Word Balloon Comics Podcast

On this episode of To the Outer Limits, John Siuntres is joined by Gabe Hardman, William J. Meyer, Ian Brill, Jeff Parker, and Ande Parks for a deep-dive discussion of the classic 1964 episode “Demon with a Glass Hand.” Written by Harlan Ellison and directed by Byron Haskin, this landmark story starring Robert Culp remains one of the series' most haunting and influential hours. The panel unpacks the episode's noir atmosphere, its striking use of the Bradbury Building, and Ellison's blend of human emotion with high-concept science fiction. Along the way, they explore the show's visual style, its lasting influence on later genre storytelling—from The Terminator to modern cyber-noir—and what makes Demon with a Glass Hand one of The Outer Limits' definitive masterpieces.

In this episode, I sit down with writer–artist Jeremy Haun, one of the most distinctive voices in modern comics, to talk about the evolution of his hit Image series The Beauty — the dark, provocative thriller about a sexually transmitted disease that makes its victims physically perfect… until it kills them. The book is now in production as an FX television series, and Jeremy shares behind-the-scenes details on how that adaptation is shaping up, what he's learned from the process, and what fans can expect when The Beauty makes the jump from page to screen.We also dig into his brand-new creator-owned mini-series Murder Podcast, a twisted and timely story about obsession, media exploitation, and the true-crime culture we can't seem to turn off. Jeremy breaks down the premise, his inspirations, and how the book blurs the line between audience and accomplice.Finally, we talk about Jeremy's next big step — his new publishing venture, Ignition Press, built to give creators more control, flexibility, and creative freedom in the shifting landscape of independent comics

Here are the full radio episodes of my top 5 sci-fi clasisic dramas 

This Halloween, Word Balloon heads back to the golden age of radio for a special countdown of my Top 5 Sci-Fi Old Time Radio Show Adaptations — stories that defined cosmic horror and speculative imagination long before television ever caught up.We'll explore chilling classics like Ray Bradbury's “Mars Is Heaven” and “Zero Hour,” the unnerving double-life tale “Marionettes, Inc.”, the surreal mystery of “The Junkyard,” and James Blish's haunting micro-evolution fable “Surface Tension.” This episode features authentic audio clips from each of these legendary radio adaptations — the sounds, the voices, and the atmosphere that made 1950s sci-fi radio unforgettable.And stay tuned — a follow-up episode will present each of these radio shows in their entirety, so you can experience the full broadcasts as they were originally heard. It's a celebration of science fiction, suspense, and Halloween chills 

Welcome back, everybody — it's Word Balloon, the comic book conversation show. I'm your host, John Siuntres. Today, I'm catching up with one of the busiest and most inventive creators in comics right now — Tony Fleecs. You know him from his breakout hit Stray Dogs, and now he's back building on that legacy with not one, but two killer new creator-owned projects — Feral and Uncanny Valley. Feral takes the “cute-meets-terrifying” idea from Stray Dogs and turns it loose in a whole new world — a horror-survival story about cats, secrets, and survival that's every bit as emotional as it is brutal. Meanwhile, Uncanny Valley dives into something totally different — a wild, imaginative blend of cartoon logic and family mystery, about a kid discovering he's literally part-animated in a world that doesn't make sense. It's heartfelt, it's weird, and it might be Tony's most ambitious story yet.But that's not all — Tony's also been flexing his storytelling muscles over at Marvel. He's got the Omega Kids X-men mini series, a brand-new Winter Break Special, and the Thing mini-series that digs deep into Ben Grimm's humanity with that signature mix of humor and heart.We'll talk about balancing the Marvel work with creator-owned books, how he builds tone between horror, humor, and heroism, and what it's like to be one of the few creators who can make you cry over cats and cheer for the ever-lovin' blue-eyed Thing — all in the same year. It's Tony Fleecs — back on Word Balloon — stick around, this one's a great conversation.

A Halloween Special...Welcome to Word Balloon Theater, where we bring classic radio and record drama back to life — only this time, I'm part of the cast. On this episode, we step into a smoky pool hall, straight out of a 1950s crime picture. I'm your host, John Siuntres, playing opposite one of Hollywood's great voices — Don Ameche.You know Ameche from his Oscar-winning performance in Cocoon, his sharp comic timing in Trading Places, and a career that stretched from golden-age radio to the silver screen. This scene comes from his 1958 Roulette Records album, Co-Star: The Record Acting Game — a clever concept that let fans play a speaking role opposite their favorite stars.In this track, Ameche plays a streetwise hustler working his angles over a crooked game of pool. So chalk up your cue, light a Lucky, and take a seat by the jukebox. You're about to hear a slice of mid-century cool — Don Ameche and John Siuntres in “The Pool Hall.”This… is Word Balloon Theater.

On this episode of The To The Outer Limits, we review  “The Sixth Finger.”Joining me are storytellers Gabriel Hardman, Jeff Parker, and Ande Parks.t's the story that dared to ask what happens when humanity fast-forwards its own evolution—and the answer, as usual, isn't pretty. Starring a young David McCallum years before The Man from U.N.C.L.E., this 1963 classic turns the lab experiment trope into a gothic tragedy, complete with telepathy, hubris, and a proto–Professor X look that must have haunted comic readers who saw it first-run. Joining me for the discussion are three of my favorite storytellers who know a thing or two about pushing human potential to the breaking poin Together we'll talk about the episode's influence on pop culture and comics—from McCallum's transformation makeup to its echoes in The X-Men, Planet of the Apes, and every “science-goes-too-far” story that followed.

Before Watchmen shocked readers with the idea of a staged alien invasion meant to unite humanity, The Outer Limits had already explored that same chilling premise more than two decades earlier. “The Architects of Fear,” one of the series' most haunting episodes, aired in 1963 at the height of Cold War anxiety. In it, a group of idealistic scientists concoct a desperate plan to save the world from nuclear annihilation by creating a common enemy—an extraterrestrial threat—through grotesque transformation and deception.The story's moral gravity and tragic human core—anchored by Robert Culp's anguished performance—make it an emotional blueprint for Alan Moore and Dave Gibbons' Watchmen. Where Moore's Adrian Veidt executes his plan with cold perfection, The Outer Limits delivers the same concept as human tragedy rather than triumph. It's a tale not about success, but about sacrifice and futility—a broadcast parable warning that even the noblest lies can't save us from ourselves.

Wayne and I discuss the story so far, plus wayne's take on Starflet academy's trailer and the SNW season 4 teaser 

In this Scene Missing panel, we dive deep into the 1972 made-for-TV movie Gargoyles — a cult classic that helped define the early wave of '70s creature features. Joining the discussion are Gabriel Hardman, Jeff Parker, Ian Brill, and Allison Baker, each bringing their sharp insight into the film's production, themes, and its influence on modern genre storytelling.The panel explores the film's eerie desert setting and its surprising critical success, including an Emmy Award for Outstanding Makeup that launched the career of Stan Winston, who went on to create the iconic creatures of Aliens and Predator. We spotlight the performances of Cornel Wilde as anthropologist Mercer Boley, Jennifer Salt (Sisters, Soap) as his daughter Diana, and Bernie Casey as the noble Gargoyle leader — one of television's earliest sympathetic monster roles. We also examine the creative team behind the movie: director Bill L. Norton, later known for Cisco Pike and Law & Order, and writer-producers Steve and Elinor Karpf, who blended mythology, horror, and social reflection into an unexpectedly thoughtful TV thriller.

Comics writer and cartoonist Kyle Starks joins me to talk about his brand-new Image Comics series, Wrestle Heist — a wild blend of pro-wrestling spectacle and fast-paced crime caper energy. We get into how the idea came together, his trademark mix of humor and heartfelt chaos, and what makes this book stand apart from his previous creator-owned hits.Kyle also discusses his recent work writing Peacemaker for DC's Black Label, sharing how he brought his offbeat humor and emotional grit to one of DC's most unpredictable antiheroes. He teases his upcoming Vertigo series debuting next year, which pushes him into darker, more character-driven territory while still keeping his sharp dialogue and storytelling muscle.Plus, we dig into the next wave of creator-owned projects he's got cooking — from new collaborations to long-planned solo works that show just how versatile and fearless he's become as a writer.

In part two, writer B. Clay Moore dives into his latest creator-owned projects — the gritty 1970s crime saga Last Flight Out of Wichita from DSTLRY, and the political-horror series Bloodland (Vampires in the White House) from Ignition Press. Plus Netflix is makinga John Cena movie based on Clay and Jeremy Haun's 2007 comic The Leading Man Moore talks about chasing new stories, creative freedom, and pushing beyond the superhero mainstream into bold new worlds.

In Part 1 of this in-depth conversation, writer B. Clay Moore reflects on his early years as the marketing director at Image Comics during the early 2000s — a pivotal era when the company was reinventing itself around a new wave of creator-owned talent.Moore discusses working behind the scenes with emerging voices like Rick Remender and Jonathan Hickman, and how Image's independent spirit encouraged creators to take bold storytelling risks that reshaped the comics landscape. Moore also dives into the creation of his breakout series Hawaiian Dick, co-created with artist Steven Griffin — a genre-blending mix of crime noir, tiki-era cool, and supernatural mystery that became a critical and cult favorite for Image. He shares how the concept was born, how he and Griffin developed its striking visual tone, and how the book stood out in an industry dominated by superhero titles.The discussion rounds out with Moore recalling his collaboration with Tony Harris at DC Comics on the acclaimed JSA: The Liberty Files — a gritty espionage reimagining of the Justice Society set during World War II — and their later follow-up project, The Whistling Skull, a pulpy, post-war adventure that expanded their unique corner of the DC Universe.Part 2 airs tomorrow, covering more on Moore's creative process, later volumes of Hawaiian Dick, and his perspective on the modern state of creator-owned comics.

In this 2022 discussion, editor and writer James Aquilone joined Word Balloon to celebrate the 50th anniversary of Kolchak: The Night Stalker — the cult-classic TV franchise that helped define the modern supernatural investigator genre. Aquilone talked about the enduring influence of Darren McGavin's Carl Kolchak, from The Night Stalker's 1972 TV movie origins through its single-season series and lasting impact on shows like The X-Files.The conversation also covered Aquilone's work curating and editing the Moonstone Books graphic novel anthology, a Kickstarter-backed project that united top writers and artists to tell new Kolchak stories spanning five decades of the character's career — from classic newspaper-era mysteries to modern paranormal cases. He discussed collaborating with Moonstone's long-time Kolchak publisher, coordinating contributions from creators across genres, and ensuring the stories captured the tone and noir-horror style of the original show. Aquilone reflected on Kolchak's place in pop culture history, the challenge of blending nostalgia with fresh storytelling, and how the 50th anniversary served as both a tribute to Jeff Rice's original creation and a reintroduction of the Night Stalker to new generations of fans.

In this 2021 Word Balloon conversation, acclaimed writer Ed Brubaker joins John Siuntres to discuss his Eisner-winning crime graphic novel Destroy All Monsters, the third volume in the Reckless series created with longtime collaborator Sean Phillips. Brubaker explains how Destroy All Monsters expands the world of 1980s Los Angeles through the eyes of Ethan Reckless, the one-man fixer caught between Hollywood corruption, fading ideals, and his own haunted past.He talks about how the story draws from the noir tradition of Ross Macdonald and the downbeat realism of 1970s thrillers — but told through the sleek, cinematic storytelling he and Phillips have perfected. The conversation explores how the Reckless books evolved out of Criminal, Fatale, and Kill or Be Killed, why he and Phillips pivoted to the original graphic novel format, and how working with Sean's son Jacob Phillips for color and design gave the series a distinctive look and rhythm.Brubaker also opens up about his creative process, writing discipline, and the freedom of publishing through Image Comics, where he and Phillips maintain full ownership and complete artistic control. It's a candid, craft-focused talk with one of comics' finest storytellers — part writing masterclass, part look inside modern noir's most successful creative partnership.

This week on Trek Watch, John dives into the latest developments from the Star Trek universe. We start with a breakdown and review of Star Trek: Khan — Ceti Alpha V Episode 6, analyzing how the story continues to chart Khan's descent from visionary leader to vengeful exile. We look at the writing, performances, and how the series ties into both The Original Series and Wrath of Khan.Next, dissecting the brand-new Starfleet Academy trailer, exploring what it reveals about tone, setting, and cast. From the post-Burn timeline to the training-day dynamics, we discuss how this series could expand the modern Trek landscape while reconnecting to the franchise's roots in mentorship and idealism. Finally, we break down the NYCC 2025 teaser clip from Strange New Worlds Season 4, which teases character arcs, new worlds, and a tonal shift that could set up the series' boldest season yet. Expect speculation, continuity talk, and a few of our trademark Trek deep cuts along the way.

Acclaimed writer–artist David Lapham joins Word Balloon for an in-depth conversation about his decades in comics and the craft of visual storytelling. Lapham reflects on his early days at Valiant Comics, where he learned the fundamentals of pacing, clarity, and narrative economy under Jim Shooter's mentorship — lessons that would shape his distinctive storytelling voice.He then traces the creation and evolution of his award-winning crime saga Stray Bullets, from its underground indie roots to its enduring influence on modern noir comics. Lapham discusses how he and his wife Maria Lapham have built a true creative partnership, collaborating on everything from story development to production, keeping the series uncompromisingly personal and authentic.The conversation also explores his time writing and illustrating for the Big Two, including his gritty takes on Batman and Wolverine, where he brought his signature tension and character-driven realism to mainstream heroes.Finally, Lapham gives a preview of his latest and upcoming work at Dark Horse Comics, Bad Idea, and Oni Press, sharing insight into how

In this episode, I catch up with writer–artist Mike Kunkel, the Eisner Award–winning creator of Herobear and the Kid. Mike talks about the new volumes of Herobear from Papercutz, revisiting his beloved, hand-drawn world of childhood wonder, imagination, and heroism — and how he's bringing fresh emotional depth and visual storytelling to the series.We also get into his Capstone Books work with Krypto the Superdog and Scooby-Doo, where Mike brings his trademark humor and warmth to stories for younger readers, combining classic mystery fun and superhero action with the same heart that defines his independent work. Finally, Mike shares insights from his run on Shazam! at DC Comics, discussing how he infused Billy Batson's adventures with his signature animation-inspired energy and heartfelt optimism.

In this in-depth conversation, writer and franchise caretaker Andrew E.C. Gaska joins John Siuntres to discuss his work revitalizing three of science fiction's most enduring universes — Planet of the Apes, Buck Rogers, and Space: 1999.Gaska talks about balancing canon, continuity, and creativity as he builds connective tissue between classic stories and modern reimaginings. For Planet of the Apes, he explains how his novels Conspiracy of the Planet of the Apes and Death of the Planet of the Apes expand the original film mythology, deepening the lore around the astronauts, the forbidden zone, and the political world of the apes. Turning to Buck Rogers, Gaska outlines his efforts to restore the franchise to its pulp and serial roots, steering away from camp and back toward the raw, forward-looking adventure of Philip Francis Nowlan's original creation. He also teases his plans for reconnecting Buck's 20th-century origins with a plausible 25th-century future.Finally, Gaska delves into Space: 1999, discussing his work on To Everything That Was and the Aftershock and Awe graphic novel, which translate the cult 1970s series into a coherent expanded universe. He breaks down the philosophical themes of isolation, humanity's place in the cosmos, and the Cold War anxieties baked into the show's DNA — and how he modernized them for today's audience.The conversation highlights Gaska's approach as both a fan and historian, preserving the essence of each franchise while giving it new life.

In this 2018 Word Balloon conversation, comedian, writer, and producer Dana Gould joins John Siuntres for a deep dive into his creative journey adapting Rod Serling's original Planet of the Apes screenplay into a graphic novel for BOOM! Studios. Gould discusses how Serling's early drafts differed from the final 1968 film — delving into the satire, social commentary, and Cold War paranoia that Serling originally intended.The interview also explores Gould's other creative outlets, including his acclaimed “Dana Gould Hour” podcast, where his sharp wit and fascination with old Hollywood, horror, and pop culture shine through. Rounding out the discussion, Gould talks about his work on IFC's Stan Against Evil — the offbeat supernatural comedy he created and starred in — and how it channels his lifelong love of classic horror and monster movies. It's a lively, funny, and insightful chat with one of the sharpest minds blending comedy, commentary, and the weird corners of genre storytelling.

Allison give a writers room perspective on the failing of strange new worlds

In this in-depth conversation, legendary painter and storyteller Alex Ross takes listeners behind the curtain of some of his most ambitious and thought-provoking projects across DC, Marvel, and Dynamite.Ross begins with the haunting Batman: Black and White – Case Study, written by Paul Dini, a noir-style exploration of Bruce Wayne's fractured psyche and the fine line between justice and obsession. He then turns to Avengers/Invaders, co-written with Jim Krueger, a modern-day saga where the original World War II Invaders are thrust into the present-day Marvel Universe. The time-displaced heroes clash with contemporary Avengers, forcing both eras to confront what it truly means to be a hero in vastly different moral landscapes.Next, Ross discusses JSA: Thy Kingdom Come, created with Geoff Johns, Dale Eaglesham, and Fernando Pasarin — a powerful spiritual sequel to Kingdom Come. The story brings the older, war-torn Superman of that alternate Earth into the mainstream DCU, confronting the Justice Society and reexamining faith, legacy, and the enduring cost of heroism.Finally, Ross reflects on his work at Dynamite Entertainment with Project Superpowers, where he and Jim Krueger resurrected and reimagined dozens of Golden Age public domain heroes — from the Green Lama to the Black Terror — breathing new mythic life into forgotten icons while exploring how timeless ideals can evolve for modern audiences.

In this episode of Word Balloon, cartoonist Dean Haspiel joins John to talk about his new Kickstarter anthology series, Antimatter — a collection spotlighting his signature creator-owned characters including Billy Dogma, The Red Hook, and Chest Face. Haspiel explains how Antimatter brings together stories from across his indie universe, blending love, heroism, and surreal New York energy.The conversation also detours into today's entertainment landscape, as John and Dean swap thoughts on recent hits and misses in movie theaters and on TV, and what makes storytelling resonate in any medium.https://www.kickstarter.com/projects/deanhaspiel/antimatter/?ref=kicktraq

Comics writer Jim Zub returns to Word Balloon to discuss his work on Conan the Barbarian #25 for Titan Comics, a milestone issue that celebrates both the Cimmerian's legacy and the current Titan era of storytelling. Zub talks about honoring Robert E. Howard's classic voice while keeping Conan fresh for modern readers, balancing sword-and-sorcery action with character depth. The conversation also dives into how this special issue bridges past and present creators, what makes Conan timeless, and how Titan's publishing approach keeps the Barbarian's adventures thriving for a new generation of fans.

In this 2013 Word Balloon conversation, artist Rags Morales discusses his pivotal work on Action Comics during DC Comics' New 52 relaunch. Morales reflects on collaborating with writer Grant Morrison to redefine Superman for a new generation—depicting a younger, more grounded Man of Steel in his early years as a social crusader. The discussion explores the creative process behind redesigning the character's look, the artistic challenges of working on such an iconic title, and how Action Comics helped set the tone for the New 52 era across the DC Universe.

This week on The Kinescope Podcast, John and the panel revisit the gripping 1957 Studio One production “The Night America Trembled.” Hosted by Edward R. Murrow and featuring a remarkable early cast — including Warren Beatty, Ed Asner, Warren Oates, James Coburn, and John Astin — the teleplay dramatizes the nationwide panic sparked by Orson Welles' infamous 1938 War of the Worlds broadcast. While the story amps up the hysteria for television, it remains a fascinating look at how a single night of radio blurred the line between fact and fiction for millions of listeners.

I embark on an off-ship solo mission to explore the first four episodes of Star Trek: Khan. The discussion dives into the heated fan debate over whether this Secret Hideout–produced audio drama truly belongs in Trek canon. Along the way, Me, Larry Young and memebers of the League weigh continuity questions, franchise history, and the larger implications of re-framing Khan's story within modern Star Trek lore.

In this dark and thrilling episode, I sit down with comics legends Matt Wagner and Kelley Jones to talk about their gothic team-up on a new Dracula graphic novel series — a fresh, nightmarish take on the Lord of the Undead that blends Hammer horror, classic literature, and modern comics craft. We also dive deep into their iconic Batman work. Matt Wagner reflects on his acclaimed retellings of the Dark Knight's formative years in Batman and the Monster Men and Batman and the Mad Monk, grounded updates of the original Detective Comics stories that shaped Gotham's early shadows. Meanwhile, Kelley Jones revisits his unforgettable Batman: Red Rain, a horror-infused Elseworlds classic that reimagines Batman as a literal creature of the night — a vampire battling Dracula himself. Plus: Kelley's eerie, emotional Deadman mini-series, their shared love of horror as mythmaking, and what it means to push iconic characters into darker, more psychological terrain. A must-listen for fans of Batman, monsters, and the art of gothic reinvention.

In this haunting episode of Scene Missing, we dive deep into Charles Laughton's singular directorial masterpiece, The Night of the Hunter (1955). From its expressionist visual style to Robert Mitchum's chilling performance as the murderous preacher Harry Powell, we break down what makes this Southern Gothic thriller a one-of-a-kind cinematic experience.We explore the film's dreamlike atmosphere, the fairy tale overtones, and how it slipped through the cracks in its time — only to be recognized decades later as one of the most influential American films ever made. Join us as we unpack its themes of good vs. evil, childhood innocence, and religious hypocrisy, all framed by some of the most striking black-and-white cinematography ever put on screen.

On this episode, we're joined by legendary comics historian, animation writer, and pop culture expert Mark Evanier to discuss his latest project from Abrams Books: The Essential Peanuts Collection. This beautifully curated volume brings together decades of Charles Schulz's iconic Peanuts comic strips, paired with insightful commentary and historical essays that spotlight the creative genius behind Charlie Brown, Snoopy, and the rest of the gang. Mark reflects on Schulz's artistic evolution, the cultural impact of Peanuts from the 1950s through the 2000s, and how the strip mirrored American life over five decades.With his encyclopedic knowledge of 20th-century media, Mark also shares behind-the-scenes stories from his own career in comics and animation, including his time with Jack Kirby, his TV work, and his long-standing role as a chronicler of comic book history. For more of Mark's daily reflections on comics, entertainment, and pop culture past and present, visit his indispensable blog: NewsFromMe.com

On this episode of Word Balloon, I sit down with writer Chip Zdarsky to dig into his bold, current run on Captain America. Chip explains his vision for the Star-Spangled Avenger, including the introduction of a new Cap born in the wake of 9/11, during the years when Steve Rogers was still frozen in ice. We also dive into his celebrated DC work on Batman, where he created the relentless Failsafe, repositioned Vandal Savage as a core Gotham villain, and shook up the city's status quo with a brand-new police commissioner.But that's just the start—Chip and I explore his Marvel catalog as well, from the gritty, character-driven drama of Daredevil to the cosmic and family-centered Marvel Two-In-One with the Thing and the Human Torch. And of course, we talk about his creator-owned stories, where he continues to push boundaries and surprise readers with inventive, personal storytelling.

From February 2013, visionary animator Ralph Bakshi joined me to discuss his then-new project Last Days of Coney Island, now streaming on YouTube and Vimeo. The series marked Bakshi's return to gritty 1960s New York, promising raw stories of police corruption, gangs, prostitution, and the decade's disillusionment following the assassinations of John and Robert Kennedy.Bakshi also teased potential new sequences for cult favorites like Wizards, Coonskin, and Heavy Traffic, including a long-imagined Wizards scene where the pacifist hero Peace halts a WWII German-style train full of captives. Bakshi shared candid updates on the rumored live-action remake of his 1983 fantasy Fire and Ice, co-created with Frank Frazetta. According to Bakshi, director Robert Rodriguez was eyeing a Sin City-style adaptation, aiming to begin shooting after wrapping Sin City 2.Along the way, Bakshi reflected on his groundbreaking career, from his early years at TerryToons to his enduring influence on animation. This conversation captures Bakshi at his fiery best—unfiltered, defiant, and still pushing boundaries.

Legendary writer John Ostrander takes us on a tour of his greatest comic book triumphs. From co-creating The Modern Suicide Squad—and later seeing his creations explode onto the big screen—to redefining The Spectre, reviving Heroes for Hire, and crafting the sweeping Western saga The Kents, Ostrander's impact is undeniable.He also dives into his years shaping the Star Wars expanded universe, launching Grimjack and breaking new ground at First Comics. Beyond comics, Ostrander shares stories from his earlier life as an actor and playwright in Chicago, painting a vivid picture of a career that spans stages, panels, and galaxies far, far away.

A Conversation With The Creators of the new Time Traviling Audio Drama, and their Kickstarter Campaign.Hear the pilot now https://media.rss.com/cheating-history/feed.xmlhttps://www.kickstarter.com/projects/cheatinghistory/cheating-history-season-oneBios Of The Creators... Jennifer Sterner is a screenwriter and producer with a mix of academic and creative experience. she's developed a manga for Seven Seas Entertainment, created the web series Searching for Eden, and wrote on the YouTube drama Apartment 30. She serves as Associate Chair of Screenwriting at the New York Film Academy, where she teaches courses on storytelling.Nunzio DeFilippis and Christina Weir are a writing duo known for their acclaimed runs at Marvel and DC, as well as creator-owned projects like Skinwalker and Three Strikes from Oni Press. Beyond comics, they've brought their storytelling skills to television on HBO's Arli$$ and serve as educators at the New York Film Academy, where they mentor aspiring writers.

In this exclusive Word Balloon conversation, I sit down with writer David Pepose to talk about his exciting new projects bringing back some of the most iconic heroes of all time. Pepose is tackling Speed Racer, Space Ghost, and Captain Planet, reimagining these classic characters for today's audience while honoring the legacy that made them timeless.We dig into how he balances nostalgia with fresh storytelling, the challenges of updating pulp and animated icons for modern readers, and what fans can expect from his bold takes on these beloved franchises. From high-octane racing to cosmic adventure and environmental heroism, Pepose shares his vision for breathing new life into these properties while keeping their heart intact. If you're a fan of classic cartoons, Saturday morning heroes, or the modern comics scene, this interview is packed with insights, behind-the-scenes stories, and exciting teases of what's to come.

On this episode of Scene Missing, I sit down with writer–artist and filmmaker Gabriel Hardman to dive into the legendary film and television work of Robert Redford. From his breakout charm in Butch Cassidy and the Sundance Kid to his understated power in The Way We Were , and his later turns as both actor and director, Redford has carved out a career that blends charisma, craft, and cultural impact. Gabriel and I share our personal favorite Redford performances and projects, looking at what made him such a timeless figure on screen—and why his influence still resonates in today's Hollywood.

In this edition of the Word Balloon / Bendis Discord Book Club, we dive deep into 100 Bullets Vol. 1 by Brian Azzarello and Eduardo Risso. First published in 1999, this groundbreaking Vertigo series set a new standard for crime comics with its hard-boiled storytelling and stark, cinematic visuals.We break down the writing choices that made Azzarello's scripts so sharp and dangerous, the noir-infused art style that Eduardo Risso brought to the page, and why this book still stands as one of the most influential titles of the late '90s. Along the way, we share our own reviews, insights, and reactions to the characters, themes, and morality play at the heart of the story.Whether you're discovering 100 Bullets for the first time or revisiting it with fresh eyes, this discussion highlights why Vol. 1 remains such an essential piece of modern comics history. 

In this conversation, I sit down with comic writer and filmmaker Rylend Grant, the force behind Half Evil Comics. Rylend is currently running a Kickstarter campaign for an all-new Evel Knievel comic, created with artist Dave Acosta, and he takes us inside the creative spark and daredevil energy fueling the project.But Rylend's storytelling doesn't stop with comics—we also dive into his film career, including his work on movies starring Emile Hirsch and Nicolas Cage. From the high-wire act of crowdfunding to the art of writing for both panels and the big screen we cover it all in this conversation. 

In Part Two of our conversation, Greg Pak takes us back to one of the defining stories of his career — the original Planet Hulk saga. He shares behind-the-scenes insights into crafting the epic that redefined the Green Goliath, and teases a brand-new chapter arriving this fall, reuniting the full creative team that launched the original classic.We also dive into the origins of Amadeus Cho, the boy genius who would become the Totally Awesome Hulk, and discuss the character's impact on readers and representation. Greg speaks candidly about the sense of responsibility that comes with writing modern takes on Asian heroes, balancing authenticity with the larger-than-life demands of superhero storytelling.

Few writers move as seamlessly between genres and mediums as Greg Pak. In this special two-part conversation, we dive deep into the latest chapters of his ever-expanding career. First, Greg walks us through his brand-new Dungeons & Dragons run for Dark Horse, where he blends his gift for character-driven storytelling with the boundless imagination of tabletop fantasy.From there, we shift to his work on Dynamite's Supernatural comic, a series rooted in the show's first year that captures the raw energy of Sam and Dean's earliest battles with the things that go bump in the night.We also revisit his acclaimed Superman run in Action Comics during DC's New 52 era, exploring how he brought both epic spectacle and heartfelt humanity to the Man of Steel.And no Greg Pak talk would be complete without a look back—he shares heartfelt memories of the late, great Peter David, reflecting on their shared legacy as writers of Marvel's Incredible Hulk and how David's example continues to inspire his own craft. Planet Hulk is celebrating it's 20th anniversary with a new one shot chapter of the epic story. Details on that in Part 2

In this conversation, veteran animation writer and producer Alan Burnett reflects on his groundbreaking work shaping Batman: The Animated Series, the show that redefined superhero storytelling for television. Burnett walks us through the creative challenges of translating Gotham City's noir-infused atmosphere and complex characters into a format that spoke to both kids and adults, setting a new standard for superhero animation in the 1990s.We also dive into his collaboration with Paul Dini on DC Comics' adaptation of the series, where the two carried the show's tone and visual style onto the comic page. Burnett explains how the book's run—often praised for standing shoulder-to-shoulder with the animated classic—expanded the mythology, introduced new dimensions to fan-favorite villains, and helped bridge the gap between animation and comics. This interview offers rare insight into how Burnett balanced studio mandates, creative instincts, and long-term storytelling, all while working alongside some of the most influential voices in modern Batman history.

Today on Word Balloon, we're joined by a voice familiar to anyone who loves smart, insightful pop culture commentary — Glen Weldon, longtime NPR contributor and co-host of Pop Culture Happy Hour. Glen is also the author of The Caped Crusade: Batman and the Rise of Nerd Culture, a sharp, witty, and deeply researched look at how the Dark Knight has evolved across comics, TV, and film — and how fandom itself has grown right alongside him.From campy '60s TV to grim '80s reinventions, and into Batman's role as a billion-dollar movie icon, Glen traces how this one character became a mirror for changing tastes, anxieties, and obsessions in American culture. We'll dig into what makes Batman such a singular figure, what The Caped Crusade uncovers about us as fans, and where Gotham's greatest detective might be headed next. This talk happened in 2016

Plus Star Trek Khan, Spinal Tap 2 Gen V Season 2 ep 1 and other tv and film tthoughts

More questions on camera nd from the live chat. We get more into comics, trek podcasting and more 

It's my version of the mailbag page at the back of old comic books. In this on-camera AMA with my Patreon supporters and live chat audience, we dug into every corner of geek and sports culture:Boxing: The big focus was on the much-anticipated Canelo vs. Crawford bout, with breakdowns of styles, stakes, and legacy.Comics: We spanned the decades — from the Silver Age of the 1960s through today's modern runs, talking creators, characters, and the shifts in storytelling across generations.Television: Plenty of love for sci-fi and genre TV — Star Trek, Babylon 5, classic reruns, and today's wave of streaming shows.Film: We reflected on the passing of the legendary Robert Redford, looked ahead at some of the biggest upcoming releases, and revisited the old-school geek movies that set the stage for today's pop culture landscape.It was a lively back-and-forth with fans driving the discussion, mixing history, commentary, and plenty of fun tangents — the perfect example of what happens when the Word Balloon community gets together to talk shop.

Few modern writers have embraced sword-and-sorcery with the same passion and craftsmanship as Jim Zub, whose work on Conan the Barbarian for Titan Comics has been nothing short of a masterclass in honoring Robert E. Howard's legendary creation while pushing the stories into bold new territory. Zub's tales balance the grit and savagery fans demand with a keen sense of pacing and character that feels both timeless and fresh.With next month's Conan the Barbarian #25, he delivers a special, self-contained story—an epic one-book adventure that promises to showcase everything readers love about the Cimmerian warrior in a single, unforgettable issue. It's the perfect jumping-on point for new fans and a rich reward for long-time readers.Jim and I had some technicla issues on youtube, so we'll do part 2 later this week

This year marks the 30th anniversary of Pinky and the Brain, the beloved Animaniacs spin-off that gave the world two of animation's most unlikely lab partners.At the heart of the series' enduring charm is the voice of Rob Paulsen, the endlessly versatile actor who brought the dim-witted yet lovable Pinky to life with his unforgettable “Narf!” catchphrase. But Pinky is only one jewel in Paulsen's long career behind the microphone.From his heroic turns as Raphael (and later Donatello) in Teenage Mutant Ninja Turtles, to the wisecracking wit of Yakko Warner in Animaniacs, Paulsen's voice has become an essential part of the soundtrack to multiple generations' childhoods. In this interview, he reflects on the legacy of Pinky and the Brain, shares stories from his many other iconic roles, and reminds us why, after decades in the booth, he remains one of animation's most beloved and prolific performers.

In this second half of our conversation, Sterling dives deeper into his run on Supergirl alongside artist Jamal Igle. He shares behind-the-scenes stories about crafting Kara's voice, working hand-in-glove with Igle to re-define her place in the DC Universe, and why their collaboration remains one of the character's most beloved eras.Sterling opens up about the challenges of balancing editorial direction with his and Jamal's creative instincts, and how they fought to give Kara her own identity separate from Superman. From comics, we shift back to television as Sterling talks about his time writing for The Flash on The CW.He expands on his contributions to the ambitious Crisis on Infinite Earths crossover, explaining the difficulties of squeezing the vast scope of Marv Wolfman and George Pérez's 1985 comic series into a handful of TV hours. Sterling reveals which classic comic beats he tried to sneak into the script.Sterling also discusses his most recent creative venture: filmmaking. His short film Just the Janitor has begun its run on the festival circuit and at comic conventions, and he talks candidly about making the leap from comics and TV to directing this riveting action film. He shares the story behind the film, the lessons he's learning as a first-time filmmaker, and why he believes conventions are the perfect place for genre fans to discover it. This continuation showcases Sterling Gates as a storyteller constantly moving between mediums, bringing the same passion to a 22-page comic, a TV superhero epic, or a low-budget short action film.

In this first installment of my conversation with comics and TV writer Sterling Gates, we dive into his celebrated run on Supergirl with Jamal Igle . Sterling talks about how his stories are finding new life in print—starting with the reissue of his Bizarro Supergirl arc, and continuing next year with his contributions to the New Krypton saga omnibus, co-written alongside James Robinson and Greg Rucka. We also look at the various actors who've played the woman of tomorrow, including Gates's work consulting on the Flash film's alternate earth Supergirl.Sterling also reflects on how he first broke into writing Supergirl and later The Flash for the CW, bringing his comic book sensibilities into live-action storytelling.We look back at the ambitious Crisis on Infinite Earths TV crossover, where Sterling played a key role in guiding actor John Wesley Shipp through an emotional moment—reprisal of his 1990s Barry Allen Flash and the character's poignant final scene. This episode captures Sterling's unique perspective bridging the worlds of comics and television, while celebrating both the legacies of Supergirl The Flash and the enduring power of DC's multiverse storytelling.

Comics writer Mark Russell joins me for a wide-ranging conversation about his brand-new Mad Cave series spotlighting Racer X from Speed Racer. This isn't just high-octane racing—it's a crime-noir thriller that digs deep into the ex-racer's mysterious past and explores how he became the legendary masked driver. Mark shares how he blended the danger of the track with the grit of noir storytelling to reimagine one of anime's most iconic characters.We also preview his upcoming collaboration with Mike and Laura Allred on Wonder Woman Golden Age, where Russell puts his spin on Diana's earliest stories through a 1985 crisis alternate earth  lens, paired with the Allreds' unmistakable pop-art visuals.Along the way, Mark and I revisit highlights from his past work: the biting satire of his AHOY comedy comics (Second Coming, My Bad, Billionaire Island), his sharp reinterpretations of Hanna-Barbera icons (The Flintstones, Snagglepuss Chronicles), and his heartfelt take on DC's Wonder Twins. Plus, he teases a bold new sci-fi anthology series coming from Mad Cave Studios—Vanishing Point.