A fictional character created by Christopher Isherwood
POPULARITY
3 episodes with Sally Bowles
2 episodes with Sally Bowles
4 episodes with Sally Bowles
2 episodes with Sally Bowles
2 episodes with Sally Bowles
2 episodes with Sally Bowles
2 episodes with Sally Bowles
2 episodes with Sally Bowles
2 episodes with Sally Bowles
Earlier this month Mickey-Jo had the extraordinary privilege of sitting down with stage co-stars and real life newlyweds Eva Noblezada and Reeve Carney.The pair, who have performed together in the West End and on Broadway in Hadestown, are currently starring as Sally Bowles and The Emcee in CABARET at the Kit Kat Club.Find out what the fan favourite performers had to say when I asked them about the emotional meaning of sharing the stage together, the experience of filming the Hadestown proshot in front of a sold out audience, and the possibility of starring together in another musical...About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Musical Month takes a sharp, provocative turn this week on @wedrinkandwewatchthings as we enter the smoky, seedy world of 1931 Berlin in Bob Fosse's masterpiece, "Cabaret (1972)." This isn't your typical "jazz hands" musical; it's a brilliant, disturbing look at a world partying on the edge of a cliff. Grab a stiff drink - maybe a Prairie Oyster - and get ready for a discussion about "divine decadence" in the shadow of a gathering storm.This week, we are immersing ourselves in the legendary performance of Liza Minnelli as the irrepressible Sally Bowles and Joel Grey's haunting, omniscient Emcee. We'll be examining Fosse's revolutionary direction, where the musical numbers stay strictly on the stage of the Kit Kat Klub, acting as a twisted mirror to the grim political reality unfolding outside. We talk through the film's exploration of sexual ambiguity, the chilling "Tomorrow Belongs to Me" sequence, and the heartbreaking realization that while life is a cabaret for some, the real world is becoming a nightmare. It's a conversation about escapism, denial, and how easily a society can lose its way when it's too busy looking at the stage.If you appreciate a musical with a razor-sharp edge, iconic choreography, and themes that feel uncomfortably relevant today, this is an episode you can't miss. We're blending our awe for the film's gritty style with our usual casual banter, making this a truly unforgettable stop on our Musical Month tour. Willkommen, bienvenue, welcome!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.
On this week's show, Steve, Dana, and Julia merge their consciousnesses—so to speak—to reflect on Pluribus, the latest television saga from Breaking Bad creator Vince Gilligan. In this unlikely body snatchers/sci-fi mashup, Rhea Seehorn plays a woman intent on saving the world from… eternal happiness? What exactly it needs saving from—or if it needs saving at all—is fodder for much discourse. Next, they turn to the ruminative and funny family drama Sentimental Value, directed by Norwegian auteur Joachim Trier and starring Stellan Skarsgård and Renate Reinsve. Finally, they take a look at a recent piece in The Ankler by Richard Rushfield crunching the numbers to reveal that, since #MeToo, troublingly few major films have been directed by women. In an exclusive Slate Plus bonus episode, it's time to party! Or rather, it's time for a reflective discussion about parties as pieces of personal culture. Endorsements Dana: Reading up on the historical figure Jean Ross, the writer and activist who inspired both the song “These Foolish Things (Remind Me of You)” and the character Sally Bowles of Goodbye to Berlin/Cabaret notoriety. Julia: Kate McKinnon talking with Amy Poehler on Good Hang and Jennifer Lawrence talking with Matt Rogers and Bowen Yang on Las Culturistas— celebrities interviewing celebrities isn't all bad! Steve: By Night in Chile by Roberto Bolaño and the Dutch indie rock band Bettie Serveert— especially this playlist. … Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Steve, Dana, and Julia merge their consciousnesses—so to speak—to reflect on Pluribus, the latest television saga from Breaking Bad creator Vince Gilligan. In this unlikely body snatchers/sci-fi mashup, Rhea Seehorn plays a woman intent on saving the world from… eternal happiness? What exactly it needs saving from—or if it needs saving at all—is fodder for much discourse. Next, they turn to the ruminative and funny family drama Sentimental Value, directed by Norwegian auteur Joachim Trier and starring Stellan Skarsgård and Renate Reinsve. Finally, they take a look at a recent piece in The Ankler by Richard Rushfield crunching the numbers to reveal that, since #MeToo, troublingly few major films have been directed by women. In an exclusive Slate Plus bonus episode, it's time to party! Or rather, it's time for a reflective discussion about parties as pieces of personal culture. Endorsements Dana: Reading up on the historical figure Jean Ross, the writer and activist who inspired both the song “These Foolish Things (Remind Me of You)” and the character Sally Bowles of Goodbye to Berlin/Cabaret notoriety. Julia: Kate McKinnon talking with Amy Poehler on Good Hang and Jennifer Lawrence talking with Matt Rogers and Bowen Yang on Las Culturistas— celebrities interviewing celebrities isn't all bad! Steve: By Night in Chile by Roberto Bolaño and the Dutch indie rock band Bettie Serveert— especially this playlist. … Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this edition of our arts24 music show, Jennifer Ben Brahim chats with Rebecca Lucy Taylor, aka Self Esteem. She's one of the UK's most exciting breakout stars of the last decade, with Grammy and Mercury nominations under her belt. Her music is a mix of bold, genre-blending pop and razor-sharp lyrics. She's also an actress, with roles including Sally Bowles in the West End production of "Cabaret". Self Esteem's third album "A Complicated Woman" is her most theatrical and truthful record to date, exploring the complexities of womanhood – from burnouts to depression to sexuality. She's currently on a European tour, with a stop at Paris's Pitchfork festival.
Mickey-Jo was recently invited to attend another gala night at the West End production of CABARET, currently running at the Kit Kat Club at the Playhouse Theatre in London.The production, directed by Rebecca Frecknall and originally starring Eddie Redmayne and Jessie Buckley has recently welcomed new stars in Reeve Carney (Hadestown) as The Emcee and Eva Noblezada (The Great Gatsby) who returns to the role of Sally Bowles shortly after performing in the Broadway production.Check out today's video for Mickey-Jo's thoughts on what the production is like with these brand new stars as well as new additions to the supporting cast including Ruthie Henshall...•00:00 | introduction03:20 | thoughts on the show07:51 | Eva as Sally14:00 | Reeve as The Emcee22:29 | the other new stars28:45 | the featured cast36:05 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Collaboration Lessons from Theatre Directors That Apply to Any Creative Project with Stacy Zuberi, Sara Ruiz, Basil Rodericks, and Andy Reiff. What can a directing class teach us about creativity, leadership, and the art of telling stories that connect? In this episode of Your Creative Mind, Izolda Trakhtenberg sits down with fellow directors Basil Rodericks, Andy Reiff, Sara Ruiz, and Stacy Zuberi to share lessons from their time training with master teacher Karen Kohlhaas. You'll hear how working on plays like Sweet Bird of Youth, A Streetcar Named Desire, Mala Hierba, and The Revolutionists shaped their vision, sharpened their communication, and strengthened their confidence as creative leaders. If you want practical strategies for directing theatre, leading collaborative projects, or building a more mindful creative practice, this conversation is full of insights you can put to work in your own life. Andy Reiff Andy Reiff is a director and costume designer. Most recently, Andy directed and designed the costumes for Sugar and Salt as part of the Circle Theater Festival, produced by RJ Theatre and The Actor Launchpad. Directing credits include: Anton Goes to Heaven (?) at Theater for the New City. Costume design: The Fundamentalist (Theaterlab), My Name is Susan (Scandinavian American Theater Company), Miracle of the Danube (Philipstown Depot Theatre), Expression of Regret (Philipstown Depot Theatre). Film: "Down the Shore", "Gender Studies", "Goodboy", "Egg", "Lifted" for Gucci and Garage magazine. Styling credits include music videos, editorial projects, red carpet styling for Tony nominee Max Vernon for the opening of KPOP on Broadway and Ben Levi Ross for the premiere of Tick, Tick…Boom!. Andy is passionate about creating opportunities for trans actors onstage. For three years, Andy has been working towards directing and playing Sally Bowles in Cabaret, which you can follow at @prairieoysterclub. @andyreiff andyreiff.com Basil Rodericks Basil Rodericks trained with John Basil at the American Globe Conservatory Theatre, where he performed for more than ten seasons. He later continued classical work with unShout the Noise (Tricia Mancuso Parks) under Ron Canada and as a member of Hedgepig Ensemble Theatre Company. Favorite roles: Othello, Iago, Claudius, the Ghost, Lord Capulet, Oberon, and the King of France. Recent: Langston Hughes in Harlem to Moscow: A Soviet Film on Negro Life as Told by Langston Hughes and Bill in PINK, both by Alle Mims under David Henry Hwang/Columbia U.. Directing: Kindergarten Confidential (Debbie Goodstein), The Wanderer (David Glover), and Pecking Order (59E59). Basil served as an evaluator for Hedgepig's “Expand the Canon” initiative and a nominator for The Drama League. An accomplished theatrical photographer, he teaches photography at a South Bronx high school. basilrodericks.com Currently: 2nd Murder, Soho Shakes at the Flea Oct 9-Nov 1. Tix: https://www.zeffy.com/en-US/ticketing/2nd-murderer Sara Ruiz Sara Ruiz is a director, producer, writer, actor and activist from the San Fernando Valley. In 2020, she graduated with degrees in Political Science and Theatre from CSU Channel Islands. Since she was in high school her passions have been making politics and policy more accessible through the use of theatre and film. She believes that the arts can be used as a tool to break down barriers in the political world. Previously, she served as President of Ventura based theatre company, Unity Theatre Collective and is a founding member of Sana Sana Productions, a guerilla theatre and film production company based in LA. Currently she is Co-Directing "Everybody" by Brandon Jacobs Jenkins at CSU Channels Islands alongside her former Professor Laura Covault. Her past directing credits include: Asteroid Belt by LM Feldman, Collective Rage: a Play in 5 Betties by Jen Silverman, (un)American Activities, Sana Sana's first original short film, Mi Cielo, an original radio play, and a handful of staged readings. Stacy Zuberi Stacy Zuberi has been acting since 2020. She has been in several short films and community plays. Her most recent stage productions were playing Mary in City Jail, Lorna in Surviving Grace and Mrs. Soames in Our Town. She has also been the director of Walnut Springs Middle School Drama Club since 2023. This past year they produced Shrek jr., the musical. In her spare time she loves hiking and biking and playing with her grandkids. https://www.instagram.com/zuberistacy/ Izolda Trakhtenberg Izolda Trakhtenberg is a director and playwright whose work spans stage and screen. Many moons ago, she directed Pam Gems' Dusa, Fish, Stas, Vi on a 50.00 budget. She also created original projects including the One-Minute Movies community short film series. With NASA, she wrote, directed, and produced award-winning films such as Breathable: A Story of Air Quality and Touch the Earth, along with over 30 films on Earth's biomes. As a playwright, her work has been featured in festivals across the USA, including Expiration Date at the 29 Palms Festival and Perhaps, Maybe? at Gi60. She is the creator of the If She Had Lived play cycle, exploring untold women's stories. She's currently writing three books, two plays, and a musical. She's also the president of the Tri-state New York chapter of Sisters in Crime, crime writers organization. Connect with Izolda Get exclusive content and bonus podcast episodes when you join my Patreon. Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series https://crossroads.consulting/ This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | **Affiliate Link
Marisha Wallace brings both powerhouse vocals and fearless honesty to this conversation, diving deep into what it really means to lead Cabaret during one of the most politically charged times in recent memory. She shares how audience reactions shifted depending on the day's headlines, and how she embraced the role not just as entertainment, but as activism—using art to help people process the world around them. From growing up in North Carolina to moving to London on a week's notice, Marisha's journey is anything but ordinary. She reflects on the leaps of faith that shaped her career, the moments when following her gut changed everything, and the surreal honor of performing for the King of England. Her story is a reminder that perseverance, self-belief, and courage to break molds can create opportunities where none seem to exist. Marisha Wallace is an Olivier Award–nominated actress and singer. She starred as Sally Bowles in Cabaret on Broadway, Miss Adelaide in Guys and Dolls at the Bridge Theatre, and Ado Annie in Oklahoma! at the Young Vic. West End credits include Effie White in Dreamgirls, Becky in Waitress, and Motormouth Maybelle in Hairspray. She recently released her live album Live in London, recorded at the Adelphi Theatre. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Marisha: Instagram: @marishawallace TikTok: @marishawallace Listen to Live In London: Spotify link Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
Marisha recently starred as Sally Bowles in Cabaret on Broadway and in London. Also on the west end she starred as Miss Adelaide in the smash-hit revival of Guys and Dolls, earning an Olivier Award nomination for Best Actress in a Musical. She also received critical acclaim and an Oliver nomination for her performance as Ado Annie in the groundbreaking production of Oklahoma! At the Young Vic. Her extensive stage credits include performing for His Majesty the King, starring as Motormouth Maybelle in Hairspray at the London Coliseum, originating the role of Becky in the West End production of Waitress at the Adelphi Theatre, and making her West End debut as Effie White in Dreamgirls at the Savoy Theatre. Her albums include Soul Holiday, Tomorrow and Live in London. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Double Olivier-Nominated actress, Marisha Wallace hails from North Carolina, USA where her love of singing began in her local church with her family. She made her Broadway debut in Aladdin directed by Casey Nicholaw and, following that, went into the Original Broadway Cast of Something Rotten. A last-minute request to go to London to take over the role of Effie White in Dreamgirls in the West End, a role she was only supposed to do for three weeks, turned into eight years in the role!Marisha went onto star in the Original West End Cast of Waitress playing Becky and the revival of Hairspray at the Coliseum playing Motormouth Maybelle. Her formidable performances led to Director Daniel Fish asking her to play Ado Annie in his ground-breaking production of Oklahoma! at the Young Vic Theatre, for which she was nominated for the WhatsOnStage, Evening Standard and Olivier Award for Best Supporting Actress in a Musical. It was quickly followed by another smash-hit revival, Guys and Dolls at the Bridge Theatre directed by Sir Nicholas Hytner, for which she was nominated for the WhatsOnStage, Evening Standard and Olivier Award for Best Actress in a Musical.On screen Marisha has appeared in the most recent series of Feel Good and Jingle Jangle for Netflix, Almost Never on CBBC, and Aladdin for Disney. Alongside her acting career, she is an international singer-songwriter. She frequently collaborates on new music with songwriting legends Toby Gad (Beyoncé, John Legend) and Steve Anderson (Kylie Minogue). Last year Marisha performed live for HRH King Charles and Queen Camilla on two occasions, as well as at the D-Day at 80 on the BBC, the Royal Variety Performance at the Royal Albert Hall on ITV1, and on Dancing On Ice.Marisha's performance as ‘Sally Bowles' in Rebecca Frecknall's production of Cabaret in the West End, received critical acclaim.
After first playing the roles in the West End production, Billy Porter and Marisha Wallace have recently begun performances in the Broadway revival of CABARET as The Emcee and Sally Bowles.Since they joined the show at the August Wilson Theatre, replacing Orville Peck and Eva Noblezada, Billy Porter has become the focus of intense, widespread social media criticism both for his performance and comments he made about the role during press engagements.In this theatre drama recap I'm offering some insights into the ways in which Billy's performance varies from his predecessors and considering bigger questions about what it means to responsibly review.•00:00 | introduction03:33 | backstory / context12:01 | the Billy Porter backlash23:29 | the implications of raceAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Lili Cabañas nos pone al día con los espectáculos. Natalia Lafourcade sorprende a su gran amiga Mon Laferte en 'Cabaret' donde Mon interpreta a Sally Bowles. Conéctate en Tamara con Luz en MVS, de lunes a viernes, de 10:00 AM a 01:00 PM por MVS 102.5 FMSee omnystudio.com/listener for privacy information.
The Department for Education has just released the latest figures that show another rise in the number of Education, Health and Care Plans, or EHCPs, in England. These are the legal documents that outline what support a child or young person with special educational needs and disabilities is entitled to. The BBC's education reporter Kate McGough, Jane Harris, vice chair of the Disabled Children's Partnership, and Jacquie Russell from West Sussex County Council joined Clare McDonnell.Christiane Amanpour has been at the forefront of international news for more than 40 years, reporting from all over the world as a journalist and war reporter as well as being CNN's Chief International Anchor, steering the helm of several programmes including CNN International's nightly interview programme Amanpour. She's now launched a podcast, Christiane Amanpour Presents: The Ex-Files with Jamie Rubin. It's a weekly foreign affairs show, co-hosted with Jamie, a former U.S. diplomat and Assistant Secretary of State and also her ex-husband. Christiane joined Clare to discuss.The musician, songwriter and actress, Rebecca Lucy Taylor, aka Self Esteem won the 2021 BBC Music Introducing Artist of the Year Award and achieved a nomination for the Mercury Prize in 2022 with Prioritise Pleasure. More recently she has performed the lead role of Sally Bowles in the West End production of Cabaret. She talks to Anita Rani about her new album, A Complicated Woman, and performing on the Park Stage at Glastonbury this weekend.The bullet bra has made a recent return to the catwalk and to the cover of British Vogue, where singer Dua Lipa can be seen sporting a blush satin Miu Miu creation in the July issue. But will the silhouette, once favoured by Marilyn Monroe and Madonna, cut through to the high street? And what does that mean for the comfortable t-shirt bras that have been going strong since lockdown? Julia Hobbs, British Vogue's contributing senior fashion features editor has recently road-tested the bullet bra. She joins Clare to discuss the experience, along with Karolina Laskowska, a lingerie designer and the director of The Underpinnings Museum.Presenter: Clare McDonnell Producer: Annette Wells Editor: Rebecca Myatt
Last night the winners of this year's Women's Prize were announced. The winner for fiction is Yael van der Wouden for her novel The Safekeep and the non-fiction prize by Rachel Clarke for her book The Story of a Heart, which tracks the lifesaving gift of a transplant. Anita Rani discusses the winning books with the Chair of Judges for the Fiction Prize, author Kit de Waal, and Chair of Judges for the Non-Fiction Prize, journalist and author Kavita Puri.Race Across The World reached its finale on BBC One this week, after a nearly 9,000-mile dash across Asia, from the Great Wall in north eastern China to the southernmost tip of India, via the Himalayan peaks of Nepal. This year's winner were mother and son team Caroline Bridge and her 21-year-old son Tom. Caroline talks to Anita about the experience.An entrepreneur and mother was refused entry to a tech event in London because she had brought her eight-month-old baby with her. Anita speaks to the woman in question, Davina Schonle, and the director and producer Jude Kelly about the issue of banning babies from events of this nature.It's festival season, with Glastonbury starting at the end of June. However it's not just the music and the atmosphere that festival goers need to be thinking about. The UK Health Security Agency has warned that measles is circulating across the country, with high numbers in the South West and London. Anita is joined by the UK Health Security Agency Deputy Director of Vaccination Programmes, Dr Julie Yates - who is the former public health lead in South West on Glastonbury.Grammy-nominated Ute Lemper has had a career spanning stage, film and music. She is renowned for her interpretations of Kurt Weill, Brecht and chanson legends like Marlene Dietrich. Ute won the American Theatre World Award and the Laurence Olivier Award for her performance as Chicago's Velma Kelly both on Broadway and in London's West End, and the Molière Award for her performance as Sally Bowles in Cabaret in Paris. Utel Lemper now has a new album, Pirate Jenny, celebrating the music of legendary composer Kurt Weill. She joins Anita to talk about her passion for his work.Presenter: Anita Rani Producer: Rebecca Myatt
Ayer presentaron a Mon Laferte como la nueva Sally Bowles en "Cabaret". Esperamos una buena temporada de teatro. Que buena esta la obra de teatro Spamalot. See omnystudio.com/listener for privacy information.
Ute Lemper is an internationally celebrated German singer and actress. She first gained international acclaim playing Sally Bowles in Cabaret in Paris, a performance that earned her the Molière Award for Best Newcomer. She went on to star as Velma Kelly in Chicago in both the West End and on Broadway, winning the Olivier Award for Best Actress in a Musical and a Theatre World Award. Her early career also included key roles in Cats in Vienna and Peter Pan and The Blue Angel in Berlin. Ute has become an international cabaret icon, renowned for her interpretations of Kurt Weill, Marlene Dietrich, Édith Piaf, and Astor Piazzolla. She has performed at prestigious venues such as La Scala, Lincoln Center, and the Sydney Opera House. Her recording career includes over 30 albums, with standout projects like Ute Lemper Sings Kurt Weill, Illusions, and Punishing Kiss, featuring songs by Elvis Costello, Tom Waits, and Nick Cave. She was named Billboard's Crossover Artist of the Year in 1993/94. Her film work includes notable roles in L'Autrichienne as Marie Antoinette, Peter Greenaway's Prospero's Books, and Prêt-à-Porter. She also provided the German voice for Ariel in Disney's The Little Mermaid and Esmeralda in The Hunchback of Notre Dame. With multiple Grammy nominations and a ballet created for her by Maurice Béjart, Ute Lemper remains one of the most dynamic and influential performers of her generation .Ute Lemper is our guest in episode 499 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Ute Lemper's concert dates and tickets, music and videos, visit - https://www.utelemper.comFollow Ute Lemper on Instagram: @utelemperFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.
[REBROADCAST FROM April 10, 2024] Country singer Orville Peck continues his Broadway debut alongside two-time Tony nominee Eva Noblezada in “Cabaret” at The Kit Kat Club. Peck stars as the Emcee and Noblezada as Sally Bowles. The two discuss stepping into their roles in this Broadway revival through July.
Jessica Daley (Evita / I Should Be So Lucky) co-hosts The West End Frame Show!Andrew and Jessica discuss the latest news about Jessie J turning down the role of Sally Bowles, Remember Monday, casting for Here and Now, Rob Houchen and Anna Jane Casey doing Sweeney Todd and lots more.They also talk about the Society of London Theatre and UK Theatre's report with analysis on the current state of theatre in the UK.Fifteen years ago, Jessica was a finalist on Over The Rainbow, BBC1's search for Dorothy in The Wizard of Oz. Her theatre credits include: Ali in Mamma Mia! (West End), Maria in The Sound of Music (UK Tour), cover Fantine in Les Miserables (International Tour), Frenchy in Grease (Dubai), Lynette in An Officer and a Gentleman (Curve Leicester), Eva Person in Evita (International Tour), Billy's Mum in Billy Elliot (Leicester Curve) and Betty Haynes in White Christmas (UK Tour)More recently Jessica was in The Wizard of Oz at the London Palladium covering the Wicked Witch of the West and Glinda, she toured as Britney in I Should Be So Lucky and played Daisy in Lady Be Good in Sicily. She's also a podcaster in her won right, having hosted Park & Bark which is available wherever you get your podcasts.Follow Jessica on Instagram: @jessicacaca7This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
Ute Lemper's decades-long career spans stage, film, and music, with over 30 recordings. Renowned for her interpretations of Berlin Cabaret, Kurt Weill, Brecht, and chanson legends like Marlene Dietrich and Edith Piaf, she has also starred in major musicals across Broadway, the West End, Paris, and Berlin. She won the American Theater World Award and the Laurence Olivier Award for her performance as Chicago's Velma Kelly in the West End and on Broadway, the Molière Award for her performance as Cabaret's Sally Bowles in Paris, among others, and earned Grammy nominations.Her global tours feature diverse projects, including Rendezvous with Marlene, Songs for Eternity, and tributes to Piazzolla and Brecht. She has composed music inspired by Bukowski, Neruda, and Coelho and released a bestselling autobiography in 2023. She released her self-penned and contemporary album Time Traveler just last year. Singing in five languages, she continues to perform worldwide. A longtime New York resident, she lives there with her family and four children.We talk about her newest album Pirate Jenny and her upcoming concert at Cadogan Hall on June 13th, 2025.
"Does it really matter so long as you're having fun?"May-Usical Month returns with an all-time great musical about a 19-year-old Cabaret singer in Berlin just before World War II, the original manic pixie dream girl — Fräulein Sally Bowles in CABARET. This week, The Wives Colangelo muse on one of their favorite films of all time and discuss the political commentary embedded in the story, why Bob Fosse's changes from the Broadway show were for the best, and why Liza Minnelli is truly one of the greatest to ever do it. Life is a Cabaret, old chum! Come to the Cabaret!----Become a Patron!https://www.patreon.com/thisendsatprom----MONTHLY SPOTLIGHTMermaids U.K. (https://mermaidsuk.org.uk/)----Follow the Show: @ThisEndsAtPromBJ Colangelo: @BJColangeloHarmony Colangelo: @Veloci_trap_tor / @HarmonyColangelo on Bluesky----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/
It was announced today that Rob Madge and Hannah Dodd would succeed Billy Porter and Marisha Wallace as The Emcee and Sally Bowles in the West End production of CABARET.The revival, which has been directed by Rebecca Frecknall, reconceived the Playhouse Theatre in London as the Kit Kat Club when it first opened in 2021 and has since starred many brilliant performers in these iconic roles.Check out Mickey-Jo's recap of this exciting news to find out why he's particularly excited about this latest casting...•00:00 | introduction01:59 | on the show04:49 | Rob Madge12:13 | Hannah Dodd•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The Broadway revival of CABARET, currently playing at the August Wilson Theatre in New York, has recently welcomed new additions to its principal cast.Orville Peck and Eva Noblezada now lead the show as The Emcee and Sally Bowles respectively.Check out Mickey-Jo's thoughts on their performances and how the entire production fares...•00:00 | introduction02:18 | Orville Peck as The Emcee11:19 | standout moments18:07 | Eva Noblezada as Sally Bowles22:11 | the supporting cast•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Last week, country singer Orville Peck made his Broadway debut alongside two-time Tony nominee Eva Noblezada in “Cabaret” at The Kit Kat Club. Peck stars as the Emcee and Noblezada as Sally Bowles. The two discuss stepping into their roles in this Broadway revival through July.
Ya fue Ernst Ludwig, ya fue Emcee, ahora recién se estrena como Cliff en Cabaret, y si por él fuera también haría a Sally Bowles en una versión gender bend del musical. Tenemos a Julián Segura en el estudio para platicar de los muy distintos personajes que ha ido creando en el Teatro de los Insurgentes, y la forma en la que Cabaret tiene más y más que decirnos en un mundo que parece que no está escuchando su mensaje.
Description: Mainstream media has a lot to account for in 2024, but go back 90 years, and prestigious publications have often failed to see when things were so clearly wrong. In 1930s Germany, many journalists downplayed Adolf Hitler's ascension to power, with the New York Times writing “There is no warrant for immediate alarm…The more violent parts of his alleged program he has himself in recent months been softening down or abandoning.” But one young British journalist who, seeing what was happening, quit his job with The London Times and founded The Week, a newsletter that became famous for its opposition to fascism and the Western powers that were enabling it. His name was Claud Cockburn, and he's the subject of a newly-released biography by his son, Patrick Cockburn, “Believe Nothing Until It Is Officially Denied: Claud Cockburn and the Invention of Guerrilla Journalism,” out now via Verso Books. Patrick is an award-winning journalist himself, with a long expertise in the Middle East. And Patrick is Laura Flanders' uncle; Claud is her grandfather. How did mainstream media miss what Claud knew about the rise of Nazis, and how did his guerilla journalism make an impact? And why is Claud's story so relevant now? All that, plus a commentary from Laura. (anchor episode originally released November 15th, 2024)Guest: Patrick Cockburn, Journalist, and author including “Believe Nothing Until It Is Officially Denied: Claud Cockburn and the Invention of Guerrilla Journalism”, Verso Books. Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Note- Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. The following is from our episode "Patrick & Claud Cockburn: A Legacy of Guerilla Journalism Against Media Complacency." These audio exclusives are made possible thanks to our member supporters. Become a supporting member at https://LauraFlanders.org/Donate Related Laura Flanders Show Episodes:• Stephanie Flanders on A Trump Economy & What to Watch in The Ultimate Election Year, Watch / Podcast: Abridged, Uncut Conversation• Arundhati Roy: Freedom, Fascism, Fiction and the Pandemic Portal, Watch/ Podcast: Abridged, Uncut Conversation• Laura's Commentary, F-Word: Bodies, Borders, Resistance, Rebirth: Arundhati Roy, Podcast• Patrick Cockburn on Syria, Watch Related Articles and Resources:• Opinion: Is Trump a fascist? Probably - but not like those of the 30s, by Patrick Cockburn, November 9 2024, iNews• Opinion: Netanyahu knows the US can't restrain him now, by Patrick Cockburn, October 2, 2024, iNews• Most political disasters are overstated - not this one, by Patrick Cockburn, November 6, 2024, iNews Full Episode Notes are located HERE. They include related episodes, articles, and more. Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel
Nick and Angela welcome a fashion icon to Dish HQ. Born in Pennsylvania, Billy Porter was always destined for greatness. In 1992 he won the TV show Star Search, scooping the $100,000 prize ahead of a very young Britney Spears. He took his talent to Broadway and in 2013 won a Tony Award for his portrayal of Lola in Kinky Boots. In 2018, Billy played Pray Tell in the BBC2 series Pose, a role that earned him critical acclaim and a Primetime Emmy Award. He released his memoir, Unprotected, in 2021. Billy Porter is currently starring in Cabaret at the Kit Kat Club in London, alongside Marisha Wallace as Sally Bowles. Nick mixes a fiery lime margarita for Billy, while Angela whips up a delicious Greek chicken with orzo. Our trio sip champagne with their meal, a le mesnil blanc de blanc grand cru brut nv, chosen by the experts at Waitrose. Billy Porter is up there with the most entertaining guests we've ever had on Dish. He's only been in the UK a few months, but he has some thoughts… On customer service at Christmastime and British cooks' ‘subtle' approach to seasoning. Billy tells some great stories about his early career and shares some beautiful sentiments about his amazing mother. You can now watch full episodes of Dish on YouTube All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices
Mickey-Jo was recently invited to attend another gala night at the West End production of CABARET, currently running at the Kit Kat Club at the Playhouse Theatre in London.The production, directed by Rebecca Frecknall and originally starring Eddie Redmayne and Jessie Buckley has recently welcomed new stars in Billy Porter (Pose, Kinky Boots) and Marisha Wallace (Guys and Dolls, Waitress) as The Emcee and Sally Bowles.Check out today's episode for Mickey-Jo's thoughts on what the production is like with these brand new stars...•00:00 | introduction01:41 | overview04:12 | Marisha as Sally14:13 | Billy as The Emcee24:04 | the rest of the company•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Sophie Thatcher is a multifaceted star on the rise. You may have seen her last year in Heretic, opposite Hugh Grant and Chloe East, or in the Disney+ miniseries The Book of Boba Fett. Sophie also plays “Natalie” in the delicious TV series Yellowjackets on SHOWTIME. Its third season premieres on Valentine's Day.Most recently, Sophie stars in Companion alongside Jack Quaid. It's a science fiction, robot thriller that you can see in theaters right now. Sophie joins Feeling Seen to discuss Companion, her love for karaoke, and the 1972 musical Cabaret! Sophie talks about the time she auditioned for the role of Sally Bowles and the time she performed Cabaret for a school talent show. Plus, we get into Sophie's 2024 EP, Pivot & Scrape and the 90s gem that is My So-Called Life.Then Jordan has one quick thing about Prime Video's upcoming political action film G20, starring EGOT title holder Viola Davis as an ass-kicking President of the United States. We can dream! Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun. Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
Anita Rani speaks to Emma Webber and Sinead O'Malley Kumar, mothers of Barnaby and Grace, both 19, who were killed in Nottingham in June 2023. They'll be responding to the findings of a major review of the NHS care of Valdo Calocane, the man who attacked their children. The Oscar-nominated actress Mikey Madison tells Clare McDonnell about playing the title role in Anora, a film about a sex worker in New York. Mikey spent months embedded in a strip club to fully immerse herself in the world. The film is nominated for six Academy Awards as well as BAFTAs and Golden Globes.New research has quantified for the first time how many young people have been diagnosed with gender dysphoria by GPs in England. Anita hears from Professor of Health Policy, Tim Doran, about the work academics at the University of York are doing. They studied a decade's worth of NHS records and discovered a 50-fold increase in this particular diagnosis between 2011 and 2021. However each general practice will only see one or two such patients each year. The West End star Marisha Wallace, the latest actor to play Sally Bowles in Cabaret at The Kit Kat Club in London, performs a song from the show.The actor and writer Daisy May Cooper talks to Clare McDonnell about the second series of the BBC female-friendship thriller, Am I Being Unreasonable, which she both co-wrote and stars in. Presenter: Anita Rani Producer: Rabeka Nurmahomed Editor: Rebecca Myatt
The West End star Marisha Wallace joins Anita Rani in the studio. She's the latest actor to play Sally Bowles in Cabaret at The Kit Kat Club in London, alongside Billy Porter who plays Emcee. Marisha talks about the significance of them both playing these roles together and her journey to the top. The UN has reported that more than 100 female prisoners were raped and then burned alive during a jailbreak in the Congolese city of Goma. The conflict in eastern DR Congo dates back to the 1990s but has rapidly escalated in recent weeks. Since the start of 2025, more than 400,000 people have been forced from their homes, according to the UN's refugee agency. We're joined by Anne Soy, the BBC's Deputy Africa Editor & Senior Correspondent based in Nairobi. What's it like giving birth in prison? New play Scenes from Lost Mothers, currently touring universities and prisons, explores the real-life experiences of pregnant women and new mothers in prison. Performed by actors with lived experience of the criminal justice system, or at risk of entering it, it's based on research from the Lost Mothers Project and explores the impact of separating imprisoned mothers from their newborns. We hear from the project's lead, midwife and associate professor, Dr Laura Abbott, and a mother shares her experience. Emma Hakansson is an ex-model turned ethical fashion campaigner and film director, who founded her own organisation - Collective Fashion Justice. She joins Anita to talk about her new film featuring a community of women in the Amazon who make a sustainable leather alternative which helps keep their environment protected. Presenter: Anita Rani Producer: Sarah Jane Griffiths Editor: Deiniol Buxton
Theatre journalist Lisa Martland joins West End Frame Editor Andrew Tomlins for a stagey catchup. Andrew and Lisa discuss Titanique (Criterion Theatre), Why Am I So Single? starring Collette Guitart (Garrick Theatre) and Natasha, Pierre & the Great Comet of 1812 (Donmar Warehouse). They also delve into some recent theatre news, from Six's cinema release and new West End cast members to Stereophonic's transfer to the West End and the original Hadestown cast reuniting in London. Plus, they celebrate Eva Noblezada's casting as Sally Bowles in Cabaret on Broadway. Andrew and Lisa also remember The Vivienne who tragically passed away earlier this month at the age of 32.Having spent many years at The Stage – including five years as Deputy Editor – Lisa Martland is the Founding Editor of one of the UK's top theatre websites, www.musicaltheatrereview.com. Lisa is also Sub-Editor for Musicals Magazine.This podcast is hosted by Andrew Tomlins@AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
What would you do? What will you do? In the election run-up, Peter & Nathan are talking about musicals that deal with political unrest and social change (don't worry, it's still fun!). We begin with the 1966 Broadway classic Cabaret, one of the darkest, kinkiest, and most-enduring musicals of all time. We talk about: – Willkommen / Two Ladies / The Money Song: The "decadence" depicted by the emcee and the performers of the Kit Kat Klub (KKK, anyone?) in 1930s Berlin on the eve of Nazism. Does Cabaret hold this very queer decadence as responsible for the rise of fascism, or is there something deeper at work? – Married / So What / What Would You Do? Bob Fosse's 1972 film version of Cabaret eliminates most of the traditional musical theatre story exemplified in the romance between Fraulein Schneider & Herr Schultz. But these two characters—and the songs that Kander & Ebb wrote for them—carry much of the show's political weight – and its emotional heart. Is Fraulein Schneider secretly Cabaret's protagonist? – Don't Tell Mama & Cabaret: We talk about one of Cabaret's most well-known characters, Sally Bowles. What does she mean when she sings that "life is a cabaret?" – Tomorrow Belongs to Me: The incredible music of Cabaret – hymns, patriotic anthems, folk songs and music hall ditties – raises provocative questions about entertainment, pleasure, emotional release, and the rise of demonic ideologies. Religion traffics in some of the same territory. Is good music morally neutral... or not? You'll hear Joel Grey, Jill Haworth, Lotte Lenya, Jack Gilford and the cast of the 1966 Original Broadway Cast – as well as Mark Lambert on the 1972 film soundtrack singing “Tomorrow Belongs to Me”.
Katherine Langford joins In the Envelope: The Actor's Podcast to discuss her West End run as Sally Bowles in "Cabaret." The actor gives a behind the scenes look at her memorable opening night and the prep for her professional stage debut. Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe
Si quieres ver esta entrevista en video, da clic aquí. Posiblemente conozcas a Cassandra Sánchez-Navarro por ser Cindy en la película Cindy La Regia, o por ser Sally Bowles en Cabaret. Lo que yo te puedo decir es que, además de ser una gran actriz, me parece una chingona. Con Cass platiqué de cómo ella quería trabajar en la ONU pero su mamá le dijo que lo suyo era la actuación, de cómo tus decisiones definen tu rumbo, y de su linaje dentro de una de las familias más importantes del espectáculo en México. Idea original y conducción: Romina SacreProducción: Romina Pons rominapons@sensiblesychingonas.comProducción de audio y video: Campechano Media bernardo@campechano.mediaDirección comercial: Salvador Eljure salvador@doubletap.mxRedes sociales: Las Corleone Hosted on Acast. See acast.com/privacy for more information.
In breaking Broadway news, new star casting has been announced for the lead roles of The Emcee and Sally Bowles in the current revival of the musical CABARET at the Kit Kat Club, which opened earlier this year at the August Wilson Theatre in New York, starring Eddie Redmayne and Gayle Rankin.The pair, who were both nominated for Tony Awards for their performances in the show, will be replaced by Queen frontman and American Idol alumnus Adam Lambert and Auli'i Cravalho, best known as the voice of Disney's Moana.Check out today's news recap for Mickey-Jo's thoughts on this casting, how he thinks they'll be received and what this means for the show's Broadway future...•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
In this episode, we link up in Hell's Kitchen and transform into experimental theater critics in order to provide an unbridled review and aesthetic analysis following our patronage of the new Broadway revival of Cabaret, a musical with a captivating history and a surprising relevance to many of our favorite themes and subjects. We talk about the century-long meme of Berlin debauchery, Sally Bowles as a feminine archetype in her many iterations, Eddie Redmayne's viral Emcee performance (and its chilling implications), and the wildly imaginative costume design work of Tom Scutt, from sleazy boudoir ensembles to fascistic menswear. LinksGo see Cabaret on Broadway!Cabaret – "Wilkommen" performance at the 77th Annual Tony AwardsCabaret (1972) starring Liza Minelli Goodbye to Berlin by Christopher IsherwoodMarch Vogue profile on the 2024 revival, feat. interviews with Eddie Redmayne and Gayle RankinHow a Broadway Theater was Remade Into a Queer Cabaret (interactive NYT article)Playbill interview with set and costume designer Tom Scutt, featuring costume sketches! Cabaret (2024) review in the LA TimesCabaret (2024) review in the New York TimesPrevious iconic Sally Bowles moments: Liza Minelli's "Mein Herr" and Jane Horrocks' "Cabaret"Biz's essay "2016, 2017"Find exclusive episodes here
In this episode, we link up in Hell's Kitchen and transform into experimental theater critics in order to provide an unbridled review and aesthetic analysis following our patronage of the new Broadway revival of Cabaret, a musical with a captivating history and a surprising relevance to many of our favorite themes and subjects. We talk about the century-long meme of Berlin debauchery, Sally Bowles as a feminine archetype in her many iterations, Eddie Redmayne's viral Emcee performance (and its chilling implications), and the wildly imaginative costume design work of Tom Scutt, from sleazy boudoir ensembles to fascistic menswear.LinksGo see Cabaret on Broadway!Cabaret – "Wilkommen" performance at the 77th Annual Tony AwardsCabaret (1972) starring Liza MinelliGoodbye to Berlin by Christopher IsherwoodMarch Vogue profile on the 2024 revival, feat. interviews with Eddie Redmayne and Gayle RankinHow a Broadway Theater was Remade Into a Queer Cabaret (interactive NYT article)Playbill interview with set and costume designer Tom Scutt, featuring costume sketches!Cabaret (2024) review in the LA TimesCabaret (2024) review in the New York TimesPrevious iconic Sally Bowles moments: Liza Minelli's "Mein Herr" and Jane Horrocks' "Cabaret"Biz's essay "2016, 2017"Find exclusive episodes here
Talk Art Live, recorded at Apple Covent Garden. We meet Rebecca Lucy Taylor aka Self Esteem to celebrate her first new music in 3 years, the new single Big Man featuring Moonchild Sanelly.Recorded in front of a live audience of 400 art lovers, we explore her rise to fame over the past few years, what it was like playing the Sally Bowles lead in Cabaret on London's West End and her love of art and how artists continue to inspire her creative process while recording her third album. We discuss her admiration for artists including Lindsey Mendick, Marina Abramović, Tracey Emin, Cindy Sherman, Corbin Shaw and Jenny Holzer. Her passion for visiting museums like Yorkshire Sculpture Park, Hayward Gallery and artist degree shows, responding to Tony Soprano and masculine archetypes in her new imagery and what it feels like to be permanently hanging on the walls in the National Portrait Gallery collection in a portrait by photographer Karina Lax.Rebecca Lucy Taylor, known professionally by her stage name Self Esteem, is an award winning English singer-songwriter. Nominated for the Mercury Music Prize for her last hit album, Prioritise Pleasure, Self Esteem had sell-out tours at ever-growing venues across the UK and played the largest gigs of her career including Glastonbury – in recognising herself and others, Rebecca Taylor has made countless people feel esteemed.We love Self Esteem SO much! You can stream her new single, which is without doubt THE song of the summer BIG MAN, and also listen to her award-winning album PRIORITISE PLEASURE now at Spotify, Apple or wherever you listen to your music!!! View her new video for BIG MAN here: https://www.youtube.com/watch?v=mteCEloA1bsFollow @SelfEsteemSelfEsteem on Instagram and @SelfEsteem___ on Twitter. Hosted on Acast. See acast.com/privacy for more information.
Welcome to the Instant Trivia podcast episode 1211, where we ask the best trivia on the Internet. Round 1. Category: Movie Menagerie 1: Bogie's 1941 "bird". The Maltese Falcon. 2: One of the top five films of 1986 was this little wonder from Down Under. Crocodile Dundee. 3: 2 of the 3 Marx brothers movies with a specific animal in the title. (2 of) Duck Soup, Horse Feathers and Monkey Business. 4: In 1944 Mickey Rooney trained the horse in "National Velvet"; in 1979, this title steed. The Black Stallion. 5: This 1975 Jack Nicholson film could use a cage, a bird cage, to hold its Oscars. One Flew Over the Cuckoo's Nest. Round 2. Category: Monologues 1: In a courtroom:"Darwin moved us forward to a hilltop... we must abandon our faith in the pleasant poetry of Genesis". Inherit the Wind. 2: A modern tragedy:"Hundreds of salesmen and buyers were at his funeral. Things were sad on a lotta trains". Death of a Salesman. 3: A 1913 classic:"I'll have to learn to speak middle class language from you, instead of speaking proper English". Pygmalion. 4: A Shakespeare tragic hero:"To-morrow, and to-morrow, and to-morrow, creeps in this petty pace from day to day". Macbeth. 5: From Tennessee:"I wore it on Sundays for my gentlemen callers! I had it on the day I met your father". The Glass Menagerie. Round 3. Category: From Page To Stage 1: Gosh darn it! Douglass Wallop's "The Year the Yankees Lost the Pennant" hit a home run as this musical. Damn Yankees. 2: Based on "The Berlin Stories", this musical is set at a nightclub where Sally Bowles sings. Cabaret. 3: Seeing the Artful Dodger sing on stage made lyricist Alain Boublil think of turning this Victor Hugo novel into a musical. Les Misérables. 4: Ron Chernow's biography of this man was adapted into a 2015 Broadway musical. Alexander Hamilton. 5: Bizet based this opera about a tempestuous gypsy girl on a novella by Prosper Merimee. Carmen. Round 4. Category: Geek Love 1: The Woz, Steve Wozniak, built the first computer for this company. Apple. 2: Harmonix created Guitar Hero and, in 2007, released this other music-playing megahit. Rock Band. 3: Steve Ballmer has big geek shoes to fill for this Washington State software company. Microsoft. 4: This director's geek cred was sealed when he sold his film co.'s computer division and it later became Pixar. George Lucas. 5: Sexy Linus Torvalds made us melt when he created this freely distributed UNIX clone in 1991. Linux. Round 5. Category: U.S. Airport Codes 1: SLC serves this state capital. Salt Lake City. 2: The codes for the 2 airports in Queens, NYC are LGA and this. JFK. 3: Thurgood Marshall Airport has the code BWI, for these 2 cities "International". Baltimore and Washington. 4: American Airlines' largest hub is the Texas airport with this code. DFW. 5: DTW serves this city; the airport's full name includes Wayne County. Detroit. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
I may not know what makes a good comedian, but I do know what makes a good father. When Judd and I met in London — where his daughter Maude was playing the lead role of Sally Bowles in Cabaret — he told me this was the eighth time he'd seen it in three weeks. While I don't know what makes a good comedian, Judd certainly does. His advice to kickstart your writing: think of a topic and write down as many jokes and one liners as you can. Don't be scared if your first draft doesn't make you laugh out loud — keep going. There are definite parallels between cooking and comedy. And paraphrasing his words, an aspiring chef should never panic if the first attempt doesn't taste quite right. Eating and laughing; children and acting; movies and restaurants. We're here today in The River Cafe, and Judd and I will tackle them all. Life is a cabaret.Listen to Ruthie's Table 4: Judd Apatow out now - made in partnership with Moncler.See omnystudio.com/listener for privacy information.
La gente por doquier le decía que sería perfecta para Sally Bowles, pero Majo Pérez no entendía por qué... hasta que conoció Cabaret, y ahora está en él alternando como Sally y como Kost en el Teatro de los Insurgentes. Y tenemos muuuucho que desmenuzar al respecto, y ya entrados en gastos platicar también de La Obra (y Peter Pan) Que Sale Mal, Indecente, Que No Se Culpe A Nadie De Mi Muerte, y esa anécdota de Wicked.
Our chief theatre critic Nick Curtis meets former Desperate Housewives star Felicity Huffman to discuss her role in Hir at the Park Theatre.They also discuss:-Why she chose a play at one of London's smallest theatres-Her early career, Desperate Housewives, and studying at RADA-Living in London again, how the city has changed since Huffman's twenties, spotting celebrities-What she hopes audiences will think after seeing Hir-Will Huffman ever play a character audiences don't hate?Nancy and the Nicks review Jez Butterworth and Sam Mendes's production of The Hills of California at the Harold Pinter Theatre, plus Nick Curtis tells us what he made of Kafka's Metamorphosis at the Lyric Hammersmith.In the news: John Cleese adapts Fawlty Towers for West End stage debut this spring, Tom Holland to star in Jamie Lloyd's Romeo & Juliet, Cara Delevingne to take on the role of Sally Bowles in Cabaret, and the West End shows you shouldn't see this Valentine's Day.Get in touch with us at theatrepod@standard.co.uk .California Act 2-3 Transition 3 Composed by Nick Powell. (Composer, Sound Designer and co-arranger) Hosted on Acast. See acast.com/privacy for more information.
What good is sitting alone in your room when you could do it in the company of Tom and Thos? This week, they continue their in-depth look at the career of the legendary Bob Fosse, movie musical director and choreographer, by looking at his amazing 1972 film, Cabaret. Why is it so different to the original stage production? Who is the film really about? And is Sally Bowles actually a monster? Will you find out the answers? Maybe this time!
In this episode, Jill Schafer of Cherry and Spoon sits down with Richard Hitchler, Founder and Artistic Director of Theatre 55 and Prudence Johnson, jazz and folk singer extraordinaire. They discuss Theater 55, their new production of Cabaret, and Prudence Johnson's return to acting as Sally Bowles. Performed by a cast of actors 55 and up, this Cabaret continues Theatre 55's work of reinterpreting musical works through the lens of age and aging. Enjoy this illuminating and inspiring discussion with Richard Hitchler and Prudence Johnson! Twin Cities Theater Chat is produced and hosted by Carol Jackson of Minnesota Theater Love and members of the Twin Cities Theater Bloggers collective. As always, you can find the Twin Cities Theater Bloggers on Facebook and on Instagram. Read our review round-ups and go see a show today!
A film beloved by our hosts that proved too much for the Irish censor. Was it Liza Minnelli's (as Sally Bowles) legs or men fancying other men? The answer is quite surprising. But then, so is writing a musical about genocide.Cabaret (dir. Bob Fosse, 1972)Merch!Help keep the show on the road (Over 18s only because 'smut' is censored) Hosted on Acast. See acast.com/privacy for more information.
Rebecca Lucy Taylor also known as Self Esteem is making her stage debut in the Olivier-award winning production of Cabaret at the Kit Kat Club in London as Sally Bowles, the English nightclub singer in thirties Berlin. She tells Samira how the late Paula Yates was an inspiration. The details of a long awaited UK wide Arts Access Scheme are finally being revealed tonight on Front Row. The scheme aims to improve the experience of people with disabilities and neurodivergent people going to creative and cultural events. Andrew Miller, UK Arts Access Champion at ACE, explains how the new scheme will work. The art scene is Ghana is becoming one of the most creative globally, with international collectors showing a new interest in Ghanian artists. Stephen Smith reports from Accra, where artists are drawing on West African traditions to make exciting new work. Judi Jackson was singing from a young age in her church choir, but it was a music teacher at school who really encouraged her and put her in contact with some hugely successful artists, leading to her opening for the legendary Mavis Staples aged 16. She won vocalist of the year at the 2020 Jazz FM awards, and her recent album is a collection of tracks from the Great American Songbook. She performs live in the studio. Presenter: Samira Ahmed Producer: Paula McGrath
Erika is a co-host of the great podcast That Aged Well as well as a writer and performer who loves the Lower East Side Tenement Museum and Bookshop. And she's here for a show she saw FIVE TIMES on Broadway! Topics include: songs from the '66 original, is Sally Bowles just Millie Dilmount on drugs, the problem of irony, making Generation X feel better, The Wolf of Wall Street, and what has aged well. That Aged Well Dot Com Emergency Podcast Episode on Diana: The Musical ”Tomorrow Belongs to Me” on Wikipedia Featured recordings: Cabaret - The New Broadway Cast Recording (1998) • Cabaret - The Original Broadway Cast (1966) • Cabaret - Original Motion Picture Soundtrack (1972) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
Barrington Stage Company in Pittsfield, Massachusetts opens its first mainstage show of the season this week as Artistic Director Alan Paul directs “Cabaret.” Set during the twilight of the Jazz Age in pre-war Berlin, “Cabaret” is Kander and Ebb's party at the end of the world with a book by Joe Masteroff; based on the play by John Van Druten and stories by Chstirtopher Isherwood. “Cabaret” will play in Pittsfield on the Boyd-Quinson Mainstage June 14-July 8. Krysta Rodriguez will take on the often bobbed and never forgotten role of Sally Bowles.
Merriam-Webster's Word of the Day for January 12, 2023 is: luscious • LUSH-us • adjective Luscious most often describes something that has a delicious taste or smell, but it can also mean “richly luxurious or appealing to the senses,” “excessively ornate,” or “sexually attractive.” // Their famous chocolate cake is served with a luscious peppermint whipped cream topping. // Her deep, luscious alto made her the perfect choice to play the part of Sally Bowles, chanteuse of the Kit Kat Club in Cabaret. // The author's vivid, luscious prose won't win over Carver or Hemingway die-hards, but fans of lovingly rendered (if a bit florid) description will eat it up. See the entry > Examples: “There are countless avenues to flavoring a pot of beans; this one, with the addition of chipotle peppers in adobo sauce and a bit of tomato paste, will lead the beans to a slightly spicy, slightly smoky place rendering them hearty and flavorful enough to be the star of the plate. ... Drizzling in a little additional olive oil to the vegetable stock will give you a very luscious, delicious pot liquor, or broth.” — Andrea Aliseda, Whetstone Magazine, 16 May 2022 Did you know? Have you ever heard a young child describe a favorite food as “licius” instead of “delicious”? Back in the Middle Ages, the word licius was sometimes used as a shortened form of delicious by adults and kids alike. Linguists believe that luscious may have developed when licius (which comes from the Latin verb delicere, meaning “to entice by charm or attraction”) was further altered to lucius by 15th-century speakers. The adjective lush can sometimes mean “delicious” as well but is not a shortened form of luscious, having developed on its own from the Middle English lusch, meaning “soft or tender.”
Wilkommen and Bienvenue to our “Cabaret” episode! Literal Disney Princess and musical theater superstar Rachel Zegler joins us to gush over Fosse's 1972 film - a game-changer for the musical genre, and an Oscar-winning guarantor for Fosse's cinematic “blank check” after the failure of “Sweet Charity.” Topics discussed include: the differences between the screen version and the stage show; Joel Grey's Emcee being nearly cut out of the film; Liza Minnelli crafting her own unique look for Sally Bowles; Whether Michael York's best role was on “Gilmore Girls”; and more! This episode is sponsored by: NetSuite (netsuite.com/check) Brooklinen (CODE: BLANK) MUBI (mubi.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com
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