Podcasts about Aykroyd

Merry New Year! We're closing out season 5 with a holiday season movie. Call it a Christmas movie if you want, but this one covers the gamut from Thanksgivign though New Year's. Trading Places made stars out of some and revitalized the careers of others. Eddie Murphy, Dan Aykroyd, Jamie Lee Curtis, Don Ameche, Ralph Bellamy and more all benfitted from and helped make this John Landis film a stone cold classic. Listen for all the details, background, and awesome quotes.Murphy and Aykroyd made a fantastic comedy team. Our draft this week is our favorite comedy duos. Some have had long standing relationships; some were just together for one memorable movie. But all were hilarious. Enjoy!If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the Show

Merry New Year! We're closing out season 5 with a holiday season movie. Call it a Christmas movie if you want, but this one covers the gamut from Thanksgivign though New Year's. Trading Places made stars out of some and revitalized the careers of others. Eddie Murphy, Dan Aykroyd, Jamie Lee Curtis, Don Ameche, Ralph Bellamy and more all benfitted from and helped make this John Landis film a stone cold classic. Listen for all the details, background, and awesome quotes.Murphy and Aykroyd made a fantastic comedy team. Our draft this week is our favorite comedy duos. Some have had long standing relationships; some were just together for one memorable movie. But all were hilarious. Enjoy!If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the Show

This week, we're crossing the streams one last time as we conclude our 10th-anniversary rewatch series with the ultimate supernatural classic: Ghostbusters (1984)! We revisit the lightning-in-a-bottle chemistry of Murray, Aykroyd, Ramis, and Hudson, dissecting how their deadpan improvisational style redefined the summer blockbuster. As we close out a decade of the show by revisiting the movies that defined us, we ask the final question: Does this blend of spectral slime and sharp wit still hold up today?

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Iconic comedian, actor, and paranormal enthusiast Dan Aykroyd of Ghostbusters joins Aaron Sagers on Talking Strange to discuss the unbelievable true stories behind Season 3 of History Channel's The UnBelievable. From satanic cats to skyfalls, fire ants, and chainsaw miracles, Aykroyd dives into bizarre-but-true moments in human history that are stranger than fiction. The new season, premiering November 7 at 9/8c, explores “Strange Sightings” — from jungle apes and killer birds to mysterious clown invasions — reminding us that the world is far weirder than we think. Aaron also discusses the future of Ghostbusters with Aykroyd, and his love of old-school hosts like Rod Serling, Leonard Nimoy, and Robert Stack. Thanks to the Peppermill Resorts & Casino in Reno, Nevada, for helping sort out a place to record during Aaron's paranormal globetrotting. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Childhood Nostalgia Meets RealityKrissy Lenz and Nathan Blackwell are joined by special guest Jordan Collier to revisit the 1985 spy comedy Spies Like Us, starring Chevy Chase and Dan Aykroyd. What happens when a beloved childhood favorite gets the modern rewatch treatment? Sometimes the results are as bumbling as the protagonists themselves.The Verdict: When Memory Lane Takes a DetourOur hosts discovered that Spies Like Us suffers from an identity crisis—never quite deciding whether it wants to be silly slapstick or serious espionage. While Jordan and Nathan remembered loving the film as kids, their adult viewing revealed a movie that couldn't nail down its tone, leaving characters without clear motivations and comedy that felt more meandering than memorable. The film's training montages and "Doctor! Doctor!" scenes still delivered laughs, but the lack of genuine tension between Chase and Aykroyd's characters left much to be desired.The consensus? Spies Like Us earns a middling 5 to 5.5 missiles out of 10—a film that works better as a nostalgic memory than a current viewing experience. Sometimes childhood classics are best left in the vault of fond recollections.Additional Takeaways:The movie needed a third character to complete the comedic trioChevy Chase's character came across as surprisingly unlikable with modern eyesThe film's tonal shifts from broad comedy to serious nuclear warfare felt jarringDan Aykroyd's spy skills were inconsistent—sometimes brilliant, sometimes bumblingThe Bob Hope cameo represented the kind of absurdist comedy the film needed more ofConnect With the HostsLearn more about this show and the TruStory FM network at trustory.fm. Want early, ad-free episodes plus bonus content? Check out membership options at trustory.fm/join.Follow the podcast: Facebook | Instagram | BlueskySupport the hosts: Neighborhood Comedy Theatre | Squishy StudiosWhat's your take on rewatching childhood favorites? Do they hold up, or are some movies better left as treasured memories? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

 In this snack-sized episode, Dan revisits his conversation with comedy legend Dan Aykroyd. From managing teams on movie sets to co-founding Crystal Head Vodka, Aykroyd shares what he's learned about leadership, product design, and sales. Plus, as a lifelong risk-taker, he explains the proper way to eject from a fighter jet. A tip you definitely don't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textEver watch a movie that feels like it was built out of wild props and late-night dreams—and then realize no one bothered to build the world around it? We dive headfirst into Nothing but Trouble, tracing how a killer cast (Dan Aykroyd, Chevy Chase, Demi Moore, John Candy) and a bonkers premise wobble into an unappealing blur of gadgets, traps, and gross-out gags. From the courtroom rollercoaster and the infamous Bone Stripper to a Hawaiian Punch dinner and a cameo from Digital Underground, we break down why spectacle without stakes falls flat—and where the film accidentally shows flashes of the sharper movie it could've been.We talk tone, pacing, and the delicate math of horror-comedy: why absurdity only lands when the world has rules, how character choices give jokes friction, and what happens when you skip setup and chase set pieces. Aykroyd's judge hints at a better blueprint—a lonely showman versus a gleeful sadist—and we explore how a few structural changes could have turned Vulcanvania into a memorable cult playground rather than a cautionary tale. Along the way, we connect threads to House of Blues, appreciate the handful of precision laughs Chevy sneaks in, and call out John Candy's split roles and the film's most head-scratching creations.Then we zoom out. Gen V returns with Hamish Linklater's delicious menace, Midnight Mass gets its flowers for character-first dread, and we compare comedy fibers across The Office, Parks and Rec, The Paper, and the Frasier reboot—why some ensembles feel warm and others punch down. It all loops back to the craft: world-building is an engine; jokes and scares are cargo. If the engine sputters, nothing arrives.Stick around for a celebratory tease: next week we're queuing up Broken Arrow for Todd's birthday. Hit follow, share this with your favorite cult-cinema friend, and drop us a note—what one change would fix Nothing but Trouble? Subscribe and leave a review to help more curious listeners find the show.Written Lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Send us a textWhat happens when you take a cult classic like "The Blues Brothers," remove its electric star, add a random child, strip away all profanity, and film it entirely on sterile soundstages? You get "Blues Brothers 2000," one of the most bewildering sequel disasters in cinema history.Our deep dive into this 1998 misfire reveals how profoundly the filmmakers misunderstood what made the original special. The first film thrived on John Belushi's chaotic energy playing against Dan Aykroyd's deadpan delivery, creating an unforgettable duo wreaking havoc through gritty Chicago streets. The sequel, however, leaves Aykroyd adrift without a worthy counterpart, with John Goodman's talents wasted on an undeveloped character.We explore the bizarre studio mandates that doomed this production from the start – including the requirement for a PG rating and the inexplicable demand to add a child character who disappears from the narrative for stretches at a time. The musical performances, while featuring legendary talents like Aretha Franklin and Erykah Badu, feel disconnected from the story, lacking the organic integration that made the original's numbers so memorable.The film's most unintentionally hilarious moments deserve special attention: a car that drives underwater while characters casually converse, a face covered in shaving cream somehow functioning as a disguise, and a bizarre voodoo sequence where the characters become zombies for no discernible reason. These elements combine to create what we dubbed "the most sanitized movie ever made" – a sequel that strips away everything edgy and authentic about its predecessor.Whether you're a Blues Brothers devotee still nursing wounds from this sequel or someone who's never experienced either film, our breakdown will have you laughing at the absurdity while appreciating why the original remains a beloved classic. Subscribe now for more deep dives into films that miss the mark in spectacular fashion!Written lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Join Chevy Chase and Dan Aykroyd on a bumbling Cold War mission in Spies Like Us! We break down the laughs, the cameos, and the chaos Our country sends nothing but the best of the best in espionage when fighting for the freedom of our country. And also decoys who are expendable. Let's see which ones Austin Milbarge and Emmet Fitz-Hume are as we check out this classic John Landis movie.  News A moment of silence for any bunnies harmed during last week's magic episode.   Dial-up internet rides off into the sunset. Time to finally toss that modem.   Star Wars: A New Hope returns to theaters for its 50th anniversary celebration.   Remembering Apollo 13 commander Jim Lovell, who passed away at age 97 on August 8, leaving behind a legendary spaceflight legacy.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua has been having fun with the reality-bending, body-swapping comedy of Freakier Friday, a quirky take on the classic genre. Jay, on the other hand, has been exploring the ghostly past of Maryland on a guided tour through its haunted history.      Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay revisits Edge of Tomorrow, a clever blend of science fiction, action, and dark humor; breaking down its themes of persistence, time loops, and unexpected heroism. Read Jay's full breakdown on RetroZap.com. Also check out his latest work on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Movies!  This week, we head back to the Cold War comedy days of Spies Like Us (1985), directed by John Landis and written by Dan Aykroyd, Lowell Ganz, and Babaloo Mandel. Inspired by the Hope/Crosby “Road” pictures, the film takes a satirical jab at espionage and military absurdities of the Reagan Era. Aykroyd and Chevy Chase play bumbling “spies” who are unwittingly used as decoys in a high-stakes mission to distract the Russians, only to accidentally stumble into the real operation and prevent World War III. We break down the story, the scathing humor, and the long list of cameos, from Frank Oz and Bob Hope to filmmakers Sam Raimi, Terry Gilliam, and Ray Harryhausen. We also compare Austin Milbarge and Emmett Fitz-Hume against our secret agent bracket from a few weeks back to see how they stack up in spy cinema history. Are you a spy, like them? Do you still like the 80s political satire? First person that emails me with the subject line, “Doctor!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com   

Welcome Back B-oo's Crew! This week we are headed to Hollywood, CA for something a little different. We often tell tales of haunted locations and famous family hauntings, but it turns out even the celebrities aren't safe from paranormal. From Joan Crawford of old Hollywood fame to Burt Reynolds and Dan Akyrod in 70's and 80's, all the way up to the modern day. Join as we take an inside look into some of Hollywood's elite's and the stories they have told through the years. Get ready B-oo's Crew cause this one will be famously spooky.Do you have a story you'd like read or played on the show? Are you part of an investigation team that would like to come on and tell your story and experiences? Maybe you have a show suggestion! Email us at fortheboos12@gmail.com Follow us on Twitter @fortheboosAnd on Instagram @forthboos-podcastFollow us Tik Tok @fortheboos_podcastHelp support the show on Patreon for early access ad free shows and an exclusive patreon only podcast!patreon.com/fortheboos_podcastYou can also find us on Facebook at For The BoosAnd on YouTube at For The BoosRemember to Follow, Subscribe, and Rate the show...it really does help!For The B-oo's uses strong language and may not be suitable for all audiences, listener discretion is advised!https://linktr.ee/fortheboos Sources for this episode: ·       Joan Crawford's Haunted Mansion: Numerous accounts of Joan Crawford's belief that her home was haunted can be found in interviews and in literature such as "Haunted Hollywood" by Tom Ogden and in Christina Crawford's memoir "Mommie Dearest." Christina herself has spoken about unexplainable activity in the Los Angeles mansion (see Ogden, T., "Haunted Hollywood," 2012; Crawford, C., "Mommie Dearest," 1978). ·       Miley Cyrus and the London Ghost: Miley Cyrus described her haunted London apartment experience in a 2013 interview with Elle UK, recounting the apparition in Victorian attire and the chilling atmosphere ("Miley Cyrus Interview," Elle UK, June 2013). ·       Dan Aykroyd's Spiritual Encounters: Dan Aykroyd has freely discussed his family's spiritualist beliefs and ghostly experiences in his home in interviews, including with Esquire (2013) and SyFy Wire (2018). These anecdotes are also referenced in his introduction to "A History of Ghosts" by Peter H. Aykroyd (Aykroyd, D., Esquire interview, 2013; Aykroyd, D., SyFy Wire, 2018; Aykroyd, P.H., "A History of Ghosts," 2009). ·       Lucy Hale's Nashville Hauntings: Lucy Hale opened up about paranormal events in her Nashville home during a 2018 appearance on "The Kelly Clarkson Show" and in multiple interviews with People magazine (People.com, “Lucy Hale's Ghost Story,” October 2018; "The Kelly Clarkson Show," 2018). ·       Matthew McConaughey and ‘The Haunting': McConaughey discussed his ghostly encounters while filming in England in an interview with Contact Music, as well as in stories collected by horror and celebrity news outlets (Contact Music, "Matthew McConaughey Haunted," November 2001; HuffPost, “Matthew McConaughey's Haunted House Story,” 2013).#paranormal #ghost #haunted #ghosts #paranormalactivity #horror #creepy #paranormalinvestigation #scary #spooky #ghosthunting #spiritual #supernatural #ufo #halloween #spirit #spirits #ghosthunters #podcast #paranormalinvestigator #terror #ghoststories #hauntedhouse #aliens #haunting #alien #supranatural #pengasihan #ghosthunter #ghostadventures s 

The beloved Blues Brothers universe will come roaring back to life over the next few years with forays into television, film, live events, music and much more with the first IP offering being a brand new original Graphic Novel: THE BLUES BROTHERS: THE ESCAPE OF JOLIET JAKE. Written by Stella Aykroyd, Luke Pisano and James Werner with artist Felipe Sobriero, The Blues Brothers: The Escape of Joliet Jake is both a love letter and sequel to the original Blues Brothers film. With editorial oversight by Dan Aykroyd, the utmost care has been taken to ensure this new chapter is true to the classic skits, legendary film, and iconic albums. The result is a wild and entertaining ride for both the longtime fans, and those new to the world of Jake and Elwood Blues. This project was originally conceived with the architect of The Blues Brothers, Judy Belushi Pisano, who sadly passed away during this book's production.Luke Pisano shares "The Blues Brothers weren't just a SNL act or movie, they were real musicians, in awe of the legends who came before them. This book is a continuation of that labor of love. This book is dedicated to my mother, Judy Belushi Pisano - the widow of John Belushi and the fierce, loving steward of the Blues Brothers legacy for over 40 years. After John's passing, she didn't just preserve the story-she expanded it. With the team at Z2, and with the talents of Stella and James, we finally found the right partners to make that dream turn reality. I am proud-and humbled-to continue her work in expanding this world of fun, music, and mischievousness.""It makes complete sense to me that the new generation of Blues Brothers will begin in comic book form, where the possibilities for destroying police cars is infinite, physics have no bounds, and the potential for jam partners is off the charts." James Werner points out. "The Blues Brothers universe is full of music and absurdity. Jake and Elwood are FINALLY reuniting , and I am forever grateful that Luke and Stella have asked me to join the band."Stella Aykroyd adds "Elwood and Jake are precious to me, in fact, one of them is actually my Dad. I've helped him sharpie ELWOOD onto his knuckles before Blues Brothers shows with 'Brother Zee', I've walked behind him as he's made his way through a sea of fans dressed as Elwood and Jake all over the world and I've been his co-pilot on the road, where he's explained to me the proper way to T-bone a car. Now, with Elwood, and the one and only 'Sister Zee', Judy Belushi's blessing, Luke, James, and I take the wheel and swerve into the endless possibilities that Z2, Felipe Sobreiro, and the comic book world provide for Jake and Elwood. In many ways the antics we've seen from the Blues Brothers have always been perfectly suited for the comic strip; flying cars, supernatural nuns, dusting an entire apartment building worth of bricks off your shoulders, and now Felipe Sobreiro's illustrations bring them to life once again. Our development process was guided and inspired by the stories and real life occurrences from the lives of Judy, John, and Dan and their process of conception of the Blues Brothers and using it not only for easter eggs but for plot points. I am so excited to share this whole new story with all our music loving anarchists."Lastly, Z2 President, Josh Bernstein adds "The Blues Brothers are comedy, pop-culture and musical royalty. Z2 is proud to expand the creative universe built by Dan Akyroyd, John and Judy Belushi-Pisano and welcome new band members: Luke, Stella and James. When you mix their story with the art of Brazilian Blues Brother, Felipe Sobreiro, fans of all ages will be delighted with the epic return of Jake & Elwood Blues. (We apologize in advance to the fine men and women of the Chicago Police Department.)"THE BLUES BROTHERS: THE SCAPE OF JOLIET JAKE will be available for pre-order via Amazon, Barnes and Noble, as well as many other fine independent book, comic, and record stores.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The beloved Blues Brothers universe will come roaring back to life over the next few years with forays into television, film, live events, music and much more with the first IP offering being a brand new original Graphic Novel: THE BLUES BROTHERS: THE ESCAPE OF JOLIET JAKE. Written by Stella Aykroyd, Luke Pisano and James Werner with artist Felipe Sobriero, The Blues Brothers: The Escape of Joliet Jake is both a love letter and sequel to the original Blues Brothers film. With editorial oversight by Dan Aykroyd, the utmost care has been taken to ensure this new chapter is true to the classic skits, legendary film, and iconic albums. The result is a wild and entertaining ride for both the longtime fans, and those new to the world of Jake and Elwood Blues. This project was originally conceived with the architect of The Blues Brothers, Judy Belushi Pisano, who sadly passed away during this book's production.Luke Pisano shares "The Blues Brothers weren't just a SNL act or movie, they were real musicians, in awe of the legends who came before them. This book is a continuation of that labor of love. This book is dedicated to my mother, Judy Belushi Pisano - the widow of John Belushi and the fierce, loving steward of the Blues Brothers legacy for over 40 years. After John's passing, she didn't just preserve the story-she expanded it. With the team at Z2, and with the talents of Stella and James, we finally found the right partners to make that dream turn reality. I am proud-and humbled-to continue her work in expanding this world of fun, music, and mischievousness.""It makes complete sense to me that the new generation of Blues Brothers will begin in comic book form, where the possibilities for destroying police cars is infinite, physics have no bounds, and the potential for jam partners is off the charts." James Werner points out. "The Blues Brothers universe is full of music and absurdity. Jake and Elwood are FINALLY reuniting , and I am forever grateful that Luke and Stella have asked me to join the band."Stella Aykroyd adds "Elwood and Jake are precious to me, in fact, one of them is actually my Dad. I've helped him sharpie ELWOOD onto his knuckles before Blues Brothers shows with 'Brother Zee', I've walked behind him as he's made his way through a sea of fans dressed as Elwood and Jake all over the world and I've been his co-pilot on the road, where he's explained to me the proper way to T-bone a car. Now, with Elwood, and the one and only 'Sister Zee', Judy Belushi's blessing, Luke, James, and I take the wheel and swerve into the endless possibilities that Z2, Felipe Sobreiro, and the comic book world provide for Jake and Elwood. In many ways the antics we've seen from the Blues Brothers have always been perfectly suited for the comic strip; flying cars, supernatural nuns, dusting an entire apartment building worth of bricks off your shoulders, and now Felipe Sobreiro's illustrations bring them to life once again. Our development process was guided and inspired by the stories and real life occurrences from the lives of Judy, John, and Dan and their process of conception of the Blues Brothers and using it not only for easter eggs but for plot points. I am so excited to share this whole new story with all our music loving anarchists."Lastly, Z2 President, Josh Bernstein adds "The Blues Brothers are comedy, pop-culture and musical royalty. Z2 is proud to expand the creative universe built by Dan Akyroyd, John and Judy Belushi-Pisano and welcome new band members: Luke, Stella and James. When you mix their story with the art of Brazilian Blues Brother, Felipe Sobreiro, fans of all ages will be delighted with the epic return of Jake & Elwood Blues. (We apologize in advance to the fine men and women of the Chicago Police Department.)"THE BLUES BROTHERS: THE SCAPE OF JOLIET JAKE will be available for pre-order via Amazon, Barnes and Noble, as well as many other fine independent book, comic, and record stores.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Stella Aykroyd (daughter of Dan) and Luke Pisano (son of the late Judy Belushi Pisano) bring us the new graphic novel "Blues Brothers: Escape of Joliet Jake."

Join us for an insightful and wide-ranging conversation with Dave Gordon—veteran writer, editor, communications strategist, and host of the acclaimed Insights and Influence podcast. With over 25 years in media, Dave has published thousands of pieces across politics, travel, business, arts, lifestyle, and beyond. He's interviewed icons like Gene Simmons, Dan Aykroyd, Rick Moranis, Matisyahu, Isiah Thomas, and Kiefer Sutherland, and his byline appears in top publications including:

Kevin Tankersley is in the host seat for this weeks Likely Stories. Behind the music, the comedy, and the car chases, The Blues Brothers was a passion project fueled by friendship. The Blues Brothers: An Epic Friendship explores the rise of Belushi and Aykroyd, the film's impact, and the legends it helped reignite.

The movie you're making us watch today is The Great Outdoors (1988)! This classic John Candy and Dan Aykroyd comedy throws us into a vacation from hell, complete with bear attacks, speedboat mishaps, and Aykroyd's relentless one-upping. But this time, we're not watching alone—our guest and good friend Haig chose this movie, so you can blame him for all the 80s nostalgia, dad jokes, and questionable vacation planning. Does The Great Outdoors still hold up, or is it just another relic of its time? Grab a plate of Old 96er and join us as we break it all down!Message us DIRECTLY to tell us how much you hated this episodeSupport the showFOLLOW US: INSTAGRAM - @MMwM_podcast TIKTOK - @MMwM_podcast YOUTUBE - @MMwM_podcast ALSO: @anthony_eslami @goldenroad85 @_schwizzyy_

Danielle Aykroyd is a singer-songwriter and multi-instrumentalist who performs under the name Vera Sola. Sometimes called the "lost love child of Leonard Cohen and Nancy Sinatra," Vera Sola's smoky vocalization and searing, soaring songs have a cinematic aspect to them, and would feel equally at home in a David Lynch film or a prairie full of phantoms. A trained poet, her lyrics are twisting and imagistic, marked alternatively by restrained mystery and a resplendent, wild-eyed rage.Her 2018 debut LP, Shades, which she plays every instrument on, is a study in shadowy Americana and mesmeric incantation. Her sophomore album of 2024, Peacemaker, is a more expansive extravaganza with lush orchestration, dark dreamscapes, and tales of vengeance, heartache, and haunting. Vera Sola's new EP, Ghostmaker is a pared-down resurrection of Peacemaker tracks, and features a brand new song, “The Ghostmaster's Daughter.”On this episode, Danielle discusses howspirits guide her music, her relationship to ghosts, and the liberating power of finding her voice.Pam also talks about the feminist history of Spiritualism, and answers a listener question about a precarious prediction. Vera Sola's songs featured in the audio version of this podcast episode are as follows:“Circles” from Shades“Bad Idea” from Peacemaker“The Ghostmaster's Daughter” from Ghostmaker“Blood Bond” from Peacemaker“Instrument of War” from PeacemakerCheck out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Mithras Candle, BetterHelp, Black Phoenix Alchemy Lab, and Dear Antigone.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

We were all set to record an episode about Dan Aykroyd this week, and then Tom got to talking about a magic show he went to and well, that just led to more talk about other magic shows we've been to and, long story short, this episode is about magic shows. Our sincere apologies to Mr. Aykroyd.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For Saturday Night Live's 50th anniversary, we're featuring interviews with some of the early cast members/writers. Dan Aykroyd talks about the moment he and John Belushi came up with the Blues Brothers. Writer Alan Zweibel talks about working with Gilda Radner on two of her most iconic characters. And Al Franken tells us about a sketch he wrote that didn't make it past the censors. Jon Lovitz tells Terry how his character Master Thespian came to be. Also, film critic Justin Chang reviews The Annihilation of Fish, a romantic comedy starring James Earl Jones, Lynn Redgrave and Margot Kidder, made in 1999 and released now for the first time. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For Saturday Night Live's 50th anniversary, we're featuring interviews with some of the early cast members/writers. Dan Aykroyd talks about the moment he and John Belushi came up with the Blues Brothers. Writer Alan Zweibel talks about working with Gilda Radner on two of her most iconic characters. And Al Franken tells us about a sketch he wrote that didn't make it past the censors. Jon Lovitz tells Terry how his character Master Thespian came to be. Also, film critic Justin Chang reviews The Annihilation of Fish, a romantic comedy starring James Earl Jones, Lynn Redgrave and Margot Kidder, made in 1999 and released now for the first time. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

I talk to Danielle Aykroyd about her family's involvement in spiritualism, and growing up in a home where the paranormal is just normal. For the full episode, sign up for the Otherworld Patreon Danielle Aykroyd, also known by her stage name Vera Sola, is a singer-songwriter, poet, and multi-instrumentalist. She is the daughter of the actor and comedian Dan Aykroyd who came from a long line of spiritualists. His family was heavily involved in the movement and the movie Ghostbusters was actually based on the experiences of his great grandfather.  His great-grandfather, Samuel Augustus Aykroyd, was a dentist and an avid spiritualist who held séances at the family home in Ontario, Canada. He was deeply interested in communicating with spirits, which was a popular practice during the late 19th and early 20th centuries. Samuel Aykroyd even kept detailed journals documenting his experiences and beliefs. If you want to hear the entire interview, it's out now on the Otherworld Patreon. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This year marks the 50th anniversary of “Saturday Night Live” – and while many of the “Not Ready for Prime Time Players” have gone on to achieve remarkable careers, few have had as fascinating a journey as Dan Aykroyd's. As the youngest member of the 1975 original cast, Aykroyd quickly became known for his iconic sketches, including parodies of Julia Child and Richard Nixon, the beloved “Two Wild and Crazy Guys,” and the absurd “Bass-o-Matic.” His sketch “The Blues Brothers” not only became a cultural touchstone, but evolved into successful feature films and a live musical act. Aykroyd's talents also extend to behind the camera, as he wrote and starred in the comedy classics “Dragnet,” “Coneheads,” “Spies Like Us” and “Ghostbusters.” Aykroyd's career has earned him numerous accolades, including an Emmy Award and Grammy and Academy Award nominations. He is also an entrepreneur and co-founder of the House of Blues music venues and Crystal Head Vodka. In this conversation, host Alec Baldwin speaks with Aykroyd about the early days of “SNL,” the evolution of his career into music and dramatic roles, and how his upbringing helped shape the creation of “Ghostbusters.”See omnystudio.com/listener for privacy information.

John Belushi and Dan Aykroyd were at the forefront of American comedy in the late 1970s and early '80s. Emerging from The Second City, they both joined the original cast of the Not Ready for Prime Time Players as Saturday Night Live was being formed in 1975. On that show, they helped redefine television comedy and ushered in a new era of revolutionary satire. By 1979, they had a #1 hit record with their band, The Blues Brothers, and a year later, they released a motion picture about the characters, which became a major box office success.Daniel de Vise chronicles the lives and careers of both Aykroyd and Belushi in his recent biography, The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic. Beginning with their childhoods, the book recounts their individual comedic beginnings, explores the friendship they forged, details their joint rise to comic stardom, and culminates in an in-depth look at the making of this comedy classic.Daniel joins us to discuss not only John and Dan but also to share stories about his research and writing process. We delve into their iconic roles and the legacy of both performers—as well as that of Jake and Elwood—helping to cement what makes these two comedic legends truly unforgettable.Listen till the very end to hear how you can win an autographed copy of Daniel's book,The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic!You can also purchase a copy of here!---------------------------------Subscribe today!Follow us on social media: X (Twitter): NotReady4PTPodInstagram: notready4ptpodFacebook: The Not Ready for Prime Time PodcastContact Us: Website: https://www.notready4ptpod.comEmail: notready4ptpod@gmail.com

We're back with a new episode of the SNL Hall of Fame Water Cooler. This week Joe, Shari, and jD discuss this weeks episode of the SNL Hall of Fame. Transcript: Track 1:[0:20] Hey, it's JD here, and welcome to the SNL Hall of Fame Water Cooler. I am JD, and I'm thrilled to be here with you this week and every week. But I'm more excited to be hanging out with Joe and Shari because they've done such a great job the last few weeks. So, Joe, how are you doing today?Track 2:[0:42] I'm doing great. How are you doing?Track 1:[0:45] I'm actually pretty darn good. The sky is blue and there's clouds. I took the dogs to the beach today for a nice walk. So it's been a good time.Track 2:[0:57] Okay.Track 1:[0:58] Shari.Track 3:[1:00] Hello. How about you? I'm doing really well, thanks.Track 1:[1:05] Are you ready to talk about Saturday Night Live, guys?Track 3:[1:08] Absolutely. Absolutely.Track 2:[1:09] We got a great subject this week.Track 1:[1:11] We do have a good subject. We are talking all about Garrett Morris.Track 2:[1:17] Yes.Track 1:[1:19] Shari, do you want to start with a brief recap of the actual episode?Track 3:[1:26] Oh, certainly. It was a fun one. Thomas was joined by the fabulous Darren Patterson from the podcast SNL Nerds, which if you haven't listened to it out there in SNL podcast land, It is a fabulous podcast. They break down episodes of Saturday Night Live and in the summer and during the off times, they do movies and other topics. They just did a great interview with a crew member who does one of the film units. So really excited to have Darren. And Darren is a fountain of knowledge and he's bringing that knowledge to discuss Garrett. And making a lot of good points about Garrett's involvement in the show, how he was often a little bit taken for granted, but he was a very much an in the clutch player. And I think there makes a very good case. And Thomas backs him right up, adding that Garrett's also one of the very best singers of all of the cast.Track 2:[2:26] I learned that from the podcast.Track 3:[2:30] Yeah, I wasn't really aware of that either. Oh, he was a fantastic singer. I actually watched the episode that he was most known for where he sang a song. And he's incredible. I mean, he's an operatic Juilliard-trained singer. And you can hear it.Track 1:[2:50] Wow.Track 3:[2:51] So that's the episode. And it was a good one. And Darren made a lot of great points, as did Thomas, as always.Track 1:[2:58] Joe, what do you think of Garrett Morris as a whole? Do you think he's somebody who is...Track 2:[3:09] Now, anyone who's in that first five years, I feel deserves at least special consideration for being in the Hall of Fame. And especially since Garrett was in all five years of the first five. and the thing is uh you'll hear this a lot it was mentioned on the podcast and you'll hear it today he was very underused now i just want to also point out that he was in all five years, however dan akroyd john belushi they weren't they left uh before season five that's right but But they each got best of DVDs. And Garrett did not. So that just shows you how underused. And I feel like people, when you go out and vote, I really suggest that you give him a second look because I believe he really is talented and underappreciated.Track 3:[4:10] It's interesting to think of somebody being underappreciated and yet part of that pioneering first cast that's uh very interesting to me um especially.Track 1:[4:25] Because he stood out he stood out because the rest of the cast was very white and he was not and a lot of the jokes and and themes of his sketches were racially charged in like a in a great way.Track 3:[4:43] Yes yes agreed in an appropriate way yeah definitely i don't know that you could do it now there'd be too too much sensitivity i think, but um it was hard hitting at the time for sure i mean it was something worth addressing, yeah yeah the white guilt relief fund that i know they oh my god and i watched that a couple of times it's unfortunately edited way down and it's not that long to begin with but the part I saw was just it's a riot and that was really really edgy for 70 was it 77 yeah they weren't talking about that, They weren't talking about the book. It was a hot topic when Saturday Night Live started. Yes.Track 2:[5:28] So, I mean, that's just worth mentioning that he had to tackle a subject that was very taboo. And he had to do it pretty much, I don't want to say all by himself, I'm sorry to all the writers, but he was the only one to represent the show. There wasn't any other African-American cast members.Track 3:[5:44] It was just him.Track 2:[5:45] And he had to tackle a very hot-button issue.Track 1:[5:48] You i don't even know and this would be something if you know this send us an email uh snl hof watercooler at gmail.com and let us know if and if if shari or joe you know this like let me know but i don't know that there were any african-american uh or or any minorities, as part of the writing staff.Track 3:[6:16] I'm so positive there was not.Track 1:[6:20] So he would have been somebody looking for his own, he would have been somebody looking for his own voice, you know?Track 3:[6:26] And not only that, J.D., but he was also, as they brought up in the podcast, and it hasn't been brought up, anyone talking about Garrett on the show, he was many years older than all of them. And he was the only one who wasn't from a stand-up or an improv background.Track 2:[6:45] Excellent point.Track 3:[6:46] Which they also talked about, Darren and Thomas also talked about. He was a straight-up actor and musician. He'd come off the Belafonte Singers. And Lauren was interested in him because of his playwright experience, apparently. Which I didn't realize I learned that on the podcast. Because, you know, Thomas does his homework.Track 2:[7:08] Kevin, that background is unique for Saturday Night Live just in general. That's very unique. Usually you come from Second City, Groundlings, Stand Up, and I know it's very rare not to come from one of those.Track 3:[7:26] Yes.Track 1:[7:28] Yeah, it would be interesting to see a list of people that are, and I suspect it would be very short.Track 3:[7:34] Pie graph.Track 1:[7:35] Pie graph, yeah.Track 2:[7:37] I mean, it would be a very thin slice.Track 3:[7:39] Yeah, when I hear, because I listen to Fly on the Wall, which I'm sure a lot of our listeners do, And they talk a lot about how it was pretty divided between improv and stand-up, with the bulk being improv. I didn't even hear them discuss any that had, like, theater or serious acting background. They all came from one of the two comedy tracks. So that makes him very unique. If I were to guess.Track 2:[8:09] I would say that, like, Michael McKean or maybe Robert Downey Jr.Track 3:[8:14] True, true. you know like the whole season 11 cast it wouldn't be a long list yeah agreed, yeah I like that Thomas and Darren talking about how he.Track 1:[8:29] May be the best singer because.Track 3:[8:32] I you know like there's some strong singers that have been on the show like.Track 1:[8:35] I think of Chloe Trost right now.Track 3:[8:37] Yes but Garrett Broser why is John Lewis but I don't want to get off topic. But Garrett is a classically chained operatic singer.Track 1:[8:53] That's nuts.Track 3:[8:54] He went to freaking Juilliard. It's crazy. And like opera and comedy.Track 2:[9:00] Those can go together. I mean, if Bugs Bunny has taught me anything, it's that opera and comedy is funny. And they could have used that in multiple ways.Track 1:[9:15] Well, tell us.Track 3:[9:16] I mean, like, opera.Track 2:[9:18] They could have tackled news stories. They could have been a Weekend Update character is an opera man.Track 3:[9:24] I mean, right there. Yeah, Gers could have actually sang opera.Track 2:[9:28] Yeah, I mean, yeah, where you get an opera singer, you got M. Chandler, who did it ironically, you know? Or you could, I mean, look at, I mean, he could have just sang funny songs. I mean, look at Weird Al. I mean, that's a whole genre is.Track 3:[9:42] Like, a funny song.Track 2:[9:45] You have this classically trained singer, and that could have been a whole segment. It could have been his reoccurring character.Track 1:[9:54] Yeah, I agree.Track 2:[9:57] So basically, the whole theme of Garrett Morris or this episode is how underly appreciated he was.Track 3:[10:05] And yeah, if you listen to the other podcasts, they pretty much list the best of.Track 2:[10:10] If not, pretty much the best of everything that he did.Track 3:[10:15] And right there that should if you're gonna vote for him uh it should be off of those, and like even with the douchebag skit yeah or sketch sketch i got it right on my hand he only had one line in it and he delivered it on a bullseye yes so you have the whole grand finale uh sketch where you got all the cast members here we share bill murray everyone doing the last sketch of the last five years and only give Garrett Morse one line and I'll be damned if it's the most memorable line and not only that that's the one they always use in the clip shows of like all the anniversary shows yes I agree and that is the point that Darren and Thomas made even though he's not on screen as much and he doesn't have as many lines when he has a line or he has a bit, it is very memorable. Like we're talking about him now and that was, 50 years ago, almost. 50 years ago? Yeah, coming out. He was definitely memorable.Track 1:[11:22] Yeah.Track 2:[11:23] And then, also in that superhero sketch, he played Ant-Man. Didn't have that much lines, but was memorable enough for them to reference it in the Paul Rudd movie. So, you know, he had just a couple lines. It was like, oh, wait, yeah, that's right. Garrett Morris played him back in the 70s.Track 3:[11:46] He probably had three lines.Track 2:[11:48] And it was rememberable enough to be in a Marvel movie.Track 1:[11:53] That's hilarious.Track 2:[11:57] So, I mean, he's a scene stealer.Track 3:[11:59] Yeah, and his new president of the New York School for the Hard of Hearing, that's in every clip show they do. It's so, so funny. Again, you can't really find a lot of his most memorable stuff online. line, and I could only find one of those. I wish I'd been able to watch more. I was just saying I wish I'd been able to find more of those hard-of-hearing sketches, or bits on Weekend Update, because they were so funny, but I could only find one.Track 1:[12:31] You guys have Peacock, right?Track 3:[12:33] Absolutely.Track 1:[12:34] See, we don't have Peacock in Canada. So I don't have access to just dial back into a... I've got a whole bunch on my hard drive, like but there's a lot of them that are dud episodes.Track 3:[12:50] Okay. The character is so rememberable that they did it verbatim with Garrett Morris on Family Guy. Really? Yeah, they just, they had him come on and do that.Track 2:[13:03] Like, that's how rememberable that character or that sketch was.Track 1:[13:10] That's fascinating.Track 3:[13:12] Yeah, it's a classic.Track 1:[13:13] It really has permeated pop culture in a way that not every star or performer on the original cast did necessarily.Track 2:[13:28] Here's another way he was remembered. I just came up with this off the top of my head. Robert Smigel for the 25th anniversary show. He did a joke about how Lorne Michaels was making merchandise based on the show.Track 3:[13:41] He had the Dennis Miller talking doll he had conehead suppositories and then he also had I forget the character's name but very very good drink, Chico Azuela Chico Azuela very very good drink so again another character that wasn't used that much but was rememberable enough to be referenced in the 25th anniversary cartoon, wow Wow.Track 1:[14:12] I mean, Darren mentions him as an unsung hero.Track 3:[14:19] I agree. 100%.Track 1:[14:21] Right? Yeah.Track 3:[14:25] In the documentary, Saturday Night Live.Track 2:[14:29] The first five years, even Al Franken said that he saw Garrett in a sketch performing. And while Al Franken was on stage watching Garrett perform, Al Franken was having this realization like, oh my God, we should use this guy more. Just like year four, we just had this realization now?Track 3:[14:51] Are you joking?Track 2:[14:54] In the documentary. I mean, I remember it was Al Franken that said it. It was the show, I don't know which basketball player.Track 3:[15:01] But the sketch was the basketball player.Track 2:[15:06] The host, was sneaking around playing on a basketball team and Garrett Morris played his mom. And he was playing this mom character so well that Al Franken had a realization that, like, this guy is good. And I'm realizing this in year four?Track 1:[15:24] I'm telling you, a big part of it would have been that he would have been writing for himself.Track 3:[15:31] Right. There was nobody.Track 1:[15:32] And, sorry, Shari.Track 3:[15:34] No, you're absolutely right, JD. he was he was there on his own and they talk a lot about how important it is for cast members to find a writer who gets them yeah and garrett didn't have that there was nobody who exactly got him both because of his age because of his race obviously and because he was coming from a less comedic background and nobody could hook into that but imagine if they They could have hooked into that. Imagine if Franken had realized the things that could have happened. They could have done some really amazing things.Track 1:[16:12] I think so, too.Track 2:[16:13] Plus, it seemed like people paired up better or they didn't pair up with them. Like, obviously, Ackroyd and Belushi paired up. The girls kind of lumped together. And Ackroyd and Curtin did stuff on Weekend Update.Track 3:[16:31] And I, you know.Track 2:[16:33] It's worth pointing out that Garrett wasn't an update host.Track 3:[16:37] I think everyone else was, except for Belushi, but not him.Track 2:[16:45] He probably would have appeared out better if he was an update host with someone.Track 3:[16:51] I also find it interesting, speaking of Jane and Lorraine, I also find it interesting that Jane got in first ballot because I was looking at our current Hall of Fame, who's already in, and I thought it was interesting that the three that I feel get at the case made that they were underutilized are Jane, Lorraine, and Garrett.Track 1:[17:13] That's right.Track 3:[17:14] And Jane got in first ballot, which I was amazed because I voted for her, but she's not as well known for being on SNL as Belushi or Aykroyd or Murray. So I was happy to see her get in. I'm very sad that Lorraine's still not in. And I feel like, I fear that Garrett's going to have that same fate because people, as I said, have kind of short memories. and I really urge you to look at his stuff and vote for him if you truly believe he does but I really want to, urge people to vote for him and I want to campaign for him because he really was talented and even though he didn't have that much stuff the stuff that he did have is worthy of everyone else that's already in there, A hundred percent agree. And I also want to suggest something to you two and to anybody, any listener out there. I found his ceremony for getting his star on the Hall of Fame, the Hollywood Walk of Fame, rather.Track 3:[18:29] And it's very it's very basic like i love how bare bones it is they're in a little shelter because it was raining and they're just on the hollywood walk of fame having this ceremony it's not fancy there's not a lot of fancy camera work and garrett gives like a 20 minute speech about his career and it's fascinating stuff it's really fascinating i didn't know how much he had done And he talks a lot about his beginnings, how he was homeless for some time. So I really urge people to check that out to get a full picture of this gentleman's career, because it is really pretty amazing.Track 1:[19:10] The burden of voting is a lot. You know, you're sort of expected to have listened to the nomination episodes. episodes, and then now you're listening to Water Cooler, where we're going to remind you even more. And it's interesting. Shari, you mentioned Lorraine. She, last year was her first year on the ballot, and she got 38%. So using that as an over-under number, Where do you think Garrett will land voting-wise?Track 3:[19:48] I feel like Garrett's going to be right there with her, maybe right around 37%, 38%. It's going to be real close.Track 1:[19:58] So right around the same.Track 3:[19:59] I think so.Track 1:[20:00] How about you, Joe?Track 2:[20:02] Sadly, and this breaks my heart.Track 3:[20:05] And I hope I'm wrong, but he might be in the 20% because he's not recognizable as some of the other people and it's hard to research him and, he just doesn't have that much stuff out there and I don't want people thinking he should just get in just because he's in the first five years. I want him to get in because of the stuff that he did in the first five years.Track 2:[20:33] But if you're asking me what his percentage is, it's probably going to be low because he doesn't have that much stuff out there.Track 1:[20:40] Do you think it'll be lower than Lorraine then?Track 2:[20:43] It breaks my heart, but if I was to go above or below Lorraine, it breaks my heart, but I'm probably going to say below. It breaks my heart, though.Track 3:[20:55] I think he's a little above Lorraine because he's been in the public eye and people know him more where she's not been in a lot of things. And he's been around, so people know him. People watch Two Broke Girls. People rock some of his stuff. So I think he's going to at least be the same or a tiny bit higher.Track 1:[21:19] Well, I wonder how much influence the fact that it's the 50th anniversary this year and will be, whether or not they revisit previous things on the show. You know, there's going to be the 50th anniversary show. I suspect it's going to be with the movie. It's going to be more in people's minds. So I wonder if that'll have any impact on voting.Track 2:[21:47] That's a worthy point. And it probably will on some people.Track 3:[21:53] And hopefully it'll have an impact on Garrett.Track 1:[21:56] Yeah, that's what I mean, mainly.Track 2:[21:58] I agree. I'm agreeing with you, yeah.Track 3:[22:00] And I've heard the, I just read a Rolling Stone article just before I came on with you two, that they had seen it at the Telluride and it was a bit of a review. And they mentioned Lamorne Morris's, performance as garrett and it was one of the things they pointed out in the article so that that might give garrett a little push it's that performance is getting a lot of talk and uh that will put garrett back in people's consciousness which is a great okay yeah maybe he will be uh equal or above lorraine oh i could you're starting to sway me well i i wonder what What Lorraine will get in terms of a bump this year. Right.Track 2:[22:44] Like whether it's going to go down or up.Track 3:[22:47] I feel like I've been hearing more about Lamorne's portrayal than I've heard about. I can't even remember the actress who's doing Lorraine. Lamorne's been getting a lot of positive buzz. And I've heard he just nails it. Well, I've got a ticket to see it at the Toronto International Film Festival. Oh, so jealous. Alas.Track 1:[23:09] Yeah. So we'll definitely talk about it.Track 2:[23:11] I'll follow me and T.D. because he's going to take me.Track 3:[23:13] Right?Track 1:[23:14] If you can get up here, I'll take you. I got an extra ticket.Track 2:[23:19] Oh.Track 1:[23:20] Yeah.Track 2:[23:21] Well, Shuri's like in Michigan, so she's got a head start.Track 3:[23:25] That's true.Track 1:[23:26] I'll send my private jet over. I'll send the SNL Hall of Fame jet over.Track 3:[23:30] All right. I'll pack my bag.Track 1:[23:34] Okay. I want to know a little bit more about some of the other candidates that you guys have talked about this year. You've talked about Beck Bennett.Track 3:[23:46] Yeah.Track 1:[23:47] And you've talked about Sherry O'Terry.Track 3:[23:50] Yeah.Track 1:[23:52] Now we're discussing Garrett Morris. So if you had to rank those three, and I'm not saying if you had to, I'm going to say you have to. rank those three in terms of their likelihood to get in or get a substantial amount of the vote. And I could tell you, Oh, Beck Bennett wasn't on the ballot last year. Nevermind. So I can't tell you what he got last year, but, um.Track 3:[24:24] Yeah, I'm curious.Track 2:[24:26] I would say, if I were to go one, two, three, with one being highest, I would say it would go Shiri.Track 3:[24:35] Garrett, Beck.Track 2:[24:36] Shiri is recognizable for having multiple characters. Garrett is recognizable for being first five years, among other things. And then Beck Bennett is just newer. So he just hasn't been around as long as the other two.Track 1:[24:54] That's right yeah he's only been away from the show for a couple years too.Track 3:[24:58] I'm gonna disagree there i think back to the edge because of his recency look at how well kate did now brandon kate's in a class how did kate not get in oh yeah she's very close though i i i do think i do think her chances are good this year but sticking with back i think you're right I think he's got that recency. I think people really like him. I think people are realizing, just like with Bobby, who we're going to talk about in later watercolor episodes, people are realizing how essential these players were to the game now that they're away from it. Because I think we all took back Bobby, maybe not all, but I certainly didn't think about them. But now that I'm watching more and more of their sketches and what a pivotal role they played during their seasons. I think they're both going to do quite well, and I do think it's because they're more recent, and again, people have short memories. So I think it's going to be back, Sherry, and I think Garrett is going to be, unfortunately.Track 2:[26:07] I like that reasoning.Track 1:[26:09] I don't agree with it.Track 3:[26:10] But I like it.Track 1:[26:10] You've made mention, Sherry, as well, that you're worried that he doesn't even get the 10%.Track 3:[26:17] Yeah, I am kind of, I am worried. I did, I think I mentioned that with Sherry and Garrett too. I just, people have such short memories and Sherry was a long time ago too, but I'm hoping that with the 50th and people re-watching things, like I said, she wasn't on the 40th anniversary. She hasn't been around as much. That's not been back yet, Yeah, but I feel like he's going to be back.Track 1:[26:48] I think you're right.Track 3:[26:49] I feel like he and Kyle are going to sneak their way in, if not in cameos, in some way. And yeah, I don't think she's interested in coming back. I think she's kind of moved on with her life, which is totally her prerogative. But I think that's going to be a big decision.Track 2:[27:12] Because I like that point that you made, is that she kind of just came and went.Track 3:[27:16] Kind of like Jim Brewer.Track 2:[27:17] Who just came by, did her term, and moved on and never looked back.Track 3:[27:23] Yeah, agreed.Track 1:[27:24] Well, Jim Brewer, a little bit different. Like, I mean.Track 2:[27:27] Yeah, yeah.Track 1:[27:28] No, no, no, no.Track 2:[27:28] I know, I know.Track 1:[27:30] I don't think people look back as fondly.Track 2:[27:32] Just, you want to pick someone from that generation.Track 1:[27:35] Right. Well, I think a good comp for back might be Will Forte, who was on the list last year, and he ended up with like 63% or something like that. Will did very well. Sorry?Track 3:[27:52] Will did very well. I was surprised how well he did because he is such a controversial. People seem to love or totally not love him.Track 1:[28:01] Yes.Track 3:[28:02] How is that going to seem how well he did?Track 1:[28:06] Yeah, I'm very curious.Track 2:[28:08] Falcon, Aaron, and McGruder are very specific, either are on board or not.Track 1:[28:12] Well, I think he gets in this year because he was only three points away.Track 3:[28:16] Oh, I agree. And I feel like Beck's going to get like 60, 63% this year. Very similar to Will.Track 1:[28:24] You know, I would have been somebody who years ago would have consciously not voted for Beck Bennett. it. But man, did he ever win me over? By the time he left, I remember his last sketch was, he did Vin Diesel. It was the 10 to 1 sketch. And he just nailed it. And it's Vin Diesel.Track 2:[28:52] Just for trivia, do you know someone else that did Vin Diesel? I don't. Richie O'Shans.Track 1:[28:59] Really?Track 2:[29:00] David Spade hosted.Track 1:[29:02] Ah indeed I.Track 2:[29:06] Just wanted to point out because there's two totally different performers, that's why it's a cut in my head.Track 1:[29:15] So that's how you have them so that's how you have them ranked we'll revisit this next week and see once we add a fourth layer, where they fit in and you know we'll sort of revisit this as the season goes on like we do with your ballots I'm very curious. You guys talked about your ballots in the first episode. I'm curious, by the time we get to maybe the fifth episode, we'll revisit it and see if anything has changed.Track 2:[29:42] Okay.Track 1:[29:43] Like, Joe, you only used 10 votes, so you've got some room, if you wanted.Track 2:[29:51] I went first in the DECA system, but I'll look at it again.Track 1:[29:56] Yeah, well, Well, Shari had used all 15, and I believe she said she had two that were on the cusp.Track 3:[30:04] Yes, and Garrett was one of those two, and I really want to put him on my ballot. So many of the ones on my ballot are ones that don't have much time left, and I don't want them to fall off. I know.Track 1:[30:21] We lost a lot last year.Track 3:[30:23] We did, and I have several that are going to go this year because it's their fifth time on the ballot. So I hope they all get in, but I'm not really too hopeful, but who knows?Track 1:[30:40] Well, I think one of the things we changed the way the ballot looked last year, and we included little factoids, like last chance, that sort of thing. And I think that helped people realize. I do think that helped. Yeah, I think so.Track 3:[30:58] I'm so happy Maya and Molly got in, because that would have been it for them.Track 1:[31:02] They were done, right?Track 3:[31:04] Yeah, which would have been a travesty. So I'm very glad.Track 1:[31:08] This year, we've got Jack Handy, Dave Grohl, Paul Lappel, Candice Bergen, Paul Rudd that could fall off the ballot.Track 3:[31:21] Voters, we're urging you. Don't let this happen.Track 1:[31:27] Candice Bergen, 35%.Track 3:[31:31] The original first female five-timer. Yes. And she still shows up in cameos And I guarantee you she'll be at the 50th anniversary She's such a huge friend of the show She's royalty, Even though she hasn't done any TV shows or movies recently She still shows up And does her time I wouldn't be surprised if she showed up on Only Murders But as far as Saturday Night Live goes She shows up to Acknowledge her place In the Five Timers Club Yeah, so yeah she absolutely does belong in the whole thing I really think, I'm a big pusher of Jack Handy and Paula Pell as well so I hope that people remember this and I'm glad you're adding it to the ballot JD to remind people that they're not on forever that's right.Track 1:[32:31] Paul Rudd looks rough. He's got 17%. I don't know that that looks good for him at all. Or no, sorry, he had 12% last year.Track 3:[32:39] Yeah.Track 1:[32:40] So he went from 23 in his first year, and he's dropped. He went from 23 to 17 to 18 to 12. So I don't feel good about him. Candice Bergen fell from 41 to 35. Whereas Paula Powell went from 29 to 41. so there's good news for her.Track 3:[33:03] I'm hoping she gets her name out there more often and gets recognized for her connections Paula? Yeah because I'm not sure how the great majority of people, know what she contributed to the show She's been showing up She was very important Yeah and she's been showing up a lot lately She was in a couple of episodes She was in Kristen Wiig's Five Timers sketch.Track 2:[33:33] Oh, that's right. She had a great joke where she goes, I wrote here for five years, but right now, Kristen Wiig's... I'm going to play an audience member, and Kristen Wiig's going to pretend not to know me.Track 3:[33:44] She was also in at least one sketch in the Kate McKinnon. I feel like she was in that singing...Track 2:[33:54] Yeah, I could see that.Track 3:[33:56] I just can't remember the name of it, but they did a big song pre-date and I believe Paula was in it too Tampon Farm Tampon Farm Tampon Farm.Track 1:[34:07] Oh right Oh there you go The Kate with the guitar, Yeah.Track 2:[34:13] Yeah, she, and I mean, again, she helped with the cheerleaders. So if you're going to vote for Sherry.Track 3:[34:18] Vote for Paula.Track 2:[34:20] She helped with the cheerleaders.Track 3:[34:22] With the cheerleaders, yeah. Yeah. Well, I'm getting pretty excited about next week's episode, J.D.Track 1:[34:28] Yeah, I think so. We're going back to the host well after talking about three cast members. Shari, do you want to share who we're going to be talking about?Track 3:[34:40] Out you know they were just talking about him on the saturday night network which i know we talk about a lot right they were just talking about him because they're doing that they're doing that host countdown and he's quite high on their list he was number 10 i think uh yeah i believe 10 might be right 10 11 right he's in the top 12 i believe uh of course i'm talking about kylo ren friend himself, Mr. Adam Driver. Again, very recent, but this one I have to say I agree with. He is one of those serious actors like Garrett who does this great comedic turn, becoming a baby on a plane and just undercover boss. I mean, beep, beep. He's got a great couple. Oh, he was in a science room.Track 2:[35:34] Which is always great.Track 1:[35:40] Cecily and Mikey?Track 3:[35:41] Yes.Track 1:[35:42] Yeah.Track 3:[35:42] So very, very excited to see the case that our guest...Track 1:[35:47] So it's actually Bauer will be joining us. And... it should be a great episode because there's a lot of meat on that bone.Track 3:[35:59] Oh yeah. I'm very excited to come back next week with you too and talk all about Adam driver and what his possibility of getting into the hall of fame might be where he's going to land on those ballots. Yeah. I mean, he's on his way to become a five timer.Track 2:[36:18] So I believe that he could be in the hall of fame.Track 3:[36:24] I think so too. I think there's a good chance he's going to be a host in season 50, even though he was just on in 49. Other hosts have done back-to-backs. Yeah. He always has projects. I mean, he's always in several movies. He could be appearing in a couple of TV shows these days with streaming. Who knows? Anything goes. So he'll definitely have something to promote.Track 1:[36:50] I would think so. He's always got something on the go.Track 3:[36:52] Or he could just show up in cameo and just be a scene stealer that's true.Track 1:[36:57] That's true i i suspect he'll have a part of the 50th anniversary i just think oh absolutely he's you know the last 10 years he's one of the most memorable hosts exactly.Track 2:[37:08] I was thinking the same thing.Track 1:[37:10] So you know he's almost like this cast this generation's jt or walk-in walk-in or yeah Yeah, like how they all had different generations they worked with.Track 3:[37:22] I love the I'm all out of cash.Track 1:[37:25] I'm all out of cash.Track 3:[37:27] That's so good.Track 2:[37:28] Oh, yes, yes.Track 3:[37:30] And that's another one they could have went to Beck Bennett.Track 2:[37:32] But that's like a good team effort sketch. Yeah, yeah.Track 1:[37:36] Totally Kyle and Beck.Track 3:[37:38] Very exciting. And then he played that elderly teacher.Track 2:[37:40] But we'll talk about this next week.Track 3:[37:41] Yeah, very excited to talk next week. It was great fun talking with you both this week and always the highlight of my week. so very excited for next week's episode and very excited to listen to next week's episode because I know it's going to be a great one, absolutely I love talking to you guys and I love telling our audience to like and subscribe and do all those fun things with those fun buttons yes David Spade says smash that button smash that button, I will tell you smash the button And then just get another burner phone and just repeat.Track 1:[38:20] That's amazing. That's amazing. Yeah. Do that for sure. And again, the email I want to remind you is SNLHOFWC at gmail.com. So shoot us a mail. We'd love to hear from you. And on behalf of Joe and Shari, this is JD saying stay thirsty.Support this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Meet Joe and Shari as they assemble around the SNL Hall of Fame watercooler to discuss a variety of things relating the SNL and its Hall of Fame. Transcript:Track 2[0:22]All right. Welcome to the SNL Hall of Fame Water Cooler Podcast. I'm Joe Gannon and I'm sitting at the water cooler with...Track 3[0:30]Me, Shari Fasco. I'm very excited to be here. I've got my cup and I'm filling it up.Track 2[0:38]All right. And then there I go. All right. Let's get into it. All right. So on On this podcast, we're going to be talking about the SNL Hall of Fame and who we believe should and shouldn't be in it. But first, let's kind of just introduce ourselves. I'm Joe Gannon. I've been an SNL fan since, I guess, 1991. 91 and what I enjoyed about it was as I was watching it like as it was going on since 91 I got to watch the reruns like on Comedy Central E and whatnot so it's kind of cool seeing a show develop and then learn its history at the same time and I just found it absolutely fascinating about how important it is to our society about because the show makes fun of our society and politics, and everything. And the last thing is, I grew up in the central time zone, so the TV show was on at 10.30 to midnight. So to me, it was like a show that waited until the last hour and a half of the week to make fun of the previous week. And you, Sherry, introduce yourself.Track 3[2:00]Hi, I'm Shari, rhymes with Starry, as I tell everybody, and I am a Michigan native, and I have been into Saturday Night Live probably since I was about nine, since it started in 75. I was really, really young in 75, so I don't remember it that young, but I definitely, definitely remember watching it at like eight, nine, ten. I was really into Mr. Bill. I vaguely remember having a Mr. Bill t-shirt. I just always loved the show and it's always been like a rock for me. It's been something that I've always come back to when things are good and when things are not so good. My husband is also into it. He's been watching a lot of sketches with me lately, getting ready for this podcast. And it's just, it's really just, it's comfort food. Just like what Joe's saying, it's comfort food. It's something that's always been there. and now it's going into its 50th year. I'm 54. It's kind of incredible. It's kind of crazy to think that it's been around. So I'm really excited to be here with Joe. I think both of us are super excited to be talking about these incredible people. I think we're ready to get into it. Are we ready, Joe?Track 2[3:15]I believe so.Track 3[3:16]We're going to talk about the season six draft. We're each going to do the two people we would like to see get in. And then the two that we don't think really have much of a chance of getting in possibly. I will let you go ahead and go first, Joe, and then I'll go after you.Track 2[3:33]Okay. So the first person I think should get in is Lorraine Newman. I believe that the only reason why she hasn't gotten in sooner is there's just a series of people that are a little bit more obvious. Uh you know that just i feel like should be uh you know people that just feel like they should be in uh like will ferrell but um as far as the original cast like obviously everyone from the original five years should be in um as far as where lorraine is in that uh group she's not She's not really a household name. She wasn't a Ghostbuster. She wasn't a Blues Brother. She didn't have a sitcom afterward. Everyone knows Aykroyd, Murray, Jane Curtin, Chevy Chase, John Belushi. And I feel like Lorraine Newman, who is extremely talented, just doesn't have that star power name. So when people are voting and they see her name... It just doesn't connect, or they don't immediately remember all of the great sketches that she was a part of. Or, if they do, they remember someone else that was in that sketch.Track 2[5:01]So that's why I chose Lorraine Newman. All right, and who's your pick?Track 3[5:06]My pick, I just stuck to strictly the season six draft. So I went with one, two of the draftees for this coming season that I would like to seek it in that I'm not really hopeful about. But my first is Sherry O'Terry. For all of the reasons you just said about Lorraine, I think Sherry is very, very, very, very, very underappreciated. She is absolutely hilarious. hilarious she stands up against the likes of will freaking farrell and holds her own yes even though she's this diminutive little she can't be more than five two but against will farrell who's like i don't know six four she still holds her own her comedic chops are that strong that she can hold her own and i feel that way in the zimmermans with chris katan i i watched her playing against Sylvester Stallone in one of her Rita sketches. And she really is amazing and so funny and so able to bring real relatability to these outrageous characters that she plays.Track 3[6:19]And I'm feeling like I don't think she's going to get in on the first ballot, but I do hope that The people remember her. I know she was a long time ago. I remember her vividly because I was in college. And that's the time when you remember the gas.Track 3[6:38]So I hope there's a lot of Gen Xers and a lot of Zs and millennials that are going back and watching and listening to our great guest. And Thomas, of course, make an excellent argument for her this season, I'm sure. So that's my first choice. Now back to you.Track 2[7:01]You made a great point, and the only word I want to add to it, just literally one word, is energy. She was full of energy in pretty much everything she did. I mean, with the exception of maybe Barbara Walters, but that's because it wouldn't fit. But if you look at all of her characters, that's the common theme, is that she was almost like twitchy.Track 3[7:23]I totally agree.Track 2[7:24]But, yeah. That's an excellent, excellent pick. Okay, so I'm going to go with my one, and we're going to continue the female trend. Someone a little bit more current. I'm going to go with Kate McKinnon.Track 3[7:41]Absolutely.Track 2[7:42]She, yes, yes, yes. She is one of those people, she reminds me of Amy Poehler in the sense that her talent seems to have been made for Saturday Night Live. Um now just i want to say this on our first episode uh to me the three things that make up a great snl cast member are characters impressions and hosting we can update not doing characters but hosting now you don't need to do all three to be great sometimes you can like jimmy fallon will ferrell dan ackroyd uh sometimes you can do just one dennis miller however when you do two or three, that shows that you're able to play any position.Track 2[8:31]So with that being said, with Kate McKinnon, she did characters and impressions extremely well.Track 2[8:39]The various characters, like the alien abductions sketch, that to me is timeless. That is one of the latest great reoccurring sketches. Sketches um and then as far as her impressions uh you look at amy puller who did like you know hillary clinton um and ever uh ever levine um kate mckinnon said hold my beer and then did uh not only female impressions but male she did rudy giuliani uh and such and a bunch of other politicians um and just i mean i'm having a hard time thinking of all you know it's trying to like name all the santa's reindeer or the seven dwarves you know you like you get down a few or you're like wait uh there's also uh you know so i'm i don't want to um take up too much time saying a lot of urs and ums as i try and think of them all but she is just where she just blended into those impressions and then characters and she was like Phil Hartman where she could be in she could do the whole show, you know she could do and it was almost unfair to the other cast members I don't want to overhype her too much you can't overhype her but.Track 2[10:02]I will. I do, but I want to be fair to everyone else. I want to be fair. I don't want to make it seem like the rest of the cast that they were less. I don't want to make them seem like they were less than they were.Track 3[10:16]But she's amazing.Track 2[10:18]But she was just, Kate McKinnon was just, her talent was made for Saturday Night Live. And I'm not going to lie, I miss her.Track 3[10:28]She definitely left a hole and she was part of a she was part of a trinity when you talk about her and cecily 80 unbelievable with things like twin bad i mean back home ballers just amazing the three of them together will just fire so excellent choice joe i'm gonna shake things i'm gonna shake things up a little i'm gonna i'm gonna break i'm finally gonna break up our like female male domination that's going on, which I love, but I'm going to break it up a bit. Like I said, I chose two from season six because that's where my head was at, and I chose a musical act, and I know J.D. Mentions this. Thomas mentions this.Track 3[11:12]Musical guests don't seem to get into the Hall of Fame. I think Paul Simon might be the only one still. Dave Grohl is knocking on the door, and he's he's on my list but the act i want to talk about they're coming up this season like i said is one of my favorite bands and remember i'm a gen xer so i know you know joe who i'm talking about uh you too you do i mean i watched a couple of performances it's hard to find musical performances especially when you don't have peacock which i know right i know snl fan without peacock But anyways, I love you two. I could not believe how amazing they were on that 8-H stage. Thomas made a really good point in the draft episode.Track 3[12:03]They were selling out stadiums at this time. I mean, they were huge at this time. But then they could bring it down and be right on that 8-H stage and be intimate and personal. And Bono, let's face it, it's the Bono show, right? The man can sing. He has charisma oozing out of his pores. And he just captivates. And that's exactly what he did. it. These days on current SNL, the musical acts are really getting out of control. And I know they talk about this in several of the podcasts I listen to. They're throwing all these dancers and visual effects and explosions. You don't need it. If you can sing and you're talented, you don't need it. U2 does not need it. I'd love to see them get in at some point. I hope they get at the 10% to at least stay on the ballot. But after Dave Grohl, I think they should be in next because they're just amazing. So those are my two.Track 2[13:07]All right. So let's get into the two that we think definitely won't. I just want to go first because I want to continue the trend of what we're talking about with the musical guests. Now, you said that it's going to be really hard for musical guests to get into the Hall of Fame, because they're not really a major part of the show. They're rememberable, but not as much as the cast, the writing, the host. So they're kind of like the fourth tier. But they're very important, don't get me wrong. It's just not one of the initial people that you think of when you think of the show. So as far as my first pick, I'm going to say Randy Newman. I agree with everything that was said when they were doing the ballot show. I agree with Randy Newman's great toy story. I love L.A. He's funny. When he accepted an Oscar, I don't remember specifically what he said, but he had a great Oscar speech.Track 2[14:10]Let's just put it this way. When you're voting for an SNL Hall of Fame, you know, person, I doubt that you're going to vote for Randy Newman. I mean, there's just a lot of people ahead of him in line, you know, like, you know, like the people that we're saying, you know, and then there's you got, you know, you got hosts that are well known. You got cast members that are well known. Writers are kind of a gray area, you know. And then musical guests are just hard to get into, period. And then Randy Newman is, you know, like people might know him from Toy Story and such, but they might not know him that well, or at least current people or whatnot. And I'm not saying anything, I don't want to say anything too much, too negative about him, but he's just not really a household name anymore. So with that being said, like it would be hard to vote him in the snl hall of fame so yeah i don't i don't know what more i could say after that it's just kind of kind of cut and dry i guess like you know like it's hard for a musical guest to get in and he's not really that well known as a musical guest so agreed.Track 3[15:30]In fact i agree so much my first totally won't get in was also randy newman and i'm not gonna to rehash it because you said it well. And even when J.D. nominated him in the draft, he said that he wondered if people would remember because he hasn't been... I mean, I'm sure he's still doing music for movies and doing movie songs and things, but you don't hear about him much. Like, I don't know if he had a new song in the new Pixar movie, the one that just came out or not. But yeah, I'm not going to go into it too much since you did a great job. I will go on to my second person and then I'll throw it back to you. My second person is a writer and I have to disagree with you a little bit. I actually, well, I don't know quite how you feel about writers, but you kind of sounded like you thought they were gray area. I don't think they're gray area. I think writing comes first. Great writing.Track 2[16:34]I don't think it's important. It's just not, the writers might not be well known.Track 3[16:38]Oh, I agree with that. But I feel that writers are the most important. They're that base ingredient. read yet. I don't care if you have the best cast in the world, if the sketch sucks and is poorly written and the characters aren't well-developed, nobody's going to be able to bring that to life. Whereas if you have a great sketch or a great script, a so-so actor, like say even myself, could do a good job with it. I think writing is essential. I don't think writers get enough love in the Hall of Fame. I don't think they get enough love in general. So that all being said, I'm going to talk about Alan Zweibel. Unfortunately, unlike Jim Downey, who I'm so happy got in, he doesn't have name recognition. He's done a lot. I've been reading a lot about him, and I was sent a list of the sketches he's worked on. I mean, Roseanne, Rosanna, Dana, Anna, Letella, Emily Letella. He worked very closely with Gilda, very close with Gilda. He was very, very, very, very essential to those early years.Track 3[17:56]Unfortunately, and I worry about this with Garrett Morris, too. I don't want to get off track, and Lorraine. People don't have long memories always. And especially these days, Joe, you know the kids are jumping on, they're watching sketches, they're watching the Beavis and Butthead sketch, they're not watching the whole show. So it's very different now. And I feel like writers like Alan Zubow have been lost to the anals of time, unfortunately. And maybe I'll be wrong. I hope I am wrong, but I feel like there's other writers ahead of him a bit. However i'd be thrilled if he got in i'd like to see writers get more love but i don't think it's happening so now i'm gonna throw it back over to you.Track 2[18:41]I just want to add on a little bit to that because i think he might have been a cast member in season five because okay yeah everyone started leaving so they just started pulling people from like the writers and like because like i think paul schaefer was a cast member in season five so season five was It was just kind of that running on fumes before everyone left. And then also, I just want to mention, as far as the Gildan Radner connection, I just love this memory, which is her last television appearance, which was on It's a Gary Shandling Show. And I know this isn't Saturday Night Live, but um uh he gary shanley uh developed that show with alan's i or uh zybel and uh after, gildan ran there was um she had a pause where she started to look good uh health-wise and so she showed up on that show and i just wanted to recommend people to look that moment up because it's such a gift from alan and gilda um so i know it's outside saturday night live but uh, But anyway, to segue to my pick, I also picked a writer for the same reason. Again, writers, it would be cool if writers, if you could see their name on the sketch.Track 3[20:04]Right.Track 2[20:04]That would be great. You know, that way, you know, like the only one that I think of is Jack Handy, The Deep Thoughts. You saw his name on that sketch. Right. So that kind of made you familiar. Now, anyway, my pick is Julio Torres, who is more recent. I just don't, he's not like John Mulaney, where he's a recent writer who has standout specials or hosted the show and all this stuff. I'm sure he's a great writer. He's just not well known. I think he's the least known person on the list.Track 3[20:41]I think you're right. He does have that I'm a Stone Actress sketch, which was great. But, yeah, he's not really talked about as much.Track 2[20:49]I mean, I don't want to, I literally don't have anything negative to say about him other than the fact that he's not known enough. And I'm sure people found out, you know, what sketches he wrote. They'd be like, oh, yeah, absolutely. I love that. But at this point, you know, I mean, you know, I just can't see people looking at this list and voting for him. I mean, and I'm not saying anything negative about him. I just don't see him being well known enough.Track 3[21:23]Now, let's reveal our ballots. Do you mind if I go first, Joe?Track 2[21:27]Yes, please.Track 3[21:28]I'm just going to zoom through it. But my 15, and I did use all 15. I know some people don't, but I had a hard time keeping it to 15. I could have gone to 16 or 17. My ballot is... And a guest hire, Sherry O'Terry, Dave Grohl, Vanessa Bayer, Rosie Schuster, and Paula Pell, both writers. Candice Bergen, Rachel Dratch, Dick Ebersole, Herb Sargent, Lorraine Newman, Buck Henry, Jack Handy, Tracy Morgan, and you too. Those are my 15. And let me tell you, I didn't really know who Buck Henry was. I didn't know much about Dick Ebersole, rather. Then I listened to this podcast, and it changed my voting. And I put these two on. This is the first time I've put them on because I think they're essential to the show's history. So thank you, SNL Hall of Fame. Thank you, Thomas. Thank you, JD. Thank you, Matt, for making me a more educated viewer. Now your turn, Joe.Track 2[22:39]All right. So with me, I just went with 10. My brain just works in the DECA system. So shout out to the Romans. um so the list goes paul rudd dick ever saw dave grohl paul lapel lorraine newman kate mckinnon adam samler martin short chris parnell and john malane um i just and to me that would almost be a great show all of himself they were together so that's my time agreed well Well.Track 3[23:10]I'm surprised at like how similar our lists are because I think we have slightly different tastes, but I think we're ready to move on. Beck Bennett is our first season six nominee. And the way this is going to go every episode is one of us is going to be pro and one of us is going to be con. It does not reflect our true feelings, but we're arguing the side we're arguing, and that's how it's going to go. And are we ready to get started? Do you want to start, Joe? You're the con and I'm the pro. What do you think?Track 2[23:50]Well, how about this? we'll go pro just to kind of introduce him and then uh i'll do con.Track 3[23:55]Okay we'll just throw it back and forth how's that sound yes sounds good all right so i am arguing the pro for mr beck bennett eight seasons that alone meets one of my criteria i feel like a great cast member has to have at at least five. Beck has eight. Eight seasons, and he came out of the gate on fire. He brought ideas to the show. He, of course, had a relationship with Kyle Mooney, and they came with sketches. So that's my first pro. Want to give a con, Joe?Track 2[24:37]Yes. Yes. So now, first off, let me just say I agree with every positive thing. However, my assignment is to come up with cons. So I agree with everything that you're saying and everything on the podcast. However, for the con, I feel like he was a part of a big cast.Track 3[25:01]True.Track 2[25:02]And he didn't really pop. He didn't really stand out. So to give an example or demonstration of this, imagine if he came back to host, you know, people wouldn't be saying, oh, I hope he does this sketch, you know, like, or I hope he does this character. There wasn't anything. He did Baby Boss, but that wasn't rememberable. I don't think people are going to be quoting or re-watching that on YouTube. A lot of the Kyle Mooney pre-taped stuff is funny, don't get me wrong, but not rememberable. He didn't you know he just didn't pop and then um he also did a lot of the straight man stuff which is a thankless task like he did a lot of uh game show hosts and you know so i just that's my con he just didn't pop he didn't stand out i i just i can't make a list of uh stuff i would want him to do again if he came back to host so that's my con all.Track 3[26:09]Right so i i just want to add I've got a few more things for the, for the pro. Let's talk about his pre-tapes. I mean, he and Kyle came with the SoCal boys, kind of the clueless boys who were all over the internet at that time. They're probably still all over the internet. And they just nailed it. And it was so funny. I just rewatched a couple of those SoCal boys pre-tapes and they were hilarious. But I just want, I have to mention my, one of my absolute favorite pre-tapes, which is the Leslie Kyle back.Track 3[26:48]Triangle specifically the one with the masquerade with the eyes wide shut for those of you young listeners it's a movie that came out a long time ago watch the sketch watch the pre-tape i i can't even do it justice so funny even colin jost gets into the act it is hilarious i just think beck was one of those in the clutch performers who could come and be the straight man and all the the craziness could bounce off of him against Santa Baby with Gosling and Vanessa Bayer. They're going nuts about Santa, and Beck has to play the straight dad role. Like you said, Joe, always having, often having to be the one that everybody else sort of plays. He's sort of the canvas, and they play off. He's just so perfect at that. And they mentioned so many good examples in the Hall of Fame episode that I don't think I need to do anymore. So that's my wrap up. I think he deserves a shot. And I was very happy I got to be pro because I know, Joe, that you struggled with the cons. But I think you did an excellent job and made some excellent points about why maybe he is not quite Hall of Fame material.Track 3[28:13]All right, Joe, I think it's time for our final, final segment, our hopes for the 50th season. And the theme for this, this week's our first is which two cast members do we want to see more of? All right, I'll start. Let me tell you, I had two, I had two people. One, I didn't change. One, I did. Guess why? Why? Because my buddy Joe and I had a conversation and he made me rethink and I'm like, he's right. I need to go with my gut and I need to say a regular cast member. I was going to do a newer cast member, but instead I'm going with a I believe she's going into her sixth year.Track 3[28:59]She's getting the screen time. But thank you, Mike Murray, on Saturday night or Saturday as an on the Saturday Night Network. Network yeah because mike murray if you haven't listened and i'm assuming if you're listening to this podcast you listen to the hasn't on uh mike murray does a great stats breakdown and he gave me some stats and he's he talks a lot about uh minutes per episode and i don't think i don't think she's getting enough time on screen and he has solidified that for me i'm talking about the the one, the only, the incredible Ego Nwudum. She is my favorite cast member, bar none, hands down.Track 3[29:45]I think she's absolutely hilarious in every sketch she's featured in. She just holds her own so beautifully against the likes of Kenan and Mikey Day and Heidi Gardner. Ego stands tall and proud. She's amazing. I'm really happy she got one of the first reoccurring characters in a long time, Lisa from Temecula, and she delivers. And I'm thrilled that she's got a TV show now, I believe on Peacock. I think it's called The Throwback, but I might be messing up the name. But I'm really, I'm thrilled that she has a show and I want to see her. I hope that doesn't mean she's going to get less screen time i want to see her get more screen time okay joe.Track 2[30:33]Who do you want to see more of again i guess this is a very female themed episode because my first one is my comedy crush uh and by that i mean i love her comedy is sarah sherman uh.Track 2[30:53]So I just love she is so unique, but I'm also glad she could blend in to the cast. Like, I'm glad that she could do both her unique style and, you know, that doesn't alienate her from everyone else. She's able to be in sketches that don't work, you know, that aren't about her unique sense of humor. She is so she has such a unique identity. She just does goes with her gut and just and then on top of that. And then the second point is I want to see her on Weekend Update. She did Sarah's News, I believe was the segment. But most importantly, and I do mean this, which is important to me. I want to see her roasting Colin Jost because she is aside from those swap joke swaps that he does with Michael J. I love seeing Colin Joe's get roasted by Sarah she just does it in this goes for the jugular just really you know she did one where she went backstage in his dressing room and there was like yeah this is where he keeps the interns in the cage and stuff like that and she, chef's kiss I mean I just love her unique sense into humor and I love seeing her roast Colin Jost. So yes, that's my first pick. And now yours.Track 3[32:19]My second is a little newer and he just nailed it this past season. I think he's getting more time, but again, thank you Mike Murray. His screen time is not where it needs to be. His Tim Scott is one of my favorite political impressions currently. Of course, I'm talking about the fabulous Devin Walker. I think Devin is fantastic. I love Marcelo Hernandez, don't get me wrong, but he seems to be the newbie getting the most love, and I'd like to see the love spread a little evener for Longfellow as well, but really for Devin. I think this is Devin's season to shine. I hope so. I hope they give him more impressions. I hope they put him on update. Let him have Devin's take, kind of like they did with Longfellow and let him give his takes on certain cultural happenings in the zeitgeist. Yeah, I want more Devin Walker this season. A lot more than last season.Track 2[33:16]So my second pick is Michael Longfellow. It's just real... Yes. It's just real simple. I just look at that guy and I know this is kind of a part of the con that I said about Beck Bennett, but he has great deadpan.Track 3[33:34]Yes.Track 2[33:34]So and that is really one of the thankless tasks of a cast member is looking at the other ones, looking at the character and just, you know, acting, you know, and just having a facial expression that says you're weird and stuff like that.Track 3[33:51]Yes.Track 2[33:52]You know and then um how about this is what came to me i can't believe it was an snl cast member or or anything but it keaton has this thing where he just goes no no and michael longfellow just has that in his face where he's able to do that without saying anything like you're weird you're just he's got it in his eyes it reminds me of like dave foley from news radio um he just he's He's able to look at the joke and not say anything. And to me, it's more important to act instead of saying, you know, like, you know, brevity is the soul of wit. So just to be and I just like seeing that from him. So that's what I'm hoping to see more of from him.Track 3[34:33]OK, so I think the moral of our episode today is we want more women getting involved and we want the newbies getting some love because both Devin and Michael came in. And Marcelo seems to be getting all of the love, which he's super talented. But like I said, I'd like to see them spreading it out a little more. Okay. I cannot believe that this is the end already, Joe. This is so much fun. You are so much fun to talk to because you're as geeky, passionate about SNL as I am. And so thank you.Track 2[35:10]Yes. And I believe you have excellent taste. No, no, you're great. You know, you have mountains and mountains of information and passion. So, yeah, this is great. You know, I hope to be doing this every week. We will be doing this every week right here at the Butter Cooler.Track 3[35:26]We're throwing our cups away until next week when they'll be, when Thomas will be joined by another great guest on the SNL Hall of Fame. Well, they'll be talking about the one and only, and we talked about her today, right, Joe?Track 2[35:41]Yes, we did.Track 3[35:41]The fabulous sherry o terry very.Track 2[35:47]Energetic a mountain yeah we got a lot to get into on.Track 3[35:50]Yeah looking forward to it but for now leaving the water cooler till next time throwing out the cup.0:00 / 36:410.5x0.75x1.0x1.25x1.5x1.75x2xSupport this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ghostbuster! Beldar the Conehead! Blues Brother Elwood! The one and only Dan Aykroyd joins us. In the audio documentary Blues Brothers: The Arc of Gratitude, Aykroyd tells the story of how the band formed, how it persevered through decades of tumult, including the death of its co-founder and friend, John Belushi. Dan Aykroyd talks about the history of The Blues Brothers, the making of Ghostbusters, and so much more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Ohhhhhhhhhhhhh man... Chris doesn't want to admit it, but he loves Grosse Pointe Blank. One of the best rom-coms ever crafted, starring John Cusack, Minnie Driver, Dan Aykroyd (Chris' personal favorite), and ... others. It's a thrill ride. Enemies become friends, and friends become enemies. POPCORN!!! let's do this. Hunky hitman hooks up with honey from high school for hi-jinks and hilarity! Jumpy John's judo-ing a gentleman in the gym! Aykroyd abusers! Randy Quaid & the Star-Whackers?Minnie Driver! Jeremy gets Jameson and Cusack gets a club soda! A convincing level of guarded enthusiasm! Actio-dramedy? Extreme pipe logic, and much, much more on this week's episode of The Worst Movie Ever Made! www.theworstmovieevermade.com

Nothing But Trouble is so bizarre that it's hard to believe it exists. The brain child of Dan Aykroyd, it is a menagerie of his wildest ideas and characters. And, since he wrote, directed, and produced it, there was nobody on set with enough clout to have him rein it in a little. Ghostbusters this is not. Despite that, Aykroyd should be commended for going all in on his ideas. When your film involves a prosthetic nose shaped like the tip of a penis and two ghastly looking grown men covered in crud and oil and wearing diapers, it's clear you've committed to the bit. Nothing But Trouble is a singular vision. Whether you think it works or not—more than likely not—is up to you. Critics, for their part, hated it, sentencing it to 15% on Rotten Tomatoes. Audiences were apparently also baffled by it. Nothing But Trouble is one of the largest box office flops of all time. It grossed less than $9 million on a budget of $45 million. Hey, hey, ha! Ho ha! Heh heh heh heh! Hoola, Hoola, Hoola! The Boola Boola Boola! Look who's got the front seats to the Mexican hat dance now! Now, sit back, tour Judge Alvin "JP" Valkenheiser's house of horrors with a King Crispy Pilsner from Deschutes Brewing, and get yourself up a couple of dogs! I, the Thunderous Wizard (@WriterTLK), Bling Blake, and Chumpzilla are riding the harrowing rails of Mr. Bone Stripper! This Week's Segments: Introduction/Plot Breakdown – All they wanted was a little getaway. All they got was nothing but trouble! (0:00) Lingering Questions – Is this the oddest movie we've ever done? (35:14) The "Mr. Bone Stripper" Trivia Challenge – I challenge the field to trivia about the movie. (43:32) Recommendations – We offer our picks for the week and next up: We finish Objection! Flops with the worst gift the 90s ever gave us Pauly Shore in Jury Duty! (50:36) And, as always, hit us up on Threads, Twitter, Facebook, or Instagram to check out all the interesting factoids from this week's episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Podcasts, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, Vurbl, Amazon Music, and more!

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the most influential sci-fi horror comedy to ever exist, "Ghostbusters". Ghostbusters is a 1984 American supernaturalcomedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. It stars Bill Murray, Aykroyd, and Ramis as Peter Venkman, Ray Stantz, and Egon Spengler, three eccentric parapsychologists who start a ghost-catching business in New York City. It also stars Sigourney Weaver and Rick Moranis, and features Annie Potts, Ernie Hudson, and William Atherton in supporting roles.Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan and Steven on their fantastic Podcast "The Talk No Justsu Podcast" https://open.spotify.com/episode/05FUyTQLzBHBjGA8EIAjRB?si=b3CkutraR-Wjj5Cr1GI0FQ

Saturday Night Live over the decades has served as a building block for comedians, using that platform as a way to get your name out there and eventually spin their popularity into other ventures. One of the earliest, and most iconic cases, being the American Classic that SNL alums Dan Aykroyd and John Belushi created with “The Blues Brothers.” A new book, by writer and journalist Daniel de Visé, gets into how Aykroyd and Belushi's kinetic, comedic energy was spun into a just as entertaining production process. Along with the film's influence on pop culture humor, it also shares how the film's appreciate of blues music is best encapsulated by its soundtrack and appearances by Aretha Franklin and James Brown. For this week's FilmWeek feature, we talk to Daniel de Visé, author of “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the making of an American Film Classic” about what he was able to uncover from revisiting this film the captured a special moment in American film and comedy.

Ironic that the Cavaliers are playing the Celtics in the Playoffs when we are doing this review.  Also, sorry for the delay in this week's upload.Join us as we dive into the world of Mike O'Hara and Jimmy Flaherty, two die-hard Boston Celtics fans played by Daniel Stern and Dan Aykroyd, respectively.In the heart of the NBA Finals, Mike and Jimmy are convinced that their beloved Celtics need their support more than ever to clinch the championship. But when they witness their team's star player Lewis Scott, portrayed by Damon Wayans, performing poorly, they decide to take matters into their own hands.What follows is a hilarious rollercoaster ride as Mike and Jimmy kidnap Scott, hoping to keep him out of the final games to give the Celtics a winning edge. As their plan spirals out of control, they find themselves in absurd situations, trying to hide Scott while navigating the complexities of fandom, friendship, and ethics.Directed by Tom DeCerchio, "Celtic Pride" delivers laughs aplenty as it explores the lengths to which sports fans will go for their team. With a stellar cast including the comedic talents of Stern, Aykroyd, and Wayans, the film serves up a mix of slapstick comedy and heartfelt moments.Join us as we dissect the comedic genius behind "Celtic Pride," exploring its themes of loyalty, obsession, and the unpredictable nature of sports fandom. Friends of the Show1 Man Mafia (twitch.tv/1man_mafia)Jayke The Gamer God (twitch.tv/JaykeTheGamerGod)IB Best Gaming (https://www.tiktok.com/@ibbestgaming)Support the Show.'Beavis and Butt-head' Cover art created by Joe Crawford

Show Open 04.27.24 - Iconic Rock Photographer David Alexander joins us top of the show to talk taking the picture for the Eagles album cover 'Hotel California' "I was on a cherry picker on Sunset Boulevard, 60 feet above ground, and it was rush hour!"For decades, David Alexander has taken pictures for some of the most iconic album covers of all-time like Hotel California and movie posters like: The Blues BrothersHis new book is called,PICTURES OF TIME: Seeing Time …  in the Ordinary World-How did he capture the Eagles Hotel California album cover shot of the Beverly Hills Hotel-His new book shows life as it is-David went to law school, graduated, and went into photography-Working with Aretha on her album cover-Working with the Blues Brothers on their iconic Movie Poster  To subscribe to The Pete McMurray Show Podcast just click here

Back in 1980, I recall going to the cinema to see a new film, The Blues Brothers. Music and car chases…..what wasn't there to love? The critics hated it because….ya know….that's what they're paid to do. A few years after initial release, it became THAT cult film that everyone watched – on TV, on video or at late night cinema screenings (in Melbourne, it became an audience participation phenomenon similar to Rocky Horror). The question is how did the film get made? Welcome to episode 115 of See Hear Podcast. Kerry, Tim and I welcomed to the show journalist and author Daniel De Vise. He's written a great new book called “The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic”. As the title implies, it's not just about the making of the film (although a large part of it is devoted to that subject). Daniel did extensive research to talk about the early lives and characters of Dan Aykroyd and John Belushi. They were a part of the new North American comedy movement Second City, National Lampoon and Saturday Night (later Saturday Night Live), so he writes much about those institutions. There's talk in the book about Aykroyd's love of blues and how he (and Robert Cray's harmonica player) made Belushi a blues fanatic. There's stories of 70s cinema, addiction, egos, friendship, men in bee costumes, and origin of The Blues Brothers. We were rapt that Daniel came on the show to talk about his book and about the blues, the accusations of racism thrown against the comedians who wanted to bring brilliant blues and soul musicians back to the spotlight, the comedy movement as the new rockstar, how rock musicians started taking themselves too seriously…..and a TON of other things. Yeah, we even talk about The Blues Brothers movie. The environment that led to the film is hugely important and it would be impossible to talk about it without telling the wider story as to how the film got made. Daniel has done a terrific job in doing this. I hope you enjoy listening to our conversation even half as much as we did having it. You can follow his goings on at danieldevise.com, and you can pick up the book in both physical and e-book formats wherever you usually get your reading material. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download directly from the website at https://seehearpodcast.blogspot.com/2024/04/see-hearpodcast-115-conversation-with.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. “They're not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We're on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy. Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon & Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy & Don (Simon & Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Ghostbusters Frozen Empire is here, but just who is driving Ecto-1 this time around?   It almost doesn't matter, because backing them up are Spies Like Us! Doctor, doctor, doctor, doctor….  #ghostbusters #frozenempire #spieslikeus #chevychase #danaykroyd #donnadixon #staypuft

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Late and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to tepid reviews at best. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance; even declared a "Catholic classic" by the Church itself; and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and of course the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to SNL creator Lorne Michaels and Aykroyd himself, The Blues Brothers vividly portrays the creative geniuses behind modern comedy.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our lives.  Daniel de Visé new book is called,  "The Blues Brothers"Daniel de Visé walks us through:-The beginning of the Blues Brothers characters on SNL-How Dan & John met-The 'speakeasy' bars -1978 & '79 how huge Belushi was-How Belushi almost died two different times -Aretha couldn't remember the lyrics to 'Think'-Carrie Fisher (allegedly) tripping during filming- the making of the Blues Brothers, John's drug use, and how these A-list actors & musicians  came to be in the movie."They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the movie, The Blues Brothers, which hit theatres on June 20, 1980. Their mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues.  To subscribe to The Pete McMurray Show Podcast just click here

Joe talks with Len Berman and Michael Riedel about the latest Ghostbusters movie. Joe gives it one star. It was only good when Murray and Aykroyd show up. The new Roadhouse gets 2 stars.

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd as Elwood Blues tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Late and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to tepid reviews at best. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance; even declared a "Catholic classic" by the Church itself; and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and of course the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to SNL creator Lorne Michaels and Aykroyd himself, The Blues Brothers vividly portrays the creative geniuses behind modern comedy.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

(unlocked from Patreon; episode 4 of 4) Reid (@seriations) and Wendy Painting (@BirdWendy2) finish our conversation about Ghostbusters. In this episode, I go through Dan Aykroyd's career, his family history, the history of mediums, sus gurus, and the producer Ivan Reitman. Then I get into the Simon Necronomicon and the Magickal Childe bookstore and the crossover with themes in Ghostbusters. We attempt to explain the wave of films about psychics in the 1980s as part of the same rightward cultural push and attempt to vindicate the Ghostbusters EPA agent. Then, to finish, Wendy does a tarot reading for me and Reid. Full disclosure: the first reading was way too accurate and personal to leave in, though maybe I will explain it one day. Wendy Painting's Kofi: https://ko-fi.com/wendyspainting artwork by @DEEP_RED_BELLS Songs: Magic by the Cars Mind Crawler by Uncle Acid and the Deadbeats The Passenger by Iggy Pop Ghostbusters by Ray Parker Jr. Links: Patreon: ⁠www.patreon.com/ProgrammedToChill⁠ Merch: https://programmed-to-chill.myshopify.com/

This 80's flick is more than just a vehicle for laughs; it's a biting satire that skewers societal norms and exposes the fault lines of privilege and inequality. Its significance lies in using humor as a Trojan horse for razor-sharp commentary, causing audiences to laugh and reflect on the absurdity of the disparities between the haves and the have-nots. As we revisit this holiday cult classic, we will celebrate not only the impeccable comedic timing of its top-notch cast but also the film's ability to tackle weighty social issues with a lighthearted touch. Whether it's the memorable scenes in the commodities exchange, the rowdy party at Winthorpe's townhouse, or the unforgettable New Year's Eve train ride, it still holds up as a great example of satirical comedy that has an impact beyond its time. So, look over your pork belly futures, dust off your “quart of blood” karate technique, and try not to misplace your guerrilla costume as Tim Williams and guest co-host, Tyra Williams, discuss “Trading Places” from 1983 on this episode of the 80s Flick Flashback Podcast. Here are some additional behind-the-scenes trivia we were unable to cover in this episode: In his mug shot scene in the movie "Trading Places," Dan Aykroyd's character Louis Winthorpe III is given a number, 74745058, which happens to be the same number given to John Belushi's character Jake Blues in "The Blues Brothers (1980)." This was done intentionally by Aykroyd as a tribute to Belushi, who had passed away the year before. In Italy, on the night of Christmas Eve, a local TV channel Italia 1 broadcasts the movie "Trading Places", which has become a popular Christmas tradition. This is similar to the way the movie "A Christmas Story" is played on a continuous loop in the United States on December 24th and 25th. Along with "Trading Places", the tradition also includes airing of other movies like the first three "Home Alone" films, "Jack Frost", and "A Nightmare Before Christmas". During the summer of 1983, which lasted from June to September, the movie industry expected to surpass the previous year's record-breaking $1.4 billion in theater ticket sales. The season included highly anticipated films such as "Return of the Jedi" (the third installment in the Star Wars series), "Superman III", and the latest James Bond movie, "Octopussy". More than 40 movies were scheduled for release over the 16-week period, so studios had to carefully plan their release schedules to avoid competing with each other. Paramount Studios decided to release "Trading Places" at the beginning of the summer, so it could benefit from being in theaters longer during the busy season. Comedy movies were considered a counterprogramming strategy that attracted audiences who had already seen or were not interested in the major film releases, which were mainly focused on science-fiction and superheroes. "Trading Places" was released between "Return of the Jedi" in May and "Superman III" in mid-June. Although sequels were expected to perform well due to their built-in audience, "Trading Places" was predicted to be successful thanks to its talented cast. Sources: Wikipedia, IMDB, Rotten Tomatoes https://screenrant.com/things-never-knew-about-trading-places-1983/#italian-christmas-tradition We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media. Your opinions are incredibly valuable to us, and we'd be so grateful to know what you enjoyed about our show. If we missed anything or if you have any suggestions for 80s movies, we'd love to hear them too! If you're feeling extra supportive, you can even become a subscription member through "Buy Me A Coffee". For more details and other fun extensions of our podcast, check out this link. Thank you for your support! https://linktr.ee/80sFlickFlashback --- Send in a voice message: https://podcasters.spotify.com/pod/show/80sflickflashback/message

"Sneakers" is to Dick Ebert as "Hackers" is to Gene Lyons. This 1992 thriller doesn't have flashy graphics, funky fashions or a techno soundtrack—but it does have Ben Kingsley, Sidney Poitier, Dan Aykroyd and Robert Redford. In loafers. With its playful tone, low barrier to entry and established cast, this gateway thriller appeals to the familiar to explain the cutting-edge. And Big D likes that. "Sneakers" also has unexpected jokes, serious schemes and nostalgic tech. And Gene Lyons likes that. But the movie isn't perfect. Among its flaws are a cavalier treatment of a superweapon, potential abuse of a blind character, unimaginative demands and a smidge too much predictability. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Sketch comedian. Ghostbuster. Vodka entrepreneur. It's all in a life's work for the remarkable Dan Aykroyd. An original cast member of “Saturday Night Live,” Aykroyd is perhaps best known for the film franchise “Ghostbusters” in which he plays Ray Stanz, the proton pack-wearing ghoul fighter, a role that he will reprise in an upcoming sequel. He's less recognized, however, as the co-founder of Crystal Head Vodka, a globally distributed, ultra-premium spirit brand identified by its distinctive skull-shaped bottle. Launched in 2008, Crystal Head Vodka is atypical of celebrity-backed spirits in that its association with Dan is not front and center. Although he does meet-and-greet events with consumers and occasionally goes on sales calls, the brand was designed and developed to be sold on its own merits. It's a point of pride for Aykroyd who praised the company's emphasis on business fundamentals and premium positioning. In this episode, Aykroyd spoke about cutting his teeth in beverage alcohol as an importer of Patron tequila, how Crystal Head Vodka enhances its resonance with the heavy metal community, how he attempts to establish an authentic relationship with consumers, and, why, despite the company's long standing independence, he may be interested in aligning with a certain luxury-centric conglomerate. Show notes: 0:48: Interview: Dan Aykroyd, Co-Founder, Crystal Head Vodka – Aykroyd chatted with Taste Radio editor Ray Latif about Crystal Head Vodka's limited-edition "Paint Your Pride" bottle before discussing the brand's origins, the inspiration behind the skull package and its initial reception among retailers and bar directors. He also explained how he's built sustainable relationships with distributors, what makes him an effective salesman and why he believes that his celebrity has a limited impact on the brand's past and future. Later, he spoke about the delineation of roles and responsibilities among the company's ownership team and what postal work has to do with their harmonious relationship, why his friend and fellow actor Bill Murray doesn't drink Crystal Head Vodka (a sister whiskey brand is another story) and answered an infamous question with a “little g.”  Brands in this episode: Crystal Head Vodka, Patron, Casamigos, Teremana