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2 episodes with Aykroyd
To this day - twenty-two years later - you can still walk into a room anywhere in the civilized world and shout “Who ya gonna call?” and get an emphatic hollaback of “GHOSTBUSTERS!” Is there more that needs to be said? Yes, there is. About three hours worth if you're Paul, Javi, and the preternatural Producer Brad! For a franchise that has been rehashed, rebooted, re-animated, and spun-off so many times, the original still holds the power to provoke laughter, surprise, wonder, and, occasionally, a low grumble of “dude, that Venkman's kind of a lech." It was the eighties, and if you were an alum of SNL, times were good, especially for Dan Aykroyd, who, along with Harold Ramis and Ivan Reitman turned his longtime obsession with the the paranormal into a humongously budgeted comedic spectacle on the scale of the epic blockbusters of Lucas and Spielberg. Anchored by a master class in snark presented by Bill Murray, with Ramis, Aykroyd, and everyman extraordinaire Ernie Hudson rounding out the titular team, the supernaturally amazing cast includes Sigourney “The Most Exhalted Queen of the Universe” Weaver, Annie “the unsung MVP of the Ghostbusters” Potts, and the ever lovable Rick Moranis as the world's most indefatigable accountant. Let's face it folks, there's two epochs in history, before “he slimed me” and after “he slimed me," and the Multiplex Overthruster crew has seen them both. So dust off your Tobin's Spirit Guide, power up your PK meter, and bust out the neutrona wands, because many Zuuls and Shubs are about to find out what it's like to be roasted on the depths of the Sloar, and there's only one call to make - GHOSTBUSTERS!Show Notes:US Theatrical release date: June 8, 1984US Weekend Box Office June 8, 1984US 1984 Top Grossing MoviesAFI Catalog Entry for GhostbustersRoger Ebert's Ghostbusters ReviewNYT/Janet Maslin Ghostbuster ReviewA look at Dan Akroyd's original script for ‘Ghostbusters'Dan Aykroyd Explains Spooky Way He Came Up With Original 'Ghostbusters' IdeaTeenage Sigourney Weaver Seen Enjoying Beatles' Hollywood Bowl Concert in ‘Eight Days a Week' DocCasper's creators aren't so friendly - UPI ArchivesPatrick NagelTheme music by Mike McGuillAdditional voicework by Russell BentleySummer of '84 voiced by Colby ElliottFollow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.
A comical and yet sweet (?) action film that may be too much of a cartoon for its own good. Hackman, Aykroyd, and DeLuise star.DISCLAIMER: LANGUAGE AND SPOILERS!LOOSE CANNONSdir. Bob Clarkstarring: Gene Hackman; Dan Aykroyd; Dom DeLuise
In this episode of the show we are continuing our June trip through John Landis comedies of the 1980s with the 1985 effort titled Spies Like Us. Over the course of our conversation you will hear us talk about how, much like many Aykroyd-written comedies, this one also originated as a potential vehicle for Aykroyd and John Belushi, how it was morphed into something fit for Chevy Chase and how the two SNL alumni struggled to find the right frequency to work together. We also talk about Spies Like Us working as a prototype of Elaine May's Ishtar, Aykroyd's signature comedy of minutiae, the movie working as a lifeline for Landis who was in the midst of a highly publicized and infamous trial and much more!Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony LarderHead over to uncutgemspodcast.com to find all of our archival episodes and more!Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and Facebook (@UncutGemsPod)Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod)Subscribe to our Patreon! (patreon.com/uncutgemspod
The Not Ready for Prime Time Podcast: The Early Years of SNL
It's 133 minutes of screen time, we've got a full glass of Orange Whip, two podcasters, an author, and we're recording. Hit it!That's right, we're celebrating the anniversary of the release of the 1980s classic comedy The Blues Brothers. Starring Saturday Night Live alumni Dan Aykroyd and John Belushi, the film has endured for over 45 years and become not only a comedy classic but also a work of cultural significance, preserved by the National Film Registry in the Library of Congress.We are joined once again by Aykroyd and Belushi biographer Daniel de Vise to look back on this "mission from God." Together, we discuss the origins of the film itself—from story and script to casting and production—to its lasting legacy and importance in both comedy and the music of the blues.Along the way, we recount classic musical performances, amazing stunt sequences, and some of our favorite moments from a film that STILL keeps us laughing. Much like a high-speed chase down Lower Wacker Drive, it is full of high stakes, eventful twists and turns, and even a few surprises.---------------------------------Subscribe & Follow today!And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptprojectBluesky: @nr4ptproject.bsky.socialFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com
In this episode of the show we are officially diving into the third and final month of our Spring of Comedy where we are going to talk about John Landis-directed comedies of the 1980s. And we can only begin this journey by donning our G-Men suits and sunglasses to talk about The Blues Brothers. Over the course of our conversation you will hear us talk about the long and eventful history of how this movie came together, how the Blues Brothers phenomenon reinvigorated the careers of blues and soul icons, how it nearly bankrupted the studio thanks to the combination of Dan Aykroyd's propensity to write stream-of-consciousness epics posing as scripts and John Landis's desire to go big instead of going home and how this first SNL movie set the course for many others to follow. We also talk about the nexus of sketch comedy, The Blues Brothers as a piece of counterculture and one of the great American musicals and an ode to a great friendship between Aykroyd and Belushi. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsHead over to uncutgemspodcast.com to find all of our archival episodes and more!Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and Facebook (@UncutGemsPod)Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod)Subscribe to our Patreon! (patreon.com/uncutgemspod
They say there ain't no cure for the summertime blues, but we here at F2F disagree. So allow Trev & Chris to make a house-call, as we ring in a brand new series - "JUNE is What the Doctor Ordered," taking a look at three doctor-themed (sorta) movies. First up, the 1983 oddity Doctor Detroit, perhaps most remembered as SNL legend Dan Aykroyd's first (and last?) solo starring role in a movie. Aykroyd plays a nebbish college professor forced to pose as a tough-talking pimp in order to protect four beautiful sex workers from the wrath of an evil crime boss named "Mom." And if that premise already sounds pretty out-there to you, well, we haven't even said anything about the costuming, voice, and mannerism choices Aykroyd makes in regards to his "Doctor Detroit" persona. Why exactly did a movie starring a beloved comic icon, released so close to hits like Trading Places and Ghostbusters, not connect with audiences? We're here to diagnose what might have gone wrong. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
It's one of the most unpleasant movies we've ever covered: Nothing But Trouble, starring Chevy Chase, Demi Moore, John Candy, and Dan Aykroyd, who also wrote and directed the picture. Like a comedy version of Texas Chainsaw Massacre 2 (but less funny), it's a movie that's difficult to put into words, or even comprehend. But one way to understand it is to think of it like Jeffrey Epstein and Ghislane Maxwell taking a country drive into New Jersey and facing way more justice than they would in the real world. Next week (March 27, 2026): Sideways (2004)! Time stamps: 00:05:35 — History segment: Dan Aykroyd and his brother Peter are inspired to turn a story about his upstate New York traffic violation into a horror-comedy; they can't find anyone to direct, so he directs it himself, and it doesn't turn out well for anybody 00:29:30 — Movie discussion 01:21:30 — Final thoughts & star ratings Sources: Interview With Dan Aykroyd | The Woody Show (2023) - https://youtu.be/pWPckpqD99w "'King Ralph,' 'Nothing But Trouble' just for laughs Aykroyd effort lacks wit to balance the grossness" by Jay Boyar | The Orlando Sentinel (1991) - https://bit.ly/4tzP0eP Exploring Nothing but Trouble - The Untold Story Behind Dan Aykroyd's Notorious Production | GoodBadFlicks - https://youtu.be/8TFfL1aUDaQ Artwork by Laci Roth. Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/ Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007). Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC). Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ Follow the show! Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social 1-Week Rental used to be Load Bearing Beams.
This week on Born to Watch, Whitey, Gow and Damo head back to 1983 for a full Trading Places 1983 Review, revisiting one of the most iconic comedy films of the 1980s. Directed by John Landis and starring Eddie Murphy, Dan Aykroyd and Jamie Lee Curtis, Trading Places is a movie that perfectly captures the raw, outrageous humour of the decade. But more than 40 years later, the big question for the Born to Watch crew is simple: Does this comedy classic still hold up?Set in the world of high-stakes Philadelphia commodities trading, Trading Places follows privileged stockbroker Louis Winthorpe III (Dan Aykroyd) and street hustler Billy Ray Valentine (Eddie Murphy). When two absurdly wealthy brothers, Randolph and Mortimer Duke, decide to test a social experiment for a one-dollar bet, the lives of both men are turned upside down.Winthorpe loses everything.Billy Ray gains everything.And the Dukes sit back and watch the chaos unfold.For Whitey, this rewatch brings back the wild spirit of 80s comedies, a time when films were raw, unfiltered and packed with unforgettable moments. From the opening scenes inside the Duke & Duke trading empire to the infamous orange juice futures finale, the movie moves at a relentless pace.Gow dives into the film's history, breaking down how Eddie Murphy was just beginning his meteoric rise after Saturday Night Live. His performance as Billy Ray Valentine demonstrates the charisma and comedic timing that would soon make him one of the decade's biggest movie stars.Meanwhile, Damo delivers what the listeners came for, the legendary Snorbs Report, analysing one of the most famous scenes in the film and debating whether Jamie Lee Curtis might have the most unexpected reveal in 80s cinema history.But Trading Places is more than just a comedy.At its core, the film is a clever satire about class, wealth and power. The Duke brothers treat human lives like chess pieces, manipulating events purely to prove a point about social status. What makes the story work so well is how Murphy and Aykroyd eventually turn the tables.And when the revenge finally arrives, it is glorious.Throughout the episode, the Born to Watch crew break down some of the most memorable moments in the movie, including:• Eddie Murphy announces himself as a superstar• Dan Aykroyd's legendary drunken Santa meltdown• The outrageous Duke brothers• Jamie Lee Curtis' scene-stealing performance• The chaotic train disguise sequence• The brilliant orange juice trading finaleThe boys also tackle their regular segments, including Overs and Unders, Hit Sleeper Dud for 1983, the Rank Bank, and, of course, Damo's Snorbs Report.Along the way, they debate Eddie Murphy's place among the greatest comedy stars of all time and ask whether Hollywood would even dare make a movie like Trading Places today.Because let's be honest.Movies like this simply do not get made anymore.Fearless, ridiculous and packed with classic one-liners, Trading Places remains one of the defining comedy films of the 80s.But does it still deserve its legendary reputation?Whitey, Gow and Damo are here to find out.JOIN THE CONVERSATIONIs Trading Places Eddie Murphy's true breakout movie? Is the orange juice trading finale the greatest comedy ending ever? And is Winthorpe's Santa suit the most disgusting costume in movie history?Drop us a voicemail at https://www.borntowatch.com.auListen now on Spotify, Apple Podcasts, or wherever you get your pods.#TradingPlaces #BornToWatch #EddieMurphy #DanAykroyd #JamieLeeCurtis #80sMovies #ComedyClassic #MoviePodcast #FilmReview #80sComedy
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Merry New Year! We're closing out season 5 with a holiday season movie. Call it a Christmas movie if you want, but this one covers the gamut from Thanksgivign though New Year's. Trading Places made stars out of some and revitalized the careers of others. Eddie Murphy, Dan Aykroyd, Jamie Lee Curtis, Don Ameche, Ralph Bellamy and more all benfitted from and helped make this John Landis film a stone cold classic. Listen for all the details, background, and awesome quotes.Murphy and Aykroyd made a fantastic comedy team. Our draft this week is our favorite comedy duos. Some have had long standing relationships; some were just together for one memorable movie. But all were hilarious. Enjoy!If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the Show
Merry New Year! We're closing out season 5 with a holiday season movie. Call it a Christmas movie if you want, but this one covers the gamut from Thanksgivign though New Year's. Trading Places made stars out of some and revitalized the careers of others. Eddie Murphy, Dan Aykroyd, Jamie Lee Curtis, Don Ameche, Ralph Bellamy and more all benfitted from and helped make this John Landis film a stone cold classic. Listen for all the details, background, and awesome quotes.Murphy and Aykroyd made a fantastic comedy team. Our draft this week is our favorite comedy duos. Some have had long standing relationships; some were just together for one memorable movie. But all were hilarious. Enjoy!If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the Show
This week, we're crossing the streams one last time as we conclude our 10th-anniversary rewatch series with the ultimate supernatural classic: Ghostbusters (1984)! We revisit the lightning-in-a-bottle chemistry of Murray, Aykroyd, Ramis, and Hudson, dissecting how their deadpan improvisational style redefined the summer blockbuster. As we close out a decade of the show by revisiting the movies that defined us, we ask the final question: Does this blend of spectral slime and sharp wit still hold up today?
Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
Iconic comedian, actor, and paranormal enthusiast Dan Aykroyd of Ghostbusters joins Aaron Sagers on Talking Strange to discuss the unbelievable true stories behind Season 3 of History Channel's The UnBelievable. From satanic cats to skyfalls, fire ants, and chainsaw miracles, Aykroyd dives into bizarre-but-true moments in human history that are stranger than fiction. The new season, premiering November 7 at 9/8c, explores “Strange Sightings” — from jungle apes and killer birds to mysterious clown invasions — reminding us that the world is far weirder than we think. Aaron also discusses the future of Ghostbusters with Aykroyd, and his love of old-school hosts like Rod Serling, Leonard Nimoy, and Robert Stack. Thanks to the Peppermill Resorts & Casino in Reno, Nevada, for helping sort out a place to record during Aaron's paranormal globetrotting. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices
When Childhood Nostalgia Meets RealityKrissy Lenz and Nathan Blackwell are joined by special guest Jordan Collier to revisit the 1985 spy comedy Spies Like Us, starring Chevy Chase and Dan Aykroyd. What happens when a beloved childhood favorite gets the modern rewatch treatment? Sometimes the results are as bumbling as the protagonists themselves.The Verdict: When Memory Lane Takes a DetourOur hosts discovered that Spies Like Us suffers from an identity crisis—never quite deciding whether it wants to be silly slapstick or serious espionage. While Jordan and Nathan remembered loving the film as kids, their adult viewing revealed a movie that couldn't nail down its tone, leaving characters without clear motivations and comedy that felt more meandering than memorable. The film's training montages and "Doctor! Doctor!" scenes still delivered laughs, but the lack of genuine tension between Chase and Aykroyd's characters left much to be desired.The consensus? Spies Like Us earns a middling 5 to 5.5 missiles out of 10—a film that works better as a nostalgic memory than a current viewing experience. Sometimes childhood classics are best left in the vault of fond recollections.Additional Takeaways:The movie needed a third character to complete the comedic trioChevy Chase's character came across as surprisingly unlikable with modern eyesThe film's tonal shifts from broad comedy to serious nuclear warfare felt jarringDan Aykroyd's spy skills were inconsistent—sometimes brilliant, sometimes bumblingThe Bob Hope cameo represented the kind of absurdist comedy the film needed more ofConnect With the HostsLearn more about this show and the TruStory FM network at trustory.fm. Want early, ad-free episodes plus bonus content? Check out membership options at trustory.fm/join.Follow the podcast: Facebook | Instagram | BlueskySupport the hosts: Neighborhood Comedy Theatre | Squishy StudiosWhat's your take on rewatching childhood favorites? Do they hold up, or are some movies better left as treasured memories? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
In this snack-sized episode, Dan revisits his conversation with comedy legend Dan Aykroyd. From managing teams on movie sets to co-founding Crystal Head Vodka, Aykroyd shares what he's learned about leadership, product design, and sales. Plus, as a lifelong risk-taker, he explains the proper way to eject from a fighter jet. A tip you definitely don't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textEver watch a movie that feels like it was built out of wild props and late-night dreams—and then realize no one bothered to build the world around it? We dive headfirst into Nothing but Trouble, tracing how a killer cast (Dan Aykroyd, Chevy Chase, Demi Moore, John Candy) and a bonkers premise wobble into an unappealing blur of gadgets, traps, and gross-out gags. From the courtroom rollercoaster and the infamous Bone Stripper to a Hawaiian Punch dinner and a cameo from Digital Underground, we break down why spectacle without stakes falls flat—and where the film accidentally shows flashes of the sharper movie it could've been.We talk tone, pacing, and the delicate math of horror-comedy: why absurdity only lands when the world has rules, how character choices give jokes friction, and what happens when you skip setup and chase set pieces. Aykroyd's judge hints at a better blueprint—a lonely showman versus a gleeful sadist—and we explore how a few structural changes could have turned Vulcanvania into a memorable cult playground rather than a cautionary tale. Along the way, we connect threads to House of Blues, appreciate the handful of precision laughs Chevy sneaks in, and call out John Candy's split roles and the film's most head-scratching creations.Then we zoom out. Gen V returns with Hamish Linklater's delicious menace, Midnight Mass gets its flowers for character-first dread, and we compare comedy fibers across The Office, Parks and Rec, The Paper, and the Frasier reboot—why some ensembles feel warm and others punch down. It all loops back to the craft: world-building is an engine; jokes and scares are cargo. If the engine sputters, nothing arrives.Stick around for a celebratory tease: next week we're queuing up Broken Arrow for Todd's birthday. Hit follow, share this with your favorite cult-cinema friend, and drop us a note—what one change would fix Nothing but Trouble? Subscribe and leave a review to help more curious listeners find the show.Written Lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT
Send us a textWhat happens when you take a cult classic like "The Blues Brothers," remove its electric star, add a random child, strip away all profanity, and film it entirely on sterile soundstages? You get "Blues Brothers 2000," one of the most bewildering sequel disasters in cinema history.Our deep dive into this 1998 misfire reveals how profoundly the filmmakers misunderstood what made the original special. The first film thrived on John Belushi's chaotic energy playing against Dan Aykroyd's deadpan delivery, creating an unforgettable duo wreaking havoc through gritty Chicago streets. The sequel, however, leaves Aykroyd adrift without a worthy counterpart, with John Goodman's talents wasted on an undeveloped character.We explore the bizarre studio mandates that doomed this production from the start – including the requirement for a PG rating and the inexplicable demand to add a child character who disappears from the narrative for stretches at a time. The musical performances, while featuring legendary talents like Aretha Franklin and Erykah Badu, feel disconnected from the story, lacking the organic integration that made the original's numbers so memorable.The film's most unintentionally hilarious moments deserve special attention: a car that drives underwater while characters casually converse, a face covered in shaving cream somehow functioning as a disguise, and a bizarre voodoo sequence where the characters become zombies for no discernible reason. These elements combine to create what we dubbed "the most sanitized movie ever made" – a sequel that strips away everything edgy and authentic about its predecessor.Whether you're a Blues Brothers devotee still nursing wounds from this sequel or someone who's never experienced either film, our breakdown will have you laughing at the absurdity while appreciating why the original remains a beloved classic. Subscribe now for more deep dives into films that miss the mark in spectacular fashion!Written lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT
Join Chevy Chase and Dan Aykroyd on a bumbling Cold War mission in Spies Like Us! We break down the laughs, the cameos, and the chaos Our country sends nothing but the best of the best in espionage when fighting for the freedom of our country. And also decoys who are expendable. Let's see which ones Austin Milbarge and Emmet Fitz-Hume are as we check out this classic John Landis movie. News A moment of silence for any bunnies harmed during last week's magic episode. Dial-up internet rides off into the sunset. Time to finally toss that modem. Star Wars: A New Hope returns to theaters for its 50th anniversary celebration. Remembering Apollo 13 commander Jim Lovell, who passed away at age 97 on August 8, leaving behind a legendary spaceflight legacy. Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua has been having fun with the reality-bending, body-swapping comedy of Freakier Friday, a quirky take on the classic genre. Jay, on the other hand, has been exploring the ghostly past of Maryland on a guided tour through its haunted history. Sci-Fi Saturdays - This week on Sci-Fi Saturdays Jay revisits Edge of Tomorrow, a clever blend of science fiction, action, and dark humor; breaking down its themes of persistence, time loops, and unexpected heroism. Read Jay's full breakdown on RetroZap.com. Also check out his latest work on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Movies! This week, we head back to the Cold War comedy days of Spies Like Us (1985), directed by John Landis and written by Dan Aykroyd, Lowell Ganz, and Babaloo Mandel. Inspired by the Hope/Crosby “Road” pictures, the film takes a satirical jab at espionage and military absurdities of the Reagan Era. Aykroyd and Chevy Chase play bumbling “spies” who are unwittingly used as decoys in a high-stakes mission to distract the Russians, only to accidentally stumble into the real operation and prevent World War III. We break down the story, the scathing humor, and the long list of cameos, from Frank Oz and Bob Hope to filmmakers Sam Raimi, Terry Gilliam, and Ray Harryhausen. We also compare Austin Milbarge and Emmett Fitz-Hume against our secret agent bracket from a few weeks back to see how they stack up in spy cinema history. Are you a spy, like them? Do you still like the 80s political satire? First person that emails me with the subject line, “Doctor!” will get a special mention on the show. Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com
Welcome Back B-oo's Crew! This week we are headed to Hollywood, CA for something a little different. We often tell tales of haunted locations and famous family hauntings, but it turns out even the celebrities aren't safe from paranormal. From Joan Crawford of old Hollywood fame to Burt Reynolds and Dan Akyrod in 70's and 80's, all the way up to the modern day. Join as we take an inside look into some of Hollywood's elite's and the stories they have told through the years. Get ready B-oo's Crew cause this one will be famously spooky.Do you have a story you'd like read or played on the show? Are you part of an investigation team that would like to come on and tell your story and experiences? Maybe you have a show suggestion! Email us at fortheboos12@gmail.com Follow us on Twitter @fortheboosAnd on Instagram @forthboos-podcastFollow us Tik Tok @fortheboos_podcastHelp support the show on Patreon for early access ad free shows and an exclusive patreon only podcast!patreon.com/fortheboos_podcastYou can also find us on Facebook at For The BoosAnd on YouTube at For The BoosRemember to Follow, Subscribe, and Rate the show...it really does help!For The B-oo's uses strong language and may not be suitable for all audiences, listener discretion is advised!https://linktr.ee/fortheboos Sources for this episode: · Joan Crawford's Haunted Mansion: Numerous accounts of Joan Crawford's belief that her home was haunted can be found in interviews and in literature such as "Haunted Hollywood" by Tom Ogden and in Christina Crawford's memoir "Mommie Dearest." Christina herself has spoken about unexplainable activity in the Los Angeles mansion (see Ogden, T., "Haunted Hollywood," 2012; Crawford, C., "Mommie Dearest," 1978). · Miley Cyrus and the London Ghost: Miley Cyrus described her haunted London apartment experience in a 2013 interview with Elle UK, recounting the apparition in Victorian attire and the chilling atmosphere ("Miley Cyrus Interview," Elle UK, June 2013). · Dan Aykroyd's Spiritual Encounters: Dan Aykroyd has freely discussed his family's spiritualist beliefs and ghostly experiences in his home in interviews, including with Esquire (2013) and SyFy Wire (2018). These anecdotes are also referenced in his introduction to "A History of Ghosts" by Peter H. Aykroyd (Aykroyd, D., Esquire interview, 2013; Aykroyd, D., SyFy Wire, 2018; Aykroyd, P.H., "A History of Ghosts," 2009). · Lucy Hale's Nashville Hauntings: Lucy Hale opened up about paranormal events in her Nashville home during a 2018 appearance on "The Kelly Clarkson Show" and in multiple interviews with People magazine (People.com, “Lucy Hale's Ghost Story,” October 2018; "The Kelly Clarkson Show," 2018). · Matthew McConaughey and ‘The Haunting': McConaughey discussed his ghostly encounters while filming in England in an interview with Contact Music, as well as in stories collected by horror and celebrity news outlets (Contact Music, "Matthew McConaughey Haunted," November 2001; HuffPost, “Matthew McConaughey's Haunted House Story,” 2013).#paranormal #ghost #haunted #ghosts #paranormalactivity #horror #creepy #paranormalinvestigation #scary #spooky #ghosthunting #spiritual #supernatural #ufo #halloween #spirit #spirits #ghosthunters #podcast #paranormalinvestigator #terror #ghoststories #hauntedhouse #aliens #haunting #alien #supranatural #pengasihan #ghosthunter #ghostadventures s
The beloved Blues Brothers universe will come roaring back to life over the next few years with forays into television, film, live events, music and much more with the first IP offering being a brand new original Graphic Novel: THE BLUES BROTHERS: THE ESCAPE OF JOLIET JAKE. Written by Stella Aykroyd, Luke Pisano and James Werner with artist Felipe Sobriero, The Blues Brothers: The Escape of Joliet Jake is both a love letter and sequel to the original Blues Brothers film. With editorial oversight by Dan Aykroyd, the utmost care has been taken to ensure this new chapter is true to the classic skits, legendary film, and iconic albums. The result is a wild and entertaining ride for both the longtime fans, and those new to the world of Jake and Elwood Blues. This project was originally conceived with the architect of The Blues Brothers, Judy Belushi Pisano, who sadly passed away during this book's production.Luke Pisano shares "The Blues Brothers weren't just a SNL act or movie, they were real musicians, in awe of the legends who came before them. This book is a continuation of that labor of love. This book is dedicated to my mother, Judy Belushi Pisano - the widow of John Belushi and the fierce, loving steward of the Blues Brothers legacy for over 40 years. After John's passing, she didn't just preserve the story-she expanded it. With the team at Z2, and with the talents of Stella and James, we finally found the right partners to make that dream turn reality. I am proud-and humbled-to continue her work in expanding this world of fun, music, and mischievousness.""It makes complete sense to me that the new generation of Blues Brothers will begin in comic book form, where the possibilities for destroying police cars is infinite, physics have no bounds, and the potential for jam partners is off the charts." James Werner points out. "The Blues Brothers universe is full of music and absurdity. Jake and Elwood are FINALLY reuniting , and I am forever grateful that Luke and Stella have asked me to join the band."Stella Aykroyd adds "Elwood and Jake are precious to me, in fact, one of them is actually my Dad. I've helped him sharpie ELWOOD onto his knuckles before Blues Brothers shows with 'Brother Zee', I've walked behind him as he's made his way through a sea of fans dressed as Elwood and Jake all over the world and I've been his co-pilot on the road, where he's explained to me the proper way to T-bone a car. Now, with Elwood, and the one and only 'Sister Zee', Judy Belushi's blessing, Luke, James, and I take the wheel and swerve into the endless possibilities that Z2, Felipe Sobreiro, and the comic book world provide for Jake and Elwood. In many ways the antics we've seen from the Blues Brothers have always been perfectly suited for the comic strip; flying cars, supernatural nuns, dusting an entire apartment building worth of bricks off your shoulders, and now Felipe Sobreiro's illustrations bring them to life once again. Our development process was guided and inspired by the stories and real life occurrences from the lives of Judy, John, and Dan and their process of conception of the Blues Brothers and using it not only for easter eggs but for plot points. I am so excited to share this whole new story with all our music loving anarchists."Lastly, Z2 President, Josh Bernstein adds "The Blues Brothers are comedy, pop-culture and musical royalty. Z2 is proud to expand the creative universe built by Dan Akyroyd, John and Judy Belushi-Pisano and welcome new band members: Luke, Stella and James. When you mix their story with the art of Brazilian Blues Brother, Felipe Sobreiro, fans of all ages will be delighted with the epic return of Jake & Elwood Blues. (We apologize in advance to the fine men and women of the Chicago Police Department.)"THE BLUES BROTHERS: THE SCAPE OF JOLIET JAKE will be available for pre-order via Amazon, Barnes and Noble, as well as many other fine independent book, comic, and record stores.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
The beloved Blues Brothers universe will come roaring back to life over the next few years with forays into television, film, live events, music and much more with the first IP offering being a brand new original Graphic Novel: THE BLUES BROTHERS: THE ESCAPE OF JOLIET JAKE. Written by Stella Aykroyd, Luke Pisano and James Werner with artist Felipe Sobriero, The Blues Brothers: The Escape of Joliet Jake is both a love letter and sequel to the original Blues Brothers film. With editorial oversight by Dan Aykroyd, the utmost care has been taken to ensure this new chapter is true to the classic skits, legendary film, and iconic albums. The result is a wild and entertaining ride for both the longtime fans, and those new to the world of Jake and Elwood Blues. This project was originally conceived with the architect of The Blues Brothers, Judy Belushi Pisano, who sadly passed away during this book's production.Luke Pisano shares "The Blues Brothers weren't just a SNL act or movie, they were real musicians, in awe of the legends who came before them. This book is a continuation of that labor of love. This book is dedicated to my mother, Judy Belushi Pisano - the widow of John Belushi and the fierce, loving steward of the Blues Brothers legacy for over 40 years. After John's passing, she didn't just preserve the story-she expanded it. With the team at Z2, and with the talents of Stella and James, we finally found the right partners to make that dream turn reality. I am proud-and humbled-to continue her work in expanding this world of fun, music, and mischievousness.""It makes complete sense to me that the new generation of Blues Brothers will begin in comic book form, where the possibilities for destroying police cars is infinite, physics have no bounds, and the potential for jam partners is off the charts." James Werner points out. "The Blues Brothers universe is full of music and absurdity. Jake and Elwood are FINALLY reuniting , and I am forever grateful that Luke and Stella have asked me to join the band."Stella Aykroyd adds "Elwood and Jake are precious to me, in fact, one of them is actually my Dad. I've helped him sharpie ELWOOD onto his knuckles before Blues Brothers shows with 'Brother Zee', I've walked behind him as he's made his way through a sea of fans dressed as Elwood and Jake all over the world and I've been his co-pilot on the road, where he's explained to me the proper way to T-bone a car. Now, with Elwood, and the one and only 'Sister Zee', Judy Belushi's blessing, Luke, James, and I take the wheel and swerve into the endless possibilities that Z2, Felipe Sobreiro, and the comic book world provide for Jake and Elwood. In many ways the antics we've seen from the Blues Brothers have always been perfectly suited for the comic strip; flying cars, supernatural nuns, dusting an entire apartment building worth of bricks off your shoulders, and now Felipe Sobreiro's illustrations bring them to life once again. Our development process was guided and inspired by the stories and real life occurrences from the lives of Judy, John, and Dan and their process of conception of the Blues Brothers and using it not only for easter eggs but for plot points. I am so excited to share this whole new story with all our music loving anarchists."Lastly, Z2 President, Josh Bernstein adds "The Blues Brothers are comedy, pop-culture and musical royalty. Z2 is proud to expand the creative universe built by Dan Akyroyd, John and Judy Belushi-Pisano and welcome new band members: Luke, Stella and James. When you mix their story with the art of Brazilian Blues Brother, Felipe Sobreiro, fans of all ages will be delighted with the epic return of Jake & Elwood Blues. (We apologize in advance to the fine men and women of the Chicago Police Department.)"THE BLUES BROTHERS: THE SCAPE OF JOLIET JAKE will be available for pre-order via Amazon, Barnes and Noble, as well as many other fine independent book, comic, and record stores.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Stella Aykroyd (daughter of Dan) and Luke Pisano (son of the late Judy Belushi Pisano) bring us the new graphic novel "Blues Brothers: Escape of Joliet Jake."
Join us for an insightful and wide-ranging conversation with Dave Gordon—veteran writer, editor, communications strategist, and host of the acclaimed Insights and Influence podcast. With over 25 years in media, Dave has published thousands of pieces across politics, travel, business, arts, lifestyle, and beyond. He's interviewed icons like Gene Simmons, Dan Aykroyd, Rick Moranis, Matisyahu, Isiah Thomas, and Kiefer Sutherland, and his byline appears in top publications including:
The movie you're making us watch today is The Great Outdoors (1988)! This classic John Candy and Dan Aykroyd comedy throws us into a vacation from hell, complete with bear attacks, speedboat mishaps, and Aykroyd's relentless one-upping. But this time, we're not watching alone—our guest and good friend Haig chose this movie, so you can blame him for all the 80s nostalgia, dad jokes, and questionable vacation planning. Does The Great Outdoors still hold up, or is it just another relic of its time? Grab a plate of Old 96er and join us as we break it all down!Message us DIRECTLY to tell us how much you hated this episodeSupport the showFOLLOW US: INSTAGRAM - @MMwM_podcast TIKTOK - @MMwM_podcast YOUTUBE - @MMwM_podcast ALSO: @anthony_eslami @goldenroad85 @_schwizzyy_
Danielle Aykroyd is a singer-songwriter and multi-instrumentalist who performs under the name Vera Sola. Sometimes called the "lost love child of Leonard Cohen and Nancy Sinatra," Vera Sola's smoky vocalization and searing, soaring songs have a cinematic aspect to them, and would feel equally at home in a David Lynch film or a prairie full of phantoms. A trained poet, her lyrics are twisting and imagistic, marked alternatively by restrained mystery and a resplendent, wild-eyed rage.Her 2018 debut LP, Shades, which she plays every instrument on, is a study in shadowy Americana and mesmeric incantation. Her sophomore album of 2024, Peacemaker, is a more expansive extravaganza with lush orchestration, dark dreamscapes, and tales of vengeance, heartache, and haunting. Vera Sola's new EP, Ghostmaker is a pared-down resurrection of Peacemaker tracks, and features a brand new song, “The Ghostmaster's Daughter.”On this episode, Danielle discusses howspirits guide her music, her relationship to ghosts, and the liberating power of finding her voice.Pam also talks about the feminist history of Spiritualism, and answers a listener question about a precarious prediction. Vera Sola's songs featured in the audio version of this podcast episode are as follows:“Circles” from Shades“Bad Idea” from Peacemaker“The Ghostmaster's Daughter” from Ghostmaker“Blood Bond” from Peacemaker“Instrument of War” from PeacemakerCheck out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Mithras Candle, BetterHelp, Black Phoenix Alchemy Lab, and Dear Antigone.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
We were all set to record an episode about Dan Aykroyd this week, and then Tom got to talking about a magic show he went to and well, that just led to more talk about other magic shows we've been to and, long story short, this episode is about magic shows. Our sincere apologies to Mr. Aykroyd.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
For Saturday Night Live's 50th anniversary, we're featuring interviews with some of the early cast members/writers. Dan Aykroyd talks about the moment he and John Belushi came up with the Blues Brothers. Writer Alan Zweibel talks about working with Gilda Radner on two of her most iconic characters. And Al Franken tells us about a sketch he wrote that didn't make it past the censors. Jon Lovitz tells Terry how his character Master Thespian came to be. Also, film critic Justin Chang reviews The Annihilation of Fish, a romantic comedy starring James Earl Jones, Lynn Redgrave and Margot Kidder, made in 1999 and released now for the first time. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
For Saturday Night Live's 50th anniversary, we're featuring interviews with some of the early cast members/writers. Dan Aykroyd talks about the moment he and John Belushi came up with the Blues Brothers. Writer Alan Zweibel talks about working with Gilda Radner on two of her most iconic characters. And Al Franken tells us about a sketch he wrote that didn't make it past the censors. Jon Lovitz tells Terry how his character Master Thespian came to be. Also, film critic Justin Chang reviews The Annihilation of Fish, a romantic comedy starring James Earl Jones, Lynn Redgrave and Margot Kidder, made in 1999 and released now for the first time. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
I talk to Danielle Aykroyd about her family's involvement in spiritualism, and growing up in a home where the paranormal is just normal. For the full episode, sign up for the Otherworld Patreon Danielle Aykroyd, also known by her stage name Vera Sola, is a singer-songwriter, poet, and multi-instrumentalist. She is the daughter of the actor and comedian Dan Aykroyd who came from a long line of spiritualists. His family was heavily involved in the movement and the movie Ghostbusters was actually based on the experiences of his great grandfather. His great-grandfather, Samuel Augustus Aykroyd, was a dentist and an avid spiritualist who held séances at the family home in Ontario, Canada. He was deeply interested in communicating with spirits, which was a popular practice during the late 19th and early 20th centuries. Samuel Aykroyd even kept detailed journals documenting his experiences and beliefs. If you want to hear the entire interview, it's out now on the Otherworld Patreon. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
This year marks the 50th anniversary of “Saturday Night Live” – and while many of the “Not Ready for Prime Time Players” have gone on to achieve remarkable careers, few have had as fascinating a journey as Dan Aykroyd's. As the youngest member of the 1975 original cast, Aykroyd quickly became known for his iconic sketches, including parodies of Julia Child and Richard Nixon, the beloved “Two Wild and Crazy Guys,” and the absurd “Bass-o-Matic.” His sketch “The Blues Brothers” not only became a cultural touchstone, but evolved into successful feature films and a live musical act. Aykroyd's talents also extend to behind the camera, as he wrote and starred in the comedy classics “Dragnet,” “Coneheads,” “Spies Like Us” and “Ghostbusters.” Aykroyd's career has earned him numerous accolades, including an Emmy Award and Grammy and Academy Award nominations. He is also an entrepreneur and co-founder of the House of Blues music venues and Crystal Head Vodka. In this conversation, host Alec Baldwin speaks with Aykroyd about the early days of “SNL,” the evolution of his career into music and dramatic roles, and how his upbringing helped shape the creation of “Ghostbusters.”See omnystudio.com/listener for privacy information.
The Not Ready for Prime Time Podcast: The Early Years of SNL
John Belushi and Dan Aykroyd were at the forefront of American comedy in the late 1970s and early '80s. Emerging from The Second City, they both joined the original cast of the Not Ready for Prime Time Players as Saturday Night Live was being formed in 1975. On that show, they helped redefine television comedy and ushered in a new era of revolutionary satire. By 1979, they had a #1 hit record with their band, The Blues Brothers, and a year later, they released a motion picture about the characters, which became a major box office success.Daniel de Vise chronicles the lives and careers of both Aykroyd and Belushi in his recent biography, The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic. Beginning with their childhoods, the book recounts their individual comedic beginnings, explores the friendship they forged, details their joint rise to comic stardom, and culminates in an in-depth look at the making of this comedy classic.Daniel joins us to discuss not only John and Dan but also to share stories about his research and writing process. We delve into their iconic roles and the legacy of both performers—as well as that of Jake and Elwood—helping to cement what makes these two comedic legends truly unforgettable.Listen till the very end to hear how you can win an autographed copy of Daniel's book,The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic!You can also purchase a copy of here!---------------------------------Subscribe today!Follow us on social media: X (Twitter): NotReady4PTPodInstagram: notready4ptpodFacebook: The Not Ready for Prime Time PodcastContact Us: Website: https://www.notready4ptpod.comEmail: notready4ptpod@gmail.com
Ghostbuster! Beldar the Conehead! Blues Brother Elwood! The one and only Dan Aykroyd joins us. In the audio documentary Blues Brothers: The Arc of Gratitude, Aykroyd tells the story of how the band formed, how it persevered through decades of tumult, including the death of its co-founder and friend, John Belushi. Dan Aykroyd talks about the history of The Blues Brothers, the making of Ghostbusters, and so much more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Ohhhhhhhhhhhhh man... Chris doesn't want to admit it, but he loves Grosse Pointe Blank. One of the best rom-coms ever crafted, starring John Cusack, Minnie Driver, Dan Aykroyd (Chris' personal favorite), and ... others. It's a thrill ride. Enemies become friends, and friends become enemies. POPCORN!!! let's do this. Hunky hitman hooks up with honey from high school for hi-jinks and hilarity! Jumpy John's judo-ing a gentleman in the gym! Aykroyd abusers! Randy Quaid & the Star-Whackers?Minnie Driver! Jeremy gets Jameson and Cusack gets a club soda! A convincing level of guarded enthusiasm! Actio-dramedy? Extreme pipe logic, and much, much more on this week's episode of The Worst Movie Ever Made! www.theworstmovieevermade.com
Nothing But Trouble is so bizarre that it's hard to believe it exists. The brain child of Dan Aykroyd, it is a menagerie of his wildest ideas and characters. And, since he wrote, directed, and produced it, there was nobody on set with enough clout to have him rein it in a little. Ghostbusters this is not. Despite that, Aykroyd should be commended for going all in on his ideas. When your film involves a prosthetic nose shaped like the tip of a penis and two ghastly looking grown men covered in crud and oil and wearing diapers, it's clear you've committed to the bit. Nothing But Trouble is a singular vision. Whether you think it works or not—more than likely not—is up to you. Critics, for their part, hated it, sentencing it to 15% on Rotten Tomatoes. Audiences were apparently also baffled by it. Nothing But Trouble is one of the largest box office flops of all time. It grossed less than $9 million on a budget of $45 million. Hey, hey, ha! Ho ha! Heh heh heh heh! Hoola, Hoola, Hoola! The Boola Boola Boola! Look who's got the front seats to the Mexican hat dance now! Now, sit back, tour Judge Alvin "JP" Valkenheiser's house of horrors with a King Crispy Pilsner from Deschutes Brewing, and get yourself up a couple of dogs! I, the Thunderous Wizard (@WriterTLK), Bling Blake, and Chumpzilla are riding the harrowing rails of Mr. Bone Stripper! This Week's Segments: Introduction/Plot Breakdown – All they wanted was a little getaway. All they got was nothing but trouble! (0:00) Lingering Questions – Is this the oddest movie we've ever done? (35:14) The "Mr. Bone Stripper" Trivia Challenge – I challenge the field to trivia about the movie. (43:32) Recommendations – We offer our picks for the week and next up: We finish Objection! Flops with the worst gift the 90s ever gave us Pauly Shore in Jury Duty! (50:36) And, as always, hit us up on Threads, Twitter, Facebook, or Instagram to check out all the interesting factoids from this week's episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Podcasts, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, Vurbl, Amazon Music, and more!
Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the most influential sci-fi horror comedy to ever exist, "Ghostbusters". Ghostbusters is a 1984 American supernaturalcomedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. It stars Bill Murray, Aykroyd, and Ramis as Peter Venkman, Ray Stantz, and Egon Spengler, three eccentric parapsychologists who start a ghost-catching business in New York City. It also stars Sigourney Weaver and Rick Moranis, and features Annie Potts, Ernie Hudson, and William Atherton in supporting roles.Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan and Steven on their fantastic Podcast "The Talk No Justsu Podcast" https://open.spotify.com/episode/05FUyTQLzBHBjGA8EIAjRB?si=b3CkutraR-Wjj5Cr1GI0FQ
Saturday Night Live over the decades has served as a building block for comedians, using that platform as a way to get your name out there and eventually spin their popularity into other ventures. One of the earliest, and most iconic cases, being the American Classic that SNL alums Dan Aykroyd and John Belushi created with “The Blues Brothers.” A new book, by writer and journalist Daniel de Visé, gets into how Aykroyd and Belushi's kinetic, comedic energy was spun into a just as entertaining production process. Along with the film's influence on pop culture humor, it also shares how the film's appreciate of blues music is best encapsulated by its soundtrack and appearances by Aretha Franklin and James Brown. For this week's FilmWeek feature, we talk to Daniel de Visé, author of “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the making of an American Film Classic” about what he was able to uncover from revisiting this film the captured a special moment in American film and comedy.
Show Open 04.27.24 - Iconic Rock Photographer David Alexander joins us top of the show to talk taking the picture for the Eagles album cover 'Hotel California' "I was on a cherry picker on Sunset Boulevard, 60 feet above ground, and it was rush hour!"For decades, David Alexander has taken pictures for some of the most iconic album covers of all-time like Hotel California and movie posters like: The Blues BrothersHis new book is called,PICTURES OF TIME: Seeing Time … in the Ordinary World-How did he capture the Eagles Hotel California album cover shot of the Beverly Hills Hotel-His new book shows life as it is-David went to law school, graduated, and went into photography-Working with Aretha on her album cover-Working with the Blues Brothers on their iconic Movie Poster To subscribe to The Pete McMurray Show Podcast just click here
Back in 1980, I recall going to the cinema to see a new film, The Blues Brothers. Music and car chases…..what wasn't there to love? The critics hated it because….ya know….that's what they're paid to do. A few years after initial release, it became THAT cult film that everyone watched – on TV, on video or at late night cinema screenings (in Melbourne, it became an audience participation phenomenon similar to Rocky Horror). The question is how did the film get made? Welcome to episode 115 of See Hear Podcast. Kerry, Tim and I welcomed to the show journalist and author Daniel De Vise. He's written a great new book called “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic”. As the title implies, it's not just about the making of the film (although a large part of it is devoted to that subject). Daniel did extensive research to talk about the early lives and characters of Dan Aykroyd and John Belushi. They were a part of the new North American comedy movement Second City, National Lampoon and Saturday Night (later Saturday Night Live), so he writes much about those institutions. There's talk in the book about Aykroyd's love of blues and how he (and Robert Cray's harmonica player) made Belushi a blues fanatic. There's stories of 70s cinema, addiction, egos, friendship, men in bee costumes, and origin of The Blues Brothers. We were rapt that Daniel came on the show to talk about his book and about the blues, the accusations of racism thrown against the comedians who wanted to bring brilliant blues and soul musicians back to the spotlight, the comedy movement as the new rockstar, how rock musicians started taking themselves too seriously…..and a TON of other things. Yeah, we even talk about The Blues Brothers movie. The environment that led to the film is hugely important and it would be impossible to talk about it without telling the wider story as to how the film got made. Daniel has done a terrific job in doing this. I hope you enjoy listening to our conversation even half as much as we did having it. You can follow his goings on at danieldevise.com, and you can pick up the book in both physical and e-book formats wherever you usually get your reading material. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download directly from the website at https://seehearpodcast.blogspot.com/2024/04/see-hearpodcast-115-conversation-with.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Ghostbusters Frozen Empire is here, but just who is driving Ecto-1 this time around? It almost doesn't matter, because backing them up are Spies Like Us! Doctor, doctor, doctor, doctor…. #ghostbusters #frozenempire #spieslikeus #chevychase #danaykroyd #donnadixon #staypuft
The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our lives. Daniel de Visé new book is called, "The Blues Brothers"Daniel de Visé walks us through:-The beginning of the Blues Brothers characters on SNL-How Dan & John met-The 'speakeasy' bars -1978 & '79 how huge Belushi was-How Belushi almost died two different times -Aretha couldn't remember the lyrics to 'Think'-Carrie Fisher (allegedly) tripping during filming- the making of the Blues Brothers, John's drug use, and how these A-list actors & musicians came to be in the movie."They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the movie, The Blues Brothers, which hit theatres on June 20, 1980. Their mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues. To subscribe to The Pete McMurray Show Podcast just click here
(unlocked from Patreon; episode 4 of 4) Reid (@seriations) and Wendy Painting (@BirdWendy2) finish our conversation about Ghostbusters. In this episode, I go through Dan Aykroyd's career, his family history, the history of mediums, sus gurus, and the producer Ivan Reitman. Then I get into the Simon Necronomicon and the Magickal Childe bookstore and the crossover with themes in Ghostbusters. We attempt to explain the wave of films about psychics in the 1980s as part of the same rightward cultural push and attempt to vindicate the Ghostbusters EPA agent. Then, to finish, Wendy does a tarot reading for me and Reid. Full disclosure: the first reading was way too accurate and personal to leave in, though maybe I will explain it one day. Wendy Painting's Kofi: https://ko-fi.com/wendyspainting artwork by @DEEP_RED_BELLS Songs: Magic by the Cars Mind Crawler by Uncle Acid and the Deadbeats The Passenger by Iggy Pop Ghostbusters by Ray Parker Jr. Links: Patreon: www.patreon.com/ProgrammedToChill Merch: https://programmed-to-chill.myshopify.com/
"Sneakers" is to Dick Ebert as "Hackers" is to Gene Lyons. This 1992 thriller doesn't have flashy graphics, funky fashions or a techno soundtrack—but it does have Ben Kingsley, Sidney Poitier, Dan Aykroyd and Robert Redford. In loafers. With its playful tone, low barrier to entry and established cast, this gateway thriller appeals to the familiar to explain the cutting-edge. And Big D likes that. "Sneakers" also has unexpected jokes, serious schemes and nostalgic tech. And Gene Lyons likes that. But the movie isn't perfect. Among its flaws are a cavalier treatment of a superweapon, potential abuse of a blind character, unimaginative demands and a smidge too much predictability. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
Sketch comedian. Ghostbuster. Vodka entrepreneur. It's all in a life's work for the remarkable Dan Aykroyd. An original cast member of “Saturday Night Live,” Aykroyd is perhaps best known for the film franchise “Ghostbusters” in which he plays Ray Stanz, the proton pack-wearing ghoul fighter, a role that he will reprise in an upcoming sequel. He's less recognized, however, as the co-founder of Crystal Head Vodka, a globally distributed, ultra-premium spirit brand identified by its distinctive skull-shaped bottle. Launched in 2008, Crystal Head Vodka is atypical of celebrity-backed spirits in that its association with Dan is not front and center. Although he does meet-and-greet events with consumers and occasionally goes on sales calls, the brand was designed and developed to be sold on its own merits. It's a point of pride for Aykroyd who praised the company's emphasis on business fundamentals and premium positioning. In this episode, Aykroyd spoke about cutting his teeth in beverage alcohol as an importer of Patron tequila, how Crystal Head Vodka enhances its resonance with the heavy metal community, how he attempts to establish an authentic relationship with consumers, and, why, despite the company's long standing independence, he may be interested in aligning with a certain luxury-centric conglomerate. Show notes: 0:48: Interview: Dan Aykroyd, Co-Founder, Crystal Head Vodka – Aykroyd chatted with Taste Radio editor Ray Latif about Crystal Head Vodka's limited-edition "Paint Your Pride" bottle before discussing the brand's origins, the inspiration behind the skull package and its initial reception among retailers and bar directors. He also explained how he's built sustainable relationships with distributors, what makes him an effective salesman and why he believes that his celebrity has a limited impact on the brand's past and future. Later, he spoke about the delineation of roles and responsibilities among the company's ownership team and what postal work has to do with their harmonious relationship, why his friend and fellow actor Bill Murray doesn't drink Crystal Head Vodka (a sister whiskey brand is another story) and answered an infamous question with a “little g.” Brands in this episode: Crystal Head Vodka, Patron, Casamigos, Teremana
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