Podcasts about Sirk

On this episode of the podcast, host Dr Pasquale Iannone explores the little-known early films of one of the most influential filmmakers of all time, German director Douglas Sirk. Sirk is synonymous with one particular genre. His most famous films, such as Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956) and Imitation of Life (1959) are glossy, luxurious Technicolor melodramas which would go on to inspire the likes of Rainer Werner Fassbinder, Todd Haynes and many others. But there is more to Sirk than melodrama - he made war films, crime movies, historical dramas and comedies in a career spanning over 25 years and several countries. Earlier this year, Eureka Entertainment released a box set titled Sirk in Germany (1934 - 1935), a collection which takes us all the way back to the beginning of Sirk's film career. The set includes beautiful restorations of his first three features as well as several short films, all of which were made in the early years of the Nazi regime. Alongside bonus material from noted film historians Sheldon Hall and Tim Bergfelder, there are three audio commentaries from the University of Edinburgh's very own David Melville Wingrove. David is a Teaching Fellow at the University's Centre for Open Learning where he teaches hugely popular courses on both film and literature, specialising in dark and fantastical themes and styles. He is also a prolific writer, regularly contributing to publications such as Senses of Cinema. David and Pasquale discuss Sirk's first short film Two Greyhounds (1934) and his first feature April! April! (1935), both light comedies centring on mistaken identity which skewer - mostly with affection - the mores of the German middle class. David helps to place the films in historical context and he also tells Pasquale why Sirk, who was very much one of the leading lights of the German theatre in the late 20s and early 30s, decided to make the move into filmmaking.

Loftar catches up to a group of orcs, ruining their day. But not before one of the orc’s ruins Torg’s shirt. The Loremaster ruins all of Sirk’s fun. No mentions of Rhun, though. Missed opportunity really.

Welcome to episode 689. We have three tales for you this week, about a baby in the womb who realizes she's not alone, how a warm fire and a cup of tea can make almost anything palatable, and a lost child in need of a helping hand.COMING UPGood Evening: [HOUSEKEEPING]: 00:01:06Warren Benedetto's Before as read by S. H. Cooper: 00:02:36Derek Alan Jones' Tick, Tick, Tick, Tick as read by Dan Gurzynski: 00:07:47[Trigger] Samir Sirk Morató's Oyogaseru as read by Anne Marie Lewis: 00:15:05TRIGGER WARNINGSOyogaseru contains scenes of Child Death.PERTINENT LINKSSupport us on Patreon! Spread the darkness.Shop Tales to Terrify MerchWarren BenedettoWarren Benedetto on X (@warrenbenedetto)S. H. Cooper on X (@MsPippinacious)Derek Alan JonesDan Gurzynski on LibrivoxSamir Sirk Morató on X (@spicycloaca)Samir Sirk Morató on Instagram (@spicycloaca)Anne Marie LewisAnne Marie Lewis on Instagram (@anne.marie.lewis)Anne Marie Lewis on TikTokAnne Marie Lewis on FacebookAnne Marie Lewis on BlueskyAnne Marie Lewis on X (@LewisAnneMarie)Original Score by Nebulus EntertainmentNebulus on FacebookNebulus on InstagramSPECIAL THANKS TOAmanda CarrilloLestle BaxterOrion D. HegreSupport this show http://supporter.acast.com/talestoterrify. Hosted on Acast. See acast.com/privacy for more information.

This episode features "sharp house" by Samir Sirk Morató (©2025 by Samir Sirk Morató) read by Stefan Rudnicki, and "The Tugwort" by Lincoln Michel (©2025 by Lincoln Michel) read by Roxanne Hernandez. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're joined by Chicago's Joan Waters, local drag queen and John Waters super fan, and we're taking a look at Polyester, John Waters' first studio film. With his biggest budget to date, Waters paid tribute to William Castle, and Douglas Sirk, two of his favorite filmmakers. Sirk directed the Rock Hudson classic All That Heaven Allows, a clear influence on queer filmmakers like Todd Haynes and Rainer Werner Fassbinder. So we paired it with Polyester as we take a look at the similarities, differences, and Sirk's continued influence in queer cinema. Say Hi!

Sušice přišla o jednu ze svých dominant. V areálu bývalé sirkárny Solo odstřelili poslední stavbu určenou k demolici – přes 70 metrů vysoký komín.

We conclude our Camp Cinema season with our eighth episode covering Johnny Guitar (1954) and Imitation of Life (1959).In our finale, we delve into the origins of Camp Cinema in the 1950s, spotlighting Nicholas Ray's flamboyant western Johnny Guitar and Douglas Sirk's melodramatic Imitation of Life. Johnny Guitar subverts the traditional male bravado typical of most westerns by pitting two powerful women against each other. The visual artistry of Ray and his cinematographer, Harry Stradling, reveals the campy essense of the film with a rich palette of canary yellows, baked terra cottas, and deep azures. Imitation of Life achieves a similar feat, but with emotional resonance rather than visual flair. During our 1950s season, we explored Todd Haynes' commendable Douglas Sirk hommage, Far From Heaven. But nothing compares to the authentic touch of Sirk himself. Sirk masterfully understood cinema's power over an audience, manipulating emotions with precision in Imitation of Life. Its finale is one of the most emotionally explosive moments ever captured on celluloid. Camp manifest is many forms. Here we have two films that seem diametrically opposed in genre, but both use camp to full effect to elicit a deep response.

Zwei Filme mit je zwei Frauenfiguren, die in höchst komplizierte Beziehungen miteinander verstrickt sind. Todd Haynes beweist sich mit „May December“ erneut und endgültig als Zampano der Melodramen und schickt Julianne Moore und Natalie Portman in den Schauspielring. William Oldroyd legt mit der Romanverfilmung „Eileen“ einen Film vor, der die 1960er Jahre miefig und dreckig zeigt. Thomasin McKenzie spielt eine junge Frau, die in einem Jugendgefängnis arbeitet und deren Leben sich ändert, als die glamouröse Rebecca (Anne Hathaway) dort als Psychologin beginnt. Es wimmelt vor Hitchcock, Sirk, Bergman, Seifenopern und Abgründen in dieser Episode, das Wort "Grindig" fällt aber auch unzählige Male. Sendungshinweis: FM4 Film Podcast, 03.06. 2024, 0 Uhr.

Adaptadas a partir de una misma novela escrita por Fannie Hurst, las dos versiones de Imitation of Life —estrenadas en 1934 y 1959, y dirigidas por John Stahl y Douglas Sirk, respectivamente— poseen el mismo punto de partida, el encuentro entre dos madres a cargo de sus hijas, una blanca y otra afroamericana, pero lo desarrollan en direcciones melodramáticas muy distintas, cada una representativa del momento de siglo XX y de Estados Unidos en el que fueron concebidas. En 1934, al corazón de la Gran Depresión, el aliciente es financiero: el surgimiento de esta amistad y la consiguiente creación de una nueva familia "no tradicional", va a la par con la creación de una exitosa empresa en conjunto. En 1959, con el boom económico de la posguerra en plena explosión, el estímulo es la ambición, la fama y el logro personal. Como suele ocurrir en esta clase de dramas, ambos sueños se trizan y se estrellan: la película de los años 30 desemboca en tragedia, la de fines de los 50 lo hace en una suerte de apoteosis kitsch. Situados en dos puntos de inflexión del "sueño americano", Stahl y Sirk no pueden ser más distintos en su enfoque, pero al final el resultado, la crónica de esa debacle, es la misma. De eso y más se habla en esta podcast.

Películas: "Magnificient obsesion" (Douglas Sirk, 1954), "Letter from an unknown woman" (Max Ophuls, 1948) y "The bridges of Madison County" (Clint Eastwood, 1995) Conducción: Diego Cirulo Columnistas: Andrés Brandariz, Belén Saitúa Más amor, por favor. Después de tantas desavenencias, de tanto pelear, de tanto oscurantismo, te ofrecemos un capítulo con tres peliculones centrados en "la pasión", en el amor insondable. Los besos, los abrazos, los lechos y... las tragedias. Tenemos un Sirk, un Ophuls y un Clint... ¿Te animás a ponerle play? Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca

Un nouvelle épisode des aventures du Before pour ce Vendredi 12 Avril..........On émerge doucement avec un extrait du nouvel album prévu un 13 Septembre de Malik Djoudi qu'on enchaine avec un titre de L'impératrice qui s'amuse tranquillement en live à Coachella et qui nous offres un second titre de son Lp à venir le 7 Juin.Un petit 45 tours sorti en 79 qui nous parle de mélodie, de douceur, de soleil. Un café et un Maxi très Groove de Voilaaaa qui sortira en mai de cette année et qui nous fait dire que le temps file beaucoup trop vite ici. Le tempo a grimpé. C'est le coup de promo pour les Risk et le festival Sirk qui prend possession du Parc des Exposition à Dijon et qui remporte la battle Dijon vs Mulhouse. 7h59 Fin de la recréation.....

On this episode, Tom goes "On the Aisle" with two creatives who are making their mark as sought after theatre professionals. Take a look behind the curtain with costume designer Anthony James Sirk and lighting designer Tim DickSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Spéciale Douglas Sirk, à l'occasion de la sortie d'un coffret rétrospective de 7 films de Douglas Sirk : « Les mélodrames allemands » (Capricci). On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Avant la flamboyance de ses mélodrames hollywoodiens, Douglas Sirk réalisa des films en Allemagne, son pays d'origine. Tournés entre 1934 et 1937, ils témoignent de ce qui fera la beauté des chefs-d'œuvre du cinéaste : des femmes tourmentées, des couples impossibles, des lumières éclatantes, la recherche d'un paradis lointain, la quête d'amour et de dignité. Cette période de Sirk doit être remise au centre de son œuvre et ces films rares ou inédits, restaurés en 2K ou 4K par la Fondation Murnau, méritent d'être connus par tout cinéphile. Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Les sorties BD de Xavier Vanbuggenhout : - "Madeleine, résistante Tome 2 : L'Édredon rouge" de Bertail - Jean-David Morvan - Riffaud (Dupuis) - "La Vie secrète des arbres" par Fred Bernard et Benjamin Flao (Les Arènes) - "Surf" de Fred Bernard et The Minimalist Wave (Albin Michel) Spéciale Paul Newman, à l'occasion de la sortie du livre "La Vie extraordinaire d'un homme ordinaire" de Paul Newman (La Table Ronde). Dix fois nommé aux Oscars, Paul Newman obtient finalement la récompense du meilleur acteur en 1987, pour La Couleur de l'argent. Sa filmographie compte une soixantaine de rôles, parmi lesquels La Chatte sur un toit brûlant, L'Arnaqueur, Le Plus Sauvage d'entre tous, Luke la main froide, Butch Cassidy et le Kid, Le Verdict et Les Sentiers de la perdition. Mais son talent ne s'arrête pas aux plateaux de cinéma. En tant que pilote de course, Newman a remporté plusieurs championnats nationaux. Par ailleurs, militant politique et humanitaire, il a collecté et donné près d'un milliard de dollars à de nombreuses organisations caritatives, en particulier celles dont il est le fondateur. Paul Newman a eu six enfants et a été marié pendant cinquante ans à l'actrice Joanne Woodward. Il est décédé en 2008 à l'âge de quatre-vingt-trois ans. Stewart Stern, ami de longue date de Paul Newman, fut son confident lors des enregistrements qui composent ce livre. Il est surtout connu pour avoir écrit le scénario des films La Fureur de vivre, The Rack et Rachel, Rachel, réalisé par Paul Newman. C'est en 1986, année de son Oscar d'honneur et de ses soixante et un ans, que Paul Newman s'assoit avec son vieil ami, le scénariste Stewart Stern, pour enregistrer des bribes de souvenirs destinés à la rédaction d'une biographie. Une entreprise de plusieurs années, pour laquelle Stewart Stern interroge également tous ceux qui ont gravité autour de la star hollywoodienne, sa famille proche, des amis et collègues acteurs, scénaristes, producteurs, mais aussi d'anciens camarades d'université ou de la marine. Quelques années après la mort de Newman, ce sont les retranscriptions de ces cassettes qui ont permis de raconter La Vie extraordinaire d'un homme ordinaire, témoignage intime sur ce que c'est que d'être le visage le plus admiré de la planète. Spéciale Douglas Sirk, à l'occasion de la sortie d'un coffret rétrospective de 7 films de Douglas Sirk : « Les mélodrames allemands » (Capricci). Avant la flamboyance de ses mélodrames hollywoodiens, Douglas Sirk réalisa des films en Allemagne, son pays d'origine. Tournés entre 1934 et 1937, ils témoignent de ce qui fera la beauté des chefs-d'œuvre du cinéaste : des femmes tourmentées, des couples impossibles, des lumières éclatantes, la recherche d'un paradis lointain, la quête d'amour et de dignité. Cette période de Sirk doit être remise au centre de son œuvre et ces films rares ou inédits, restaurés en 2K ou 4K par la Fondation Murnau, méritent d'être connus par tout cinéphile. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. "Machins Machines" d'Hélène Maquet :Pourquoi sommes nous toujours en retard pour nos cadeaux de Noël ? Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

DDP Radio LIVE with Denise Sirk

We had the privilege of having Steve Sirk, #1 Crew Historian, join the club! Hold onto your butts folks, this was a bucket list hang for us. His work over the entire history of the Crew have been monumental in keeping our roots preserved. Please check out his latest book at the links below....or just buy them all ya dummy! https://sirkbook.com/ https://www.amazon.com/stores/Steve-Sirk/author/B0821YJYT8?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true https://nordecke.com/ Join and become part of the best Club in the world! Bird: https://twitter.com/President_Birb Check links below: Supporter Supply:  https://www.supportersupply.co/  Code for free delivery:  upper90boyz (that's boys with a Z) Podcasts are available on Spotify, Apple Podcast, and all podcast apps. Now on YouTube, with video, and the faces!  Not seeing us somewhere? Email us Check us out on our Social Media Platforms and feel free to email us! We're totally literate and will 100% read anything you send, promise. Songs by Nick Tolford and Company https://ntac.bandcamp.com/track/boys-night-out SIGN UP TO BE PART OF THE NORDECKE!  Here - https://nordecke.com/ Become part of the Discord family:  https://discord.gg/crew96 Subscribe to our channel for more soccer content: -Email us:  podcast@upper90club.com -Follow us on Twitter: https://twitter.com/Upper90ClubPod -Like us on Facebook: https://www.facebook.com/groups/upper90clubpod -Follow us on Instagram: https://www.instagram.com/upper90clubpod/ -Apple Music: https://podcasts.apple.com/us/podcast/upper-90-club/id1647214221 -Spotify: https://open.spotify.com/show/1xnYAtnQ8tThdn5JWX6c24 -Linktree: https://linktr.ee/upper90clubpod #VamosColumbus | #Crew96 | #Upper90Club

1954's Sleep, My Love was an early directorial effort from German born emigre Douglas Sirk.  Sirk would later become recognized as an auteur - by, of course, the French - for his work with melodramas (Magnificent Obsession, All That Heaven Allows).  Sleep, My Love, starring Claudette Colbert, Robert Cummings, Don Ameche and Hazel Brooks, was his attempt at a domestic thriller. Dan and Vicky discuss the gaslighting noir along with alot of recently seen including A Haunting in Venice,  Talk to Me, The Wrath of Becky, Mafia Mama, My Big Fat Greek Wedding 3, 1995's Castle Freak, and Psycho: The Lost Tapes of Ed Gein. Follow us here: hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Paul & Amy reflect on Douglas Sirk's piercing 1959 melodrama Imitation Of Life! They learn what made this epochal film a favorite of Steven Spielberg's, discuss what Sirk has to say about race in America, and ask what this slyly satirical blockbuster has in common with Starship Troopers. Plus: The murder that nearly overshadowed the film's release. Next week, Paul and Amy are watching Saw! You can join the conversation for this series on Paul's Discord at https://discord.gg/ZwtygZGTa6. Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.

In the third episode of our Set in the 1950s cycle, we compare two hommages to the post war decade: Todd Haynes' Far from Heaven and Frank Darabont's The Majestic.Special guests: Brian Eggert from Deep Focus Reviews, Rotten Tomato Approved and frequent KARE 11 guest film critic What started out as a random pairing of two 1950s period pieces from the early Aughts became a rather interesting juxtaposition on the potency and fugility of worshiping art from the past. Far From Heaven was born from a love and respect for Douglas Sirk's fifties melodramas, and The Majestic has Frank Darabont donning his best Capra impression. While both films have inherited riches from the past, their contemporary narratives tend to sizzle instead of sparkle. Far From Heaven is beautifully shot and acted with an intricate and immaculate product design. But we wonder if there is anything happening beyond a Sirk lovefest. The Majestic has a prefab Americana store of redemption that is instantly gripping. But while the trim looks polished and proper, the rooms feel empty. Both films demonstrate how hommage can result is both a dissonant feedback loop as well as an illuminating ouroboros. Note: This podcast was recorded and produced during the 2023 WGA and SAG-AFTRA strike. Without the labor of writers and actors currently on strike, Asteroid City and The Fabelmans would not exist. Support the artists who make the art you love.

Výrobce dveří Solodoor ze Sušice dříve sázel především na prodej skrze řetězce, hobbymarkety. Prostor pro expanzi v tomto sektoru ale už není tak velký, a tak šéf a spolumajitel firmy Martin Dozrál hledá i jiné cesty, jak dostat vyrobené dveře a zárubně k zákazníkům. A stále více sází na franšízy. "Máme už zhruba dvě desítky takových prodejen a chceme otevřít každý rok zhruba tři nové franšízy," říká Dozrál. Se zájmem o spolupráci se prý často hlásí lidé, kteří nemají s prodejem dveří žádné zkušenosti. Provozovali ale třeba dříve nějakou jinou franšízovou prodejnu. Podle Dozrála se na zájmu o franšízy ukazuje, že dveře jsou dlouhodobě udržitelný byznys. A co se ještě dozvíte?- co mají dveře Solodoor společného se sirkami a proč v Sušici začali v 90. letech zrovna s výrobou dveří- jak se firma změnil dodavatele zaměřeného hlavně na řetězce a hobbymarkety na multikanálového dodavatele- proč dávají v Solodooru přednost franšízám před podnikovými prodejnami a jak si franšízanty prověřují- s jakými propady objednávek se trh potýká a zda se dveře od Solodooru používají spíše pro rekonstrukce nebo novou výstavbu- jaké jsou hlavní současné inovace zárubních a dveřích a zda jsou žádanější lesklé nebo matné povrchy- jak se změnila výroba dveří díky robotům a kde vidí Dozrál největší prostor pro expanziPodcast moderuje Martin Petříček, zástupce šéfredaktora týdeníku Ekonom.

Mais um cineasta que emigrou para os Estados Unidos fugindo da Segunda Guerra, agora desembarca no Podcast Filmes Clássicos. Alexandre e Fred se juntam ao professor Fábio Rockenbach (Canal "Cena a Cena" e Universidade de Passo Fundo) para discutir o chamado "príncipe do melodrama", o alemão Douglas Sirk, que fez a nata de sua obra no cinema americano, realizando grandes filmes, sobretudo junto à Universal International Pictures na década de 50. Os filmes de destaque aqui são três: "Sublime Obsessão" (Magnificent Obsession, 1954), "Tudo Que o Céu Permite" (All That Heaven Allows, 1955) e "Palavras ao Vento" (Written On The Wind, 1956). Apesar deste recorte, não deixamos, é claro, de comentar outros filmes que assistimos e damos também aquele panorama geral da carreira e vida de Sirk. ---------------------- Acesse nosso site: ⁠http://www.filmesclassicos.com.br⁠ Acesse nossa página no Facebook : ⁠https://www.facebook.com/podcastfilmesclassicos/⁠ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Here’s a movie from Douglas Sirk’s high period. We’ve only talked about Sirk in the context of “Lured,” a movie I think is underrated, but one that looks nothing like this splashy 50s melodrama. This one stars Jane Wyman and Rock Hudson. And I get to talk about Agnes Moorehead. So, bonus! Can a lonely widow find love with a tree farmer? Stay tuned. We also mention Todd Haynes’ excellent 2002 remake (you read that right!), “Far from Heaven” with Julianne Moore. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.

Here’s a movie from Douglas Sirk’s high period. We’ve only talked about Sirk in the context of “Lured,” a movie I think is underrated, but one that looks nothing like this splashy 50s melodrama. This one stars Jane Wyman and Rock Hudson. And I get to talk about Agnes Moorehead. So, bonus! Can a lonely widow find love with a tree farmer? Stay tuned. We also mention Todd Haynes’ excellent 2002 remake (you read that right!), “Far from Heaven” with Julianne Moore. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.

After and during his rise to stardom with the help of Douglas Sirk, Hudson was also being tried out as Universal's hottest new leading man. While Rock was given opportunities to play the swoon-worthy romantic lead with Sirk, a handful of other directors were making him the headlining "every-man" of their films, with very mixed success. This week, we cover the top (there's really just one) and the bottoms of this period of his career spanning 7 films from 1952-1961: The Lawless Breed (Raoul Walsh, 1952), Giant (George Stevens, 1956), A Farewell to Arms (Charles Vidor, 1957), Something of Value (Richard Brooks, 1957), Twilight for the Gods (Joseph Pevney, 1958), The Earth is Mine (Henry King, 1959), and The Last Sunset (Robert Aldrich, 1961). While most of these movies are scraping the bottom of the classic Hollywood barrel, Giant stands out as a true triumph of film-making and an example of Hudson's star power being used correctly. Why did Universal put Hudson in so many movies? How might his whirlwind marriage with a producer's secretary have impacted his image? Did Hudson almost certainly sleep with Sal Mineo? This and more on this week's Cinema Very Gay!

We're trying something new on Cinema Very Gay and taking a career retrospective for the next few weeks on Rock Hudson! He is known perhaps best for being a hunky, mildly-talented, openly-closeted movie star of the 50s and 60s, and for his high profile death due to complications from AIDS in 1985, but there really was much more to Hudson and his famed career than many first assume. Over the next four episodes, join Jake and Kevin as we look back on four key periods in Hudson's film career and talk about how the façade of Hudson's on-screen presence was in contrast to his real-life dalliances. To begin, we start with the phase of Hudson's career that flung him into stardom and made him a household name, his collaborations with director Douglas Sirk. Sirk today is synonymous with 50s melodrama, those saccharine, romantic "women's pictures" that we know and love today. Though not as critically-acclaimed in his time as he is today, Sirk's films still were hits at the box office, and his decision to bring Hudson out of the background and into his turn as a leading man. Thanks to Sirk, every man wanted to be Rock Hudson, and every woman wanted to be with him...and as it turns out, lots of men did too! Join Jake and Kevin this week as we take a look back at the 8 films of the Sirk-Hudson collaboration: Has Anyone Seen My Gal? (1952); Taza, Son of Cochise (1954); Magnificent Obsession (1954); Captain Lightfoot (1955); All That Heaven Allows (1955); Written on the Wind (1956); Battle Hymn (1957); and Tarnished Angels (1957). They might not all be hits, but we're pretty obsessed with a few of them, and hope you find some new favorites in this first part of the series!

Det är morgonen den 16 april, 1967. Det är en kylig vårdag, bara några plusgrader och vinden viner utanför fönstrena. Det hela börjar som en helt vanlig morgon hos familjen Larsson på deras gård på Sirkön i sjön Åsnen, cirka två mil söder om Växjö. Men det är en morgon som kommer att förändra allt. Detta är en nyårsspecial av Olösta Fall. Om en pojke som en försvann en kall aprilmorgon. Det var 13-årige Alvar Larsson. Just denna morgon vaknar han tidigt denna och när han sätter ner bara fötter mot det svala sovrumsgolvet är klockan bara 07.30. Det är hans mamma som väcker honom. Frukosten är färdig.Varning: Olösta Fall är en podcast som inte är för känsliga lyssnare. I detta avsnitt diskuteras ett försvinnande.Källor: https://olostafall.se/nyarsspecial-mysteriet-med-13-arige-alvar-larsson/Musik: Rachel Seow SosaFölj oss på Instagram: https://www.instagram.com/olostafall/Följ oss på Facebook: https://www.facebook.com/olostafallFölj oss på TikTok: https://www.tiktok.com/@olostafallPrenumerera på vårt nyhetsbrev: https://mailchi.mp/f63f3ebe Hosted on Acast. See acast.com/privacy for more information.

Writer-director Elegance Bratton -- whose autobiographical debut The Inspection is in theaters now, and opening at the TIFF Bell Lightbox this Friday -- examines the tangled themes of race, class and belonging in Douglas Sirk's 1959 remake of Imitation of Life, and how they resonate with his own work. Your genial host Norm Wilner prefers Sirk's version too.

Our November Special Subject is Sirk Noir-vember: four noir or noir-adjacent movies directed by Douglas Sirk in the late 1940s/early 50s: Lured (1947), Sleep, My Love (1948), Shockproof (1949), and Thunder on the Hill (1951). We discuss to what extent these films can be considered "auteur" works and in what ways they qualify as noirs; Sirk's use of actor personas and his own "acteur" theory; the relative merits of Sam Fuller's and Harry Cohn's ideas about how to end a movie; nun movie tropes; and much more.  Time Codes: 0h 1m 00s:        Sirk in Hollywood 0h 6m 34s:        LURED (1947) [dir. Douglas Sirk] 0h 31m 54s:      SLEEP, MY LOVE (1948) [dir. Douglas Sirk] 0h 45m 02s:      SHOCKPROOF (1949) [dir. Douglas Sirk] 0h 57m 39s:      THUNDER ON THE HILL (1951) [dir. Douglas Sirk]   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Men-E-Men Stüdyo tarafından hazırlanan yüz sekizinci bölüm sizlerle. Türkiye'nin en köklü, en istikrarlı radyolarından biri olan, hatta radyoculuğun zirvesinde olan Power FM, 5 Kasım 2022'de 30 yaşına bastı. Bizim jenerasyon için ayrı bir yeri olan Power FM, Türkiye'de ilklerdendir ve birçok ilke imza atmıştır. Otuzuncu doğum günü kutlamalarını konuştuk. Türkiye'de radyoculuğu değerlendirdik. Eskisiyle, yenisiyle Power FM çatısı altında çalışmış, radyoya emek ve mesai harcamış herkesi kutluyoruz ve nice yıllara diyoruz. Dizi evreninde bugüne kadar yapılmış en iyi işlerden bir tanesinin yeni sezonu bu kaydı yaptığımız 9 Kasım 2022 günü itibarıyla gösterime girdi. Netflix'in en çok ses getiren dizilerinden The Crown'ın sondan bir önceki sezonu, beşinci sezonu başladı. Yeni sezon Birleşik Krallık kraliyet ailesinin 90'lı yıllarını anlatıyor ve bugüne kadarkiler içinde en çarpıcı olanı olarak değerlendiriliyor. 90'lar hem ailenin, hem kraliçenin zor yıllarıydı. Bakalım göreceğiz, bu yıllar dizide nasıl anlatılmış? “Bi de Buna Bak”ımızda alkışlanası bir denemeyi değerlendirdik. Gösterilerinde vahşi hayvanların holografik hallerini kullananan L'Ecocirque için “Bi De Buna Bak” diyoruz. Haklarındaki ilginç YouTube videosunu bölüm açıklamamıza ekliyoruz. Bu bölümün istek parçası 80'lerden geldi. Büyük bir pop klasiği. Azıcık soft rock diye bile değerlendirebiliriz. 80'ler playlist'i yapanların mutlaka kullanacağı bir aşk şarkısı.

İngiliz Haftası'nın 71. bölümünde Arhan Ata Pilavoğlu ve Güner Çalış, Premier League'de görevden ayrılan ve yeni görevlerine başlayan teknik direktörleri konuşuyor. Aston Villa-Steven Gerrard ayrılığı ve Unai Emery döneminin başlangıcı, Chelsea'nin Thomas Tuchel'in görevine son vermesinin ardından takımın başına getirilen Graham Potter'ın verdiği ilk izlenim, Brighton'da Potter'dan boşalan koltuğa oturan Roberto De Zerbi ve diğer takımların teknik direktör planları mercek altında.

In Part 2 of our look at The German Sirk, the director discovers "cinematic values" with two unhinged melodramas that place a strong emphasis on music, Schlußakkord (Final Chord/Final Accord), from 1936, and La Habanera, from 1937. We dig into a couple of Sirk's complicated "villains" in these movies about extra-marital love triangles, and discuss La Habanera's Nazi propaganda overtones and the ways in which the film possibly subverts them. Then, in our Fear and Moviegoing in Toronto segment, we give our impressions of Alfred Hitchcock's deeply personal, disturbing, and bonkers Marnie, an old favourite of Elise's and new favourite of Dave's.    Time Codes: 0h 1m 00s:      THE FINAL CHORD (1936) aka THE FINAL ACCORD 0h 32m 51s:    CHEATED BY THE WIND (1937) aka LA HABANERA 0h 51m 49s:    Fear and Moviegoing in Toronto – Alfred Hitchcock's Marnie (1964)   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Our Special Subject for August is also our first look at German filmmaking under the Nazis, with two mid-1930s films by left-wing director and future Hollywood auteur Douglas Sirk: The Girl from the Marsh Croft, based on the novel by Selma Lagerlöf, and Pillars of Society, based on the play by Henrik Ibsen. We consider the question of how it was possible to make liberal films under these circumstances and find early evidence of Sirk's interest in "split characters" and unconventional protagonists.    Time Codes: 0h 1m 00s:        Introductory discussion on Sirk at UFA during the 1933 to 1937 period 0h 13m 15s:      THE GIRL FROM THE MARSH CROFT (1935) [dir. Douglas Sirk] 0h 38m 15s:      PILLARS OF SOCIETY (1936) [dir. Douglas Sirk]   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In Far From Heaven, Todd Haynes pays loving homage to sumptuous 1950's Douglas Sirk melodramas. This movie is actually more ambitious than anything Sirk ever did though. Haynes tackles multiple controversies in his "Issues Film", including closeted homosexuality and romance between a black man & a white woman. The actors---especially Julianne Moore---are excellent. Moore, Dennis Quaid and Dennis Haysbert play it very close to the chest and they make their director's deliberately phony-sounding dialogue come across as true and accurate. These characters have three-dimensions and many shades of grey and they all get hurt by the way society was back then...and in some ways still is. Incidentally, we neglected to mention that Haynes himself is gay. We also skated over the horrible act of conversion therapy, which no one should have ever had to go through. And we didn't make the connection that Moore played ANOTHER desperately suppressed '50s housewife in her other 2002 Oscar nomination (The Hours). So don't ask who on Earth is politely knocking at your door, by golly. Just download the 453rd Ellises' Analysis, Pop, but also buy a bunch of Sparkplug Coffee. You can nab a 20% discount by using our "top100project" promo code. Also, shoot us some tweets (@moviefiend51 and @bevellisellis) and perhaps try gazing at the offerings on Ryan's sports movie podcast ("Scoring At The Movies").

53. Bölüm: Sinemada melodramın ustası olarak kabul edilen yönetmen Douglas Sirk'e ayırdığımız program serisinin üçüncü ve son  bölümü. Önceki programlarda yönetmenin hayatından kesitler ve geri plan bilgisi vardı.   Bu defa da Sirk'ün 1955 yılında çektiği ve zaman içinde bir kült filme evrilen “All that heaven allows”; bizde bilinen adıyla, “Her Şey Senin İçin”e yakından bakıyor; bazı sahnelerin analizini yapıyoruz. Bu konuyla ilgili olarak John Cheever Dev Radyo (öykü incelemesi)  ve Rebel without a cause / Asi Gençlik (iki bölümlük film okuma serisi)  bölümlerine Derslik Podcast arşivinden ulaşabilirsiniz. Yararlandığım KaynaklarRobert B. Pippin. 2021. Douglas Sirk: Filmmaker and Philosopher. Bloomsbury Publishing: London.Victoria L. Evans. 2019. Douglas Sirk, Aesthetic Modernism and the Culture of Modernity. Edinburgh Unversity Press: Edinburgh. Harry M. Benshoff & Sean Griffin. 2009. America on film. Wiley-Blackwell: West Sussex.Tom Ryan. 2020. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions. University Press of Mississippi.Harry M. Benshoff & Sean Griffin. 2009. America on Film. Wiley-Blackwell.William H. Phillips. 1999. Film: An Introduction. Bedford/St. Martin's."Sirk, Douglas." Encyclopædia Britannica Online.  2020. Encyclopædia Britannica Online, 2020-07-02. Web.Veysel Atayman & Tuncer Çetinkaya. 2016. Popüler Sinemanın Mitolojisi. Ayrıntı Yayınları.

Yetişkin hayatımızda lüks saydığımız hareket ve oyun ihtiyacı üzerine bir bölüm. Üstelik konuğumuz çok yetenekli bir jonglör; Can Deniz Melikoğlu aka “kızım”.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

52. Bölüm: Sinemada melodramın ustası olarak kabul edilen yönetmen Douglas Sirk'e ayırdığımız program serisinin ikinci bölümü. Önceki programda yönetmenin hayatından kesitler vardı.  Bu defa da Sirk'ün 1955 yılında çektiği ve zaman içinde bir kült filme evrilen “All that heaven allows”; bizde bilinen adıyla, “Her Şey Senin İçin”e yakından bakmaya başlıyoruz. Yararlandığım KaynaklarHarry M. Benshoff & Sean Griffin. 2009. America on film. Wiley-Blackwell: West Sussex.Tom Ryan. 2020. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions. University Press of Mississippi. Harry M. Benshoff & Sean Griffin. 2009. America on Film. Wiley-Blackwell. William H. Phillips. 1999. Film: An Introduction. Bedford/St. Martin's. "Sirk, Douglas." Encyclopædia Britannica Online.  2020. Encyclopædia Britannica Online, 2020-07-02. Web.Veysel Atayman & Tuncer Çetinkaya. 2016. Popüler Sinemanın Mitolojisi. Ayrıntı Yayınları. 

Á fimmtudag bárust þær fréttir að bronsstyttu eftir einn helsta myndhöggvara íslands Ásmund sveinsson hafi verið stolið af stalli sínum á Snæfellsnesi. Styttan sem er af Guðríði Þorbjarnardóttur og syni hennar Snorra nefnist Fyrst hvíta móðirin í Ameríku. Tveimur dögum síðar kom styttan í leitirnar þegar nýtt útilistaverk var afhjúpað á bílastæði í Reykjavík, þar fannst Guðríður inni í brotajárnsgeimflaug. Við ræðum við listakonurnar Bryndísi Björnsdóttur og Steinunni Gunnlaugsdóttur um Fystu hvítu móðurina í geimnum. Skemmtistaðurinn Sirkús var opnaður á nýjan leik í Reykjavík þann 1.apríl á Lækjargötu 6, um 14 árum eftir að hann lokaði á Klapparstíg 30. Við ræðum við fyrrum fastagesti staðarins í von um að skilja betur goðsögnina um þennan stað sem er og var elskaður af fastagestum. Sænski rapparinn Yung Lean gaf á dögunum út blandspólu, mixteip sem ber titilinn Stardust. Nanna Kristjánsdóttir rýnir í þetta nýjasta verk Yung Lean.

Á fimmtudag bárust þær fréttir að bronsstyttu eftir einn helsta myndhöggvara íslands Ásmund sveinsson hafi verið stolið af stalli sínum á Snæfellsnesi. Styttan sem er af Guðríði Þorbjarnardóttur og syni hennar Snorra nefnist Fyrst hvíta móðirin í Ameríku. Tveimur dögum síðar kom styttan í leitirnar þegar nýtt útilistaverk var afhjúpað á bílastæði í Reykjavík, þar fannst Guðríður inni í brotajárnsgeimflaug. Við ræðum við listakonurnar Bryndísi Björnsdóttur og Steinunni Gunnlaugsdóttur um Fystu hvítu móðurina í geimnum. Skemmtistaðurinn Sirkús var opnaður á nýjan leik í Reykjavík þann 1.apríl á Lækjargötu 6, um 14 árum eftir að hann lokaði á Klapparstíg 30. Við ræðum við fyrrum fastagesti staðarins í von um að skilja betur goðsögnina um þennan stað sem er og var elskaður af fastagestum. Sænski rapparinn Yung Lean gaf á dögunum út blandspólu, mixteip sem ber titilinn Stardust. Nanna Kristjánsdóttir rýnir í þetta nýjasta verk Yung Lean.

Á fimmtudag bárust þær fréttir að bronsstyttu eftir einn helsta myndhöggvara íslands Ásmund sveinsson hafi verið stolið af stalli sínum á Snæfellsnesi. Styttan sem er af Guðríði Þorbjarnardóttur og syni hennar Snorra nefnist Fyrst hvíta móðirin í Ameríku. Tveimur dögum síðar kom styttan í leitirnar þegar nýtt útilistaverk var afhjúpað á bílastæði í Reykjavík, þar fannst Guðríður inni í brotajárnsgeimflaug. Við ræðum við listakonurnar Bryndísi Björnsdóttur og Steinunni Gunnlaugsdóttur um Fystu hvítu móðurina í geimnum. Skemmtistaðurinn Sirkús var opnaður á nýjan leik í Reykjavík þann 1.apríl á Lækjargötu 6, um 14 árum eftir að hann lokaði á Klapparstíg 30. Við ræðum við fyrrum fastagesti staðarins í von um að skilja betur goðsögnina um þennan stað sem er og var elskaður af fastagestum. Sænski rapparinn Yung Lean gaf á dögunum út blandspólu, mixteip sem ber titilinn Stardust. Nanna Kristjánsdóttir rýnir í þetta nýjasta verk Yung Lean.

Í þættinum er fjallað um stríð Rússneska keisaradæmisins við smáþjóðina Sirkassa í Kákasusfjöllum á nítjándu öld, sem lauk með miklu blóðbaði og því að nær allir Sirkassar voru hraktir af heimahögum sínum.

Í þættinum er fjallað um stríð Rússneska keisaradæmisins við smáþjóðina Sirkassa í Kákasusfjöllum á nítjándu öld, sem lauk með miklu blóðbaði og því að nær allir Sirkassar voru hraktir af heimahögum sínum.

51. Bölüm: Bu kaydımızla birlikte iki bölümden oluşacak yeni bir seriye adım atıyoruz. Konumuz melodramın ustası Douglas Sirk. İlk bölümde  Douglas Sirk'ün hayatından kesitler var.  Bir sonraki kaydımızda da yönetmenin 1955 yılında çektiği ve zaman içinde bir kült filme evrilen “All that heaven allows”; bizde bilinen adıyla, “Her Şey Senin İçin”e yakından bakacağız. Yararlandığım KaynaklarTom Ryan. 2020. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions. University Press of Mississippi. Harry M. Benshoff & Sean Griffin. 2009. America on Film. Wiley-Blackwell. William H. Phillips. 1999. Film: An Introduction. Bedford/St. Martin's. "Sirk, Douglas." Encyclopædia Britannica Online.  2020. Encyclopædia Britannica Online, 2020-07-02. Web.Veysel Atayman & Tuncer Çetinkaya. 2016. Popüler Sinemanın Mitolojisi. Ayrıntı Yayınları. 

Comedian and actor Josh Fadem (Twin Peaks: The Return, Better Call Saul) joins to discuss Douglas Sirk's 1956 melodrama, Written on the Wind starring Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone. Sirk's deeply layered themes of American capitalism and sexual inadequacy are explored in this wild and far-ranging discussion that folds in Freddy Krueger, nymphomania, Unsolved Mysteries, Glenn Ford, Regarding Henry, Gene Roddenberry, and much much more. It's conversation no film fan should let blow past them. (Written on the Wind is currently available to stream on The Criterion Channel.)

Prepared to get Sirk'd up for this weeks episode of A Place For Film. Joining David once is again is his eternal enemy and elegant editor Michaela Owens to give everyone a little primer on the lush and lively world of melodrama director Douglas Sirk in anticipation of the IU Cinema's "5x Douglas Sirk: Magnificently Obsessed" series. If you don't know the work, this is a good place to start so you know what to expect going in, especially if you're drawn towards his incredible output in the 1950's. In short, tune and listen if you want Michaela and David to teach you how to Doug(las) For more information about the IU Cinema's Sirk series and they're "5x" series in general, please visit the cinema's website here: https://cinema.indiana.edu/upcoming-films/series/5x-series

İngiliz Haftası'nda milli maç arasını özel bir bölümle değerlendirirken, Çetin Cem Yılmaz ve Arhan Ata Pilavoğlu'na ilk kez bir konuk da eşlik ediyor. Premier League üzerine yazdıkları daha önce Socrates Dergi'de de yayımlanan Güner Çalış'la beraber, 15 Kasım itibarıyla 20 takımdan beşinin menajer değişikliğine gittiği sıra dışı Premier League sezonunu ve bu sirkülasyonun ardında yatanları konuşuyoruz. Aston Villa'daki Steven Gerrard dönemine, Newcastle'ın Eddie Howe tercihine ve Dean Smith'in Norwich'te yapabileceklerine de ayrı ayrı değiniyoruz. / Ses Tasarımı: Vadi Sound

In this episode EventMB's editor-in-chief, Miguel Neves, and guest Martin Sirk, Owner of Sirk Serendipity, discuss: The flight to quality across the event industry The real purpose of meetings Events are more about rituals than content because they give us a sense of shared purpose How remote workforces means more regional-wide meetings to build culture and promote understanding How smart destinations use resources (people/companies) for the benefit of events which ultimately benefits the destination Future predictions include: failed meetings, merged meetings and whole companies departments attending meetings as a retreat The meetings of 20 people today are the events of 1,000 in the future