Podcast appearances and mentions of John Patrick Shanley

Today, I'm thrilled to announce my episode with Tony nominated actress Isabel Keating, who will be performing in my upcoming concert of the Katharine Hepburn musical COCO at 54 Below. You can find in-person and livestream tickets to that event at this link: https://54below.org/events/54-sings-coco-by-alan-jay-lerner-and-andre-previn/ Tune in to hear some of the stories of Isabel's legendary career, including what her research process was like playing Judy Garland in THE BOY FROM OZ, going on at the last minute in IT'S ONLY A PLAY, how she ended up taking over for Tyne Daly in last season's revival of DOUBT, a full-circle moment with John Patrick Shanley, why Madame Morrible in WICKED is misunderstood, how her time in Europe influenced her theater career, making her Carnegie Hall debut with FOLLIES, the experience of processing her personal grief while starring in SPIDERMAN on Broadway, the many changes that were made to that musical, her experiences with the real-life QUEEN OF VERSAILLES, and so much more. You won't want to miss this open conversation with one of Broadway's best leading ladies.

An ex-firefighter stuck in a dead-end job is offered a chance to live it up for a week if he jumps in a volcano and dies so a rich man can steal some natural resources from a tropical island. Well, who wouldn't say yes to that? Dennis Vs the Movies month continues, featuring an interview with Mary's mom! Starring Tom Hanks, Meg Ryan, Lloyd Bridges, Abe Vigoda, Robert Stack, Ossie Davis, Dan Hedaya, Amanda Plummer, and Nathan Lane. Written and directed by John Patrick Shanley.

Hello! This week, we're continuing our deep dive into Philip Seymour Hoffman's oeuvre (we're fancy) and looking at John Patrick Shanley's Doubt (2008), a very different movie than Wild Mountain Thyme, which he made in 2020, and which we have also done an episode about. In Doubt, we see PSH navigate the role of a 1964 priest whom head nun Sister Aloysius (Meryl Streep) accuses of abusing a child. This movie makes us so angry, but also impresses the dickens out of us, and we're happy to share our thoughts about it with you.In case you missed it, this is a movie about a priest accused of child sexual abuse, so please take care of yourselves and skip this one if you need to. Otherwise, we'd love to hear your thoughts, so send us an email at thejuiciestbitspodcast@gmail.com or leave a comment on Spotify, and PLEASE don't forget to rate and review us!

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

This week, we can't help but fall victim to la bella luna as Feb2ary Is For Lovers continues with a classic rom-com about how it's impossible not to cheat if you're Italian. It's 1987's Moonstruck, directed by Norman Jewison, written by John Patrick Shanley, and starring Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis, Danny Aiello, Julie Bovasso and John Mahoney. The story of a young woman who accidentally falls in love with her fiancé's brother, the movie exudes charm at every turn -- so much so that this little rom-com took home three Oscars in '88, for Cher and Dukakis's performances as well as Original Screenplay for Shanley's script that is funny without being rife with straight-up jokes. There are rich characters here, beset by curses and fatal strains of bad luck, who get laughs not by mugging or ripping one-line zingers but by believing in the seriousness of their tragedies so completely. This is character-driven comedy of the highest order, grounded by the Canadian coziness that Jewison can't help but leave all over the film. Plus: J Mo's got theatrical field reports on both Sonic The Hedgehog 3 and Companion. If you'd like to watch the film before listening along to our discussion, it is one of the more widely available films we have ever covered as Moonstruck is currently streaming in Canada on Amazon Prime, Crave, Starz, Criterion Channel, Tubi and Hoopla at the time of publication. Other works discussed in this episode include Abigail, The Sixth Sense, The Usual Suspects, Identity, Trap, Fargo, The Wedding Singer, Mission: Impossible - Dead Reckoning: Part One, Mission: Impossible - Fallout, Ocean's Eleven, L.A. Story, Paint, Napoleon Dynamite, ChiefsAholic: A Wolf in Chiefs Clothing, A.I.: Artificial Intelligence, The Fabelmans, Close Encounters of the Third Kind, Bicentennial Man, Bottoms and Punch-Drunk Love. Love Month continues next week with another VHS plucked from Hayley's collection as we'll be discussing 1996's Jerry Maguire with Tom Cruise and Renee Zellweger, and will do our best not to get side-tracked discussing the Mission: Impossible franchise but can't promise we won't. Jerry Maguire is currently streaming north of the border on Crave, Starz and for free (with ads) on the CTV app. And of course we're closing out February with a rom-com canon selection, 10 Things I Hate About You. Until then, we'll see you at the movies!!

Full Incense by Montale (2010) + John Patrick Shanley's Doubt (2008) with Ilych the Dialectical P of post-nostalgic wasteland 1/23/25 S7E3 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

A woman (Carol Kane) is drawn into a neighborhood church by the sound of music beautifully sung. A marriage is taking place within. Do beautiful music and ceremony make a marriage?   Reverie, a world premiere written and directed by Oscar, Tony, and Pulitzer Prize-winning playwright John Patrick Shanley (Doubt, Brooklyn Laundry, Danny and the Deep Blue Sea), showcases the talents of Carol Kane (The Princess Bride, “Unbreakable Kimmy Schmidt”) and Scarlett Strallen (Cole Porter's The New Yorkers, She Loves Me).   Stay tuned after the performance for a conversation between the playwright, actors, and Playing on Air's founder, Claudia Catania. Please be sure to follow us on Instagram, Facebook and LinkedIn or visit us at www.playingonair.org, where you'll find our complete collection of audio plays.

On this episode we bring you interviews from opening night of the 15th edition of the Soho International Film Festival. Interviews include: Clarke Wolfe, Dallas Roberts, Josh Radnor, John Patrick Shanley, PJ Adzima, Dave Coleman and more... Music by Christopher Gillard Produced by Btrayed Oliver Yasin Lago Jason Godbey Hosted & Created by Jason Godbey --- Support this podcast: https://podcasters.spotify.com/pod/show/no-rest-for-the-weekend/support

Such dead lions, these two. In 2020, John Patrick Shanley adapted his successful play “Outside Mullingar” to a feature film, with results. Adam and Aidan have different opinions on the nature of those results.

“An average Joe. An adventurous comedy.”   “Joe Versus the Volcano is a 1990 American romantic comedy film written and directed by John Patrick Shanley and starring Tom Hanks and Meg Ryan.”   Show Links Trailer: https://www.youtube.com/watch?v=cmQDIne3CLo   Wikipedia: https://en.wikipedia.org/wiki/Joe_Versus_the_Volcano   Just Watch: https://www.justwatch.com/us/movie/joe-versus-the-volcano   Socials Facebook: https://www.facebook.com/@moviewavepod   Instagram: https://www.instagram.com/moviewavepod   Letterboxd: https://letterboxd.com/moviewavepod/   Reddit: https://www.reddit.com/user/moviewavepod   TikTok: https://www.tiktok.com/@moviewavepod   Twitter (X): https://twitter.com/moviewavepod   Buy Me A Coffee: https://www.buymeacoffee.com/moviewavepod   Intro/Outro Sample Credits “Aiwa CX-930 VHS VCR Video Cassette Recorder.wav” by Pixabay “Underwater Ambience” by Pixabay “waves crashing into shore parkdale beach” by Pixabay   Movie Wave is a part of Pie Hat Productions.

It's a brand new season and that means Melanie and I are studying two new topics: narrative drive and conflict triangles. Conflict and page-turners are usually associated with action stories, thrillers and the like. But DOUBT is a quiet, character-driven film that is so expertly crafted it grabs the viewer's attention immediately and holds it right to the bitter end. Seriously, there's so much for novelists in here. -V."The main conflict in a story is between the protagonist and the antagonist, right? Fine. We all understand that. But if that's all we got, then our story is like a tug of war." Valerie Francis For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

In the forty-fifth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Nathan Lee to discuss the storybook fairy tale about crippling adult malaise and the awakening to appreciation in John Patrick Shanley's whimsical and surrealist examination on the renewal of life in Joe Versus the Volcano (1990).

The Mike's gotta be brave, they gotta jump in... To this week's movie!!!Mike Butler and Mike Field discuss brain clouds, existentialism, and volcanos during this look at the 1990 Tom Hanks film, also starring Meg Ryan and written and directed by John Patrick Shanley.They'll talk the meanings and symbolisms that exist in nearly every frame of this film, the look of the film, and whether or not you can truly classify the film as straight-up comedy.So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down once again for Forgotten Cinema!Join our FC community on Patreon, it's free to join! www.patreon.com/forgottencinema. If you'd like to support us further, we've also got a merch shop at www.etsy.com/shop/ForgottenCinemaShopSpecial thanks to our Patreon supporters who make this show possible.

This episode of Across The Margin: The Podcast presents an interview with Zach Schonfeld, a freelance writer, journalist, and critic based in New York. He contributes to Pitchfork, Paste Magazine, and other publications. He was formerly a senior writer for Newsweek, where he was on staff for five years. His first book, 24-Carat Black's Ghetto: Misfortune's Wealth was published in 2020 as part of the 33 1/3 series. His latest book — entitled How Coppola Became Cage — is the focus of this episode. In 1982, a gangly teenager named Nicolas Coppola made his film debut and changed his name to Nicolas Cage, determined to distance himself from his famous family. Once he achieved stardom as the rebel hunk of 1983's Valley Girl, Cage began a career defined by unorthodox risks and left turns that put him at odds with the stars of the Brat Pack era. How Coppola Became Cage takes readers behind the scenes of the beloved cult movies that transformed this unknown actor into an eccentric and uncompromising screen icon with a wild-eyed gift for portraying weirdos, outsiders, criminals-and even a romantic capable of seducing Cher. Throughout How Coppola Became Cage Zach Schonfeld traces Cage's rise through the world of independent cinema and chronicles the stories behind his career-making early performances, from the method masochism of Birdy to the operatic torment of Moonstruck and abrasive expressionism of Vampire's Kiss, culminating with the astonishing pathos of Leaving Las Vegas. Drawing on more than 100 new interviews with Cage's key collaborators — including David Lynch, Martha Coolidge, John Patrick Shanley, and Mike Figgis — How Coppola Became Cage offers a revealing portrait of Cage's wildly intense devotion to his performances and his creative self-discovery as he drew on influences as far-flung as silent cinema and German Expressionism. These were all crucial ingredients in the creation of a singular acting style that rejects the limits of realism. Join in as host Michael Shields and Zach Schonfeld celebrate an actor that Ethan Hawke describes as “the only actor in the history of the form to really change the form” while invoking David Lynch to describe Cage as “the jazz musician of actors,” in an episode that is as Nic Cage as they come. Hosted on Acast. See acast.com/privacy for more information.

We're kicking off a brand new season with two new story concepts. Melanie will be studying female characters and how women are presented in modern stories (her work in this episode is reeeeally interesting!), and I'll be investigating something I learned from Steven Pressfield, which is that we shouldn't introduce anything new after Act 2."Setups and payoffs are questions asked and answered." Valerie FrancisRelated Story Nerd Episodes:Lady Bird (Season 8, Episode 9) REGISTER FOR THE 2024 SPRING WEBINAR SERIESFor access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

In this episode we discuss Brian De Palma's The Untouchables, Kevin Costner's breakout role as Elliot Ness, and Sean Connery's Best Supporting Actor win. We also discuss John Patrick Shanley's career as a writer, his penchant for magical realism, and his Oscar winning script for Moonstruck. -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

Powerhouse actors Cecily Strong and Andrea Syglowski provide insights into their acting careers, and how they navigated life's complexities throughout their journey. The two talk about the show they currently co-star in,“Brooklyn Laundry”, their admiration for playwright John Patrick Shanley, and the play's portrayal of women. Cecily opens up about how she relates to the play's themes, reflecting on her own experiences of loss and self-discovery, particularly the loss of her cousin to brain cancer and the impact it had on her outlook on life and love. This loss inspired her to write her memoir, "This Will All Be Over Soon". She recalls her time on SNL, and what made her shift from comedy to “serious acting”. Andrea shares her love for teaching acting, how she deals with uncertainties. Both recall their motivations for pursuing careers in the theater, highlighting the joy of storytelling and the opportunity to connect with audiences, and perseverance. Andrea Syglowski is an actress who was last seen in “DIG” at Primary Stages. Her additional stage credits include Broadway's “Passover”, off-Broadway's “Halfway Bitches Go Straight to Heaven” and “queens”. Her TV credits include “Evil”, “New Amsterdam”, “Blue Bloods”, “Elementary”, “The Good Wife”, and “How to Get Away with Murder”.  Cecily Strong is best known for her work as a cast member on Saturday Night Live from 2012 to 2022, which garnered her multiple Emmy Award nominations. She was most recently seen on Apple TV's hit musical series, “Schmigadoon!”, in addition to film credits that include “The Female Brain”, the recent “Ghostbusters” reboot, as well as Melissa McCarthy's “The Boss”, “The Bronze”, and “The Meddler”. She made her New York stage debut in 2021 and hasn't looked back since.  Together, Andrea and Cecily are 50% of the four-member cast of “Brooklyn Laundry”, a world premiere play written by Tony and Pulitzer Prize-winning author, John Patrick Shanley. Connect with Cecily and Andrea: Instagram: @justcaseylikes Twitter: @justcaseylikes TikTok: @justcaseylikes Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Doubt runs at the Todd Haimes Theatre on Broadway until April 21st. Find out more at www.roundabouttheatre.org.Brooklyn Laundry runs off-Broadway at City Center Stage I until April 14th. Find out more at www.manhattantheatreclub.com.  Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

In this episode, we discuss the 2024 Broadway Revival of John Patrick Shanley's DOUBT: A PARABLE. Please note that this episode will contain spoilers about the show. If you haven't seen the play yet, you can catch DOUBT playing through Roundabout Theatre Company at the Todd Haimes Theatre. The play is starring Amy Ryand and Liev Schreiber and is directed by Scott Ellis. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Please share your thoughts on DOUBT: A PARABLE on our podcast cover post. Learn more about your ad choices. Visit megaphone.fm/adchoices

The new Broadway revival of the Pulitzer Prize and Tony Award-winning play "Doubt: A Parable" stars Amy Ryan as Sister Aloysius, a nun who suspects that Father Flynn, played by Liev Schreiber, might be abusing a young boy. Ryan and Schreiber join us to discuss starring in the play from John Patrick Shanley, which is running through April 14.  *This segment is guest-hosted by Matt Katz*

The new Broadway revival of the Pulitzer Prize and Tony Award-winning play "Doubt: A Parable" stars Amy Ryan as Sister Aloysius, a nun who suspects that Father Flynn, played by Liev Schreiber, might be abusing a young boy. Ryan and Schreiber join us to discuss starring in the play from John Patrick Shanley, which is running through April 14.  *This segment is guest-hosted by Matt Katz*

"Brooklyn Laundry" is a new off-Broadway play written and directed by Pulitzer Prize-winning playwright John Patrick Shanley. The story is set in a Brooklyn laundromat and follows the owner Owen (David Zayas), and his conversations with three sisters, one played by Cecily Strong, who frequent the joint. We learn more about the ups and downs of their lives throughout the play. Shanley, Zayas, and Strong join to discuss "Brooklyn Laundry," which is at New York City Center Stage through April 14.    

"Brooklyn Laundry" is a new off-Broadway play written and directed by Pulitzer Prize-winning playwright John Patrick Shanley. The story is set in a Brooklyn laundromat and follows the owner Owen (David Zayas), and his conversations with three sisters, one played by Cecily Strong, who frequent the joint. We learn more about the ups and downs of their lives throughout the play. Shanley, Zayas, and Strong join to discuss "Brooklyn Laundry," which is at New York City Center Stage through April 14.    

Romcom Month Strikes Back heats up with Norman Jewison's 1987 classic, Moonstruck! Ben and Martha discuss Cher's Oscar-winning turn and Nic Cage's breakout performance in this witty, bizarre, endlessly quotable film. Directed by Norman Jewison, written by John Patrick Shanley, and starring Cher, Nicolas Cage, Danny Aiello, Olympia Dukakis, and Vincent Gardenia.

The Dream Blunt Rotation continues with John Patrick Shanley's Wild Mountain Thyme. But is this truly a dream blunt? After the reaction to Jungle Cruise, the Mixed Bag crew are hoping the Emerald Isles of Ireland and performances therein can dazzle us with their Irish charm. THERE'S NOTHING MORE DANGEROUS… THAN AN IRISH WOMAN IN LOVE. Headstrong farmer Rosemary Muldoon has her heart set on winning her neighbour Anthony Reilly's love. The problem is, Anthony seems to have inherited a family curse, and remains oblivious to his beautiful admirer. Stung by his father's plans to sell the family farm to his American nephew, Anthony is jolted into pursuing his dreams. (Sourced from Letterboxd) Will this be another Moonstruck for the Irish community? How will Blunt fare with the accent? And WHERE. IS. FIONA?? Find out if we're buzzing or feel drowsy in need of some honey from Wild Mountain Thyme.

WELCOME BACK TO THE SEVERED FLOOR, REFINERS!Our look at those things that inspired Dan Erickson as he was creating 'Severance' continues!! This time out, we're breaking down the 1990 fairy-tale Rom-com "Joe vs. The Volcano." It stars Tom Hanks and Meg Ryan in their FIRST movie together! It was also written and directed by Oscar and Pulitzer prize-winning writer, John Patrick Shanley. With a pedigree like that, you'd think it would be a better movie! Then again, maybe it's just misunderstood. We're going to delve deeply into it to find out which.This is Part ONE. We get about halfway through the movie. Be watching for Part TWO when we will finish it up with a big plunge into a Volcano (and, yes, SPOILERS for 'Joe vs. The Volcano!).BECOME A PATRON-REFINER!! Make the most of your time on the Severed Floor. Visit Patreon.com/SeveredPod to become a Refiner!! Just $5/mo. for inside info, games, trivia and early access to future "Severed" podcast episodes. Join the fun and help support the Podcast!!APPLE PODCAST LISTENERS: If you are enjoying "Severed: The Ultimate 'Severance' Podcast" please make sure to leave a 5-star rating (and, if you want, a review telling others to give it a try). Higher rated podcasts get better placement in suggestion lists. It helps more "Severance" fans find the show. Thanks!!! Make sure to subscribe, Refiners!! "Severed" is on hiatus until the end of Season Two. Periodically, during the down time, we will be taking a look at those things that Dan Erickson has listed as inspiration. Be watching for those episodes under the title "Severed: Origins." Please continue to listen and re-listen to the still available Season One episodes. Once Season Two has concluded, be watching for "Severed: Season Two"...the Ultimateness will continue! In the meantime, make sure to join the fun on our Facebook page @SeveredPod. While we're all waiting around on news of Season Two, I'll try to keep you updated on news about the show. Also, let's talk!! Comments? Theories? Corrections? I LOVE 'EM!! Send to: SeveredPod@gmail.comThanks for listening to "Severed: The Ultimate 'Severance' Podcast." PLEASE MAKE SURE TO SHARE THE PODCAST WITH YOUR FRIENDS WHO ARE 'SEVERANCE' FANS. THE SHOW GROWS THROUGH WORD OF MOUTH!!If you like what you're hearing, please give "Severed" a 5-star rating on Apple Podcasts. Needing your own copies o...

Ever wondered why "Joe Versus the Volcano" stirs up such a potent mix of nostalgia and humor? Ana and Jimmy break down this peculiar '90s classic, starring the dynamic Tom Hanks and Meg Ryan. Their trip down memory lane isn't just a recap; it's a treasure trove of insights about the film's unique place in the romantic comedy genre, and we have a blast scrutinizing the whimsical world created by John Patrick Shanley and produced by none other than Steven Spielberg. We also stack it up against other '90s hits to give you a sense of where it stands in the crowded field of throwback cinema.Dive into a sea of split opinions with them as they navigate through the polarizing waves that "Joe Versus the Volcano" made upon its release. Critics like Jeffrey M. Anderson and Roger Ebert lauded its charm, while others weren't so enchanted. They sift through the spectrum of reactions, appreciating the undeniable chemistry between Hanks and Ryan, and debating whether the film's quirky narrative has sailed smoothly into the present day. And for those moments that make you say, "Wait, what?" they're right there with you, laughing and analyzing every quirky twist and turn.Join them as they cast off on the adventure of rewatching this cinematic oddity, complete with office drudgery, existential escapades, and yes, a volcano-bound wedding. They tackle the film's stylized opening, its satirical jab at the humdrum of 9-to-5 life, and the fantasy of ditching it all for a life less ordinary. From the chemistry between Hanks and Ryan, the unforgettable Lloyd Bridges to Dan Hedaya's unforgettable scene-stealer, their discussion is anything but mundane. So hop aboard for a lively journey through the highs and lows of this island adventure, and find out where they ultimately rate "Joe Versus the Volcano" on the scale of beloved cult classics.Do You Remember Liking This Movie?

In this episode, Randy and Tyler discuss the 2005 winner of the Pulitzer Prize for Drama, "Doubt, a Parable" by John Patrick Shanley.From Encyclopedia.com: Set at a Catholic school in the Bronx in 1964, Doubt concerns an older nun, Sister Aloysius, who does not approve of teachers' offering friendship and compassion over the discipline she feels students need in order to face the harsh world. When she suspects a new priest of sexually abusing a student, she is faced with the prospect of charging him with unproven allegations and possibly destroying his career as well as her own. To help build her case, she asks for help from an idealistic young nun, who finds her faith in compassion challenged, and the mother of the accused boy, who is protective of her son, the first black student ever admitted to St. Nicholas.******* IN OUR NEXT EPISODE *******Join us as we discuss the 1931 winner of the Pulitzer Prize for Drama, Alison's House by Susan Glaspell.From StageAgent.com: Susan Glaspell's Pulitzer Prize-winning play, Alison's House, takes us to Iowa on the last day of the nineteenth century. The Stanhope family are preparing to say goodbye to their old homestead on the banks of the Mississippi but the house holds a lot of memories for each generation. Their sister and aunt, Alison, has been dead for eighteen years but her influence, both as a poet and a person, remains strong. Aunt Agatha is fiercely protective of her sister's reputation and legacy, but what is she hiding? When disgraced daughter Elsa returns home, old wounds are opened and it becomes clear that her scandalous relationship with a married man is not the first in the family. Like Elsa, Alison also fell deeply in love but, unlike her niece, she let her lover go and channeled her secret passions into her poetry. Unable to bring herself to burn the pages, Agatha finally relinquishes the poetry to Elsa and reveals Alison's secret.DeScriptedFacebook: https://www.facebook.com/DeScriptedPodTwitter: @DeScriptedPod - www.twitter.com/DeScriptedPodInstagram: @DeScriptedPod - www.instagram.com/DeScriptedPod

Access this entire 89 minute episode (and additional monthly bonus shows every month) by becoming a Junk Filter patron! Over 30% of episodes are exclusively available to patrons of the show. https://www.patreon.com/posts/157-five-corners-96799903 The music and film writer and editor Kieran Grant joins us to discuss the 1987 comedy/drama Five Corners, a cult film we love that has been hard to see properly for many years. The first American production from George Harrison's HandMade Films, Five Corners featured two actors on the brink of stardom (Tim Robbins and John Turturro) and one on the brink of superstardom (Jodie Foster, in one of her first screen roles after John Hinckley tried to impress her by shooting President Reagan). It was released hot on the heels of Moonstruck, the film that won the playwright John Patrick Shanley a screenplay Oscar, but this one was not as much of a crowd-pleaser. Audiences were divided over the film's tone, starting off as an oddball slice-of-life comedy about intersecting characters in a Bronx neighbourhood in 1964 but then suddenly taking an unexpected lurch into horror/thriller territory. Kieran I discuss first seeing Five Corners as teens, the thrill of seeing successful tone shifts in movies, why it vanished into obscurity for a time after HandMade Films closed shop, and how the themes (and cast) of this movie must have been an influence on Spike Lee's Do The Right Thing 2 years later. Five Corners is currently streaming on Tubi and on Criterion Channel. Trailer for Five Corners (Tony Bill, 1987)

In which the Mister and I check out MOONSTRUCK (1987), which we caught on the TCM app but you can also find on PlutoTv, Roku Channel and to buy/rent on Prime Video.  From an Academy Award winning script from John Patrick Shanley, the film is directed by the legendary Norman Jewison.  The film follows Loretta Castorini (Cher, in an Oscar winning turn) a straightlaced, bookkeeper from Brooklyn who's accepted her boyfriend, Johnny's (Danny Aiello), marriage proposal.  Immediately after, Johnny is Italy bound to see his dying mother but before he boards the plane, he asks Loretta to contact his brother, Ronny (Nicolas Cage) and invite him to the wedding.  The phone call doesn't go as planned so Loretta seeks out Ronny at the bakery he works at.  They leave to talk, she makes him a steak and soon discovers there is a spark between them.  Rounding out the cast is Olympia Dukakis (in her supporting Oscar winning role) as Loretta's mother, Rose; Vincent Gardenia as her father, Cosmo; and Julie Bovasso and Louis Guss as her Aunt Rita and Uncle Ray.  The film is a true snapshot of NY in the 80s and a sweet trip down memory lane.  The strong writing and outstanding performances still hold up and make this a worthwhile investment of your time.  The film clocks in at 1 h 42 m and is rated  PG.  Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

This week Gary and Iain review and discuss, Joe Versus the Volcano (1990) by Director, John Patrick Shanley. Starring, Tom Hanks and Meg Ryan. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

It's a yearly tradition like no other. Why spend time with your actual family when you can spend time with America's Dad, Tom Hanks? This year, Nico and Adam throw back to Hanks's early career with five of his 80s comedies. Included: Bachelor Party, the raunchy sex comedy that serves as his sophomore follow-up to Splash (9:26); The Money Pit, the Hanks-Shelley Long two-hander about a couple renovating the house from hell (19:46); The 'Burbs, the Joe Dante comedy horror film co-starring Bruce Dern and Carrie Fisher (30:16); Turner & Hooch, the smash-hit Disney film about a detective and his charmingly hideous dog (42:59); and Joe Versus the Volcano, John Patrick Shanley's terribly received cult classic that doubles as Hanks's first romcom with Meg Ryan (53:19). Chat with the TMT Community on Discord! For More TMT Shenanigans: toomanythoughtsmedia.com Twitter: @NicoDeGregorio, @someadamhall, @TMT_Media E-mail: toomanythoughtsmedia@gmail.com Subscribe and Rate on Apple Podcasts!

Our pal Sean Patrick O'Brien returns to the show to help us jump into an active volcano and discuss the 1990 Tom Hanks and Meg Ryan comedy Joe Versus the Volcano, written and directed by John Patrick Shanley. --- Send in a voice message: https://podcasters.spotify.com/pod/show/weboughtamic/message

The sixth episode of our season on the awesome movie year of 1987 features Josh's personal pick, Norman Jewison's Moonstruck. Directed by Norman Jewison from a screenplay by John Patrick Shanley and starring Cher, Nicolas Cage, Olympia Dukakis, Vincent Gardenia and Danny Aiello, Moonstruck was nominated for six Oscars and won three.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/moonstruck-1988), Sheila Benson in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1987-12-16-ca-19394-story.html), and Rita Kempley in the Washington Post (https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/moonstruck.htm).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1987 installment, featuring our foreign film pick, Abbas Kiarostami's Where Is the Friend's House?.

Producer-Director Casey Childs founded Primary Stages, a leading New York City Off-Broadway theater, in 1984. Primary Stages has produced over 175 new plays, giving playwrights the opportunities to see their new works staged, including: Christopher Durang, Tina Howe, John Patrick Shanley, Lee Blessing, David Ives, Donald Margulies, Theresa Rebeck, and A.R. Gurney among many others. Casey directed many of those productions for the company, as well as helming new plays at other Off-Broadway theaters.            He served as the Artistic Program Director for the New Dramatists from 1982-1985 where he worked with numerous leading American playwrights in their early years.Casey's the recipient of the Carnegie Mellon University Commitment to New Playwrights Award, as well as the winner of two Emmy Awards and many nominations for his extensive work in television.               He's a past Vice President of the Directors Guild of America and a past trustee of the National Association of Television Arts and Sciences.              At Primary Stages Casey launched the Einhorn School of Performing Arts, the Fordham/Primary Stages MFA in Playwriting program, and the Primary Stages Off-Broadway Oral History Project, which has documented over 190 interviews with the leaders of the Off-Broadway movement.             Casey's taught at many universities including Duke, Columbia and NYU, and he's currently an Associate Fellow at Grace Hopper College at Yale University. 

In BONNET, the incredibly talented John Patrick Shanley's marital (and sometimes martial) comedy of manners, Dan (John Turturro) has a few questions for his wife Ava (Debra Messing) when she appears at the breakfast table with a meaningful new accessory. BONNET, written and directed by the Tony Award, Academy Award, and Pulitzer Prize-winning Shanley himself, was recorded live at Playing on Air's 10th anniversary benefit celebration at 54 Below and features a feisty score by composer Tom Kochan—plus a bit of adult language! Stay tuned after the play for a rollicking conversation with Shanley, Messing, and Turturro.

Hey Reservos! This week we are discussing John Patrick Shanley's adaptation of his own play, Doubt. Listen as we breakdown this uneasy, ambiguous story of mistrust, faith, and doubting all that you hold true. Enjoy

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.You can't get trapped in your head when you're a playwright, or probably any kind of real artist. You have to find your center, which involves your spirit and your emotions, and some intellect.I think that that is a problem that we're enduring, experiencing now in film and theater. It's because of the politicization of media that you see like if you're going to cast a part of a guy with one leg, you have to hire a guy with one leg. And that's exactly what theater isn't. Theater is you take a pot from your kitchen and put it on your head and say, 'I'm the King of England!' And if you believe it, I'll believe it. And that frees all the one-legged people to be Fred Astaire, to do whatever they want. If they believe it, I'll believe it. So that kind of literalism is, I think, inhibiting to everyone."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.You can't get trapped in your head when you're a playwright, or probably any kind of real artist. You have to find your center, which involves your spirit and your emotions, and some intellect.I think that that is a problem that we're enduring, experiencing now in film and theater. It's because of the politicization of media that you see like if you're going to cast a part of a guy with one leg, you have to hire a guy with one leg. And that's exactly what theater isn't. Theater is you take a pot from your kitchen and put it on your head and say, 'I'm the King of England!' And if you believe it, I'll believe it. And that frees all the one-legged people to be Fred Astaire, to do whatever they want. If they believe it, I'll believe it. So that kind of literalism is, I think, inhibiting to everyone."www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast