Podcast appearances and mentions of Andrea Gibson

Two-thirds of Americans say they're worried about climate change, but far fewer actually do something about that concern. We speak with climate and atmospheric scientist Katharine Hayhoe about solutions. Then, Colorado plans to auction NFT art to help celebrate its 150th birthday. And a film about Colorado's late poet laureate Andrea Gibson, "Come See Me in the Good Light," is nominated for an Academy Award for best documentary feature. The Oscars are Sunday night.

On this hostful episode, Emily, Lauren, and Dave take a walk down memory lane and share their favorite books, movies, games, and treats from their childhoods. They also discuss the poetry of Andrea Gibson, book-logging apps, and being territorial about little treats. In the Last Chapter they swap childhood memories of going to the library.   Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast cannot be reproduced without express written permission.   Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow.   Books Best of Friends by Kamila Shamsie Happy Land by Dolen Perkins-Valdez Alanna: The First Adventure by Tamora Pierce Guards! Guards! by Terry Pratchett The Future by Naomi Alderman Emily by Michael Bedard Meg Mackintosh mystery series by Lucinda Landon Encyclopedia Brown mystery series by Donald J. Sobol But No Elephants by Jerry Smath Hamster Huey and the Gooey Kablooie (fictional children's book featured in Calvin and Hobbes comics) Nimona (graphic novel) by ND Stevenson     Media Shrinking (TV series, 2023 - ) The Studio (TV series, 2025 - ) Spider-Man (2002) Spider-Man 2 (2004) Spider-Man 3 (2007) Venom (2018) Venom: Let There Be Carnage (2021) Venom: The Last Dance (2025) Come See Me in the Good Light (2025) Frieren (TV series, 2023 - ) Nimona (film, 2023) She-Ra and the Princesses of Power (2019) The Land Before Time (1988) We're Back! A Dinosaur's Story (1993) The Emperor's New Groove (2000) Legally Blonde (2001) Ace Ventura: When Nature Calls (1997) The Luck of The Irish (TV movie, 2001)   Other: The Sims (computer/video game) Super Mario Brothers (video game) Parcheesi (board game) Sorry (board game) Trouble (board game)

On this hostful episode, Emily, Lauren, and Dave take a walk down memory lane and share their favorite books, movies, games, and treats from their childhoods. They also discuss the poetry of Andrea Gibson, book-logging apps, and being territorial about little treats. In the Last Chapter they swap childhood memories of going to the library.   Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast cannot be reproduced without express written permission.   Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow.   Books Best of Friends by Kamila Shamsie Happy Land by Dolen Perkins-Valdez Alanna: The First Adventure by Tamora Pierce Guards! Guards! by Terry Pratchett The Future by Naomi Alderman Emily by Michael Bedard Meg Mackintosh mystery series by Lucinda Landon Encyclopedia Brown mystery series by Donald J. Sobol But No Elephants by Jerry Smath Hamster Huey and the Gooey Kablooie (fictional children's book featured in Calvin and Hobbes comics) Nimona (graphic novel) by ND Stevenson     Media Shrinking (TV series, 2023 - ) The Studio (TV series, 2025 - ) Spider-Man (2002) Spider-Man 2 (2004) Spider-Man 3 (2007) Venom (2018) Venom: Let There Be Carnage (2021) Venom: The Last Dance (2025) Come See Me in the Good Light (2025) Frieren (TV series, 2023 - ) Nimona (film, 2023) She-Ra and the Princesses of Power (2019) The Land Before Time (1988) We're Back! A Dinosaur's Story (1993) The Emperor's New Groove (2000) Legally Blonde (2001) Ace Ventura: When Nature Calls (1997) The Luck of The Irish (TV movie, 2001)   Other: The Sims (computer/video game) Super Mario Brothers (video game) Parcheesi (board game) Sorry (board game) Trouble (board game)

I spent time this week in a musical improv class, and it was a masterclass in one thing: staying on the beat. In improv, if your mind wanders for even a second, you're out of sync with the whole team. It made me think about a request my son made when he was little for my "phone-free attention." That request stuck with me because giving someone our undivided focus is the most basic act of leadership we can offer. In this micro-lesson, I'm exploring why inclusion isn't a grand gesture—it's the radical, simple act of being fully present. Takeaways: The Gift of Presence: Why undivided attention is a non-negotiable leadership skill. Mental Leftovers: How to stop dragging the energy of your last "scene" into your next meeting. Tactical Grounding: Why staying in the moment sometimes requires tools like compartmentalizing (or even fidget toys). Your Challenge: Where are you finding it hard to stay on the beat today, and what's one thing you can do to tune back in? Good Vibes to Go: Watch the documentary Come See Me in the Good Light on Apple TV. It's about poet Andrea Gibson navigating their terminal diagnosis. It sounds dark but it's actually joyful, love-filled, and even funny. Connect with Me The Newsletter: This week in the newsletter, I wrote about prime-time disability leadership in Major League Baseball coverage, funding the first Inuit-led university, and more! Subscribe to the 5 Things Newsletter here.  Work with Me: Let's talk. Watch 5 Things on YouTube. Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes every Saturday morning. https://5thingsdei.com/

Tig Notaro had the worst month of her life. Then, she had her big break because of it. Tig has always been a wild child, from growing up with a free spirit of a mother, to repeating eighth grade (twice) before dropping out of school entirely, to performing half her stand-up set with her shirt off after having a double mastectomy. With Dan Le Batard, Tig explores where her own “go to hell” energy comes from. Tig also speaks about being an Oscar-nominated producer for her work on “Come See Me In The Good Light,” a documentary following the death of her friend and poet, Andrea Gibson. She also looks at why, despite being a ridiculously funny comedian, some of her greatest successes also deal with deep grief. See Tig live on tour - go to TigNation.com for dates and tickets, and subscribe to the "Handsome" podcast, hosted by Tig and fellow comedians Fortune Feimster and Mae Martin. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tig Notaro had the worst month of her life. Then, she had her big break because of it.Tig has always been a wild child, from growing up with a free spirit of a mother, to repeating eighth grade (twice) before dropping out of school entirely, to performing half her stand-up set with her shirt off after having a double mastectomy. With Dan Le Batard, Tig explores where her own “go to hell” energy comes from. Tig also speaks about being an Oscar-nominated producer for her work on “Come See Me In The Good Light,” a documentary following the death of her friend and poet, Andrea Gibson. She also looks at why, despite being a ridiculously funny comedian, some of her greatest successes also deal with deep grief. See Tig live on tour - go to TigNation.com for dates and tickets, and subscribe to the "Handsome" podcast, hosted by Tig and fellow comedians Fortune Feimster and Mae Martin. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“El mexicano frecuenta a la muerte, la burla, la acaricia, duerme con ella, la festeja, es uno de sus juguetes favoritos y su amor permanente.” ― Octavio Paz, El Laberinto de la Soledad Lindsay Graham: https://abcnews4.com/news/local/after-laying-out-a-similar-plan-11-years-ago-lindsey-graham-hails-trumps-iran-operation https://youtu.be/wjGgrU8g30c?si=Bly_wZswHLJr8gpw Danielle (00:04): I saw this thing from Lindsay Graham, this clip, and he was saying what we're doing in Iran now is going to ... And Lindsay Grand is a senator here in the United States. And he said he's going to ... What we're doing in Iran, quote, doing, because they're not calling it a war, they're calling it a special operation. He said is going to set the tone in the Middle East for the next 1000 years. And so you can go into your eschatology and your theology after this, Jenny, but he also then proceeded to say that this is a matter of which religion is going to be predominant in the planet. And they talked about Islam and they spoke about Christianity in those terms. And yeah, I wonder what comes up for you as I even just say those brief few sentences about theologically how we grew up or the frame you come from. Jenny (01:03): So much. I mean, so much. I think about how skewed and biased the interpretation of Revelation was in the world that I grew up in. And it was always like fear mongering, like barcodes were the mark of the beast. And then I know people in that same world that said that COVID vaccines were the mark of the beast and just like all of these things. And the mark of the beast was literally the numerical definition of Caesar Nero. It's nothing like we say it is. It was apocalyptic literature that was speaking to the time for a very specific purpose. And yet it has been co-opted. And I really appreciate this book from Bart Erman called Armageddon, and he breaks down the entire historical context for the Book of Revelation and then what has happened to it. And I was thinking about, I was nine, 10 years old when I watched the movie Left Behind with Kirk Cameron and I was terrified that the rapture was going to happen. (02:16): And it was only a year or so, maybe it was even in that same year that I watched the two planes hit the world Trade Center buildings on my family's television. And it was the same television I had just watched Left Behind on that year. And so in my little nine, 10, 11 year old brain, I was like, oh my God, those pilots got raptured and me and my mom are here in our living room and that's what happened.That's how quickly and how much that was associated with my consciousness and what I had been conditioned to. There's many more things that come to mind, but those are some of my first thoughts. Danielle (03:00): Well, even into my young adulthood, and maybe even now, it's been so ... We had to watch when I was little, we went to church and we watched these scenes of the United ... The rapture had happened. And then if you were left behind, then what would happen to you? And the only image I remember from these movies, and I should look them up, is people confessing Jesus because they wouldn't take the mark of the beast. And then they ... I wasn't even in kindergarten, so they put their heads through this guillotine and then they snapped down and people were beheaded. So I remember watching that at church and then at some point coming home and dreaming that the devil was in my room and then running outside and no one was in the garage. So I thought I'd been left behind. And oddly enough, even though I have moved away from that belief entirely about the rapture, if I wake up and everybody's gone or I'm not expecting it, even to this day, something flashes in my mind, "Oh, I wonder if that happened. (04:11): I wonder if I got left. I wonder if I didn't make it. " So those things have a lasting impact. Jenny (04:18): They do. They really do. I mean, I often think about ... So nine eleven happened and then that following summer, me and my mostly white dance studio from Colorado Springs was dancing at the Colorado State Fair to the song Courtesy of the Red, White, and Blue. That's literally about bombing and destroying lives and people. And we were doing punches and kicks in these old Navy American flag t-shirts. And it was, again, this fusion of fear of the rapture with this belief in if Israel takes over all of the land around Palestine, then Jesus is going to come back. And I was so conditioned to be excited about the death and decimation of hundreds of thousands and millions of lives of people. And it is so devastating and infuriating to me to think about the rhetoric of those jihad terrorists over there conditioning children for war. (05:31): When I was literally being conditioned for war and the holy war and believing that I was on the side of God and these other people were on the side of Satan, it leads to so much dehumanization and harm. I hate it so much. Danielle (05:50): Yeah. It's almost like apocalyptic or ... I come back to the Handmaid's Tale and it ... Have you watched much of it or any of it? Okay. Well, a lot of people, I won't tell you, but it starts off with like, you don't really know what's happening, but they're escaping in their car, this family of three. And over the series, it flashes back so you get more of the story. But as it flashes back, I began to feel like, "Well, why didn't they get out sooner? What stopped them from leaving sooner? What was it? " And you see this progression both of this story about our Congress losing its powers or seeding its authority to a leader. And when I watched the movie, it was before this elect ... Well, watched the show. It was before this election and kind of during last year a bit. (06:54): But in my mind, I'm like, "Well, how did that happen?" And then as you watch the Senate vote, literally, and they don't vote to reign in war powers for Trump, you wonder what is happening? It's like not every president, but for this large scale of attack, there's no precedent for a president bypassing Congress and shooting the shit out of something, some other person in this scale and not having Congress involved. I mean, for all of Bush's faults and failures and horrors and lies, I mean, he did try to pitch it to Congress. (07:33): And so I'm not a Bush fan anyway, but sometimes I'm like, "Well, that was even better." But then you mix that with Doug Wilson of CREC and Pete Hegseth talking about Armageddon and we're doing this for Jesus. And then it just becomes almost impossible to untangle with people who believe that way. Yeah, Jenny (07:59): It does. It does. And the more I learn about Christian nationalism, the more this has been in the works for the last 50, 60, 70 years. And so we're seeing it in a huge, drastic way, but Bush and others that were elected from the moral majority were all part of that really long game plan to get America back to this very white, patriarchal, heteronormative view of Christianity, which in my mind isn't actually Christianity. It's not a historical version that the brown Jewish man from Palestine promoted. It was the bastardization of that when Constantine created this marriage between military and state and Christianity. And I think since 300s, AD, there's been this snowball that's just continued to grow and grow and grow and we're seeing it play out right now. (09:25): Yeah. I noticed that it puts me in quite a dissociated state, which is very familiar to me. And I think that's largely what my childhood was, was being dissociated and actually thinking that that was a good thing because this life meant nothing.This was all a means to an end until heaven. And so then even as I say that, I feel grief because I've come to feel that this life is really, really significant. I just watched this beautiful documentary called Come See Me in the Good Light about the poet, Andrea Gibson's Journey with Cancer. And it was such a profound image of how meaningful relationships and love and life are. And I didn't know that in this Christian nationalist world. Relationships were always a means to an end to something. My own body was a means to an end to something. And so it takes a lot of work for me to drop back into my body because of this conversation and because of what's playing out in our world. (11:21): And that's really real. Danielle (11:23): Yeah. I just went through that first module of SE training. So I'm all over the language, Jenny. I know what you're talking about. Well, talk to me a little bit about an escapable threat then. When you say that, I think most people think, oh, and then their minds are twirling. I know my mind was when I first started learning about it, and it resonated a lot for me, but walk me through how you think of that for you. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

This is one of the bravest, most life-changing conversations we've ever had on this podcast. In this unforgettable episode, beloved poet and activist Andrea Gibson joins us to share news they had just received: that their cancer was incurable. What you will hear is not despair — you will hear the sound of a human being choosing, moment by moment, to stay awake to love, to beauty, and to what is still astonishing right now. This conversation changed us forever. It transformed how we understand fear, mortality, and what it means to truly be alive. There is also a powerful full-circle moment: director and producers Ryan White and Jess Hargrave listened to this very episode on a flight — and by the time they landed, they knew they had to make the documentary Come See Me in the Good Light, which is now nominated for Best Documentary Feature at the Academy Awards. This episode includes honest discussion of illness, death, and suicidal ideation. Please take care as you listen. What Andrea offers us here is a profound reminder: we cannot control how long we live — but we can decide how deeply we love while we're here. You can stream Come See Me in the Good Light now on Apple TV. For more episodes with our friends, Andrea and Meg, check out:  The Bravest Conversation We've Had: Andrea Gibson Megan Falley Knows What Love Is An Unforgettable Double Date with Andrea Gibson & Megan Falley Let Our Sundance-Winning Film Remind You What Love Is with Megan Falley Watch OUR 1ST FILM – Come See Me in the Good Light: Meg Falley (& Andrea Gibson) Follow We Can Do Hard Things on:  Instagram — ⁠https://www.instagram.com/wecandohardthings⁠ TikTok — ⁠https://www.tiktok.com/@wecandohardthingsshow⁠

I watched "Come See Me in The Good Light" and it destroyed me in the best way. This documentary focuses on the life of poet Andrea Gibson and their partner, Megan Falley, as they navigate Andrea's incurable cancer diagnosis. I felt so compelled to share my contemplations, because I don't think we talk about death, grief, and loss enough in our society. What if facing death allowed us to live more fully? What if welcoming grief allowed us to love more deeply?I hope this episode expands your capacity to hold the duality of the human experience.And I HIGHLY recommend watching "Come See Me in The Good Light." It's available on Apple TV and YouTube. Make sure you have an entire tissue box nearby.If you want to embrace the wholeness of the human experience so you can hold the duality of life with gratitude, join us in Wholly Human: https://healingembodied.kartra.com/page/wholly-humanAdditional Resources for Therapists, Healers, Coaches, and Creative Entrepreneurs:Free Resource Library for Therapists, Healers, and Creatives: https://healingembodied.kartra.com/page/library-signupFree Facebook Community for creatives, helpers, and healers who want to lead from embodiment and wholeness: https://www.facebook.com/groups/embodiedleaderparadigmLearn more about our flagship group program for leaders, healers, and creatives: https://healingembodied.kartra.com/page/embodied-leader-mastermindLearn more about our 6-month community experience for somatic healing: https://healingembodied.kartra.com/page/wholly-humanLearn more and/or apply for our year-long, internationally accredited somatic certification program: www.healingembodied.com/get-certifiedAdditional Resources for those who want to embody more love, trust, and wholeness in their lives and relationships:Want to be a client of Healing Embodied? Book a free 30 minute Clarity Call with a member of our team, and learn how we can support you in creating more trust, love, and joy in your life: https://healingembodied.kartra.com/page/applyOur Relationship Anxiety Resource Shop (mediations, masterclasses, courses): https://healingembodied.kartra.com/page/shopGet on our email list for updates, podcast episode announcements, discounts, and more: https://healingembodied.kartra.com/page/sign-upCheck out all the ways we can support you here: www.healingembodied.com/healwithus

Megan Falley takes over the mic to interview Glennon, Abby, and Sara Bareilles about Come See Me In the Good Light—their Oscar-nominated documentary honoring poet Andrea Gibson and the last year Meg and Andrea spent together. They each share why they said yes to the project, how the film changed the way they understand love, grief, and being fully alive, and why this isn't a story about death—it's a story about living more vibrantly right now. Come See Me in the Good Light  premiered at the 2025 Sundance Film Festival, where it won the Festival Favorite Award, and has since been named one of the National Board of Review's Top 5 Documentaries of the year, earning major honors including nominations at the Satellite Awards and Film Independent Spirit Awards. Now nominated for the Academy Award for Best Documentary — to be presented Sunday, March 15 — Come See Me in the Good Light can be streamed on Apple TV. For more episodes with our friends, Andrea, Meg, and Sara, check out:  The Bravest Conversation We've Had: Andrea Gibson Megan Falley Knows What Love Is An Unforgettable Double Date with Andrea Gibson & Megan Falley Let Our Sundance-Winning Film Remind You What Love Is with Megan Falley Watch OUR 1ST FILM – Come See Me in the Good Light: Meg Falley (& Andrea Gibson) Sara Bareilles: How to Remember Yourself Follow We Can Do Hard Things on:  Instagram — ⁠https://www.instagram.com/wecandohardthings⁠ TikTok — ⁠https://www.tiktok.com/@wecandohardthingsshow⁠

A new bill at the state legislature has got Denverites talking — is it time for Colorado to decriminalize prostitution? Poet Suzi Q. Smith joins host Bree Davies and producer Paul Karolyi to look at precedents in Maine and Nevada, and some of the arguments against. Plus, we saw some rumors that the fancy grocery chain Erewhon might be opening in RiNo, the mayor seems to be reconsidering Flock, and we all watched the newly Oscar-nominated documentary about former Colorado poet laureate Andrea Gibson, “Come See Me In the Good Light.” Bree mentioned this Meow Wolf/Casa Bonita prank from 2021.  What do you think we should ask Mayor Johnston when he's on the pod soon? We want to hear from you! Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise

Amye is joined by Jake “Poodle” Anthony to discuss the 2025 documentary, Come See Me In The Good Light.TRIGGER WARNING: In this episode we talk about suicidal ideation. Please text or call 988 if you are in crisis or someone you love is struggling. In 2021, poet Andrea Gibson was diagnosed with ovarian cancer. For the next four years, they fought for and LIVED their life. Filmmaker Ryan White captures the beautiful and sometimes heartbreaking struggles of a terminal diagnosis balanced with an incredible love story. Find Jake at www.realitygays.comThis episode is sponsored by:FACTOR MEALS helps you save time in the kitchen with delicious, nutritious, chef-prepared cuisine. Meals come fully prepared and ready to eat in 2 minutes.Use our link and get 50% off your first box plus free shipping. Visit: www.factormeals.com/littlemiss50off and use code littlemiss50off.DAME PRODUCTS Valentine's Day is a great reminder that intimacy and pleasure aren't luxuries—they're part of health and connection. Right now, Dame is offering 20% off sitewide—their biggest sale of the year—when you shop at dame.com. (Order by Feb 10th for Valentine's Day delivery)SUPPORT the show! Get ad-free episodes and a TON of bonus content:www.littlemissrecap.com/supportOr go directly to Patreon at:www.patreon.com/littlemissrecapListen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comGet in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

LOOK OUT! It's only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the absolute treasure of a comic, podcaster, film maker/producer and all round force for good TIG NOTARO! There are so many points at which you might have become aware (and consequently, surely, a fan) of Tig, from her early days in comedy right up to recent times as actor and film-maker. Wherever that point was for you, how lucky we all are to have Tig in our lives. In what is a truly beautiful, emotional episode (with a joyful sprinkling of funny), we hear about the journey and experience of the making of 'Come See Me In The Good Light' which celebrates the life of poet and activist Andrea Gibson. As with Tig and indeed Brett, it's highly likely that you too will feel the emotion hit - but stay with it and engage with it. And of course if you haven't yet, do watch the movie, as a whole or in chapters. Otherwise, there's a huge amount of fun (oh, including being viral-sexy), and some truly choice picks from Tig so enjoy, cry, smile, do it all. Sponsored by TigSnuggledown©. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Video and extra audio available on Brett's Patreon!⁠⁠⁠ • Refresh your wardrobe with Quince at https://quince.com/brett for free shipping and 365-day returns; now available in Canada. TIG ONLINE COME SEE ME IN THE GOOD LIGHT⁠ HANDSOME PODCAST ARMY OF THE DEAD STAR TREK: FLEET ACADEMY –––––––––– ⁠⁠⁠BRETT • X⁠⁠⁠ ⁠⁠⁠BRETT • INSTAGRAM⁠⁠⁠ ⁠⁠⁠THE SECOND BEST NIGHT OF YOUR LIFE⁠⁠⁠ ⁠⁠⁠TED LASSO⁠⁠⁠ ⁠⁠⁠SHRINKING⁠⁠⁠ ⁠⁠⁠ALL OF YOU⁠⁠⁠ ⁠⁠⁠SOULMATES⁠⁠⁠ ⁠⁠⁠SUPERBOB (Brett's 2015 feature film) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today... West Slope Outdoors Alliance has launched its first youth video contest for kids eighteen and under to film ninety-second "Leave No Trace" videos by May 15th, with prizes and plans to share winning entries widely. And later... Crisosto Apache has been named Colorado’s new Poet Laureate for a two-year term, succeeding Andrea Gibson and focusing on youth engagement and statewide poetry outreach. Support the show: https://www.montrosepress.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

It's Oscar nominations week, so we're playing catch up as well as slogging through some extremely January movies. We recorded these reviews before Thursday's Academy announcement, so we have a couple of updates for you: Amanda Seyfried didn't get a nomination for "The Testament of Ann Lee," but "Come See Me in the Good Light" did make it into the documentary feature category. Here's what we discussed: MERCY. Chris Pratt is a police detective accused of killing his wife in a futuristic hellscape of Los Angeles. He has 90 minutes to prove his innocence before an AI judge (Rebecca Ferguson) or he'll be executed. We debate exactly what this Amazon release is propaganda for, but agree that it (and Pratt) are terrible. In theaters. THE TESTAMENT OF ANN LEE. Amanda Seyfried IS Ann Lee, found of the Shaker religious movement, in director and co-writer Mona Fastvold's ambitious musical. This had a brief awards run at the end of 2025 and is returning to theaters this weekend. The song and dance numbers are mesmerizing. COME SEE ME IN THE GOOD LIGHT. The late poet Andrea Gibson is the subject of this intimate documentary, which is alternately hilarious and heartbreaking but always stirring. Director Ryan White follows the genderqueer Gibson and their partner as they navigate a lengthy and painful cancer battle, but there's plenty of room for humor and even hope. Streaming on Apple TV. Thanks for being here with us and have a great weekend! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

Outlouders, this is your sneak peek of today's subscriber episode. Listen to the full episode of Jessie's Twins Update & What We Really Did On Our Holidays at 5pm today. Not a subscriber? You know what to do. So, Jessie Stephens is pregnant with twins and she just got some very inconvenient news. In this episode, Mia Freedman quizzes Jessie on that and all manner of babies' updates, from how much longer she has to go to why the twins already seem to love annoying their mum. Plus, what Jessie, Holly and Mia did on their holidays, which ranges from terrible hosting to absolutely nothing to sinking into a slow, dawning panic. And everything Mia Freedman read, watched and bought over the break. Have your notes app ready. This is just a taste, a little treat, if you will. The full feast lands at 5pm for subscribers. We’re giving away a Your Reformer Pilates bed (worth $3,400). Subscribe to be in the running to win.

Pediatric neuropalliative medicine is an emerging area of subspecialty practice that emphasizes the human experience elements of serious neurologic illness. Child neurologists care daily for patients who can benefit from the communication strategies and management practices central to pediatric neuropalliative medicine, whether at the primary or subspecialty level. In this episode, Gordon Smith, MD, FAAN, speaks with Lauren Treat, MD, author of the article "Neuropalliative Medicine in Pediatric Neurology" in the Continuum® December 2025 Neuropalliative Care issue. Dr. Smith is a Continuum® Audio interviewer and a professor and chair of neurology at Kenneth and Dianne Wright Distinguished Chair in Clinical and Translational Research at Virginia Commonwealth University in Richmond, Virginia. Dr. Treat is an associate professor in the divisions of child neurology and palliative medicine at the University of Colorado School of Medicine in Aurora, Colorado. Additional Resources Read the article: Neuropalliative Medicine in Pediatric Neurology Subscribe to Continuum®: shop.lww.com/Continuum Earn CME (available only to AAN members): continpub.com/AudioCME Continuum® Aloud (verbatim audio-book style recordings of articles available only to Continuum® subscribers): continpub.com/Aloud More about the American Academy of Neurology: aan.com Social Media facebook.com/continuumcme @ContinuumAAN Host: @gordonsmithMD Full episode transcript available here Dr Jones: This is Dr Lyell Jones, Editor-in-Chief of Continuum. Thank you for listening to Continuum Audio. Be sure to visit the links in the episode notes for information about earning CME, subscribing to the journal, and exclusive access to interviews not featured on the podcast. Dr Smith: This is Gordon Smith. Today I've got the great pleasure of interviewing my good friend Dr Lauren Treat about her article on neuropalliative medicine in pediatric neurology practice. This article appears in the December 2025 Continuum issue on neuropalliative care. Lauren, welcome to the Continuum podcast, and maybe you can introduce yourself to our listeners. Dr Treat: Such a delight to be here, Gordon. Thank you. I am a pediatric neurologist and palliative medicine doctor at the University of Colorado, Children's Hospital Colorado, and I am practicing in both areas. I do general child neurology, and I also run a pediatric neuropalliative medicine clinic. So, I'm happy to be here to talk about it. Dr Smith: And, truth in advertising, I tried very hard to get Dr Treat to move to VC to work with me. And I haven't given up yet. I'm looking forward to the conversation. And Lauren, I wonder- one, I'm really excited about this issue, by the way. This is the second podcast I've done. And I'd like to ask the same question I asked of David Oliver, who's amazing. What a great article and conversation we had. And that question is, can you define palliative care? I think a lot of people think of it as, like, end-of-life care or things like that. And is the definition a little different in the pediatric space than it is in the adult space? Dr Treat: Such a great place to start, Gordon. I absolutely think that there are nuances that are very important in pediatrics. And we especially acknowledge in pediatrics that there is a very longitudinal component of this. And even moreso, I think, then in adult neuropalliative medicine, in pediatrics, we are seeing people=even prenatally or early in their first hours and days of life, and walking with them on a journey that might last days or weeks, but might last years or decades. And so, there is this sense that we are going to come alongside them and be part of the ups and the downs. So yes, neuropalliative medicine is a kind of medicine that is a very natural partner to where neurology is in its current field. We're doing a lot of exciting things with modifying diseases, diagnosing things early, and we have a very high reliance on the things that we can measure in medicine. And not all things can be measured that are worthwhile about one's quality of life. A family very poignantly told me very recently, making sure someone stays alive is different from making sure they have a life. And that's what neuropalliative medicine is about. Dr Smith: Well, great summary, and I definitely want to follow up on several aspects of that, but there's one point I was really curious about as I've been thinking about this, you know, these are really exciting times and neurology in general and in child neurology in particular. And we've got all of these exciting new therapies. And as you know, I'm a neuromuscular person, so it's hard not to think back on SMA and not be super excited. And so, I wonder about the impact of these positive developments on the practice of neuropalliative care in kids. You know, I'm just thinking, you know, you mentioned it's a journey with ups and downs. And I wonder, the complexity of that must be really interesting. And I bet your job looks different now than it did seven or eight years ago. Dr Treat: That's absolutely true. I will self-reference here one of the figures in the paper. Figure 2 in my section is about those trajectories, about how these journeys can have lots of ups and downs and whether this person had a normal health status to begin with or whether they started out life with a lot of challenges. Those ups and downs inherently involve a lot of uncertainty. And that's where palliative medicine shines. Not because we have the answer---everyone would love for us to have the answer---but because we consider ourselves uncertainty specialists in the way that we have to figure out what do we know, what can we ground ourselves in, and how can we continue to move forward even if we don't have all the answers? That is a particular aspect of neurology that is incredibly challenging for families and clinicians, and it can't stand as a barrier to moving forward and trying to figure out what's best for this child, what's best for this family. What do we know to be true about them as people, and how can we integrate that with all of the quantitative measures that we know and love in neurology? Dr Smith: So, I love the comment about prognostication, and this really ties into positive uncertainty or negative undercertainty in terms of therapeutic development. I wonder if you can talk a little bit about your approach to prognostication, particularly in a highly fluid situation. And are there pearls and pitfalls that our listeners should consider when they're discussing prognosis for children, particularly maybe young children who have severe neurological problems? Dr Treat: It's such a pivotal issue, a central issue, to child neurology practice. Again, because we are often meeting people very, very early on in their journey---earlier than we ever have before, sometimes, because of this opportunity to have a diagnosis, you know, prenatally or genetically or whatever else it is---sometimes we are seeing the very early signs of something as compared to previously where we wouldn't have a diagnosis until something was in its more kind of full-blown state. This idea of having a spectrum and giving people the range of possible outcomes is absolutely still what we need to do. However, we need to add on another skill on top of that in helping people anchor into what feels like the most likely situation and what the milestones are going to be in the near future, about how we're going to walk this journey and what we'll be on the lookout for that will help us branch into those different areas of the map down the road. Dr Smith: So, I wonder if we can go back to the framework you mentioned, two answers ago, I think? You and the article, you know, provide four different types of situations kind of based on temporal progression. I wonder if maybe the best way of approaching is to give an example and how that impacts your thoughts of how you manage a particular situation. Dr Treat: Absolutely. So, this figure in particular is helpful in multiple ways. One is to just give a visual of what these disease trajectories are doing, because we're doing that when and we take a history from a patient. But actually, to put it into an external visual for yourself, for your team, but also perhaps for the family can be really powerful. It helps you contextualize the episode of care in which you're meeting the family right now. And it also helps, sometimes, provide some sense of alignment or point out some discrepancies about how you're viewing that child's health and quality of life as compared to how the family might be viewing it. And so, if you say, you know, it sounds like during those five years before we met, you were up here, and now we find ourselves down here, and we're kind of in the middle of the range of where I've seen this person's health status be. Do I have that right? Families feel really seen when you do that and when you can get it accurately. And it also invites a dialogue between the two parties to be able to say, well, maybe I would adjust this. I think we had good health or good quality of life in this season. But you're right, it's getting harder. It's kind of that "show, don't tell" approach of bringing together all the facts to put together the relative position of where we are now in the context of everything they've been through. Dr Smith: You know, I wonder if you could talk a little bit more about the differences between palliative care and adult patients and in children? Dr Treat: Absolutely. One of the key features in pediatrics is this kind of overriding sense of an out-of-order event in the family's life. Children are not supposed to have illness. Children are not supposed to have disability. Children are not supposed to die before their parents. And that layer of tragedy is incredibly heavy and pervasive. It's not every encounter that you have in child neurology, but it does kind of permeate some of the conversations that neurologists have with their patients, especially patients who have serious neurological disease. So that could be things like epileptic encephalopathies, birth injuries, other traumatic brain injuries down the line. In the paper, I'd go through many different categories of the types of conditions that are eligible for pediatric neuropalliative medicine, that kind of support. When we think about that layer of tragedy in the relation to where we're meeting these families, they deserve extra support, not just to think about the medicines and the treatments, but also, what can we hope for? How can we give this child the best possible life in whatever circumstance that they're in? How can we show up in whatever medical decision-making circumstances present themselves to us and feel like we've done right by this child? It's a complex task, and pediatric neural palliative medicine is evolving to be able to be in those spaces with families in a very meaningful way. Dr Smith: So, of course, one of the differences is the, you know, very important role of parents in the situation, right? Obviously, parents are involved in adult palliative care issues and family is very important. But I wonder if you can talk about specific considerations given the parent-child relationship? Dr Treat: So, pediatric neuropalliative medicine really helps facilitate discussions not just about, again, those things that we have data on, but also about what is meaningful and foundational for those families. What's possible at home, what's possible in the community. In pediatrics, parents are making decisions on behalf of their child, often as a dyad, and I don't think this gets enough attention. We know from adult literature that making decisions on behalf of someone else is different from making decisions on behalf of oneself. We call this proxy decision-making. And proxies are more likely to be conservative on behalf of someone else than they are on behalf of themselves, and they're also more likely to overestimate the tolerability of a medical intervention. So, they might say, I wouldn't want this, or, I wouldn't accept this risk on behalf of myself, or, I don't think I'd want to have to persevere through something, but on behalf of this other person, I think they can do it or I will help them through it or something else like this, or, I can't accept the risk on behalf of them. So that's not good or bad. That's just different about making a decision on behalf of oneself as compared to making a decision on behalf of someone else. When there's two people trying to be proxies on behalf of a third person, on behalf of a child, that's a really, really complex task, and it deserves support. And so, pediatric neural palliative medicine can function, then, as this neutral space, as this kind of almost coaching opportunity alongside the other medical doctors to give parents an opportunity when their minds are calm---not in the heat of the moment---to talk about how they see their child, how they've shown up themselves, what they've seen go well, what they've struggled with. And how,, then we can feel prepared for future decision making times, future high-stress encounters, about what will be important to ground them in those moments, even though we can't predict fully what those circumstances might be. Dr Smith: It sounds, you know, from talking to you and having read the article, that these sorts of issues evolve over time, right? And you have commented on this already from your very first answer. And you do describe a framework for how parents think---their mental model, I guess---of, you know, a child with a serious illness. And this sounds like appreciation of that's really important in providing care. Maybe you can talk us through that topic? Dr Treat: I refer to this concept of prognostic awareness in all of the conversations that we have with families. So, what I mean by prognostic awareness is the degree of insight that an individual has about what's currently happening with their child and what may happen in the future regarding the disease and/or the complications. And when we meet people early on in their journey, often their prognostic awareness, that sense of insight about what's going on, can be limited because it requires lived experience to build. Oftentimes time is a factor in that, we gain more lived experience over time, but it's not just time that goes into building that. It's often having a child who has a complication. Sometimes it's experiencing a hospitalization. That transfer from a cognitive understanding of what's going on, from a lived experience about what's going on, really amplifies that prognostic awareness, and it changes season by season in terms of what that family is going through and what they're willing to tolerate. Dr Smith: You introduced a new term for me, which is hyper-capableism. Can you talk about that? I found that really interesting and, you know, it reminds me a lot of the epiphanies that we've had about coma and coma prognosis. So, what's hyper-capableism? Dr Treat: Yes. In neurology, we have to be very aware of our views on ableism, on understanding how we prognosticate in relation to what we value about our abilities. And hyper-capableism refers to someone who feels very competent both cognitively and from a motor standpoint and fosters that sense of value around those two aspects to a high degree. I'm referencing that in the article with regard to medicine, because medicine, the rigors of training, the rigors of practice, require that someone has mental and motor fortitude. That neurology practice and medical practice in general can breed this attitude around the value of skills in both of those areas. And we have to be careful in order to give our patients and families the best care, to not overly project our values and our sense of what's good and bad in the world regarding ableism. Impairments can look different in different social contexts. And when the social context doesn't support an impairment, that's where people struggle. That's where people have stigma. And I think there's a lot of work that we can do in society at large to help improve accommodations for impairment so that we have less ableism in society. Dr Smith: Another term that I found really interesting kind of going back to parents is the "good parent identity." Maybe you can talk about that? Dr Treat: Good parent identity, good parent narrative, is something that is inherent to the journey when you're trying to take care of and make decisions on behalf of a child. And whether you're in a medical context or outside of a medical context, all parents have this either explicit or implicit sense of themselves about what it means to do right by their child. This comes up very poignantly in complex medical conditions because there are so many narratives about what parents ought to do on behalf of their child, and some of those roles can be in tension with one another. It's a whole lot of verbs that often fall under that identity. It's about being able to love and support and take good care of and make good decisions on behalf of someone. But it's also about protecting them from harm and treating their pain and being able to respond to them and know their cues and know these details about them. And you can't, sometimes, do multiple of those things at once. You can't give them as much safety and health as possible and also protect them from pain and suffering when they have a serious illness, when they need care in the hospital that might require a treatment that might be invasive or burdensome to them. And so, trying to be a good parent in the face of not being able to fulfill all those different verbs or ideas about what a good parent might do is a big task. And it can help to make it an explicit part of the conversation about what that family feels like their good parent roles might be in a particular situation. Dr Smith: I want to shift a little bit, Lauren, that's a really great answer. And just, you know, listening to you, your language and your tongue is incredibly positive, which is exciting. But, you know, you have talked about up and downs, and I wanted you to comment on a quote. I actually wrote it down, I'm going to read it to you, because you mentioned this early on in your article: "the heavy emotional and psychological impacts of bearing witness to suffering as a child neurologist." I think all of us, no matter how excited we are about all the therapeutic development, see patients who are suffering. And it's hard when it's a child and you're seeing a family. I wonder if you could talk a little bit about that comment and how you balance that. You're clearly- you're energized in your career, but you do have to bear witness to suffering. Dr Treat: You're right. Child neurologists do incredible work, it's an incredible, exciting field, and there are a lot of challenges that we see people face. And we see it impacts their lives in really intense ways over the course of time. We bear witness to marriages that fall apart. We bear witness to families that lose jobs or have to transition big pieces of their identity in order to care for their children. And that impacts us. And we hold the collective weight of the things that we are trying to improve but sometimes feel less efficacious than we hoped that we could around some of these aspects of people's lives. And so, pediatric neuropalliative medicine is also about supporting colleagues and being able to talk to colleagues about how the care of the patients and the really real effort that we exert on their behalf and the caring that we have in our hearts for them, how that matters. Even if the outcome doesn't change, it's something that matters for our work and for our connections with these families. It's really important. Dr Smith: I wonder, maybe we can end by learning a little bit about your journey? And maybe this is your opportunity to- I know we have students and residents who listen to us, and junior faculty. I think neuropalliative care is obviously an important issue. There's a whole Continuum issue on it---no pun intended---but what was your journey, and maybe what's your pitch? Dr Treat: I'm just going to give a little bit of a snippet from a poem by Andrea Gibson, who's a poet, that I think speaks really clearly to this. They say a difficult life is not less worth living than a gentle one. Joy is simply easier to carry than sorrow. I think that sums these things up really well, that we find a lot of meaning in the work that we do. And it's not that it's easier or harder, it's just that these things all matter. I'm going to speak now, Gordon, to your question about how I got to my journey. When I went into pediatrics and then neuro in my training, I have always loved the brain. It's always been so crucial to what I wanted to do and how I wanted to be in the world. And when I was in my training, I saw that a lot of the really impactful conversations that we were having felt like we left something out. It felt like we couldn't talk about some of the anticipated struggles that we would anticipate on a human level. We could talk about the rate and the volume of the G tube, but we couldn't talk about how this was going to impact a mother's sense of being able to nourish and bond and care for their child because we didn't have answers for those things. And as I went on in my journey, I realized that even if we don't have answers, it's still important for us to acknowledge those things and talk about them and be there for our patients in those conversations. Dr Smith: Well, Lauren, what a great way to end, and what a wonderful conversation, and what a great article. Congratulations and thank you. Dr Treat: Thank you, Gordon. It was a pleasure to be here. Dr Smith: Again today, I've been interviewing Dr Lauren Treat about her really great article on neuropalliative medicine in pediatric neurology practice. This article appears in the December 2025 Continuum issue on neuropalliative care. Be sure to check out Continuum Audio episodes from this issue and other issues. And thanks again to you, our listeners, for joining us today. Dr Monteith: This is Dr Teshamae Monteith, associate editor of Continuum Audio. If you've enjoyed this episode, you'll love the journal, which is full of in-depth and clinically relevant information important for neurology practitioners. Use the link in the episode notes to learn more and subscribe. AAN members, you can get CME for listening to this interview by completing the evaluation at continpub.com/audioCME. Thank you for listening to Continuum Audio.

Tig Notaro knows all about how humor and grief can coexist. She's explored those topics in her stand-up comedy, TV shows, and podcasts. Her latest project is "Come See Me in the Good Light," a documentary about her friend, the poet Andrea Gibson's, who died of cancer last year. She tells Rachel about growing up skiing with gators in Mississippi, and what Andrea taught her about the preciousness of life.To listen sponsor-free and support the show, sign up for Wild Card+ at plus.npr.org/wildcard Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sometimes perspectives change...It's a new year and it's a new episode as we're already knee deep into Shortlists and Awards season consideration and it makes sense.  We had the pleasure of talking with Singer/Songwriter/Composer/Actor Sara Bareilles about her song 'Salt Then Sour Then Sweet' which was used in the new documentary on Apple+ 'Come See Me In The Good Light'.'Come See Me in the Good Light' is a poignant and unexpectedly funny love story about poets Andrea Gibson and Megan Falley facing an incurable cancer diagnosis with joy, wit and an unshakable partnership. Through laughter and unwavering love, they transform pain into purpose, and mortality into a moving celebration of resilience.I'll admit that when watching this for the first time, I actually felt a little uncomfortable watching as I was having trouble with as it made me uncomfortable watching it as it felt in conflict with my own emotions about being a care giver for a family member with terminal cancer, I felt uncomfortable viewing it all.  That is until the end credits and this song came on....Using the words of Andrea Gibson after she died, what Bareilles and Brandi Carlile do here is sum up what is a horrible emotional experience into a 3.5 minute experience that had this critic blubbering in tears.I had the pleasure of sitting down with Sara to talk about how she got involved in the project, the pressure of a job like this, working and repurposing someone else's art and the importance of storytelling leading with love.'Come See Me in the Good Light' is on Apple+ now.

When Tig Notaro suggested to filmmaker Ryan White that he make a documentary about Tig's friend, the poet Andrea Gibson, two words gave Ryan pause: “cancer” and “poetry.” He wondered who would fund (and watch) such a documentary. But, to Ryan's great surprise, as evident in his deeply moving, funny and highly engaging documentary “Come See Me in the Good Light,” following Andrea and their wife, the writer Megan Falley, during some of the hardest moments of their lives ended up producing a film full of joy and humor, not to mention a final poetry performance worthy of a rock star.   Ryan joins Ken on the pod to discuss his initial foray to Andrea and Megan's home in Colorado and the enveloping family atmosphere that lovingly entangled him and his crew throughout the making of this extraordinary documentary. For Ryan, who has directed approximately one documentary a year for the past 15 years, this was the one that ended up being his most personal and favorite project. When Andrea overcomes the ravaging effects of ovarian cancer long enough to perform a final show, the audience roars its approval and, in the spirit of one of Andrea's remarkable poems, we are all left with goosebumps.   “Come See Me in the Good Light” has been named to this year's Oscar shortlist in the Documentary Feature Film category. The film is available for streaming on Apple TV.   Follow: @white815 on Instagram and @ryanwhiteIV on twitter @topdocspod on Instagram and X   Hidden Gem: “Predators”    The Presenting Sponsor of "Top Docs" is Netflix.

In questo episodio di Educare con calma celebro insieme a voi il nuovo anno leggendovi una mail che avevo inviato all'inizio del 2025, ispirata da una newsletter di Andrea Gibson.Non è una lista di cose da fare o da vedere: col tempo ho capito che questo modo di misurare le esperienze non mi rappresenta.Continuo invece a nutrire una lista che parla della mia evoluzione personale, dei desideri emotivi e dei momenti in cui ho imparato ad apprezzarmi e a restare in contatto con ciò che, per me, conta davvero.:: Nell'episodio menziono⁠⁠⁠Andrea Gibson;il documentario Come see me in the good light.Trovi i contenuti relazionati a questo episodio nella pagina del podcast su latela.com/podcast: cerca il numero o scrivi il titolo nella lente di ricerca.:: Come appoggiare il podcastIo non faccio pubblicità e non accetto sponsor: fa parte della mia etica dal giorno in cui ho creato La Tela. Se ti piace il mio podcast, aiutami così:Invia i tuoi episodi preferiti ad amici e familiari;Lascia una recensione sulla piattaforma dove lo ascolti;Supporta La Tela, facendo o regalando il ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠percorso per Educare a Lungo termine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, comprando il mio libro «⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cosa sarò da grande⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠», regalando ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠una carta regalo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ da utilizzare sullo shop de La Tela.In ogni caso, grazie di

Remembering Ellen Bryant Voigt, plus a few words on mortality by Andrea Gibson. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Isaiah 11:2-9The spirit of the Lord shall rest on him,the spirit of wisdom and understanding,the spirit of counsel and might,the spirit of knowledge and the fear of the Lord.His delight shall be in the fear of the Lord. He shall not judge by what his eyes see,or decide by what his ears hear;but with righteousness he shall judge the poor,and decide with equity for the meek of the earth;he shall strike the earth with the rod of his mouth,and with the breath of his lips he shall kill the wicked.Righteousness shall be the belt around his waist,and faithfulness the belt around his loins. The wolf shall live with the lamb,the leopard shall lie down with the kid,the calf and the lion and the fatling together,and a little child shall lead them.The cow and the bear shall graze,their young shall lie down together;and the lion shall eat straw like the ox.The nursing child shall play over the hole of the asp,and the weaned child shall put its hand on the adder's den.They will not hurt or destroy on all my holy mountain;for the earth will be full of the knowledge of the Lordas the waters cover the sea. A friend suggested a repriseof a sermon I gave years agoShe called it a rap, but I'm not that cool.It was a poem, at best, it read like a slam.I thought I'd give it another go.But history never repeats itselfIt often rhymes, they say.So I won't do a re-run, that would be lame,But I'll try something new– in the same vein –about this baby who's on the way.I'm no Andrea Gibson or Maya AngelouNo Shel Silverstein or Doctor SeussI'm a preacher whose preached Christmas, 24 years plus oneSo something a bit different seemed like something more fun.I could preach and pontificate, I've done that beforeI could rant, rail, and scare – you can get that next door.Maybe this will inspire both your heart and your headAnd keep you from dreaming of sugar plums and bed.The last time I did this –rhymed my way through Christmas Eve –My youngest – Max – had just been bornMy oldest – Jack – wasn't yet 3.So much has changed, since then, for sure18 years back, where'd you do Christmas Eve?Think of what's different in your life and our worldDid you celebrate something? Or have something to grieve?And how have things been in just the last year?More joys than sorrows, I pray.As we gather again, with our candles and carols,Are you counting your blessings? Or just surviving the day?Whatever it is, this time around,I hope God meets you in this placeThat's the message of Christmas: Immanuel – God with usAnd among us, come what may.And again, history doesn't repeat itselfBut they say it often rhymesThat seems to be true where faith is concernedAnd how God shows up in real timeSo let's see what rhymes this Christmas EveLet's turn back the clock to hearSomething old that could be new againIf we let God's love come near.The history of faith's peoplebegan in a garden long agoWhere God breathed life into dust and bonesBut God's children just couldn't say “no.”They refused to keep their hands offof a tree that promised liesThey heard God in the sound of the evening breezeAnd hid from angry eyesBut God's eyes of righteous judgementEnvisioned hope in equal portionThe Creator could see, beyond their Sin,A future of salvation.Soon there was that awful floodbut God saved the family of Noahand made a promise to love without endAnd sealed it with a bow.Then there was that Babel tower – Humanity tried to reach the divineTheir sins of Greed and Pride and PowerGot them scattered far and wideGenerations laterGod's Chosen Ones were slaves set freeLost and afraid, but guided,By clouds and fire their eyes could seeThey were passed over and sparedAnd they crossed through the Red SeaThey wandered the wilderness,And they followed God's leadAnd there were tablets and tabernaclesSerpents, wonders and signsAll proof of God's presenceThe same, but different, each timeBecause history doesn't repeat itself,But like God's grace, it rhymes.And across generations this history rhymedAs God's people mastered losing their wayThey counted their sins and hid from their GodLetting judgement and shame win the dayBut God was never into just counting our SinFor the sake of proving us wrongGod was all about leading with mercy and loveSo we'd make a world that sounds like a songA song of hope for those with noneA song of faith when fear has wonA song of peace when wars still rageA song of love that might turn the pageA song that rhymes, not repeats, in beautiful waysthat started anew with a SonWho was born so we'd see just what grace could dowhen we walk in the way of God's love Because it's not about you and it's not about meIt's all about “us” and about “them”It's about how – together – we're part of this planTo love one and all to the endBecause God may still show up in rainbows and cloudsIn signs, in miracles, in dreamsBut Jesus showed up to show God revealedin people like you and like meWe're alike and we're different in beautiful waysWe live and we move and we breatheWe walk common ground, we fear, long, and needBut still forget who are neighbors can beLike Jesus they don't have a safe place to landLike his was, their world isn't safeLike Jesus they rely on the kindness of strangersLike him they're dependent on graceHe's the gay kid that's bulliedHe knows about poor, single momsHe's the Dad with no papersHe hides underground from bombsHe shelters-in-place in the classroomHe takes cover beneath pewsHe's on both sides of our borderAnd he's exhausted by our newsHis nights aren't as silent As we pretend they should beHis future's not certainAnd he looks to you and to meIn Jesus God shows up, draws close, comes nearIn Christ, God comes down from on highIn Jesus we're called to do more of the same:To get off our cloud and no longer denyThat grace isn't just ours,it's ours to share at all costsThis Gospel's only good newsWhen it's shared with the lostAnd God knows what it is to be utterly lostThis boy showed up and got lost on the CrossHe died there for our sake, so that we could seeWhat “once and for all” actually means.If you need it today, then take it, for sureIf you're hungry then, please, have your fillBut let this grace find, free, and change youuntil your life overflows with goodwillGoodwill not just for men, but for women, tooAnd for everyone else in-between.Goodwill for the ones who are broken and hurtingFor the hopeless, the loveless, the mean.So, what might make Christmas rhyme once again?We can't repeat the coming of this ChildBut if God stepped into skin once way back thenGod can surely take root in our lives Because we've seen it time after time beforehistory rhymes it doesn't repeatSo let God show up this Christmas, once moreMaking us Love's voice, hands, and feet.Amen. Merry Christmas.

We carry other people inside us, when we're with them and when we are apart from them. After all, where does my experience of you live, apart from inside me? And your experience of me, apart from inside you? In this conversation we explore what it is to hold others in us in this way, and how our imaginative capacities might allow us to receive the sacredness of others while they are alive alongside us - with all the gifts and compassion that can bring - and when they are no longer alive. A conversation about loving fiercely, receiving one another, and grieving well so that we can live well. This week's Turning Towards Life is hosted as always by Lizzie Winn and Justin Wise of Thirdspace. This is Turning Towards Life, a weekly live 30 minute conversation hosted by Thirdspace in which Justin Wise and Lizzie Winn dive deep into big questions of human living. Find us on FaceBook to watch live and join in the lively conversation on this episode. You can find videos of every episode, and more about the project on the Turning Towards Life website, and you can also watch and listen on Instagram, YouTube, and as a podcast on Apple, Google and Spotify. Here's our source for this week: Love Letter from the After Life My love, I was so wrong. Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before. I am more with you than I ever could have imagined. So close you look past me when wondering where I am. It's Ok. I know that to be human is to be farsighted. But feel me now, walking the chambers of your heart, pressing my palms to the soft walls of your living. Why did no one tell us that to die is to be reincarnated in those we love while they are still alive? Ask me the altitude of heaven, and I will answer, “How tall are you?” In my back pocket is a love note with every word you wish you'd said. At night I sit ecstatic at the loom weaving forgiveness into our worldly regrets … Andrea Gibson Dec 21 2023 You can read and hear the full poem at Andrea Gibson's Website https://substack.com/@andreagibson/p-139965380 Photo by Naoki Suzuki on Unsplash Photo by Naoki Suzuki on Unsplash --- Join Us Live in 2026 Foundations of Coaching, Feb 9-10 2026, Online Our two day introduction to the deep and wonderful way of working with people that we call 'Integral Development Coaching'. www.wearethirdspace.org/foundations-of-coaching Turning Towards Life Live Season 2, from March 2026 Our Turning Towards Life live programme of community, learning and reflection runs in six month seasons, in person on Zoom once a month. We're very excited about it. A chance to expand beyond the bounds of a podcast into forming a community of learning and practice. You can find out more and join us here: www.turningtowards.life/live ---- About Turning Towards Life Turning Towards Life, a week-by-week conversation inviting us deeply into our lives, is a live 30 minute conversation hosted by Justin Wise and Lizzie Winn of Thirdspace.  Find us on FaceBook to join in the lively conversation on this episode. You can find videos of every episode, and more about the project on the Turning Towards Life website, and you can also watch and listen on Instagram, YouTube, and as a podcast on Apple, Amazon Music and Spotify. Join Our Weekly Mailing: www.turningtowards.life/subscribe Support Us: www.buymeacoffee.com/turningtowardslife

COME SEE ME IN THE GOOD LIGHT MOVIE REVIEW Allen Ginsberg once said “Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does.” Andrea Gibson is a poet whose works include the acclaimed […]

COME SEE ME IN THE GOOD LIGHT MOVIE REVIEW Allen Ginsberg once said “Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does.” Andrea Gibson is a poet whose works include the acclaimed […]

As a cancer survivor, comedian Tig Notaro has explored her own mortality in acclaimed releases such as “Live” and “Boyish Girl Interrupted.” Now she's a producer of an Apple TV documentary called “Come See me in The Good Light” that examines the final days of a close friend, the poet Andrea Gibson. Tig talks to Ted Danson about how this unique project came about, the changes it's inspired in her own life, and much more.  Like watching your podcasts?  Visit http://youtube.com/teamcoco to see full episodes.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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"Come See Me In The Good Light" is a 2025 American documentary film directed by Ryan White, following poet/activist Andrea Gibson and Megan Falley as they navigate an examination of love and mortality after Gibson is diagnosed with terminal ovarian cancer. Singer-songwriters Sara Bareilles and Brandi Carlile serve as among the executive producers; they co-wrote a song for the documentary, "Salt Then Sour Then Sweet," with Gibson. The film had its world premiere at the 2025 Sundance Film Festival, where it received positive reviews and won the Festival Favorite Award. Bareilles was kind enough to spend some time talking with us about her work and experience working on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Apple TV+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

For most state jobs, you don't need a college degree. It's the skills that matter. Governor Jared Polis has championed this change in the private sector, as well. Reporter Lawrence Lanahan writes about this trend in a piece titled, “No college degree, no problem? Not so fast!” Then, comedian Tig Notaro remembers Colorado's late poet laureate Andrea Gibson with the new film, "Come See Me in the Good Light." Also, a mother and daughter from Colorado reconnect with their family's World War II legacy in Italy. Plus, pairing wine and solar on the Western Slope. 

How do you grieve the impending death of a lifelong friend when you are a multi-hyphenate comedian, actor, director and producer? If you are Tig Notaro, you produce a film about their life and work — as she has done for the late spoken word poet Andrea Gibson with the documentary Come See Me In The Good Light. Best known for her dry-witted stand up comedy, Tig is also a podcaster (Handsome), actor (Star Trek: Discovery, The Morning Show), director (Am I Ok?) and producer for film and television. Kara and Tig discuss the documentary, Gibson's life and relationship with their wife Meg Falley after they were diagnosed with incurable cancer, how Andrea's death opened her up to experiencing grief in a new way, and how it all relates to Tig's own 2012 cancer diagnosis, which she shared on stage in a genre-breaking set. Plus: how the comedy world is shifting under Trump and Tig's plans for an all-lesbian action film. Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok, Threads, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Doctor Kay and Doctor Ray spill the mental health tea on reality TV with their third and final installment of Real Housewives of Salt Lake City (RHOSLC) Season 6 recap! They finish assigning their 8 AWARDS to scenes and castmates from episodes 8-9! For example, awards like They were the WorsTEST of Friends and TESTosterboned (Dr. Kay's pride & joy: the most patriarchal award) are doled out. What moments or castmates would you have given those awards to?  As our listeners know, all award titles have TEST in them, as this is Reality TEST, after all! Themes include stuffed animals, mean girls, & girls' girl confrontations. Reality Check! Where Dr.s Kay & Ray discuss psychological studies of interest to you–or, at least, to them! :) This week, they discuss studies about gender essentialism on reality TV and slam poetry, in the wake of Andrea Gibson's documentary being released!What do you think: Do you think there is gender essentialism on the United States' Queer Eye for the Straight Guy?o-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=OListeners! Come visit the Patreon for free at⁠⁠⁠⁠⁠ ⁠patreon.com/RealityTest⁠⁠⁠⁠⁠⁠ (or search on Patreon with “@RealityTest”) & check out some of the benefits of a free membership (early access to the audio episodes!) & the paid tier! For only a MEASLY $5/month, you get the bonus features, including Mental Health Check-Up episodes, the VIDEO episodes, the full audio episode archive, and bonus & behind-the-scenes video content!The first 10 paying members will get shoutouts on the pod & 5 randomly selected members will get a free year of membership after joining! What are you waiting for? Come watch our video episodes, & join us in learning a little something about psych & mental health from our examinations of your favorite reality TV shows, castmates, and tea! O=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-oReality testing is when we check an emotion or thought we're having against objective reality. So, here in Reality Test, we're going to be testing the thoughts, emotions, interactions, and producer antics of reality television against what we know, as licensed psychologists, about objective reality. Come with us, let's Reality Test!Hosts: Dr. Kay & Dr. RayThank you to our sound extraordinaire, Connor!Patreon: patreon.com/RealityTestLinkt.ree/@RealityTestInstagram: @realitytestpodcastTikTok: @realitytestpodYouTube Channel: @realitytestpodFacebook Page: Reality Test PodEmail: realitycheckpodding@gmail.comDr. Kay: @drkaypods (Insta) & @dr.realitv (TikTok)Dr. Ray: @drraypods (Insta)O=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-o

The Covid Inquiry led by Baroness Hallett has concluded that the UK did too little too late in response to Covid-19, that the lockdown could have been avoided if steps such as social distancing and isolating had been introduced earlier. Joining Anita Rani to give their response to the findings and tell their stories of that time, are musical theatre actor Ruthie Henshall, whose mother died in a care home during Covid and Naomi Fulop, from Covid-19 Bereaved Families for Justice UK, who also lost her mother during this time. Another chance to hear a shortened version of an interview Anita recorded last month with Melinda French Gates, the most well known and powerful woman in philanthropy. In 2000, Melinda co-founded the Bill and Melinda Gates Foundation, which has - to date - donated over one hundred billion dollars to charitable projects. She and Bill Gates married in 1994 and divorced in 2021, after 27 years of marriage. Melinda has since left their joint enterprise and set up her own, Pivotal Ventures, which has one purpose: to put power into the hands of women. In a new report 'Care, courage, change,' the World Health Organisation has conducted analysis of the various health and support policies for survivors of violence in the 53 countries of the WHO European Region. The report reveals that almost one in three women and girls aged 15-years and older, will experience physical or sexual violence in their lifetime - but countries' health sectors are failing nearly one in three survivors. Anita Rani talks to Melanie Hyde, WHO Europe's Gender, Equality and Human Rights Technical Officer, author of the report.Poetry, love and an incurable cancer diagnosis are the themes of a new film looking at the relationship between the acclaimed spoken word poet and activist Andrea Gibson and their wife, writer Megan Falley. Megan joins Anita along with the documentary's producer Jessica Hargrave to talk about the film and her late wife. Presenter: Anita Rani Producer: Rebecca Myatt

Even though the documentary Tig Notaro produced won the Festival Favorite Award at Sundance, she did not spend the festival hobnobbing with industry types. Instead she stayed holed up at the Airbnb she rented with friends and the film's crew. "We were calling it Snuggle Down because we were all sitting around the fire and having tea and just laughing so hard." Among the people at Snuggle Down was the subject of the documentary, poet Andrea Gibson, who was dying of ovarian cancer. In this episode, Tig describes meeting Andrea, what made them click creatively, and how making a documentary about the end of Andrea's life brought an already tight-knit group of friends closer together.  Watch: Come See Me In the Good Light And we also want to acknowledge the passing of disability activist Alice Wong. She died on Friday in San Francisco at age 51. Alice and Anna first talked in 2020.  Listen here: Alice Wong On Ruckuses, Rage And Medicaid Podcast production by Andrew Dunn Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Get 50% Off Monarch Money, the all-in-one financial tool at ⁠www.monarchmoney.com/DSM⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Even though the documentary Tig Notaro produced won the Festival Favorite Award at Sundance, she did not spend the festival hobnobbing with industry types. Instead she stayed holed up at the Airbnb she rented with friends and the film's crew. "We were calling it Snuggle Down because we were all sitting around the fire and having tea and just laughing so hard." Among the people at Snuggle Down was the subject of the documentary, poet Andrea Gibson, who was dying of ovarian cancer. In this episode, Tig describes meeting Andrea, what made them click creatively, and how making a documentary about the end of Andrea's life brought an already tight-knit group of friends closer together.  Watch: Come See Me In the Good Light And we also want to acknowledge the passing of disability activist Alice Wong. She died on Friday in San Francisco at age 51. Alice and Anna first talked in 2020.  Listen here: Alice Wong On Ruckuses, Rage And Medicaid Podcast production by Andrew Dunn Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Get 50% Off Monarch Money, the all-in-one financial tool at ⁠www.monarchmoney.com/DSM⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Even though the documentary Tig Notaro produced won the Festival Favorite Award at Sundance, she did not spend the festival hobnobbing with industry types. Instead she stayed holed up at the Airbnb she rented with friends and the film's crew. "We were calling it Snuggle Down because we were all sitting around the fire and having tea and just laughing so hard." Among the people at Snuggle Down was the subject of the documentary, poet Andrea Gibson, who was dying of ovarian cancer. In this episode, Tig describes meeting Andrea, what made them click creatively, and how making a documentary about the end of Andrea's life brought an already tight-knit group of friends closer together.  Watch: Come See Me In the Good Light And we also want to acknowledge the passing of disability activist Alice Wong. She died on Friday in San Francisco at age 51. Alice and Anna first talked in 2020.  Listen here: Alice Wong On Ruckuses, Rage And Medicaid Podcast production by Andrew Dunn Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Get 50% Off Monarch Money, the all-in-one financial tool at ⁠www.monarchmoney.com/DSM⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor, comedian, writer, and co-host of The Handsome Podcast, Tig Notaro joins Mal this week to talk about the devastating loss of her friend Andrea Gibson, facing her own cancer battle, the grief of losing her mom, at the same time as navigating a breakup. She also offers a glimpse into her new documentary, Come See Me in the Good Light. Thank you to this episode's sponsor! - Bellesa Boutique: EVERYONE who signs up wins a FREE Rose suction toy with their order! https://www.bboutique.co/vibe/madeitout-podcast  Follow our guest @therealfluffnotaro, follow the show @madeitout, and follow Mal @malglowenke

Even though the documentary Tig Notaro produced won the Festival Favorite Award at Sundance, she did not spend the festival hobnobbing with industry types. Instead she stayed holed up at the Airbnb she rented with friends and the film's crew. "We were calling it Snuggle Down because we were all sitting around the fire and having tea and just laughing so hard." Among the people at Snuggle Down was the subject of the documentary, poet Andrea Gibson, who was dying of ovarian cancer. In this episode, Tig describes meeting Andrea, what made them click creatively, and how making a documentary about the end of Andrea's life brought an already tight-knit group of friends closer together.  Watch: Come See Me In the Good Light And we also want to acknowledge the passing of disability activist Alice Wong. She died on Friday in San Francisco at age 51. Alice and Anna first talked in 2020.  Listen here: Alice Wong On Ruckuses, Rage And Medicaid Podcast production by Andrew Dunn Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Get 50% Off Monarch Money, the all-in-one financial tool at ⁠www.monarchmoney.com/DSM⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This talk includes references to the poetry of Andrea Gibson, with excerpts from their poem, “The Lifegiving Benefits of Befriending our Mortality.” This recording was edited and prepared for publication by volunteer Deb Slivinsky.

Send us a textCome See Me In The Good Light is a beautiful documentary that follows two poet lovers, Andrea Gibson and Megan Falley, as they explore their relationship, laughter and mortality after receiving news of Andrea's incurable diagnosis. We were joined by director (and return guest) Ryan White and producer/star of the film Megan Falley to discuss the lasting impact of this film, the beauty in grieving out loud, and life lessons learned both in front of and behind the camera.Come See Me In The Good Light is streaming now on Apple TVFollow director Ryan White on IGFollow poet Megan Falley on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

We made a movie. You can watch it now.  Our first film – COME SEE ME IN THE GOOD LIGHT– is now available for you to watch on Apple TV starting this Friday, November 14.  Winner of the Sundance Festival Favorite Award, and hailed by critics as “unforgettable,” “luminous” and “revelatory” – COME SEE ME IN THE GOOD LIGHT – about our beloved friends Andrea Gibson and Meg Falley, and their love story with each other and with life, is exactly what we need, exactly when we need it. It will make the world gentler, braver, and more beautiful. Today, Meg Falley is sharing the brutal, beautiful story of Andrea's “alleged death,” how Andrea continues to show up in lightning, music, and everyday miracles, and how this gorgeous film is helping her walk through her grief.   Listen to this soul-shifting conversation – and see why it sent Glennon and Meg directly to the tattoo shop for piercings. And witness Andrea and Meg's life-changing love story for yourself: Watch COME SEE ME IN THE GOOD LIGHT on Apple TV starting this Fri, 11/14. #ComeSeeMeInTheGoodLight About Meg:  Megan Falley is a nationally-ranked slam poet and the author of three full-length collections of poetry – most recently her book “Drive Here and Devastate Me”. Since transitioning to writing prose, excerpts from her memoir-in-progress have won several first- and second-place national prizes. She runs an online writing workshop called “Poems That Don't Suck” which has been heralded as “a degree's worth of education in 5 short weeks.” Premiering at the 2025 Sundance Film Festival—where it went on to win the Festival Favorite Award—Come See Me in the Good Light was quickly embraced by audiences and soon after picked up for distribution by Apple TV+ where it will be released globally on November 14, 2025. Follow We Can Do Hard Things on: Youtube — @wecandohardthingsshow   Instagram — @wecandohardthings TikTok — @wecandohardthingshow

Tig Notaro is a comedian, actor, screenwriter, producer, and co-host of the podcast Handsome. This conversation explores Tig's legendary 2012 set—delivered days after her cancer diagnosis—and how loss became her greatest teacher. We discuss her wild upbringing, choosing presence over performance, the napkin-based writing process, what's going on in the comedy scene, and producing "Come See Me in the Good Light," the Sundance-winning doc about poet Andrea Gibson. Oh, and we bond over spinal fusion surgery recovery. Tig is great—and I really enjoyed our time together. Enjoy! Show notes + MORE Watch on YouTube Newsletter Sign-Up Today's Sponsors: Squarespace: Use code RichRoll to save 10% off your first order of a website or domain

Actor and comedian Tig Notaro welcomes Stephen Colbert to the "Star Trek" family, and reads part of a work by her late friend, the renowned poet Andrea Gibson who is the subject of Notaro's new documentary, "Come See Me in the Good Light." The documentary premieres on AppleTV on November 14th. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Come See Me In The Good Light" is a documentary film directed by Ryan White, following poet/activist Andrea Gibson and Megan Falley as they navigate an examination of love and mortality after Gibson is diagnosed with terminal ovarian cancer. This tearjerking film on love and loss had its world premiere at the 2025 Sundance Film Festival, where it received positive reviews and the Festival Favorite Award. White was kind enough to spend a few minutes speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which is set to be released on November 14th on Apple TV by Apple. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea Gibson was the poet laureate of Colorado and a giant of the spoken word poetry scene. This past July, Gibson died of ovarian cancer, leaving behind their devoted fans, friends, family and longtime partner, the poet Megan Falley.For the last year of Gibson's life, a film crew followed Andrea and Megan as they navigated countless treatments and moments of triumph. In the darkest of times, their connection grew. Their deeply moving love story is the focus of a new documentary, “Come See Me in the Good Light.”On today's episode of Modern Love, Megan Falley talks with our host Anna Martin about falling in love with Andrea Gibson and loving them through their cancer diagnosis and eventual death. Falley reckons with what it's like to be a 37-year-old widow, and how despite Andrea being gone, they are very much still with her.The song Megan talks about in this episode is called “Hold Down The Fort.”Megan Falley's newsletter is called “Things That Don't Suck.”Here's how to submit a Modern Love Essay to The New York Times.Here's how to submit a Tiny Love Story.Listener call-out: Thanksgiving with family can be tough. We want to help. The Modern Love team wants to hear your questions about navigating tricky family situations over the holiday, and we'll try to find answers for you. Find out how to submit your voice memo here Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

We read and respond to listener emails.Andrea Gibson substack referenced is HERE.You can google “JADE Al-Anon” to learn more about JADE (even from non-Al-Anon resources).The “Detachment Pamphlet” is HERE.Our website is HERE:  System Speak Podcast.You can submit an email to the podcast HERE.You can JOIN THE COMMUNITY HERE.  Once you are in, you can use a non-Apple device or non-safari browser to join groups HERE. Once you are set up, then the website and app work on any device just fine.  We have peer support check-in groups, an art group, movie groups, social events, and classes.  Additional zoom groups are optional, but only available by joining the groups. Join us!Content Note: Content on this website and in the podcasts is assumed to be trauma and/or dissociative related due to the nature of what is being shared here in general.  Content descriptors are generally given in each episode.  Specific trigger warnings are not given due to research reporting this makes triggers worse.  Please use appropriate self-care and your own safety plan while exploring this website and during your listening experience.  Natural pauses due to dissociation have not been edited out of the podcast, and have been left for authenticity.  While some professional material may be referenced for educational purposes, Emma and her system are not your therapist nor offering professional advice.  Any informational material shared or referenced is simply part of our own learning process, and not guaranteed to be the latest research or best method for you.  Please contact your therapist or nearest emergency room in case of any emergency.  This website does not provide any medical, mental health, or social support services. ★ Support this podcast on Patreon ★

Handsome takes some time to remember our friend Andrea Gibson, and the hosts answer a fitting question from Kristen Schaal about the afterlife.Handsome is hosted by Tig Notaro, Mae Martin, and Fortune FeimsterFollow us on social media @handsomepodMerch at handsomepod.comWatch Handsome on YouTubeThis is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Handsome via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Liz and Sarah talk about how lately their job has been interfering with their career. So many Zooms! They realize that the new Hollywood definitely has its own learning curve. In Take A Hike, they discuss how watching Brook do an amazing pitch made them appreciate the joy of mentorship. Then they Amplify late poet Andrea Gibson’s “Love Letter From the Afterlife.” This week’s Hollywood Hack will help you organize your closet: a foldable step stool. Plus, Liz had a WNBA Celebrity Sighting — Candace Parker and Anna Petrakova. Finally, Sarah recommends Homeschooling 101: A Beginner’s Guide to Getting Started. Sign up for Liz and Sarah’s free weekly newsletter at https://happierinhollywoodpod.substack.com. Get in touch on Instagram: @Sfain & @LizCraft Get in touch on Threads: @Sfain & @LizCraft Visit our website: https://happierinhollywood.com Join our Facebook group: https://www.facebook.com/HappierinHollywood/ Happier in Hollywood is part of ‘The Onward Project,’ a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—Happier with Gretchen Rubin, and Side Hustle School . If you liked this episode, please subscribe, leave a review, and tell your friends! LINKS: Brook Sitgraves Turner: https://www.imdb.com/name/nm8223801/ Andrea Gibson’s “Love Letter From the Afterlife”: https://www.youtube.com/watch?v=QmZHLvq-gDg Closet Stool: https://amzn.to/4lTn4hM Candace Parker: https://en.wikipedia.org/wiki/Candace_Parker Anna Petrakova: https://en.wikipedia.org/wiki/Anna_Petrakova Homeschooling 101: A Beginner’s Guide to Getting Started: https://www.teacherspayteachers.com/Product/Homeschool-101-EBook-13953504 PHOTO: https://images.unsplash.com/photo-1583565638778-617c078f4a8d?w=900&auto=format&fit=crop&q=60&ixlib=rb-4.1.0&ixid=M3wxMjA3fDB8MHxzZWFyY2h8OTV8fGludGVyZmVyaW5nfGVufDB8fDB8fHww See omnystudio.com/listener for privacy information.

What do you do when your own body feels like the enemy? Spoken word artist and activist Andrea Gibson (You Better Be Lightning) spends years struggling with chronic illness, feeling as if their body is at odds with their anxious mind. It's only when they learn to surrender control and embrace their physical sensations that they allow their body to guide them back to joy. Each episode of Meditative Story combines the emotional pull of first-person storytelling with immersive music and gentle mindfulness prompts. Read the transcript for this story: meditativestory.comSign up for the Meditative Story newsletter: https://meditativestory.com/subscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode is our tribute to poet Andrea Gibson, who passed away recently and left behind some of the most stunning insights about love, illness and what it really means to show up for one another. Kelly shares an excerpt from Andrea's blog regarding being sick—how friends would ask what to bring when they visited and Andrea's partner would say "bring your problems," because being needed was just as important as being cared for. It's such a simple but profound idea: that even when we're struggling, we still want to feel useful, to be more than just someone who needs help. The episode ends with Andrea's gorgeous poem "Love Letter from the Afterlife," which completely reimagines what death might be like—not as leaving but as becoming more present than ever before. It's the kind of writing that stops you in your tracks and makes you think about love and loss in an entirely new way. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices