Podcasts about Melodrama

Jeremy Zakis: Jeremy Zakis details the melodrama and unexpected struggles of the Australian cricket team during their series against Bangladesh in Darwin. Despite playing on home soil, the Australians fell significantly behind, leading to visible frustration and on-field tantrums. Zakis highlights an incident in which Mitchell Starc yelled at a Bangladeshi batter, as well as other players protesting rudely to umpires. He attributes the team's poor performance to Bangladesh's exceptional batting strength and their superior conditioning for Darwin's extreme humidity. Unlike the Australians, who are accustomed to dry heat, the Bangladeshi players thrived in these tropical conditions. Zakis characterizes this Bangladeshi squad as a black sheep whose performance has surprised everyone. He concludes that these bad days are a stark departure from the team's usual professionalism and raise concerns as they look ahead to the upcoming Ashes series. (2)

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Der französische Kinokassenschlager des Jahres 1986 war René Manzors atmosphärischer Euro-Genremix aus SciFi, Fantasy & Melodrama – mit einem Quentchen Horror. Alain Delon spielt Trickfilmer Jean, der, von seinem geliebten Sohn getrennt, dem leibhaftigen Gevatter Tod in die Hände fällt. Nur dass der Sensemann über einen mittelalterlichen Kerker mit feinster 1980er Computertechnologie verfügt.

Visionary Activist Show 7.30.26 #KPFA 2 pm pt/#KPFK 7.31 wee hours and 1 pm pt…. Ritual Bonfires – or Arson – take your pick. Create Ritual or Live Melodrama The Guiding astro*mytho narrative: Lughnasa – Mid-Summer – One of the 4 cross-quarter holy days – called the 4 gates of power…. when Power is especially enthused to be invited in to the Community of Creation…. Now through Friday August 7th which be exact mid-season… Tis the season for on-going exorcisms of all the demons harmful to life…. We continue what was begun last week with Maryan Ishami and the Zar… Underneath the rubble of Malefactor cruelty and bombing, stirs the antidote of powerful human ritual…. The Odyssey, the film excludes the real Circe, so we welcome the real Circe, and all Troubadour bards and Trickster Women, excluded by orthodoxy …. The Odyssey be in the memosphere, finding our way home…to protect home – Chaco Canyon…..   Full Moon Cazimi tide – Cazimi – Arabic astro term meaning “in the heart,” when a planet is conjunct the Sun – Tis Jupiter was Cazimi Sun at 6+ Leo , which be “the constellations of the night sky glow blazingly in the desert – the endless unfolding wonder of creation….” So let's get “astonished.” (From which “stoned” is derived.) Twas on the Full Moon Cazimi tide that troubadour bard Glen Hansard – rode out of this world on his motorcycle…whose life we honor, and all musician – troubadour bards dedicated to Community well-being…. as Culture Doctors In full Irish tradition, as Seán Pádraig O'Donoghue oft says – “Let's see the long-ago dead, emerging to welcome the recently dead” – to help us befoibled humans out….   The post Create Ritual or Live Melodrama appeared first on KPFA.

Lucky Episode number 491 is here and we're blaming the worms for our tummy troubles. Today Em tells us the spooky story of the Olive Hill Poltergeist and its wild paranormal activity. Then Christine covers the mystery of the Yuba County Five, which leaves us with more questions than answers. And does anyone even say “cell phone” anymore? …and that's why we drink!Photo Links:The Yuba County FiveWant to listen ad-free? Join our Certified Yapper tier for $10/month on Patreon! Ad-free episodes starting at E469 at: http://patreon.com/ATWWDPodcast !Catch our bonus Yappy Hour intermissions on Apple Podcasts: https://apple.co/3L28lDw or subscribe on Patreon!___________________Save 20% off Honeylove by going to https://honeylove.com/DRINK ! #honeylovepodGet $10 off your first month's subscription and free shipping at https://nutrafol.com with promo code DRINK.Go to https://hellobatch.com/drink and use code DRINK at checkout for 30% off sitewide!Save time and meet great candidates sooner with ZipRecruiter—try it for FREE at https://ziprecruiter.com/drink .Go to https://tryfirstleaf.com/DRINK to get 50% off your first box plus free shipping for a year.Explore coverage at https://www.aspcapetinsurance.com/DRINK . The ASPCA® is not an insurer and is not engaged in the business of insurance Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rashmi and Zach continue with the ‘Doomed Lovers’ theme of Noir with a trip to Italy for a look at another adaptation of ‘Postman Always Rings Twice’ as they unpack Luchino Visconti’s 1943 film, OSSESSIONE! Tune in today to learn more about this Visconti debut, what it does from a Noir & Melodrama angle to stand out, and how the film was almost lost entirely!

Rashmi and Zach continue with the 'Doomed Lovers' theme of Noir with a trip to Italy for a look at another adaptation of 'Postman Always Rings Twice' as they unpack Luchino Visconti's 1943 film, OSSESSIONE!Tune in today to learn more about this Visconti debut, what it does from a Noir & Melodrama angle to stand out, and how the film was almost lost entirely!

Howie Kurtz on President Trump's declaration that the U.S. ceasefire with Iran is officially over, the total unraveling of Graham Plattner's Senate campaign in Maine amid gripping misconduct allegations, and the legal dismissal of Trump Media's $3.8 billion defamation lawsuit against The Washington Post. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today from SDPB - recovery efforts in the Highmore area following severe storm, the latest economic report for the Midwest region, the Edgemont theater keeping theatric melodrama alive, and more.

Michelle is back and we're starting to move into the prime period of Douglas Sirk's filmmaking. Sirk was famous for his melodramas that played with identity, a place in a fixed society, and the balance of responsibilities and dreams. His films Taza, Son of Cochise, Magnificent Obsession and All I Desire each explore those ideas in dfferent ways. Not all are completely successful, but all are worth a deeper dive and closer exploration.

Lux Radio Theatre - Manhattan MelodramaBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with Akira Kurosawa’s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog — and notably, his only film featuring a sole female protagonist.See omnystudio.com/listener for privacy information.

You can get early access to our episodes as well as video version of this episode by signing up and supporting our work through Patreon. This week, Asim, Amrita, Sujoy, and special guest Parth from TooManyTats revisit Kabhi Alvida Naa Kehna — the glossy, messy, deeply divisive relationship drama that pushed Bollywood into uncomfortable territory. Twenty years later, does Karan Johar's infidelity epic still work? The gang unpack Shah Rukh's aggressively miserable “Dev,” Rani Mukerji's quietly heartbreaking performance, Sexy Sam's outrageous energy, and why this film feels both ahead of its time and completely stuck in the 2000s. There's also a detour into today's Bollywood stars, OTT-era morality, Cannes discourse, Pati Patni Aur Woh Do, and whether Maya and Dev would actually survive modern Toronto rent prices. Expect classic Khandaan chaos, emotional damage, soundtrack worship, and a surprising amount of analysis about chewing gum etiquette. You can also check out Parth's Animation Studio Mikudi here Segments 00:00 – Introducing Parth / tattoos & Om Shanti Om dreams 04:15 – Why Kabhi Alvida Naa Kehna now? 07:50 – Pati Patni Aur Woh Do review 12:20 – Kartavya, caste politics & OTT thrillers 22:40 – Alia Bhatt, Cannes & Bollywood discourse 31:35 – Revisiting KANK after 20 years 44:30 – Why Shah Rukh's Dev is so hard to love 57:00 – Marriage, infidelity & Karan Johar psychology 01:14:30 – The hotel room scene & Bollywood taboo-breaking 01:22:50 – Rani Mukerji's performance appreciation 01:28:35 – Soundtrack deep dive: Mitwa, Tumhi Dekho Na & more 01:40:30 – Would Maya and Dev actually last? 01:42:30 – Dream casting a modern KANK remake

Joseph Sternberg details the political melodrama in London, focusing on Keir Starmer's leadership crisis and Labour's poor performance. He highlights the rise of Nigel Farage's Reform Party and the persistent Brexit debate. (14)1919

This week Kelli and Troy revisit one of the internet's most unhinged masterpieces: the Lorde and Jack Antonoff slideshow. The theory? A secret, torrid affair during Melodrama. The twist? A 2026 update from someone involved who is not Lorde or Jack… and it's giving this whole thing new life. Link to slideshow - https://dfta.show/files/Lorde%20and%20Jack%20Antonoff%20-.pptx%20(2).pdf Join our Patreon for more content! - patreon.com/Beyondtheblinds Follow us on Instagram - instagram.com/beyondtheblindspod Kelli on IG - Instagram.com/laguna_biotch Troy on IG - Instagram.com/troyjeanspears Learn more about your ad choices. Visit megaphone.fm/adchoices

Does he have the cancer that kills you when you get married? You'll have to listen to find out. Valley of the Dolls (1967) film on the Internet Archive Valley of the Dolls (1966) book on the Internet Archive Valley of the Dolls: Why We Love This Awful Movie By Broey Deschanel Casting the Women of Valley of the Dolls | PT 1 By Be Kind Rewind The Making of Valley of the Dolls | PT 2 By Be Kind Rewind Dolls! Dolls! Dolls! Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time By Stephen Rebello   FIND US ON LETTERBOXD SHOP THE SHOW: TEE PUBLIC FOLLOW THE SHOW: INSTAGRAM EMAIL THE SHOW: abreathoffreshmovie@gmail.com  

There's a Tina-shaped elephant in the room, but otherwise a perfect movie about growing stronger. Beware Boats Film List FIND US ON LETTERBOXD SHOP THE SHOW: TEE PUBLIC FOLLOW THE SHOW: INSTAGRAM EMAIL THE SHOW: abreathoffreshmovie@gmail.com  

This week, Emilio, Madeline, and Julian welcome in fellow podcaster Christian Garcia for a bonus episode to discuss 'Written on the Wind', Douglas Sirk's seminal romantic melodrama from 1956 starring Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone in an Oscar-winning performance. This was a first watch for everyone involved, but a welcome initiation to the aesthetic and thematic paths on which Sirk often tread. The group digs into the reach and influence that this film had on modern filmmakers, how the film chooses to portray masculinity, the captivating performances, the blend of genres it manages to balance, and the many subversive touches Sirk sneaks into the film that give it so much staying power.    Christian Garcia is a co-host of the podcast That Ol' Gay Classic Cinema.  Along with co-host Luke Delmar, the podcast takes a loving look back at classic films from Hollywood's Golden Age through a queer lens.  You can listen and follow @thatolgayclassiccinema  Programming Note: This conversation was recorded in 2025. If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian @julian_barthold and Madeline @patronessofcats

"melodrama" n°1 depuis 23 semaines : la chanson de Disiz interprétée avec Théodora a battu Pharell Williams et Lady Gaga dans les classements de streaming. Ecoutez Laissez-vous tenter - Première avec Le Service Culture du 03 avril 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Oh boy! It has this all-star, fantastic cast. But gosh is Imperfect Women kinda awful. Dan takes a look at the new Apple TV drama featuring stars from The Handmaid's Tale, Scandal, and For All Mankind.Then Simon has the hottest of hot takes on Ready or Not 2, playing in cinemas right now.There's also Buffy revival talk. And why were the Oscars ratings so poor?

Happy Valentine's Day! The Cemetery Row girls have three dramatic tales of love in this week's episode. Lori covers the Mayerling incident involving Rudolf, Crown Prince of Austria and his mistress, Baroness Mary Vetsera. Hannah shares the story of incredibly brave abolitionists Ellen and William Craft, who risked everything to escape slavery. Sheena covers the rollercoaster love story of Jessie and George Peters and Earl Van Dorn, the "terror of ugly husbands."

Consumida pelos próprios sentimentos, Lorde deu vida a um dos trabalhos mais dolorosos e fascinantes da música pop recente, “Melodrama” (2017). Para mergulhar no processo de criação do disco, que ainda contou com a produção de Jack Antonoff, Cleber Facchi (@cleberfacchi) e Thiago Gelli (@thigellicle) conversam sobre a história, as canções e todo o universo emocional do álbum que revelou canções como “Green Light”, “Liability” e "Supercut”.Gostou do podcast? Então apoie a gente em ⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/podcastvfsm

durée : 00:06:59 - Ces chansons qui font l'actu - par : Bertrand DICALE - Alors que son duo "Melodrama" avec Theodora lui apporte un surcroît de gloire et qu'il tourne actuellement à guichets fermés, retour sur une carrière caractérisée par son refus de la ligne droite. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Pibbly pobbles, poderinos. Today, Guy has broken a camera, Cat is in The Pit, asshole fae stole Guy's voice, and Godzilla had a bit of a yamp about the place. Content note for the beginning and the end of this episode - the strip itself is a bit, you know, suicide-y. Classic Garfield, you zany pusscat! https://web.archive.org/web/20250309090201/https://www.gocomics.com/garfield/1978/10/18 October 18, 1978

DOMESTIC MELODRAMA AND THE FOG OF RHETORIC Colleagues Gaius and Germanicus, Friends of History Debating Society, Londinium, 92 AD. Turning to domestic matters, the speakers discuss a controversy in Minnesota involving an ICE-related death, describing the situation as a "melodrama" obscured by a "fog of rhetoric." Germanicus contrasts this "theater" with the genuine violence of 19th-century labor strikes and the Spanish Civil War, warning that while current events are performative, the specialized training of opposing factions is dangerous. They conclude that these domestic battles follow a script of performative chaos similar to foreign policy, risking a slide into real insurrection if the "talk" ever crosses the threshold into actual violence. NUMBER 21953

 THE SAM ALTMAN MELODRAMA Colleague Gary Rivlin. The shock firing of Sam Altman by the OpenAI board over trust issues, Microsoft's intervention, and the rapid rehiring that solidified the race for dominance. NUMBER 161955

Y'a d'la joie, ce n'est pas seulement le titre d'une chanson de Charles Trenet ! C'est aussi le titre du nouveau spectacle de Michael Hirsch.  Et si on commençait l'année 2026 sous le signe de la JOIE ? C'est le vœu de Michael Hirsch pour cette année 2026 !  La «joie de vivre», c'était pas son truc, lui a-t-on dit... Alors un jour, il décide de s'y mettre. D'être joyeux. Il se demandait quel était le secret de ces personnes toujours joyeuses naturellement ! Il se donne alors un an pour apprendre la joie de vivre ! Mais, est-ce si simple ? La Joie de vivre apparait quelque part au milieu du XIXe siècle. La langue française invente « la joie de vivre » dans une période paradoxalement plutôt sombre… C'est d'ailleurs Flaubert qui a utilisé l'expression pour la première fois dans l'un de ses romans. Puis, l'auteur Émile Zola a titré un de ses romans La joie de vivre en 1884. Et cette expression est reprise dans les autres langues... en français dans le texte.  La joie : un acte politique et moral français...  C'est à partir de ses lectures de neurospychologie, d'anthropologie et de philosophie que Michael Hirsch donne naissance à ce spectacle aussi drôle qu'émouvant.  Le bonheur aujourd'hui c'est devenu quelque chose de très individuel, une sorte de norme que nous impose le développement personnel, alors que la joie, ça se partage. Pour l'auteur, c'est un travail quotidien que d'être heureux : « On a tous un état moyen de bonheur, on peut tous le faire varier à la hausse, à la baisse », affirme-t-il.  Un spectacle drôlement savant bourré de références culturelles et très instructif. Son spectacle le plus « intime » selon lui.  Invité : Michael Hirsch, auteur, acteur et humoriste. Il est diplômé en école de commerce. De 2011 à 2013, il est élève de Jean-Laurent Cochet. En 2014, il crée pourquoi ?, son premier spectacle seul-en-scène, puis je pionce donc je suis en 2019.  Y'a d'la joie, son troisième seul-en-scène est à voir à partir du 20 janvier au 31 mars 2026 au Théâtre de l'Œuvre, puis en tournée. Programmation musicale : Les artistes Diziz et Théodora avec le titre Melodrama   

Y'a d'la joie, ce n'est pas seulement le titre d'une chanson de Charles Trenet ! C'est aussi le titre du nouveau spectacle de Michael Hirsch.  Et si on commençait l'année 2026 sous le signe de la JOIE ? C'est le vœu de Michael Hirsch pour cette année 2026 !  La «joie de vivre», c'était pas son truc, lui a-t-on dit... Alors un jour, il décide de s'y mettre. D'être joyeux. Il se demandait quel était le secret de ces personnes toujours joyeuses naturellement ! Il se donne alors un an pour apprendre la joie de vivre ! Mais, est-ce si simple ? La Joie de vivre apparait quelque part au milieu du XIXe siècle. La langue française invente « la joie de vivre » dans une période paradoxalement plutôt sombre… C'est d'ailleurs Flaubert qui a utilisé l'expression pour la première fois dans l'un de ses romans. Puis, l'auteur Émile Zola a titré un de ses romans La joie de vivre en 1884. Et cette expression est reprise dans les autres langues... en français dans le texte.  La joie : un acte politique et moral français...  C'est à partir de ses lectures de neurospychologie, d'anthropologie et de philosophie que Michael Hirsch donne naissance à ce spectacle aussi drôle qu'émouvant.  Le bonheur aujourd'hui c'est devenu quelque chose de très individuel, une sorte de norme que nous impose le développement personnel, alors que la joie, ça se partage. Pour l'auteur, c'est un travail quotidien que d'être heureux : « On a tous un état moyen de bonheur, on peut tous le faire varier à la hausse, à la baisse », affirme-t-il.  Un spectacle drôlement savant bourré de références culturelles et très instructif. Son spectacle le plus « intime » selon lui.  Invité : Michael Hirsch, auteur, acteur et humoriste. Il est diplômé en école de commerce. De 2011 à 2013, il est élève de Jean-Laurent Cochet. En 2014, il crée pourquoi ?, son premier spectacle seul-en-scène, puis je pionce donc je suis en 2019.  Y'a d'la joie, son troisième seul-en-scène est à voir à partir du 20 janvier au 31 mars 2026 au Théâtre de l'Œuvre, puis en tournée. Programmation musicale : Les artistes Diziz et Théodora avec le titre Melodrama   

Sarah gets into the spirit and Heather cares for her wild fox. THANK YOU to our Patrons! Please consider directly supporting us at Patreon for ad-free episodes, access to our Discord server, and all around good vibes as you help us keep the lights on.Support this show http://supporter.acast.com/hsgd. Hosted on Acast. See acast.com/privacy for more information.

This 'Media Buzz Meter' first aired on December 8th, 2025… Howie Kurtz on President Trump weighing in on Netflix's acquisition of Warner Bros. Discovery, Marjorie Taylor Greene advocating for the release of Epstein files and her disagreement with President Trump on the issue, and the dismissal of journalist Olivia Nuzzi from Vanity Fair. Follow Howie on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@HowardKurtz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠For more #MediaBuzz click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

You could've enjoyed this full episode early if you'd been a Patron! Become a Patron (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/anotherworldaudiobooks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) & get more episodes EARLY!Want a free audiobook? All you have to do is ask! Choose from the ever-growing AWA Library (⁠⁠https://anotherworldaudiobooks.com/#library)!⁠⁠If you enjoyed this episode, would you mind telling a friend about the podcast??:) It's really the only way the show can grow (and really the only way I'll be able to continue putting out episodes for you)! Thanks a million!!!____Thanks to our sponsor - Invicta Web Design! Get a professional, website, headache free. Just go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://invictaweb.design/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For all things Another World, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anotherworldaudiobooks.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (seriously, you should - I'm giving away a FREE audiobook to anyone who goes to the website & requests it!!!)Thanks for listening & for SHARING the podcast!____Support the podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/anotherworldaudiobooks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and get tons of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠awesome perks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Check out the merch store ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://another-world-audiobooks.myspreadshop.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠ Tons of awesome, hand-drawn designs (by yours truly!:) for t-shirts, hoodies, hats, mugs & more. PLUS every purchase goes to bring you more awesome audiobooks!Support the podcast by purchasing ⁠⁠FULL audiobooks - all purchase links are at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anotherworldaudiobooks.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠If that's not for you, don't worry, I'll still make you audiobooks;) All I ask is that you listen & share the podcast with your friends!

What's up, dudes? It was the show that taught us how the 1% lived! Bob Baker from Festive Foreign Film Fans and William Bruce West from Remember That Show? and West Week Ever join me to talk Dynasty “That Holiday Spirit!”Blake and Crystal visit their premie in the NICU and see that their prize horse up for sale. Meanwhile, Alexis and Dex fly to London for their wedding, along with Amanda. Things are awkward due to Dex and Amanda's intimate encounter. Jeff is pining over Fallon and refuses to engage in a treasure hunt.During all this, Daniel Reece offers Blake the prize horse (his ulterior motive still hidden). Claudia reveals her infidelity to Steven who takes it poorly. Also, Dominique lays claim to the Carrington bloodline despite Blake's refusal to believe. Subsequently, at the Christmas party, she storms out as Blake shares that he is Amanda's father. Alexis barges in and demands Amanda back.Poofy dresses? Check. Melodrama? Of course! Slaps? Only one?!?! So grab your tux, listen to the carolers, and live like the Carringtons with this episode on Dynasty “That Holiday Spirit!”Festive Foreign Film FansFB: @ForeignFestiveFilmFansTwitter: @FestiveFilmFans Give us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Howie Kurtz on President Trump weighing in on Netflix's acquisition of Warner Bros. Discovery, Marjorie Taylor Greene advocating for the release of Epstein files and her disagreement with President Trump on the issue, and the dismissal of journalist Olivia Nuzzi from Vanity Fair. Follow Howie on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠@HowardKurtz⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠For more #MediaBuzz click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

I had the honor of sitting down with To Octavia to chat about their newest album "MELODRAMA". Enjoy!To Octavia:Instagram: https://www.instagram.com/tooctavia/Facebook: https://www.facebook.com/tooctaviaband/TikTok: https://www.tiktok.com/@tooctaviaYouTube: https://www.youtube.com/@tooctaviaApple Music: https://music.apple.com/us/artist/to-octavia/1392398860Spotify: https://open.spotify.com/artist/6n7fNyZbuKRarfCjUrJbMY?si=QjxrowaxQYmI7aDNagZ5Yw

happy monday! ihr habt es vielleicht schon auf tiktok oder Instagram gesehen: lina larissa strahl war bei mir zu gast! wir reden wirklich über alles: vom leben zwischen hamburg und berlin bis hin zu mental health, ihrem eigenen podcast und wie ihr therapie sogar ihre beziehung gerettet hat. lina erzählt super ehrlich, wie es war, nach so einer langen beziehung plötzlich single zu sein und warum sie eigentlich nicht gerne alleine ist. natürlich geht's auch um bibi blocksberg: nervt das thema noch? wie lief der bewerbungsprozess? und warum wollte sie am anfang eigentlich gar nicht bibi spielen? außerdem: linas one direction-obsession, freundschaftsdramen (inkl. crush) und wie es wirklich bei „lets dance“ war. hört unbedingt rein!! hab euch lieeeb! Gast: LINA **ANZEIGE** Das Bundesinstitut für öffentliche Gesundheit hat eine richtig gute Initiative gestartet – die heißt ‚LIEBESLEBEN‘. Da findet ihr super viele Infos rund um Sexualität, Schutz und Tests. Schaut unbedingt mal auf deren Website vorbei: https://www.liebesleben.de/wissenwasrumgeht/?mtm_campaign=2025&mtm_kwd=claireonair&mtm_source=podcast Ein Podcast von ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠arc.studio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Kontakt: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠clareonair@arc.studio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alle Infos, Links & Rabatte: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hier Learn more about your ad choices. Visit megaphone.fm/adchoices

H. Alan Scott/Sadie Pines and Kerri Doherty revisit The Golden Girls season 6 episode "Melodrama" where they discuss their own friends with benefits situations, whether pet expos are ripe for robbers, and why Mel Bushman is indeed like Fred Flinstone. Join the GG VIP Club at Patreon.com/GoldenGirlsPodcastWatch video versions of the podcast on YouTube.com/OutonTheLanaiFor more Golden Girls greatness, visit OutOnTheLanai.com and follow us at...instagram.com/OutOnTheLanaiOfficialfacebook.com/GoldenGirlsPodcasttwitter.com/GoldenGirlsPodFOLLOW H. ALAN SCOTT/SADIE PINES...instagram.com/SadiePinesinstagram.com/HAlanScottlinktr.ee/HAlanScottFOLLOW KERRI DOHERTY...instagram.com/squidsytwitter.com/SquidEatSquidSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ellen E Jones and Mark Kermode explore a once-popular genre of cinema which flourished in the mid-20th Century with films like Now Voyager, Mildred Pierce and All That Heaven Allows, and is still alive and kicking today - albeit often in unexpected ways.Ellen speaks to film critic Pamela Hutchinson about the melodramatic women's pictures of the 1930s, 40s and 50s, and about why the melodrama genre may be thriving in the current day, in the form of the male melodrama. Meanwhile, Mark talks to two directors from either side of the Atlantic, both well acquainted with the 21st century melodrama.British-Moroccan director Fyzal Boulifa talks about the influence of a 1950s Joan Crawford melodrama noir on his 2022 indie film The Damned Don't Cry, and about the post-revolutionary roots of the melodrama form. And American indie darling Todd Haynes discusses how melodrama runs through his filmography, from 2002's Far From Heaven, which reimagined the world of director Douglas Sirk for a 21st Century audience, to the ‘queer-melodrama' classic Carol.Producer: Jane Long A Prospect Street production for BBC Radio 4

People often expect a comedy when they select this for viewing -- which sets them up for a disappointing experience, since this is a melodrama.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

Mike Evans and Brandon Stokley open today’s show celebrating the announcement for the Broncos’ new stadium, especially since it’s not in Castle Rock. They imagine all of the marquee events the Mile High City will host come 2031 and beyond. The guys discuss the true meritocracy that Coach Prime is running in Boulder in the age of NIL while they highlight the great story of the Buffs’ prospective QB, Ryan Staub. Carmelo Anthony was inducted into the Hall of Fame and he had some kind things to say about Denver, are you ready to forgive him for the Melo-Drama? Does he deserve to be honored? The guys discuss breakfast on Friday before they gauge the level of concern that the Broncos’ first round pick didn’t start week one.

This Week On "I've Been Meaning To Listen To That" we review MELODRAMA with special guest Phil Iscove & Harper Thomson!Listen to Podcast Like It's... on ⁠APPLE PODCASTS⁠ and ⁠SPOTIFY⁠Follow Phil Iscove on X (⁠@pmiscove⁠) and Instagram (⁠@pmiscove⁠)Follow Jon Butts on Instagram (⁠⁠⁠⁠⁠⁠⁠⁠@jonbuttsishere⁠⁠⁠⁠⁠⁠⁠⁠)Follow Dakota West Foss on Instagram (⁠⁠⁠⁠⁠⁠@down_with_fun⁠⁠⁠⁠⁠⁠)Follow Andrew Ambrose Lee on Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@andrewambroselee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Follow Stenley Philippe on Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@snapasten⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Follow Stefanie Senior on Instagram (⁠⁠⁠⁠⁠⁠@stefmsenior⁠⁠⁠⁠⁠⁠)Cover Art by Megan Rika Young (Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@meganrika⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Theme Song by OTNES (Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mxotnes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Follow us at (@ibmtltt) on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ivebeenmeaningtolistentothat@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Have a good daaay!

Rob and Kelvin tell us why they have a big problem with all the melodrama surrounding Caitlin Clark, and debate whether the act of ‘plunking’ should be eliminated from the sport of baseball altogether after what happened to Shohei Ohtani last night. Plus, the Odd Couple Crew debates the greatest Lakers of the Jerry Buss Era in this week’s edition of One’s Gotta Go.See omnystudio.com/listener for privacy information.

Jaypaw's been put through the emotional ringer for a few chapters - so naturally it's Lionblaze's turn. He really fumbled a cool cat - and she knows it.Thankfully, the brothers' hard work seems to pay off - and Thunderclan can enjoy some recovery time :) Book: Warriors, Series 3: Power of Three #5: Long ShadowsSupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastCat Fact Sources:Tiddles - WikipediaPurr-n-Fur UK | Rail | Tiddles of Paddington Station, LondonTiddles - The Fat Cat Of Paddington Station | LondonistMusic:The following music was used for this media project:Happy Boy Theme by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3855-happy-boy-themeLicense: http://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

Lorde is a Grammy Award-winning singer, songwriter, and producer. Her second album, Melodrama, debuted at number one on the charts in June 2017 – five months before her 21st birthday. In this episode, Ella breaks down her song “Sober.” You'll hear how it started, with the original demos she made with her co-producer Jack Antonoff, and how the song changed over the course of working on it for months and months.Thanks to Sonos for their support of the podcast. Check out sonos.com.For more, visit songexploder.net/lorde.

#CIA INEXPLICABLE HOLLYWOOD MELODRAMA RECRUITING. GRANT NEWSHAM, "WHEN CHINA ATTACKS." 1938

Preview: Colleague Grant Newsham is at a loss to see the worth of CIA sponsored melodrama that imagines Chinese Communist officials spying on the PRC for the US. More later.  1909 CHINA