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About the Episode Sophia Chang is a screenwriter, author, and music industry legend who has managed icons like RZA, GZA, and D'Angelo—and now she's building something even bigger. As the founder of Unlock Her Potential, a mentorship program for women of color, Sophia is creating the kind of support system she never had.In this episode, Sophia sits down with United Charitable CEO Julia Healey to share her journey from the hip hop clubs of 1980s New York to launching a charitable initiative. She opens up about navigating racism and sexism, being embraced by Wu-Tang Clan, and the power of being her authentic self in every room she enters.Sophia also reflects on motherhood, reinvention at 50, and how building community means showing up—for yourself and for others. Whether you're an artist, activist, or changemaker in the making, Sophia's story is a powerful reminder that it's never too late to unlock your potential—and help someone else do the same.Connect with Unlock Her Potential: Website: www.unlockherpotential.com Instagram: @unlockherpotential LinkedIn: Unlock Her Potential Join our community of Inspired Changemakers! The Inspired Changemakers Podcast is a platform that showcases inspiring individuals who are making a difference in the world. Each episode features a new guest, sharing their journey, insights, and projects aimed at creating positive change in their communities and beyond. Join us as we learn from these changemakers and get inspired to take action in our own lives! You can find us on:FacebookInstagramLinkedInYouTubeBuzzSproutSupport the show
During my recent conversation with Andy Shauf about the new Foxwarren album, 2, he mentioned that one of his primary production influences for this record was Liquid Swords by GZA. And so now, I present the first interview I ever conducted with GZA. This phoner took place on Monday, October 6, 2008, just before midnight, and was focused on his solo album Pro Tools, and we covered other things too, including whether Wu-Tang Clan might reconcile after their album 8 Diagrams created bad blood in the group. As it happens, Wu-Tang will be launching their final tour, Wu-Tang Forever: The Final Chamber, this summer. This interview originally aired on the Mich Vish Interracial Morning Show! on October 22, 2008. To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Related episodes/links:Ep. #978: FoxwarrenEp. #946: James Brandon LewisEp. #903: David Wm. Sims from The Jesus LizardEp. #778: ProtomartyrEp. #684: Sleaford ModsEp. #358: Wu-Tang's MathematicsEp. #189: RaekwonEp. #149: Run the JewelsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Flavor Flavvvv in the house! The rapper, reality star, OG hype man, and national treasure sits down with Bunnie to talk about everything, starting with his wild come-up in Freeport, meeting Chuck D, and what life was really like inside Public Enemy. He gets honest about blowing thousands a day on drugs, the moment he got clean, and how he's trying to pay it forward. Flav sets the record straight on the infamous clock, breaks down his sweet and strange relationship with Brigitte Nielsen, and spills behind-the-scenes tea from Flavor of Love. He talks about cousins ODB, RZA, and GZA, his love for Taylor Swift, and his new show Old School (yes, he's actually going back to high school), plus plans for a late-night talk show.Flavor Flav: IG | XWatch Full Episodes & More:www.dumbblondeunrated.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome back to the Porch! Another week, another foster dog. Bam Bam is now loving her permanent family and getting spoiled rotten. The cutie in this week's photo is Zeke! He's a chihuahua mix who weighs 6 lbs and is about a year old. He just came in from Kentucky with Nappy Roots, and we are looking to get him into a permanent home. Please go to www.tinyntallrescue.com and fill out an application if you live in the Chicago area and want the most adorable little dog in the world (outside of Luna, Otis and Rosie, of course). This week, we are talking three of Brian's favorite beats and verses of all time. (SPOILER ALERT: If you want to guess the beats along with Andy, listen to the episode before reading further). Spoiler Space Spoiler Space Spoiler Space Check out the YouTube Music playlist Beats and Flow for these songs and about 100 more! Beat 1: https://www.youtube.com/watch?v=-IZE7JSLJU0 GZA - Shadowboxin' (feat. Method Man) from 1995's Liquid Swords Verse 1: GZA's first verse starting at 1:25 mark of the video Beat 2: https://www.youtube.com/watch?v=YietowKD0vo Jurassic 5 - A Day at the Races (feat. Percee P and Big Daddy Kane) from 2002's Power in Numbers Verse 2: Big Daddy Kane's verse starting at 2:18 Beat 3: https://www.youtube.com/watch?v=8dA-aGAX21s Outkast - Bust (feat. Killer Mike) from Big Boi's half of their 2003 album Speakerboxxx Verse 3: Killer Mike's verse starting at 1:46
On episode 161, we're hitting you with some winter vibes. Grab your Triple Fat Goose, your Helly Hansen or dust-off that Avirex and get ready for a cold one. We got music from Group Home, GZA, Smoothe da Hustler, Shadez of Brooklyn, Finsta Bundy, Choclair, Real Live, Mobb Deep, Onyx, Frankenstein, Fat Joe, Lord Finesse and Mic Geronimo.You've still got time to enter our Get On Down giveaway, listen to episode 160 for the rules and be sure to tag us to enter. Next-up is our first guest of 2025 and it's gonna blow your mind.---------------------All of our episodes are available for free download @ takeitpersonalradio.com www.patreon.com/TakeItPersonal https://takeitpersonalradio-shop.fourthwall.com/ (enter promo code "GOLDENERA" for 15% off)
- Các bên trung gian đẩy mạnh nỗ lực cho một thỏa thuận ngừng bắn mới ở Dải Gza. Trong bối cảnh đó đã có những tín hiệu tích cực được phát đi từ các bên liên quan, đặc biệt là từ cả Israel và lực lượng Hamas của Palestine đã làm dấy lên hi vọng, thỏa thuận ngừng bắn mới sẽ nhanh chóng được ký kết Chủ đề : ngừng bắn, gaza
Wu-Tang Is For The Children!
Our still recently minted annual tradition of the off-topic commentary is back! After records by Little Boots and GZA in previous years, we're once again wandering away from Our Thing for our final We Have A Commentary of the year. As voted on by our patrons, we're discussing an Iron Maiden record, 1986's Somewhere In Time in particular! From the band's emerging structural experimentation to its classic galloping metal to the increasingly adventurous themes and topics they were taking on, we have a blast discussing one of our mutual favourite metal bands of all time.
Duik samen met ons in de wereld van Spreej! In deze aflevering bespreken we zijn nieuwste album EN NU, geproduceerd door Lefto. Track by track overlopen we rauwe, eerlijke lyrics die je aan het denken zetten. We waren ook aanwezig bij GZA en zijn Phunky Nomads, hebben het weer over de MIA's en delen nog wat tracks die ons zijn bijgebleven. Shoutouts: BIRD (ACHTERHUIS) - STEALY CYPHER KENDRICK LAMAR - GNX STICKS - ZONNESCHIJN UITWEG - COLD WORLD MALZ MONDAY - D.O.L.L.A.R. Timestamps: INTRO (00:00:00) WRAPPED (00:02:53) GZA & THE PHUNKY NOMADS (@La Madeleine) (00:06:38) MIA's (00:15:00) SHOUTOUTS (00:19:46) SPREEJ (00:35:01) QUARANBARS (00:48:24) EN NU (00:58:29) !!! (01:07:15) INTERVIEW INTERLUDE (01:13:20) PERSIAN (01:17:55) AI AI AI (01:24:59) CHICO (01:34:08) QSQ IL Y A FREESTYLE (01:36:43) 6LACK SHEEP (01:40:28) OUTRO (01:47:03) NABESPREKING (01:47:33) NEXT UP (Viewers choice) (01:56:57) Score Dennis: 7.0/10 Score Gauthier: 8.1/10 - Next Up: GROEN GENOEG - GROEPSWERK - Links: https://linktr.ee/beatsandbars
Each month the miserable music podcast hosts review 4 recently released albums and a 'classic' that none of us know. We then close the episode with the 'Why I Love' section, where one of the hosts introduces a band or artist they adore.On Episode 82 of Picky Bastards we have new releases by Skinny Living, Confidence Man, Leon Bridges and Naima Bock. This month's classic album is from GZA with Liquid Swords and then Matt tells us why he loves At the Drive In. Hosted on Acast. See acast.com/privacy for more information.
点评一下目前最火爆的说唱专辑，顺便随机挑几个倒霉蛋骂两句。本期专辑：《GNX》主播评分：4/5｜歌单｜Kendrick Lamar专辑《GNX》：wacced out muralssquabble upluther by Kendrick Lamar & SZAman at the gardenhey now (Ft. Dody6)reincarnatedtv off (Ft. Lefty Gunplay)dodger blue (Ft. Roddy Ricch, Siete7x & Wallie the Sensei)peekaboo (Ft. AzChike)heart pt. 6gnx (Ft. Hitta J3, Peysoh & YoungThreat)gloria by Kendrick Lamar & SZA其他歌曲：Feezy 350 feat. Shauna K - Mr. DJDebbie Deb - When I Hear MusicMarvin Gaye - If This World Were MineMarvin Gaye史上最佳专辑《What's Going On》Kendrick Lamar - No Makeup2Pac - Made Niggaz (Feat. Tha Outlawz)Yuno Miles - Martin Luther KingIce Cube - It Was A Good DayDJ Khaled featuring Scarface, Nas & DJ Premier - Hip Hop｜相关单集｜什么是采样？什么是制作人标签？谁是说唱史上文化水平最高的人？｜相关人物&概念｜RZA, GZA, Michael Kiwanuka《Small Changes》, Tyler The Creator《Chromakopia》｜制作｜策划/主播：肯尼策划/剪辑/文案/宣发：肯尼、布基感谢收听，欢迎在节目评论区畅所欲言。【肯定好听】一档由“Stand Up 起立”出品，专注简评最新/最热/最经典的音乐表演，每期末尾将以肯尼独特视角给出“好听指数”，满分5颗星，供各位参考。
NEW EPISODE!!! This week I sit down with Raven Hunter & Kane to talk about one of the most infamous groups in not only Hip-Hop history, but music history period. With 9 MC's, all with different styles, dark gritty beats & kung fu samples, the Wu-Tang Clan came out of nowhere in 1993 and took Hip-Hop by storm. We discuss the top songs from Wu-Tang Clan albums only (we will eventually do episodes on each members solo catalog). From the classic debut all the way to the "million dollar album", we hit their whole career. Did your favorite Wu song make the cut?Follow the podcast on Instagram & X: @b_boypodcastFind us online: www.riplak.comFollow Raven Hunter on Instagram & X: @ravenhunteryps
25 Jahre lang arbeitete Sonja Wollkopf-Walter für die Standortmarketing-Organisation Greater Zurich Area (GZA), 14 davon als Geschäftsführerin. Vor ihrem Abgang zieht sie als Wochengast Bilanz und nimmt Stellung zur Kritik, die GZA befeuere die Gentrifizierung. Weitere Themen: * Fussballhooligans wüten in Zürcher S-Bahn. * Weiterer Abgang: Bülacher Polizei kommt nicht zur Ruhe. * Exekutiv-Wahlen in Schaffhauser Gemeinden.
Send us a textOn this episode, we sit down with Phil Mayo, a preservation tradesman, Marine Corps veteran, philosopher, husband, and dad. Phil shares his honest life story through 6 songs, from GZA's “4th Chamber” to De La Soul's “The Magic Number.” Through the songs “Secret of the Easy Yoke” by Pedro the Lion and “Bruised Orange (Chain of Sorrow)” by John Prine, Phil walks us through his military trauma, loss of faith, and healing journey. He also takes us on a journey through the joys and struggles of love and relationships with the songs “Flowers In Your Hair” by The Lumineers and “For the Sake of the Song” by Townes Van Zandt. Our conversation highlights the pure, raw experience of being alive and how all of our stories are incomplete journeys still being written. Follow your hosts David, Raza, and Carolina every other week as they embark on an epic adventure to find the songs that are stuck to us like audible tattoos that tell the story of who we are and where we've been, to help us figure out where we're going. It's a life story told through 6 songs. WHO WE AREDAVID: Creator & Host @ALifeinSixSongsDrummer | Educator | Philosopher | Combat Veteran | PTSD Advocate CAROLINA: Co-Host @ALifeinSixSongsStoryteller | Professional FacilitatorRAZA: Co-Host @ALifeinSixSongsLawyer | Producer | Solo Project: Solamente | @razaismynameRESOURCES & LINKSLiked songs from this life story? Check out A Life in Six Songs playlist on Apple Music and SpotifyFollow A Life in Six Songs on Instagram, LinkedIn, and YouTubeAre you a veteran who is struggling? Call the Veterans Crisis Line: Dial 988, then press 1.Support our work!Subscribe to our YouTube channel Don't keep us all to yourself! Share our podcast with your people!Reach out to us at alifeinsixsongspodcast@gmail.comSupport the showCopyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit or educational use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of commentary, criticism, and education.
Chances are you listen to Take It Personal because you're stuck in the golden era. But every once in a while, we feel it's our responsibility to put a spotlight on today's music. On episode 154, we're do all of the heavy lifting to help you diversify your bonds, like GZA. We'll always be a 90's centric show at heart, but some of us are really stuck in the past and we feel you might be missing out on some great music, especially from the independent artists out there. We've got new music from Godfather Don, Ka, High & Mighty, Blu, Vic Spencer. Mickey Diamond, Rahim Samad, Truth By Design, Vice Souletric, Recognize Ali, Kurious, Diamond D, Awon & Phoniks, Paradox & DJ Sean P, Apathy, ALYX Ryon & Jumbled to name a few. Maybe even some Pete & Bas if you keep listening to the very end (hint, hint). Take It Personal Radio is now streaming on Pandora in addition to iTunes, Amazon Music, Spotify, iHeart Radio, Vevo, Podbean, Podchaser, Samsung, Boomplay and Player FM. All of our episodes are available for free download @ takeitpersonalradio.com www.patreon.com/TakeItPersonal Follow us on Instagram @takeitpersonalradio
EPISODE #430-- We get away from Westerns to delve into the East. This week we're talking the seminal wuxia picture THE ONE-ARMED SWORDSMAN (1967) staring Jimmy Wang (THE MAN FROM HONG KONG) and directed by Chang Cheh (THE MAGNIFICENT TRIO). It's a classic, if imperfect movie. Watch it. Listen to us. We also talk about REDS (1981), as well as another martial arts film MONKEY MAN (2024) and LICORICE PIZZA (2021), which as very little martial arts in it at all. We also talk a whole bunch of other nonsense about movies. It's what we do, you know? Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!
The president and CEO discusses the firm's growth strategies, the crucial area of water resources—and GZA the rapper.
Join the Papa PhD Skool community ! Welcome to another insightful episode of Beyond the Thesis with Papa PhD. This week, a treasure from the vault, my Season 4 conversation with Dr. Chris Emdin, a STEM education inclusivity advocate. Join us as we delve into the visionary ideas presented in his latest book, "STEM, STEAM, Make, Dream," where he offers innovative solutions to modern educational challenges.In our conversation, Chris shares his optimism about the boldness, compassion, and potential of the next generation. He passionately discusses the need to integrate maker culture and academic rigor, embrace project-based learning, and move beyond the constraints of standardized tests. We also explore how leveraging technology and promoting inclusivity can transform academic spaces and graduate experiences for people from diverse backgrounds.Chris's unique approach to education, which includes collaborations with hip hop artists like GZA from the Wu-Tang Clan, creates a revolutionary blend of art and science aimed at engaging historically marginalized communities. He encourages graduate students to stop masking their true selves to fit in, and instead, celebrate their unique identities as an essential strength in academia.Tune in as we tackle the complexities of academic language, the importance of experiential learning, and the critical role of diversity and inclusion in advancing research. This episode is an inspiring journey towards a more inclusive and equitable future in STEM education. Let's get started! Dr. Christopher Emdin is the Maxine Greene Chair for Distinguished Contributions to Education and Professor of Science Education at Teachers College, Columbia University. He is also the Director of Creativity, Innovation and Entrepreneurship At the STEAM DREAM and Ideal Lab.He previously served as Robert Naslund Endowed Chair in Curriculum Theory at the University of Southern California, where he was Director of Youth and Community Partnerships at the USC Race and Equity Center.He is the author of award-winning books including his latest: STEM, STEAM, Make, Dream and From White Folks Who Teach in the Hood. What we covered in the interview: Embracing Authenticity: Chris Emdin encourages graduate students to shed the masks they often wear to fit in and to bring their full, unique selves into their academic journeys. This diversity enriches the academic environment and enhances learning experiences.Innovative Education Models: Emphasizing the integration of maker culture, project-based learning, and affirmations, Chris promotes an educational paradigm shift that moves away from standardized tests and towards more creative, interdisciplinary approaches.Challenging the Status Quo: Chris underscores the need to reimagine educational institutions to make them accessible and welcoming to marginalized communities. Leveraging technology like Zoom to bring experts into the classroom and incorporating cultural references such as hip hop can make learning more relatable and inclusive.
"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour. INTRO: Hey Pocky Way Track #1 :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener. Sung by Brent who really got into it with both his keyboard playing and strong singing, it became a fan favorite. But as a Brent influenced tune, it died when he did. Played: 25 timesFirst: September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show) SHOW No. 1: Jack Straw Track #2 4:00 – 5:50 "Jack Straw" written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played: 477 timesFirst: October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast: July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago. Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ. Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework. Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong. The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr. On Saturday, they featured Raekwon and GZA from Wu Tang Clan. RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap. Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009. Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15] Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head". The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission. With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing. Great tunes, great stage presence, great spokesperson for cannabis. My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News Herbie Flowers RIPJerry Miller RIPGoose this week at the Salt Shed, Thursday and Friday SHOW No. 2: Greatest Story Ever Told Track #9 3:25 – end INTO Devil With a Blue Dress Track #10 0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder. As the opening tune of Ace, it is called Greatest Story Ever Told. But this isn't about that song. Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100. "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”, was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills. This was the first of 3 times the Dead covered the song. Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst: September 9, 1987 at Providence Civic Center, Providence, RI, USALast: October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA SHOW No. 3: Good Golly Miss Molly Track #11 0:00 – end INTO Devil With a Blue Dress Track #12 0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing. Unfortunately, it was only around for a month. Then vanished from the Dead's playlist thereafter. Played: 3 times, makes senseFirst: September 9, 1987 at Providence Civic Center, Providence, RI, USALast: October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA MJ NEWS: Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators. Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong! Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience. Rather than try to explain it to you, just Google Gravity Bong and see for yourself! Great high. Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event. Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc. Rise also was selling products at the show. A wonderful thing to attend an event and not have to hide and smuggle in your cannabis. People lighting up everywhere, offering to share, talking strains, etc. Police were there to keep order and otherwise let it all go on. Very professional. Excellent mellow crowd (what else would you expect?). Well run. Shot joints out of a canon. A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway. A great way to promote cannabis and help normalize it within the community. And a fun event to be able to share with my boys, Bella and AJ. Fun had by all. SHOW No. 4: Not Fade Away Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24) 0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space. Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage. A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show. Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it. Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off. And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore. Fun when it all came together like this show. Played: 561 timesFirst: February 19, 1969 at Fillmore West, San Francisco, CA, USALast: July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO: The Mighty Quinn Track #25 2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by: the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played: 59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Step back into the golden era of hip hop as Ern and Iso take you on a thrilling journey from 1995 to 1998!
On today's bonus, Danny gives an update on the Wu-Tang solo albums he has checked out after the ODB bonus episode. Plus we talk about the recently-released-at-the-time-of-recording Apple Music 100 Best Albums. In addition to laughing at the absurdity of some of the rankings, we talk about the nature of "best of" lists and how they could be better.Song featured in this episode with link to purchase:GZA - 4th ChamberComing up:1 Good SongEminem - "Recovery"Conway Twitty - "Southern Comfort"2024 New Music Favorites (1st Half of the Year)Send us a text message!Follow us: Instagram Twitter Tiktok We'd like to hear from you - send us an email: thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!
AP correspondent Haya Panjwani reports on a pier in Gza opening back up.
Après l'album originel, et les opus de GZA, Ol'Dirty Bastard et Method Man, c'est au tour du Chef d'être étudié!
Hey Listener, get some popcorn because this week Illustrator/Comic Artist Jaimie Filer and Ian Schiefer and Andy Simpson from Secret Base Cinema are here to talk about creating your own film festival. Topics this week include: The Return to the Basement starts with animal jiu jistu and getting cut off in Florida. The Movie Festival Game. Deathmatches and video rental stores. A festival where once you come in, you cant leave and trying to figure out the rules. The torture house. Classic reality TV show horror movie from the 90s. Body jumping lady demon who takes over a guy's wife in a horror/action movie. One Bad Mother. If you're going to make a kids movie put some traps in it. Punk rock car movies. A Vampire Lesbian Classic. Black Jesus vs. Elvis. That's interesting place to hide a knife. Serious Sandler. Tom Goes to the Mayor graphics. Andy picks a movie, goes to Ween, and Ian has to deal with the fallout. Jaimie's bringing in Lexi Belle and GZA for a night of kung fu and swords. Physical porn is back bay-bay! Creating sexy action. Sneaking out to the Carnival where the inbred creature lives. Horror movie side quest. Putting your movie wish list out to the universe. Getting Onita for Samurai Saturday. Hologram stand up comedians. Hanging out with people and having fun things to do. There is always something new to watch if you go to the past.
Are you ready to rock?! This week on Cinema in Seconds, Dan, Ian and Michael pump some tunes into their stereos to look at movie samples and references in popular songs. So join us in the mosh pit for this mix of movies and music! Cool Hand Luke/ “Civil War” by GnR – 8:00 Shogun Assassin/ “Liquid Swords” by GZA – 19:30 Adameus/ “Warheart” by Children of Bodom – 40:00 Back to the Future/ “Those Days” by Nickelback – 49:00 Citizen Kane/ “The Union Forever” by The White Stripes – 59:00 Island of Lost Souls/ “Feed the gods” by White Zombie – 1:07:00 Mailbag – 1:24:30
A sweeping epic that combines anime, western, kung-fu, and revenge genres, with a score and soundtrack as diverse, are some of the many unique aspects of Kill Bill Vol. 1 (2003) and Vol. 2 (2004). Both movies are similar yet different, and distinctly Quentin Tarantino. Let us know if you think you should've been the Black Mamba.Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersGoogle Podcasts: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com
FULL WU EPISODES: https://www.patreon.com/collection/96560 SUUUUUUUUUUU! Welcome to the Wu-Tang Chronicles - our Patreon series digging into every solo member's legacy in the landscape of hip hop.And this here is a little sneak peek into the latest series centred around the legendary GZA, where we review his solo albums (including a mammoth ‘Liquid Swords' session) with our very own Wu-Tang Avengers: Fatboi Sharif, SonRaw, MIGHTYHEALTHY, Dan O, Tokyo Cigar
Après GZA, reprenons les inédits dans le cadre de l'"année Wu-Tang" et son plus fou représentant: ODB aka Ol' Dirty Bastard !
For the second time, we're using our December We Have A Commentary as the opportunity to talk about a record we love but which has nothing to do with the genres we normally discuss. Our Patreon backers voted to have us discuss a Wu-Tang Clan record, and so we're talking about an unparalleled achievement in lyricism and flow, as well as one of the RZA's most musically evocative productions, the all-time classic that is GZA's Liquid Swords.
TRACKLIST 0:00 Kanye West - All Falls Down 1:30 50 Cent - This Is 50 3:30 Raekwon - Can It Be All So Simple (Remix) 6:30 2Pac - California Love 9:30 Puff Daddy - Victory (feat. The Notorious B.I.G. & Busta Rhymes) [Remastered] 13:30 Nas - One Mic 20:30 2Pac - Me Against The World 26:30 Capone-N-Noreaga - Bloody Money 28:30 Goodie Mob - Dirty South 31:00 Scarface - In Between Us 34:00 Snoop Dogg - Drop It Like It's Hot 39:30 N.E.R.D. - Rockstar 42:00 Mobb Deep - Pray For Me 44:00 Pete Rock & C.L. Smooth - Lot's of Lovin' - Remastered 48:00 Genius/GZA - Shadowboxin' 51:00 Outkast - Jazzy Belle 54:00 Lost Boyz - Renee 59:00 Heltah Skeltah - Leflaur Leflah Eshkoshka 1:02:30 Makaveli - Toss It Up 1:06:30 Eminem - Rock Bottom 1:10:00 Chingy - Right Thurr 1:14:30 De La Soul - Stakes Is High 1:17:30 G-Unit - Groupie Love 1:20:00 Noreaga - Banned From T.V. Noreaga featuring Big Pun, Jadakiss & Styles (of the L.O.X), Nature, Cam'Ron (Explicit) 1:24:30 Young Money - She Got a Donkey 1:27:30 A Tribe Called Quest - Jazz (We've Got) 1:31:00 2Pac - How Do U Want It 1:35:00 Kanye West - Gold Digger 1:40:30 Dr. Dre - Lil' Ghetto Boy 1:42:00 A Tribe Called Quest - Crew 1:43:30 2Pac - So Many Tears 1:46:30 Dr. Dre - Let Me Ride 1:53:30 JAY Z - No Church In The Wild 1:57:00 Outkast - Two Dope Boyz (In a Cadillac) 2:00:30 Ja Rule - Holla Holla 2:02:00 Beanie Sigel - Beanie (Mack B****) 2:05:00 Ghostface Killah - Wu Banga 101 (feat. GZA, Cappadonna, Masta Killah & Raekwon) (Album Version) 2:06:00 Ghostface Killah - Wu Banga 101 2:08:30 Big L - Ebonics (Criminal Slang) 2:11:30 DMX - Where The Hood At 2:15:00 Fabolous - Keepin' It Gangsta (Remix) [feat. Styles, Jadakiss, M.O.P.] 2:16:00 Fabolous - Keepin' It Gangsta (feat. Styles, Jadakiss & M.O.P.) [Remix] 2:19:30 Drake - Controlla 2:21:30 Makaveli - Against All Odds 2:24:30 Outkast - Player's Ball 2:27:00 50 Cent - 21 Questions 2:30:00 Heavy D - Let's Get It On 2:33:30 Goodie Mob - Dirty South (Remix) 2:38:00 Jay-Z - 99 Problems 2:41:30 Cypress Hill - Stoned Is the Way of the Walk (Reprise) 2:43:30 Dr. Dre - Still D.R.E. 2:47:00 Mos Def - Mathematics 2:50:30 A Tribe Called Quest - Stressed Out (LP Version) 2:54:30 Nas - Got Ur Self A... 3:01:00 Shyne - That's Gangsta 3:04:00 Jay-Z;Kanye West;Rick Ross;Bon Iver;Nicki Minaj - Monster 3:09:00 Big L - The Heist 3:11:00 DJ Battle - What You Want 3:14:30 Mobb Deep - Shook Ones, Pt. II
This is our longest episode to date, and long overdue. Take a trip down the Hiphop History Highway with the Legendary Jesse West as he speaks on his works with The Notorious B.I.G, KRS One, Xzibit, and others. Jesse West, a.k.a. 3rd Eye is a producer/rapper. Jesse grew up in the Bronx River Projects, where the Master/Teacher DJ Afrika Bambaataa founded the Universal Zulu Nation. Born Jesse Williams III, he was one of the first rappers signed to Motown Records and, in 1989, released the album "No Prisoners". He then went on to produce hit songs with many artists including GZA, Xzibit, Heavy D and KRS-One among others. One of Bad Boy Records' original "Hitmen", West recorded Biggie Smalls first demo as well as produced remixes for songs on Mary J. Blige's album, What's the 411?As rapper 3rd Eye, it has been argued that Jesse West was the first rapper to use the term "bling" on Super Cat's 1993 hit "Dolly My Baby (Remix)" - a song that West produced and also featured Puff Daddy and a young Biggie Smalls in his recording debut.Jesse West continues to create tracks and produce music for artists.This week's episode is brought to you by Manscaped! Get 20% Off and Free Shipping with the code THECHOPSHOP at Manscaped.com. That's 20% off with free shipping at manscaped.com and use code THECHOPSHOP. Unlock your confidence and always use the right tools for the job with MANSCAPED™.Support the showWEBSITE AND MERCH! - http://www.officialchopshoppod.com
Ladies and Gentlemen of the Cha Cha Nation, welcome to another episode of the Cha Cha Album Review Series. Today, I did the review of Burna Boy's I Told Them album I Told Them is the seventh studio album by Nigerian singer Burna Boy. It was released on 25 August 2023 The album was preceded by four singles, "Sittin' on Top of the World", "Talibans II", "Big 7", and "Cheat on Me". Features: 21 Savage, Dave, Seyi Vibez, J. Cole, GZA and RZA of the Wu-Tang Clan, and Byron Messia. Producers: Gordon, Kofo, Telz, Mag, P2J, Sellers, Skread, Adrian X, Yeti Beats, LiTek, WhyJay, Jay Blu, Danitello, MD$, Mikewavvs, Otis, Miles, LeriQ, Ruuben, Modra, RZA, Steel Banglez, Jay Weathers, EJ Fya, Spaceship, Billy, Ztekk Records Press the play button to listen --- Support this podcast: https://podcasters.spotify.com/pod/show/hafeestonova1/support
Ladies and Gentlemen of the Cha Cha Nation, welcome to another episode of the Cha Cha Album Review Series. Today, I did the review of Burna Boy's I Told Them album I Told Them is the seventh studio album by Nigerian singer Burna Boy. It was released on 25 August 2023 The album was preceded by four singles, "Sittin' on Top of the World", "Talibans II", "Big 7", and "Cheat on Me". Features: 21 Savage, Dave, Seyi Vibez, J. Cole, GZA and RZA of the Wu-Tang Clan, and Byron Messia. Producers: Gordon, Kofo, Telz, Mag, P2J, Sellers, Skread, Adrian X, Yeti Beats, LiTek, WhyJay, Jay Blu, Danitello, MD$, Mikewavvs, Otis, Miles, LeriQ, Ruuben, Modra, RZA, Steel Banglez, Jay Weathers, EJ Fya, Spaceship, Billy, Ztekk Records Press the play button to listen --- Send in a voice message: https://podcasters.spotify.com/pod/show/hafeestonova1/message Support this podcast: https://podcasters.spotify.com/pod/show/hafeestonova1/support
Paul Wall is best known for emerging from the breakout Houston scene with his verse on Mike Jones' hit “Still Tippin'” and his own “Sittin' Sidewayz,” while Termanology cut his teeth on the East Coast after being discovered by DJ Premier. On paper, they couldn't come from more different backgrounds. With their recently released second collaborative album, Start Finish Repeat, however, the duo has once again demonstrated how they bring out the best in each other over boom bap production from the likes of Statik Selektah, Large Professor, and Diamond D.For this episode Conseqeunce UNCUT, News Editor Eddie Fu speaks to Paul Wall and Termanology as they pick eight of their most essential boom bap albums. We find out how Paul Wall was drawn to New York rappers like Nas and GZA while growing up and learn how Termanology drew influence from Big Pun, Mobb Deep, and Black Thought.Listen to the full interview with Paul Wall and Termanology now and you can read the full article on Consequence.net.This month, we're on a mission to spread the word about Consequence UNCUT far and wide, and you're our secret weapon. If you love our show as much as we like bringing it to you, we need you to hop over to Apple Podcasts, hit the follow button, and leave us a review. Not only is it a quick and easy way to show your support, but it'll also give you the chance to win some exclusive Consequence merch. Just follow this link to our Google Form and submit your info along with a screenshot of your review. We'll be shouting out our winners in December, so make sure to follow and review soon. Thank you for all your support and for helping Consequence UNCUT grow. Check out HelloFresh and use my code 50uncut for a great deal: https://www.hellofresh.com/Our Sponsors:* Check out Green Chef and use my code 60uncut for a great deal: https://www.greenchef.com/ * Check out HelloFresh and use my code uncutfree for a great deal: https://www.hellofresh.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
GZA may be the only rapper who lectures about quantum physics at ivy league institutions including Harvard and MIT. That honor stems from his acknowledged role as “the Genius” – the so-called “Voltron head” of hip-hop's most notorious group. A group that was targeted by the most hated man in America after that same man bought their one-of-a-kind album at auction for two million dollars. A group that nearly crumbled under the weight of resentment, acrimony, and lawsuits. A group whose past continued to come back to haunt them, particularly when Staten Island's undisputed drug kingpins went on trial after a nearly 20-year reign of fear and violence. To see the full list of contributors, see the show notes at www.disgracelandpod.com. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Support our Advertising Partners: Factor: factormeals.com/disgraceland50 Code: DISGRACELAND50 Fum: tryfum.com DISGRACELAND Liquid IV: liquid-iv.com/disgraceland Code: DISGRACELAND NextEvo Naturals: nextevo.com Code: DISGRACELAND Prize Picks: prizepicks.com/DISGRACELAND Code: DISGRACELAND ZBiotics: ZBiotics.com/DISGRACELAND Code: DISGRACELAND Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, we're delving into the gritty and groundbreaking world of hip-hop with the seminal album "Enter the Wu-Tang (36 Chambers)" by the legendary Wu-Tang Clan. Released in 1993, "Enter the Wu-Tang (36 Chambers)" is not just an album; it's a cultural phenomenon that forever changed the landscape of hip-hop. This album was the brainchild of a rap collective like no other, the Wu-Tang Clan, hailing from the gritty streets of Staten Island, New York. "Enter the Wu-Tang (36 Chambers)" is a hip-hop masterpiece that's as raw as it is poetic, as aggressive as it is introspective. The Clan, composed of RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa, and the late Ol' Dirty Bastard, unleashed their lyrical prowess over RZA's rugged yet masterful production. The album is a lyrical and sonic martial arts masterpiece, where each member brings their unique style and perspective to the forefront. Tracks like "C.R.E.A.M.," "Protect Ya Neck," and "Shame on a N***a" are like verbal barrages, showcasing the Clan's intricate wordplay, vivid storytelling, and innovative flow. "Enter the Wu-Tang (36 Chambers)" is more than an album; it's a movement. The Clan's lyrics and style are steeped in kung-fu imagery and street tales, creating a universe that's both otherworldly and deeply grounded in reality. Their influence extends far beyond music, shaping fashion, language, and the very essence of hip-hop culture. Upon its release, the album was met with critical acclaim and garnered a dedicated following. It's now widely regarded as one of the greatest hip-hop albums of all time. The Clan's use of martial arts samples, gritty production, and their sheer lyrical prowess redefined what hip-hop could be. As we drop the needle on this vinyl gem, we invite you to join us on a lyrical journey through the rugged and innovative sounds of "Enter the Wu-Tang (36 Chambers)." We'll explore the Wu-Tang Clan's impact on hip-hop culture, the album's enduring influence, and its well-deserved place in the pantheon of rap classics. So, turn up the volume and let the lyrical genius of the Wu-Tang Clan penetrate your soul on this episode of "Dem Vinyl Boyz"!
On this episode of the Banned Biographies podcast your host, Tom Austin-Morgan, thanks Brompton Jackson from Wilmette for his time on last months' episode, and what you can expect from the next episode which will be out soon. The news this month concerns: The continuing allegations against Justin Sane of Anti-Flag, the passing of Sinéad O'Connor, Jamie Reid and Steve Harwell, Descendents, Devo, Billy Idol, GBH, The Bronx, The Damned, Ben Weasel from Screaching Weasel's new book, Bob Vylan, Bad Cop/Bad Cop, Fishbone and GZA of the Wu-Tang Clan touring together, former Lostprophets frontman and convicted peadophile, Ian Watkins getting stabbed in prison, Madball, Chris Flippin, Paramore, Glenn Danzig, TV Smith, Dexys, Green Day, Fat Mike, Lars Fredericksen, Amyl and the Sniffers, Bouncing Souls, L7, Flogging Molly, Bad Religion, and The Rolling Stones. Tom reviews the singles by Pretenders, The Coral, Holly Humberstone, Bad Cop/Bad Cop, Teenage Fanclub, Fat Mike, Corey Taylor, The Streets, Soft Play, Ash, Mondo Generator, The Gaslight Anthem, Molotov Jukebox, Dream Nails, and The Rolling Stones. The albums reviewed this month are: The Female Divine by Dexys, Smile by Skindred, The Death of Randy Fitzsimmons by The Hives, A Call to the Void by Hot Milk, Road by Alice Cooper, and Back to The Water Below by Royal Blood. Merch: https://my-store-cfdac5.creator-spring.com Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of the Banned Biographies podcast your host, Tom Austin-Morgan, thanks Brompton Jackson from Wilmette for his time on last months' episode, and what you can expect from the next episode which will be out soon. The news this month concerns: The continuing allegations against Justin Sane of Anti-Flag, the passing of Sinéad O'Connor, Jamie Reid and Steve Harwell, Descendents, Devo, Billy Idol, GBH, The Bronx, The Damned, Ben Weasel from Screaching Weasel's new book, Bob Vylan, Bad Cop/Bad Cop, Fishbone and GZA of the Wu-Tang Clan touring together, former Lostprophets frontman and convicted peadophile, Ian Watkins getting stabbed in prison, Madball, Chris Flippin, Paramore, Glenn Danzig, TV Smith, Dexys, Green Day, Fat Mike, Lars Fredericksen, Amyl and the Sniffers, Bouncing Souls, L7, Flogging Molly, Bad Religion, and The Rolling Stones. Tom reviews the singles by Pretenders, The Coral, Holly Humberstone, Bad Cop/Bad Cop, Teenage Fanclub, Fat Mike, Corey Taylor, The Streets, Soft Play, Ash, Mondo Generator, The Gaslight Anthem, Molotov Jukebox, Dream Nails, and The Rolling Stones. The albums reviewed this month are: The Female Divine by Dexys, Smile by Skindred, The Death of Randy Fitzsimmons by The Hives, A Call to the Void by Hot Milk, Road by Alice Cooper, and Back to The Water Below by Royal Blood. Merch: https://my-store-cfdac5.creator-spring.com Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Season 8 Episode 3 of Milkcrates & Microphones, we're joined by hip-hop icon—Afu-Ra (later on in the episode). Afu-Ra talks a number of subjects including being the protege of Jeru The Damaja, working with GANGSTARR and being a part of the GANGSTARR Foundation collective, a tragic accident that put his career on hold, signing his first record deal at 19 years old, the making of his ‘Body of the Life Force' album, the timeless track—“Whirlwind Thru Cities”, making music with Masta Killa & GZA of Wu-Tang Clan, a rare Biggie Smalls story, plus so much more. We also dive into a bunch of other topics, as well as bring you your favorite Milk&Mics segments like This Week in Hip Hop and Song Picks of the (Motha Fuckin') Week”, Afu-Ra style. Enjoy. Subscribe and tell a friend! Follow Afu-Ra on Instagram here: @realafura Subscribe to Afu-Ra on YouTube here: @realafura Follow us on Youtube @ https://www.youtube.com/channel/UC5Jmk_m0_zhxjjYRHWDtvjQ on Instagram @ https://www.instagram.com/milkandmics/?hl=en and Facebook @ https://www.facebook.com/milkandmics/
Burna Boy is sitting on top of the world and the charts. After making history as the first African solo artist to sell out an American stadium, Burna released his seventh album, ‘I Told Them…' Here, Burna speaks on his latest project, RZA, GZA, J.Cole, 21 Savage, Virgil Abloh, sampling, stabbing himself, and more! See omnystudio.com/listener for privacy information.
Detroit Rapper Lazarus join us From Las Vegas to dicuss the battle scene in The D, His mento GZA, Working with D12 & Royce Da 59, The collaboration with NASA, Thoughts on Eminem & New music.
Cultivate is the first-ever three-day cannabis music festival, and it's coming up soon, from August 25-August 27. The event will be at the Nursery, a cutting-edge venue by the Green Line stop at 1800 W Lake Street. This first-time event comes with a ridiculously affordable $99/3-day pass price tag, and artists include GZA, Graveyard (only U.S. performance), Crumb, The Pharcyde, Mac Sabbath, Julian Marley, Afroman and former podcast guests like Fishbone, Lucky Boys Confusion and Otnes. Festival founder Louie Mendicino joins me to talk about building Chicago's first-ever cannabis festival, from creating the venue through the artist booking. Get tickets: https://www.tixr.com/groups/cultivate/events/cultivate-2023-71920 Food for this episode came from Cigars & Stripes in Berwyn (6715 Ogden Ave, Berwyn, IL 60402). Louie says they have the best wings in the area, and he's not wrong. The Tijuana Dog was also something special! Great place to eat, drink and hang! ## Car Con Carne is presented by Alex Ross Art. Visit alexrossart.com to see his work and get your hands on an original piece. __ Car Con Carne is also sponsored by NINETY DAYS IN THE '90s (www.90daysinthe90s.com), by Andy Frye. Take the “Grey Line” back in time to 90s Chicago and relive all the music, moments and pop culture! Get your copy from Amazon, or wherever awesome books are sold. __ Car Con Carne is also sponsored by Easy Automation (easy-automation.net). Are you a home owner? Are you ready for a truly “smart home?” Doesn't the idea of minimizing your energy usage while maximizing your comfort sound good? Easy Automation will help you find the customized solution that's right for you. Their team has 30 years of collective experience in the industry and will tailor a service package that fits your lifestyle and needs. Get a quote by visiting Easy-automation.net, or call at 630.730.3728
BAS BLASTA - loungin' FRANKENSTEIN ft AZ - peace and quiet (instru) ORGANIZED KONFUSION - sin NO FACE - no brothas allowed (mike ross main mix) GANG STARR - ex girl to the next (rmx) DEDA - how i'm linvin' ASHANTI ft T.I. - still down RAHEEM DEVAUGHN - is ti possible? BUSTA RHYMES & MARIAH CAREY - i know what you want MURS - bad man FAT JOE - damn SWV ft REDMAN - loose my cool R KELLY - your body's callin SUBWAY - chi town ride (instru) GZA ft GHOSTFACE KILLAH, KILLAH PRIEST & RZA - 4th chamber
Featuring a fresh new joint from galactic harpist Brandee Younger with Meshell Ndgeocello; modern Cape Verdean sounds from vocalist Kavitah Shah; two unreleased live concerts from two legends, Nina Simone and John Coltrane; and finally, the GZA as he celebrates the 30th anniversary of “Liquid Swords.”
This week's guest is Author and Data Scientist, GM Vinay Bhat. Vinay was one of the top chess prodigies in modern US History. He amassed many scholastic titles and held the record of the youngest ever US National Master before Hikaru Nakamura broke his record. Despite Vinay's extraordinary chess success, he always maintained many interests and put a particular emphasis on his school work, and then his career. Now 38 years of age, Vinay has written an excellent new book with Quality Chess, How I Became a Chess Grandmaster. Part memoir, part chess manual, in the book, Vinay reflects on his career, annotates memorable games, and takes a big picture look at the study choices and decisions he made over the years, including the tough decision to walk away from chess as a profession. Vinay places a particular emphasis on the few steep plateaus he faced in his development. In our conversation, Vinay reflects on his career and shares plenty of chess lessons and memorable anecdotes. A Bay Area native and resident, Vinay has gotten to know many people who will be familiar to Perpetual Chess listeners. Please read on for timestamps of topics discussed. 0:00- My Recommended Chessable Courses: https://go.chessable.com/perpetual-chess-podcast/ Check out ChessDojo's 1.e4 Repertoire for White here: https://www.chessable.com/chessdojos-1e4-repertoire-for-white/course/150049/ 0:02- As Vinay reflects on his chess career, how does he reflect on his first real plateau, which occurred around 2200. Mentioned: The Best I Saw in Chess by IM Stuart Rachels, GM Gregory Kaidanov, Episode 295 with GM Gregory Kaidanov 13:45- What is Vinay's advice for when an opening change might be in order? Mentioned: Vinay's Chessbase India interview with IM Sagar Shah https://www.youtube.com/watch?v=x4IIiYe5Vb8 20:00- What conclusions does Vinay draw from reflecting on his whole chess career? Mentioned: Savely Polovets 24:00- How did Vinay utilize one page writeups in his opening prep? 28:00- Vinay shares his thoughts on various players he knows and has met, including GM Sam Shankland, GM Daniel Naroditsky, GM Magnus Carlsen, GM Eduard Gufeld, the RZA from Wutang Clan, Mentioned: Joe Lonsdale Jr., Peter Thiel, The GZA, Josh Waitzkin 45:00- What were Vinay's first impressions of Wesley So and Fabiano Caruana? 47:00- What was it like to live in the “chess house” with IM David Pruess and GM Jesse Kraai? 49:00- Vinay is an avid reader and discusses some of his favorites. Mentioned: ChessDoJo video- The Best Chess Books , New York 1924, Life and Games of Mikhail Tal, How Not to Play Chess, The Books of Irving Chernev 57:00- What have Vinay's interactions with GM Viswanathan Anand been like? What about Spassky, Kasparov and Karpov? 1:01:00- Patreon Mailbag Question: As a data scientist has Vinay discovered any useful statistical patterns in his play? 1:05:00- What does Vinay think of the acceleration of Chat GBT and similar products? Could it have a further impact on the chess world? 1:10:00- Vinay reflects on the difficult decision he made not to pursue professional chess. 1:15:00- Is there anything Vinay wishes he could have done differently? 1:18:00- Thanks so much to Vinay for joining the show! Here are the links for his excellent book: Check out the book here: Quality Chess https://www.qualitychess.co.uk/products/2/436/how_i_became_a_chess_grandmaster_by_vinay_bhat/ Free Excerpt of the Books: https://www.qualitychess.co.uk/ebooks/HowIbecameaChessGrandmaster-Excerpt.pdf Forward Chess https://forwardchess.com/product/how-i-became-a-chess-grandmaster?section= Vsbhat02 at gmail If you would like to help support Perpetual Chess via Patreon, you can do so here: patreon.com/perpetualchess Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Damaged Goods Podcast, Jake Fraczek, aka Snake the Jake, aka Young Indiana Jones, brings the second part of The Sophomore Jinx in Hip-Hop, discussing second albums from artists that outshined & out performed their first. This episode, Jake touches on albums from Biggie, Gza, The Roots, Ghostface Killah, The L.O.X. & more, as well as a few sophomore albums from artists that were jinxed pieces of crap & why. Follow Jake @jakefraczek @damagedgoodspodcast & @jthes on Twitter.
GameEnthus Podcast ep456 - Cheat 3000 or Streisand Bats This week Tiny (@Tiny415), Mike (@AssaultSuit) and Aaron (@Ind1fference) talk about: Brent Garner, Bt, Turbo Grafx 16, GZA/The Genius, Howard Theater, De La Soul, Trugoy the Dove, The Five By Games Podcast, BitBrew, PSP 3000, Diddy Kong Racing DS, Guardians of the Galaxy Vol. 3, Suicide Squad, PSPGo, PS Vita, Gotham Knights, pinball, Whirlwind Pinball, Cactus Canyon pinball, Point City, Deep Dive, Anansi, Hell of an Office, GoldenEye, Perfect Dark, Akka Arrh, Save Room, Resident Evil 4 Remake, Rise of Fox Hero, First Person Hooper, StrangleHold, Yoku's Island Express, The Cat Ladies of Maple Street, Metroid Prime Remastered, Blanc, Fortnite, Pokemon Scarlett, Pokemon Violet, Legend of Zelda: Breath of the Wild, Tetris, The Man Who Saved Pinball, Star Citizen, and more. If you like the show please leave us an itunes, Google, Youtube, Stitcher or Spotify review, a tweet, an email or a voicemail (202-573-7686). Show Length: 137 minutes Direct Download (click on 3 dots to download) ep456 on Youtube Show Links Team GameEnthus' Extra Life Page New videos GameEnthus.com Youtube.com/user/GameEnthus Community Info Support Scar's creations at PTCAC Consistently Good Catering Kiaun's Show The Analog Circle Podcast SingleSimulcast theblacktop.tv Knoxville by Night - A World of Darkness Play Cast | RSS.com Podcasting Should I Be Mad About This? | Podcast on Spotify Video 00:00 Intro 00:40 Mike's updatea 05:14 Aaron's updates 11:27 Tiny's updates 27:36 Suicide Squad 38:09 Mike's Games 01:03:39 Aaron's Games 1:16:42 Tiny's Games 01:42:58 Outro 01:46:05 Ant-Man & The Wasp Quantumania Spoiler Segment Audio 00:00 Silly Intro 00:41 Show Intro 01:18 Mike's updatea 05:52 Aaron's updates 12:05 Tiny's updates 27:36 Suicide Squad 38:47 Mike's Games 01:04:18 Aaron's Games 1:17:20 Tiny's Games 01:43:36 Outro 01:46:43 Ant-Man & The Wasp Quantumania Spoiler Segment Music from Uppbeat (free for Creators!): https://uppbeat.io/t/mountaineer/refresh License code: JVSBDGGUISB241ES
Lukas Frank is a musician. Lukas performs under Storefront Church. A band I discovered during the days I was a barista and used to blast his music opening and closing of the storefront coffeeshop called Homecoming. Lukas has been a touring drummer for Portugal. the man, Phoebe Bridgers, Kitten, Alexandra Savior. Working with producing GZA's solo record, currently a Covers EP that features Phoebe Bridgers. Lukas put out his full length record “As We Pass” in 2021, after the Storefront Church EP. He eventually drew the interest Sargent House, which reissued the EP in 2019. His first song for the label, “The Gift,” was featured on the Netflix series The Queen's Gambit. Me and friend, guest and collaborator of the show Christian Schwartz of Commercial Type went to see Storefront Church open up for DIIV at Baby's All Right's short lived sister venue The Dance in NOHO and after the set, I copped a t-shirt from Lukas and we chatted for a bit. Fast forward to now and running into Phoebe Bridgers at the same Matchaful I go to, I'm having Lukas on the show. Please welcome Lukas Frank to Wear Many Hats. instagram.com/storefront_church instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com
Wu-Tang: American Saga returns for a final season. The crew breaks down what they want to see or believe will happen in season 3. They feel there is a lot to cover about RZA, GZA, Ol' Dirty Bastard, Method Man, Ghostface Killah, Raekwon, Masta Killa, Inspectah Deck, Masta Killa, U-God, Inspectah Deck, and the always-forgotten Cappadonna. Check out more via The Lando Cal Experience at any link below Email: landocalpod@gmail.com Follow Lando Cal on Social Instagram: https://bit.ly/3aJoQQq Twitter: https://bit.ly/2NplOYR Facebook: http://bit.ly/2MgrMug To Listen to the podcast Podbean: http://bit.ly/3qMHAEj YouTube: http://bit.ly/2P6gxpt Spotify: http://spoti.fi/3bvhYVS Apple: http://apple.co/3bAOvtN Stitcher: http://bit.ly/3ke3sG9 IHeartRadio: https://ihr.fm/2P0RofH
DJ Leg1oner homes in on his favorite hip-hop across eras with new school mayhem from JID, Logic and Joey Valence & Brae and stone cold classics from GZA and Main Source. Plus luminous neo-soul from Hong Kong's R.I.D.D.E.M., a mind-melting groove by Bravuda, and free-flowing funk from Toronto titans Soul Motivators and Tanika Charles. View the full playlist for this show at https://www.wefunkradio.com/show/1146 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/
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