been dying to read it and yeah yeah you were talking about her physicality and I think what I loved about her too is we haven't seen a female comedian do physical comedy to the extreme like chris farley did you know when i think of extreme physical physical comedy to their actual physical real detriment you know obviously um you know chris farley would chug you know i don't even know how much like caffeine or espressos to get into that you know really hyper mindset in addition to you.Track 2:[32:31] Know, throwing himself through walls and tables.Track 2:[32:34] I loved that a female comedian would do that. And it was, I can be just as funny as the men who do this. And it's not improper. It's not inappropriate.Track 2:[32:43] She nailed it. I think it worked for her. And you're right. She did have so many quirky characters that I feel like other comedians who came after her tried to do, you know, they tried to bring that kind of weird and unique humor, but it didn't really land, or at least I didn't really get it. First person that comes to mind is Kyle Mooney. I apologize to Kyle Mooney fans, but he was just somebody that I couldn't really understand.Track 2:[33:11] I applauded his attempt and because, you know, comedy is so subjective and there's something out there for everybody. But I think Molly was that weird kind of quirky as a weird, quirky girl, awkward, you know, growing up, I was like, Oh, I feel seen like people can laugh with her and not at her. And that was really, really awesome to see. Do we have a Kristen Wiig or Kate McKinnon without Molly Shannon? Yeah, she's a trailblazer. Yeah, exactly.Track 2:[33:42] And I'm looking at Molly's trajectory as far as voting, and she started off at 34% after season one, and she's climbed to 47, 54, and then 57 last time around. So she just needs that last kind of push to get into the Hall of Fame. And with Maya, she started off at 47, and then she's been at 57, 58, and 58 the last few times. So I think both Molly and Maya both hovering around like the 57 to 58 percent of the vote mark. This is their last time. I think Molly's going to get into that's my gut feeling as well. I think the fact that I think voters will look at it and say that Molly and both Molly and Maya deserve it. And they've been on the cusp. They've been so close. And again, I blame myself for Maya. I've voted for Molly in the past. So I'm off the hook as far as Molly goes. But I would love to see both of them get into the SNL Hall of Fame. So we've had agreements on Kate McKinnon, Maya Rudolph, and Molly Shannon, three great cast members. Jeremy, I'm wondering who you have as far as non-cast members.Track 2:[34:53] Yeah, that's actually where I was going to go next because I'm like, you know what, let's just get weird on this roundtable. Let's get weird. Let's get weird. and I'm gonna go with this person and I'll be honest Thomas and, you know have listened to snl hall of fame since season one and usually when i'm listening the the conversation's great and you kind of lean me either way i'm thinking either where i'm like yeah they're hall of famer they're already just you're proving that or i don't think so and you're kind of going that way never have i been more conflicted listening than to the michael o'donohue episode where you had brad and gary on and i'm driving around and i'm going yeah and then right away. Then the next, someone makes a point and I go, no, he's not a hall of famer. Then I'm like, but yeah, he is. And I was just back and forth, like, and I'm like, I really don't know.Track 2:[35:40] And so I thought about it a lot, but I I'm going to vote them in. Okay. And I can understand if people don't, but I'm going to go there because of when the show started and, you know, because we've been making sports references, I'm going to keep that train going. You know, the dynasty docu-series just happened with the Patriots. And of course when you look at the Patriots dynasty there's a lot of players coaches, administrators who are a part of it but the big three like headed leadership Robert Kraft Bill Belichick, Tom Brady. When you look at the first year SNL the three headed leadership it was Lorne Chevy Chase and Michael O'Donohue and Michael really did if you listen to a lot of people that original those first five years You know, Saturday Night Live brought an edge. It was cool. It was hip. It was something that TV in the 70s hadn't seen yet. And who really helped to bring that sensibility was Michael O'Donoghue. And he's also done things, especially in the early 80s, that really could hurt the show. So I understand the negative, but I feel like his positives do outweigh the negatives, which is why I kind of went with he should be voted on. And he was a part of that original crew and I feel like everyone who was a part of the first season in my opinion should Be in the Hall of Fame just because you were a part of the foundation and you started this.Track 2:[37:05] Huge franchise that will stay in pop culture forever, no matter how long the show is on or when it goes off. So I vote for Michael O'Donohue. It's interesting that you bring up O'Donohue because I've, I put him on and then took him off. Like I alternated just so many over the last few days. I was like, nah, I don't know Don Hugh. And then I thought, and then I would think about what Brad and Gary said. I'm like, well, those are good points. I'll put them on. And then I took him off again. As of right now, Now he's not one of my 13 locks and he was one of the ones where I could be persuaded for him to end up on my final ballot. He went actually, I think Brad and Gary did a really great job of advocating for Michael O'Donohue because he went from 11% of the vote after season three to barely, like barely staying on the ballot. He got 35% last year. So that was quite the jump for Michael O'Donohue. I have, I don't know. It's just some, I don't know if it's just his, his persona or something like the, the, the edgy bordering on mean material that he possibly wrote that sometimes rubs me the wrong way. But, but I, I, I definitely grant like how important he was, uh, to the show. Uh, Ashley, it was Michael O'Donoghue, somebody that you've been maybe considering, uh.Track 2:[38:20] He is not on my ballot actually. And yeah, it was one of those things where I totally agree with you, Jeremy. He, I mean, he was part of that first season and I, I do agree with your statement that anyone from that first season because of what they created and what we have now is because of them. Um, but again, I wasn't a huge fan of, of his, some of his sketches were, I don't know, maybe it's just cause they didn't age well looking back at them. Um, but I do have a few writers on my ballot for sure. Um, and he just didn't land in one of my top favorites. Um, so. Yeah. He, uh, looking at his sketches, like, so this will be have like the, the good and the bad of it. Like he wrote Godfather therapy with, uh, Belushi Belushi, which was awesome. He wrote the last voyage of the starship enterprise, which I think is one of the better sketches of those early five seasons. Absolutely. Both of those. Yeah. Yeah, those are great. Norman Bates' School of Motel Management was awesome.Track 2:[39:18] I even liked the, he had a weird concept of the attack of the atomic lobsters that was like, I think O'Donohue's sense of humor kind of reigned in a little bit. Then like you have things like the Needle, the Needles Impressionist, where he just said like, here's my impression of the Mormon Tabernacle Choir with needles stuck in their eyes. And he would just like yell he would like mind putting needles in his eyes and just yell so it's just kind of interesting uh but again Jeremy he's not like totally off my ballot it's just something that I have to like keep thinking about well don't get me wrong like I so personally I agree with you guys like there's a lot of things that I'm like uh it doesn't I mean there's some sketches he wrote that hits me it's a lot that don't but I have to take myself out of it and look back on what, for our parents' generation, what TV was like in 1975.Track 2:[40:14] And we look at it like, we look at the late 60s into the 70s, music and movies were ahead of the game, where they reflected what society was doing. TV was dead last. And I think about what really changed TV. I think of, number one, like Norman Lear and his sitcoms, and then, number two, like when Saturday Night Live premiered. So like him doing like the needles in the eye, like it's not, I don't laugh at it, but like at that point, TV was so far behind. That was just bizarre to see on television where you're used to seeing, you know.Track 2:[40:47] Green Acres and Mr. Ed, you know, not that long before. And that was like, that's what you got. And then even like in late night, it was Johnny Carson.Track 2:[40:55] So then it's like, you're getting this and just this sensibility. That's just, whoa, like the counterculture is taking over NBC for an hour and a half on Saturday nights. Like it was very different for that generation, which is why I had to take myself and my personal taste out of it and look like that was different for that time. Totally no i agree i mean that's that's why he's still kind of like i might be persuaded honestly he might end up on my list of 15 i'm trying i'm trying i know yeah you're very persuasive you do that on our other pod too on pop culture five you always kind of like get me on your side yeah so and michael donahue was the first person to appear on camera on snl like just a little like historical fun fact the first person that we see on snl it was michael o'donohue and that wolverine sketch so but Jeremy has Michael O'Donohue Ashley's probably a no I'm a maybe at this point Ashley you said that you had a writer or a couple writers I'm curious if you want to reveal one of those yeah so I have four writers actually um and I I gotta go with my girl Paula Pell brilliant just absolute brilliance like she is my comedy um I if I saw her on the street I might might die just like i would next to kate and tina fey but i think because we got paula pell like in the era of tina fey to such strong writers at the same time we got such great stuff out of them.Track 2:[42:25] Um and again i keep repeating myself but what they've been able to do beyond the show as well, you know like conan o'brien when he was on and what he's been able to do afterwards because he had such talent i think paul is the same way and she kind of stays in the you know she doesn't really take that limelight that I feel like she deserves she's kind of I think happy to be a writer and not necessarily take those starring roles but when she does you know come in and do even just like a supporting actress I sign me up I'm gonna see it every single day any chance I get to see Paula Pell and again I think what she was able to do with around that time with Tina was pushing again we talked about Jeremy you said um breaking the boys club not just for the the comedians we saw on TV, but I think that's what Paula and Tina were doing in the writers room was they were trying to break up that boys club, and again say women are funny too and we can be silly and ridiculous and I think even bringing in the.Track 2:[43:21] You know, the topical humor of calling stuff out and making it funny, though, like bringing up issues in a way that made everybody laugh instead of making them uncomfortable. So we could talk about it and kind of understand it and see it. And I think she was such a trailblazer for it. Yeah, she was one of the minds behind some of the great recurring sketches of that era. She was she was behind the cheerleaders and other just really big recurring sketches like that. She was like you could you definitely felt her voice in that era. And it meshed well with, like you said, Will Ferrell, Sherry O'Terry, and all of those. And she has Girls 5, Ebba. That's kind of like the thing that she's involved with right now. Paula Pell. Deremy, I'm curious before I kind of – because I have a little situation here with Paula Pell and another writer that I might want to hash out. But, Deremy, I want to get your thoughts on Paula Pell. Oh, she's on my list. That's a slam dunk.Track 2:[44:17] Should have been in for a writer. She's the first ballot. Hall of Famer in my opinion um I talked about you know with Molly Shannon those who helped really re like revigorate and save the show in like the fall of 95 we talk about the people on screen you always give credit to those behind the camera and like the writers Paula Pell's one of those people and you mentioned I mean from like the cheerleaders to Debbie Downer to Justin Timberlake in the omelette ville like so that's like over different years she's doing these memorable characters and like writing these great sketches um and just someone you know that lauren trusted you know like i think ashley great point like how huge was it for when tina fey became the first female head writer that having a paula pell there like i'm sure that was like a big help and i just think she's getting this just due now because like in the public eyes because of girls five ever but like.Track 2:[45:16] Maybe it's by design. I know she was behind the scenes, but to me, she's one of those writers who should have always been talked about up there with a Smigel, a Jack Handy, all those people. She's that great. She's a slam dunk for me. me yeah it seems like if you ask somebody who worked at snl around that time they would tell you that paula pell was probably the funniest person yeah in the building so that's kind of the that's the reputation that she had uh and by the way if you listen to wtf with mark maron paula pell was a recent guest yes on and she was great she's hilarious she's so likable love paula pell that was a really great interview she did with mark maron um paul is not a lock on my list and she's honestly one like that I'm not discounting and I wanted to hash it out because I don't know I have another writer that might be a little I'm gonna take controversial but a lot of people might tell me might urge me to put Paula Pell in ahead of him for many reasons I want to hash out as to whether I should swap out Paula Pell for this person or if I should add Paula Pell to my list and keep this person so i want to kind of dive into i have julio torres.Track 2:[46:25] On on my list and i and i didn't think that i didn't think that was i was gonna feel that way heading into the season but then i started looking at the sketches that he wrote and his unique voice and i know the one limiting factor is he was only on the show for he was only a writer on the show for like three seasons but some of the stuff that julio did i mean he he was behind uh papyrus which we saw a second installment papyrus 2 now the actress with emma stone he uh he also wrote wells for boys which was another wonderful emma stone pre-tape he wrote a lot of really great political things he had the melania moments his so you julio had just like such a clever unique voice at that time of the show i think he really stood out he had a really great one with With Lin-Manuel Miranda.Track 2:[47:18] Where Lin-Manuel Miranda played a character. That was like. He was in Montana or North Dakota or something. And he called his mom. Because he was an immigrant that called his mom. And was describing like how his life was. So like. Julio Torres' voice was just so unique. And to me he was almost like a comet. That came through SNL. And he made the show so great. But he just wasn't there. For a long time. Where somebody like Paula Pell was. Was and so i want i was wondering about like the merits of of julio torres in that should i i don't know ashley like should i move another rider a more of a legacy rider in front of him or like what do you what do you think about julio's contributions and then even like compared to somebody like paul appell.Track 2:[48:06] Yeah, I mean, and not to discount Julio Torres. Yeah, I loved his sketches. I thought they were hilarious. And I don't want to say that somebody doesn't deserve to be on a ballot just because they weren't on Saturday Night Live for I don't think there's a requisite amount of time. I think we could, you know, vote somebody in who was in for one season. Obviously, we've got some hosts on the ballot that aren't necessarily in the five timers club and things like that. But I think to me, the difference between if we're going to put Julio and Paula together is not just not that Paula was legacy because she was on for so long, but because of what her sketches did to, you know, move the show. Like Jeremy said, you know, taking it out of an era like she came in, I think, right at the right time to kind of rescue a drowning show and then continue to evolve it and stay relevant and kind of help us, you know, continue to keep SNL moving with the times.Track 2:[49:01] Whereas you know i mean i get papyrus and they just did you know part two a couple weeks ago is just genius um i think it should be nominated for like an emmy for a short or something but um yeah given the two i really think paula um i mean is julio again i hate i hate to do this but this isn't his last year on the ballot correct no and you're right no this is his first year actually so i mean that that plays a role yeah that plays a role too in the thought process i think yeah yeah so i i think you got to go with paula i really do i think and again julio he's also someone who continues to write um and doing great things for other shows you know that we still watch today and so definitely not to discount his humor what what he did um his sketches.Track 2:[49:50] But i'm biased i'm like i said i would fangirl over paula pell in the street so So yeah, you know where I stand. Yeah, I think Jeremy, the thing about Julio to me was like his batting average, putting in sports terms, like his batting average was just so high that it was hard for me to discount. He did so much in such a little time, like almost everything that he did was a hit for me. And to me, that plays a big role. Like, is it quantity or even if he was only on the show for three seasons, but his batting average is super high? Like, how do you weigh stuff like that? No, it's hard. I feel like you could have both on there, and I think that would solve it, but if you have to choose.Track 2:[50:31] Between one or the other, I would put Paula just because.Track 2:[50:35] A little bit of the longevity and what she did over different eras. So her batting average was, you know, it, you know, if you have someone who hit three 50 for three seasons and someone who hit three 25 for, you know, 15 seasons, like it's like, you know, I'm gonna go with that three 25 for 15 over three 50 for the three. So it's like, I have to weigh it like that. I'm probably gonna, you gotta, it's hard because like my, The guy who I look at is either, I go back and forth between first or second greatest cast members, Eddie Murphy. And he wasn't on very long, but what he did was amazing. So I hear you. It's tough. And I think with Julio bringing that different sensibility to a show and really bringing that diversity in a different mind, that's a great factor for him. But Paula did that too. Yeah. So it's like, it's, it's just hard. Like if you have to pick one or the other, I would go with Paula, but it's a tough choice. Yeah. So I think all of that weighs into my thought process. I think, I think.Track 2:[51:40] I think it either come down for me to Julio or Paula, or you're right. I could, I could just put both of them on. I might have room to do that. It's all, I mean, nothing's set in stone right now. I just wanted to hash that out. Cause I think it's interesting. And Julio actually has a better case than I thought even like on the surface, you're like, okay, Julio Torres, like, you know, memorable, talented rider. But then you start looking at his work and it was like, oh my gosh, he might actually have a real case here. Like more so than I thought. So, uh, so I just wanted to hash that out. And I thought that was the perfect time to do it. But Paula Pell is one of the other ones where I was like, man, I love Paula Pell. And I was just considering that. So, yeah, thanks for – see, here, we're all learning something. And we're all kind of like – or at least I'm like kind of getting my thought process in order and maybe swayed a certain way. So, yeah, Deremy, I wonder what is next on your list.Track 2:[52:29] Another crime I'm trying to justify or undo on the SNL Hall of Fame. You came with anger, everybody. Deremy's just like – I'm just like, jeez. here we go i brought this per i think i was on the season three round table before and i nominated this person then and they're still on here but we're talking about you know because ashley you just brought up like host and we're talking about the og five-timer guy he was on 10 times in the first five years he was the person who suggested doing recurring sketches like to that to the original like cast like hey you should do that samurai thing again john like come on i mean it's classic when they did the samurai and belushi like by accident cuts him on the forehead and they're all wearing like the bandage you got to have buck henry on here the og the five timers club is such a known thing in the snl like pantheon and how do we not have the og of the five timers club in the snl hall of fame he should be a first ballot guy because he's one of those people.Track 2:[53:37] I think of him and Steve Martin, where people to this day get confused and say they were part of the original cast. Because that's how much they are a staple of that show. And so I'm just like, outside of maybe Steve Martin, to me there's no more important host than Buck Henry. So it's like, how is he not in the Hall of Fame yet? I don't know. I don't get it. But I'm going to do it again.Track 2:[54:04] Nominate and bring up buck henry for the snl hall of fame let's hopefully we get it right this time people yeah he's on he's a lock on my list too and and i voted for him in the past i think he's just so important to the show he's a 10 timer yeah but it's not just the quantity of like he he was solid like you watch every single one of his hosting gigs there's a reason why they asked him twice a year to come back and he always hosted the finale and it was just like i think the cast and the crew and the producers it was just like they knew they were in good hands with buck henry and they could throw stuff at him and he would he would be great in it he could he could lead a sketch he can just find like a role to kind of hang back and just be a supporting player i think buck just in synonymous with the show i mean he wrote the graduate uh and he was a great writer but people know him for snl like i think that's just as far as on screen especially like he they know him as like the guy who used to host SNL a bunch. And I think, yeah, I think Buck Henry needs to get in. So he's for sure on my list. I don't know how you feel about Buck Henry, Ashley, if we have to like persuade you or where do you stand on this?Track 2:[55:15] I don't, it wasn't a matter of not being persuaded that he deserved to be on it. I think just because I, like I said, at the beginning of this, I had such a hard time whittling my list down to my 15 votes. And that I, you know, have a little bit, you know, my bias is going to show through with my votes of, you know, kind of the more...Track 2:[55:37] Relatively recent um you know people i only have three hosts on my list actually, because again i had such a really hard time with it so i i had to give that spot to somebody else and i think it was kind of me selfishly hoping that somebody else like like you guys would push him through because i agree he believes or excuse me i agree that he deserves to be in the hall of fame um i'm not against it i don't think you have to convince me that he deserves it but you may have to convince me to take somebody else off my list if i'm going to put him on mine so a lot of it's like an era maybe kind of thing like uh buck henry's a more old timer maybe and so so so we're looking at like an era that more so like resonated with you possibly i will say this buck henry was on the ballot for the first time after season three so this is not his final year he's been.Track 2:[56:32] On twice before he went from 23 after season three to 48 so he made quite the jump so i think uh this being his third time on the ballot i wouldn't be surprised uh i would be a little surprised if he got in but i but i think he's gonna be one of those where it's like he's inching toward there so you have another couple seasons after this ashley to to write this wrong that might be made so yeah so this isn't totally the last chance for buck henry and i think that was the thing is you know there's so many greats from that original era that are in the hall of fame already that it was kind of a shock that he isn't on that list um because i mean like how do we get anywhere with it we are today without jane curtain gilda radner you know these ogs um that again like derry said started the show um they made us know what it is and yeah you're right.Track 2:[57:26] Literally you know wrote one of the greatest films of all time you know and then we're like oh no but his his work on snl don't worry about um you know the graduate um thing about snl so you're right i think next year i'll have an updated ballot okay okay so so we'll check back in next year i think if buck henry was more famous just in general in pop culture he would probably get in but he's He's just like a writer, a movie writer. So he just kind of like is under the radar. But I think if he was a little more famous, like Steve Martin or something like that, then I think Buck Henry would be in. So we'll see. I'm curious to see where Buck Henry lands this year. What host do you have, Ashley? So I actually, yeah, kind of going like a little bit more to an older era, I put Martin Short instead of Buck Henry as my vote for one of my hosts. Because, again, he's somebody else that I find synonymous with SNL.Track 2:[58:26] And, again, just that silly, quirky... You know, doesn't apologize for how he is or who he is or his comedy or anything. And even to this day, I mean, we saw him, you know, a couple of weeks ago with, with Kristen Wiggs episode and just still making, he made Lauren break. I mean, come on, like how, how epic is that when you make Lauren Michaels laugh at a sketch? I think that shows how great and how funny he actually is. Every time he's on, I get so happy.Track 2:[58:56] I think because of what he's been able to do, the fact that, yeah, he keeps coming back. As well we keep inviting him back no matter what um i mean they brought him back for kristen wig they brought him back for uh steve martin he's just somebody again it wasn't just a glue person but could you know steal the scene and steal the sketch no matter what he was in yeah just always a wildly entertaining person to watch martin short and he he hosted two all-time classic christmas episodes he has two of the better monologues i've ever seen i'm still teetering though i'm kind of on the fence he's not a lock for me but he's one of those where i just like kind of wanted to wait and see what other people said and i'll do some more thinking on so i didn't totally discount martin short he's in that michael o'donoghue paul appell range where i'm just like i don't know not not a lock for me but i want to see somebody make the case uh jeremy where do you stand on martin short he's a new on my list i don't i don't have him on mine um i think there There is no, in my lifetime, there's no more guaranteed lock to make a person laugh. If I have to pick someone in the world to save my life, like, I dare me, you can only survive if you pick someone to make me laugh.Track 2:[1:00:10] I'm Martin Shorts, like, he's on my Mount Rushmore, probably like number one. Like, he's just that naturally funny. Like, he's like the ultimate talk show person. and it makes sense he's the ultimate person to kind of fill in on SNL and to be there and to come on but I just don't I know he was on for the cast for that season that transition that Steinbrenner year I just still don't.Track 2:[1:00:34] When I think of Martin Short, I don't think of SNL with him. I know that's a part of his history, but I'm going to go to movies. I'm going to go to his talk show appearances. I'm going to go to other things. I'm not his, you know, not his relationship with Steve Martin. I'm not going to go to SNL. And I think that's why. But I still do believe like he's hilarious and he's funny. And I'm always glad when I see him there. But I don't think of him like, oh, as a host or as even a cast member. Like yeah he's one of those you know for our podcast essential people so that's why i don't have him on my list but i could be persuaded to like for sure but he's off mine he had more of a case after i after i re-watched some of his at least a couple of his episodes he had he had the episode there was one in the late 90s that was classic though his episode in 2012 when paul mccartney was the musical guest that's like a stone cold classic episode to me as well and his His monologues there were great. So when I watched specifically even those two episodes, I'm like, all right, yeah.Track 2:[1:01:35] I mean, he put in two amazing performances here. One thing that's interesting about him, too, is he has another, you know, in the 80s, he hosted with Chevy Chase and Steve Martin. And then he also co-hosted with Steve Martin. So some of his hosting gigs have been with other people as well where Martin wasn't totally featured. So I could see both sides. That's why I am kind of like he's still up in the air for me. But anything to add on that, Ashley?Track 2:[1:02:05] I think I'm going to steal your Maya Rudolph explanation. And I think Martin Short was, I think, the victim of being a cast member on a time where maybe his type of comedy or whatever the reason didn't mesh with everything else going on. And you're right, he wasn't on very long and he ended up doing much bigger things, after Saturday Night Live. But I think...Track 2:[1:02:29] The reason Lorne kept bringing him back was because he understood that maybe, the time that he was a cast member, maybe not have been the best time to have him shine, but recognizing his talent, his comedy, what he's able to do.Track 2:[1:02:45] And I think that's why I would vote for him as a host, as opposed to a cast member is you're right. Every time he came back to host, whether it was by himself or, or with, you know, the three amigos, I just, Just, it makes me wish that he would have been on. And sometimes it makes me forget that he wasn't on longer than he was.Track 2:[1:03:05] Because my brain has clicked and associated him so much with Saturday Night Live. And I think, too, just his association with all the other greats on SNL, I think, helped bring him along a little bit to that star power. But I think even without them, he can stand on his own. So and i should say too like uh for snl hall of fame purposes and how how it was set up a few years ago um we there are the categories technically so martin short isn't eligible as a cast member because he was only on for the one season that's why he's on host but it's up to each individual uh voter and it's just to what their criteria is so if they want to count his cat time as a cast member that's up to the voter uh technically it's just kind of his host hosting gigs that we're looking at, but that's interesting as far as... This is why we do these things, is kind of peek into the criteria of a certain individual. Like Jeremy brought up, Martin Short made his mark elsewhere other than SNL. And so there's all sorts of different factors, but I can definitely see Martin Short. I'm curious. This is his first year on the ballot, so I'm curious to see how voters feel about him. So this will definitely be interesting. Jeremy, I want to go back to you for your next pick. I'm gonna go back to

Saturday Night Live over the decades has served as a building block for comedians, using that platform as a way to get your name out there and eventually spin their popularity into other ventures. One of the earliest, and most iconic cases, being the American Classic that SNL alums Dan Aykroyd and John Belushi created with “The Blues Brothers.” A new book, by writer and journalist Daniel de Visé, gets into how Aykroyd and Belushi's kinetic, comedic energy was spun into a just as entertaining production process. Along with the film's influence on pop culture humor, it also shares how the film's appreciate of blues music is best encapsulated by its soundtrack and appearances by Aretha Franklin and James Brown. For this week's FilmWeek feature, we talk to Daniel de Visé, author of “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the making of an American Film Classic” about what he was able to uncover from revisiting this film the captured a special moment in American film and comedy.

Ironic that the Cavaliers are playing the Celtics in the Playoffs when we are doing this review.  Also, sorry for the delay in this week's upload.Join us as we dive into the world of Mike O'Hara and Jimmy Flaherty, two die-hard Boston Celtics fans played by Daniel Stern and Dan Aykroyd, respectively.In the heart of the NBA Finals, Mike and Jimmy are convinced that their beloved Celtics need their support more than ever to clinch the championship. But when they witness their team's star player Lewis Scott, portrayed by Damon Wayans, performing poorly, they decide to take matters into their own hands.What follows is a hilarious rollercoaster ride as Mike and Jimmy kidnap Scott, hoping to keep him out of the final games to give the Celtics a winning edge. As their plan spirals out of control, they find themselves in absurd situations, trying to hide Scott while navigating the complexities of fandom, friendship, and ethics.Directed by Tom DeCerchio, "Celtic Pride" delivers laughs aplenty as it explores the lengths to which sports fans will go for their team. With a stellar cast including the comedic talents of Stern, Aykroyd, and Wayans, the film serves up a mix of slapstick comedy and heartfelt moments.Join us as we dissect the comedic genius behind "Celtic Pride," exploring its themes of loyalty, obsession, and the unpredictable nature of sports fandom. Friends of the Show1 Man Mafia (twitch.tv/1man_mafia)Jayke The Gamer God (twitch.tv/JaykeTheGamerGod)IB Best Gaming (https://www.tiktok.com/@ibbestgaming)Support the Show.'Beavis and Butt-head' Cover art created by Joe Crawford

Show Open 04.27.24 - Iconic Rock Photographer David Alexander joins us top of the show to talk taking the picture for the Eagles album cover 'Hotel California' "I was on a cherry picker on Sunset Boulevard, 60 feet above ground, and it was rush hour!"For decades, David Alexander has taken pictures for some of the most iconic album covers of all-time like Hotel California and movie posters like: The Blues BrothersHis new book is called,PICTURES OF TIME: Seeing Time …  in the Ordinary World-How did he capture the Eagles Hotel California album cover shot of the Beverly Hills Hotel-His new book shows life as it is-David went to law school, graduated, and went into photography-Working with Aretha on her album cover-Working with the Blues Brothers on their iconic Movie Poster  To subscribe to The Pete McMurray Show Podcast just click here

Back in 1980, I recall going to the cinema to see a new film, The Blues Brothers. Music and car chases…..what wasn't there to love? The critics hated it because….ya know….that's what they're paid to do. A few years after initial release, it became THAT cult film that everyone watched – on TV, on video or at late night cinema screenings (in Melbourne, it became an audience participation phenomenon similar to Rocky Horror). The question is how did the film get made? Welcome to episode 115 of See Hear Podcast. Kerry, Tim and I welcomed to the show journalist and author Daniel De Vise. He's written a great new book called “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic”. As the title implies, it's not just about the making of the film (although a large part of it is devoted to that subject). Daniel did extensive research to talk about the early lives and characters of Dan Aykroyd and John Belushi. They were a part of the new North American comedy movement Second City, National Lampoon and Saturday Night (later Saturday Night Live), so he writes much about those institutions. There's talk in the book about Aykroyd's love of blues and how he (and Robert Cray's harmonica player) made Belushi a blues fanatic. There's stories of 70s cinema, addiction, egos, friendship, men in bee costumes, and origin of The Blues Brothers. We were rapt that Daniel came on the show to talk about his book and about the blues, the accusations of racism thrown against the comedians who wanted to bring brilliant blues and soul musicians back to the spotlight, the comedy movement as the new rockstar, how rock musicians started taking themselves too seriously…..and a TON of other things. Yeah, we even talk about The Blues Brothers movie. The environment that led to the film is hugely important and it would be impossible to talk about it without telling the wider story as to how the film got made. Daniel has done a terrific job in doing this. I hope you enjoy listening to our conversation even half as much as we did having it. You can follow his goings on at danieldevise.com, and you can pick up the book in both physical and e-book formats wherever you usually get your reading material. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download directly from the website at https://seehearpodcast.blogspot.com/2024/04/see-hearpodcast-115-conversation-with.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 1980, I recall going to the cinema to see a new film, The Blues Brothers. Music and car chases…..what wasn't there to love? The critics hated it because….ya know….that's what they're paid to do. A few years after initial release, it became THAT cult film that everyone watched – on TV, on video or at late night cinema screenings (in Melbourne, it became an audience participation phenomenon similar to Rocky Horror). The question is how did the film get made? Welcome to episode 115 of See Hear Podcast. Kerry, Tim and I welcomed to the show journalist and author Daniel De Vise. He's written a great new book called “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic”. As the title implies, it's not just about the making of the film (although a large part of it is devoted to that subject). Daniel did extensive research to talk about the early lives and characters of Dan Aykroyd and John Belushi. They were a part of the new North American comedy movement Second City, National Lampoon and Saturday Night (later Saturday Night Live), so he writes much about those institutions. There's talk in the book about Aykroyd's love of blues and how he (and Robert Cray's harmonica player) made Belushi a blues fanatic. There's stories of 70s cinema, addiction, egos, friendship, men in bee costumes, and origin of The Blues Brothers. We were rapt that Daniel came on the show to talk about his book and about the blues, the accusations of racism thrown against the comedians who wanted to bring brilliant blues and soul musicians back to the spotlight, the comedy movement as the new rockstar, how rock musicians started taking themselves too seriously…..and a TON of other things. Yeah, we even talk about The Blues Brothers movie. The environment that led to the film is hugely important and it would be impossible to talk about it without telling the wider story as to how the film got made. Daniel has done a terrific job in doing this. I hope you enjoy listening to our conversation even half as much as we did having it. You can follow his goings on at danieldevise.com, and you can pick up the book in both physical and e-book formats wherever you usually get your reading material. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ghostbusters Frozen Empire is here, but just who is driving Ecto-1 this time around?   It almost doesn't matter, because backing them up are Spies Like Us! Doctor, doctor, doctor, doctor….  #ghostbusters #frozenempire #spieslikeus #chevychase #danaykroyd #donnadixon #staypuft

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Late and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to tepid reviews at best. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance; even declared a "Catholic classic" by the Church itself; and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and of course the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to SNL creator Lorne Michaels and Aykroyd himself, The Blues Brothers vividly portrays the creative geniuses behind modern comedy.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our lives.  Daniel de Visé new book is called,  "The Blues Brothers"Daniel de Visé walks us through:-The beginning of the Blues Brothers characters on SNL-How Dan & John met-The 'speakeasy' bars -1978 & '79 how huge Belushi was-How Belushi almost died two different times -Aretha couldn't remember the lyrics to 'Think'-Carrie Fisher (allegedly) tripping during filming- the making of the Blues Brothers, John's drug use, and how these A-list actors & musicians  came to be in the movie."They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the movie, The Blues Brothers, which hit theatres on June 20, 1980. Their mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues.  To subscribe to The Pete McMurray Show Podcast just click here

Ghostbusters: Frozen Empire is a 2024 American supernatural comedy film directed by Gil Kenan from a screenplay he co-wrote with Jason Reitman. It is the sequel to Ghostbusters: Afterlife (2021) and the fifth film in the Ghostbusters franchise. The film stars Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O'Connor, and Logan Kim reprising their roles from Afterlife, alongside Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton reprising their characters from the earlier films. Kumail Nanjiani, Patton Oswalt, Emily Alyn Lind, and James Acaster also join the cast. Set two years after the events of Afterlife, the veteran Ghostbusters must join forces with their new recruits to save the world in New York City from a death-chilling god who seeks to build a spectral army. Following the success of Afterlife, Sony Pictures announced the sequel in April 2022, with Reitman returning as director. Co-writer and executive producer Kenan later took over as director from Reitman that December, with the latter staying on as a co-writer and co-producer. That same month, Rudd, Coon, Grace, Wolfhard, O'Connor, Kim, Murray, Aykroyd, Hudson, Potts, and Atherton were all confirmed to reprise their roles. New cast members including Nanjiani, Oswalt, Lind, and Acaster were announced in March 2023, with principal photography commencing that month and wrapping in June. Dario Marianelli was hired to compose and conduct the film's score, replacing Afterlife composer Rob Simonsen. This is the first film in the Ghostbusters franchise to be released following the death of the franchise's co-creator and Jason Reitman's father Ivan Reitman, who posthumously receives credit as a producer alongside his son and Jason Blumenfeld. Additionally, the film is dedicated to Ivan's memory and celebrates the 40th anniversary of the first film. Ghostbusters: Frozen Empire had its world premiere at the AMC 13 Theater at Lincoln Square in New York City on March 14, 2024, and was released in the United States on March 22, by Sony Pictures Releasing under its Columbia Pictures label. The film received mixed reviews from critics --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

Joe talks with Len Berman and Michael Riedel about the latest Ghostbusters movie. Joe gives it one star. It was only good when Murray and Aykroyd show up. The new Roadhouse gets 2 stars.

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Late and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to tepid reviews at best. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance; even declared a "Catholic classic" by the Church itself; and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and of course the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to SNL creator Lorne Michaels and Aykroyd himself, The Blues Brothers vividly portrays the creative geniuses behind modern comedy.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Eh up film fans - Trev's back for another selection of random movie titles from his FILMS I OWNS BUT HAVEN;T WATCHED... YET! Todays choices are a real random variety of films too, but only one can hold the title of film of the episode, which will it be? There are also affiliate links to the films and novels too, should you be interested, which won't cost you any more but may help me out with a little commission... I thank you! Exit to Eden (1994): Directed by Garry Marshall, An erotic comedy that takes us into the sexy world of BDSM. Starring Dan Aykroyd, Dana Delany, Paul Mercurio and Rosie O'Donnell, the film follows two undercover cops, (Aykroyd and O'Donnell) who infiltrate an island resort that caters to guests' deepest fantasies. Own your own copy - https://amzn.to/4clOckZ or read / hear the (audio) book here - https://amzn.to/3TL20yoThe Basketball Diaries (1995):Directed by Scott Kalvert, "The Basketball Diaries" is a gritty coming-of-age drama based on Jim Carroll's autobiographical memoirs. Released in 1995, the film stars Leonardo DiCaprio, Lorraine Bracco, and Mark Wahlberg. DiCaprio portrays Carroll, a promising high school basketball player whose life spirals into a harrowing journey of addiction and desperation. The film depicts Carroll's descent into drug addiction, crime, and ultimately redemption, showcasing DiCaprio's powerful performance and Kalvert's poignant direction.Own the film here - https://amzn.to/4cshBKg or read the book here - https://amzn.to/3vvbu7nOld (2021)M. Night Shyamalan's psychological thriller "Old" explores the terrifying concept of rapid aging on a secluded beach. Released in 2021, the film features an ensemble cast including Gael García Bernal, Vicky Krieps, and Rufus Sewell. When a group of vacationers discovers they are aging rapidly on a mysterious beach, they must confront their mortality and unravel the sinister secrets of the island before it's too late. With Shyamalan's signature twists and suspenseful storytelling, "Old" delivers a chilling and thought-provoking cinematic experience.Own your own copy here - https://amzn.to/3IJX7z0Ghost World (2001)Directed by Terry Zwigoff, "Ghost World" is a dark comedy-drama released in 2001, based on the graphic novel by Daniel Clowes. Starring Thora Birch, Scarlett Johansson, and Steve Buscemi, the film follows the misadventures of Enid and Rebecca, two cynical teenage outcasts navigating the perils of post-high school life. As they grapple with identity crises, dysfunctional relationships, and societal alienation, they forge an unlikely bond with Seymour, an eccentric record collector played by Buscemi. Zwigoff's poignant direction and the stellar performances of the cast make "Ghost World" a cult classic of the early 2000s.Own your own copy here - https://amzn.to/3TJPwa7 or read the graphic novel here - https://amzn.to/3Puy0nO Hosted on Acast. See acast.com/privacy for more information.

(unlocked from Patreon; episode 4 of 4) Reid (@seriations) and Wendy Painting (@BirdWendy2) finish our conversation about Ghostbusters. In this episode, I go through Dan Aykroyd's career, his family history, the history of mediums, sus gurus, and the producer Ivan Reitman. Then I get into the Simon Necronomicon and the Magickal Childe bookstore and the crossover with themes in Ghostbusters. We attempt to explain the wave of films about psychics in the 1980s as part of the same rightward cultural push and attempt to vindicate the Ghostbusters EPA agent. Then, to finish, Wendy does a tarot reading for me and Reid. Full disclosure: the first reading was way too accurate and personal to leave in, though maybe I will explain it one day. Wendy Painting's Kofi: https://ko-fi.com/wendyspainting artwork by @DEEP_RED_BELLS Songs: Magic by the Cars Mind Crawler by Uncle Acid and the Deadbeats The Passenger by Iggy Pop Ghostbusters by Ray Parker Jr. Links: Patreon: ⁠www.patreon.com/ProgrammedToChill⁠ Merch: https://programmed-to-chill.myshopify.com/

Lost in the podcast vault but now unearthed! Our long-awaited episode is FINALLY here! We're diving into Dan Aykroyd's wild directorial debut, 'Nothing But Trouble' (1991). Join us for this flashback episode, which we recorded this back in June 2022, but due to unforeseen circumstances we haven't been able to release it until now. In this episode we talk about Aykroyd's directorial debut, with a story based on his brother's (Peter Aykroyd) script. Don't know what to say here, folks, other than this is a wild and weird movie, that somehow got made. Jingle All the Way (1991) Directed by: Dan Aykroyd Starring: Chevy Chase, Dan Aykroyd, John Candy, Demi Moore, Valri Bromfield, Taylor Negron, and Daniel Baldwin Genre: Comedy --- Support this podcast: https://podcasters.spotify.com/pod/show/cinema-cult-network/support

This 80's flick is more than just a vehicle for laughs; it's a biting satire that skewers societal norms and exposes the fault lines of privilege and inequality. Its significance lies in using humor as a Trojan horse for razor-sharp commentary, causing audiences to laugh and reflect on the absurdity of the disparities between the haves and the have-nots. As we revisit this holiday cult classic, we will celebrate not only the impeccable comedic timing of its top-notch cast but also the film's ability to tackle weighty social issues with a lighthearted touch. Whether it's the memorable scenes in the commodities exchange, the rowdy party at Winthorpe's townhouse, or the unforgettable New Year's Eve train ride, it still holds up as a great example of satirical comedy that has an impact beyond its time. So, look over your pork belly futures, dust off your “quart of blood” karate technique, and try not to misplace your guerrilla costume as Tim Williams and guest co-host, Tyra Williams, discuss “Trading Places” from 1983 on this episode of the 80s Flick Flashback Podcast. Here are some additional behind-the-scenes trivia we were unable to cover in this episode: In his mug shot scene in the movie "Trading Places," Dan Aykroyd's character Louis Winthorpe III is given a number, 74745058, which happens to be the same number given to John Belushi's character Jake Blues in "The Blues Brothers (1980)." This was done intentionally by Aykroyd as a tribute to Belushi, who had passed away the year before. In Italy, on the night of Christmas Eve, a local TV channel Italia 1 broadcasts the movie "Trading Places", which has become a popular Christmas tradition. This is similar to the way the movie "A Christmas Story" is played on a continuous loop in the United States on December 24th and 25th. Along with "Trading Places", the tradition also includes airing of other movies like the first three "Home Alone" films, "Jack Frost", and "A Nightmare Before Christmas". During the summer of 1983, which lasted from June to September, the movie industry expected to surpass the previous year's record-breaking $1.4 billion in theater ticket sales. The season included highly anticipated films such as "Return of the Jedi" (the third installment in the Star Wars series), "Superman III", and the latest James Bond movie, "Octopussy". More than 40 movies were scheduled for release over the 16-week period, so studios had to carefully plan their release schedules to avoid competing with each other. Paramount Studios decided to release "Trading Places" at the beginning of the summer, so it could benefit from being in theaters longer during the busy season. Comedy movies were considered a counterprogramming strategy that attracted audiences who had already seen or were not interested in the major film releases, which were mainly focused on science-fiction and superheroes. "Trading Places" was released between "Return of the Jedi" in May and "Superman III" in mid-June. Although sequels were expected to perform well due to their built-in audience, "Trading Places" was predicted to be successful thanks to its talented cast. Sources: Wikipedia, IMDB, Rotten Tomatoes https://screenrant.com/things-never-knew-about-trading-places-1983/#italian-christmas-tradition We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media. Your opinions are incredibly valuable to us, and we'd be so grateful to know what you enjoyed about our show. If we missed anything or if you have any suggestions for 80s movies, we'd love to hear them too! If you're feeling extra supportive, you can even become a subscription member through "Buy Me A Coffee". For more details and other fun extensions of our podcast, check out this link. Thank you for your support! https://linktr.ee/80sFlickFlashback --- Send in a voice message: https://podcasters.spotify.com/pod/show/80sflickflashback/message

Christian Bladt joined me to discuss growing up in small town New York; early Saturday morning cartoons, including Hickory Hideout; growing up with SNL in the late 80's; Nick at Nite 30-minute episodes and later 60 minute Comedy Central episodes, still watching; the 85-86 cast; Mary Gross; going to Marist College, interning at Conan O'Brien; meeting Amy Poehler & Robert Smigel; easy to get tickets for Conan; went to an SNL dress rehearsal in 1997; became a page week Norm was replaced by Colin; had friends in both camps; Colin Quinn Explains the NY Times; some wanted Craig Kilborn to take over; Spade in America; Snow of the Century episode; Steve Martin / Blues Brothers 4/22/78; taping the show; Goodman & Aykroyd; working with Tim Meadows; befriending Colin Quinn and Norm MacDonald; Norm calling him Jewish Bladt; being a page at SNL25; escorting Billy Crystal and Dennis Miller up to 8H; SNL will be fifty and The Tonight Show 70; The Kids in the Hall; 50's comedy: Ceasar, Benny & Groucho; Todd Hundley; Baha Men; Jim Downey; Jon Lovitz; season 14 is the best season, IMO; mom bought a VCR to watch Star Trek; Jackie Rodgers Jr.; Negro Leage Baseball; blackface; Bill Cosby; working for VP Al Gore; Monica Lewinsky; Ricky Martin and the Backstreet Boys; what Dennis Miller is like off the air; making fun of both sides; Who Are These Broadcasters?; inappropriate jokes; the WATP metaverse; Hackride; Karl Hamburger; Eric Zane; Stuttering John

"Sneakers" is to Dick Ebert as "Hackers" is to Gene Lyons. This 1992 thriller doesn't have flashy graphics, funky fashions or a techno soundtrack—but it does have Ben Kingsley, Sidney Poitier, Dan Aykroyd and Robert Redford. In loafers. With its playful tone, low barrier to entry and established cast, this gateway thriller appeals to the familiar to explain the cutting-edge. And Big D likes that. "Sneakers" also has unexpected jokes, serious schemes and nostalgic tech. And Gene Lyons likes that. But the movie isn't perfect. Among its flaws are a cavalier treatment of a superweapon, potential abuse of a blind character, unimaginative demands and a smidge too much predictability. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

As our host battles everyone's favorite pandemic virus, we revisit our double feature that reveals “ALIENS ROCK AMONG US!”Aliens are among us in this week's episode with 1993's CONEHEADS, directed by Steve Barron (Teenage Mutant Ninja Turtles 1990), and 1992's BAD CHANNELS, a heavy metal radio-romp by Ted Nicolaou (the Subspecies franchise)! Gear up for madcap space travel, sci-fi shenanigans, and bizarre beasties in this week's out of this world CULT and CLASSIC FILMS Podcast!Listen: Wherever you get your podcasts & at cultandclassicfilms.com/Watch: youtube.com/@CULTANDCLASSICFILMS/Subscribe at patreon.com/cultandclassicfilms for EXCLUSIVE cult movies sent to you every month!Host: Nate WyckoffPanelists: Tad Mastroianni & Jeffrey TuckerMore on CONEHEADS (1993):In 1993, the science fiction comedy film "Coneheads" hit the big screens, bringing the beloved Saturday Night Live sketch to life. Directed by Steve Barron, the movie revolves around Beldar (Dan Aykroyd) and Prymaat (Jane Curtin), two extraterrestrial beings known as Coneheads who crash-land on Earth. Adapted from the iconic SNL characters, the film masterfully combines humor, wit, and a heartwarming story.As Beldar and Prymaat struggle to fit into the human world, they adopt the surname "Conehead" and attempt to lead a typical American life in suburban New Jersey. With their distinctive cone-shaped heads, they garner attention and curiosity from those around them. However, their peculiar behaviors, M-shaped "removable" teeth, and the challenges of adapting to human customs make for uproarious situations.The movie takes a comedic turn when the couple's daughter, Connie (played by Michelle Burke), is born with a perfectly shaped human head. As the Conehead family finds themselves in danger of being discovered by the Men in Black-like agency, the Immigration and Naturalization Service, they must confront their own conceptions of identity and protect their daughter from an uncertain fate.With its hilarious moments, tongue-in-cheek commentary on immigration, and spot-on performances by Aykroyd, Curtin, and a talented ensemble cast, "Coneheads" remains a cult classic. The film manages to be both absurdly funny and charmingly relatable, reminding us of the importance of embracing our differences and finding a sense of belonging, no matter our origin.More on BAD CHANNELS (1992):In the wacky world of B-movies, "Bad Channels" holds a unique place as a 1992 sci-fi horror musical that defies all expectations. Directed by infamous B-movie maestros, Ted Nicolaou and Charles Band, this cult classic takes viewers on a mind-bending journey into an otherworldly television station where chaotic madness unfolds. The film revolves around a demented alien broadcaster named Vernon Locknut, who possesses the ability to abduct and control human's minds through their television screens.When a small town's radio station, KDUL, is purchased by the mysterious Channels Unlimited, things take a wild turn. Vernon Locknut and his mischievous minions hijack the airwaves, turning the channel into a portal for abductions. As the townspeople become entranced and drawn into their televisions, it's up to a resourceful DJ named Dan O'Dare, the station's program manager, and an eccentric tabloid reporter, Lisa Cummings, to put a stop to the mind-control madness."Bad Channels" immerses viewers in a bizarre blend of genres. From alien invasions and body snatching

Sketch comedian. Ghostbuster. Vodka entrepreneur. It's all in a life's work for the remarkable Dan Aykroyd. An original cast member of “Saturday Night Live,” Aykroyd is perhaps best known for the film franchise “Ghostbusters” in which he plays Ray Stanz, the proton pack-wearing ghoul fighter, a role that he will reprise in an upcoming sequel. He's less recognized, however, as the co-founder of Crystal Head Vodka, a globally distributed, ultra-premium spirit brand identified by its distinctive skull-shaped bottle. Launched in 2008, Crystal Head Vodka is atypical of celebrity-backed spirits in that its association with Dan is not front and center. Although he does meet-and-greet events with consumers and occasionally goes on sales calls, the brand was designed and developed to be sold on its own merits. It's a point of pride for Aykroyd who praised the company's emphasis on business fundamentals and premium positioning. In this episode, Aykroyd spoke about cutting his teeth in beverage alcohol as an importer of Patron tequila, how Crystal Head Vodka enhances its resonance with the heavy metal community, how he attempts to establish an authentic relationship with consumers, and, why, despite the company's long standing independence, he may be interested in aligning with a certain luxury-centric conglomerate. Show notes: 0:48: Interview: Dan Aykroyd, Co-Founder, Crystal Head Vodka – Aykroyd chatted with Taste Radio editor Ray Latif about Crystal Head Vodka's limited-edition "Paint Your Pride" bottle before discussing the brand's origins, the inspiration behind the skull package and its initial reception among retailers and bar directors. He also explained how he's built sustainable relationships with distributors, what makes him an effective salesman and why he believes that his celebrity has a limited impact on the brand's past and future. Later, he spoke about the delineation of roles and responsibilities among the company's ownership team and what postal work has to do with their harmonious relationship, why his friend and fellow actor Bill Murray doesn't drink Crystal Head Vodka (a sister whiskey brand is another story) and answered an infamous question with a “little g.”  Brands in this episode: Crystal Head Vodka, Patron, Casamigos, Teremana

The August moon is nigh, the summer is waning, the dog days are here... and what better way to beat the heat than to listen to a great podcast!  So make sure to subscribe to Roth From Wyoming's Good Day 4 a Movie Podcast!   After that, you can tune into this little ditty, as The Deucecast Movie Show's own Mikey and d$, sans #TwitterlessDrEarl this time, invite in first time guest (and first time podcaster!) Coach DiBello all the way down from Miami, Florida! Tonight is all about some Saturday Night Live, and the actors who started and shined as Not Ready For Primetime Players. First up, a chit-chat on who Coach is, and how he found the show itself... CTI must return! Then, an SNL Draft... who would be in a dream cast! Make sure to listen and comment on Twitter, or X, or TheDeuceCord about who's lineup is the absolute best! Finally, top five SNL performers... of course, Mikey told d$ it was who got their start... for Mikey and Coach, it's who shined the most.  So the lists are varied, but the names are huge - Murphy... Aykroyd... Murray... Radner... Sandler... Zweibel?  Him too. Also... a lot of hot Hurricane Rhett talk, so Rhett fans, tune in. The movies mentioned and where to find them right now:   Animal House (Peacock Premium) Ghostbusters (for rental) Meatballs (Amazon Prime; TubiTV) Meatballs II (TubiTV) Meatballs III (unavailable) Meatballs IV (Amazon Prime; TubiTV) Mystery Alaska (for rental) Nebraska (for rental) Spies Like Us (for rental) Trading Places (for rental) Trapped in Paradise (for rental) Uncut Gems (Showtime; Paramount+)

Carmen has been performing as Mr. Belushi in “The Blues Brothers™” Act for more than 25 years; for 10 of those years he has been a staple in the award winning show “Legends in Concert” in Las Vegas. Considered to be one of the most popular acts to have ever graced the stage of this highly successful show, Carmen's popularity is not limited to just Las Vegas. He has showcased his talents across the United States and all over the world taking him to many countries including Russia, Japan, Canada, Finland, Mexico, Thailand, and Germany.   He has also made numerous appearances on television, including: The Tonight Show with Jay Leno, The Today Show, MTV, VH-1, ESPN, CBS This Morning, and Entertainment Tonight.   Performed more than 17,000 shows   Performed with, and for, Dan Aykroyd   Performed for John Belushi's Manager, Bernie Brillstein   Headlined at the Super Dome in New Orleans for over 50,000 people   Performed for 55,000 returning Desert Storm Troops   Performed for then Vice-President, Al Gore   LONGEST CONTINUOUS RUN OF ANY ACT IN LEGENDS IN CONCERT,  LAS VEGAS for an unprecedented 10 consecutive years!   inducted into the Las Vegas Archives Hall of Fame   Performed in Berlin for the German Chancellor   Quotes   “Terrific!” – Jay Leno   “Burnin' Man!” – Dan Aykroyd      “They are The Best I've Ever Seen!” – Frankie Valli   “These Guys are Great!”  – Dick Clark   “The Show was Wonderful!” – Peter Noone   “The World's Hottest Blues Brothers!” – Michael McDonald   “Ending on a high note, the show's closers, Carmen Romano's Blues Brothers, were as near to Aykroyd and Belushi as you can get without doing some grave-digging.” – Milwaukee Journal Sentinel   “An Audience Favorite…this was a showstopper!”- Philadelphia Enquirer   “The Romano Blues Brothers tandem is an exact copy of the Aykroyd-Belushi Blues Brothers…Together the duo energizes and thrills audiences.” – Las Vegas High – Roller Magazine   In this episode you will take away 3 promising insights (plus many more)   -       How Carmen came into the opportunity for Legends in Concert…   -       How he feels about Vegas then and Vegas today.   -       Why he decided it was time to focus on him!       3 of Carmen's Best Quotes!   “You have to be honest with yourself”   “You can go to acting classes all you want, there is nothing better than doing it live”   “We were brothers”         Watch the FULL Interview on YouTube: https://youtu.be/mWzpiOr9vQA     See some of Carmen's work: As Tony Bennett - https://youtu.be/Qw1DNQVsPpI As John Belushi - https://youtu.be/fEbFNe_Vh9o         Other great podcast guest episodes:     Actor David Howard Thornton of Following your Dreams with No Regrets   https://podcasts.apple.com/us/podcast/always-on-the-grow-with-manny-vargas/id1150064033?i=1000612597315   Born to Perform and Persevere with Jaclyn Marfuggi Caprio   https://podcasts.apple.com/us/podcast/always-on-the-grow-with-manny-vargas/id1150064033?i=1000610828215       Subscribe and Listen to the Always on the GROW with Manny Vargas Podcast on other platforms:     Spotify:   https://open.spotify.com/show/4r7UJnPOK226P61eGCQ1o2?si=3cfa99ca922a4373   Amazon:   https://music.amazon.com/podcasts/81b57b24-ac69-4ee5-a02f-deb817096b4f/always-on-the-grow-with-manny-vargas   Stitcher:   https://www.stitcher.com/show/a-desire-to-inspire-with-manny-patrick       Follow me:   http://thisismannyvargas.com   Linkedin: https://www.linkedin.com/in/manny-var... Instagram: @thisismannyvargas https://www.instagram.com/thisismannyvargas/ Twitter: @themannyvargas https://twitter.com/themannyvargas FB: @thisismannyvargas https://www.facebook.com/thisismannyvargas TikTok: @thisismannyvargas     https://www.tiktok.com/@thisismannyvargas

The Blues Brothers Original Soundtrack is a powerhouse collection of rhythm and blues that captures the essence of the iconic film.  It features a blend of classic blues, soul, and rock 'n' roll performed by legendary artists including Aretha Franklin, Ray Charles, James Brown, and Cab Calloway.  The Blues Brothers originated as a musical comedy act created by Dan Aykroyd and John Belushi on the sketch comedy show “Saturday Night Live” in the late 1970's.  Inspired by their shared love for blues and R&B music, Aykroyd and Belushi created fictional characters, Jake and Elwood Blues, as their alter egos.  The act gained popularity, leading to the release of their self-titled debut album in 1978 and eventually to the creation of the Blues Brothers motion picture in 1980.  In the film, parolee Jake Blues is joined by his blood brother Elwood Blues on a “mission from God” to save the Catholic orphanage in which they were raised by reuniting their band and raising the $5000.00 for the property tax bill.  Their quest brings them to a number of characters played by iconic artists including Cab Calloway and James Brown.  The resulting soundtrack stands as a testament to the enduring power of blues music and left an indelible mark on both the film and music industry.John Lynch dons his suit and dark sunglasses to bring us this feature. Minnie the MoocherCab Calloway originally presented Minnie the Moocher back in 1931, and reprises the song for this film.  Calloway was a regular performer at the Cotton Club in Harlem, and a popular vocalist of the swing era.  Calloway plays Curtis in the film, a father figure and mentor to the Blues Brothers, and performs this song as a warm-up to the concert.Jailhouse RockAs the movie ends with Jake and Elwood back in prison after successfully paying off the tax bill for the orphanage.  The band plays Elvis Presley's "Jailhouse Rock" for the inmates as the credits roll.  Jake Blues (Belushi) takes lead on this upbeat number.ThinkAretha Franklin covers her own song as Mrs. Murphy, trying to persuade her husband Matt Murphy to not join the band.  Franklin had a lot of difficulty lip synching the song and would have preferred to just sing it live.  The Blues Brothers join her on this cover.Gimme Some Lovin'The Blues Brothers cover this piece originally performed by the Spencer Davis Group and made famous by Steve Winwood.  While the song was a top 20 hit on the Billboard Hot 100, in the film it gets a decidedly cooler reception in the honky tonk bar in which it is performed.  ENTERTAINMENT TRACK:Lookin' for Love by Johnny Lee (from the motion picture “Urban Cowboy”)With the decline of disco, crossover country & western hits became popular.  John Travolta starred in this movie which capitalized on the popularity of country music. STAFF PICKS:Train in Vain (Stand By Me) by the ClashBruce brings us the third single from the Clash's third album, “London Calling.”  This was a double album, and a post-punk turn by the group.  The song was originally intended to be a giveaway flexi single, but was put on the album at the last minute when that deal fell through.  Mick Jones wrote and sings lead on this song, inspired by his tumultuous relationship with Stiltz guitarist Viv Albertine.Free Me Big by Roger DaltreyWayne features the front man for the Who in a solo effort written by Argent guitarist Russ Ballard.  The song is on Daltrey's 1980 solo album “McVicar” It also appears on the soundtrack for the movie "McVicar" in which Daltrey plays John McVicar, an inmate in prison for a number of bank robberies.  The other members of the Who play on this song as uncredited musicians.We Live for Love by Pat BenatarRob's staff pick is performed by Benatar, but it is often confused for a Blondie song.  It is a single from Benatar's debut album, “In the Heat of the Night,” and was written by Neil Giraldo, Benatar's then-guitarist and now-husband (and still guitarist).  It was the leading track from side two.Ride Like the Wind by Christopher CrossLynch's staff pick went to number 2 on the Billboard Hot 100, held out of the number 1 slot by Blondie's “Call Me.”  It is Cross's debut single from his Grammy winning 1979 self-titled album.  Cross dedicated the song to Lowell George, formerly of the band Little Feat, who had died in 1979.  Michael McDonald is easy to identify on backing vocals.   NOVELTY TRACK:Turning Japanese by the VaporsSongwriter and Vapors lead singer David Fenton says this is all the cliches about angst and youth and turning into something you didn't expect to.  This new wave song went to number 36 on the Billboard Hot 100.

Don't cross the beams!This week, Matt and Cody are joined by director, producer, writer and host of The Best Legs in Chicago, Preston Jeter! The trio discuss the immeasurable cultural impact of the flick, the special effects used to raise the dead, and the understandable concern from the EPA. With a Dan Aykroyd scholar sitting in, they also dig into Aykroyd's paranormal encounters, freakishly on-brand family history, and an obsession with antique cars.So hop into the Ecto-1 and watch out for Slimer and get ready to scare up a few laughs!Thanks for listening!The Best Legs in Chicago Instagram: @bestlegsinchicagoPreston's Instagram: @prestonljeterNight Howls Instagram/Twitter: @nighthowlspod

A cop who doesn't play by the book, his partner has multiple personality disorder, and powerful criminals who are looking for Hitler's porn tape. Just another week on Invasion of the Remake. Join IOTR as we remake the action, comedy Loose Cannons (1990) starring Gene Hackman, Dan Aykroyd, and Dom DeLuise along with our own unique fantasy casting. Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes / Apple Podcasts. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. https://invasionoftheremake.wixsite.com/podcast Follow us on Twitter: @InvasionRemake Like and share us on Facebook, Instagram & Tik-Tok: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

Continuing on with our tournament runner-ups is the Dan Aykroyd-directed and written Nothing But Trouble. The guys talk about Aykroyd's unfiltered hellish nightmare world and awkward marriage of comedy and horror, the Brazillionaires, the on-screen debut of Tupac Shakur, the phallic-shaped nose and much more. Next week: A bad movie legend is on fire! What We've Been Watching: The Florida Project Barb and Star Go to Vista Del Mar Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com  Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Nothing But Trouble stars Chevy Chase, Demi Moore, John Candy, Taylor Negron, Valri Bromfield and Dan Aykroyd; directed by Dan Aykroyd. Learn more about your ad choices. Visit megaphone.fm/adchoices

We made it to Episode 300! This "Ghostbusters II" review has it all: Ash learns about New Coke; Gene learns he might not like young Bill Murray; Big D teaches us all about "Tears in Heaven;" and a plot summary is so ridiculous we can't stop laughing. In our second discussion of the Ghostbusters franchise, the Shat Crew examines birthday packages, debates the quality of Vigo's painting, contrasts movie montages, dives deeper into the new Ghostbusters logo, weighs when it's OK to clean your host's apartment, discovers someone's been throwing out her partner's belongings and outlines the appropriate use of children in comedies. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Today's episode features a conversation with the multi-talented Dan Aykroyd, shaking things up on a Season Two episode of Office Hours.    Dan Aykroyd is the co-founder and owner of Crystal Head Vodka and the House of Blues, along with being a renowned writer, actor, musician, and producer. On this episode of Office Hours, Aykroyd delves into the best approach to creating a product or service of the highest quality, how to choose the right team members, and the secret to infusing passion into a company's culture.   — Office Hours features billionaires, millionaires, entrepreneurs, celebrities, athletes and entertainers to talk about success, failure, and everything in between. Other guests from Season 2 include: Daymond John from Shark Tank, entrepreneur and best-selling author Ed Mylett, US Olympic beach volleyball legend Kerri Walsh Jennings, chef and restaurateur Wolfgang Puck, New York Times best-selling author, researcher, lecturer, and corporate consultant Dr Joe Dispenza, "The Iceman" Wim Hof, and Grant Cardone, CEO of Cardone Enterprises, Cardone Capital, international speaker, entrepreneur, and author of The 10X Rule.   Stream Season 2 of Office Hours now on Apple TV Learn more about your ad choices. Visit podcastchoices.com/adchoices