Podcast appearances and mentions of charlie ahearn

Hip Hop Movie Club and Andrew "DJ ARM 18" McIntosh discuss last week's magical ArtsQuest event celebrating Wild Style at SteelStacks in Bethlehem PA . It was a blessing to be in the building for this action-packed night that featured: a screening of Wild Style (1982) a panel discussion with director Charlie Ahearn, Grandmaster Caz of the Cold Crush Brothers, and GrandMixer DXT a DJ set by DXTa performance by the Cold Crush Topics discussed:Bringing Wild Style to ArtsQuest The cultural significance of Wild StyleComparison with Beat Street and Breakin'The impact of Cold Crush BrothersHas the Cold Crush received their flowers?Upcoming eventsAlso check out: Our original episodes on Wild Style, Beat Street, and Breakin'.The Hip Hop Years and VH-1's NY77: The Coolest Year in HellHip Hop Movie Club will be back with ARM at SteelStacks to host a screening of Juice on February 28 (and Krush Groove in March). Check out ARM's 50 Years Down the Line site for more events, including "Fresh Dressed Like a Million Bucks" on February 24 and a conversation with Chuck D of Public Enemy on April 16. CreditsHip Hop Movie Club is produced by your HHMCs JB, BooGie, and DynoWright. Theme music by BooGie. Follow @hiphopmovieclub on Instagram!

Sole Free was recently at the Jeffrey Deitch Gallery for a special panel titled, “Element of Style” with Carlo McCormick, Janette Beckman, Eric Haze, Charlie Ahearn and KAWS' Chum. This event is was part of the Wild Style 40th anniversary celebration. “Wild Style” is a film whose influence cannot be underestimated and hailed as the most inspirational hip-hop of movie of all time, "Wild Style" immortalizes the birth of the underground hip-hop scene about to explode around the world, changing the face of music, fashion, art, and a way of life forever. follow Harlan on insta: @theofficialharlan produced by Drake Media Studios @donnadraketv

Ahead of next week's screening of Wild Style at Frank Banko Alehouse Cinemas at SteelStacks in Bethlehem, PA, here is our episode from 2022 on "hip hop's first film". This screening will include a Q&A panel discussion with director Charlie Ahearn, Grandmaster Caz of Cold Crush, and Grandmixer DXT. After the screening, stay for a unique DJ performance by DXT and a powerhouse hip hop show by the legendary Cold Crush Brothers- Grandmaster Caz, Easy AD, Almighty KG, Tony Tone and DJ Ultimate - live on the Williams Brew Stage.CreditsHip Hop Movie Club is produced by your HHMC's: Boogie, JB and DynoWright! Theme music by Boogie. Hit us up on Instagram @hiphopmovieclubMentioned in this episode:Wild Style coming to SteelStacks on January 25thJoin us for a special event at SteelStacks in Bethlehem PA on January 25th - a special screening of hip hop's first film Wild Style! Featuring Q&A with the director Charlie Ahearn, Grandmaster Caz and Grandmixer DXT! Special DJ performance by DXT and hip hop show by the Cold Crush Brothers! Come hang with your HH emcees! This screening and performance is presented in partnership with Northampton Community College Foundation Annual Humanities Program. More information and free tickets at steelstacks.org.

Marcus Greer was a quiet kid growing up in Queens facing many challenges including an absentee father and a drug dealing mother, whose life was tragically cut short. Leading the life of drug dealing and violent crime puts Marcus in peril himself and within moments from death. Today on Hip Hop Movie Club: Will Marcus in fact Get Rich or Die Tryin'?Topics discussed:Marcus's upbringing and influences Marcus and CharleneDid we see enough about Marcus actually becoming a rapper?The dynamic between Marcus and Majestic and the real life basis for the charactersHow much of this is true to 50 Cent's life?Soundtrack and songs Bring this funky flick back or leave it in the vault? Also check out: The Steve Nash & Curtis "50 Cent" Jackson VitaminWater commercialCreditsHip Hop Movie Club is produced by your HHMCs JB, BooGie, and DynoWright. Theme music by BooGie. Follow @hiphopmovieclub on Instagram! And remember: Don't hate...articulate!Mentioned in this episode:Wild Style coming to SteelStacks on January 25thJoin us for a special event at SteelStacks in Bethlehem PA on January 25th - a special screening of hip hop's first film Wild Style! Featuring Q&A with the director Charlie Ahearn, Grandmaster Caz and Grandmixer DXT! Special DJ performance by DXT and hip hop show by the Cold Crush Brothers! Come hang with your HH emcees! This screening and performance is presented in partnership with Northampton Community College Foundation Annual Humanities Program. More information and free tickets at steelstacks.org.

In which we learn from Charlie Ahearn's WILD STYLE (1982) that graffiti is art, Zorro (or Zoro) is real, and every movie should have an old-school hip hop soundtrack. (Warning: contains spoilers and some content may be triggering.)

On a blisteringly hot summer day in Tribeca, Amon Focus talks to director Charlie Ahearn about the Origin Story of his film Wild Style. Show Notes: https://www.newyorksaid.com/wild-style-the-origin-story-with-filmmaker-charlie-ahearn  

For decades, photographer Jamel Shabazz has been using his photography to make an impact on his community. This week on the My Modern Met Top Artist Podcast, we interview Jamel about his career and his approach to street photography. We learn about photos as “visual medicine” making a difference in New Yorkers' lives and the intimate stories Jamel's work uncovers. See some of the artwork we discuss on the Top Artist Instagram Follow Jamel's work on his website, Instagram, and Facebook. Want to see your work on a billboard? Enter our sponsor Fine Art America's 2021 Billboard Contest by August 31 and you might just see your art on a large scale. You can learn more about Jamel's life and work in Charlie Ahearn's 2013 documentary, Jamel Shabazz Street Photographer, which is available for rent on Amazon. Read more about Jamel's work and the projects we discuss: Authentic Street Photography of 1980s New York Reveals the Rise of Hip-Hop Culture Vintage Photos of Life on the Gritty New York City Subway of the Past Top 12 Street Photographers Who Captured the Grit of New York in the 70s and 80s Want to support the artists we feature and the podcast? Check out books by our guests on the Top Artist Bookstore. And remember, we want to hear from you! Leave us a listener voicemail and subscribe to our newsletter so you can submit questions for upcoming interviews. You'll find everything on podcast.mymodernmet.com. 

On this episode, Ayana talks with Charlie Ahearn.

Times Square in New York City is bustling and crowded. Or at the very least, we all hope it will be that way soon again. But back in the late 1970s, 1980s, and 1990s Times Square was a scary and sleazy drug and, prostitute hang-out. Full of X-rated movies and plenty of trouble. If you wanted to go there, you were advised to go there at your own risk. Until one day a group of city officials (Governors, Mayors, and Police Commissioners) decided to make New York City great again, as it once was so long ago. They decided on cleaning up Times Square since it was in the heart of the city. The "Big Apple" as it was once called, was making its way back, baby. And with a lot of determination, drive, and money from some Hollywood-types, Times Square made its comeback.   And now we can all see the glory of Times Square courtesy of our television sets on New Year's Eve as the ball drops on this now empty part of the city due to the pandemic. Hopefully not empty for long! Thank you for listening to this episode! Links for this episode on Times Square: Times Square NYC - https://www.timessquarenyc.org/ Want to take a tour of Times Square? - https://freetoursbyfoot.com/things-to-do-in-times-square/ Want to see something cool? Here's the live webcams of Times Square! - https://www.webcamtaxi.com/en/usa/new-york/times-square-manhattan.html https://www.earthcam.com/usa/newyork/timessquare/?cam=tstwo_hd For more of Times Square, watch this gripping 40-minute video, "Doin' Time In Times Square," dubbed "the home video from hell," shot by director and artist Charlie Ahearn from his Times Square apartment in the 1980s: https://youtu.be/qzFZyfNiQS8 Photos of Times Square: https://allthatsinteresting.com/vintage-times-square-pictures#1 Get up to speed on some interesting and enlightening facts about our society, culture, pop culture, history, and a smidgen of trivia. Feel the sweet smell of enlightened success as you stump your family and friends with your knowledge. It's so much fun! Push that "Subscribe" button and be the first to get notifications of when new episodes come out...it's FREE! Get My book: Southpaw - A Tale About A Girl's Imagination by (ME!) Stephanie Lee - https://amzn.to/2KXZDaj Talk, Tales and Trivia website - http://talktalesandtrivia.com Apple Podcasts https://itunes.apple.com/us/podcast/talk-tales-and-trivia/id1144007260?mt=2&ls=1 iHeart Radio: http://www.iheart.com Stitcher:http://www.stitcher.com Instagram: https://www.instagram.com/talktalesandtrivia/ Twitter: https://twitter.com/TalkTalesEtc Facebook: https://www.facebook.com/talktalesandtrivia *Contact by email: talktalesandtrivia@gmail.com  Hey...if you enjoy Talk, Tales, And Trivia you might also enjoy my 2nd podcast, Growing Uncomfortable! Check it out! http://growinguncomfortable.com/ Apple Podcasts: https://podcasts.apple.com/us/podcast/growing-uncomfortable/id1457646546 Spotify: https://growinguncomfortable.libsyn.com/spotify Instagram: https://www.instagram.com/growing_uncomfortable/ Twitter: https://twitter.com/GrowingUncomfo1 FaceBook: https://www.facebook.com/WeAreGrowingUncomfortable *Contact by email: growinguncomfortable@gmail.com

In unserer Podcast Episode 50 gibt’s ein 60minütiges Gespräch mit Graffiti Pionier LEE von The Fabulous 5ive aus New York. Graffiti Pionier weil sich LEE schon in den 1970er Jahren in vielerlei Hinsicht innerhalb der damals noch jungen Subway Art Bewegung stark abheben konnte. LEE hat schon früh angefangen, das Medium Zug nicht nur als rollende Leinwand sondern auch als Kommunikationsmittel zu verstehen, um seine Meinung in die Stadt zu tragen. Das hat er auf teils poetische Art und Weise gemacht, beispielsweise mit dem STOP THE BOMB Wholecar oder den später durch den im Film Beat Street bekannt gewordenen (leicht abgeänderten) Satz “Graffiti is art, and if art is a crime, let god forgive all”. LEE hat sich in den 1970er Jahren auf Wholecars fokusiert und ist auch verantwortlich für den weltweit ersten Wholetrain in Traffic, den er im November 1976 uA zusammen mit seinen TF5 Crew Mitgliedern DOC, MONO und SLAVE gemalt hat, dokumentiert im Buch “Getting Up” von Craig Castleman. Unter der Leitung von Charlie Ahearn spielt LEE in Wild Style eine der Hauptrollen neben Lady Pink und Fab5Freddy. Der Film spielt im New York Anfang der 1980er Jahre, in einer eigentlich noch nicht existierenden Hip Hop Szene, mit Mitgliedern der Sprayergruppe The Fabulous 5ive. Wild Style wird heute als Blaupause für die Entstehung der Europäischen Hip Hop Bewegung in den 1980er Jahren gesehen. Ab 1979 fing LEE langsam an, an kommerziellen Aufträgen und auf Leinwand zu arbeiten, malt aber noch bis 1983 aktiv auf Zügen. Zusammen mit Fab5Freddy stellt LEE als erster Graffiti Writer der New Yorker Subway Art Bewegung in Europa aus. Mit weitreichenden Folgen. Kurze Zeit später finden in fast allen größeren europäischen Metropolen kleinere und größere Graffiti Art Ausstellungen statt. 1981 startet Yaki Kornblit in Amsterdam mit seinen einflussreichen Ausstellungen (RISE – From New York To Europe Staffel 01), 1982 stellte LEE auf der documenta 7 in Kassel aus. LEE feiert dieses Jahr seinen 60.Geburtstag. Wir empfehlen wie immer unsere zum Podcast passende Foto Galerie auf http://ilovegraffiti.de oder die YouTube Version dieser Episode (Das Gespräch wurde mit einer Filmkamera aufgezeichnet)

The Album: Wild Style soundtrack(1983) Wild Style began as a low budget but ambitious film project, centered around Zoro, a young graffiti writer swashbuckling his way through the style wars of early ‘80s New York. Directed by Charlie Ahearn and starring Lee Quinones as Zoro, Wild Style would become more of a quasi-documentary of hip-hop’s on its cusp from South Bronx street culture into the global phenomenon we know today. Filled with MC, graffiti, DJ and b-boy performances from a host of now legends, Wild Style would inadvertently spread the hip-hop gospel to a generation of youth around the world, enraptured with how it depictions of an explosive, impossibly colorful subculture that few had laid eyes on outside of the five boroughs. Its soundtrack, overseen by Fab Five Freddy and Blondie guitarist Chris Stein, was largely built off an exclusive disc of original breakbeats that became the sound bed for various live performance scenes throughout the movie. Electric, dynamic and fly as hell, the Wild Style soundtrack helped capture the sound of early hip-hop’s energy and flair from A to motherf—ng Z. For a young Jeff Chang, growing up far away from the Bronx in Honolulu, Wild Style was like a secret cypher that he and his friends could pass around and decrypt. Long before the days of streaming video, if you didn’t catch a theatrical screening of this tiny, indie flick, you had to rely on nth generation bootleg dubs on VHS but as crappy as the images might have been, the inspiration was no less dimmed. This put Chang on the path to eventually become one of the most accomplished hip-hop critics in the formative ‘90s era, eventually culminating in his award winning Can’t Stop Won’t Stop: A History of the Hip-Hop Generation (2005), which, among other things, digs deep into hip-hop’s earliest days preceding even the Wild Style era. He’s since followed that up with Who We Be: The Colorization of America (2014) and most recently, We Gon’ Be Alright: Notes on Race and Resegregation (2016) which became the inspiration behind the digital video series of the same name which just debuted this year. More on Jeff Chang Interview with Jeff by Oliver about Can't Stop Won't Stop How Hip-Hop Got It's Name by Jeff, written for Cuepoint Website | Twitter More on The Wild Style soundtrack Wild Style Breaks: The Untold Story (Red Bull Academy) The Oral History of Wild Style (Complex) Jay Smooth Interviews Charlie Ahearn Show Tracklisting (all songs from The Wild Style soundtrack unless indicated otherwise): Stoop Rap Stoop Rap - Film Version Cuckoo Clocking Military Cut Nas: The Genesis Stoop Rap Gang Star: DJ Premier In Deep Concentration Gangbusters Common: Gettin' Down At The Amphitheater MC Battle at the Dixie A Tribe Called Quest: Sucka N**** Fantastic Freaks at the Dixie Public Enemy: Raise the Roof Wild Style Lesson MC Battle at the Dixie Down By Law Grandmaster Flash: Flash it to the Beat (Live) Lisa Lee Wild Style deleted scene T's Limo Ride Double Trouble at the Amphitheater Basketball Throwdown Gangbusters South Bronx Subway Rap Subway Theme Here is the Spotify playlist of as many songs as we can find there If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

The seminal hip-hop film looks at underground Bronx art culture, including rap, graffiti art, break-dancing (aka b-boying) and DJing (aka turntablism), as we follow the exploits of a graffiti artist named Zoro and his quest to take his art and make it a living.  Charlie Ahearn and Fab 5 Freddy created this film to expose to the world the genuine artistry and talent going on in the South Bronx, with lost of scenes of the authentic underground artists and their phenomenal talents.  Imitated, but never duplicated, WILD STYLE is the grand daddy of all films covering hip-hop.

Career-MC Sha-Rock became one of the earliest female emcee "on wax" or recorded on vinyl who began as a local b-girl or breakdancer in the earliest days of South Bronx hip-hop scene and culture in the late 1970s.[2] She recorded with the Funky 4 + 1, which consisted of four male emcees + 1, the plus one denoted Green as the sole female emcee.[3] The Funky 4 + 1 had their first significant hit with the 12-inch single "Rapping and Rocking the House" on Sugarhill Records (1979) as well as "That's the Joint" (1980).[4] As an early pioneer affiliated with the Zulu Nation, MC Sha-Rock inspired a style of rapping emulated and made notable by Run DMC called the "echo chamber".[5][6]In 2010, Green published a book about her experiences titled The Story of the Beginning and End of the First Hip Hop Female MC: Luminary Icon Sha-Rock.[7]Legacy-The early roots of girls and women in hip-hop are often downplayed but Sharon Green aka MC Sha-Rock is considered the first to record and the first to appear on national television.[8][9] On Valentine's Day in 1981, she and her crew The Funky 4 + 1 were introduced as "street rappers" from the Bronx as the musical guests along with Debbie Harry of the American group Blondie on Saturday Night Live when Eddie Murphy and Joe Piscapo were still members of the SNL cast.[8] The Funky 4+ 1's appearance reflected a local New York City connection that introduced the uptown musical youth of the Bronx and Harlem to the downtown Lower East Side scenes of graffiti art and music fictionally represented with the artists playing themselves in the 1983 film Wild Style by Charlie Ahearn. This creative link between various youthful artists was forged by the influencers like Fab Five Freddy and Ruza Kool Lady Blue who ran the Roxy NYC nightclub the featured early hip-hop artists.[10][11] She appeared in classic hip-hop films like Stan Latham's Beat Street (1984) and has been honored in recent decades by various organizations for her pioneering contributions to hip-hop emceeing.[2] See acast.com/privacy for privacy and opt-out information.

Since the 1970s, armed with a 16mm camera and his curiosity, filmmaker and artist Charlie Ahearn was a pioneer chronicler of the nascent days of hip-hop and street culture in New York City. He soon migrated to movies including the super 8 kung-fu film The Deadly Art of Survival (1978) and the seminal Wild Style (1983) which documented the excitement of graffiti art and rap music and is recognized as the first hip-hop movie. Not limited to film, Charlie has also published books and created silkscreen paintings. A new solo exhibition, Scratch Ecstasy, is an exhilarating summation of his talents across mediums. The exhibit is currently running at New York's P.P.O.W. Gallery through June 24, 2017. For additional information on Scratch Ecstasy:            http://www.ppowgallery.com/exhibition/5127/work Visit Charlie Ahearn online:                                                   http://charlieahearn.com   Related Back Catalog Suggestions: TMT 033: Ricky Powell:                                                           https://itunes.apple.com/us/podcast/talk-music-talk-with-boice/id942357796? mt=2&i=1000344872902 TMT 040: Joe BUCKingham:                                                  https://itunes.apple.com/us/podcast/talk-music-talk-with-boice/id942357796? mt=2&i=1000349929892   SUBSCRIBE ON SOUNDCLOUD: https://soundcloud.com/thisisboice TMT APP FOR iPHONE: http://bit.ly/TMTappiOS TMT APP FOR ANDROID: http://bit.ly/TMTappANDROID SUBSCRIBE ON iTUNES: http://bit.ly/TalkMusicTalk SUBSCRIBE ON GOOGLE PLAY: http://bit.ly/TMTgoogleplay Please take a moment to leave a rating and/or review in the store. It helps increase the ranking of the podcast and exposes TMT to a new audience. Thanks! Liz (The Talk Music Talk Theme)-FULL VERSION Written and Composed on an iPad by boice. https://soundcloud.com/thisisboice/liz-talk-music-talk-theme   SURVEY It would be greatly appreciated if you would take a moment to fill out this brief demographic survey. It will be used solely to help me select advertisers/sponsors for Talk Music Talk to offset the cost to produce the podcast i.e. audio editor, podcast host, traveling to guests to record. It should take less than a minute of your time. Thanks!                                                                                                                                                                                                    http://www.talkmusictalk.com/survey

En ce samedi 13 mai, l'émission faisait son grand retour avec un nouveau concept et une nouvelle équipe. Avec Edgar Lopez-Asselin, Charles de Villers, Régis Saint-Martin ainsi que Mathieu Palmer à la technique, Pôle Hip-Hop prenait une toute autre tournure, à la fois plus proche des mélomanes et accessible aux non-initiés. Ainsi, afin d'inaugurer la session radiophonique d'été, nous avons consacré un dossier entier aux liens divers entre rap et cinéma en plus de présenter nos coups de coeurs musicaux de la semaine. Enfin, l'émission se terminait par un mix de 30 minutes passant en revue quelques-uns des morceaux phares de la période allant de 1996 à 1998 durant laquelle des rappeurs s'attelaient souvent à proposer des textes aux contenus analogues à ceux de la littérature et du cinéma. Tracklist (extraits) : Yes McCan - F.P.T.N. Enima - For The Low Caballero & JeanJass Ice Cube - The Predator Danny Brown - Ain't It Funny Damso - Amnésie Casseurs Flowters - C'est toujours 2 connards dans un abri-bus   MIX : 1 Da Art of Storytellin' (Pt. 1) - Outkast 2 Daydreamin' - MC Solaar 3 J'attends - Shurik'N 4 Jack-Potes - 113 5 Phony Rappers - A Tribe Called Quest 6 Le fainéant (Feat. Faf Larage) - Khéops 7 Somebody's Gotta Die - The Notorious B.I.G. 8 I Gave You Power - Nas 9 The Mask - Fugees   Si vous souhaitez vous constituer une base solide des références de l’univers Hip-Hop, voici 16 films incontournables : - Le Parrain, 1972, Francis Ford Coppola - Wild Style, 1983, Charlie Ahearn - Shaolin contre Wu Tang, 1983, Gordon Liu Chia-hui - Scarface, 1983, Brian de Palma.     - Beat Street, 1984, Stan Lathan - Do the right thing, 1990, Spike Lee - Les Affranchis, 1990, Martin Scorsese - Le roi de New york (King of New York), 1990, abel Ferrara - Boyz in tha hood, 1991, John Singleton - New Jack City, 1991, Mario Van Peebles - Juice, 1992, Ernest Dickerson - Menace 2 Society, 1993, Allen & Albert Hugues - Friday, 1995, Gary Gray - Dead Presidents, 1995, Allen & Albert Hugues - La Haine, 1995, Matthieu Kassowitz - Belly, 1998, Hype William. DMX, NAS, Method Man Et, en hommage à la culture d'appropriation et de sublimation de la culture Hip-Hop, Les 7 Mercenaires, 1960, John Sturges, dont sont issues deux quotes célèbres : C'est comme l’histoire de ce type qui s’est jeté d’un immeuble de dix étages. À chaque étage, les gens l’entendaient dire : « Jusqu’ici, ça va. Jusqu’ici, ça va. Jusqu’ici, ça va. ». Personnage de Vin, Steve McQueen, écrit par William Roberts Si Dieu ne voulait pas qu’on les tonde, pourquoi en a-t-il fait des moutons ?. Personnage de Calvera, Eli Wallach, écrit par William Roberts.  

This week the Two Guys with PhDs are rappin' to the beat with two new books that will funk you up. That's right, DJ D and Kunka Kool spend this episode getting down with Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen III: Century (Top Shelf/Knockabout) and Ed Piskor's Hip Hop Family Tree 2 (Fantagraphics). First, they look at the latest hardbound collection from Moore and O'Neill, bringing together all three of their previously published Century installments: 1910, 1969, and 2009. The guys spend a good deal of time discussing the kind of readers that come to The League of Extraordinary Gentlemen, what their expectations might be, and how some may not be ideal for Moore's kind of writing. Can those unfamiliar with the previous League stories truly comprehend what's going on in Century? Can readers unfamiliar with — or uninterested in — literary and pop-cultural marginalia come away from the book with an understanding of what Moore is attempting to do? These are some of the questions Andy and Derek discuss, and they recommend that it wouldn't be a bad idea for readers to come to Century with annotations readily at hand. (Two great online sources for these are Jess Nevin's annotations website as well as postings by the Mindless Ones.) Next, the guys discuss Ed Piskor's latest volume of Hip Hop Family Tree. This second book covers the scene from 1981-1983, and it picks up right where last year's first volume left off. Among other highlights, the guys talk about Piskor's take on Sylvia Robinson and Sugar Hill Records, the evolution of Run-DMC, the resistance of many rappers to put their efforts on vinyl, the significance of Charlie Ahearn's film Wild Style, and the role Fab Five Freddy played in bringing together uptown and downtown cultures. They specifically focus on Piskor's art and the way he tells his story. Hip Hop Family Tree is a series of anecdotes and ongoing storylines, first published on Boing Boing, that may appear fragmented at first, but a careful reading reveals an interconnectedness that makes for an engaging history. And the way that Piskor represents key players in early hip hop culture  (e.g., Afrika Bambbataa, Melle Mel, Russell Simmons, Mr. Magic, Lonzo Williams, and Rick Rubin) is both revealing and humorous. Whether or not you're a fan of hip hop — Andy is, Derek really isn't — Hip Hop Family Tree is a series you definitely have to check out.

STREAM or DOWNLOAD On this seven hour broadcast Mista Montana and Menace do this: We catch up with Caxton-Press founder and Speakers Corner co-creator, Manage, and reflect on Chuck-D’s praise of Caxton Press’s recent show at Koko Club, the addition of performing with a live band, ‘Shame The Devil’ receiving best ‘UK Hip-Hop album’ in Wordplay magazine, Tim Westwood leaving the BBC, forthcoming solo material and of course the future of Caxton Press as a group and as solo members respectively. Taking to Conspiracy Worldwide Radio, Stalley climbs in the saddle and rides with Mista Montana and Menace to talk his latest mixtape ‘Honest Cowboy’, XXL’s recent accusations of Maybach Music Group holding him back, sampling, working with DJ Quik and his forthcoming debut, which he reveals is 80% finished and features the assistance of DJ Quik. We also talk about his future, which will include more work with Scarface and a show this month at London’s Jazz Café. Willie the Kid is with us to discuss his Alchemist laced release, ‘Masterpiece Theatre’ and its creation. We talk everything from its cinematic cover-art, working at what Alchemist calls ‘Rap Camp’ where ‘Rare Chandeliers’ was being recorded at the same time as ‘MPT’, Alchemist’s modesty as a rapper and more. We also touch on his upcoming ‘Aquamarine’ mixtape, a short-film called ‘The Fly’, which he assures us is “not a typical Rap movie” as well as future work with Alchemist and Action Bronson. Two artists responsible for one of this years dopest albums, Killer-Mike & El-P join us in the form of Run The Jewels to talk about their latest release, chemistry, the influence 80’s Hip-Hop had creating it, the prospects of a UK tour, Mr. Killums’ drug problem, Killer Mike’s plans to work again with Immortal Technique and Brother Ali, the possibility of releasing a Mr. Killum’s soft-toy and the future of Company Flow, which El-P reveals isn’t “impossible”. Fresh off tour with Tony Starks, the ever consistent Killah Priest is back with news of upcoming music, most notably including an upcoming album with Ghostface Killah titled ‘Natural Born Killas’, which is already 4/5 songs deep! In addition, we talk ODB’s forthcoming Rock the Bells hologram appearance, turning down major label deals, the future of The Four Horsemen, Black Market Militia and Wu-Tang’s long awaited ‘A Better Tomorrow’, which he reveals he’s recently been exchanging ideas with Ghostface, Inspectah Deck and GZA for. Exciting times! Minneapolis’s Dessa serves a critical and enchanting insight into her latest and 3rd release ‘Parts Of Speech’ and explains why she feels it’s her most “clear-eyed” album to date. Intimate and oft moving, the first lady of Doomtree descends into focus mode and details her creativity’s relationship with the human condition. Listen.  We chop it up with BK mainstay Block McCloud to explore his new group Gods of Chaos, which is comprised of himself and Big Duke of Pyscho Realm. Set to solidify itself as an evolutionary and ambitious project in both of their catalogues, we discuss the creation of ‘13’ and some of its dark concepts. We also talk about the many upcoming projects he has in the works including, a collaborative album with Blacastan entitled ‘Black Blocks’, a new Army of the Pharaohs album, a project with his wife and music with Shabaam Sahdeeq!  Legendary film director and creative cultural artist Charlie Ahearn takes 30 minutes out his schedule to discuss his latest documentary ‘Jamel Shabazz: Street Photographer’ and the legacy of Wildstyle, which he discloses details of an upcoming 30th anniversary Bluray edition of the iconic film set to feature additional footage! We also talk Hip Hop in 2013, Kickstarter, Instigram and so much more in an interview with a bonafied cultural legend! AND THAT'S NOT ALL! Mista Montana and Menace release world-wide exclusives and delve deep into a miriad of controversial news stories, including the viscous fight in LegoLand.  GET IN! Contact:conspiracyworldwide@gmail.com   STREAM or DOWNLOAD

STREAM or DOWNLOAD On this seven hour broadcast Mista Montana and Menace do this: We catch up with Caxton-Press founder and Speakers Corner co-creator, Manage, and reflect on Chuck-D’s praise of Caxton Press’s recent show at Koko Club, the addition of performing with a live band, ‘Shame The Devil’ receiving best ‘UK Hip-Hop album’ in Wordplay magazine, Tim Westwood leaving the BBC, forthcoming solo material and of course the future of Caxton Press as a group and as solo members respectively. Taking to Conspiracy Worldwide Radio, Stalley climbs in the saddle and rides with Mista Montana and Menace to talk his latest mixtape ‘Honest Cowboy’, XXL’s recent accusations of Maybach Music Group holding him back, sampling, working with DJ Quik and his forthcoming debut, which he reveals is 80% finished and features the assistance of DJ Quik. We also talk about his future, which will include more work with Scarface and a show this month at London’s Jazz Café. Willie the Kid is with us to discuss his Alchemist laced release, ‘Masterpiece Theatre’ and its creation. We talk everything from its cinematic cover-art, working at what Alchemist calls ‘Rap Camp’ where ‘Rare Chandeliers’ was being recorded at the same time as ‘MPT’, Alchemist’s modesty as a rapper and more. We also touch on his upcoming ‘Aquamarine’ mixtape, a short-film called ‘The Fly’, which he assures us is “not a typical Rap movie” as well as future work with Alchemist and Action Bronson. Two artists responsible for one of this years dopest albums, Killer-Mike & El-P join us in the form of Run The Jewels to talk about their latest release, chemistry, the influence 80’s Hip-Hop had creating it, the prospects of a UK tour, Mr. Killums’ drug problem, Killer Mike’s plans to work again with Immortal Technique and Brother Ali, the possibility of releasing a Mr. Killum’s soft-toy and the future of Company Flow, which El-P reveals isn’t “impossible”. Fresh off tour with Tony Starks, the ever consistent Killah Priest is back with news of upcoming music, most notably including an upcoming album with Ghostface Killah titled ‘Natural Born Killas’, which is already 4/5 songs deep! In addition, we talk ODB’s forthcoming Rock the Bells hologram appearance, turning down major label deals, the future of The Four Horsemen, Black Market Militia and Wu-Tang’s long awaited ‘A Better Tomorrow’, which he reveals he’s recently been exchanging ideas with Ghostface, Inspectah Deck and GZA for. Exciting times! Minneapolis’s Dessa serves a critical and enchanting insight into her latest and 3rd release ‘Parts Of Speech’ and explains why she feels it’s her most “clear-eyed” album to date. Intimate and oft moving, the first lady of Doomtree descends into focus mode and details her creativity’s relationship with the human condition. Listen.  We chop it up with BK mainstay Block McCloud to explore his new group Gods of Chaos, which is comprised of himself and Big Duke of Pyscho Realm. Set to solidify itself as an evolutionary and ambitious project in both of their catalogues, we discuss the creation of ‘13’ and some of its dark concepts. We also talk about the many upcoming projects he has in the works including, a collaborative album with Blacastan entitled ‘Black Blocks’, a new Army of the Pharaohs album, a project with his wife and music with Shabaam Sahdeeq!  Legendary film director and creative cultural artist Charlie Ahearn takes 30 minutes out his schedule to discuss his latest documentary ‘Jamel Shabazz: Street Photographer’ and the legacy of Wildstyle, which he discloses details of an upcoming 30th anniversary Bluray edition of the iconic film set to feature additional footage! We also talk Hip Hop in 2013, Kickstarter, Instagram and so much more in an interview with a bonafied cultural legend! AND THAT'S NOT ALL! Mista Montana and Menace release world-wide exclusives and delve deep into a miriad of controversial news stories, including the viscous fight in LegoLand.  GET IN! Contact:conspiracyworldwide@gmail.com   STREAM or DOWNLOAD