Podcast appearances and mentions of sarah delappe

In this week's episode, both of our storytellers become extremely fixated on something very specific. Part 1: After being diagnosed with breast cancer and opting for bilateral mastectomies, Jenna Dioguardi becomes beholden to her cancer to-do list. Part 2: As an 11-year-old kid, Luke Strathmann makes it his life mission to get rich off of Beanie Babies. Jenna Dioguardi is an Obie & Drama Desk-award winning performer. She made her Off-Broadway debut originating the role of #13 in Sarah DeLappe's The Wolves, and can now be seen storytelling in dimly lit venues throughout New York. Her solo show, Nipples for Christmas, is currently in development and had its debut in March. By day, Jenna works as a video producer and editor, creating the ads that target you on Instagram. She co-produced, starred in, and edited Smooch the Tucc, a web series chronicling Stanley Tucci's Searching for Italy, and she was the co-creator and co-host of two live shows: The Best Storytelling Show (we promise) and The Mister Rogers Variety Hour. Follow her work on IG @jennadio3 & at ⁠jennadioguardi.com⁠. Luke Strathmann is an NYC-based writer and comedian, and currently leads the communications team at Yale's Department of Economics. His writing has appeared in The New Yorker and McSweeney's, and he is the proud host of ‘EconLOL,' the world's first, best, and only economics-themed comedy variety show (at Caveat Theatre in NYC). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Fort Lewis College Theatre Department presents the award-winning one-act play The Wolves, written by Sarah Delappe and directed by Associate Professor Felicia Lansbury Meyer. The play features an all-female cast and centers on the conversations of a high school girls' soccer team. The Wolves runs from February 29th through March 3rd at the Gallery Theatre in the Fort Lewis College Theatre Building. By Jessica McCallum.  Watch this story at www.durangolocal.news/newsstories/fort-lewis-college-theatre-presents-the-wolves  This story is sponsored by The Payroll Department and Freddy's Frozen Custard & Steakburgers. Support the show

Actor Anna Mongtomery and director Mary Trotter discuss the UW-La Crosse Department of Theatre and Dance production of Sarah DeLappe’s “The Wolves.” The Pulitzer Prize-nominated play tells the story of a high school girls soccer team. Trotter and Montgomery share their experiences putting together the coming-of-age story and collaborating with the UWL soccer team for […]

Actor Anna Mongtomery and director Mary Trotter discuss the UW-La Crosse Department of Theatre and Dance production of Sarah DeLappe’s “The Wolves.” The Pulitzer Prize-nominated play tells the story of a high school girls soccer team. Trotter and Montgomery share their experiences putting together the coming-of-age story and collaborating with the UWL soccer team for […]

This week, playwright, poet, and author Pearl Cleage discusses her life and career with Remy Bumppo Theatre Artistic Director Marti Lyons. Remy Bumppo staged Cleage's Blues for an Alabama Sky in the fall of 2023. This conversation originally took place September 26, 2023 and was recorded live via Zoom. AWM PODCAST NETWORK HOME More about the speakers: Pearl Cleage (she/her/hers) is an Atlanta-based writer whose plays include POINTING AT THE MOON, WHAT I LEARNED IN PARIS, FLYIN' WEST, BLUES FOR AN ALABAMA SKY, and BOURBON AT THE BORDER, commissioned and directed by Kenny Leon at the Alliance Theatre. She is also the author of A SONG FOR CORETTA, written in 2007 during Cleage's time as Cosby Professor in Women's Studies at Spelman College. Her play, THE NACIREMA SOCIETY REQUESTS THE HONOR OF YOUR PRESENCE AT A CELEBRATION OF THEIR FIRST ONE HUNDRED YEARS, was commissioned by the Alabama Shakespeare Festival and premiered in 2010, in a joint production by the ASF and Atlanta's Alliance Theatre, directed by Susan Booth. Her plays have also been performed at Arena Stage, Hartford Stage, the Oregon Shakespeare Festival, the Huntington Theatre, the Alabama Shakespeare Festival, the Long Wharf Theatre, Just US Theatre, True Colors Theatre, Bushfire Theatre, the Intiman Theatre, St. Louis Black Repertory Company, and Seven Stages. She is also an accomplished performance artist, often working in collaboration with her husband, writer Zaron W. Burnett, Jr. They have performed at the National Black Arts Festival, the National Black Theatre Festival, and colleges and universities across the country. Cleage and Burnett also collaborated with performance artists Idris Ackamoor and Rhodessa Jones on the script for THE LOVE PROJECT, which premiered at the National Black Theatre Festival in 2008, and is currently touring the country. Cleage is also an accomplished novelist. Her novels include “What Looks Like Crazy on an Ordinary Day,” a New York Times bestseller and an Oprah Book Club selection, “I Wish I Had a Red Dress,” “Some Things I Never Thought I'd Do,” “Babylon Sisters,” “Baby Brother's Blues,” “Seen It All and Done the Rest,” and “Till You Hear from Me.” She is also the author of “Mad at Miles: A Blackwoman's Guide to Truth,” a groundbreaking work of race and gender, and “We Speak Your Names,” a praise poem commissioned by Oprah Winfrey for her 2005 celebration of legendary African American women and written in collaboration with Zaron Burnett. Cleage has also written for magazines, including “Essence,” “Vibe,” “Rap Pages,” and “Ms.” In addition to her work as the founding editor of “Catalyst” magazine, a literary journal, she was a regular columnist for the Atlanta Tribune for ten years, winning many awards for her thought-provoking columns. She has also written for TheDefendersOnLine.com. Cleage has been awarded grants in support of her work from the National Endowment for the Arts, the Fulton County Arts Council, the Georgia Council on the Arts, the Atlanta Bureau of Cultural Affairs, and the Coca-Cola Foundation. Her work has earned her many awards and honors, including an NAACP Image Award for fiction in 2008. Pearl Cleage is represented by Ron Gwiazda at Abrams Artists Agency in New York City. Her website is www.PearlCleage.net. She also maintains a Facebook fan page. www.pearlcleage.net. Marti Lyons (she/her/hers) most recently directed the world-premiere of Galileo's Daughter by Jessica Dickey at Remy Bumppo, Georgiana and Kitty: Christmas at Pemberly at Northlight Theatre, Wife of a Salesman by Eleanor Burgess at Milwaukee Rep, Sense and Sensibility adapted by Jessica Swale at American Players Theatre and the world-premiere of John Proctor is the Villain by Kimberly Belflower at Studio Theatre in D.C. Marti's other productions include The Niceties by Eleanor Burgess at Writers Theatre; Cymbeline at American Players Theatre; The Wolves by Sarah DeLappe and both the stage and audio productions of Kings by Sarah Burgess at Studio Theatre; the world-premiere of How to Defend Yourself by liliana padilla, a Victory Gardens and Actors Theatre of Louisville co-production; Cambodian Rock Band by Lauren Yee at Victory Gardens and City Theatre; Witch by Jen Silverman at Geffen Playhouse and Writers Theatre (LA Drama Critics Circle Award for Best Direction); Native Gardens by Karen Zacarías at Victory Gardens; Botticelli in the Fire by Jordan Tannahill at Woolly Mammoth Theatre Company; I, Banquo at Chicago Shakespeare Theater; Title and Deed by Will Eno at Lookingglass Theatre Company; Laura Marks' Bethany and Mine at The Gift Theatre. Marti is also an ensemble member at The Gift Theatre, and a member of Stage Directors and Choreographers Society. martilyons.com

Welcome to Soccer FC: Fandom & Culture. This is an exploration of soccer fandom and culture for new fans. Because there's more to soccer than what happens on the field. This episode answers the question: if art imitates life, and football is life, then does art imitate football? My review of The Wolves, written by Sarah DeLappe and running until October 16, 2022 at McCarter Theatre in Princeton.Your host is Wright Seneres, soccer aficionado and podcast host (Princeton Spark, Effect Pedal, Hip Hop Movie Club).Credits:Soccer FC: Fandom and Culture is a MeteorWright production. Sources for this episode are in the show notes. Check out the website: soccerfc.co, for all Soccer FC content. Produced and edited by me, Wright Seneres. Theme music is "Lucky Day" by The Meritocracy. Many thanks to Alice Seneres. Sources:The Wolves at McCarter TheatreFinalist: The Wolves, by Sarah DeLappeThe Wolves: A Play: Off-Broadway Edition: DeLappe, Sarah + Free ShippingThe Wolves by Sarah DeLappe | PDF

Bodies Bodies Bodies is a 2022 American black comedy horror film directed by Halina Reijn in her English-language debut. Written by Sarah DeLappe from a story by Kristen Roupenian, the film stars Amandla Stenberg, Maria Bakalova, Myha'la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, and Pete Davidson. Bodies Bodies Bodies premiered at South by Southwest on March 14, 2022, and was theatrically released in the United States on August 5, 2022, by A24. The film received generally positive reviews from critics, who praised the humor and the cast's performances. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Slasher films are one of the staples of the horror film genre.  And the latest movie, BODIES BODIES BODIES (2022), adds some hip and new things to the subgenre that may point directly to Generation Z and their ilk.  Starring a lot of up-and-comers and including Pete Davidson, the movie is the latest from the distributor A24 known for such classics as FIRST REFORMED (2018) and MIDSOMMAR (2019). Anytime is a great time for a house party.  When a group of friends decide to have a “hurricane” party to wait out a storm, host David (Pete Davidson) invites a group of friends over to party it up.  When they decide to play the murder-in-the-dark game Bodies Bodies Bodies, one of them is brutally murdered resulting in the rest becoming suspicious of the rest.  Soon the body count rises and the party-goers have to make decisions that will determine if they live or die. The film was written by Sarah DeLappe from a story by Kristen Roupenian.  The script was brought to film by director Halina Reijn and stars Amandla Stenberg, Maria Bakalova, along with breakout star Rachel Sennott.  Receiving very positive critical responses, the movie may have already become a cult classic.  Listen to your co-hosts while live-in-person in Mystic, Connecticut discuss this latest slasher film.

Directed by Halina ReijnWritten by Sarah DeLappe, Based on a story by Kristen RoupenianStars Amandla Stenberg, Maria Bakalova and Rachel SennottRated RRuntime: 1hr 34minPremiered at SxSW March 14, 2022Released August 5, 2022RT: 88% critics, 72% audienceSynopsisQuiet Bee travels with new girlfriend Sophie to the home of her wealthy best friend David to ride out a hurricane. Soon the privileged 20-somethings are engaged in drinking, drugs and party games, including the titular Bodies Bodies Bodies. However, one of the partiers inevitably ends up dead IRL, leading to a booze-filled whodunnit.Next us, join us as we'll be reviewing Watcher, available to rent meow. Theme music: "Secret of Tiki Island" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Support Leaving the Theater on Patreon using the link below: https://www.patreon.com/LeavingTheTheaterRonald Young Jr. reviews Bodies Bodies Bodies…with Michael Jefferson aka Mass Potential Mass Potential roasts Ronald for being too hard on films with his rating system. Also, they both liked this movie. 4 of 5 stars Follow me on IG, and Twitter - @ohitsbigron Follow Michael Jefferson on IG and Twitter - @masspotential and on TikTok - @masspobeats Check out more of Michael's work here:https://www.masspobeats.com/ Available in theaters Starring Amandla Stenberg, Maria Bakalova, Myha'la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, and Pete DavidsonDirected by Halina RejinWritten by Sarah DeLappe https://www.imdb.com/title/tt8110652/

A group of friends gather at a coastal mansion as a hurricane bears down, and decide to play an all-too-real murder game. Matt & Ashley review the new A24 film, Bodies Bodies Bodies.

In this episode Rachel chats with Tedra Millan, one of New York's most celebrated young talents! Teddi originated the role of #46 in Sarah Delappe's The Wolves that world premiered at Playwrights Realm, and went on to Lincoln Centre production (that was made available for streaming earlier this year). Teddi has also been on Broadway in the revival of Noel Coward's Present Laughter (starring Kevin Kline), as well as the New York premiere of On the Shore of the Wide World by Simon Stephens at the Atlantic, and Happy Talk by Jesse Eisenberg produced by the New Group.These old friends catch up about:where it all startedhow everything changed for Teddi after grad schooland what's up next for this busy actorBut really...these two just shoot the shit for a little while.The movie she is currently shooting is a thriller called The Lot . You can catch her next in LA at the Geffen Playhouse in the west coast premiere of Power of Sail with Bryan Cranston and Amy Brenneman. Thanks for tuning in!------Intro music by David HilowitzSupport the show (https://www.patreon.com/upstageleft)

In this episode, Brynn discusses the Pulitzer Nominated play, The Wolves by Sarah Delappe, with dramaturg and actor Grace Walker. We learn about the history of women's soccer in America, sexism within the sport, and more! Lily Welsh gives a rousing performance as #25, and Grace tells us all about the many layers that make this play so amazing that it became a Finalist for the Pulitzer Prize in Drama. If you like slice of life dramas, soccer, and extremely truthful depictions of womanhood under patriarchy, this one's for you! Lily Welsh: lilywelsh1212@gmail.com Grace Walker: gracewalkerswebsite.com Email: theplaymatespodcast@gmail.com Website: www.playmatespodcast.weebly.com Instagram: @playmatespodcast Tiktok: @librariansdaughter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/brynn-hambley/support

in this week's episode, Kait and Julia sit down with Lauren Teller and Avery Norris to discuss The Wolves by Sarah Delappe. They reflect on their own personal production of this play as well as the importance of female playwrights in the industry as a whole, and the industry in its representation of women. Enjoy!

In this episode of Money Tales, our guest is Johanna Pfaelzer. Johanna has walked the creative path from actor to producer and now is an artistic director. Those steps gave her control over the future she wanted while still being able to influence theatrical arts in a powerful way. Under Johanna's leadership, many notable works have been developed, including the 2016 Tony Award winner “Hamilton” by Lin-Manuel Miranda. Like many creative people, Johanna waitressed tables early on to pay her bills and fund her projects. Money has continued to be a leading actor throughout her career as she helps support her family and the different theater companies she's been a part of. Today, Johanna is honored to serve as Berkeley Repertory Theater's fourth artistic director. She recently spent 12 years as the artistic director of New York Stage and Film (NYSAF), a New York City-based organization dedicated to the development of new works for theatre, film, and television. NYSAF is known for providing a rigorous and nurturing environment for writers, directors, and other artists to realize work that has gone on to production at the highest levels of the profession. Other notable works that were developed under Johanna's leadership include “The Humans” by Stephen Karam, “The Wolves” by Sarah DeLappe, “Junk and The Invisible Hand” by Ayad Akhtar, “A 24-Decade History of Popular Music” by Taylor Mac, “Hadestown” by Anaïs Mitchell, “The Homecoming Queen” by Ngozi Anyanwu, “The Great Leap” by Lauren Yee, John Patrick Shanley's Pulitzer- and Tony-Award-winning “Doubt”, “The Fortress of Solitude” by Michael Friedman and Itamar Moses, “The Jacksonian” by Beth Henley, and Green Day's “American Idiot.” See all episodes >

In this episode of Money Tales, our guest is Johanna Pfaelzer. Johanna has walked the creative path from actor to producer and now is an artistic director. Those steps gave her control over the future she wanted while still being able to influence theatrical arts in a powerful way. Under Johanna's leadership, many notable works have been developed, including the 2016 Tony Award winner “Hamilton” by Lin-Manuel Miranda. Like many creative people, Johanna waitressed tables early on to pay her bills and fund her projects. Money has continued to be a leading actor throughout her career as she helps support her family and the different theater companies she's been a part of. Today, Johanna is honored to serve as Berkeley Repertory Theater's fourth artistic director. She recently spent 12 years as the artistic director of New York Stage and Film (NYSAF), a New York City-based organization dedicated to the development of new works for theatre, film, and television. NYSAF is known for providing a rigorous and nurturing environment for writers, directors, and other artists to realize work that has gone on to production at the highest levels of the profession. Other notable works that were developed under Johanna's leadership include “The Humans” by Stephen Karam, “The Wolves” by Sarah DeLappe, “Junk and The Invisible Hand” by Ayad Akhtar, “A 24-Decade History of Popular Music” by Taylor Mac, “Hadestown” by Anaïs Mitchell, “The Homecoming Queen” by Ngozi Anyanwu, “The Great Leap” by Lauren Yee, John Patrick Shanley's Pulitzer- and Tony-Award-winning “Doubt”, “The Fortress of Solitude” by Michael Friedman and Itamar Moses, “The Jacksonian” by Beth Henley, and Green Day's “American Idiot.” Learn more about Money Tale$ > Subscribe to the podcast Recent episodes See all episodes > Form CRS Form ADV Terms of Use Privacy Rights and Policies

This week we hear from four incredible individuals who have navigated their way through their journey as artists in very different ways. While their voices are unique, the thread that runs through will be recognized by anyone who strives to live a life versus just make a living.  Resilience, authenticity, courage and allyship are all on stage within this two-hour episode.Matt Seiiji Ketai is Japanese- American writer and actor originally from Abq, New Mexico. As an actor, Matt’s New York credits include: Abingdon Square (reading, WP Theatre), LIAR (workshop, dir. Tamilla Woodard), Oedipus (La Mama), La Ruta (workshop, Working Theatre), Xander Xist […] (premiere, wr. Jeremy O. Harris), Mom Play (premiere, wr. Sarah Delappe), among others. Regional credits include: Hot Cross Buns (workshop, Seattle Rep), Regretfully, So the Birds Are (reading, Ojai Playwrights Conference), Dracula (Williamstown Theatre Fest), A Christmas Carol (Trinity Rep.), Ideation (New Rep), among others. Film/TV: Egg Day, Start Up, Startup. As a writer, Matt's work has been produced throughout New York and New England (most recent productions include: Blue. (PrideFest 2019– New Wave) and God’s Game (Brunch Theatre - 2020). He was a semi-finalist in the ATX television pitch competition (2021) and his screenplay From Top to Bottom was a quarterfinalist in the 2020 WeScreenplay TV competition, among others. He has written for the web-series “Love In NY” and for Bad Guru Productions (Start Up, Start-Up). And in 2019 his  solo show Spiral. was a Critic's Pick at the United Solo Festival and was featured at the FGP 2019 anti-gala. Training:  BFA Boston University, MFA Brown University. Instagram/Twitter: @mattketai www.mattketai.comAlexis Green (she, her)  is a professional actor and director living in Chicago. Originally from Phoenix, Arizona, Alexis earned a BA in Theatre Arts from Arizona State University and an MFA in Acting from Brown University/Trinity Rep. Since graduating, Alexis has traveled acting and directing for various theatres around the country. Most recently, Alexis was awarded the Chason Directing Fellowship at the University of North Carolina - Chapel Hill. Alexis is currently the Senior Program Coordinator for artEquity and she serves as the chair of the Equity, Diversity, Inclusion, and Access committee for Notch Theatre Company. David Samuel is a Brooklyn-based actor, musician, writer, and producer. He received his MFA in Acting from Brown University/Trinity Rep. He has performed as an actor around the U.S. in musicals, new plays, and Shakespeare. He recently submitted his documentary, "Niguse and The Red Terror" to several film festivals. Go to www.kingofaxum.com for more. Julia Atwood (she/her) is an actor based in New York City. She received her BA in Classics & Psychology from Wheaton College (MA) and her MFA in Acting from Brown University/Trinity Rep. Recent theatrical credits include: Macbeth (Lady Macbeth) at Trinity Rep. Television credits: The Good Fight, Bull. Julia premiered her one-woman show At Home with Fleetwood Mac at Dixon Place in January, 2020. She has narrated for Penguin Random House Audio and Capstone Publishing and voiced the commercial for the 2019 Calvin Klein Watch & Jewelry Campaign.  Website: juliaatwood.com  Lastly, in anticipation of the November 2020 Election, Matt Ketai and fellow actor/activist, Julia Atwood, partnered in launching Energize the Vote: a digital, grassroots organization dedicated to voter education and voter turnout (@energizethevote) Support the show (https://donorbox.org/the-courage-campaign-1)

Jay and Olivia tackle Olivia's birthday selection, The Wolves by Sarah DeLappe. --- Support this podcast: https://anchor.fm/high-brow-theatre/support

In this episode READ MORE PLAYS hosts Ricardo Frederick Evans and Jennifer Sassaman discuss the play The Wolves by Sarah DeLappe. This play was a New York Times critics' choice and a finalist for the Pulitzer Prizer for Drama in 2017.Follow us on Twitter, Facebook, and Instagram for updates and discussions you can participate in -- we can't wait to hear your thoughts! Support us on Patreon (https://www.patreon.com/readmoreplays?fan_landing=true) to get bloopers, dramaturgy, and other bonus content. Music by Kalyn Harewood.Please like and subscribe wherever you get your podcasts.

Sarah DeLappe interviewed by Amelia Bethel (SLC21) Karen Loewy Movilla (SLC21) Sarah DeLappe's play The Wolves premiered Off-Broadway at The Playwrights Realm, following an engagement at New York Stage and Film, and development at Clubbed Thumb and Great Plains Theatre Conference. The Wolves received the American Playwriting Foundation's inaugural Relentless Award, and was a finalist for the Susan Smith Blackburn Prize and the Yale Drama Series Prize. DeLappe is the Page One Playwright for The Playwrights Realm and has been a resident artist at the Sitka Fellows Program and SPACE on Ryder Farm. Past affiliations: Clubbed Thumb's Early Career Writers' Group, New Georges Audrey Residency. Current: Ars Nova's Play Group, Resident Playwright at LCT3. MFA in process at Brooklyn College.

WE’RE BACK for SEASON TWO…. IT’S DONE FOR! EPISODE 1: This season, we've selected the book The Five Invitations by Frank Ostaseski. We jump right into episode 1 with the first Invitation: Don’t Wait. We’ll continue to circle back to our foundational questions: 1) What leads to a good death? and 2) What does that tell us about how to live a good life? Listen in as we continue the conversation, and tell us how you’re answering these questions. If you like this, tell someone! Please help us out by sharing it and spreading the conversation. RESOURCES: The Five Invitations (Flatiron Books, 2017) by Frank Ostaseski. Frank Ostaseski is an internationally respected Buddhist teacher and visionary cofounder of the Zen Hospice Project, and founder of the Metta Institute. He has lectured at Harvard Medical School, the Mayo Clinic, Wisdom.2.0 and teaches at major spiritual centers around the globe. Frank is the 2018 recipient of the prestigious Humanities Award from the American Academy of Hospice and Palliative Medicine. Frank's groundbreaking work has been featured on the Bill Moyers PBS series On Our Own Terms, highlighted on The Oprah Winfrey Show, and honored by H.H. the Dalai Lama. He is the author of The Five Invitations: Discovering What Death Can Teach Us About Living Fully. The Chaplaincy Institute in Berkeley, CA is where the 3 of us met and began to share our stories. The Chaplaincy Institute is an Interfaith Community and Seminary that strives to create a just world that honors the sacred connection of all. Find out more at www.chaplaincyinstitute.org. “Churchianity” was actually a term Jessica first learned from the Rev. Dr Megan Wagner. ProgressiveChristianity.org is a global resource of open, intelligent, and collaborative approaches to the Christian tradition and the life and teachings of Jesus that creates a pathway into an authentic and relevant religious experience. Shower the People, James Taylor (June 1976) It turns out Jessica is way better at this than even she thought! Well, with the exception of re-writing this James Taylor classic with new words. Fundamentalism: despite the first three letters indicating an emphasis on ‘fun’, fundamentalism in many forms (religious and non-religious) can be damaging. We hope if you’ve experienced that kind of trauma, that you will share your story and continue to listen. Book Club Questions: One of our dear listeners (and Jessica’s BFF) wrote a guide for this season. Find it here: (link to pdf attached) Also, it turns out Frank has developed a guide that can be found at: fiveinvitations.com/book-club Atlas: The Atlas personality, drawing on the myth of the giant Atlas from Greek mythology upholding the world, is someone obliged to take on adult responsibilities prematurely. They are thus liable to develop a pattern of compulsive caregiving in later life. https://en.wikipedia.org/wiki/Atlas_personality Female Playwrights: yeah, there are a lot of these David. Take your pick… an ditch the white dudes. Annie Baker, Lisa D’Amour, Sarah DeLappe, Margaret Edson, Liz Flahive, Amy Freed, Madeleine George, Rebecca Gilman, Gina Gionfriddo, DW Gregory, Danai Gurira, Leslye Headland, Amy Herzog, Quiara Alegria Hudes, Lucy Kirkwood, Young Jean Lee, Jennifer Maisel, Martyna Majok, Lynn Nottage, Antoinette Nwandu, Suzan-Lori Parks, Theresa Rebeck, Yasmina Reza, Sarah Ruhl, Laura Shamas, Lisa B Thompson, Lucy Thurber, Joyce VanDyke, Paula Vogel, Anne Washburn. Thanks to theatrenerds.com Anne Lammott first used the phrase “shitty first drafts” in her book Bird by Bird (1995) to emphasize why perfectionism can kill creativity. Learn more about Andrew Chirch, David Greenson, and Jessica Shine at DoneForPodcast.com

Introducing the Pittsburgh City Theatre's inaugural CitySpeaks podcast all about the making of Cambodian Rock Band. Part thrilling new play, part electrifying rock concert, Cambodian Rock Band is an epic tale of family, love, and heritage featuring the Cambodian surf rock music of Dengue Fever. This podcast is all about how the show came together with stories from the people who know it best. Today's episode is with Director Martin Lyons   Marti Lyons is thrilled to direct Cambodian Rock Band at City Theatre as part of a collaboration with Victory Gardens Theater, where she directed the show in the Spring, and Merrimack Rep where this production is headed next. Marti recently directed Witch by Jen Silverman at the Geffen Playhouse, playing in LA now. Marti also directed Witch at Writers Theatre in Chicago last season. She directed How to Defend Yourself by Lily Padilla for the 2019 Humana Festival as part of a co-world premiere with Victory Gardens Theater in Chicago, where Marti will direct the play again in 2019. Marti has directed Botticelli in the Fire by Jordan Tannahill (Woolly Mammoth Theatre Company); The Wolves by Sarah DeLappe and Kings by Sarah Burgess (Studio Theater); Guess Who’s Coming to Dinner (Court Theatre); Short Shakes! Macbeth (Chicago Shakespeare Theater), Title and Deed by Will Eno (Lookingglass Theatre Company) and Wondrous Strange together with Meg Miroshnik, Jiehae Park and Martyna Majok for the 2015 Humana Festival (Actors Theatre of Louisville).  This season Marti will direct The Niceties by Eleanor Burgess (Writers Theater), Jen Silverman’s The Moors (A Red Orchid Theatre), and the world premiere of The Scarlet Letter by Kate Hamill (South Coast Repertory). Marti is a proud member of SDC. For more information: martilyons.com

A girl's soccer team warms up for a game - six weeks of games, actually. As the team stretches, the audiences watches these women engage life's biggest questions... and friendship's pettiest arguments. Listen in this week as Jackson and Jacob take on the play that's sweeping the nation - Sarah DeLappe's "The Wolves."  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast   We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Blessed” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Logo Design: Jacob Mann Christiansen Logo Text: Paralines designed by Lewis Latham of http://lewislatham.co/ ------------------------------ Thanks so much for listening! We’ll see you next week. ------------------------------

THE WOLVES Episode 3 - Stratford East Podcast. We're chat with playwright Sarah DeLappe and director Ellen McDougall about THE WOLVES. THE WOLVES Wed 24 Oct - Sat 17 Nov 2018 Tickets: http://bit.ly/TheWolves-Stratford-East

Published in 2005, The Book Thief was an international bestseller that went on to become a successful Hollywood film. Now more than a decade later its author, Markus Zusak, is back with a new story, Bridge of Clay, about how five brothers deal with the disappearance of their father.American playwright Sarah DeLappe discusses her award-winning debut play, The Wolves, as it transfers to the UK. Played out through conversations that happen between the players of an American high school girls' soccer team, it paints a portrait of young womanhood today.As the centenary approaches of the death of the poet Wilfred Owen on the Western Front, just a week before the end of hostilities in WW1, writers Philip Hoare and David Charters discuss two projects they've been working on that focus on his life and work. David's play A Dream of Wilfred Owen forms part of the Wilfred Owen Commemoration on the Wirral, while Philip's short film I Was a Dark Star Always pays tribute to the poet, part of which was shot at the French canal where Owen died.Presenter: Samira Ahmed Producer: Ben Mitchell

This is Will Call, #62—We travel this episode to somewhere in the Midwest to meet high school women’s soccer team The Wolves. Rather we’ll speak with Misha Chowdhury, who directs this Williams Theatre Department staging of Sarah DeLappe’s 2017 Pulitzer Prize Finalist play, The Wolves, which runs Nov 9, 10, 11, 16, 17, 18 on the CenterStage. The Wolves Nov 9, 10, 11, 16, 17, 18; 7:30 p.m. CenterStage, ’62 Center for Theatre and Dance 1000 Main St, Williamstown, Mass. Get Tickets: $3 We also chatted, separately, with cast members Caroline Fairweather and Isabel Ouweleen who discuss the process of melding into the characters as they simultaneously developed skills of the sport needed to perform these roles believably.… The post Will Call #62: The Wolves roam CenterStage in DeLappe’s 2017 masterpiece appeared first on The Greylock Glass.