Word Balloon Comics Podcast

Comedian, author, filmmaker, and podcaster Mark Malkoff joins me to talk about his brand-new book Love, Johnny Carson — a deep, affectionate, and revealing look at the life and career of the man who defined late-night television for generations. We dig into:• Why Carson's impact still looms over every host working today• The behind-the-scenes stories that shaped his legendary run• What made Carson's style unique — and impossible to fully replicate• How Mark researched the book and why it became such a personal projectThen we shift to the present:• The current state of late-night TV and the changing media landscape• Which modern hosts carry the spirit of Carson — and which don't• Whether the late-night talk show format is evolving… or fading right before our eyes• How streaming, social media, and shifting audiences have changed the entire gameIf you care about comedy history, TV history, or simply love great storytelling, this conversation is loaded.

This is the big one. Jackson Lanzing and Collin Kelly join me to break down their explosive new IDW Star Trek saga The Last Starship — a story set hundreds of years after the TNG era, long after the familiar map of the Federation has been shattered by a galaxy-wide catastrophe. In this far-future Trek epic, a desperate Starfleet captain takes one last swing at survival: resurrecting James T. Kirk. Not a simulation. Not a hologram. The real deal — brought back because he might be the only mind capable of solving the crisis threatening what's left of the galaxy.Lanzing & Kelly get candid about craft, collaboration, canon, and why this story had to be told now. If you love thoughtful sci-fi, bold Trek worldbuilding, and big character swings, you're going to want to dive into this conversation.

On this edition of Scene Missing,I'm joined by filmmaker/artist Gabriel Hardman and writer/critic Ian Brill for a sharp, no-nonsense look at the 1946 noir classic The Strange Love of Martha Ivers. We dig into the film's ruthless psychology, its tangled relationships, and how the performances from Barbara Stanwyck, Van Heflin, a young Kirk Douglas, and Lizabeth Scott still punch hard today. Hardman breaks down the visual language and shadow work that make the film so uniquely tense, while Brill dives into the screenplay's moral ambiguity and the twisted power dynamics at its core. From the opening “accident” that sets everything in motion to the film's bleak, pressure-cooker finale, this is a deep, character-driven postmortem of a noir that doesn't get enough modern attention. Perfect for fans of classic Hollywood, noir obsessives, and anyone who loves watching a great movie picked apart by smart people who know how the machine works.

Acclaimed writer Phillip Kennedy Johnson sits down for a deep-dive conversation covering three major fronts of his powerhouse comics career. We dig into his Hulk run—why he leaned into supernatural horror, what drives his take on Bruce Banner, and how he builds a monster mythology that feels genuinely dangerous.Then we jump to Superman: House of El, breaking down the world-building, legacy themes, and how he approaches expanding the Superman mythos for a new generation while staying true to its core DNA.Finally, Johnson teases his newest addition to Gotham: The Quiet Man, a chilling new villain debuting in Batman and Robin. We explore the character's origin, his psychological angle, and how he'll challenge Damian and Bruce in ways they haven't faced before.

The pulp revival is back — and bigger than ever.In this new interview, veteran editor and writer Robert Greenberger returns to talk about the Kickstarter launch of Thrilling Adventure Yarns 2026, the latest installment in the hit anthology series celebrating classic pulp adventure storytelling for a modern audience. Greenberger breaks down what's new in Volume 5, including:All–new short stories from top science-fiction and comic-book writersThe series' trademark mix of heroic adventure, mystery, sci-fi, supernatural thrills, and classic pulp actionHow each volume brings together creators from across comics, novels, and genre fictionWhy pulp storytelling still hits a nerve with today's readersThe challenges — and joys — of editing a multi-author anthology in 2025What backers can expect from the Kickstarter: tiers, exclusives, stretch goals, and behind-the-scenes extrasGreenberger also reflects on the legacy of pulp fiction, the modern resurgence of serialized adventure stories, and how Thrilling Adventure Yarns has become a home for both legendary creators and fresh voices. If you love comics, sci-fi, classic pulps, or creator-driven anthologies, this conversation gives you the full story behind the new volume — and why this Kickstarter is worth jumping on early.► Support the Kickstarter https://tinyurl.com/36et4m6j► SUBSCRIBE for more creator interviews, book launches, and deep-dive genre conversations

In this 2016 conversation, acclaimed comics historian Bill Schelly takes us deep into the life and legacy of Otto Binder, one of the most influential — and too often overlooked — writers in the history of American comics and science fiction. Schelly discusses his expanded biography, Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary, and lays out why Binder's fingerprints are all over the Golden and Silver Age. We cover:Binder's prolific run on Shazam!/Captain Marvel in the 1940sThe creation of Mary Marvel, the Marvel Family, and Mr. Tawny the Talking TigerHow Binder built classic villains like Mister Mind and crafted the landmark Monster Society of Evil sagaHis leap to DC Comics in the 1950s, where he co-created Supergirl, The Legion of Super-Heroes, the Bottled City of Kandor, and helped reshape the Superman mythosBinder's parallel career in science fiction, and how his SF instincts informed his storytelling across both mediumsWhy his influence still resonates with modern superhero comicsThis is a must-listen for anyone who cares about comics history, forgotten giants of the medium, and the creators who quietly built the universes we all take for granted. ► SUBSCRIBE for more deep-dive interviews, comic history talks, and archival creator conversations.

2014 was a turning point for Marvel — and Axel Alonso was right in the middle of it.In this archival conversation, Marvel Editor-in-Chief Axel Alonso sits down with me to break down exactly where the House of Ideas stood in 2014: the big swings, the new voices, the editorial gambles, and the seismic moves that were reshaping the entire line. We get into:The rise of the “All-New Marvel NOW!” eraHow Marvel was recruiting and developing its next wave of writers and artistsThe push toward diverse character spotlights like Kamala Khan, Miles Morales, and a newly elevated Carol DanversThe build-up toward Jonathan Hickman's Avengers mega-architecture and the early tremors leading to Secret Wars (2015)How editorial was navigating movies, TV, digital comics, and a rapidly changing readershipThe state of the X-Men and what Alonso could — and couldn't — say about their futureThe balance between legacy characters and new heroesMarvel's strategy for creator-owned-adjacent projects and keeping top talent in the foldIt's a sharp, candid snapshot of Marvel at a moment when everything was about to level up.If you love behind-the-scenes talk about how big superhero universes actually get made, this one is essential listening.

In this episode of To The Outer Limits, we crack open one of the series' most talked-about remakes: “I, Robot.” This is the 1964 original revisited in 1995, a rare case where The Outer Limits returns to its own past to re-examine a classic moral question—what makes something alive? We break down the performances, the courtroom drama spine, the deviations from Eando Binder's source material, and how the '90s revival reframed the debate over artificial intelligence and responsibility. We'll talk directing choices, tone, budget realities, and how the episode stacks up against both the '60s version and the later pop-culture takes on robotics and sentience. Whether you first met Adam Link through classic sci-fi magazines, the original series, or this revival, this review digs into why this story refuses to fade—and what it still has to say today.

Step behind the curtain of one of the most ambitious new crime comics of the year. In this panel conversation, editor Shelly Bond, writer Lazlow, and artists David Lapham and Chris Anderson dig into the DNA of American Caper — a sharp, character-driven noir series built by creators who know how to craft worlds that hit hard. Writer Lazlow breaks down his creative process, including how he co-writes American Caper with longtime collaborator and Grand Theft Auto III co-creator Dan Houser, bringing that same mix of satire, danger, and grounded crime storytelling to the comics page. We cover the book's early development, the editorial shaping from Shelly Bond, and the unique push-and-pull between Lapham and Anderson as they construct the book's gritty visual identity. It's a full craft breakdown from four creators who live and breathe crime fiction.

Join us for a powerhouse conversation with Jason Aaron, one of the most versatile writers in comics. We dig into the bold reinvention behind Absolute Superman, his upcoming Thundarr the Barbarian series at Dynamite, and his  Namor mini at Marvel. Jason also previews the wild sci-fi chaos of Bug Wars from Image, wrapped up his year on Teenage Mutant Ninja Turtles, and looks back at career-defining work on Thor, Scalped, Wolverine, and his other creator-owned favorites. It's a candid, craft-driven talk about legacy characters, new worlds, big swings, and why he's still chasing the kind of stories that punch you in the gut.

Art Bltixar Franco and I, the original Aw Yeah Podcast line up join to tell comn stories celeb encounters and lots of voice imitations 

From 2020. Award-winning cartoonist Dean Haspiel moderates a powerhouse discussion with four of the most influential creators in the history of American comics who all shared a studio in 1— Howard Chaykin, Walter Simonson, Denys Cowan, and Bill Sienkiewicz. Together, these legendary artists and storytellers explore the evolution of comic art from the Bronze Age to today — from groundbreaking experimentation in page design and narrative structure to the ongoing battle for creator rights and artistic freedom. Expect bold opinions, sharp humor, and a masterclass in how innovation and attitude reshaped the medium. Whether you grew up on American Flagg!, The Mighty Thor, The Question, or Elektra: Assassin, this conversation offers an unfiltered look at the artists who changed comics forever — and continue to inspire new generations to push boundaries.

Before there was the Marvel Universe… before Stan Lee and Jack Kirby's Fantastic Four changed everything in 1961… there was Atlas Comics. It was the 1950s — the so-called “lost decade” for Marvel. The superheroes were gone. In their place came monsters, crime, westerns, romance, and science fiction. But inside those pages, you could already see the DNA of what was coming next.From artists like Joe Maneely, Bill Everett, and a young Steve Ditko… to Stan Lee's endless experiments with genre and tone… the Atlas years are the missing link between Timely's Golden Age and Marvel's Silver Age explosion. In this episode, we're diving deep into that forgotten era — the stories, the creators, the rise and fall of the Atlas line, and how those books quietly paved the way for the Marvel Revolution.

Welcome back to Word Balloon! Today, we're diving deep into the Star Trek universe with one of its most accomplished storytellers — David Mack. You know his work from the Deep Space Nine episodes “Starship Down” and “It's Only a Paper Moon”, two fan-favorite installments that captured the show's emotional depth and moral complexity.Since then, Mack's become one of Star Trek's defining novelists — the author behind landmark books like Destiny, Vanguard, and Control, and now, the brand-new Strange New Worlds novel, Ring Of Fire. We'll talk about how David approaches writing for different eras of Trek, what it's like balancing the optimism of Strange New Worlds with the grittier tone of his earlier work, and how he helped expand Star Trek's literary canon into something as rich and compelling as the shows themselves.Plus, we'll get into his latest creative venture — co-writing the Star Trek: Khan audio drama, exploring the rise and legacy of one of the franchise's most fascinating villains. It's a fascinating look at a writer who's helped shape Star Trek across television, novels, and now audio storytelling. So grab your communicator, set your phasers to “listen,” and join me as we boldly go into the creative mind of David Mack — right here on Word Balloon!

Today on Word Balloon, I'm talking with two legends of Disney TV animation—Greg Weisman, the creator of Gargoyles, and Tad Stones, the mind behind Darkwing Duck. They're teaming up for the first time in decades for a brand-new crossover comic series — Gargoyles / Darkwing Duck, debuting this January from Dynamite Entertainment.We'll dig into how this unlikely mash-up came together, what it's like blending the gothic mythos of Gargoyles with the high-energy satire of Darkwing Duck, and how the characters reflect two very different eras of Disney storytelling. Beyond the comic,Greg and Tad share their memories from the golden age of Disney Afternoon syndication—what it was like building shows like DuckTales, Chip ‘n Dale Rescue Rangers, Aladdin: The Animated Series, and of course, Gargoyles—when animation was a daily fixture for millions of kids. And we'll get real about today's landscape—how streaming has upended the business model that supported those kinds of shows, what that means for creators, and whether there's still room for original animated series to thrive outside of nostalgia. 

Today, we're heading off-world — straight into the events of Marvel's massive Imperial Cosmic Epic, as the Green Goliath of Law gets a brand-new chapter in Planet She-Hulk. Writer Stephanie Phillips and artist Aaron Kuder join me to break down how Jennifer Walters finds herself at the heart of an intergalactic power struggle — torn between the laws of a reformed empire and the raw fury that made her a legend. We'll talk about the tone of this new book — part political sci-fi, part space opera — how it connects to Hickman's larger cosmic tapestry, and what fans can expect from Kuder's out-of-this-world visual design and Phillips' signature balance of empathy and grit. Whether you've followed She-Hulk since the Byrne and Slott days, or you're jumping on now, this is the perfect gateway into Marvel's next great cosmic saga.

In this Scene Missing episode, John Siuntres joins Wayne Mousseau and Mitch Hallock to dissect the newly unearthed Director's Cut of the infamous 1990 Captain America film. Long dismissed as a curious relic of pre-MCU comic-book cinema, this version restores nearly 20 minutes of footage, deepening the Cold War paranoia and emotional stakes that the theatrical release fumbled.The trio dives into how director Albert Pyun's original vision—once buried under studio edits and budget constraints—finally gets its due. They discuss the extended opening in 1943, richer character beats for Steve Rogers and the Red Skull, and the tonal tug-of-war between gritty espionage and pulp heroics.Wayne spotlights Pyun's visual ambition on a shoestring budget; Mitch breaks down how the new cut reframes Cap as a tragic man out of time; and John connects the film's underdog spirit to the larger legacy of Marvel adaptations before Blade and X-Men changed the game. It's a spirited, funny, and surprisingly affectionate reassessment of a movie once mocked and now rediscovered—part history lesson, part fandom therapy session. Scene Missing proves again that even flawed heroes deserve a second look.

On this episode of Kinescope, John Siuntres, Jeff Parker, and Gabriel Hardman spotlight the remarkable live television work of Boris Karloff — best known as Hollywood's original Frankenstein Monster but equally commanding on the small screen. From the tense anthology dramas of the early 1950s to his chilling appearances on Studio One, Westinghouse Studio One, Climax!, Suspense, and The United States Steel Hour, Karloff proved that terror and empathy could coexist in real time — without retakes.The hosts revisit surviving kinescopes that capture Karloff's range — cultured villains, haunted men, and tragic figures performed before live audiences. They explore how these broadcasts bridged the golden age of horror and the birth of television drama, revealing how Karloff's gravitas and restraint brought unexpected humanity to live anthology television. Expect insights, behind-the-scenes stories, and production history from the era when Boris Karloff mastered the art of live fright.

On this episode of To the Outer Limits, John Siuntres is joined by Gabe Hardman, William J. Meyer, Ian Brill, Jeff Parker, and Ande Parks for a lively and insightful discussion of the 1964 episode “Soldier.” Written by Harlan Ellison and directed by Gerd Oswald, this hard-edged science fiction story follows a genetically bred warrior from a future war who's accidentally transported back to 20th-century Earth — a man who knows nothing but battle.The panel breaks down the episode's sharp performances by Michael Ansara and Lloyd Nolan, its minimalist production design, and Ellison's cynical view of endless human conflict. They explore the episode's themes of nature versus nurture, Cold War paranoia, and the moral cost of a society addicted to warfare.The group also examines “Soldier”'s lasting influence — including its famous connection to The Terminator copyright dispute — and why it stands as one of The Outer Limits' most haunting reflections on what it means to be human in a world built for war.

On this episode of To the Outer Limits, John Siuntres is joined by Gabe Hardman, William J. Meyer, Ian Brill, Jeff Parker, and Ande Parks for a deep-dive discussion of the classic 1964 episode “Demon with a Glass Hand.” Written by Harlan Ellison and directed by Byron Haskin, this landmark story starring Robert Culp remains one of the series' most haunting and influential hours. The panel unpacks the episode's noir atmosphere, its striking use of the Bradbury Building, and Ellison's blend of human emotion with high-concept science fiction. Along the way, they explore the show's visual style, its lasting influence on later genre storytelling—from The Terminator to modern cyber-noir—and what makes Demon with a Glass Hand one of The Outer Limits' definitive masterpieces.

In this episode, I sit down with writer–artist Jeremy Haun, one of the most distinctive voices in modern comics, to talk about the evolution of his hit Image series The Beauty — the dark, provocative thriller about a sexually transmitted disease that makes its victims physically perfect… until it kills them. The book is now in production as an FX television series, and Jeremy shares behind-the-scenes details on how that adaptation is shaping up, what he's learned from the process, and what fans can expect when The Beauty makes the jump from page to screen.We also dig into his brand-new creator-owned mini-series Murder Podcast, a twisted and timely story about obsession, media exploitation, and the true-crime culture we can't seem to turn off. Jeremy breaks down the premise, his inspirations, and how the book blurs the line between audience and accomplice.Finally, we talk about Jeremy's next big step — his new publishing venture, Ignition Press, built to give creators more control, flexibility, and creative freedom in the shifting landscape of independent comics

Here are the full radio episodes of my top 5 sci-fi clasisic dramas 

This Halloween, Word Balloon heads back to the golden age of radio for a special countdown of my Top 5 Sci-Fi Old Time Radio Show Adaptations — stories that defined cosmic horror and speculative imagination long before television ever caught up.We'll explore chilling classics like Ray Bradbury's “Mars Is Heaven” and “Zero Hour,” the unnerving double-life tale “Marionettes, Inc.”, the surreal mystery of “The Junkyard,” and James Blish's haunting micro-evolution fable “Surface Tension.” This episode features authentic audio clips from each of these legendary radio adaptations — the sounds, the voices, and the atmosphere that made 1950s sci-fi radio unforgettable.And stay tuned — a follow-up episode will present each of these radio shows in their entirety, so you can experience the full broadcasts as they were originally heard. It's a celebration of science fiction, suspense, and Halloween chills 

Welcome back, everybody — it's Word Balloon, the comic book conversation show. I'm your host, John Siuntres. Today, I'm catching up with one of the busiest and most inventive creators in comics right now — Tony Fleecs. You know him from his breakout hit Stray Dogs, and now he's back building on that legacy with not one, but two killer new creator-owned projects — Feral and Uncanny Valley. Feral takes the “cute-meets-terrifying” idea from Stray Dogs and turns it loose in a whole new world — a horror-survival story about cats, secrets, and survival that's every bit as emotional as it is brutal. Meanwhile, Uncanny Valley dives into something totally different — a wild, imaginative blend of cartoon logic and family mystery, about a kid discovering he's literally part-animated in a world that doesn't make sense. It's heartfelt, it's weird, and it might be Tony's most ambitious story yet.But that's not all — Tony's also been flexing his storytelling muscles over at Marvel. He's got the Omega Kids X-men mini series, a brand-new Winter Break Special, and the Thing mini-series that digs deep into Ben Grimm's humanity with that signature mix of humor and heart.We'll talk about balancing the Marvel work with creator-owned books, how he builds tone between horror, humor, and heroism, and what it's like to be one of the few creators who can make you cry over cats and cheer for the ever-lovin' blue-eyed Thing — all in the same year. It's Tony Fleecs — back on Word Balloon — stick around, this one's a great conversation.

A Halloween Special...Welcome to Word Balloon Theater, where we bring classic radio and record drama back to life — only this time, I'm part of the cast. On this episode, we step into a smoky pool hall, straight out of a 1950s crime picture. I'm your host, John Siuntres, playing opposite one of Hollywood's great voices — Don Ameche.You know Ameche from his Oscar-winning performance in Cocoon, his sharp comic timing in Trading Places, and a career that stretched from golden-age radio to the silver screen. This scene comes from his 1958 Roulette Records album, Co-Star: The Record Acting Game — a clever concept that let fans play a speaking role opposite their favorite stars.In this track, Ameche plays a streetwise hustler working his angles over a crooked game of pool. So chalk up your cue, light a Lucky, and take a seat by the jukebox. You're about to hear a slice of mid-century cool — Don Ameche and John Siuntres in “The Pool Hall.”This… is Word Balloon Theater.

On this episode of The To The Outer Limits, we review  “The Sixth Finger.”Joining me are storytellers Gabriel Hardman, Jeff Parker, and Ande Parks.t's the story that dared to ask what happens when humanity fast-forwards its own evolution—and the answer, as usual, isn't pretty. Starring a young David McCallum years before The Man from U.N.C.L.E., this 1963 classic turns the lab experiment trope into a gothic tragedy, complete with telepathy, hubris, and a proto–Professor X look that must have haunted comic readers who saw it first-run. Joining me for the discussion are three of my favorite storytellers who know a thing or two about pushing human potential to the breaking poin Together we'll talk about the episode's influence on pop culture and comics—from McCallum's transformation makeup to its echoes in The X-Men, Planet of the Apes, and every “science-goes-too-far” story that followed.

Before Watchmen shocked readers with the idea of a staged alien invasion meant to unite humanity, The Outer Limits had already explored that same chilling premise more than two decades earlier. “The Architects of Fear,” one of the series' most haunting episodes, aired in 1963 at the height of Cold War anxiety. In it, a group of idealistic scientists concoct a desperate plan to save the world from nuclear annihilation by creating a common enemy—an extraterrestrial threat—through grotesque transformation and deception.The story's moral gravity and tragic human core—anchored by Robert Culp's anguished performance—make it an emotional blueprint for Alan Moore and Dave Gibbons' Watchmen. Where Moore's Adrian Veidt executes his plan with cold perfection, The Outer Limits delivers the same concept as human tragedy rather than triumph. It's a tale not about success, but about sacrifice and futility—a broadcast parable warning that even the noblest lies can't save us from ourselves.

Wayne and I discuss the story so far, plus wayne's take on Starflet academy's trailer and the SNW season 4 teaser 

In this Scene Missing panel, we dive deep into the 1972 made-for-TV movie Gargoyles — a cult classic that helped define the early wave of '70s creature features. Joining the discussion are Gabriel Hardman, Jeff Parker, Ian Brill, and Allison Baker, each bringing their sharp insight into the film's production, themes, and its influence on modern genre storytelling.The panel explores the film's eerie desert setting and its surprising critical success, including an Emmy Award for Outstanding Makeup that launched the career of Stan Winston, who went on to create the iconic creatures of Aliens and Predator. We spotlight the performances of Cornel Wilde as anthropologist Mercer Boley, Jennifer Salt (Sisters, Soap) as his daughter Diana, and Bernie Casey as the noble Gargoyle leader — one of television's earliest sympathetic monster roles. We also examine the creative team behind the movie: director Bill L. Norton, later known for Cisco Pike and Law & Order, and writer-producers Steve and Elinor Karpf, who blended mythology, horror, and social reflection into an unexpectedly thoughtful TV thriller.

Comics writer and cartoonist Kyle Starks joins me to talk about his brand-new Image Comics series, Wrestle Heist — a wild blend of pro-wrestling spectacle and fast-paced crime caper energy. We get into how the idea came together, his trademark mix of humor and heartfelt chaos, and what makes this book stand apart from his previous creator-owned hits.Kyle also discusses his recent work writing Peacemaker for DC's Black Label, sharing how he brought his offbeat humor and emotional grit to one of DC's most unpredictable antiheroes. He teases his upcoming Vertigo series debuting next year, which pushes him into darker, more character-driven territory while still keeping his sharp dialogue and storytelling muscle.Plus, we dig into the next wave of creator-owned projects he's got cooking — from new collaborations to long-planned solo works that show just how versatile and fearless he's become as a writer.

In part two, writer B. Clay Moore dives into his latest creator-owned projects — the gritty 1970s crime saga Last Flight Out of Wichita from DSTLRY, and the political-horror series Bloodland (Vampires in the White House) from Ignition Press. Plus Netflix is makinga John Cena movie based on Clay and Jeremy Haun's 2007 comic The Leading Man Moore talks about chasing new stories, creative freedom, and pushing beyond the superhero mainstream into bold new worlds.

In Part 1 of this in-depth conversation, writer B. Clay Moore reflects on his early years as the marketing director at Image Comics during the early 2000s — a pivotal era when the company was reinventing itself around a new wave of creator-owned talent.Moore discusses working behind the scenes with emerging voices like Rick Remender and Jonathan Hickman, and how Image's independent spirit encouraged creators to take bold storytelling risks that reshaped the comics landscape. Moore also dives into the creation of his breakout series Hawaiian Dick, co-created with artist Steven Griffin — a genre-blending mix of crime noir, tiki-era cool, and supernatural mystery that became a critical and cult favorite for Image. He shares how the concept was born, how he and Griffin developed its striking visual tone, and how the book stood out in an industry dominated by superhero titles.The discussion rounds out with Moore recalling his collaboration with Tony Harris at DC Comics on the acclaimed JSA: The Liberty Files — a gritty espionage reimagining of the Justice Society set during World War II — and their later follow-up project, The Whistling Skull, a pulpy, post-war adventure that expanded their unique corner of the DC Universe.Part 2 airs tomorrow, covering more on Moore's creative process, later volumes of Hawaiian Dick, and his perspective on the modern state of creator-owned comics.

In this 2022 discussion, editor and writer James Aquilone joined Word Balloon to celebrate the 50th anniversary of Kolchak: The Night Stalker — the cult-classic TV franchise that helped define the modern supernatural investigator genre. Aquilone talked about the enduring influence of Darren McGavin's Carl Kolchak, from The Night Stalker's 1972 TV movie origins through its single-season series and lasting impact on shows like The X-Files.The conversation also covered Aquilone's work curating and editing the Moonstone Books graphic novel anthology, a Kickstarter-backed project that united top writers and artists to tell new Kolchak stories spanning five decades of the character's career — from classic newspaper-era mysteries to modern paranormal cases. He discussed collaborating with Moonstone's long-time Kolchak publisher, coordinating contributions from creators across genres, and ensuring the stories captured the tone and noir-horror style of the original show. Aquilone reflected on Kolchak's place in pop culture history, the challenge of blending nostalgia with fresh storytelling, and how the 50th anniversary served as both a tribute to Jeff Rice's original creation and a reintroduction of the Night Stalker to new generations of fans.

In this 2021 Word Balloon conversation, acclaimed writer Ed Brubaker joins John Siuntres to discuss his Eisner-winning crime graphic novel Destroy All Monsters, the third volume in the Reckless series created with longtime collaborator Sean Phillips. Brubaker explains how Destroy All Monsters expands the world of 1980s Los Angeles through the eyes of Ethan Reckless, the one-man fixer caught between Hollywood corruption, fading ideals, and his own haunted past.He talks about how the story draws from the noir tradition of Ross Macdonald and the downbeat realism of 1970s thrillers — but told through the sleek, cinematic storytelling he and Phillips have perfected. The conversation explores how the Reckless books evolved out of Criminal, Fatale, and Kill or Be Killed, why he and Phillips pivoted to the original graphic novel format, and how working with Sean's son Jacob Phillips for color and design gave the series a distinctive look and rhythm.Brubaker also opens up about his creative process, writing discipline, and the freedom of publishing through Image Comics, where he and Phillips maintain full ownership and complete artistic control. It's a candid, craft-focused talk with one of comics' finest storytellers — part writing masterclass, part look inside modern noir's most successful creative partnership.

This week on Trek Watch, John dives into the latest developments from the Star Trek universe. We start with a breakdown and review of Star Trek: Khan — Ceti Alpha V Episode 6, analyzing how the story continues to chart Khan's descent from visionary leader to vengeful exile. We look at the writing, performances, and how the series ties into both The Original Series and Wrath of Khan.Next, dissecting the brand-new Starfleet Academy trailer, exploring what it reveals about tone, setting, and cast. From the post-Burn timeline to the training-day dynamics, we discuss how this series could expand the modern Trek landscape while reconnecting to the franchise's roots in mentorship and idealism. Finally, we break down the NYCC 2025 teaser clip from Strange New Worlds Season 4, which teases character arcs, new worlds, and a tonal shift that could set up the series' boldest season yet. Expect speculation, continuity talk, and a few of our trademark Trek deep cuts along the way.

Acclaimed writer–artist David Lapham joins Word Balloon for an in-depth conversation about his decades in comics and the craft of visual storytelling. Lapham reflects on his early days at Valiant Comics, where he learned the fundamentals of pacing, clarity, and narrative economy under Jim Shooter's mentorship — lessons that would shape his distinctive storytelling voice.He then traces the creation and evolution of his award-winning crime saga Stray Bullets, from its underground indie roots to its enduring influence on modern noir comics. Lapham discusses how he and his wife Maria Lapham have built a true creative partnership, collaborating on everything from story development to production, keeping the series uncompromisingly personal and authentic.The conversation also explores his time writing and illustrating for the Big Two, including his gritty takes on Batman and Wolverine, where he brought his signature tension and character-driven realism to mainstream heroes.Finally, Lapham gives a preview of his latest and upcoming work at Dark Horse Comics, Bad Idea, and Oni Press, sharing insight into how

In this episode, I catch up with writer–artist Mike Kunkel, the Eisner Award–winning creator of Herobear and the Kid. Mike talks about the new volumes of Herobear from Papercutz, revisiting his beloved, hand-drawn world of childhood wonder, imagination, and heroism — and how he's bringing fresh emotional depth and visual storytelling to the series.We also get into his Capstone Books work with Krypto the Superdog and Scooby-Doo, where Mike brings his trademark humor and warmth to stories for younger readers, combining classic mystery fun and superhero action with the same heart that defines his independent work. Finally, Mike shares insights from his run on Shazam! at DC Comics, discussing how he infused Billy Batson's adventures with his signature animation-inspired energy and heartfelt optimism.

In this in-depth conversation, writer and franchise caretaker Andrew E.C. Gaska joins John Siuntres to discuss his work revitalizing three of science fiction's most enduring universes — Planet of the Apes, Buck Rogers, and Space: 1999.Gaska talks about balancing canon, continuity, and creativity as he builds connective tissue between classic stories and modern reimaginings. For Planet of the Apes, he explains how his novels Conspiracy of the Planet of the Apes and Death of the Planet of the Apes expand the original film mythology, deepening the lore around the astronauts, the forbidden zone, and the political world of the apes. Turning to Buck Rogers, Gaska outlines his efforts to restore the franchise to its pulp and serial roots, steering away from camp and back toward the raw, forward-looking adventure of Philip Francis Nowlan's original creation. He also teases his plans for reconnecting Buck's 20th-century origins with a plausible 25th-century future.Finally, Gaska delves into Space: 1999, discussing his work on To Everything That Was and the Aftershock and Awe graphic novel, which translate the cult 1970s series into a coherent expanded universe. He breaks down the philosophical themes of isolation, humanity's place in the cosmos, and the Cold War anxieties baked into the show's DNA — and how he modernized them for today's audience.The conversation highlights Gaska's approach as both a fan and historian, preserving the essence of each franchise while giving it new life.

In this 2018 Word Balloon conversation, comedian, writer, and producer Dana Gould joins John Siuntres for a deep dive into his creative journey adapting Rod Serling's original Planet of the Apes screenplay into a graphic novel for BOOM! Studios. Gould discusses how Serling's early drafts differed from the final 1968 film — delving into the satire, social commentary, and Cold War paranoia that Serling originally intended.The interview also explores Gould's other creative outlets, including his acclaimed “Dana Gould Hour” podcast, where his sharp wit and fascination with old Hollywood, horror, and pop culture shine through. Rounding out the discussion, Gould talks about his work on IFC's Stan Against Evil — the offbeat supernatural comedy he created and starred in — and how it channels his lifelong love of classic horror and monster movies. It's a lively, funny, and insightful chat with one of the sharpest minds blending comedy, commentary, and the weird corners of genre storytelling.

Allison give a writers room perspective on the failing of strange new worlds

In this in-depth conversation, legendary painter and storyteller Alex Ross takes listeners behind the curtain of some of his most ambitious and thought-provoking projects across DC, Marvel, and Dynamite.Ross begins with the haunting Batman: Black and White – Case Study, written by Paul Dini, a noir-style exploration of Bruce Wayne's fractured psyche and the fine line between justice and obsession. He then turns to Avengers/Invaders, co-written with Jim Krueger, a modern-day saga where the original World War II Invaders are thrust into the present-day Marvel Universe. The time-displaced heroes clash with contemporary Avengers, forcing both eras to confront what it truly means to be a hero in vastly different moral landscapes.Next, Ross discusses JSA: Thy Kingdom Come, created with Geoff Johns, Dale Eaglesham, and Fernando Pasarin — a powerful spiritual sequel to Kingdom Come. The story brings the older, war-torn Superman of that alternate Earth into the mainstream DCU, confronting the Justice Society and reexamining faith, legacy, and the enduring cost of heroism.Finally, Ross reflects on his work at Dynamite Entertainment with Project Superpowers, where he and Jim Krueger resurrected and reimagined dozens of Golden Age public domain heroes — from the Green Lama to the Black Terror — breathing new mythic life into forgotten icons while exploring how timeless ideals can evolve for modern audiences.

In this episode of Word Balloon, cartoonist Dean Haspiel joins John to talk about his new Kickstarter anthology series, Antimatter — a collection spotlighting his signature creator-owned characters including Billy Dogma, The Red Hook, and Chest Face. Haspiel explains how Antimatter brings together stories from across his indie universe, blending love, heroism, and surreal New York energy.The conversation also detours into today's entertainment landscape, as John and Dean swap thoughts on recent hits and misses in movie theaters and on TV, and what makes storytelling resonate in any medium.https://www.kickstarter.com/projects/deanhaspiel/antimatter/?ref=kicktraq

Comics writer Jim Zub returns to Word Balloon to discuss his work on Conan the Barbarian #25 for Titan Comics, a milestone issue that celebrates both the Cimmerian's legacy and the current Titan era of storytelling. Zub talks about honoring Robert E. Howard's classic voice while keeping Conan fresh for modern readers, balancing sword-and-sorcery action with character depth. The conversation also dives into how this special issue bridges past and present creators, what makes Conan timeless, and how Titan's publishing approach keeps the Barbarian's adventures thriving for a new generation of fans.

In this 2013 Word Balloon conversation, artist Rags Morales discusses his pivotal work on Action Comics during DC Comics' New 52 relaunch. Morales reflects on collaborating with writer Grant Morrison to redefine Superman for a new generation—depicting a younger, more grounded Man of Steel in his early years as a social crusader. The discussion explores the creative process behind redesigning the character's look, the artistic challenges of working on such an iconic title, and how Action Comics helped set the tone for the New 52 era across the DC Universe.

This week on The Kinescope Podcast, John and the panel revisit the gripping 1957 Studio One production “The Night America Trembled.” Hosted by Edward R. Murrow and featuring a remarkable early cast — including Warren Beatty, Ed Asner, Warren Oates, James Coburn, and John Astin — the teleplay dramatizes the nationwide panic sparked by Orson Welles' infamous 1938 War of the Worlds broadcast. While the story amps up the hysteria for television, it remains a fascinating look at how a single night of radio blurred the line between fact and fiction for millions of listeners.

I embark on an off-ship solo mission to explore the first four episodes of Star Trek: Khan. The discussion dives into the heated fan debate over whether this Secret Hideout–produced audio drama truly belongs in Trek canon. Along the way, Me, Larry Young and memebers of the League weigh continuity questions, franchise history, and the larger implications of re-framing Khan's story within modern Star Trek lore.

In this dark and thrilling episode, I sit down with comics legends Matt Wagner and Kelley Jones to talk about their gothic team-up on a new Dracula graphic novel series — a fresh, nightmarish take on the Lord of the Undead that blends Hammer horror, classic literature, and modern comics craft. We also dive deep into their iconic Batman work. Matt Wagner reflects on his acclaimed retellings of the Dark Knight's formative years in Batman and the Monster Men and Batman and the Mad Monk, grounded updates of the original Detective Comics stories that shaped Gotham's early shadows. Meanwhile, Kelley Jones revisits his unforgettable Batman: Red Rain, a horror-infused Elseworlds classic that reimagines Batman as a literal creature of the night — a vampire battling Dracula himself. Plus: Kelley's eerie, emotional Deadman mini-series, their shared love of horror as mythmaking, and what it means to push iconic characters into darker, more psychological terrain. A must-listen for fans of Batman, monsters, and the art of gothic reinvention.

In this haunting episode of Scene Missing, we dive deep into Charles Laughton's singular directorial masterpiece, The Night of the Hunter (1955). From its expressionist visual style to Robert Mitchum's chilling performance as the murderous preacher Harry Powell, we break down what makes this Southern Gothic thriller a one-of-a-kind cinematic experience.We explore the film's dreamlike atmosphere, the fairy tale overtones, and how it slipped through the cracks in its time — only to be recognized decades later as one of the most influential American films ever made. Join us as we unpack its themes of good vs. evil, childhood innocence, and religious hypocrisy, all framed by some of the most striking black-and-white cinematography ever put on screen.

On this episode, we're joined by legendary comics historian, animation writer, and pop culture expert Mark Evanier to discuss his latest project from Abrams Books: The Essential Peanuts Collection. This beautifully curated volume brings together decades of Charles Schulz's iconic Peanuts comic strips, paired with insightful commentary and historical essays that spotlight the creative genius behind Charlie Brown, Snoopy, and the rest of the gang. Mark reflects on Schulz's artistic evolution, the cultural impact of Peanuts from the 1950s through the 2000s, and how the strip mirrored American life over five decades.With his encyclopedic knowledge of 20th-century media, Mark also shares behind-the-scenes stories from his own career in comics and animation, including his time with Jack Kirby, his TV work, and his long-standing role as a chronicler of comic book history. For more of Mark's daily reflections on comics, entertainment, and pop culture past and present, visit his indispensable blog: NewsFromMe.com

On this episode of Word Balloon, I sit down with writer Chip Zdarsky to dig into his bold, current run on Captain America. Chip explains his vision for the Star-Spangled Avenger, including the introduction of a new Cap born in the wake of 9/11, during the years when Steve Rogers was still frozen in ice. We also dive into his celebrated DC work on Batman, where he created the relentless Failsafe, repositioned Vandal Savage as a core Gotham villain, and shook up the city's status quo with a brand-new police commissioner.But that's just the start—Chip and I explore his Marvel catalog as well, from the gritty, character-driven drama of Daredevil to the cosmic and family-centered Marvel Two-In-One with the Thing and the Human Torch. And of course, we talk about his creator-owned stories, where he continues to push boundaries and surprise readers with inventive, personal storytelling.