Podcast appearances and mentions of robbie lee

Experimental songforms, percussion, breakbeats, prepared piano, sound-art… LISTEN AGAIN to the art of sound… stream on demand at fbi.radio or podcast here. Not Drowning, Waving – Amaravot [Not Drowning, Waving Bandcamp] We’re starting with an Australian band who were really decades ahead of the ball with ambient pop, melding field recordings and live tapes with creative studio techniques, acoustic instrumentation, effects and electronics. Because of David Bridie‘s soft voice and slice-of-life lyrics, I feel Not Drowning, Waving were seen as less revolutionary than they really were – and yet when David released solo albums that emphasised songwriting over sonic creativity, the music media predictably celebrated his “maturity” and suchlike nonsense. I love David’s solo work, and the often-twee but always lovely work of the post-NDW acoustic ensemble My Friend The Chocolate Cake, but Not Drowning, Waving nevertheless hold a special significance. For many, their career higlight was the groundbreaking album Tabaran, much of which was recorded with musicians in Rabaul, Papua New Guinea including the remarkable vocalist Telek (now Sir George Telek MBE!). Their travels to PNG triggered the band’s strong sense of social justice, and they became tireless promoters of West Papuan independence. The song “Blackwater“, about the brutal suppression of independence for West Papua, is haunting and still as relevant today. Fast forward to now, and David Bridie & George Telek have been friends for more than half their lives. A concert performing Tabaran was put together early last year, celebrating 50 years of Papua New Guinean independence, and the band (including Telek) enjoyed being together so much that they created a whole album’s worth of new material. My dirty secret is that, despite the stunning highlights like “Blackwater”, I always preferred the albums before (Cold and the Crackle and Claim) and after it (Circus) in their catalogue because I wasn’t so into the Papuan stringband music. However, whether I’ve mellowed over the years (lol, lmao) or whatever it is, this new album feels wonderful from start to finish, and Telek is an integral member. What an achivement! I have no idea how it sounds to those who didn’t, to some extent, experience the band while they previously existed, but I hope they have an enduring legacy. On Diamond – It’s Me Calling [Eastmint Records/Bandcamp] Naarm/Melbourne’s On Diamond are the perfect example of indie pop done experimental. Frontwoman Lisa Salvo writes beautiful, touching songs that have slippery chord changes and deeply unusual arrangements created together by the band. Previous members, often involved in the more experimental end of Naarm’s music scene include the brilliant drummer/composer Maria Moles, drummer Joe Talia (who recorded & mixed the album), and guitarist/vocalist Hannah Cameron (who contributes backing vocals along with Aarti Jadu and others). Along with Salvo’s vocals, Jules Pascoe on bass, Myka Wallace on drums and Scott McConnachie on synths and those frequently demented guitar solos, the band itself now features the glittering harp of Genevieve Fry and the percussion of Australian legend Duré Dara, born in Malaysia to an Indian background, a celebrated restaurateur with Order of Austrlaia Medal as well as jazz musician and improvisor. That’s a loaded band, put in service of Salvo’s aforementioned songs, which take strange, sidelong looks at matters of grief, longing and the passing of time. In a better world we’d be hearing these songs on rotation all day, but you – yes you – have the power to fix that, in the palm of your hand. gushes – Game One [PTP/Switch Hit Records/Bandcamp] gushes – CUT [PTP/Switch Hit Records/Bandcamp] Trust PTP (aka Protect The Peace, fka Purple Tape Pedigree) to release one of the most bizarre & brilliant albums of the year (in conjunction with artist collective Switch Hit Records). Jennae Santos’ gushes presents an unrestrained amalgam of prog metal, psych rock, jazz & classical and electronic experimentation. But there’s more than just this: the album begins with voices talking in Tagalog, and influences from Indigenous Filipinx psychology and combat swirl around with land-sea ecologies, plant medicine and queer politics of decolonization… Delicious Collision is a fully-through-composed experimental rock opera, appropriately given Santos’ background (on top of everything else) in theatre, site-specific performance & dance. Agriculture – The Reply [The Flenser/Bandcamp] With The Flenser you know you’re going to expect dark, probably metal-adjacent music, and you know it’ll probably diverge from typical genre norms. Ecstatic black metal band Agriculture do indeed employ black metal’s tremolo guitars and blast beats to reach for altered states, but then the thunder gives way to a different kind of ecstasy at times – gorgeous harmonies and clean guitar? The last track on the album somehow combines it all together – blissful chugging blackgaze, and a fragile interlude of just voice and guitar. Channeling Zen Buddhism and social collapse alongside queer history & survival, The Spiritual Sound is easily among the albums of the year. sunn O))) – Raise the Chalice [Sub Pop/Bandcamp] So yeah, the southern lords of drone metal, sunn O))), have signed to Sub Pop, the little label that could. That’s the Sub Pop that was the centre of the Seattle sound, from Mudhoney & early Soundgarden to Nirvana – in fact Nevermind‘s profits, after their contract was bought out by Geffen, were what brought them back from early ’90s financial difficulties, and their (excellent) debut Bleach, which remained a Sub Pop release, was enough to keep the label chugging along for ages. The label pretty quickly expanded out of Seattle/grunge into all sorts of other areas, as diverse as Fleet Foxes, The Postal Service, and the greatest, Clipping. Still, the stentorian, rumbling noise of sunn O))) is an interesting step sideways, hopefully a great move for both parties. Their first EP for Sub Pop follows a 7″ (yes, two tracks under 6 minutes each!) back in 2023 for the Sub Pop Singles Club, but one side of this 12″ is the 14-minute “Eternity’s Pillars”, while the flip has 2 tracks each around 8 minutes – still pretty contained. The band for these tracks is the back-to-basics core duo of Greg “The Lord” Anderson and Stephen O’Malley, and the crushingly slow unison guitar/bass is by and large the totality of the sound, but I do love the disconcerting high-pitched flicker that rises through the last part of “Raise the Chalice”. Susannah Stark – Minor Gestures [Night School Records/Bandcamp/STROOM.tv/Bandcamp] When Utility Fog started back in 2003, folktronica was a genre of which I was very fond – but it was already pretty hazy as to what it was. Slightly glitchy hip-hop sampling acoustic instruments like Four Tet was what I thought, I guess, although when Tunng came on the scene literally later that year, it held a lot of similarity without quite being the same. And meanwhile The Books were doing studio-mediated music with acoustic instruments that somehow was something else entirely, despite arguably fitting the mould. So I love that in the years since, there have been untold different approaches to “folk” + “electronics”. On her new album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album. Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A'saab أعصاب [Bilna’es/Bandcamp] Cross-media artistic duo Basel Abbas and Ruanne Abou-Ramme formed the record label & publishing platform Bilna’es along with producer Muqata’a as a space for artistic expression & criticism in Palestine & beyond. Along with the amazing productions of Muqata’a, a highlight was the 2022 solo album from Julmud, Tuqoos | طُقُوس. Now Julmud teams up with label founder Abbas, the latter under the name Acamol (Arabic for Panadol/paracetamol), along with Palestinian rapper Haykal on a new album Kam Min Janneh | كم من جنّة (How Many Heavens). The beats, produced by Julmud & Acamol separately & together, present a glitched version hip-hop drawn from the music & percussion of the MENA region, while Julmud & Haykal swap verses evoking the life of dispossession under occupation, colonization & genocide. It bears mentioning that while the killing continues in Gaza despite the so-called ceasefire, settlers continue to violently disrupt the lives of Palestinians in the West Bank with impunity – destroying property, beating and killing people and blocking access to their own land. In that context, this is a powerful work of resistance and solidarity (and some injections of humour). As I’m writing this late, you can read Emad Al Hatu’s excellent article on fbi.radio, as this was made album of the week at the beginning of November. Mohammad Reza Mortazavi – Zendegi [Latency/Bandcamp] Mohammad Reza Mortazavi – Silent [Latency/Bandcamp] French label Latency have no interest in following any kind of expectations – they’ll flip from chamber jazz to minimal techno to post-classical to percussive bass. In 2019 they released the album Ritme Jaavdanegi by Berlin-based, Iran-born percussionist Mohammad Reza Mortazavi, and now Mortazavi is back on Latency with his new album Nexus. The previous album showcased Mortazavi’s incredibly detailed and complex rhythms on traditional Persian instruments – the tombak and daf. On Nexus, Mortazavi’s playing is just as accomplished, but he extends the percussion with electronic effects and his own voice. The music is full of an otherworldly sensation, of suspension in time and place. There’s an incredible 25-minute remix by Ricardo Villalobos of the track “Swamp” from this album, coming out on December 5th – don’t miss it! IKI – Regenerate [IKI Bandcamp] IKI – Dance [IKI Bandcamp] It’s a sure bet that anything involving Danish singer Randi Pontoppidan is going to be something unique, challenging and beautiful. While she hasn’t been a member of Scandinavian vocal ensemble IKI since the beginning, she’s a perfect fit for IKI’s improvisational, electronically-mediated style. Pontoppidan joined Danish, Norwegian & Finnish singers Anna Mose, Guro Tveitnes, Johanna Sulkunen and Kamilla Kovacs four or five years ago, and BODY is their most intimate album. It can sound extremely electronic at times, but even at their most sharply edited & granulated, every sound comes from the voices of the five women. The recorded works reflect the group’s interest in how life extends past the body, and explores how the women become one organism when performing together. george-i & Older Brother – To Be A Man [GRACE/Bandcamp] Portugal-based MC Darius Rodrigues aka Older Brother has been working with London producer George Harris aka george-i for ages. Now the duo have finally come out with the Warm Skin EP on Berlin-based DJ Katiusha‘s label GRACE. And these four tracks of trip-hop-inflected bass music do walk with grace, holding Older Brother’s lyrics about the state of the world, and – on this closing track – seeking a new, post-patriarchy definition of maleness. Sun People – Herbie’s Delay [All Things Records] Austrian producer Sun People has released some creative and hard-hitting jungle & drum’n’bass that hybridizes with footwork and techno. His All Things Records provides an avenue for music of all kinds, so his new LP Look Within isn’t tied to any tempo – faster or slower than 160bpm, with a few beautifully-produced beatless tracks too. But as with “Herbie’s Delay”, there’s still some creative, syncopated jungle/d’n’b to be found too. Hyperfocus – Sentinel [Machinist Music/Bandcamp] For his fifth release (in two years!) on Canadian drum’n’bass master John Rolodex‘s Machinist Music label, Hyperfocus brings beats precision-tooled in the Machinist Music labs with evocative atmospheres and restless basslines. This is where the jungle revival bleeds back into the d’n’b mainstream, and I’m here for it. San – In Plain Sight [Rua Sound/Bandcamp] Appearing for a third time on Dublin jungle/bass label Rua Sound is Bristol’s San, a slightly mysterious individual who is apparently a techno producer working under a separate alias. This is dark stuff for haunting rave dancefloors and lying on your back with headphones on. Constantly changing cut-up breakbeats, deadly deep subs and spooky atmos, taking the cyberpunk ethos of mid-’90s drum’n’bass and applying it to contemporary jungle. POL100 – TRIBE [early reflex/Bandcamp] Turin’s early reflex label brings as usual cutting-edge experimental bass & club music as part of their Eyes series of two-track EPs. Here’s Italian producer POL100 mutating jungle and techno into strange new shapes – it’s half drumfunk and half electro maybe? Well worth your time. Hello Psychaleppo – Al Wa6an | الوطن [Fake Lines/Bandcamp] Joy Moughanni – I Can’t Seem to Find it At Home | مش عم لاقيه بالبيت [Fake Lines/Bandcamp] The first release from non-profit label Fake Lines has launched itself with a mega compilation – 36 tracks over 3 vinyl LPs – called Fake Lines: Sono Levant. It’s packed to the brim with excellent music, gregarious with genre – it may lean towards electronic music but there’s folk, hip-hop and rock of a sort. There’s an emphasis on Levant artists, but the tracklist also reaches further afield to other MENA countries and more. Montreal-based Syrian DJ Hello Psychaleppo contributes some stuttering samples and bass heft, while Lebanese producer Joy Moughanni combines jagged almost-rhythms and sound design to impressive effect. Lone – Ascension.png [Greco-Roman/Bandcamp] I’ve had an on-and-off relationship with Lone‘s music, but new single “Ascension.png” combines chromed cyberpunk and fuzzy vaporwave with jungle and rave bliss, and that makes a winner. Kelly Moran – Chrysalis [Warp/Bandcamp] A year and a half after releasing her last album, Moves in the Field, Kelly Moran returns to her more familiar territory of chiming prepared piano and electronics, with an album that’s complementary to last year’s. For Moves in the Field, Moran took her piano compositions and programmed them into a Disklavier, a physical piano that can be played via digital programming. So Moran was able to perform alongside her digital copy, with dazzling patterns climbing up and down the keyboard. On Don’t Trust Mirrors, the sound is more uncanny – synths and prepared piano melting into each other – but the performances are more clearly human. And those familiar with the previous album will hear echoes of those pieces throughout. Quartz Sand – Chemical Sedimentary (excerpt 2) [Flaming Pines/Bandcamp] I was lucky to get to see Kate Carr & Cath Roberts playing together at a gallery in Hoxton, London back in May. Carr is an Australian sound-artist who runs the impeccable Flaming Pines label and is one of our finest proponents of field recording, as well as music made from non-musical objects; Roberts is an improviser and composer who has been working with the Lyra-8 synthesizer, an “organismic” synthesizer, whose 8 voices interact in non-linear ways along with some effects. The duo’s name, “Quartz Sand”, suggests minerals and inorganic matter (quartz is silicon dioxide, perhaps the most basic inorganic molecule), and the idea of the album’s title, Stratigraphy, is to imply a vertical structure – rather than a typical horizontal time-based structure – as primary. But don’t be fooled: these two near-half-hour pieces aren’t static at all. It’s just that the action happens often between the crinkly, whistly high frequencies and the gurgling, grinding bottom end. It’s like listening to a cross-section of the earth’s crust – in a good way. Lea Bertucci – Two Way Mirror [Cibachrome Editions] It should be well-known and universally acknowledged now that Lea Bertucci is one of the best sound-artist/composers of the last decade and a half. Whether site-specific works exploring & exploiting – for instance – the resonance of a hollow bridge in Köln (2020’s Acoustic Shadows), myriad works live-processing her own saxophone and other instruments, or her work with reel-to-reel tape machines, she’s a master of her craft. Recent times have seen a number of incredible collaborations from Bertucci: in 2022, she operated tapes & electronics around Robbie Lee‘s baroque & medieval instruments on Winds Bells Falls, while on Murmurations, her tapes were as prominent, but she also brought various wind instruments and her voice to the table, next to Ben Vida‘s synths & voice; and on her tectonic collaboration in 2023 with Brisbane’s own Lawrence English, cello, viola and lap steel guitar emerge as well. Earlier this year Lawrence’s ROOM40 released an astounding work of Bertucci together with another masterful sound-artist, Olivia Block. So needless to say her new album The Oracle is a tour de force, engaging her many instruments, field recordings and, importantly, her own voice, all filtered through tape manipulation and digital processing. Only on the last track are percussionists from the Wesleyan University Taiko Ensemble enlisted for a booming – yet obscured – finale. Of course, it’s not just technially interesting or impressive (although it is those things) – it’s also music that will draw you in and move you, despite the vocals being twisted into non-textual shapes. It’ll easily be high on my albums of the year list for 2025. Alexandra Spence – Magenta (with Delphine Dora) [Students of Decay/Bandcamp] Back to Sydney to finish, Alexandra Spence is another brilliant sound-artist who works with field recordings and found objects to tell a story about place and memory. Her last two albums (from 2022) arose from a fascination with oceans and waterways; the scope is wider here, from mountains to backyards, but the ecological and geological also interact here with the personal. As well as recordings of places and non-musical objects, Spence (a clarinettist) here uses sounds from Serge Modular synths and a custom-built lyre, and on tonight’s track, Spence also brings in the voice and instrumentation of French composer & musician Delphine Dora. Listen again — ~222MB

The finale of our season on the awesome movie year of 1975 features our audience choice pick, Jack Hill's Switchblade Sisters. Directed and co-written by Jack Hill and starring Joanne Nail, Robbie Lee, Monica Gayle and Asher Brauner, Switchblade Sisters prevailed over six other sexploitation movies in our 1975 audience choice poll.The contemporary reviews quoted in this episode come from Bill Thompson in The Philadelphia Inquirer, Roger Ebert (https://www.rogerebert.com/reviews/switchblade-sisters-1996), and Kevin Thomas in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1996-06-14-ca-14761-story.html).Special thanks to our guest, UNLV professor of gender and sexuality studies Lynn Comella.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1975 season.

Mary Halvorson has established herself as one of the finest guitarists of her generation; Robbie Lee has established himself as a versatile flutist, sax player, and keyboardist. Their 2018 album together sports such oddities as a 19th-century harp guitar with 18 strings, the world's smallest saxophone, and a Renaissance reed instrument called the chalumeau. The music of edited improvisations covers a lot of sonic ground, floating between folk and jazz and world music. Robbie Lee and Mary Halvorson are in the studio for an improvised set of "mutant chamber jazz" (via @robbielee.) [From the Archives, 2018.]

​Play AFTV PICK10 and you could win a share of a minimum of a £10,000 prize pot every weekend.

Meet Robbie Lee—longtime Audubon Park resident, artist, educator, and assistant coach for Lake Highland's varsity bowling team. We learn about growth mindset, bowling across America, and what it's like to have your nearly-published children's book idea stolen out from under you by none other than the head writer for the Simpsons.

It's All About Jesus // Robbie Lee, guest speaker View YouTube Video Livestream

This episode features James Ilgenfritz, Brian Chase and Robbie Lee. We listen to their Infrequent Seams release "Loss and Gain." We talk about improvisation, musical communication, and why they create.

See omnystudio.com/listener for privacy information.

"The ESP Spy" Airdate: March 2, 1975 Written by Lionel E. Siegel Directed by Jerry London Synopsis: Steve recruits a young woman with ESP talent to suss out another ESP person who is stealing secrets from the minds of OSI scientists. John and co-host, artist Jerry Lange, are joined by Chris Cooling of The Forgotten TV Podcast as they obsess about the term kinky in the episode, as well as discuss how casual working with kids appeared for action adventure shows of the past and the performance of Robbie Lee.. Join us Sunday nights at 7:00ET as we discuss an episode of THE SIX MILLION DOLLAR MAN and Wednesday nights at 7:00ET as we discuss an episode of THE BIONIC WOMAN with a fan as well as featuring live commentary from our viewers.  Bionic Operative Chris Cooling       BIONIC GALLERY    

Today we are discussing Light Language. Remember the Light Language within you! The language of your soul. Use your Light Language to access the vault of your soul's library, clear distortions, heal yourself, empower others to heal, retrieve soul memories, raise your vibration, embody your divine creator, beingness, connect with your multi-dimensional self, past lives, galactic, angelic frequencies and practice your telepathic communication! Robbie Lee's bio: I am a spiritualistic mystic, and a trailblazer guide, who is also Law of Attraction life coach certified! I empower people to re-connect with their creative inner child within so everyday you create joyfully, as you get to grow forevermore again! So many people desire to understand how they too, can make a difference. And all they need is a little direction , so that they may create their chance. What I have found is that most of all, what people desire to do. Is to live their life on purpose, and with passion follow through! Shownotes: Join Robbie's group: Robbie Lee's Trailblazer's Tribe Connect with Charlotte Kaye: Instagram: @charlottekayecoachFacebook groupCharlottekayecoach.com Hire Charlotte Kaye: Virtual Decluttering subscription: https://app.moonclerk.com/pay/3qvyofe6kjoi Virtual life coaching subscription: https://app.moonclerk.com/pay/25h5mf47917d

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Let's Go Swimming (live 6/24/84) by Arthur Russell on Sketches for World of Echo June 25 1984 Live At Experimental Intermedia (Audika) 6′54″ Kajri Dadra by Ustad Bismillah Khan on Shehnai Samrat (T-Series) 16′14″ This Was The Only Spot That Was Green by Che Chen & Robbie Lee on The Spectrum Does (audioMER) 19′29″ Set-2-2 (excerpt) by Anthony Braxton on Anthony Braxton – Past, Present, Future: Selections From The Tri-Centric Foundation Archives Vol. 2 (New Braxton House) 23′44″ Hoy Polloy III by Caldwell/Tester on Live Times 2.1 (Medium Sound) 30′00″ Inveterate Observatories by Andrew Tuttle & Padang Food Tigers on A Cassowary Apart (Bedroom Suck Records) 34′55″ Curtain by Gunn-Truscinksi Duo on Soundkeeper (Three Lobed Recordings) 39′11″ The Hall of Mirrors in the Palace at Versailles by John Cale & Terry Riley on Church of Anthrax (Columbia Records) 47′02″ The shape of the land by David Shea on The Thousand Buddha Caves (Room40) 54′02″ Hello Stranger by Julia Holter on Loud City Song (Domino) Check out the full archives on the website.

Today, Visionary/ Law of Attraction coach Robbie Lee is here to interview me!  Robbie shares all his wisdom on digging through the clutter to reach a perfect vision for your life. He shares his own incredible life experiences, including three major head surgeries, that led to his own transformation.  He asks me about my own visionary awakening on living more aware and consciously, how I navigate feeling the feels during not-so-good times, mindset, and gaining clarity.  Our conversation felt like a deep internal cleanse, thanks Robbie!    Shownotes: charlotte@charlottekayecoach.com  Robbie Lee Facebook trailblazercoaching@gmail.com   Connect with meInstagram: @charlottekayecoachFacebook groupCharlottekayecoach.com

Robbie Lee, Public Relations Director the Exceptional Foundation, on their programs and services. Alabama Care is partially supported by ACDD.org. The views expressed are not necessarily the views of this organization.

Robbie Lee is a shamanistic mystic, spiritual poet, a Star Finder and a Trail Blazer guide. He is is also transformational Law of Attraction, Life Coach certified. In this episode you will hear why Robbie Lee is a Trailblazer. He wants to empower people to reawaken, and to play with their creative inner child again. He shared those powerful words with us to teach about the power of shift. Where he was then comparing to where he is now: " Everything did have a purpose and a reason... for a long time I just felt there was nothing, there was no divine planning. I even felt that in times I was watching my life goes by" "Old fashioned generational program that was ingrained in me". Transformed him to believe this: "I know I'm only gonna be here for a short while... and I felt inside that the reason I must be her... If I can just make a good difference in a small way by helping other people, what an amazing concept, and that felt good to me" Robbie Lee is helping you live your life fully and with purpose, leaving a lasting legacy, by finding and following your destiny. Take a listen! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/uslayconfidence/message Support this podcast: https://anchor.fm/uslayconfidence/support

We don’t have an interview this week because we wanted to have a discussion around our different approaches to project planning, experimenting with new approaches to time management, and doing what comes naturally. Everyone is busier than ever with the pandemic putting new demands on our time. In this episode, Aijung talks about brushing up on her perspective skills using YouTube videos, tutorials, and books. Those included Perspective Made Easy by Robbie Lee, "How to Draw a Room in 1-Point Perspective" and "How to Draw a Kitchen in 2-Point Perspective" by Circle Line Art School, and the "How to Place Vanishing Points" tutorial by Martina Cecelia.Phil mentions Getting Things Done by David Allen, learning from illustrator Casey Wise, Adam Rex’s character sculpts, and YA author Bill Blume.

This episode includes a Book Talk, Augmented Reality and the Joke of the Week.Book TalkI talk about one of my favourite fantasy book series, "The Wheel of Time", and review the first book in the series called "The Eye of the World."Resources:Tor.com - Robert JordanThe Eye of the World: The Graphic Novel, Volume 1 (Excerpt) Chapters.ca - THE EYE OF THE WORLD: BOOK ONE OF THE WHEEL OF TIME Chapters.ca - THE EYE OF THE WORLD: THE GRAPHIC NOVEL, VOLUME ONETech TalkIn the Tech Talk segment I talk about Augmented Reality and the Reality Composer app.Resources:AR RocketShip created in Reality Composer iOS app (YouTube)Reality Composer iOS appGet to know Reality Composer - Apple Support (YouTube)Best AR apps in 2020: Augmented reality comes to your phoneAR Makr iOS appPokemon GO iOS appJoke of the WeekI also tell my Joke of the Week. It's a doozie.If you are enjoying this podcast, please consider subscribing to it in Apple Podcast, Spotify, Stitcher, Google Podcast or from wherever you download your podcasts.Music Credit: The theme music used in this podcast was created by Robbie Lee.

In today's episode, I meet Robbie-Lee Valentine a TV presenter who came to prominence on the Turkish ATV's talk show Elin Oğlu. He has 1.5+ million views on his youtube channel and still has a following from his time in Turkey. He's back in the UK and just in talks with a production company and Channel 4 on creating a new TV show. He's also Neurodiverse and shares his personal story and journey. We also get to hear a snippet from his new book.

"It's great to look back and feel like you have made a meaningful contribution to public health before having entered the workforce..." so says Robbie-Lee Stephen an intern at Hepatitis Victoria studying for a Master of Public Health at the University of Melbourne. Her intern project, led by Community Engagement and Education Project Manager Aurora Tang, is a new community initiative, the Chinese Health Promotion Coalition launched on 23 September at Melbourne Town Hall. Robbie talks about her role and its key priorities with the overall goal being the elimination of viral hepatitis B and related liver cancer within the Victorian Chinese community. The Chinese community in Victoria is 10 times more likely to have chronic hepatitis B and 6 times more likely to develop preventable liver cancer.

¿Cómo sonaría Charlie Parker de haber vivido en el siglo XXI? Algo así parecen preguntarse los miembros de Walking Distance, un cuarteto neoyorquino que presenta "Freebird" con la colaboración del pianista Jason Moran. En esta edición de 'Club de Jazz' del 2 de noviembre de 2018 procuramos evitar los "Coïtus Interruptus", salvo que éstos procedan de proyectos tan imaginativos como el del baterista Sylvain Darrifourcq con su trío In Love With (en este caso, con Samuel Beckett y William Faulkner). Tras tanta locura, el baterista Ernesto Cervini trata de imponer un poco de cordura con el nuevo trabajo de su sexteto Turboprop, con el que celebra la "Abundance". Por su parte, el saxofonista JD Allen se sale de su terreno habitual para deleitarse con baladas en "LoveStone". Una de nuestras favoritas, la guitarrista Mary Halvorson, explora con instrumentos históricos en "Seed triangular", un viaje que comparte con Robbie Lee, especialista en flauta barroca y otros instrumentos de viento-madera. Desde Sevilla asoma una propuesta con guiños al ethio-jazz y otras referencias como Sun Ra o los Sons of Kemet de Shabaka Hutchings. Se hacen llamar Larsen C & The Millenials. Cerramos programa con el nuevo trabajo del pianista Kenny Werner, que presenta "The Space", en piano solo. Toda la información y derechos: http://www.elclubdejazz.com

¿Cómo sonaría Charlie Parker de haber vivido en el siglo XXI? Algo así parecen preguntarse los miembros de Walking Distance, un cuarteto neoyorquino que presenta "Freebird" con la colaboración del pianista Jason Moran. En esta edición de 'Club de Jazz' del 2 de noviembre de 2018 procuramos evitar los "Coïtus Interruptus", salvo que éstos procedan de proyectos tan imaginativos como el del baterista Sylvain Darrifourcq con su trío In Love With (en este caso, con Samuel Beckett y William Faulkner). Tras tanta locura, el baterista Ernesto Cervini trata de imponer un poco de cordura con el nuevo trabajo de su sexteto Turboprop, con el que celebra la "Abundance". Por su parte, el saxofonista JD Allen se sale de su terreno habitual para deleitarse con baladas en "LoveStone". Una de nuestras favoritas, la guitarrista Mary Halvorson, explora con instrumentos históricos en "Seed triangular", un viaje que comparte con Robbie Lee, especialista en flauta barroca y otros instrumentos de viento-madera. Desde Sevilla asoma una propuesta con guiños al ethio-jazz y otras referencias como Sun Ra o los Sons of Kemet de Shabaka Hutchings. Se hacen llamar Larsen C & The Millenials. Cerramos programa con el nuevo trabajo del pianista Kenny Werner, que presenta "The Space", en piano solo. Toda la información y derechos: http://www.elclubdejazz.com

From 2008: Guys, here’s an offer you can’t refuse: a lesbian woman is going to give you tips on picking up a hottie. I know, I know – the whole idea made me laugh, too. But then I read Robbie Lee’s book, The Straight Man’s Pocket Guide to Picking Up a Hottie: Written By a Woman Who Loves Woman, and I thought, “Why not?” I’m not in the market for love, but I know an awful lot of guys who are and just don’t understand why some guys succeed and others fail.

BCG extension manager, Ciara Cullen, recently caught up with Birchip farmer Robbie Lee and BCG livestock officer Alison Frischke to discuss the profitable integration of livestock and cropping. For a mixed farm to operate at its full potential, the two components (livestock and cropping) need to work better than the individual components alone. This BCG in Focus podcast was funded by the National Landcare Program 1 Federal Government and the Wimmera CMA.

Robbie Lee is a multi-instrumentalist who plays an array of instruments, all inter-connected for him, but sometimes far apart in sound and genre. He grew up in Massachusetts but has lived in Brooklyn for the past several years where he has founded two record labels, I and Ear, and more recently Telegraph Harp. Frequently he appears behind the scenes, performing as a sideman, producer and engineer. He recently stopped by to discuss two upcoming records of his own, both of which represent a major step forward as an artist: a trio with Norbert Rodenkirchen and James Ilgenfritz called Opalescence, coming out on Telegraph Harp June 22, as well as a duo with the great Mary Halvorson, Seed Triangular, coming out on New Amsterdam this fall.

TODAY’S GUEST: ROBBIE LEE, AUTHOR, THE STRAIGHT MAN’S POCKET GUIDE TO PICKING UP A HOTTIE, THE LOVE DETOUR CHRONICLES(June 2008) Guys, here’s an offer you can’t refuse: a lesbian woman is going to give you tips on picking up a hottie.I know, I know – the whole idea made me laugh, too. But then I read Robbie Lee’s book, The Straight Man’s Pocket Guide to Picking Up a Hottie: Written By a Woman Who Loves Woman, and I thought, “Why not?”I’m not in the market for love, but I know an awful lot of guys who are and just don’t understand why some guys succeed and others fail.Maybe you’ve just been going to the wrong source for answers.Subscribe to Mr. Media for FREE on YouTube: http://www.youtube.com/subscription_center?add_user=MrMediaRadioFor more interviews like this one: http://www.MrMedia.com What is Mr. Media® Interviews? The calm of Charlie Rose, the curiosity of Terry Gross and the unpredictability of Howard Stern! Since February 2007, more than 1,000 exclusive Hollywood, celebrity, pop culture video and audio comedy podcast interviews by Mr. Media®, a.k.a., Bob Andelman, with newsmakers in TV, radio, movies, music, magazines, newspapers, books, websites, social media, politics, sports, graphic novels, and comics! Twitter: http://www.twitter.com/andelmanFacebook: http://www.facebook.com/MrMediaRadio

Robbie Lee (Big Bad Mama, Rainbow Brite, The Get Along Gang) reprises her role asAudrey Moss, last seen in "The E.S.P. Spy" and returns to help Steve Austin go undercover as a magician in order to retrieve a stolen Navy code book. Other guest stars include, Jack Colvin (The Incredible Hulk) and Pernell Roberts(Bonanza, Trapper John MD). John's favorite Bionic actor, William T. Zacha also makes an appearance. "Good eats."   Paxton Holley (of the Cavalcade of Awesome and the Nerd Lunch Podcast) helps us review this very magical episode of The Six Million Dollar Man. Robbie Lee was gracious enough to record our lead-in bumper. And we also offer a sneak-peek at our Case File interview with writer Bob McCullough ("In This Corner, Jaime Sommers," "Jaime and the King")  who recalls how he wrote the original story treatment for "Hocus-Pocus" but never got credit!   Additional music provided by Robin Spanell.

Well what is cooler than creating a grilled cheese truck and turning it into a 100 million dollar company! Find out how Robbie did it and how you can do it too!