Podcasts about anru

17. februārī Lielajā ģildē festivāla "Vīnes klasika" kopā ar Valsts kamerorķestri Sinfonietta Rīga uzstāsies austriešu sitaminstrumentālists Bernhards Šimpelsbergers un britu vijolnieks Tomass Gūlds, atskaņojot Ludviga van Bēthovena Sesto simfoniju ("Pastorālā"), Jozefa Haidna 22. simfoniju ("Filozofs") un austriešu komponista Johannesa Berauera dubultkoncerts NoWhere. Londonā dzimušais Tomass Gūlds no 2005. līdz 2016. gadam kā koncertmeistars darbojās kamerorķestrī Aurora Orchestra, bet šobrīd viņš ir kamerorķestra Britten Sinfonia pirmā vijole, kā arī bieži uzstājas kopā ar ievērojamiem orķestriem visā pasaulē, toskait vairākkārt koncertējis arī Latvijā. Ar Tomasu Gūldu runājam par austriešu komponista Johannesa Berauera mūziku, indiešu klasiskās mūzikas ritmiem, par žanru robežām un to neviennozīmību un pārvērtēšanu, par džeza un klasiskās mūzikas iespaidiem Gūlda bērnībā, mazliet arī par Naidželu Kenediju, Žilu Apapu, leģendāro vijolspēles pasniedzēju Ņujorkā Dorotiju Deleju un džeza vijolnieku Stefanu Grapelli. Sarunā arī par Haidna inovatīvo muzikālo izdomu viņa 22. simfonijā "Filozofs" un citos darbos, par to, kā aiziet no Eiropas Savienības ar Haidna "Atvadu" simfoniju, arī pāris vārdi par Bēthovena Sesto "Pastorālo" simfoniju un Tomasa Gūlda muzikālajiem plāniem 2024. gadā. Neriskēšu teikt, ka Johannesa Berauera mūzika Rīgā vēl nav skanējusi, bet tas varētu būt tuvu patiesībai. Kāda no jūsu skatupunkta ir Berauera mūzika? Domāju, šī būs pirmā reize, kad Johannesa Berauera mūzika skanēs Latvijā. Viņš ir to komponistu skaitā, kas nojauc robežas starp žanriem, šos ne visai noderīgos, tradicionālos nodalījumus starp džezu un klasisko mūziku. Ir tik daudz jaunas mūzikas, kas pastāv kaut kur pa vidu šiem dalījumiem. Ir grūti kategorizēt, bet Johanness ir klasiski skolots komponists, viņš caurcaurēm izstudējis Ravela un Šēnberga orķestrāciju. Viņš izcili pārzina orķestrēšanas mākslu. Un vienlaikus viņš ir pilnībā iegremdējies džeza mūzikā. Pazīstu viņu jau daudzus gadus, domāju, tas bija pirms gadiem desmit, kad viņš mani uzaicināja piedalīties kamermūzikas koncertā Londonā. Viņš meklēja vijolnieku, un mani kāds bija ieteicis, jo arī es spēlēju gan klasisko, gan džeza mūziku, un visu, kas ir kaut kur pa vidu šiem žanriem. Tā desmit gadus esam strādājuši kopā, un tas viss mūs aizvedis pie šī koncerta, kas ir fantastisks darbs. Ceru, ka klausītājiem tas patiks. Tad varētu teikt, ka ar Johannesu esat domubiedri tajā, kā domājat par mūziku, atskaņojumu, žanriem? Domāju, jā. Mums ir visai līdzīga pieredze tādā nozīmē, cik dažādos mūzikas stilos izpaužamies, kādu mūziku klausāmies. Mana personīgā interese par džezu sakņojas bērnībā. Maniem vecākiem bija apjomīga džeza un klasiskās mūzikas ierakstu kolekcija. Mani nosauca par Tomasu, jo vecākiem ļoti patika Tomasa Tallisa darbi. Tad nu varat iedomāties – mājās skanēja daudz klasiskā mūzika, bet tāpat Mailss Deiviss, Džons Koltreins, Hērbijs Manns un Ārts Bleikijs. Bērnībā paguvu iepazīt savu vecāku lielo mūzikas kolekciju. Tad sāku spēlēt bungas. Esmu mācījies trīs klasisko instrumentu spēli: vijoli, klavieres un sitaminstrumentus. Tā nonācu pie bungu komplekta, un caur to nonācu pie džeza spēlēšanas. Un man tas bija ļoti dabisks ceļš, kā nonākt līdz džezam. Domāju, ka Johanness varētu izstāstīt līdzīgu stāstu. Klasiskās mūzikas izglītībai kopumā ir problēma, ka tā ir ļoti preskriptīva, noteiktu rīcību paģēroša. Ir populārs stāsts par vijolnieku Naidželu Kenediju, kurš savulaik studēja pie slavenās pedagoģes Dorotijas Delejas Džuljarda skolā Ņujorkā. Tas bija pirms 30, 40 gadiem. Ap to laiku Ņujorkā bija džeza vijolnieks Stefans Grapelli, un viņš uzaicināja Naidželu Kenediju, kurš tolaik bija ļoti jauns mūziķis, pievienoties uz koncertu džeza klubā. Dorotija Deleja par to nebija sajūsmā. Viņa teica: ja vēlies būt īstens klasiskais vijolnieks, tev nebūtu jāizšķiež laiks džeza klubos. Droši vien tajā ir savs patiesības grauds. Bet domāju, ka spēja muzicēt dažādos žanros un zināšanas, kas aptver visu, kas mūzikā ir labs, nāk tikai par labu, tas ir veselīgi. Es saku – labais mūzikā, bet laba mūzika ir gan klasikā, gan džezā, gan smagajā metālā, kantri mūzikā, it visur. Ir arī daudz sliktas mūzikas, kurai vajadzētu mest līkumu. Bet, ziniet, ir arī slikta klasiskā mūzika. Un laba mūzika sliktos ierakstos. Protams. Turklāt mūslaikos ir tik daudz mūzikas. Dažreiz vēlos paklausīties mūziku, un vienlaikus jūtos pārsātināts no izvēļu daudzuma, kas 2024. gadā man ir pieejams. Sestdien koncertā spēlēsim arī Bēthovena "Pastorālo simfoniju" un Haidna 22. simfoniju ar nosaukumu „Filozofs”. Ja ierakstāt, piemēram, Bēthovena "Pastorālo" Apple Music meklētājā, tur būs vismaz 70, 80 ierakstu, tā ir neaptverams klāsts. Ja runājam par labiem ierakstiem, domājams, Naidželam Kenedijam tomēr nāca par labu dažādu žanru iepazīšana. Vienā no agrākām intervijām stāstījāt par koncertu, kurā Mocarta Vijolkoncertam nospēlējāt džeza kadenci, un publika to īsti nesaprata. Bet manā pieredzē ar vijoļkoncertu repertruāru viena no virsotnēm ir Naidžela Kenedija ieskaņotais Mocarta Ceturtais vijoļkoncerts kopā ar Polijas kamerorķestri. Kad pienāk brīdis pirmās daļas kadencei, orķestris sāk spēlēt izvērstu ostinato, bet Kenedijs pie vijoles pieslēdz ģitāras pedāļus, pilnībā izmainot instrumenta skaņu. Es domāju, ka Naidžels Kenedijs ir paveicis daudz laba, nojaucot robežas starp mūzikas žanriem. Un, ja runājam par Mocarta koncertu kadencēm, noteikti jāpiesauc arī Žils Apaps. Tas patiesi ir viens no vislieliskākajiem vijoļspēles paraugiem. Tas patiesībā mani iedvesmoja pamēģināt darīt kaut ko citādāk, bet tas jau bija krietnu laiku atpakaļ. Pirms kādiem 14 gadiem, un pēc koncerta izcēlās neliels skandāls, jo toreiz spēlēju nelielā mūzikas festivālā uz Anglijas un Velsas robežas, un viņi pavisam noteikti negaidīja džeza kadenci Mocarta vijoļkoncertā, par to vēlāk rakstīja presē, tas bija neliels šoka moments. Jūs dabūjāt sliktu atsauksmi? Recenzijā viss bija ļoti slikti, bet es arī saņēmu daudz atbalsta. Tas bija polarizējoši. Pusei no klausītājiem tas patika, pusei nepatika. Bet manā ieskatā tā bija vērtīga pieredze, jo no tā izrietēja dziļāka saruna par to, cik lielā mērā kadence pieder komponistam, cik svarīgi ir kadencē ievērot to mūzikas stilu, kas ir pirms un pēc kadences, vai kadence nozīmē iespēju mūziķim lauzt vecās tradīcijas un darīt kaut ko pilnīgi individuālu? Es nezinu, tā joprojām ir aktuāla saruna. Tomēr es nekad vairs neatkārtoju eksperimentu ar džeza kadencēm Mocarta mūzikā. Atklāti sakot, tas patraucēja atskaņojumam. Un es domāju, ka atskaņotāja darbs ir vienmēr dot visgodprātīgāko versiju komponista rakstītajam materiālam. Jums nekad nevajadzētu doties prom no Mocarta vijoļkoncerta atskaņojuma ar domu, ka Tomass Gūlds bija lielisks. Tā vietā būtu jābūt pēcsajūtai – jā, tas Volfgangs Amadejs patiešām ir īpašs. Cik noprotu, arī Johanness Berauers jums un jūsu kolēģim pie sitaminstrumentiem uzrakstījis koncertdarbu. Vai arī Johanness savā darbā iekļāvis kadences? Darba pirmajā daļā ir vieta kadencei, bet tā nav sevišķi virtuoza. Tas drīzāk ir pārdomu brīdis, un lielumties sitaminstrumentālistam Bernhardam. Domāju, būtu labi viņu iepazīstināt. Viņam ir īsta austrieša vārds: Bernhards Šimpelsbergers, bet tas nav tas, ko domājat. Viņš ir ļoti moderns, fleksibls, daudzpusīgs mūziķis, kurš daudz laika paadījis Indijā, studējot indiešu ritmus. Sevišķi konakolu – prasmi vokalizēt ritma paternus. Neesmu eksperts, bet Bernhards to ir izstudējis līdz kaulam, viņš ir ļoti autentisks. Johannesa koncertā ir daudz indiešu mūzikas iespaidu. Bernhardam ir mikrofons, lai klausītāji varētu dzirdēt visas konakola nianses. Arī kadencē dzirdēsim konakolu. Vai atminaties, kā sākās jūsu interese par Jozefa Haidna mūziku? Domāju, ka pirmais Haidna skaņdarbs, ko spēlēju, bija „Pēdējie septiņi vārdi”, ko atskaņoju kvarteta sastāvā. Toreiz biju students, tas bija Lielajā piektdienā. Mūzika mani ļoti uzrunāja, sajutu stipru saikni ar Haidnu. Par simfonijām runājot, tās bieži uztver kā dzīvespriecīgu, bezrūpīgu, visai vieglu koncerta ievadu. Anglijā nebūs retums, ka spēlē Haidna simfoniju, un mēģinājumos tai netiks veltīts daudz laika, jo vispārpieņemts, ka tā ir viegla mūzika, kuru mūziķi pazīst. Ja pievēršam uzmanību „Filozofa” simfonijai, tai ir ļoti neparasta pirmā lēnā daļa, tajā ir ilgstošs ostinato, repetitīva, motoriska figūra čellos, tā ilgst ap 8 minūtēm. Tas patiesībā ir ļoti savādi. Vijoles spēlē surdinēti, tas piešķir neparastu skaņas nokrāsu. Un melodiju spēlē divi mežragi un divi angļu ragi. Haidnam tas ir ļoti neparasts veids, kā iesākt simfoniju. Domāju, ka Haidns bija ļoti inovatīvs komponists. Praktiski jebkurā simfonijā, jebkurā stīgu kvartetā atradīsim kaut ko oriģinālu, piemēram, norādi vijolēm spēlēt melodiju augstā pozīcijā uz sol stīgas, vai surdīņu pielietošanu, vai putnu treļļu imitācijas – Haidna izdoma un humora izjūta ir neizsmeļama.  Vari just, ka viņš bija ļoti laipns, augstsirdīgs cilvēks. Es mīlu viņa mūziku. Domāju, jau viņa pirmajās simfonijās izdoma un asprātīgi risinājumi ir kas tāds, ko gaidi katrā nākamajā Haidna simfonijā. Piemēram tas, cik daudzveidīgi viņš izmanto mežragu zelta gājienu no simfonijas uz simfoniju. Jā, es pilnībā piekrītu. Nāk prātā „Atvadu” simfonija, kuras beigās mūziķi noiet no skatuves. Man bija iespēja spēlēt šo darbu ļoti sāpīgā, un ļoti zīmīgā brīdī. Tas bija Briselē uzreiz pēc tam, kad nobalsojām par izstāšanos no Eiropas Savienības. Es par to nenobalsoju, bet, diemžēl, daudzi mani tautieši tā izdarīja. Mēs spēlējām šo simfoniju Daiļo mākslu pilī Briselē īsi pēc balsojuma. Mūziķi nogāja no skatuves, un tas bija, jūs varat iedomāties, cilvēkiem acīs bija asaras. Tas bija ļoti emocionāli. Lūdzu, dažus vārdus par Bēthovena Sesto šī koncerta kontekstā. Šis koncerts būs daļa no Vīnes klasikas festivāla, tāpēc vēlējāmies kaut ko no Bēthovena, viena no centrālajiem Vīnes komponistiem. "Pastorālā simfonija" lieliski sader ar Berauera darbu, kurā arīdzan ir pastorāli elementi. Un Bernhardam uz skatuves ir ļoti savādi instrumenti, kurus viņš ieguvis ceļojumos pa visu pasauli. Un tas viss ļoti labi veido koncerta kopainu un papildina dabas tematiku. Domāju, ka "Pastorālā" no visām Bēthovena simfonijām ir ļoti parocīga atskaņojumam bez diriģenta, jo tā ir ļoti kamermuzikāla, tas ir smalks darbs. Tai nepiemīt ekstravertais ārišķīgums, kas raksturīgs iepriekšējām – Piektajai, Trešajai, arī Septītajai. Tie ir daudz ekstrovertāki, spožāki darbi. Turpretim pāra skaitļu simfonijas – Otrā, Ceturtā, Sestā – ir introvertākas, klusākas, smalkākas. Un Sestā ir par dabu, virs katras daļas ir teksts, kas vēsta par notikumiem mūzikā. Vētra, strautiņš, maza upīte, ciema ļaudis svētku noskaņā un tā tālāk. Tie ir Bēthovena simfoniju četri gadalaiki. Vai vēlaties pastāstīt klausītājiem par to, kā izskatās jūsu 2024. gads uz skatuvēm? Šī ir aizņemta nedēļa, vēl pagūšu aizlidot atpakaļ uz Londonu un nospēlēt koncertu ar savu orķestri, patiesībā kaut ko līdzīgu kā šeit. Piebildīšu, ka Sinfonietta Rīga ir viens no maniem vismīļākajiem orķestriem pasaulē. Tiekamies ceturto reizi, un tas ir ļoti priviliģējoši un gandarījoši – veidot ilgstošu sadarbību ar orķestri, nevis vienreiz satikties, nospēlēt koncertu un pamāt ardievas. Atgriežoties pie jautājuma, Londonā spēlēsim Bēthovena Lielo fūgu, Bartoka Divertismentu, un izcilu Džona Tavenera darbu, čellkoncertu „Sargājošais plīvurs”. Taveners devās mūžībā pirms desmit gadiem. Tad ar Britten Sinfonia dosimies spēlēt uz Mančesteru un Dublinu. Kas vēl, šogad spēlēšu Maksa Rihtera pārkomponētos Vivaldi „Gadalaikus”, būšu visai aizņemts, lai gan tagad, kad man ir 40, cenšos aizņemtību mazināt, vēlos arī atlikt laiku tenisam un saviem kaķiem. Tomas, paldies par sarunu, lai viss izdodas!

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai'i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan's Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

durée : 00:02:47 - Grand angle - C'était il y a 20 ans : la création de l'Agence nationale pour la rénovation urbaine (ANRU) pour développer la mixité sociale dans les quartiers et mieux répartir les logements sociaux à l'échelle d'une ville. Le collectif "Stop aux démolitions" dénonce des destructions de logement abusives.

Due to the US Holiday, I decided to re-release a session from the podcast that is packed full of info! This is the session where Anru describes the different types of parallel selves that starseeds have, where they're located, and how long they've been incarnating on Earth. I picked this episode because I get a lot of questions during Tell-All Tuesday about how parallel selves work. Enjoy! My end-of-year offers: To book an Exploring Contact hypnosis session, click here. To book an Intuitive Galactic Reading, click here. To inquire about the parallel-self connection live experience, email team@thestarseedawakener.com. Stay tuned for updates on Shadow School! Disclaimer: This episode may mention or exemplify offers that no longer exist - including private hypnosis with me. For the most up to date information and offers, please visit my website at thestarseedawakener.com

Dans le cadre d'une réunion de restitution d'un travail de concerntation et dialogue avec les habitants du quartier du Clos-Français à Montreuil. Franck a rencontré Siamak, membre de l'association APPUII et Cécile une habitante du quartier.

C dans l'air du 20 juillet : Remaniement : Borne 0 - Attal 1 LES EXPERTS : - CARL MEEUS - Rédacteur en chef - Le Figaro Magazine - NATHALIE SAINT-CRICQ - Éditorialiste politique - France Télévisions - CHLOÉ MORIN - Politologue, auteure de On a les politiques qu'on mérite - FRÉDÉRIC DABI - Directeur général Opinion - Institut de sondages IFOP Le premier Conseil des ministres de la nouvelle équipe de la Première ministre aura lieu demain matin à 10 heures a annoncé aujourd'hui l'Elysée. D'ici là, la composition du nouveau gouvernement va être communiquée et les passations de pouvoir réalisées dans les ministères. Alors qui reste en poste, qui arrive et qui s'en va ? Au terme de longues tractations entre Emmanuel Macron et Elisabeth Borne, Gabriel Attal, actuellement ministre délégué au Budget, va finalement remplacer Pap Ndiaye à l'Éducation nationale. L'ancien directeur de cabinet de la Première ministre, Aurélien Rousseau, est lui nommé ministre de la Santé. Marlène Shiappa quitte le gouvernement et Aurore Bergé, jusqu'ici présidente du groupe Renaissance à l'Assemblée nationale, devient ministre chargée des Solidarités. Le député MoDem Philippe Vigier est nommé aux Outre-Mer, la députée Renaissance Sabrina Agresti-Roubache à la Ville et le député Renaissance Thomas Cazenave aux Comptes publics. Le maire de Dunkerque Patrice Vergriete est, lui, chargé du Logement. À la rentrée, "nous aurons beaucoup de réformes décisives à conduire", avait prévenu le président lors du dîner avec ses ministres, mardi soir, à l'Élysée. "Les choses ne seront pas plus simples à la rentrée prochaine, car la vie politique française ne se simplifiera pas" avait-il souligné. Avant de s'adresser aux Français d'ici dimanche, le président de la République a également fait hier soir, devant les parlementaires de son camp, un premier bilan et mis en avant deux thèmes pour la rentrée : la planification écologique et l'immigration, dont le projet de loi qui doit être présenté à l'automne après de multiples reports. "On ne peut pas laisser ce sujet aux oppositions, sinon on laissera les extrêmes se nourrir", a-t-il fait valoir. Pour chacun de ces chantiers, "nous aurons à bâtir une ligne politique claire, rassembleuse, qui permet d'agréger autour de nous toutes les forces de bonne volonté pour construire un projet d'avenir", a indiqué le chef de l'Etat. Toujours en quête d'un élargissement de la majorité au Parlement, Emmanuel Macron a surtout tenu à remercier ses soutiens après cette année parlementaire "éprouvante", et a exhorté à "l'unité", "la clef de la réussite". Car la bataille s'annonce rude à la rentrée dans l'hémicycle notamment sur le projet de loi à venir sur l'immigration ou encore sur la réponse politique à apporter aux émeutes. Pour l'heure, le président de la République s'est donné du temps pour comprendre mais il va devoir maintenant traduire en message à l'adresse des Français sa réponse à cette nouvelle crise, venue bouleverser sa stratégie d'apaisement du pays après la réforme des retraites, et percuter les célébrations des vingt ans de l'Agence nationale pour la rénovation urbaine (Anru), bras armé de la politique de la ville. Alors quelles leçons tirer de ce remaniement gouvernemental ? Quelles sont les réformes à l'agenda de ces prochains mois ? L'Agence nationale pour la rénovation urbaine (Anru) a été créée dans le sillage des émeutes des années 2000. Quel bilan vingt ans après ? DIFFUSION : du lundi au samedi à 17h45 FORMAT : 65 minutes PRÉSENTATION : Caroline Roux - Axel de Tarlé REDIFFUSION : du lundi au vendredi vers 23h40 RÉALISATION : Nicolas Ferraro, Bruno Piney, Franck Broqua, Alexandre Langeard, Corentin Son, Benoît Lemoine PRODUCTION : France Télévisions / Maximal Productions Retrouvez C DANS L'AIR sur internet & les réseaux : INTERNET : francetv.fr FACEBOOK : https://www.facebook.com/Cdanslairf5 TWITTER : https://twitter.com/cdanslair INSTAGRAM : https://www.instagram.com/cdanslair/

A Libération, Eve Szeftel suit (de près) le dossier urbanisme, logement et aménagement du territoire. Avec elle, on va tenter de plonger dans les sigles et dans les faits. Anru, QPV, plan Borloo, milliards d'euros, rénovation urbaine.

Cliquez ici pour accéder gratuitement aux articles lus de Mediapart : https://m.audiomeans.fr/s/P-UmoTbNLs Dans ce quartier populaire de la métropole toulousaine, les habitants du Mirail résistent au projet de rénovation urbaine qui prévoit de démolir près de 1 000 logements. Ils sont soutenus par un collectif d'architectes et le député LFI François Piquemal. Un article de Lucie Delaporte publié vendredi 23 juin 2023, lu par Jeremy Zylberberg.

In this episode, we decided to see if Anru had memories of Queen Siri, since Siri remembered playing with Anru in Atlantis. We were able to recall those memories, in this heart-warming session. Join the Mothership: https://www.thestarseedawakener.com/themothership Join the waitlist for QHC Round 3: https://www.thestarseedawakener.com/QHC Book a Quantum Hypnosis Session: https://www.thestarseedawakener.com/certified-healers-listing

In this very special session, we get to meet Markara's daughter from another mother, Siri, the Child-Queen of Sirius, also known in Egypt to the humans as Isis. We discover her tie to the first starseed in Atlantis, who she had to be protected from. Book a reading with Kate aka Anru: https://www.instagram.com/starseed_anru/ Join the Mothership: https://www.thestarseedawakener.com/themothership

In this loooong episode (sorry guys), you get to be a fly on the wall for a conversation between me, Anru, and Queen Nemona. Since discovering these two's friendship back in the Atlantis days, we've been wanting to do a double hypnosis session so that they could properly talk again. Listen in to hear us all chat about anything and everything starseeds, galactic business, Earth, and each other.

There's a snake in the grass. In this episode, we learn the truth about who Pietr, Narix, and Hiyati really are. Keep your eyes and ears peeled for the free town hall meeting with Anru and Queen Nemona to help support the podcast community. Do not give into the frequency of fear. Hold your Light, friends. If you need anything from me, please reach out to team@thestarseedawakener.com

Remember the queen that knew Anru in Atlantis? You finally get to meet her! Click here to join the waitlist for the next round of Quantum Hypnosis Certification. Next round begins the first week of 5/1.

After last week's session, I HAD to ask Anru if they knew the High Commander. Well, I was in luck, and you are, too. Click here to book a reading: https://www.thestarseedawakener.com/offers/PSNzBAah/checkout Click here to join the waitlist for Quantum Hypnosis Certification: https://www.thestarseedawakener.com/QHC

This episode is all about the Zetas (aka the Greys). I do a deep dive with Anru to find out whether they're all "bad," whether they're still abducting people, and why. Visit my website: https://www.thestarseedawakener.com/ Book a reading here.

Do you remember the hypnosis session where the queen from an unknown planet brings her people to Atlantis? Well, it turns out that Anru knew her well. Listen in as we learn more about her and her species. Click here to book an Intuitive Galactic Reading

Well if this episode doesn't blow your mind, I don't know what will. This hypnosis session with my client who has Anru in their consciousness addresses the question, how do starseeds prepare for incarnating on Earth? Listen in to hear about the pre-incarnation process that makes sure star beings will be able to handle the Earth experience. Learn about Quantum Hypnosis Certification. Book a reading.

In this episode, we get to find out more details about what happened in Atlantis and Lemuria, as uncovered by Anru, the entity that exists in one of my clients' consciousness. Get on the waitlist for Quantum Hypnosis Certification: https://www.thestarseedawakener.com/QHC Book a reading: https://www.thestarseedawakener.com/offers/PSNzBAah/checkout

It's finally time to find out about where Anru is from as we learn all about their home planet. Click here to get on the waitlist for my membership, The Mothership.

Episode 121. James B and Eddie are joined by new guest, Matt from Mr. Comics to talk about The Amazing Spider-Man 167 & 168. (2:42) From April of 1977 The Amazing Spider-man #167 “Stalked by the Spider-slayer!” by Wein, Andru, and Esposito. We open with what appears to be Spider-man being attacked and defeated! But it turns out to be JJJ testing and sighting-in his newest spider slaying robot with the help of its creator, Marla Madison. Whew, that was close.   (9:23) From May of 1977 The Amazing Spider-man #168 in “Murder on the Wind!” by Wein, Andru, and Esposito.  Spider-Man is in trouble! The Will-o'-the-Wisp has hypnotized Spider-man in Rockefeller Square while he holds the envelope containing evidence of his secret identity from JJJ's office.  What are those pictures. How will he escape?!   (19:00) A returning sponsor offers affordable medical services for Eddie's and his children.  Will Eddie take advantage?   See Mr. Comic's Youtube page here: https://www.youtube.com/Mr_Comics89 Theme Music by Jeff Kenniston,  Sponsor Bassline by Eddie.  Tours of New York for Mr. Comics provided by Irving Forbush. This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by Eddie.   Spell check handled by the Spider-Slayer. Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com except for any of the following if used: Squaks, Pouring Water, Wolf Sounds, Door Entering, Cough, Goofy Beeps and Tea Kettle by https://www.zapsplat.com/ Phone and Ambulance by freesoundslibrary, Record Scratch and Jet Take Off by Sound Effects Factory, Sexy Music by BenSound, Goblin Glider by Hollywood Edge, Gameshow music by Misc with permission, and and Eddie's laugh by Eddie. Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts! Find the podcasts on Youtube at https://www.youtube.com/channel/UCoKSfjDVKvj5C5lkjQvUByA/?sub_confirmation=1 and proudly be one of our first subscribers.  Stay Tuned for our next Let's Read Spider-Man episode in less than seven days where we have another first time guest and we make her suffer through some Marvel Team Up issues.

In this episode, Anru and I explore a new theory: The Four Generations of Starseeds. To register for the free event, Cosmic Consciousness, click here: https://www.thestarseedawakener.com/cosmicconsciousness To work with me, visit my website: https://www.thestarseedawakener.com/

In the wake of Queen Elizabeth's death, loads of conspiracy theories are floating around the starseed and lightworker communities about reptilians. This is the perfect opportunity to discuss whether these theories are helpful or hurtful to the spirituality movement and find out whether they hold any weight, straight from the Alien's mouth. To work with me, visit my website: www.thestarseedawakener.com

Anru is back! And we are exploring a space station which is an extension of the Galactic Federation. We also uncover a third type of starseed, for those of us with parallel selves. This episode is a lot of fun and PACKED with information. I'm also extending the review contest one week, so if you haven't had a chance to enter, here's how: To enter the free hypnosis session contest, please: 1) Rate my podcast 2) Leave a review 3) Subscribe Drop me a message on Instagram or an email to let me know that you entered so that I have a way to contact you if you win: Instagram: @thestarseedawakener Email: info@monetflorencecoaching.com

Buckle up, folks, this episode is a doozy! I experienced a first when a being named Anru wanted to say hello during a quantum hypnosis session. Be sure to listen to the episode before this one as it is somewhat a follow-up to the Atlantis session. Anru discusses a starseed theory that I've been trying to confirm for almost a year, the Earth timeline and shift, different galactic civilizations and so, so much more. Book a Quantum Connection Call with me to find out more about my program.

Notation -> http://www.shivkumar.org/music/ Kuthu ViLakkeriya (Thiruppavai Paasuram #19) Ragam: Sahana (28th Melakartha Janyam) https://en.wikipedia.org/wiki/Sahana_(raga) ARO: S R₂ G₃ M₁ P M₁ D₂ N₂ Ṡ || AVA: Ṡ N₂ D₂ P M₁ G₃ M₁ R₂ G₃ R₂ S || Talam: Misra Chapu Composer: Andal / Kodai / Nachiyar (Thiruppavai: Thiruppavai Wikipedia Page) Version: Akkarai Sisters & Kunnakudi Balamuralikrishna (https://www.youtube.com/watch?v=Sa47ZoR77_Q) Lyrics / Meaning Courtesy: http://www.ibiblio.org/sripedia/ebooks/tpv/vstp19.html Youtube Class: https://www.youtube.com/watch?v=mnwGzgZJ9S8 Audio MP3 Class: http://www.shivkumar.org/music/Thiruppavai19-class.mp3 Paasuram (Stanza) kuththu viLakkeriyak kOttuk kaal kattil mEl * meththenRa paNca-sayanaththin mEl ERi * koththalar pUNGkuzhal nappinai koNGkai mEl * vaiththuk kitan^tha malar-maarpaa vaay thiRavaay * maith-thataNG kaNNinaay nI un maNaaLanai * eththanai pOthum thuyilezha ottaay kaaN * eththanai-yElum pirivu aatRRa-illaayaal * thaththuvam anRu thakavu ElOr empaavaay.. Meaning Courtesy: http://www.ibiblio.org/sripedia/ebooks/tpv/vstp19.html {Additional sites: http://www.asayana.com/religion/18-2/; https://www.sadagopan.org/pdfuploads/Thiruppavai-VS.pdf} Context: Andal's thirty songs contain the cardinal principles of Vaishnava dharma during the month of Marghazhi. Vaishnavas sing these songs to bring peace, prosperity and Divine Grace. Andal assumes the guise of a cowherd girl in these 30 verses. Andal appears intent upon performing a particular religious vow to marry the Lord, thereby obtain His everlasting company, and inviting all her girl-friends to join her. Towards the end we learn that she did not actually perform a religious rite; but is simply praying to be granted the service of the Lord for eternity. She yearns for everlasting happiness and service of the Lord. Translation By Dr. V.K.S.N. Raghavan (Now the young gOpis try to wake up the dhivya dampathis, Nappinnai PirAtti and Lord KrishNA). As the cluster of lamps are glowing beside , Oh Lord KrishNA , You are lying on the very soft (silky ) bed , on the ivory cot with Your broad chest resting on the bosom of Sri Nappinnai , who is adorned with blossome d bunches of flowers on Her tresses. (KrishNA ! even if You are unable to get up ) may You , atleast open Your mouth. (Now turning to Nappinnai) Oh Young Lady with black and wide eyes ( adorned with collyrium) ! We think that You won't allow Your Lord to wake up from sleep even if it is late ( or at any time); that is because You can not bear the separation from Him even for a shortwhile. However, Oh Young lady , neither it is just on Your part ( to keep the Lord only for Yourself) , nor does it befit Your unbounded Mercy ! (na Saasthram naiva cha Krama: according to JananyAcchAr Swamy).

Metāla Apakšžanru Skaldīšana METĀLKĀSTS LV Podkāsts #107 Šajā epizodē izmēģinam kaut ko citādāku-19 metāla apakšžanri, kas pēc personīgās gaumes un bez žēlastības tiks sadalīti 6 pakāpēs/līmeņos(S-F). Skaldi kopā ar mums https://tiermaker.com/create/anru-ska... Skaldīšana METĀLKĀSTS LV #107 (ļoti profesionāla montāža un proprocijas uz ekrāna, jā, jā, es zinu)) SEKO Metalkastam : https://www.facebook.com/metalkastslv Pašmaju metala/roka jaunumi LRMA.LV https://lrma.lv/ Metalkasts LV ir podkasts latviešu valoda smagas muzikas cienitajiem. Albumu apskati, dažadi topi, sarunas/intervijas, koncertu apskati u.c jaunumi m/

L'Etat a annoncé les 27 premiers "quartiers fertiles" qui abriteront de l'agriculture urbaine en zone ANRU. Zoom sur quelques uns des projets et échange avec Hugo Meunier, fondateur de Merci Raymond. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.