Podcast appearances and mentions of Edwidge Danticat

Edwidge Danticat joins Deborah Treisman to read and discuss “Two Men Arrive in a Village,” by Zadie Smith, which was published in The New Yorker in 2016. Danticat, a MacArthur Fellow and a winner of the Vilcek Prize in Literature, has published six books of fiction, including “Breath, Eyes, Memory,” “The Farming of Bones,” “Claire of the Sea Light,” and “Everything Inside.” Her memoir “Brother, I'm Dying” won the National Book Award and the Dayton Literary Peace Prize, among others. She has been publishing fiction and nonfiction in The New Yorker since 1999. Learn about your ad choices: dovetail.prx.org/ad-choices

In this episode I read a short story from The Butterfly's Way: Voices from the Haitian Dyaspora in the United States Edited by Edwidge Danticat. This particular story touched me deeply, I am a former zombie girl turned to salt of the earth. I continue to share stories like these in order to revive all the other zombie girls out there. You are not alone. TRIGGER WARNING: Themes of child sexual abuse.

Laura Pegram, Edwidge Danticat and Princess Joy L. Perry joined us live at B&N Upper West Side to celebrate 15 Years of The Kweli Journal. Listen in as they chat about using language to build community, short stories vs novels, witnessing emerging talent and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Sing the Truth: The Kweli Journal Short Story Collection edited by Laura Pegram Krik? Krak! by Edwidge Danticat This Here is Love by Princess Joy L. Perry A Kind of Rapture by Robert Bergman

In this episode I share a story from The Butterfly's Way: Voices of the Haitian Dyaspora in the United States edited by Edwidge Danticat.

Welcome back to a new season of Carolina Reads! In this episode I share Night Women by Edwidge Danticat. Theme: Motherhood, Sacrifice, SurvivalHappy Mother's Day!

Edwidge Danticat discusses her essay collection, We're Alone. The essays cover subjects like environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

Earlier this week Diane hosted a special edition of The Diane Rehm Book Club, her monthly series held on ZOOM in front of a live audience. This month she asked some of her favorite book lovers to join her to talk about their favorite reads of year. And they did not disappoint. Her guests were Ann Patchett, novelist and owner of Parnassus Books, Eddie Glaude Jr., professor of African American Studies at Princeton University and author of several books on race and politics, and Maureen Corrigan, book critic on NPR's Fresh Air. She also teaches literary criticism at Georgetown University. See below for a list of each guest's top books of the year, along with all of the titles discussed during this conversation. Maureen Corrigan's top books of 2024: “James” by Percival Everett “Colored Television” by Danzy Senna “Long Island” by Colm Tóibín “Tell Me Everything” by Elizabeth Strout “Martyr!” by Kaveh Akbar “Creation Lake” by Rachel Kushner “Cahokia Jazz” by Francis Spufford “The God of the Woods” by Liz Moore “A Wilder Shore” by Camille Peri “The Letters of Emily Dickinson” edited by Cristanne Miller and Domhnall Mitchell Ann Patchett's top books of 2024: “James” by Percival Everett “Martyr!” by Kaveh Akbar “Colored Television” by Danzy Senna “Sipsworth” by Simon Van Booy “Tell Me Everything” by Elizabeth Strout “Mighty Red” by Louise Erdrich “Time of the Child” by Niall Williams “An Unfinished Love Story” by Doris Kearns Goodwin “The Backyard Bird Chronicles” by Amy Tan “Hotel Balzaar” by Kate DiCamillo (middle grade book)  “Water, Water: Poems” by Billy Collins Eddie Glaude Jr.'s top books of 2024: “Slaveroad” by John Edgar Wideman “Recognizing the Stranger: On Palestine and Narrative” by Isabella Hammad  “We're Alone” by Edwidge Danticat Other titles mentioned in the discussion: “Wide Sargasso Sea” with introduction by Edwidge Danticat “Demon Copperhead” by Barbara Kingsolver “The Dog Who Followed the Moon: An Inspirational Story with Meditations on Life, Experience the Power of Love and Sacrifice” by James Norbury “Afterlives” by Abdulrazak Gurnah “Someone Knows My Name” by Lawrence Hill “Moon Tiger” by Penelope Lively “Sandwich” by Catherine Newman “Windward Heights” by Maryse Condé “There's Always This Year” by Hanif Abdurraqib “Mothers and Sons” by Adam Haslett (publication date in January 2025) “Memorial Day” by Geraldine Brooks (publication date in February 2025) “33 Place Brugmann” by Alice Austen (publication date in March 2025) “Cloud Atlas” by David Mitchell “Independent People” by Halldor Laxness “The Great Gatsby” by F. Scott Fitzgerald “Beloved” by Toni Morrison “Sing, Unburied, Sing” by Jesmyn WardTo find out more about The Diane Rehm Book Club go to dianerehm.org/bookclub.

Diverse Voices Book Review host interviewed Fabienne Josephat, author of Kingdom of No Tomorrow. Kingdom of No Tomorrow  is a historical novel that delves into the Black Panther Party from 1968 to 1969 through the perspective of protagonist Nettie Boileau. She volunteers at the Black Panthers' Free Health Clinics in Oakland and develops a romantic relationship with Melvin Mosley, a defense captain in the Black Panther Party. Their move to Chicago to assist in founding the Illinois chapter exposes them to J. Edgar Hoover's secret operations against civil rights activists.In the interview, Josephat discusses her journey in writing her second novel, her trepidation in tackling such a sensitive subject, and the importance of accuracy and dignity in portraying the Black Panthers. The novel blends historical events with fictional characters, emphasizing the Black Panthers' community programs and the internal conflicts within the movement.Fabienne Josaphat was born and raised in Haiti, and graduated with an MFA in Creative Writing from Florida International University. Her first novel, Dancing in the Baron's Shadow, published with Unnamed Press, Edwidge Danticat said, “Filled with life, suspense, and humor, this powerful first novel is an irresistible read about the nature of good and evil, terror and injustice, and ultimately triumph and love.” In addition to fiction, Josaphat writes non-fiction and poetry, as well as screenplays. Her work has been featured in The African American Review, The Washington Post, Teen Vogue, The Master's Review, Grist Journal, Damselfly, Hinchas de Poesia, Off the Coast Journal and The Caribbean Writer. Her poems have been anthologized in Eight Miami Poets, a Jai-Alai Books publication. Fabienne Josaphat lives in South Florida.Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Twitter - @diversebookshay Email: hbh@diversevoicesbookreview.com  

In this episode, Tananarive talks to author, poet and scholar Nadine Pinede about her difficult journey bringing her debut novel to life, WHEN THE MAPOU SINGS - a novel about a young girl's experiences in historical Haiti, including encounters with Zora Neale Hurston. And the novel is entirely in verse!  National Book Award winner Edwidge Danticat calls the book "a stunning revelation." They talk about managing a writing practice through pain and how the novel transformed over the years.  The author requests donations to the Claudette Pinede Memorial Scholarship Fund to support Haitian women in STEM:  https://helpdonors.donorsupport.co/page/FUNNJGKWUCZ LEAVE US A VOICEMAIL at https://www.speakpipe.com/LifewritingPodcast (We might play your message!) Join Tananarive's mailing list at https://tananarivelist.com Join Steve's mailing list at https://stevenbarneslist.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It could be said of this week's guest that she, like the title of this week's show, is fascinating and daunting. And that this is a pull toward the things we're interested in, that we want to dive more deeply into, is the subject of this week's show. Edwidge Danticat is a powerhouse in the literary world who's written about immigration and poverty, exile and political upheaval, and so much more. There's much to learn from the wisdom of a writer like Danticat who has been well and widely published for three decades, and who offers up insights across form—from memoir, to fiction, to essay. Tune in to hear from a literary force of nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edwidge Danticat is the author of several books, including Breath, Eyes, Memory, an Oprah Book Club selection, Krik? Krak!, a National Book Award finalist, The Farming of Bones, The Dew Breaker, Brother, I'm Dying, Create Dangerously, Claire of the Sea Light, The Art of Death, Everything Inside, a Reese's Book Club selection and National Book Critics Circle Awards winner. She is also the editor of The Butterfly's Way: Voices from the Haitian Dyaspora in the United States, Best American Essays 2011, Haiti Noir, and Haiti Noir 2. She has written seven books for children and young adults. Her new essay collection is We're Alone. She teaches at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edwidge Danticat's audiobook of essays testifies to a close reader and observer of human affairs. Host Jo Reed and AudioFile's Alan Minskoff discuss how the famed Haitian American novelist, memoirist, and children's author is clearly a practiced narrator. Her essays range from the horrors of racism, the toll of hurricanes, and the inequity of climate change to the appreciation of writers she admires. A fine collection that creates an indelible portrait of a keen and remarkable mind.  Read our review of the audiobook at our website. Published by Recorded Books.  Discover thousands of audiobook reviews and more at AudioFile's website.      Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Annie Ernaux. For more information, visit dreamscapepublishing.com.  Learn more about your ad choices. Visit megaphone.fm/adchoices

It was a celebration at St. Paul's Fitzgerald Theater Tuesday night, as the 25th season of Talking Volumes launched with Haitian-born writer Edwidge Danticat.She joined host Kerri Miller on stage to talk about the vulnerability inherent in her new book of essays, “We're Alone.” They also talked about the challenges facing the Haitian-American community at this moment and how Danticat's own family — who moved to American when she was 12 — faced the immigrant journey. Speaking of the violent threats facing the Haitian community in Springfield, Ohio, Danticat said: “It reminds me of a collective fragility, right? One of the things that is very precarious for immigrants, especially new arrived immigrants, is this idea that we don't always get to decide where we call home. … And it can go generations, where you think, ‘Oh I thought I was home, but this person who has more power thinks this is not my home, and they have the mechanisms to disavow me of that notion.'”There was plenty of laughter too, including Danticat's surprising confession about the weirdest thing she's brought with her on book tour, how she navigates being an author on social media and what it means to her to be a “witnessing writer.” Plus, there was evocative music from Minneapolis musician LAAMAR.You can still get tickets online for the rest of the 25th season of Talking Volumes, which will feature Alice Hoffman, Louise Erdrich and Kate DiCamillo.

Edwidge Danticat is known for her novels and short stories. But her new book, We're Alone, is a collection of eight wide-ranging essays. These essays touch on intimate and historical topics: Danticat's past and present, the history of Haiti, parenting, migration and the author's connection to her literary heroes. In today's episode, Danticat speaks with NPR's Ari Shapiro about the complexity of nostalgia and the Haiti she remembers.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Episode Description: In this episode, we talk with celebrated Haitian American writer Edwidge Danticat, author of Brother, I'm Dying and her latest essay collection, We're Alone. Danticat shares intimate insights into her writing process, the legacy of colonialism and the immigrant experience. She discusses Haiti's ongoing struggles, her personal connection to the country, and how … Continue reading Edwidge Danticat on Haiti, Immigration, and Her New Essay Collection WE’RE ALONE →

The 25th season of Talking Volumes launches later this month. To celebrate, we thought we'd bring you one of our favorite conversations from last year.The 2023 season finale of Talking Volumes brought author and columnist Margaret Renkl to Minnesota hours after the first snow carpeted our Northern landscape.She declared it “magical” — a theme familiar to those who've read her New York Times columns or her newest book, “The Comfort of Crows.”In it, the self-described backyard naturalist details what she saw in her Tennessee half-acre backyard over the course of 52 weeks. She laughs at the bumblebees and fusses over foxes. She laments the absence of birds and butterflies that used to be proliferate. But she also refuses to give in to despair.For those of us paying attention, she told MPR News host Kerri Miller, it would be “easy for the grief to take over.”“But what a waste it would be if we did that,” she added. “If it's true, that we're going to lose all the songbirds — at least the migratory ones — how much more are we obliged to notice them and treasure them while we have them?”Don't miss this warm and candid conversation about the gift of nature, the solace of observation and the gospel Renkl finds in her own backyard. And get your tickets for the 25th season of Talking Volumes, which includes authors Edwidge Danticat, Alice Hoffman, Louise Erdrich and Kate DiCamillo, here.

We're Alone by Edwidge Danticat is a collection of essays that combines personal stories with global themes. Danticat joins us to talk about evolution in storytelling, the role of community in writing, the joy of connection and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.           Featured Books (Episode): We're Alone by Edwidge Danticat Krik? Krak! by Edwidge Danticat The Farming of Bones by Edwidge Danticat Everything Inside by Edwidge Danticat Claire of the Sea Light by Edwidge Danticat James by Percival Everett Colored Television by Danzy Senna Caucasia by Danzy Senna

Meg Wolitzer presents three stories in which plans go awry, or alter completely.  In Ben Loory's “Dandelions,” read by Wyatt Cenac, a suburb is invaded, and experiences a change of heart.   Edwidge Danticat imagines an ultimate act and its consequences in “Cane and Roses,” read by Anika Noni Rose.  And a romance with comic underpinnings changes course in Ray Bradbury's “The Laurel and Hardy Love Affair,” read by Tate Donovan.

Edwidge Danticat is an award-winning writer of novels, short stories, essays, and memoirs, with a focus on the rich experiences of the Haitian diaspora. Her latest book is the collection of short stories “Everything Inside.” We listen back to a conversation with Danticat in front of an audience at Woodburn high school in 2022.

As we weave through Women's History Month and International Women's Day, the  patchwork of Caribbean women's literature takes center stage. With scholar Dr. Warren Harding, we celebrate the novels and poetry that carve out a space for the stories of Caribbean women. Our conversation turns the pages of history, culture, and activism, as Dr. Harding shares the profound influence of storytellers like Miss Lou and his own family's narratives on his Jamaican heritage and academic focus.Caribbean women's voices unfold in our discussion on the role of these writers in painting a nuanced portrait of their communities, both at home and in the diaspora. We acknowledge the diversity within these stories, showcasing how they lay the groundwork for dialogues on marginalization and resistance. Trailblazers like Makeda Silvera and Merle Hodge are brought into the spotlight, illuminating their significant contributions to the literature that serves as a beacon for revolutionary thought.The final thread of our episode examines the profound impact of Silvera on the writing and publishing industry through Sister Vision Press. We traverse the landscape of narratives that intersect with race, gender, and citizenship, celebrating how these stories from Michelle Cliff to Edwidge Danticat enrich our literary horizons. This episode is a testament to the transformative power of Caribbean literature and a heartfelt invitation to embrace these compelling voices in their own exploration of the written word.*Noted Correction: Sister Vision Press was founded in 1985.Dr. Warren Harding is an Assistant Professor of English, General Literature and Rhetoric at Binghamton University.  His work engages practices of reading, Black feminist literary and cultural criticism, and literary fieldwork in contemporary Caribbean and Afro-diasporic literary cultures. In his first monograph, tentatively titled Migratory Reading: Black Caribbean Women and the Work of Literary Cultures, he uses interviews, archival research, and close reading to study the interventions of five women: Rita Cox, Makeda Silvera, Merle Hodge, Soleida Ríos and M. NourbeSe Philip.Prior to Binghamton, he was the Diversity in Digital Publishing Postdoctoral Research Associate at Brown University Digital Publications where he supported the conceptualization, research and administration of a set of public-facing faculty digital publications that center the history and experience of oppressed or marginalized peoples. He earned his PhD in Africana Studies from Brown University in 2021.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | Youtube Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate the Show Leave a review on your favorite podcast platform Share this episode with someone who loves Caribbean history and culture Send us a DM or voice note to have your thoughts featured on an upcoming episode Share the episode on social media and tag us Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

Wun Tsun Tam Mellon Professor of the Humanities in the Department of African American and African Diaspora Studies at Columbia University, Edwidge Danticat joins us to discuss her work and particularly the design and intent in her course, "Writing in the Presence of Ancestors.” Edwidge received her B.A. in French Literature from Barnard College and her Master of Fine Arts in Creative Writing from Brown University. She is the author of seventeen books, including Breath, Eyes, Memory, an Oprah Book Club selection, Krik? Krak!, a National Book Award finalist, The Farming of Bones, an American Book Award winner; the novels-in-stories, The Dew Breaker, Claire of the Sea Light, and The Art of Death, a National Book Critics Circle finalist for Criticism. She has written seven books for children and young adults, a travel narrative, After the Dance, and a collection of essays, Create Dangerously. Edwidge is a 2009 MacArthur Fellow, a 2018 Ford Foundation Art of Change Fellow, a 2018 winner of the Neustadt Prize, a 2019 winner of the Saint Louis Literary Award, a 2020 United States Artist Fellow, a 2020 winner of the Vilceck Prize, and a 2023 winner of the PEN/Malamud Award for Excellence in the Short Story. Her story collection, Everything Inside, was a 2020 winner of the Bocas Fiction Prize, The Story Prize, and the National Book Critics Circle Fiction Prize. Her essay collection We're Alone is forthcoming from Graywolf Press in Fall 2024, and a novel, The Once and Future Dead, from Knopf in 2025. Tune in for this special broadcast on Wednesday, February 7 @ 6pm EST!

Hoy, en CaribeFemLit vamos a hablar de mujeres que escriben la ficción oscura y sin azúcar. No al género Noir, ni mucho menos a la novela amarilla—lo que en Estados Unidos y Gran Bretaña llaman “cozy mystery”— sino a lo que Anjanette Delgado llama "Ficción violeta". Vengan a conocer nuevos nombres de escritoras y sus obras como: Wendy Guerra, Daína Chaviano, Rita Indiana, Julia Álvarez, Mayra Santos Febres, Claire Jiménez, Edwidge Danticat, Michelle Cliff.

All litteratur handlar eigentleg om døden, meiner den haitisk-amerikanske forfattaren Ukas kritikerlag: Gerd Elin Stava Sandve, Knut Hoem og Anne Cathrine Straume. Hør episoden i appen NRK Radio

Edwidge Danticat is the author of several books including Krik Krak and Brother, I'm Dying, which were finalists for the National Book Awards. She was born in Haiti and calls Miami home. She's being honored at the Miami Book Fair's 40th anniversary celebration.

Edwidge Danticat shares an intimate picture of her family, Haitian culture, & her career as a writer during this Portland Arts & Lectures event.

Celebrated Haitian American author Edwidge Danticat speaks to Eleanor Wachtel about her moving memoir, Brother, I'm Dying. It tells the story of Danticat's family amid turbulent times, focusing on her father and his brother, the uncle who raised her in Haiti and later died in custody as he sought refuge in Miami. *This episode originally aired October 21, 2007.

According to Haitian-American author Edwidge Danticat, stories are a way of finding inspiration and comfort during the times we're living through. Her award-winning writing portrays the immigrant experience, Haitian-American identity and loss. In conversation with Maria Hinojosa, Danticat dives into the history of resistance to the police violence that was all around her as a young adult in New York City, the loss of her own uncle who died at the hands of immigration authorities, and how she's making sense of the current moment. The episode originally aired in 2020.

A haunting and mesmerizing story about sisterhood, family, love, and loss by literary luminary Edwidge Danticat. Excerpt taken from Read 180: Real Book (2017)by Houghton, Mifflin, Harcourt Giselle Boyer and her identical twin, Isabelle, are as close as sisters can be, even as their family seems to be unraveling. Then the Boyers have a tragic encounter that will shatter everyone's world forever. Giselle wakes up in the hospital, injured and unable to speak or move. Trapped in the prison of her own body, Giselle must revisit her past in order to understand how the people closest to her -- her friends, her parents, and above all, Isabelle, her twin -- have shaped and defined her. Will she allow her love for her family and friends to lead her to recovery? Or will she remain lost in a spiral of longing and regret? Untwine is a spellbinding tale, lyrical and filled with love, mystery, humor, and heartbreak. Award-winning author Edwidge Danticat brings her extraordinary talent to this graceful and unflinching examination of the bonds of friendship, romance, family, the horrors of loss, and the strength we must discover in ourselves when all seems hopeless. --- Send in a voice message: https://podcasters.spotify.com/pod/show/avant-garde-books/message Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support

Edwidge Danticat shares an intimate picture of her family, Haitian culture, & her career as a writer during this Portland Arts & Lectures event.

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edwidge Danticat is an award-winning writer of novels, short stories, essays, and memoirs, with a focus on the rich experiences of the Haitian diaspora. Her latest book is the collection of short stories “Everything Inside.” We listen back to a conversation with Danticat in front of an audience at Woodburn high school from May 2022.

Meg Wolitzer presents three stories in which plans go awry, or alter completely.  In Ben Loory's “Dandelions,” read by Wyatt Cenac, a suburb is invaded, and experiences a change of heart.   Edwidge Danticat imagines an ultimate act and its consequences in “Cane and Roses,” read by Anika Noni Rose.  And a romance with comic underpinnings changes course in Ray Bradbury's “The Laurel and Hardy Love Affair,” read by Tate Donovan. 

Meg Wolitzer hands off to guest host Roxane Gay in this rebroadcast of a show about considering people and feelings at a distance.  Italian fabulist Italo Calvino observes young love on the slopes in “The Adventure of a Skier,” performed by James Naughton.  In Edwidge Danticat's “New York Day Women” a daughter watches her mother walking through Manhattan.  The reader is Laurine Towler.  And the James Baldwin grapples with what it means to be an American in "Notes for a Hypothetical Novel," performed by Brandon J. Dirden.

Host Meg Wolitzer presents three works that explore the many-layered lives of women.  Edwidge Danticat's essay “Women Like Us” honors the long line of strong women in her family, but also recognizes her need to distance herself in order to become a writer.  The reader is the late Lynne Thigpen. In an excerpt from Nora Ephron's Heartburn, performed by Joan Allen, a philandering husband gets just what he deserves.  And an order of nuns has hidden strengths—and comic timing—in Claire Luchette's “New Bees,” performed by Joanna Gleason. 

How do you keep yourself motivated with each project you're taking on? What patterns or processes do you have to launch you into creating new work? How do you motivate yourself past by one, five, 10, 15 and even 20 false starts? How do you motivate yourself to get it done after those failed beginnings? Today, one of my favorite writer, Edwidge Danticat joins on the show to talk about how she became a writer. As an aside as a young Haitian girl, reading Edwidge's book inspired me to start thinking that I could be a creator. Edwidge will share her artistic process-I know! I'm excited for you to listen as well! Edwidge Danticat is the author of several books, including Breath, Eyes, Memory, The Farming of Bones, Claire of the Sea Light, as well as The Art of Death, and Brother, I'm Dying, a National Books Critics Circle winner. She is a two time winner of The Story Prize and a 2009 MacArthur Fellow, and a 2020 winner of the Vilceck Prize. Her most recent book, Everything Inside: Stories, is a 2020 winner of the Bocas Fiction Prize, The Story Prize, and the National Books Critics Circle Fiction Prize. She is a Member of The American Academy of Arts and Letters. Stay in touch with Edwidge Danticat: http://www.edwidgedanticatsociety.org/ Keep up with your host Martine Severin https://martineseverin.com/ Follow This Is How We Create on IG. https://www.instagram.com/thisishowwecreate_/ This is How We Create is produced and edited by Martine Severin

Dr. Christopher Krentz is an Associate Professor at the University of Virginia, where he has a joint appointment with the departments of English and American Sign Language. He is also the author of Writing Deafness: The Hearing Line in Nineteenth-Century American Literature and editor of A Mighty Change: An Anthology of Deaf American Writing, 1816–1864, as well as numerous articles about disability in literature and culture. He is currently director of the University of Virginia's Disability Studies Initiative and helped found their American Sign Language Program. Characters with disabilities are often overlooked in fiction, but many occupy central places in literature by celebrated authors like Chinua Achebe, Salman Rushdie, J. M. Coetzee, Anita Desai, Jhumpa Lahiri, Edwidge Danticat, and others. These authors deploy disability to do important cultural work, writes Christopher Krentz in his innovative study, Elusive Kinship: Disability and Human Rights in Postcolonial Literature (Temple UP, 2022). Such representations not only relate to the millions of disabled people in the Global South, but also make more vivid such issues as the effects of colonialism, global capitalism, racism and sexism, war, and environmental disaster. Krentz is the first to put the fields of postcolonial studies, studies of human rights and literature, and literary disability in conversation with each other in a book-length study. He enhances our appreciation of key texts of Anglophone postcolonial literature of the Global South, including Things Fall Apart and Midnight's Children. In addition, he uncovers the myriad ways fiction gains energy, vitality, and metaphoric force from characters with extraordinary bodies or minds. Depicting injustices faced by characters with disabilities is vital to raising awareness and achieving human rights. Elusive Kinship nudges us toward a fuller understanding of disability worldwide. Autumn Wilke works in higher education as an ADA coordinator and diversity officer and is also an author and doctoral candidate with research/topics related to disability and higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Christopher Krentz is an Associate Professor at the University of Virginia, where he has a joint appointment with the departments of English and American Sign Language. He is also the author of Writing Deafness: The Hearing Line in Nineteenth-Century American Literature and editor of A Mighty Change: An Anthology of Deaf American Writing, 1816–1864, as well as numerous articles about disability in literature and culture. He is currently director of the University of Virginia's Disability Studies Initiative and helped found their American Sign Language Program. Characters with disabilities are often overlooked in fiction, but many occupy central places in literature by celebrated authors like Chinua Achebe, Salman Rushdie, J. M. Coetzee, Anita Desai, Jhumpa Lahiri, Edwidge Danticat, and others. These authors deploy disability to do important cultural work, writes Christopher Krentz in his innovative study, Elusive Kinship: Disability and Human Rights in Postcolonial Literature (Temple UP, 2022). Such representations not only relate to the millions of disabled people in the Global South, but also make more vivid such issues as the effects of colonialism, global capitalism, racism and sexism, war, and environmental disaster. Krentz is the first to put the fields of postcolonial studies, studies of human rights and literature, and literary disability in conversation with each other in a book-length study. He enhances our appreciation of key texts of Anglophone postcolonial literature of the Global South, including Things Fall Apart and Midnight's Children. In addition, he uncovers the myriad ways fiction gains energy, vitality, and metaphoric force from characters with extraordinary bodies or minds. Depicting injustices faced by characters with disabilities is vital to raising awareness and achieving human rights. Elusive Kinship nudges us toward a fuller understanding of disability worldwide. Autumn Wilke works in higher education as an ADA coordinator and diversity officer and is also an author and doctoral candidate with research/topics related to disability and higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tomorrow Is The Problem PodcastWelcome to the ICA Miami Podcast. Each season, we'll explore familiar concepts from everyday life that we often take for granted.We'll expand these concepts to understand their critical historical and cultural underpinnings and forever change the way you view them.Oceanic Ways of KnowingThe focus of this first season is the ocean as a source of knowledge. Understanding identity and history inevitably requires a study of the seas, the communities it affects, and the secrets it was made to hold in the deep.Transoceanic RelationsWhether firmly grounded in the geographical idea of “place” or that of placelessness, the diasporic experience across oceans manages to keep historical notions of connectivity.Our guests ponder the crisis or borders in voluntary and forced migrations across borderless oceans.Timestamps + Takeaways[0:00] Drexciya provides one perception of Afro-Futurism, but not all agree…The Mundane Afro-Futurist Manifesto by Martine Syms sets the tone.[4:12] The world's deadliest border was born of a crisis of European identity. SA Smythe breaks down how this identity also defines the “other” and the ways shifting ocean borders have enabled the abandonment of black bodies.[7:11] The Black Mediterranean enables framing of the current migrant crisis by recentering African participation in the historical building of Europe and the intersecting aspects of black culture throughout the diaspora.[10:00] A migrant crisis or a crisis of border treatment of migrants? Racial issues are not the trope of America, the European treatment of Ukrainians, as opposed to racialized migrants, has shed a stark light on this.[12:57] Edwidge Danticat speaks to the highly transient nature of Miami as well as her obsession with the ocean's borderless connectivity.[18:38] On the other side of the water in Haitian Kreyol can mean migration or death, Edwidge shares her understanding of continued ancestry, culture and History through — and despite — the middle passage break.[21:16] There tends to be an assumption that Europe is a place of whiteness. SA talking openly about black activism in Italy and around the Mediterranean raises the major point that black people in Europe exist.[22:40] Both historically and currently, migration and the precarity it bears is central to the diasporic experience as Edwidge sees it.[25:00] Mapping the overlapping, historical, and connective sea.[26:04] Episode 4 is next: Rising Tides.Contributors + GuestsDonna Honarpisheh / Assistant Curator and Host.SA Smythe / Writer, Translator, Performer, and Scholar.Edwidge Danticat / Novelist and Writer.This podcast was made in partnership with Podfly Productions. This episode was written by Isabelle Lee and Donna Honarpisheh, and edited by Frances Harlow. Our showrunner is Jocelyn Arem, and our Sound Designer and Audio Mixer is Nina Pollock. Links + LearnICA MIAMIPodflyThe Mundane Afro-Futurist Manifesto, by Martine SymsQuotes“What if the migrant crisis as we heard about it in the media isn't a crisis of migrants, but a crisis of how migrants are treated at the border.” Donna Honarpisheh“The race problem comes from Europe itself. It's a crisis of European white supremacist identity because the ships that went to the African continent and brought black people across the Atlantic were European ships. They exported race and racecraft.” SA Smythe“They didn't take everything away from us, they didn't divide us completely with languages and locations. There is still something that is unbreakable in our ties and even if it's a small thing like gesturing, movements that we make, some things are unerasable.” Edwidge Danticat

Most of us will spend our whole lives in pursuit of ourselves: our passions, our identities, our voices. How is that experience changed by economic hardship, by physical displacement, by the languages we hear and speak? In this episode of Formative, celebrated Haitian-American novelist Edwidge Danticat talks with young artist Alyson about resilience through community, story, and documenting our inner worlds.

Hey Friends & Kin!FYI:  THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way..._________Friends & Kin, in this episode I get to sit in conversation with one of my homegirls.  My friend, artist, singer, musician, DJ - RES. If you are a lover of music and you were here for the start of the Neo-Soul/Alternative R&B movement of the early 2000s, (and are at least ALMOST 40 years old) you should be familiar with her debut album, "HOW I DO".Res and I talk candidly about being a creative, the difference between being an artist signed to a major label versus being an indie artist - the pros and cons. We also discuss what she is up to now and the plans for her upcoming album, "RESet,  along with so much more! You want to make sure you listen to this episode because there is a GIVEAWAY associated with this episode and it will happen QUICK! If you live in the DMV area, Res will be performing at CITY WINERY in DC on Saturday, May 21st.  I will be there! The giveaway is for two free tickets to the show.  Please make sure to follow me AND Res on Instagram (see below for links) and enter the giveaway! I hope to see you at the show & if you're there, come say, "Heeeeeeey!". From this episode's, "WE GOT TO DO BETTER" segment:“I am even more certain that to create dangerously is also to create fearlessly, boldly embracing the public and private terrors that would silence us, then bravely moving forward even when it feels as though we are chasing or being chased by ghosts” – Edwidge Danticat"GO WHERE YOU ARE LOVED. NOT WHERE YOU ARE TOLERATED..."MeMe's JAM No. 43Follow Res on InstagramGET YOUR TICKET FOR RES' SHOW AT CITY WINERY IN DC ON 5/21/2022FIND A THERAPIST._______ Listen. Subscribe. Rate. Review.Apple Podcasts.Stitcher.Spotify.Google Podcasts.Pandora.And as always, "Thank you for your support..."(said exactly like the 80s Bartles and Jaymes commercials)xoxo  MeMe *****************J O I N * T H E * S Q U A DInstagramFacebookTwitterHAND ME MY PURSE. SPOTIFY PLAYLIST*********************Music:  Gloomy Tunez

Edwidge Danticat is an award-winning writer of novels, short stories, essays, and memoirs, with a focus on the rich experiences of the Haitian diaspora. Her latest book is the collection of short stories “Everything Inside.” We talk to Danticat in front of an audience at Woodburn high school.

Edwidge is an amazing writer and brilliant thinker.  In this episode, I just try to keep up with limited success. Buy A Small Place:https://www.amazon.com/Small-Place-Jamaica-Kincaid/dp/0374527075/ref=sr_1_1?crid=3GERRCMMYZ7YJ&keywords=a+small+place&qid=1651179527&sprefix=a+small+place%2Caps%2C283&sr=8-1Learn More About Edwidge Danticat:https://edwidgedanticat.com

Acclaimed novelist Nadifa Mohamed joins hosts V.V. Ganeshananthan and Whitney Terrell to discuss the crisis around migrants passing from Belarus into Poland and thus into the E.U. Mohamed analyzes the crisis, engineered by Russian-backed strongman Alexander Lukashenko, in the context of Europe's historical antipathy toward immigration, and reads from her Booker Prize-shortlisted novel, The Fortune Men, the fictionalized account of a Somali immigrant named Mahmood Mattan, set in Cardiff, Wales during the 1950s. She discusses how attitudes toward immigration shaped Brexit and the U.K.'s draconian new Nationality and Borders Bill, which will potentially affect the lives of around six million people, including the novelist herself.  To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video excerpts from our interviews at LitHub's Virtual Book Channel, Fiction/Non/Fiction's YouTube Channel, and our website: https://www.fnfpodcast.net/ This podcast is produced by Anne Kniggendorf and Hayden Baker. Selected readings: Nadifa Mohamed The Fortune Men The Orchard of Lost Souls Black Mamba Boy Others: Bich Minh Nguyen on the Refugee Experience of Holiday Narratives (Fiction/Non/Fiction Season 2, Episode 7)  This Is Who We Are: Gish Jen and Peter Ho Davies on the Long History of Anti-Asian Racism in the US (Fiction/Non/Fiction Season 4, Episode 14)  #Families Belong Together: A Conversation with Edwidge Danticat and Cristina Henriquez (Fiction/Non/Fiction Season 1, Episode 20)  Wayward Lives, Beautiful Experiments by Saidiya Hartman The Mahabharata Double Dynamite  Quo Vadis The African Queen Anger boils as UK Parliament endorses ‘obscene' nationality bill (Al Jazeera, Dec. 10) UK Parliament Business Legislation Parliamentary Bills Nationality and Borders Bill Learn more about your ad choices. Visit megaphone.fm/adchoices