Podcasts about Polyester

What is happening with season 3 of The Gentlemen and why are we talking Meghan Markle for it. Plus, Dancing with the Stars casting rumors includes Julia Styles, Tyler Cameron, Jenna Dewan and Sarah Jane Nader. Paul Folger is in to talk the State Fair and Kendall makes a SHOCKING admission about the State Fair.BK learn about Jimmy Kimmel's wife and Zendaya has been media trained since birth.Jen Brink from MN Adult and Teen Challenge joins the show.Jessie J is inspiring us to come aggressive at the State Fair, Millennial trends that are officially out and Hot To Go!We play TalkAbout and Polyester is the newest insult.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ännu ett skoldåd och alla ivriga att dra slutsatser. Till och med där märks valåret: Daniel Helldén låter meddela att han "följer utvecklingen noga". Vilken lättnad. Varför denna ångest över barnsjukdomar? För inte så länge sedan hade vi dem helt enkelt. Beror det på att vi inte orkar ha ångest över verkliga hot? Killen med "shariadomstol" är en riktig PR-mästare. Och tillräckligt många går igång, utan att förstå att det handlar om vanlig skiljedom. Om man inte vet vad man ska rösta på tre veckor före valet kan man lika gärna låta bli, tycker Susanna. Peter Esaiasson, statsvetare, hyvlar snyggt av kollegor som på lösa grunder kritiserar regeringen. Lite mer ödmjukhet skulle vara på plats, tycker han, något Åsa Wikforsss som vanligt helt saknar i veckans DN. Alla ryar om Richard Jomshof bok mot islam, men ingen verkar ha läst den. Varför får man inte vara en Ingemar Hadenius om islam? Johans bok om nidbildens historia har kommit och han måste läsa den - så är det med böcker. Man hinner glömma vad man skrivit under tiden de trycks. Susanna suckar över "tumlarforskning" och Svenskan gör stor rubrik av att sextiotalsbandet Hollies lägger ned. Glädjande nyheter: generation Z förkastar polyester. Och apropå "urinsabotören" på Carolina Redivia: är inte bibliotekarier i själva verket vilda typer? Nej, kanske är de inte ens intresserade av litteratur, bara av att ordna och katalogisera saker. Stränga böter för att gå med bar överkropp i Venedig, men vem gör det utan att vara dum i huvudet? Amerikaner, visar det sig. Den nya kampanjen om samtida konst, "Asbra, fattar noll", har en poäng, men är konstigt formulerad. Lucian Freud på Louisiana fantastisk - åk dit! Hosted on Acast. See acast.com/privacy for more information.

Jason made a PowerPoint presentation and he has a newfound respect for corporate work, Colleen has buffet stress about not being able to see all the available food, and Prince Harry and Meghan Markle plan to move back to the UK -- hey, sometimes things don't work out... Plus, should child actors be replaced by AI?Holly learned that Steve Patterson hasn't seen an Indiana Jones or "Back to the Future" movie and that other shows are using our sounds, what Gen Z means when they say something is "polyester," and FIX MY LIFE: Jen's dream job problem. SCREEN QUEENS: "Double Lives of Suburban Wives," "Somebody Knows Something," and "Ride or Die." myTalk Loves Local: Jen from Memorial Blood Centers talks to us about donating blood, and our 2026 Minnesota State Fair merch is here! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Did a Flying Shoe, a Playground Challenge, and a Costco Makeover Just Steal the Show?When was the last time you did something as fearless as jumping out of a swing at full speed?This episode of The JB and Sandy Show is packed with nostalgia, laughter, and a few surprising discoveries that prove getting older doesn't mean losing your sense of adventure. JB, Sandy, and Tricia kick things off by revisiting childhood playground daredevil moments, from perfectly timed swing launches to memories that had everyone questioning whether their knees could survive the challenge today.The fun keeps rolling during a hilarious round of "Care Don't Care," where the crew breaks down Gen Z's latest cutting insult, debates thrill rides, and reacts to an unbelievable roller coaster moment involving lightning-fast reflexes. One memorable takeaway: "Polyester" is apparently the newest way to call someone low quality and cheap.The conversation then shifts to Austin's newest major attraction as the team dives into the excitement surrounding the upcoming opening of Cotaland. They reflect on how Austin has evolved from a laid-back local hotspot into a true destination city, complete with world-class attractions, tourism, and nonstop growth. Listeners also get a preview of an upcoming conversation with legendary coach Mack Brown, including a touching story about Coach Darrell Royal that highlights friendship, memory, and the lasting bonds formed through sports. But one of the biggest surprises of the morning comes from an unexpected source: Costco. After challenging each other to build complete outfits using only Costco finds, JB, Sandy, and Tricia reveal their purchases, compare prices, and discover that looking good doesn't have to cost a fortune. JB's reaction says it all as he realizes he assembled an entire outfit for only slightly more than the cost of a baseball cap.From amusement park thrills and Austin nostalgia to bargain-hunting victories and laugh-out-loud stories, this episode delivers the perfect mix of humor, heart, and everyday life.If you enjoyed the episode, be sure to subscribe, leave a review, and share it with a friend. You never know which unforgettable JB and Sandy moment everyone will be talking about next. 

Anna and her long-distance friends started a weekly Zoom to hangout and be face to face. Anna hates it and feels like she's working. Anna has excuse options to get out of it.  How much do you pay for your phone bill? Anna and her family spent way too many hours at the phone store this weekend. Why is it still an all day affair to get new phones?  Producer Sophia went around and asked the office squad... Grade, school, age, height, social security number. Not really. Those first day of school signs are soon to be a thing of the past. Anna and Raven discuss back to school traditions! "Polyester" is the new Gen Z slang. Now, we bring back 90's slang. Who else to quiz on her knowledge of it then Gen Z Producer Sophia!  HRless jobs. A news anchor got mad at her coworker and cussed her out. Now, she's fired. Anna and Raven discuss HR departments in different jobs.  The saga continues! Today, Raven's mom joins the show so he can confront her on the fork she just may have swapped in his kitchen! This mystery will not go unsolved! It's a very scary day of the year... teacher assignment day! It is a bit of a frenzy for moms! Anna was a college professor and would read every review about herself. What was the teacher you never wanted?  Terrence has always wanted a vintage Corvette, and his buddy has fallen on some financial hard times and has offered to sell him his for $120,000. He thinks it's an incredible deal, this is a bucket item list for him, and it's a once in a lifetime opportunity. His wife, Sara, says that if they give him $120,000, it's a majority of what they've saved for their son's college fund! They absolutely can't be that reckless. He says they have four years before they need to worry about college, all the time in the world. What would you do? Emily has a chance to win $1,900! All he has to do is answer more pop culture questions than Raven in Can't Beat Raven!   

Taylor Swift got her haircut, and Bob is demanding we talk about it. Meanwhile, Vinnie is so over Taylor Swift. Can the two co-exist? Polyester is GenZ's new slang word for “fake.” Is it too late to start gymnastics? This woman doesn't think so! If your lottery ticket is too valuable, good luck cashing in!

Hour 1: Taylor Swift got her haircut, and Bob is demanding we talk about it. Meanwhile, Vinnie is so over Taylor Swift. Can the two co-exist? Polyester is GenZ's new slang word for “fake.” Is it too late to start gymnastics? This woman doesn't think so! If your lottery ticket is too valuable, good luck cashing in! Hour 2: Scott Capurro's husband is a Disney adult, but he's still blind. Sounds like their fights are totally normal. Let's put Scott and Vinnie to the test and play: Are You Smarter Than A Gay Man? Then, states are seeking billions in damages from Meta. Vinnie tells Bob a hilarious story from the archives. How much sleep are people REALLY getting? Hour 3: Authorities have confirmed that Hayden Panettiere's tragic passing was an overdose. She was with her on-again-off-again boyfriend, Brian Hickerson, with whom she had previous domestic violence disputes. Human bones were found near Nancy Guthrie's home. Matthew McConaughey says Janet Jackson is the reason he doesn't smoke weed anymore. Bob's wedding is officially right around the corner. You know those little libraries around the neighborhood? Now there are some for DVDs! Vinnie is sharing the 4 horsemen of ruining your relationship. These are the top states for swinging. Lettuce might be the new impossible meat. Hour 4: Ella Langley is still working to make Hot 100 history. Rob Thomas accidentally slammed his guitarist on stage during a Matchbox 20 show. Pat McAfee from ESPN is releasing country music. Matt Bellamy from Muse files for divorce. If you haven't watched Widow's Bay yet it's not too late! Experts are telling influencers to stop taking pictures with sharks. Plus, When Did That Happen?

What we like has never been entirely our own. Taste has always been shaped by class, culture and the people around us. But in the age of algorithms and AI, our preferences are increasingly being predicted, curated and sold back to us. In this episode, Mia Sorenti speaks with Ione Gamble, founding editor of Polyester zine, about how taste is formed, why it matters, and what happens when algorithms replace curiosity with convenience. From Spotify recommendations and TikTok trends to influencer culture and AI-generated content, Gamble argues that digital platforms are flattening culture by rewarding familiarity over surprise. Why do our feeds increasingly feel the same? Are we choosing what we like, or simply consuming what algorithms decide to show us? And what happens to creativity when artists begin making work for recommendation engines rather than people? Drawing on The Polyester Book of (Bad) Taste, a collection of essays by writers including Nicola Dinan and Yomi Adegoke, Gamble makes the case for reclaiming our own tastes. She argues that resisting algorithmic culture means embracing friction, seeking recommendations from real people, and allowing ourselves the freedom to discover things we never expected to love. Ione Gamble is the founding editor-in-chief of Polyester zine. She is a writer, editor and author of Poor Little Sick Girls, and editor of the new essay collection The Polyester Book of (Bad) Taste. Mia Sorenti is Senior Producer at Intelligence Squared. This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup Learn more about your ad choices. Visit podcastchoices.com/adchoices

Legendary filmmaker John Waters found fame in the 1970s and 1980s with a series of campy and totally outrageous films, including “Pink Flamingos,” “Polyester” and “Hairspray,” among others. Known as the “Pope of Trash,” this Baltimore native is a hero in underground cult cinema circles. Late July brought Waters and his one-man show, “Going to Extremes” to Guild Hall. In advance of that show, Waters, who turned 80 in April, took part in a free-ranging phone conversation with the Express News Group's Annette Hinkle and Guild Hall's executive director Andrea Grover, an avid fan of Waters' work. Fortunately, it was recorded, and in this episode of “The Follow Up,” you'll get to hear that interview, because when it comes to John Waters, delivery is everything. Warning: Some of the material may not be ideal for younger listeners.

Biophilic Design and biomimicry are often discussed as separate disciplines, yet they are deeply complementary. Biophilic Design reconnects people with nature, creating healthier places that nurture wellbeing and strengthen our relationship with the living world. Biomimicry asks a different, but equally important question: how can nature's 3.8 billion years of evolution teach us to solve human challenges?Together they offer a blueprint for creating buildings, products and systems that help all life flourish.While architecture often looks inward for innovation, one of the most fascinating lessons for the built environment is currently emerging from an unexpected place: fashion.Amanda Sturgeon, CEO of the Biomimicry Institute, has been leading the Institute's Nature of Fashion initiative, exploring how lessons from natural decomposition could help address one of the world's fastest-growing environmental challenges—textile waste. Working alongside partners including The Or Foundation in Ghana, Circle Economy in the Netherlands and the Beneficial Design Institute in Germany, the project asks a deceptively simple question: what if the materials we create behaved more like nature?Nature, after all, has no landfill.Every leaf, feather, branch and shell eventually becomes food for something else. Waste is simply another stage in a continuous cycle of regeneration. Human-made materials, however, often have no such ending. Polyester, nylon and complex blended fabrics can persist for decades or centuries, creating pollution long after their useful life has ended.The Nature of Fashion project is investigating whether biological processes such as fermentation and enzymatic decomposition could safely break down difficult textile waste into valuable raw materials that can be returned to production systems rather than discarded. It is a striking example of biomimicry in action—not simply copying nature's appearance, but learning from nature's processes.As Amanda explains, “Nature has been learning how to do things for 3.8 billion years.”For those of us working in architecture, interiors and product design, this conversation feels remarkably familiar. The built environment has become increasingly focused on operational carbon, embodied carbon and material passports. Yet Amanda highlights another important consideration: designing for the entire lifecycle of a product or building from the very beginning.As she observes, “The implications of the things we consume and create—from their extraction to their end of life—are just not considered.”It is a challenge that extends far beyond fashion.Whether specifying flooring, acoustic panels, furniture, wall coverings or façade systems, designers make decisions every day that influence ecosystems far beyond the project boundary. Where did the material come from? What habitats were disturbed during extraction? Can it be repaired? Reused? Returned safely to biological or technical cycles?These questions are becoming just as important as aesthetics or cost.Amanda also draws fascinating parallels between fashion and architecture. Both industries begin with a design decision. Both are shaped by trends, client expectations and commercial pressures. Yet those early creative choices often determine environmental impacts decades later.The difference, she suggests, is that fashion has the ability to change rapidly.Buildings remain for generations, while clothing collections can evolve every season. This makes fashion a valuable testing ground for material innovation. From mycelium-grown textiles and protein-based fibres inspired by spider silk to structural colours that mimic the microscopic surfaces of butterfly wings and beetles without relying on toxic pigments, biomimetic innovations are already demonstrating what becomes possible when designers look to living systems rather than petrochemicals for inspiration.Many of these same innovations could influence interiors, finishes, furniture and future building materials.Perhaps Amanda's most thought-provoking observation concerns how we measure success.Rather than focusing solely on carbon accounting, she believes we should evaluate whether our materials are genuinely positive for nature.“If we were to design and extract materials based on whether they were positive for nature, our carbon challenge would probably evaporate.”It is an essential reframing of the global debate, and one I share. I believe that the principle of Biophilia could help guide decision making in specification and design to restore life in all senses of the word.Carbon remains critically important, but people often struggle to connect emotionally with tonnes of CO₂. Biodiversity, clean rivers, healthy soils and thriving ecosystems are tangible. They remind us why these conversations matter in the first place.This is where biomimicry and Biophilic Design become natural partners.Biophilic Design helps us create places where people experience nature and benefit from that connection. Biomimicry helps us understand how nature actually functions, revealing the principles that enable living systems to thrive.Amanda sees them not as competing philosophies but as complementary approaches.“Biophilic design and biomimicry are interconnected, interwoven… they're really based on the same premise.”We are not separate from nature—we are part of it.For designers, this represents a shift from asking How sustainable is this product? towards the better question: How can this product actively participate in life's regenerative cycles?Whether designing a garment, a chair, a workplace or an entire neighbourhood, perhaps the most important design decision is not how something begins—but how it ends.Nature has already written the brief, are we prepared to learn from it?

Today we talk about the worst edits of all time. JOIN THE OFFICIAL MTTA DISCORD SERVER: https://discord.gg/rywMaYMqdW BUY OUR MERCH: https://merch-throughout-the-ages.creator-spring.com SUBSCRIBE TO THE PATREON: https://patreon.com/MemesThroughouttheages?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link

Es gibt sie aus Weidenruten, Rattan oder Polyester - ausgelegt mit kariertem Tweedstoff oder feinem Batist. Die Tassen und Teller sind mit Lederriemen angeschnallt und das Besteck ist fest verzurrt. Picknickkörbe gehören im Sommer zu den meistverschenkten Artikeln. Aber womit füllen wir sie am besten? Tipps von Gerhild Burkard, Fachfrau für gutes Essen und Trinken Von Gisela Steinhauer.

In today's message, we explore Psalm 23 and discover what it means to let Jesus be our Good Shepherd. As we navigate a world shaped by stress, worry, success, social media, and pain, we'll see how the Shepherd's voice leads us to true rest, identity, and peace.

The Polyester queens, Ione Gamble and Gina Tonic, are back, and this time with a fabulous new book, The Polyester Book of (Bad) Taste. On this episode, we chat about the new plastic surgery status games, the return of old fashioned kitsch, why Charli XCX could only have exploded now, how wellness culture can be quite ableist, and more. More from Fat Mascara Instagram: @fatmascara @jessicamatlin Shop the products mentioned on Fat Mascara: https://shopmy.us/shop/fatmascara Private Facebook Group: Fat Mascara Raising a Wand Submit a Raise a Wand product recommendation, guest suggestion, or just say hello: info@fatmascara.com Production for this Podcast Provided by Redd Rock Music IG: @reddrockmusic www.reddrockmusic.com Hosted on Acast. See acast.com/privacy for more information.

July 15, 2026 ~ Chris Renwick and Lloyd Jackson discuss synthetic personas with Mercedes de la Guardia, US Director of Deep Learning and Data Intelligence at LLYC. This tech offers fast, cheap market research. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jared Mell is a surfer and shaper who grew up in Orange County, California, surfing Blackies and riding alt equipment—primarily longboards, but also eggs, fishes, alaias, etc. Mell's competed in many events, and landed many decent results, but they seem almost incidental to what he brings to the surf buffet. "Jared will be walking the nose backside and at the last second he'll turn switch," says Alex Knost, "and as I'm watching and celebrating that sort of maneuvering, he'll take an extra step with one foot over, do a head dip and whip his hair back, and dramatically recover into a matador-like soul arch with his eyes wide as can be and just staring into my soul, and then he'll burst into laughter as he rides past."  "I used to call Jared the one-man party," says filmmaker Jack Coleman. "Any function or hang was always full of mischief and laughs, hence the nickname, 'J-Rad.' He surfs radical and lives radical, always pushing the limits on land and in the water. Jared's a performance artist. Spontaneous. Unpredictable. From his reverse tube riding to his sultry transitions, Jared makes you watch." Mell has appeared in many surf films, among them Polyester, Groove Move, Free Jazz, Forbidden Trim, and Yi-Wo. His waves stand out. He surfs with an ease and grace and looseness that seems less the product of a serious training regimen than not trying too hard—like someone who perhaps adds a few beers to that "not trying too hard." And maybe a couple of cigarettes, too. "Jared Mell is the personification of the modern transitional surfer spanning the front-footed universe, into the back-footed and beyond," says Thomas Campbell. "He's the king of fun. He's a professional professional at having fun."  Today, Mell is based in Bali, where he moved around 2009. He lives and shapes in the Canggu area. In this episode of Soundings, Mell talks with Jamie Brisick about growing up in Newport Beach, maintaining perspective, staying loose, scoring waves at unexpected moments, and ditching contests to see Chaka Khan perform live in concert.   Presented by Rainbow® Sandals  Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin). Become a TSJ member at surfersjournal.com

Josh and Drusilla discuss the middle-aged Elizabeth Taylor melodrama thriller, Indentikit aka The Driver's Seat (1974). From wiki: "The Driver's Seat (also known as Identikit) is a 1974 Italian drama film directed by Giuseppe Patroni Griffi.[1] Based on the 1970 novella The Driver's Seat by Muriel Spark, it is a psychological drama starring Elizabeth Taylor and Ian Bannen, and featuring Andy Warhol.[2]"Also discussed: Maddie's Secret, pools, Marilyn Monroe including Some Like It Hot and Niagara, John Early, Kate Berlant, Vanessa Bayer, Rap World, Connor O' Malley, melodrama, Polyester, Valley of the Dolls, House of Psychotic Women, Muriel Spark, Picnic at Hanging Rock, Secret Ceremony, NEXT WEEK:The Cure for Wellness (2016)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Klettern - einfach festhalten⁠⁠Webseite ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-Mail: kontakt@einfachfesthalten.deWas ich anbiete:LeistungsdiagnostikIndividuelle TrainingspläneTechnikanalysenTrainingsmodelleKletterdesignsAthlet*innen BetreuungUm meinen Podcast zu unterstützen:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Steady⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PayPal: marvin.weinhold@gmail.comUm meinen Podcast zu unterstützen, kannst du jederzeit etwas per PayPal spenden oder Steady nutzen, um meinen Podcast am Leben zu erhalten.____________________________________Wie sicher sind die Bohrhaken in deinem Lieblingsklettergebiet wirklich? Diese Frage beschäftigt viele Kletter*innen spätestens dann, wenn von schweren Unfällen oder sogar tödlichen Abstürzen aufgrund von Materialversagen berichtet wird.In dieser Folge spreche ich mit Simon über die oft unsichtbare Infrastruktur unseres Sports: Bohrhaken, Klebehaken und die Menschen, die sich um deren Wartung kümmern. Ausgangspunkt ist ein aktueller Unfall, der erneut die Frage aufwirft, wie sicher die Absicherungen in unseren Klettergebieten tatsächlich sind und wer die Verantwortung dafür trägt.Zu Beginn werfen wir einen Blick auf zwei beeindruckende Leistungen aus der Kletterwelt. Lara Neumeier gelang als zweite Frau überhaupt die Begehung der berühmten Alpinen Trilogie. Die drei extrem anspruchsvollen alpinen Mehrseillängenrouten „Silbergeier“, „End of Silence“ und „Des Kaisers neue Kleider“ gehören zu den schwersten und bedeutendsten Linien der Alpen. Außerdem sprechen wir über Lynn Hill, die 1993 mit der ersten freien Begehung von „The Nose“ am El Capitan Klettergeschichte schrieb und deren Leistung lange Zeit unterschätzt wurde.Im Hauptteil der Folge geht es um die Arbeit der IG Klettern und die Frage, wie Sanierungen von Kletterrouten in Deutschland organisiert werden. Wer entscheidet eigentlich, wann ein Haken ersetzt werden muss? Welche Materialien werden verwendet? Und wie erkennt man, ob eine Absicherung noch sicher ist?Ein Schwerpunkt liegt auf der Korrosion von Bohrhaken. Wir erklären die Unterschiede zwischen Rost und galvanischer Korrosion, sprechen über die Risiken von Materialmischungen und beleuchten, warum selbst hochwertiger Edelstahl in Meeresnähe innerhalb weniger Jahre versagen kann. Dabei betrachten wir bekannte Beispiele aus Klettergebieten wie Kalymnos sowie die Erkenntnisse des britischen Erschließers Martin Roberts, der sich seit Jahrzehnten mit Korrosionsschäden an Bohrhaken beschäftigt.Außerdem erfährst du:• Warum Titan in Meeresnähe oft die beste Wahl ist• Welche Rolle Epoxidharz, Vinylester und Polyester bei Klebehaken spielen• Warum manche Bohrhaken bereits nach wenigen Jahren versagen können• Welche Kosten bei einer Ersterschließung oder Sanierung entstehen• Weshalb Materialmischungen ein erhebliches Sicherheitsrisiko darstellen• Wie Bohrhaken getestet werden können• Warum die moralische Verantwortung von Erschließer*innen weit über das Bohren einer Route hinausgehtEine Folge für alle, die verstehen möchten, was hinter einer sicheren Kletterroute steckt und warum die Qualität eines Bohrhakens im Ernstfall über Leben und Tod entscheiden kann.Viel Spaß beim Zuhören!#Klettern #Bohrhaken #IGKlettern #Kalymnos #TitanBolts #Klettersicherheit #TradClimbing #Sportklettern #Mehrseillängen #LaraNeumeier #LynnHill #ElCapitan #TheNose #Frankenjura #KletterpodcastBohrhaken und ihr Material:⁠https://bolting.eu/stahlqualitaeten-bei-bohrhaken-und-klebehaken/⁠Bohrhaken vom Unfall in Kalymnos:⁠https://www.instagram.com/p/DWcRs-pAiXy?img_index=5

On episode 350 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributor Josh Parham to go back 45 years and take a look at the 54th Academy Awards, covering the films of 1981. The AW team goes back nearly fifty years to a year dominated by a group of young men running on the beach to the score of Vangelis, as Chariots of Fire took down Reds and Raiders of the Lost Ark to win Hollywood's top prize. In the same year, the four acting Oscars went to some of the eldest group of winners in Oscar history, performers who won late in their careers instead of for their best work. In this year at the theaters, genre reigned supreme and was discussed at length on this episode, with films like Escape from New York, The Road Warrior, Body Heat, An American Werewolf in London, Dragonslayer, Excalibur, Polyester were discussed alongside films like Arthur, The Great Muppet Caper, Thief, Blow Out, Mommie Dearest, Prince of the City as films to highlight from this bountiful year of cinema. In their in-depth discussion, the AW team talked about the film year of 1981, briefly discuss talk about Chariots of Fire as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h22m. We will be back in next week for part one of our Best Supporting Actress Tier Ranking. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Hello EIChloe Sevignys, this week, one of the big cultural talking points is can AI ever replicate taste? And should we all be actively protecting our own, regardless of how good or bad it is?In March, Kyle Chayka wrote a piece for The New Yorker titled: Why Tech Bros Are Now Obsessed with Taste. In it, he quoted several key tech figures who present taste as the final frontier for AI tech bros - almost like the one human trait they're finding impossible to replicate.In May, Trend forecaster and founder of the strategy firm Nemesis Global, Emily Segal, coined the term “tasteslop” to describe the repetitive, recycled visuals littering the internet that feel devoid of any human point of view, almost like gorgeous blandness. Lots of it, she points out, feels like this because it's generated by AI and then replicated over and over.And of course, last week, Polyester released ‘The Polyester Book of Bad Taste', a collection of essays edited by its editor-in-chief Ione Gamble. The book is described as an antidote to ever-creeping homogeneity and bland tastefulness. “In a world constantly vying for our attention, having faith in your own (bad) taste is more than a small subversion – it's a rallying cry to live our lives unapologetically.”We talk all things taste, with your help! Thank you so much for all of your takes on this topic we love being in conversation with you all! O, R, B xxThe Polyester Book of (Bad) TasteTASTESLOP: Notes on technological anxietyWhy Tech Bros Are Now Obsessed with Taste Hosted on Acast. See acast.com/privacy for more information.

WTiN speaks to Patrik Frisk, CEO of textiles-to-textile regeneration company, Reju.WTiN speaks to the leaders in textile manufacturing about the trends and advancements shaping the textile industry.In this episode, WTiN's managing director, Madelaine Thomas, speaks to Patrik Frist, CEO of Reju. Reju is a textiles-to-textile regeneration company focused on circular polyester manufacturing.Throughout his career, Frisk has led many major apparel and footwear brands. Throughout the episode he shares his knowledge and how his experience has shaped the way he leads circular textile business models and integrates textile-to-textile recycling into supply chains. Frisk also touches upon how Technip Energies, a leading engineering and technology company for the energy transition, and creator of Reju, works with Reju and other industry experts to turn waste polyester and polyethylene terephthalate (PET) into infinitely recyclable materials. Learn more at reju.com.

Klettern - einfach festhalten⁠Webseite ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-Mail: kontakt@einfachfesthalten.deWas ich anbiete:LeistungsdiagnostikIndividuelle TrainingspläneTechnikanalysenTrainingsmodelleKletterdesignsAthlet*innen BetreuungUm meinen Podcast zu unterstützen:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Steady⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PayPal: marvin.weinhold@gmail.comUm meinen Podcast zu unterstützen, kannst du jederzeit etwas per PayPal spenden oder Steady nutzen, um meinen Podcast am Leben zu erhalten.____________________________________Wie sicher sind die Bohrhaken in deinem Lieblingsklettergebiet wirklich? Diese Frage beschäftigt viele Kletter*innen spätestens dann, wenn von schweren Unfällen oder sogar tödlichen Abstürzen aufgrund von Materialversagen berichtet wird.In dieser Folge spreche ich mit Simon über die oft unsichtbare Infrastruktur unseres Sports: Bohrhaken, Klebehaken und die Menschen, die sich um deren Wartung kümmern. Ausgangspunkt ist ein aktueller Unfall, der erneut die Frage aufwirft, wie sicher die Absicherungen in unseren Klettergebieten tatsächlich sind und wer die Verantwortung dafür trägt.Zu Beginn werfen wir einen Blick auf zwei beeindruckende Leistungen aus der Kletterwelt. Lara Neumeier gelang als zweite Frau überhaupt die Begehung der berühmten Alpinen Trilogie. Die drei extrem anspruchsvollen alpinen Mehrseillängenrouten „Silbergeier“, „End of Silence“ und „Des Kaisers neue Kleider“ gehören zu den schwersten und bedeutendsten Linien der Alpen. Außerdem sprechen wir über Lynn Hill, die 1993 mit der ersten freien Begehung von „The Nose“ am El Capitan Klettergeschichte schrieb und deren Leistung lange Zeit unterschätzt wurde.Im Hauptteil der Folge geht es um die Arbeit der IG Klettern und die Frage, wie Sanierungen von Kletterrouten in Deutschland organisiert werden. Wer entscheidet eigentlich, wann ein Haken ersetzt werden muss? Welche Materialien werden verwendet? Und wie erkennt man, ob eine Absicherung noch sicher ist?Ein Schwerpunkt liegt auf der Korrosion von Bohrhaken. Wir erklären die Unterschiede zwischen Rost und galvanischer Korrosion, sprechen über die Risiken von Materialmischungen und beleuchten, warum selbst hochwertiger Edelstahl in Meeresnähe innerhalb weniger Jahre versagen kann. Dabei betrachten wir bekannte Beispiele aus Klettergebieten wie Kalymnos sowie die Erkenntnisse des britischen Erschließers Martin Roberts, der sich seit Jahrzehnten mit Korrosionsschäden an Bohrhaken beschäftigt.Außerdem erfährst du:• Warum Titan in Meeresnähe oft die beste Wahl ist• Welche Rolle Epoxidharz, Vinylester und Polyester bei Klebehaken spielen• Warum manche Bohrhaken bereits nach wenigen Jahren versagen können• Welche Kosten bei einer Ersterschließung oder Sanierung entstehen• Weshalb Materialmischungen ein erhebliches Sicherheitsrisiko darstellen• Wie Bohrhaken getestet werden können• Warum die moralische Verantwortung von Erschließer*innen weit über das Bohren einer Route hinausgehtEine Folge für alle, die verstehen möchten, was hinter einer sicheren Kletterroute steckt und warum die Qualität eines Bohrhakens im Ernstfall über Leben und Tod entscheiden kann.Viel Spaß beim Zuhören!#Klettern #Bohrhaken #IGKlettern #Kalymnos #TitanBolts #Klettersicherheit #TradClimbing #Sportklettern #Mehrseillängen #LaraNeumeier #LynnHill #ElCapitan #TheNose #Frankenjura #KletterpodcastBohrhaken und ihr Material:https://bolting.eu/stahlqualitaeten-bei-bohrhaken-und-klebehaken/Bohrhaken vom Unfall in Kalymnos:https://www.instagram.com/p/DWcRs-pAiXy?img_index=5__________________________AgonistZum Kaffee

THIS WEEK: Female Trouble (1974), Desperate Living (1977) and Polyester (1981)Did John Waters predict the fame addiction that arose in the wake of social media? Absolutely. But his version was a lot more fun. Divine/Massey 2028!Donate to Palestinian Medical AidSupport Optimism Vaccine on Patreon

Last week while talking about all the different types of shipping containers I mentioned strapping and banding, closing up and securing D containers, and our loads. We had a few people write in asking if I could explain banding. A couple of listeners took strapping as securing the load in the trailer. So today I thought we'd walk through not only strapping and banding, but also the more common things we use for securing our loads. I'm Marty and I thank you for stopping in for another episode of Warehouse and Operations as a Career.   Ok, so the two most common types of strapping are, steel strapping, which, in many instances, are referred to as Metal Banding, and then we have the plastic strapping, which can be comprised of Polypropylene or Polyester. Each has its own purpose, advantages, weaknesses, and safety concerns. And trust me, if you've ever had a steel band snap beside your face or watched a poorly strapped pallet explode in a trailer, you develop a lot of respect for all three!   At its core, banding is about securing items for transportation, stabilizing product, preventing shifting, maintaining pallet integrity, and of course reducing product damage, and increasing safety. Think about what all freight goes through, a forklift or pallet jack running it through the warehouse, a trailer bouncing around on the roads and over potholes, rail transportation, ocean movement, temperature changes, stretch wrap tension and weight shifts during turns and braking.   So, lets start with steel strapping or metal banding. Steel strapping is typically used for heavy industrial products, steel coils, lumber, brick and block, pipe, building materials, those kinds of things. Steel is chosen because it has very high tensile strength, doesn’t stretch much if at all and has excellent holding power. When a load absolutely cannot shift, steel often wins. But it doesn’t come without limitations and concerns.   Steel banding is dangerous. A couple of concerns are, number 1, is snap back. This is probably the biggest danger. When tension is released incorrectly, steel can whip back violently. And I mean violently. That band becomes a razor-sharp spring under pressure. Injuries can include facial cuts, eye injuries, fingers and deep cuts to our arms. Some injuries could even require surgery. Early on in my banding adventures, I had tightened a band on a d container filled with heavy meter parts. I had used the tension ratchet to tighten it pretty tight on the pallet. While getting my crimping tool positioned it snapped at a corner post. Ever since that moment I give strapping and banding the respect it deserves! And number 2 is rust. Steel can rust in humid conditions, outdoor storage areas, and refrigerated environments. Rust weakens the strap over time. And the 3rd concern is the weight. Steel is heavier than plastic. That can mean higher shipping costs and more difficult handling. And lastly, product damage. Steel bands can crush or damage softer freight. Especially things like cardboard, consumer goods, appliances, food packaging.   Now let's talk about the most common strapping in today's warehouse world. Plastic banding. There are two major types Polypropylene, used for light duty pallets, cartons, retail shipments, newspaper bundles and such.  And then we have polyester, used for heavier pallets, beverage loads, and many applications that were once dominated by the steel strapping. Polyester or PET is the stronger version and has replaced steel in many operations.  Some of the advantages of plastic strapping? Well, there safer than steel. This is a huge reason facilities prefer plastic now. Plastic can certainly still hurt someone, but it generally does not whip with the same deadly force as steel. Less severe recoil. Less sharp edges. Still dangerous, but safer. And it's lightweight. Plastic is easier to carry, use, store, and dispose of.  And it’s a little more flexible to work with. Plastic stretches slightly. That's actually beneficial for loads that shift naturally, settle during transportation, and expand or contract with temperature. Think of my watermelon example being packed in d containers last week.  And another thing is plastic does not rust. This makes it useful in those cooler environments, in freezer operations and outdoor storage. Oh, and plastic is usually cheaper than steel. And in today's operations, cost matters. But plastic isn't perfect either.  Its strength is lower, even the PET or polyester strapping. Very heavy freight can stretch and snap plastic, allowing a shift during transport.  And it can be more heat sensitive. Extreme heat can weaken plastic. Think of a hot trailer in Texas during August?   Let’s see, what else on banding. Oh, I want to mention how banding can be applied several ways. I'm most experienced using the manual tools. Hand tensioners, crimper sleeves and crimpers.  Probably more common today are the battery tools. These tools adjust the tension, the seal, and cut automatically. A Huge productivity improvement. But also dangerous if improperly used.   And then you have the large automatic banding machines. They may be used in distribution centers, manufacturing plants, and production facilities. Loads pass through automated arches that apply straps quickly and consistently. They're great for high volume, consistency, and speed.   All of these, everything I've mentioned can be dangerous. Some common safety mistakes are standing directly in front of a tensioned strap.  Improper cutting. Associates sometimes cut steel banding without controlling the tension. That strap explodes outward.  And we should never use damaged strapping. A kinked strap is a weakened strap. And never reuse bent steel, frayed plastic, or cracked seals. Oh, and always use edge protectors.  Edge protectors prevent product crushing and helps prevent load shifting. Skipping them can and will causes failures. And another biggie for me is too much tension. You're going to crush cartons, damage packaging, and, as we've learned, it's just not safe, or even useful.   Wither you're operating the bander, any type of bander, or training or assigning associates to work with banding, we should always wear the proper ppe we've been assigned to use. Our safety glasses, cut resistant gloves, even face shields in heavy steel applications, and then long sleeves in some environments.   So, my thoughts on steel vs plastic. I don't think one is universally “better.” I think the correct question is what type of freight are we securing, and why are we securing it? Because really the freight determines the strapping. Here's what I really think the takeaway is. Banding is one of those warehouse tasks people underestimate. It looks simple. But it combines stored energy, sometimes heavy freight, sharp materials, and human behavior.  And that combination can become dangerous quickly. A properly strapped pallet travels safely across the country. A poorly strapped pallet becomes a workplace accident waiting to happen. And just like everything else in warehousing, the little things matter. The associate applying that final band may be the last person protecting the freight, the driver, the receiver, and the customer.   Ok, talking about how we use strapping to secure loads made me think of a few other tools, probably more common tools, we use every day to help us secure the loads. Let’s talk about a few of those real quick.   First up bulkheads. Bulkheads are used to separate and secure product areas within a trailer. They create a barrier that prevents freight from shifting forward or backward during transportation. You'll see solid bulkheads or ridged dividers used in things like grocery or food distribution to keep the freezer and cooler areas at temperature and the freight separated. Kind of creating temperature controlled vaults or compartments in the trailer. Then we have Bubble Bulkheads or Inflatable Bulkheads. These are pretty cool because they function almost like giant airbags. They’re placed in empty spaces between freight sections and inflated. Some advantages they bring to the table are how they are lightweight, flexible, and can fill any odd-shaped spaces. Of course there are some limitations. They can puncture. They'll require proper inflation, and there not always suitable for heavy shifting loads.  Next up the Cardboard Bulkheads. Sometimes the simplest solutions are the most effective. These are heavy corrugated dividers used to separate lighter products. Sometimes there used to identify different stops for the driver too. There inexpensive, disposable, and lightweight. But they have limited strength, they can crush under heavier pressure, and they can present some moisture concerns.   And then anyone that’s ever looked down the walls of many trailers, you’ve probably noticed those long metal rails with repeating slots. Those are E-tracks. E-tracks are mounted horizontally or vertically and create attachment points for securing freight. The straps that clip into them are called E-straps. These things are great and allow for fast installation, and they are easily adjustable, they allow for multiple anchor points, and they are reusable, for like ever! They can be used for securing almost any type of freight. Appliances, furniture, palletized freight, and mixed loads. In distribution there great to secure the wall of freight as we stack down the deliveries. The mistake people sometimes make is thinking it’s clipped in, so we’re done. Well not exactly. The e straps still require proper tension and placement. A loose strap isn’t securing anything. It’s just decorating the trailer wall!  One of my personal favorites as a driver is the load bar. Load bars are one of those tools many people have seen but never really thought much about. They’re adjustable bars placed horizontally between trailer walls. They apply pressure and help keep freight from moving or falling forward towards us or the back door. There fast and easy to setup, reusable, and excellent for partial loads.   Oh, and I should probably mention the butterfly load bar. Butterfly load bars work like the pole or regular roll bar but use wider stabilizing ends or wing-like designs that spread pressure over larger areas. These create increased contact area, better load stability, and reduced pressure damage. These are great for the route and delivery drivers.    The customer never sees the banded or strapped d container or banded pallet, the load bar, the E-strap, the bulkhead, or any of the other precautions us light industrial professionals have taken to protect their products. They only see the result when the trailer door opens and is delivered without damages. Our freight protection tools and our efforts may never get the recognition, but they’re often the reason the product arrives looking exactly like it did when it left our warehouse. That’s ownership in my opinion!   Speaking of ownership, I've got to get back to work now myself. I hope you enjoyed todays topic, if so please tell a friend about us. Y'all be safe out there this week and always put safety first.

durée : 00:05:32 - Les Matins de France Culture - par : Alexandra Delbot - Une nouvelle étude parue dans Science Advances propose de mesurer l'empreinte plastique de nos objets du quotidien. Elle révèle que l'essentiel de la pollution plastique survient après leur fin de vie, et pas pendant leur usage. - invités : Valérie Guillard (Enseignant chercheur) Enseignant chercheur à l'université de Montpellier. Maître de conférences en génie des procédés appliqué au domaine du vivant Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:32 - Avec sciences - par : Alexandra Delbot - Une nouvelle étude parue dans Science Advances propose de mesurer l'empreinte plastique de nos objets du quotidien. Elle révèle que l'essentiel de la pollution plastique survient après leur fin de vie, et pas pendant leur usage. - invités : Valérie Guillard (Enseignant chercheur) Enseignant chercheur à l'université de Montpellier. Maître de conférences en génie des procédés appliqué au domaine du vivant

Il est des promesses industrielles qui sonnent comme des évidences — recycler, boucler, régénérer — et qui, pourtant, se dérobent dès que l'on s'approche de leur mécanique réelle.Dans cet épisode, Décousu soulève le voile sur l'un des grands récits contemporains de la mode : celui de la circularité textile. Aux côtés d'Alain Poincheval, représentant REJU, nous entrons dans la matière — littéralement. Le polyester, omniprésent, ses illusions de recyclabilité, et cette vérité moins commode : aujourd'hui encore, la quasi-totalité du “recyclé” textile provient… de bouteilles plastiques.Alors, que signifie recycler un vêtement en vêtement ? Que reste-t-il de la promesse lorsque surgissent les verrous bien concrets — fibres mélangées, teintures, qualité, collecte, coûts ? Et comment les faire sauter? Pour quels enjeux réels, au-delà du seul discours environnemental?Au-delà de la technique, c'est tout un système que cet épisode interroge. Car derrière la boucle fermée se cache une équation autrement plus délicate : peut-on rendre la circularité rentable ? Et à quelles conditions — industrielles, réglementaires, créatives — faudrait-il repenser la mode pour qu'elle le devienne réellement ?Un épisode pour comprendre, sans simplifier. Et pour regarder, avec lucidité, ce que l'industrie peut — et ne peut pas encore — tenir comme promesse.Bon épisode ! Retrouvez Décousu sur instagram @decousupodcast

At The NAMM Show 2026, Drum Workshop turned its booth into a walk-through of what a modern drum company looks like when craft, heritage, and engineering share the same floor. Scott Donnell, Director of Brand Management at Drum Workshop, Inc., guided us through a lineup that spans the DW Custom Shop, the revived Slingerland Radio King line, Latin Percussion, Pacific Drums and Percussion, and the brand's new DW Manufacturing series. The DW Custom Shop stand is a visible argument for customization as a sonic decision, not just a cosmetic one. Chrome, gold, satin chrome, and black hardware. Polyester sprays, three durable lacquers, exotic plies, and ply wraps. When a drummer specifies wood species, ply count, and grain orientation, they are designing the drum's voice from the inside out. The Slingerland revival gets the faithful-reproduction treatment. Radio King studio kits on display are solid, steam-bent maple shells with the original three-point throw-off and stick saver hoops, built in California. Scott Donnell speaks about the line the way a curator talks about a restoration: get the details right, honor what drummers remember, and let the sound do the rest. Donnell frames DW's innovation as a stack of deliberate decisions rather than a single breakthrough. DW stamps a note into each shell through a process called timbre matching, which ensures the kit is manufactured as a family. Pair that with grain orientation technology, True Pitch tuning, and resonance-focused tom mounting systems, and drummers never end up with an orphan drum in their kit. Marking the tenth anniversary of True Cast, the new DW Manufacturing four by 14 piccolo features a five millimeter sand-cast shell, cast bronze hoops, and fully machined brass and bronze hardware. Only one hundred are being made globally, each arriving in an Anvil flight case. A recent DW video features Dave Elitch and Abe Laboriel Jr. playing the drum with Paul McCartney. The conversation closes on a Red Hot Chili Peppers tour kit gifted to the DW museum by Chad Smith, which will join Neil Peart's and Terry Bozzio's tour kits on display while DW builds Chad new Sonic flight drums for the band's next tour. Pacific Drums and Percussion, LP's top-tuning congas, Tony Escapa's signature hand percussion series, and DWE round out the booth. Drum Workshop is not hiding how the drums get made. Take the tour, take the pictures, watch the videos, and the innovation speaks for itself. This is a Brand Spotlight. A Brand Spotlight is a ~15 minute conversation designed to explore the guest, their company, and what makes their approach unique. Learn more: https://www.studioc60.com/creation#spotlight GUEST Scott Donnell, Director of Brand Management, Drum Workshop, Inc. (DW Drums) LinkedIn: https://www.linkedin.com/in/scott-donnell-2964a129/ RESOURCES DW Drums: https://www.dwdrums.com Pacific Drums and Percussion: https://www.pacificdrums.com DW Music Foundation: https://www.dwmf.org The NAMM Show: https://www.namm.org Are you interested in telling your story? ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight KEYWORDS Scott Donnell, Drum Workshop, DW Drums, Sean Martin, brand story, brand marketing, marketing podcast, brand spotlight, NAMM Show 2026, NAMM 2026, Slingerland, Radio King, Latin Percussion, LP, Pacific Drums and Percussion, PDP, DW Manufacturing, True Cast, custom drums, drum innovation, timbre matching, grain orientation, Chad Smith, Red Hot Chili Peppers, Josh Freese, Tony Escapa, Abe Laboriel Jr, Dave Elitch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we've got a true iconoclast: filmmaker, provocateur, author, hitchhiker, tastemaker, Sub Pop and Third Man Recording Artist, festival MC and all around legend John Waters. He's currently on tour with Going to Extremes: A John Waters 80th Birthday Celebration. John and I talk about what he's doing on his birthday tour, and on his actual birthday which is April 22. We also talk about how Donald Trump has ruined bad taste for everyone, how John Waters has influenced punk and vice versa, his first punk show, casting The Dead Boys' Stiv Bators in Polyester, getting L7 to be in Serial Mom, his long-running job as host of Oakland's Mosswood Meltdown, rules of etiquette, and lots more. -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein Photo: Greg Gorman

In today's episode of Health Youniversity, Dr. Susan Fox sits down with Dr. Kelly McCann — board-certified physician in internal medicine and pediatrics, trained in functional, integrative, and environmental medicine — for a conversation that begins in the body and ends somewhere much deeper.Dr. Kelly is known for her expertise in mold illness, chronic infections, mast cell activation syndrome, and complex chronic conditions. She integrates science, intuition, and spiritual psychology to help people heal at levels most medicine never reaches. She's hosted three worldwide summits reaching over 100,000 people, and her forthcoming book reframes illness not as the enemy — but as a portal. Today, she brings all of it.This episode opens with something practical — the toxic bucket. What's coming in, what's getting cleared, and where most people are losing the battle without knowing it. Plastics. Bisphenols. Mycotoxins. Polyester clothing in the dryer. Endocrine disruptors hiding in places nobody thinks to look. Dr. Kelly maps the terrain clearly, and then Dr. Susan steers the conversation somewhere rarer: what fertility struggles do to the spirit. And what the spirit might actually be trying to say back.You'll learn what the toxic bucket actually is — and why some people can handle far more than others before the system breaks down, how endocrine disruptors work at the receptor level and why fake estrogen might be the reason your hormones look off on paper, why a young man's testosterone in the 200s isn't just a hormone problem — and what mold and lead had to do with one patient's case, what Dr. Kelly means when she says the body is the voice of the spirit — and why that changes everything about how we relate to illness, what The Unforgetting Project is: a nine-week group program built around helping people recover who they actually are beneath the conditioning, why Western medicine keeps people circling the drain — body to the physician, mind to the therapist, spirit to the yoga teacher — and why nobody's talking to each other, and three practices you can start today to begin rebuilding your relationship with your own body.This episode is for you if you've done everything right and still can't understand why your body isn't cooperating, you're somewhere in the fertility journey and feel like the emotional and spiritual weight of it is going unaddressed, you've been told your labs are fine but something still feels de

Send us Fan MailOn this Episode Tom and Bert continue "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover a memorable music era from the 1970's!We introduce you to the "DISCO ERA" (1974-1980) --Part 1--and it's heavy influence on the Music, Dancing, Fashion, Culture and Movie industries. The wide open "Cabaret-ish" anything goes attitudes and styles with the backdrop of sex, drugs and freaky fun times dipicted the era where the music became loud, long and  heavily orchestrated. CHAPTERS:(:45) Here is the "DISCO Era"(9:10) DJ's and Emcee's ruled the discotheques and the Music of KC and The Sunshine Band, Donna Summer, Chic ,The Village People and others dominated the dance floors(22:20) Disco "Fashion" in the 1970's made a bold statement...Polyester anyone?(30:50) It's the "shoes" baby! Elevated Platforms, Knee high GoGo Boots and much more(35:30) We explain it all! Dress, footwear, jewelry, facial hair, hairstyles and so much more!(42:28) We can dig the music and sound  of so many great artists THEN It's a wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

America is getting sicker and the so-called experts keep pushing the same scam: more pills, more processed junk, zero accountability. Tomi Lahren is joined by “Culture Apothecary” host Alex Clark to call out Big Food and Big Pharma, expose label tricks and “healthy” brand lies, and lay out realistic steps to make America healthy again. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 98th Academy Awards will honor casting directors for the first time in the ceremony's history. It's the first new category in 25 years. We'll speak with casting directors on the Academy Board of Governors about the joys and challenges of their work — and what it actually entails — before the inaugural “Achievement in Casting” Oscar is handed out on Sunday. Guests: Davia Nelson, radio producer, "The Kitchen Sisters Present" Debra Zane, casting director; governor on the Academy Board for the casting branch John Waters is set to receive San Francisco's LGBTQ+ film festival Frameline's eponymous award for his lifelong contributions to queer cinema.  We'll talk with Waters about what makes a great queer film, and the power of movies to challenge the status quo. Guests: John Waters, legendary director of works including "Hairspray" (1988), "Pink Flamingos" (1972) and "Polyester" (1981) Learn more about your ad choices. Visit megaphone.fm/adchoices

You've cleaned up what you're eating. You read ingredient labels — most of the time. But what about what you wear for hours? In Part 2 of this series, we're looking at synthetic activewear — polyester, nylon, spandex — and the chemical treatments that don't show up on the tag, including PFAS and formaldehyde-based finishes. If leggings are your everyday uniform, this conversation matters. Because when something becomes your second skin, it deserves a closer look.

The people who gave us such cultural highlights as Bell Bottoms, Leisure Suits and pink tuxedos took it upon themselves to design our vestments, our churches, and our sanctuaries. Father McTeigue takes a closer look. Watch on YouTube: A Church Without Polyester?

Tonight's triple feature tracks the unlikely mainstreaming of one of American cinema's most hostile voices: John Waters. Born in Baltimore in 1946, Waters grew up inside the postwar, Greatest Generation moral order he would spend his career attacking—suburban respectability, sexual repression, and enforced normalcy. These three films mark his evolution from punishment to precision.Polyester (1981) is Waters' first real stab at the mainstream, a vicious parody of 1950s suburban melodrama starring Divine. Complete with Odorama scratch-and-sniff cards, it's less entertainment than indictment—cruel, confrontational, and openly contemptuous of middle-class virtue.By Hairspray (1988), Waters shifts strategy. Set in early-'60s Baltimore and starring Ricki Lake, the film uses classical filmmaking and musical structure to smuggle Waters' politics—body acceptance, integration, anti-bigotry—into a broad audience. It's his Trojan horse.Cry-Baby (1990) completes the arc. Starring Johnny Depp and notably lacking Divine, it reframes 1950s greaser culture with historical accuracy, restoring the era's sexual panic and moral hysteria that nostalgia like Grease erased. More coherent, more humane, and more mature, it's Waters finally understanding rather than punishing his past.You don't have to like John Waters—but these films matter because they remember American culture correctly.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This week, we bring in the new year with 1993's Champagne and Bullets. A movie that shows its namesake with the sheer amount of champagne and bullets it presents to you, the viewer. This is classic Worst Movie Ever Made territory… think The Room, Miami Connection, Samurai Cop, Birdemic, and Neil Breen. It's not “so bad it's good,” it's “so awful it's amazing.” Seriously, Champagne and Bullets is such a punisher that we had to take a week off to regroup before talking about it. So let's shimmy slide into this, shall we? Rick's rightful retribution against rival responder for restitution and reckoning while ridiculous risquee romance and repugnant rape ruckus results in a rubbish resolution! Deep Throated Douche Bag Detectives! Cowboy cops caterwauling with Cindy! Improper porch swing semantics! Some statements need to be hooded? Tits on the rocks! Mr. Fringe Fuck Benefit has no class, and my buddy can speak Hamlet!!! Polyester puppets! Huckleberry philosophy, and much, much more on this week's episode of The Worst Movie Ever Made! www.theworstmovieevermade.com 

What color says luxury before you open the box? What sound makes you grab the popcorn before a movie starts? In this episode of IP Goes Pop!®, hosts Michael Snyder and Joseph Gushue explore how color, sound, and even scent can function as protectable trademarks. From Smell-O-Vision and John Waters' Odorama cards (Polyester) to modern twists like The Artist and Black Mirror: Bandersnatch (and the trademark fight it sparked), the conversation shows how sensory storytelling grabs attention and how the law can recognize those cues as brand identifiers. Mike and Joe break down secondary meaning (Qualitex v. Jacobson), functionality, and why precise descriptions matter. In this episode: How non-traditional trademarks work, and what it takes to protect them The legal hurdles: secondary meaning, functionality, and clear scope drafting Iconic examples in action: Tiffany's robin's-egg blue jewelry boxes Louboutin's red-soled heels John Deere's green-and-yellow equipment NBC's three-note chime and the MGM lion's roar Hasbro's Play-Doh scent Bottom line: the strongest trademarks are not just seen, they're felt. Key Moments: (00:51) Defining non-traditional and non-conventional trademarks (02:25) Examples of Nontraditional Media (11:05) Trademark Foundations (13:49) Color Functionality: The Legal Red Line (15:44) Case Study 1: Tiffany Blue Trademark (20:40) Case Study 2: Louboutin's Red Sole Trademark (24:54) Case Study 3: John Deere Green & Yellow Trademark (26:18) Sound & Audio Trademarks (33:44) Scent Marks (36:52) Touch Marks & Future Frontiers (37:10) Final Thoughts & Takeaways   For full show notes and to explore more episodes, please visit www.vklaw.com/newsroom-podcasts.  

Surprise! A little midweek episode to keep you updated on the Polyester goings on! This week, hosts Ione and Gina chat the new issue with Sky Ferreira on the cover, the launch events in New York plus a little sidebar into this week's cultural going ons.Buy the issue here!Support our work and become a Polyester Podcast member

T. Kyle and Brad discuss the return of Danity Kane (sort of) with their 3-out-of-5 reunion tour comeback, Christina Aguilera announcing her ‘Christmas in Paris' album, her ‘Jennifer Hudson Show' spirit tunnel and interview, playing Dress to Impress on Roblox, High Fashion Editorial! featuring Kim Kardashian for Fortnite, Naomi Osaka at The Garden Cup, Tate McRae for ‘Rolling Stone,' Bad Bunny for ‘Vogue,' the ‘Heated Rivalry' discourse, Sky Ferreira for Polyester, the 2026 Met Gala co-chairs announcement, TikTok Talk featuring Jaclyn Hill, Julia Louis-Dreyfus, Jon Hamm dancing meme, new music from FrutigerDillion and Becky G, Addison Rae's Spearitual connection to Britney Spears and Rebecca Black's cover of “Fame is a Gun.” See you at the LOs! Hosted on Acast. See acast.com/privacy for more information.

Episode 603 Get the full Refi Toolkit to spark more refis from your past database at GetMoreLoans.com Welcome to Loan Officer Freedom, the #1 podcast in the country for loan officers, hosted by Carl White. In this episode, Carl sits down with top-producing loan officer Monica Ledbetter, who is on track for 21 closings this month and shares the story of how a blue polyester uniform, a backpack full of catalogs, and sheer grit taught her the discipline that now powers her success in the mortgage business. Monica opens up about the habits, mindset, and daily structure that take her far beyond the industry average, including her "surprise and delight" client touches, her relentless morning outreach, and the authentic connection that fuels almost all of her referrals. You'll hear how she builds deep, loyal agent relationships, why her handwritten notes are converting like crazy, and how her new-agent breakfasts consistently turn fresh licensees into long-term referral partners. She also breaks down her team structure, her marketing cadences, and the practical activities she recommends for loan officers who want to go from 1 closing a month to 4… and then from 4 to 15+. If you're looking for real-world, boots-on-the-ground strategies from someone actively doing 20+ units a month in today's market, Monica's story will show you exactly what's possible with intention, structure, and a genuine love of people.

Cotton Incorporated President and CEO William Kimbrell talks about the ways Cotton Incorporated is working hard to bring relief to U.S. cotton producers.

Halloween is this weekend and the Conways are stepping out of their comfort zone - and into their boots, & heels - to play dress up at their very first costume party! The plan is to channel their inner icons...Kenny Rogers and Dolly Pardon! But how authentic is Simon willing to go: Polyester pants & Western jacket? Absolutely! Boots and beard? Definitely! Kenny's baby blue eyes? Ummmm. Simon invites his own eye doctor, Dr Michael Locke, on the show to talk new eye trends. What's all in good fun, What's riding the line and what is definately an occular NO-GO?

The new Plant Not Plastic program is off and running to help improve awareness of microplastic pollution from man-made fibers. The NCC's Marjory Walker joins the podcast to explain the program details and how it benefits cotton and other natural fibers.

Did you know that 50% of the US water supply is contaminated with "forever chemicals" that you can't detox from your body? These invisible toxins, along with hidden mold in your home, could be the real reason for your chronic fatigue, brain fog, and mystery illnesses. In episode 821 of the Savage Perspective Podcast, host Robert Sikes sits down with Dr. Kelly McCann to expose the shocking truths about how environmental toxins are silently harming your health. Dr. McCann reveals the surprising connection between past trauma, chronic infections like Lyme disease, and conditions such as Mast Cell Activation Syndrome. Discover why your house might be making you sick and learn practical, actionable steps to clean up your environment, build resilience, and reclaim your health and vitality.Are you ready to build a resilient body that can withstand these environmental threats? Join Robert's FREE Bodybuilding Masterclass to learn the foundations of creating a strong and optimized physique. Sign up here: https://www.ketobodybuilding.com/registration-2Get Keto Brick: https://www.ketobrick.com/Subscribe to the podcast: https://open.spotify.com/show/42cjJssghqD01bdWBxRYEg?si=1XYKmPXmR4eKw2O9gGCEuQChapters:0:00 - Are You Being Poisoned By Your Home? 0:50 - Why a Doctor Specialized in "Mystery Illnesses" 2:47 - A Doctor's Personal Battle with Toxic Mold 3:55 - When It's More Than Mold: Uncovering Lyme & Mast Cell Syndrome 5:19 - What Is Mast Cell Activation Syndrome (MCAS)? 6:07 - How Your Immune System Can Turn Against You 7:34 - Why Your Body's "Alarm System" Won't Turn Off 8:20 - The Shocking Link Between Trauma and Chronic Illness 10:06 - How Emotional Trauma Physically Changes Your Cells 13:17 - Is Your Body Sending You Secret Messages? 15:30 - How Holding Back The Truth Can Manifest as Cancer 19:10 - What Your Doctor Won't Tell You About Chronic Inflammation 19:55 - A 2-Step Approach to Healing Chronic Illness 20:38 - How to Calm an Overactive Immune System (MCAS Treatment) 22:02 - How To Activate Your Vagus Nerve for Instant Calm 23:59 - Can You Retrain Your Brain to Heal Your Body? 25:45 - Why Your Primary Doctor Can't Solve Your "Mystery" Symptoms 28:49 - Is Chronic Illness on the Rise? A Doctor Explains Why 31:27 - The "Forever Chemicals" You Can't Detox From Your Body 33:07 - Is Your House Making You Sick? (Modern Building Issues) 36:41 - Is The Mold In Your Bathroom Dangerous? 38:52 - How to Test Your Home for Toxic Mold 42:05 - The Biggest Mistake People Make When Cleaning Mold 43:25 - Does Your Coffee Contain Hidden Mold Toxins? 44:10 - How Serious is a Tick Bite? The Truth About Lyme Disease 46:43 - The Long-Term Dangers of Environmental Toxin Exposure 49:20 - Are Your Clothes Making You Sick? (The Dangers of Polyester) 52:22 - The Link Between Plastics and Low Testosterone 55:11 - How to Start Detoxing Your Life (Without Feeling Overwhelmed) 56:14 - How Technology & Blue Light Are Destroying Your Sleep 59:21 - A Doctor's #1 Tip for Reducing Toxin Exposure 1:01:04 - How to Build Spiritual Resilience Against Physical Illness 1:02:47 - A Simple Practice to Reconnect With Your Authentic Self 1:05:39 - Where to Find Dr. Kelly McCann

Writer, director, actor, and artist John Waters has been making avant-garde cinema since the 1960s. His movies have pushed boundaries and shocked audiences with their wild characters and surreal storylines, even as they offer piercing insights into popular American culture and society. While he experienced mainstream crossover success by the 1980s and into the 2000s, and has been embraced by many in the entertainment industry, John Waters is inherently an outsider –- and he wouldn't have it any other way. He is a unique, visionary queer voice in American cinema. So for one of our 2025 Pride specials, the Great Pop Culture Debate looks back on 8 of The Pope of Trash's most notable movies and attempts to name the Best John Waters Film. Movies discussed: Hairspray (1988), Serial Mom (1994), Pink Flamingos (1972), Cry-Baby (1990), Female Trouble (1974), Mondo Trasho (1969), Polyester (1981), Pecker (1998). Join host Eric Rezsnyak, GPCD panelist Jonny Minogue, and special guests Erin Marlow from the It's a Fandom Thing podcast, and Joshua Grannell AKA Peaches Christ, alternative drag icon and host of the Midnight Mass podcast, as they discuss 8 of the most notorious John Waters films. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss the other John Waters films that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Jonny Minogue Guest Panelist: Erin Marlow, It's a Fandom Thing podcast Guest Panelist: Joshua Grannell AKA Peaches Christ Producer: Bob Erlenback Editor: Eric Rezsnyak Theme Music: “Dance to My Tune” by Marc Torch #johnwaters #johnwatersfilm #johnwatersfilm #movies #pinkflamingos #hairspray #serialmom #femaletrouble #pecker #crybaby #mondotrasho #polyester #divine #divinedragqueen #70smovies #80smovies #90smovies #podcast #moviepodcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer, director, actor, and artist John Waters has been making avant-garde cinema since the 1960s. His movies have pushed boundaries and shocked audiences with their wild characters and surreal storylines, even as they offer piercing insights into popular American culture and society. While he experienced mainstream crossover success by the 1980s and into the 2000s, and has been embraced by many in the entertainment industry, John Waters is inherently an outsider –- and he wouldn't have it any other way. He is a unique, visionary queer voice in American cinema. So for one of our 2025 Pride specials, the Great Pop Culture Debate looks back on 8 of The Pope of Trash's most notable movies and attempts to name the Best John Waters Film. Movies discussed: Hairspray (1988), Serial Mom (1994), Pink Flamingos (1972), Cry-Baby (1990), Female Trouble (1974), Mondo Trasho (1969), Polyester (1981), Pecker (1998). Join host Eric Rezsnyak, GPCD panelist Jonny Minogue, and special guests Erin Marlow from the It's a Fandom Thing podcast, and Joshua Grannell AKA Peaches Christ, alternative drag icon and host of the Midnight Mass podcast, as they discuss 8 of the most notorious John Waters films. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss the other John Waters films that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Jonny Minogue Guest Panelist: Erin Marlow, It's a Fandom Thing podcast Guest Panelist: Joshua Grannell AKA Peaches Christ Producer: Bob Erlenback Editor: Eric Rezsnyak Theme Music: “Dance to My Tune” by Marc Torch #johnwaters #johnwatersfilm #johnwatersfilm #movies #pinkflamingos #hairspray #serialmom #femaletrouble #pecker #crybaby #mondotrasho #polyester #divine #divinedragqueen #70smovies #80smovies #90smovies #podcast #moviepodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Richies, for Pride Month we bring you a true hero to - and champion of - the queer community. A filmmaker who brings an oddball sensibility and counter-culture vibe to the mainstream. Director John Waters has been marching to the beat of his own drum since he was little boy, doing twisted puppet shows at birthday parties and drawing with black crayons. Born and raised in a Baltimore suburb, John knows early on that he's different. And he embraces it. His early films like “Pink Flamingos” are so deliberately gross and funny that they earn him the nickname “The Pope of Trash.” But behind the shock value is a real artist. He eases his way into the mainstream flicks like “Polyester” and then “Hairspray.” John Waters' lasting film legacy is to embrace and celebrate society's weirdos.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“There's nothing wrong with Ellen. It's just that she loves too much.” We watched “Leave Her to Heaven” with our friend Emily Ollero Jones from the podcast “Female Driven,” and we're still trying to figure out a way to get Gene Tierney that Oscar. This Technicolor psychological thriller really has everything: melodrama, film noir, allusions to Greek mythology, and most importantly… that face! Not a soul can clock. Gene Tierney is really serving it up throughout this movie, and we just have one thing to say - congratulations on that face. Gene's femme fatale portrayal of Ellen sets the standard for Black Widows for years to come. Let's face it - Ellen Berent Harland threw herself down the stairs so Amy Dunne could, well… “Gone Girl” herself. So many “women's pictures” owe a great debt to “Leave Her to Heaven.” Would we have Divine's impeccably decorated Baltimore home in “Polyester” without it? Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram Peterlasagna

Cold Harbor. Finally we get a look at what a finale looks like after 3 years, a strike, and a network bleeding one billion dollars anually. Red & Ivan head to the birthing cabin to talk Severance. Also, check out Red & Maggie Tokuda-Hall's podcast, Failure to Adapt, available on Spotify, Apple Podcasts, or via RSS As always: Support Ivan & Red! → patreon.com/boarsgoreswords Follow us on twitter → @boarsgoreswords Find us on facebook → facebook.com/BoarsGoreSwords