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8 episodes with Jeff Chang
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3 episodes with Jeff Chang
2 episodes with Jeff Chang
2 episodes with Jeff Chang
2 episodes with Jeff Chang
Water Mirror Echo is Dr. Jeff Chang's ambitous and deeply empathetic cultural biography of Bruce Lee that goes beyond myth, revealing the man behind the legend while tracing how Lee's life helped shape the emergence of Asian America. Chang's storytelling deftly intertwines Lee's personal narrative with broader social currents--highlighting Asian American student activism, racial solidarity, and cultural resistance. By drawing from in-depth interviews, newly released personal papaers, and rare family photographs, Chang is able to pierce the iconography and reveal Lee's complexity--his vulnerabilities, perseverance, and influence. And by humanizing Lee, Chang reframes him as a creator of cultural identity, not just an action hero. Chang delivers more than a portrait of Bruce Lee--he offers a meditation on identity, visibility, and the shaping of Asian American culture. Lee's life becomes a lens to explore how individuals and symbols can birth movements, challenge stereotypes, and redefine belonging. His book will be available for purchase on September 23, 2025.
Defined outcome ETFs have exploded in popularity, offering investors a way to combine downside protection with upside participation. In this episode of Excess Returns, we sit down with Jeff Chang of Vest Financial to break down the mechanics of buffer ETFs, how they fit into portfolios, the critiques they face, and where this space is headed. Jeff shares the origin story of Vest, the innovations that made these strategies accessible and how Buffer ETFs work behind the scenes.The origin of Vest and the impact of the Lehman collapse on product designHow buffer ETFs work and why they focus on the “first 10–15%” of drawdownsThe behavioral finance angle: making hedging simple and accessibleWhy 2022 highlighted the weaknesses of traditional 60/40 portfoliosThe mechanics of buffer ETFs: options structures and resetsPopular buffer levels and how investors are using themAddressing critiques: costs, beta instability, and comparisons to cash or commoditiesThe scalability of these strategies and potential market impactBehavioral vs. quantitative advantages of defined outcome fundsFuture developments, including applications to crypto and higher-volatility assetsJeff's lessons on investing, risk management, and staying invested00:00 – Introduction and the growth of defined outcome strategies02:00 – The genesis of Vest Financial after Lehman's collapse09:00 – Explaining buffer ETFs in simple terms14:00 – Who uses these strategies and why 2022 was a turning point18:00 – Mechanics of resets and protection at market highs22:00 – Range of buffers, caps, and investor demand27:00 – The options structures behind buffer ETFs30:00 – Liquidity, scalability, and market impact considerations34:00 – How investors are using buffers in portfolios38:00 – Tax efficiency inside the ETF wrapper39:00 – Addressing critiques: cash, commodities, and costs47:00 – Are these strategies more behavioral or quantitative?48:30 – The future of buffer strategies and expansion into crypto53:00 – Jeff's contrarian investing belief54:00 – The one lesson Jeff would teach every investor
On episode 55 of A Culture of Possibility, Arlene Goldbard and François Matarasso host muralists Amber Hansen and Reyna Hernandez, who were the first interviewees on the podcast! Following on Episode 54, in which Jeff Chang detailed the censorship of his book by the US Department of Defense, Amber and Reyna talked about the more local or subtle forms of pressure to censor or self-censor, such as agencies that commission community murals and then withdraw because they don't like the subject matter. When and how is expression limited by those in power and when and how is artists' work shaped by considerations or controversy or empathy?
In this episode Jeff Chang breaks down the virtues and risks of Bitcoin, highlighting Bitcoin-linked tools and strategies that aim to generate income and mitigate downside risk.----------------------------------------------------------------------------------------------Subscribe Here to the ROI Podcast & other First Trust Market News Website: First Trust PortfoliosConnect with us on LinkedIn: First Trust LinkedInFollow us on X: First Trust on XSubscribe to the First Trust YouTube ChannelSubscribe to the ROI Podcast YouTube Channel
Jeff Chang's new podcast “Notes From the Edge” held their launch party recently at Warfield Commons. On the show Jeff and his visionary guests look at our rapidly changing world.
Today we take you to the US-Mexico border where the Tijuana river is overflowing with sewage. Then, we pop into the launch party for KALW's new podcast-in-development, Note From the Edge with Jeff Chang.
On episode 54 of A Culture of Possibility, Arlene Goldbard and François Matarasso interview author Jeff Chang, known for his books on cultural subjects including hip-hop, race and racism, and Asian Americans. In May, Jeff posted to his Substack an account of how the Defense Department had removed his book, Can't Stop Won't Stop: A Hip Hop History, written for young adults, from schools on US military bases around the world. The reasons given were Trump's executive orders banning accounts of racism, gender and sexuality, and other such topics. Jeff joins us to tell the story and talk about what it means for the future of free expression and diversity.
We discuss Black Yacht Rock and hip hop with Davy D and the TIR Crüe
Read Jeff's work here: https://zentronix.substack.com/ Recently the book, "Can't Stop Won't Stop" about the early beginnings of hip hop was recently banned by the Trump administration. What makes this book so dangerous? We'll discuss with it's author, journalist, and author, Jeff Chang. Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!) THANKS Y'ALL YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned Here: https://substack.com/home/post/p-161586946... Read "We're All Sellout Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-was...
Join us for a talk with the upcoming high school star Hardy Osborn (Jeff Chang). Listen while we talk about a bunch of bucking horses and why rodeo looks like for the boys!
Lindsay and Tim welcome photographer Jeff Chang, who shares his journey in the photography world, the significance behind his business name 'The Apartment', and his unique artistic style. The conversation delves into the challenges of wedding photography, the importance of creative control, and the emotional connections captured through photography. Jeff's insights inspire both budding and seasoned photographers to embrace their craft and explore new possibilities. In this conversation, they explore the intersection of photography, personal growth, and relationships. They discuss how environmental factors influence photography styles, the preference for urban settings over nature, and the impact of travel on creative expression. The dialogue also delves into the emotional challenges faced in personal relationships, particularly within the context of the photography industry, and the importance of open communication and emotional maturity. In this conversation, they talk about the complexities of navigating personal relationships while working together in a business setting, particularly in wedding photography. They discuss the emotional challenges faced during wedding days, the importance of trust and communication in relationships, and how personal growth can influence professional work. The conversation also touches on finding peace amidst chaos and the aspirations for future photography education and connection with others. In this conversation, the speakers delve into various aspects of photography, including untapped markets such as senior portraits and the importance of capturing grandparent-grandchild relationships. They also discuss the role of gear in photography, emphasizing that creativity and personal growth are more important than the latest equipment. The conversation wraps up with Jeff sharing his upcoming speaking engagements and encouraging listeners to reach out with questions. Want us to feature your question, photography story, or industry hot take on an episode? Send us a DM, voice note, or video on instagram @TheShootYourShotPodcast. Your privacy is important to us. If you want to remain anonymous just let us know :) Sign up with Imagen AI to streamline your photo editing and get 1500 edits free! Sign up below for this rad AF offer: https://bit.ly/timothypodcast Become an IG reel-creating machine with Social Templates! with Promo code: LINDSAY. socialtemplates.co/lindsay Books Referenced: Don't Believe Everything You Think - Joseph Nguyen. Chapters 00:00 Introduction to the Podcast and Guest 03:00 The Mystical Magical 8-Ball and Its Role 05:54 Jeff's Journey as a Photographer 09:08 The Name 'The Apartment' and Its Significance 11:58 Artistic Style and Visual Language 14:57 Challenges in Wedding Photography 17:56 Creative Control and Documenting Moments 22:24 The Impact of Environment on Photography 25:40 Urban vs. Nature: A Photographer's Preference 28:33 Traveling the World: A Photographer's Journey 36:55 Personal Growth Through Photography 39:25 Navigating Relationships in the Photography Industry 55:47 Navigating Relationship Changes in Business 58:44 Emotional Challenges on Wedding Days 01:01:41 The Importance of Trust and Communication 01:03:59 Emotional Growth and Its Impact on Photography 01:10:36 Finding Peace in Chaos 01:16:01 Future Aspirations in Photography Education 01:24:19 Exploring Untapped Photography Markets 01:30:24 The Importance of Grandparent Portraits 01:32:52 Navigating Gear and Equipment in Photography 01:49:26 Jeff's Upcoming Speaking Engagements and Final Thoughts
It's a WPPI recap episode. With a microphone and iphone, Tim and Lindsay walked the floor of the trade show asking photographers questions about gear, technique and hypothetical questions that separate the weak from the strong. Streeters include Sam Hurd, Jeff Chang, Ana Pastoria. Tune into a future episode to hear from Taylor Jackson, Chris Denner, and Staci Brucks. Want us to feature your question, photography story, or industry hot take on an episode? Send us a DM, voice note, or video on instagram @TheShootYourShotPodcast. Your privacy is important to us. If you want to remain anonymous just let us know :) Sign up with Imagen AI to streamline your photo editing and get 1500 edits free! Sign up below for this rad AF offer: https://bit.ly/timothypodcast Become an IG reel-creating machine with Social Templates! with Promo code: LINDSAY. socialtemplates.co/lindsay Chapters 00:00 Introduction and Personal Reflections 03:00 Photography News and Events 06:00 Uplifting Stories in Photography 08:59 New Gear and Innovations 11:48 Experiences at WPPI 2023 15:01 Community and Connections in Photography 17:46 Grilled Cheese Competition Highlights 20:58 Speaking Engagements and Brand Relationships 28:00 Celebrating Achievements and Brand Interactions 33:00 Gear Talk: The Worst Equipment Experiences 38:56 Handling Wedding Day Conflicts 42:51 The Petty Side of Photography 49:07 Creative Choices: Disposable vs. Digital 54:00 Fun and Games: Tattoo Ideas and Future Plans
Join the Imagen Community on Facebook to continue the discussions between episodes.You are invited to revisit standout moments and impactful discussions from the season, during which we've explored incredible stories, innovative techniques, and valuable tips that could reshape your photography game.Thank you to our guests from Season 3 for sharing your thoughts and wisdom with the community: Jerry Ghionis, Vanessa Joy, Carissa Woo, Angela Shae, Natalie Franke, Heather Larkin, Maciej Suwałowski, Erica Thompson Beck, Chris Denner, Debbie-jean Lemonte, Martina Lanotte, Tim Muza, Lindsay Coulter, David England, Vanessa da Silva, Mike Cassara, Lauren O'Brien, Michelle Harris, Jeff Chang, Elena S Blair, Nikki Closser, and John Branch IV.Help shape the future of The Workflows Photography Podcast by discussing season 3 in the Imagen Community. Subscribe to the Workflows Photography Podcast, leave a review, and never miss an episode.
Chapter 1 What's We Gon' Be Alright by Jeff Chang"We Gon' Be Alright" by Jeff Chang is an exploration of resilience and hope amid adversity, particularly within the context of the Black Lives Matter movement and American social justice struggles. Chang examines the historical roots of systemic racism and the ways in which communities come together to fight for equality and change. His writing reflects on the power of collective action and the importance of maintaining faith in a better future, even when facing obstacles. Through personal narratives and cultural analysis, Chang weaves a message of empowerment, emphasizing that despite challenges, there is a shared strength that guides communities toward justice and healing. This work serves as a reminder of the ongoing fight for civil rights and the belief that, ultimately, we will overcome.Chapter 2 We Gon' Be Alright by Jeff Chang Summary"We Gon' Be Alright: Notes on Race and Resilience" by Jeff Chang is a poignant exploration of race, identity, and resilience in America, particularly in the context of social justice movements and contemporary challenges faced by marginalized communities.Chang draws on personal experiences, historical context, and current events to articulate the struggles and aspirations of people of color. He delves into the impact of systemic racism and the ongoing fight for equity, weaving in narratives of activism from various communities.Throughout the book, Chang emphasizes the power of collective resilience and the importance of uplifting voices that challenge oppression. He advocates for solidarity among different racial and ethnic groups, highlighting that the fight against inequality is interconnected across various social movements."We Gon' Be Alright" serves as a rallying cry, inspiring readers to engage with the ongoing struggle for justice and to envision a future defined by hope and unity. Chang's insightful reflections resonate deeply in today's socio-political climate, making this work a vital contribution to the discourse on race and society.Chapter 3 We Gon' Be Alright AuthorJeff Chang is an American author, journalist, and cultural critic known for exploring themes of race, culture, and social issues in the United States. His book "We Gon' Be Alright: Notes on Race and Resegregation" was released on August 23, 2016. This work reflects on contemporary issues of race and identity, particularly in the context of racial tensions and the Black Lives Matter movement.In addition to "We Gon' Be Alright," Jeff Chang has authored other notable works:"Can't Stop Won't Stop: A History of the Hip-Hop Generation" (2005) This book is critically acclaimed and explores the cultural and social history of hip-hop and its impact on society."Who We Be: A Cultural History of Race in Post-Civil Rights America" (2014) In this book, Chang examines race and identity in contemporary America, understanding how cultural shifts have influenced racial perceptions."The Children of 1968" (edited) This anthology captures reflections and essays of individuals who were shaped by the events of 1968, offering insights into activism and society.In terms of editions, "Can't Stop Won't Stop" is often regarded as one of his best works due to its in-depth analysis of the hip-hop culture, its social context, and its lasting influence. The book has received several updated editions since its initial publication, which include new insights and reflections on the evolution of hip-hop.Chapter 4 We Gon' Be Alright Meaning & ThemeWe Gon' Be Alright Meaning"We Gon' Be Alright" by Jeff Chang is a poignant commentary that underscores the resilience and hope found within communities facing systemic oppression and challenges. The phrase itself, popularized by the hip-hop artist Kendrick Lamar in his song "Alright," serves as an anthem for perseverance in the face...
Join Rahul for an insightful conversation with Sharrone Calafiore, founder of Fiore Films. Known for her distinctive cinematic style, Sharrone crafts wedding films that masterfully blend composition, timing, and sound to create unforgettable stories. In this episode, she shares her expertise on lighting techniques, music selection, client education, and her approach to deliverables. Discover why she views editing as a creative puzzle and learn about her unique perspective on wedding day coverage, including her intentional choice to skip cocktail hour filming. NINEDOTS 2024 - MANCHESTER - LAST FEW TICKETS REMAINING12 + 13th November 2024Our speaker line up so far includes:MATTEO CARTA . LISA DEVLINSACHIN KHONA . KATE HAMPSON . DAVE SCHOLESASSUMPTA VITCU . HOLLIE MATEER . DAN MORRISANNA PUMER . JEFF CHANG . RONAN PALLISERBook now: https://nine-dots.co/gatheringThe carefully curated schedule ensures that all photographers, new and experienced, will take lots of new skills away from the event. From live shoots, to business advice, how to book more weddings, practical tips, personal development, there really is something for everyone. For more information visit: nine-dots.co/gathering to see highlights of our past events and what we have in store for 2024! Find out about, and book your place on, the GREAT ESCAPE LUXURY RETREAT for wedding photographers. Apr 29 - May 2 2024.Join PicTime using the code 'NINEDOTS' and new users will receive one bonus month when upgrading to any Pic-Time paid planSupport the showSupport the show
Have you ever wondered how top photographers seamlessly engage, onboard, and sustain exceptional client relationships? This episode takes you behind the lens to uncover those secrets!Jeff Chang and Scott Wyden Kivowitz discuss effective client engagement strategies and the intricacies of running a successful photography business. From initial email and video contact to comprehensive meetings, learn how to build trust and communicate effectively, ensuring a smooth experience on the wedding day. Get practical tips like the "cooler hack" for hot days and insights into efficient photo backup processes. Discover why spontaneous portraits at cocktail receptions are a potential game-changer and gain valuable strategies to enhance your workflow, from editing to final photo delivery.Jeff Chang, co-founder of The Apartment Photo and winner of the International Wedding Photographer of the Year Award, boasts 15 years of capturing love stories across five continents. When he's not finding new ways to create meaningful experiences for his clients, he's following another of his passions, engaging with the photography community through speaking at industry events and creating educational content on Instagram, which has just reached over 15 million views. "Building trust and maintaining effective communication with clients forms the foundation of better work and opens the door to increased opportunities."Why You Should ListenMaster the art of engaging potential clients and seamless onboarding.Gain actionable strategies to ensure smooth photography sessions on wedding days.Learn efficient photo backup techniques to safeguard your work.Discover creative hacks for unique wedding shots and spontaneous portraits.Enhance your client experience with personal touches and effective follow-ups.Don't miss out on this wealth of knowledge that can streamline your workflow and elevate your client interactions. Tune in to the Workflows photography podcast now!(00:00) - Jeff Chang (05:09) - What is one thing that you do for the photographic process that has saved you time? (11:11) - What is one thing that you do for the business that saves you time or money? (13:40) - What is one thing that you do for editing that has saved you time? (20:02) - What is one thing that you do after a session that has increased business? (29:37) - Can you share an outlined breakdown of your workflow from lead to delivery? (50:42) - How did Imagen impact your life? Join the Imagen Community on Facebook to continue the discussions between episodes.
Join Rahul in conversation with Assumpta Vitcu, the founder of a multicultural wedding planning company, based in London - Ave Creations, as they explore the art of multicultural wedding planning. Together they discuss experience and growing your business, photographer-planner collaborations, industry ethics, keys to exceptional client service plus kickbacks, current trends and much more. NINEDOTS 2024 - MANCHESTER - LAST FEW TICKETS REMAINING12 + 13th November 2024Our speaker line up so far includes:MATTEO CARTA . LISA DEVLINSACHIN KHONA . KATE HAMPSON . DAVE SCHOLESASSUMPTA VITCU . HOLLIE MATEER . DAN MORRISANNA PUMER . JEFF CHANG . RONAN PALLISERBook now: https://nine-dots.co/gatheringThe carefully curated schedule ensures that all photographers, new and experienced, will take lots of new skills away from the event. From live shoots, to business advice, how to book more weddings, practical tips, personal development, there really is something for everyone. For more information visit: nine-dots.co/gathering to see highlights of our past events and what we have in store for 2024! Find out about, and book your place on, the GREAT ESCAPE LUXURY RETREAT for wedding photographers. Apr 29 - May 2 2024.Join PicTime using the code 'NINEDOTS' and new users will receive one bonus month when upgrading to any Pic-Time paid planSupport the showSupport the show
Send us a Text Message.In this episode Matt talks with two guests, Jeff Chang - a police sniper/instructor and also a former Marine Corps sniper. Tyler Ellsworth is also a police sniper/instructor and owner/operator of Standing Offhand with co-owner Jeff. In this episode we discuss the Trump shooting incident, the police sniper mission, and selecting good candidates. Please enjoy the show!Standing Offhand:https://www.standingoffhand.com/Social: @standing_offhandThe OpTempo Training Group website for an updated list of classes:https://optempotraining.com/@optempotraining on Instagram and FacebookFind us on Youtube at https://www.youtube.com/channel/UC4kBpYUjDdve9BULTHRF2Bw/featured?view_as=subscriberLowa BootsIG: @lowa.professional and @lowabootshttps://www.lowaboots.com/
Jeff Chang, President and Co-founder of Vest Financial, discusses the growth of buffered investments over the past few years. Reach us at https://www.ftportfolios.com/Connect with us on LinkedIn https://www.linkedin.com/company/first-trust/Follow us on 'X' @ftportfolios
In which the Curmudgeons marvel at how quickly, and how well, hip-hop evolved after the Sugar Hill Gang's massive 1979 hit "Rapper's Delight" changed the game completely for everyone. We tell the story of how entrepreneurs, hustlers and visionaries seized the moment to bridge gaps between the streets, the art galleries and the record-label boardrooms. We celebrate a string of amazing singles that grew in sophistication and in pure fun with each volley. And we mark the beginning of the album as a hip-hop artform by discussing two classics, Run-D.M.C.'s self-titled debut and LL Cool J's Radio. Listen to all of this great music by accessing our Spotify playlist: https://open.spotify.com/playlist/0H0DTcK3EqlQvVXIF4UK7U?si=900ad05efec74d30 Check out these books, which we discuss during the episode: Jeff Chang's "Can't Stop, Won't Stop: A History of the Hip-Hop Generation": https://www.thriftbooks.com/w/cant-stop-wont-stop-a-history-of-the-hip-hop-generation_jeff-chang_dj-kool-herc/257047/?resultid=64846f2c-3a5f-46cd-80fc-c72a7f0af996#edition=4070729&idiq=4560452 Jonathan Abrams' "The Come Up: An Oral History of the Rise of Hip-Hop": https://www.thriftbooks.com/w/the-come-up-an-oral-history-of-the-rise-of-hip-hop_jonathan-abrams/35084204/?resultid=76479560-1d4a-4cb7-9ce1-4ba7ff020fe0#edition=64092613&idiq=55408108 Here is handy navigation companion to this episode. (0:52 - 03:50) - Arturo Andrade sets the parameters for our discussion (03:55 - 18:36) - The Parallel Universe, featuring reviews of albums by Otoboke Beaver and Slift (19:21 - 44:10) - WE discuss the success of "Rapper's Delight" and its explosive aftermath. We feature Kurits Blow, Fab 5 Freddy, the movie "Wild Style" and other accomplishers and accomplishments. (45:03 - 01:37:00) - We cover a litany of fantastic singles, plus the albums Run-D.M.C. and Radio. Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock Hosted on Podbean! curmudgeonrock.podbean.com Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911 https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80M Co-written and co-produced by Arturo Andrade & Christopher O'Connor - The Curmudgeons
It's that time of year again when we gather together to remember the year that was, share expectations for the year ahead, and celebrate. We'll start our evening with Michelle Meow interviewing the two Jeffs—Jeff Yang, author of the new book The Golden Screen: The Movies That Made Asian America (which features a foreword by Michelle Yeoh and an afterword by Jon M. Chu), and Jeff Chang, author and editor of numerous books, including the forthcoming Water Mirror Echo: Bruce Lee and the Making of Asian America. After that, we'll head to our beautiful second-floor lounge for some food, drink, music and togetherness. Reserve your ticket early and join us in-person for our once-a-year tradition at The Commonwealth Club's bayfront home! See more Michelle Meow Show programs at Commonwealth Club World Affairs of California. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the First Trust ROI Podcast, Ryan talks with Jeff Chang, President of CBOE Vest, about two areas of the ETF industry that have seen robust growth over the past few years: Buffered ETFs and Call-writing ETFs.Reach us at https://www.ftportfolios.com/Connect with us on LinkedIn https://www.linkedin.com/company/first-trust/Follow us on 'X' @ftportfolios
In which The Curmudgeons give the origins of hip-hop a serious treatment and contemplate the magical melding of time, place and resources that makes its early history so compelling. The pioneers of the genre stared down the destruction and impoverishment of the South Bronx with the swagger of kings, organically spinning celebration, and positivity, out of their circumstances. They also channeled the competitiveness of the streets into hip-hop's four "elements" -- DJing, MCing, breakdancing and graffiti -- ensuring there was as much sport as there was funk. Hip-hop became the ultimate DIY creation as a result. Check out a book we reference during this episode, Jeff Chang's wonderful "Can;t Stop Won't Stop: A History of the Hip-Hop Generation": https://www.thriftbooks.com/w/cant-stop-wont-stop-a-history-of-the-hip-hop-generation_jeff-chang_dj-kool-herc/257047/?resultid=d57d3cbc-a003-438a-8356-465f82400ec6#isbn=B00A2LU264 Here's a handy navigation for the episode. (0:54 - 6:20) - Arturo sets the parameters for our discussion (7:40 - 20:18) - The Parallel Universe, in which we review new music from PJ Harvey and Yard Act (21:17 - 1:04:59) - Chris, with Arturo's considerable input, discusses four aspects of the hip-hop origin story that make it so unique; plus, we discuss hip-hop "elements" in detail (1:06:24 - 1:45:48) - We discuss the influence four hip-hop pioneers -- Kool Herc, Afrika Bambaataa, Grandmaster Flash, Grandmaster Caz -- and marvel at the story of "Rapper's Delight," hip-hop's first hit single. Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock Hosted on Podbean! curmudgeonrock.podbean.com Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911 https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80M
For the 50th Anniversary of Hip Hop, I wanted to talk about hip hop culture (duh Danny). Instead of spending one episode on it, I decided to do a series of short eps about it. In this ep, I talk about the 5 elements of Hip Hop Culture. I take a shot at the ADOS about their dumb opinions about Dj Kool Herc. I do a review of the best hip hop movie of all time: “Wild Style.” I do a review of Jeff Chang's “Can't Stop, Won't Stop: A History of the Hip Hop Generation.” Pass it along and check it out twice. Tell your moms about it. The website is up: https://omisbench.com/ My contact info: IG/Threads: @brotheromi Spills: @dantresomi You can support the podcast with monthly contributions here: https://podcasters.spotify.com/pod/show/dantresomi/support (Thank you!) For 2023, ONCE AGAIN, my goal is to sell 100 coffee mugs to raise $$$ for the show. Buy one. Heck Buy Two – support a brother: https://www.cafepress.com/omisbench.571434105 Here is the link to my Youtube page with all the old episodes from the previous seasons. Thank you all for the support: https://www.youtube.com/user/BrotherOmi/videos --- Support this podcast: https://podcasters.spotify.com/pod/show/dantresomi/support
Llegamos al final de la 1ra temporada, y para despedir la clase te presenté a “Rapper's Delight” – el primer gran éxito comercial de rap. La discusión parte de 1979 para ver la influencia que tuvo este tema en otros géneros musicales y en otras latitudes. Analizo el primer rap en español y concluyo en el 1985, año en el que, en otro party, esta vez en Puerta de Tierra, nace el Hip-Hop en Puerto Rico. La música esta vez está a cargo de mi pana Cardejez. Check us out! Nota: algunas de las fuentes que inspiraron este episodio son Jeff Chang, Can't Stop, Won't Stop: A History of the Hip-Hop Generation, New York: St. Martin's Press, 2005, Raquel Z. Rivera, New York Ricans from the Hip-Hop Zone, New York: Palgrave Macmillan, 2006, Ed Piskor, Hiphop Family Tree Vol. 1 (1970's-1981), Fantagraphics Treasury Ed., 2017, y Kathy Iandoli, God Save the Queens: The Essential History of Women in Hip-Hop, Dey St 2019. La música que uso es de mi colección personal. La mayoría se puede conseguir en línea. De otro lado, si interesas escuchar la música de Vico te invito a pasar por la página de Youtube Rap Clásico del pana Carlos Barajas. El episodio está disponible en Spotify, Stitcher, Google y Apple Podcast y en la mayoría de las plataformas digitales. Recuerda que me encuentras en Instagram como @bocetos.pr. Para más información, colaboraciones o contrataciones, puedes escribir a bocetos.pr@gmail.com. Gracias especiales a Delisa Santana Oquendo, la producción de este proyecto, quien me ayudó a terminar el episodio. Síguela en sus redes como @dliciousdelisa, o por su podcast en @imperfecta.pr. --- Support this podcast: https://podcasters.spotify.com/pod/show/bocetospr/support
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews journalist., activist, and public intellectual Jeff Chang. Jeff's most recent book, We Gon' Be Alright: Notes On Race and Resegregation (Picador), was called by the Washington Post “the smartest book of the year,” and inspired a four-episode digital series adaptation for PBS Indie Lens Storycast. He was named to the Frederick Douglass 200, as one of “200 living individuals who best embody the work and spirit of Douglass.”They discuss Supreme Court's recent decision on affirmative action. The plaintiffs of that case, “Students for Fair Admission,” an organization started and led by non-student Ed Blum, made particular use of Asian Americans as a kind of stand-in for whites. Jeff and I talk about the history of that tactic, which dates back the late Sixties, and especially the 1980s, the years of the Reagan presidency. They also talk about the ways in which many liberal and progressive Asian Americans and others took shelter under Harvard University's defense of “diversity.” Jeff points out that such a move effectively erases the long-term bias Harvard and other elite universities have displayed toward Jews and Asian Americans, and backs away from a true and historically honest confrontation with America's racism.Jeff Chang's Can't Stop Won't Stop: A History of the Hip-Hop Generation won the American Book Award and the Asian American Literary Award. His most recent book, We Gon' Be Alright: Notes On Race and Resegregation, was named the Northern California Nonfiction Book Of The Year. His bylines have appeared in The Guardian, the Washington Post, the New York Times, the San Francisco Chronicle, and the Los Angeles Times. He was previously the Executive Director of the Institute for Diversity in the Arts at Stanford University and led the Butterfly Lab for Immigrant Narrative Strategy.https://jeffchang.net/www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews journalist., activist, and public intellectual Jeff Chang. Jeff's most recent book, We Gon' Be Alright: Notes On Race and Resegregation (Picador), was called by the Washington Post “the smartest book of the year,” and inspired a four-episode digital series adaptation for PBS Indie Lens Storycast. He was named to the Frederick Douglass 200, as one of “200 living individuals who best embody the work and spirit of Douglass.”They discuss Supreme Court's recent decision on affirmative action. The plaintiffs of that case, “Students for Fair Admission,” an organization started and led by non-student Ed Blum, made particular use of Asian Americans as a kind of stand-in for whites. Jeff and I talk about the history of that tactic, which dates back the late Sixties, and especially the 1980s, the years of the Reagan presidency. They also talk about the ways in which many liberal and progressive Asian Americans and others took shelter under Harvard University's defense of “diversity.” Jeff points out that such a move effectively erases the long-term bias Harvard and other elite universities have displayed toward Jews and Asian Americans, and backs away from a true and historically honest confrontation with America's racism.Jeff Chang's Can't Stop Won't Stop: A History of the Hip-Hop Generation won the American Book Award and the Asian American Literary Award. His most recent book, We Gon' Be Alright: Notes On Race and Resegregation, was named the Northern California Nonfiction Book Of The Year. His bylines have appeared in The Guardian, the Washington Post, the New York Times, the San Francisco Chronicle, and the Los Angeles Times. He was previously the Executive Director of the Institute for Diversity in the Arts at Stanford University and led the Butterfly Lab for Immigrant Narrative Strategy.https://jeffchang.net/www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20
On today's Speaking Out of Place we talk with journalist., activist, and public intellectual Jeff Chang. Jeff's most recent book, We Gon' Be Alright: Notes On Race and Resegregation (Picador), was called by the Washington Post “the smartest book of the year,” and inspired a four-episode digital series adaptation for PBS Indie Lens Storycast. He was named to the Frederick Douglass 200, as one of “200 living individuals who best embody the work and spirit of Douglass.” We talk about the Supreme Court's recent decision on affirmative action. The plaintiffs of that case, “Students for Fair Admission,” an organization started and led by non-student Ed Blum, made particular use of Asian Americans as a kind of stand-in for whites. Jeff and I talk about the history of that tactic, which dates back the late Sixties, and especially the 1980s, the years of the Reagan presidency. We also discuss the ways in which many liberal and progressive Asian Americans and others took shelter under Harvard University's defense of “diversity.” Jeff points out that such a move effectively erases the long-term bias Harvard and other elite universities have displayed toward Jews and Asian Americans, and backs away from a true and historically honest confrontation with America's racism. Jeff Chang's Can't Stop Won't Stop: A History of the Hip-Hop Generation won the American Book Award and the Asian American Literary Award. His most recent book, We Gon' Be Alright: Notes On Race and Resegregation (Picador), was named the Northern California Nonfiction Book Of The Year, called by the Washington Post “the smartest book of the year,” and inspired a four-episode digital series adaptation for PBS Indie Lens Storycast. He was named to the Frederick Douglass 200, as one of “200 living individuals who best embody the work and spirit of Douglass.” His bylines have appeared in The Guardian, the Washington Post, the New York Times, the San Francisco Chronicle, and the Los Angeles Times. He was previously the Executive Director of the Institute for Diversity in the Arts at Stanford University and led the Butterfly Lab for Immigrant Narrative Strategy.
Aloha friends, it's Robert Stehlik. Welcome to another episode of the Blue Planet Show, which is all about foiling. Today's video is basically a recap of the Voyager X Wet Feet downwind race here on Oahu. It was probably the biggest foil race we've had here on Oahu anyways, maybe anywhere. I'm not sure, over a hundred participants. So it's cool to see so many people entering. Standup paddle racing has been shrinking, but foiling is definitely growing fast. I'm talking with Brian Tricario and Derek Hamasaki. Who finished first and second in this race, in the wing foil division. And we got some really great footage from many different people filming along the way, so I really appreciate everyone submitting their footage, sending it to me so we could put together this video for you. We have the first part, which is a quicker recap of the race, put together by Lucas who also was flying the drone and so on. And then the second part we go into a little bit more detail and showing a lot of footage of the race itself. Harold was in a dinghy following the whole race with this camera, so got some good footage from along the race, so I hope you enjoy it. Without further ado, here is the Voyager Downwind race. Aloha friends, it's Robert with Planet Surf and I have Alex Aguera with me here getting ready to get on the water for the maybe the biggest down wind foil race ever. What do you think? I don't know about that, but it's got quite a lot of participants. I heard there's a hundred people competing today, so it's big. Yeah. And it's all foiling. Standup foiling, wing foiling, and then also some guys are doing prone foiling from Cromwell to the finish, which is by Suicides. Yeah. What are you using today? I think I'm gonna use a 6.5M and a 600 foil 96 liter board. Good float board. There you go. A big combo. Yeah. And then the wind, it's windy today, so that kind of is good for a bit heavier guys. Yeah. Hopefully I don't get lit up too much. Sometimes I really light guys like Derek are really good at light wind. But then, I don't know, Derek. You say something too. What were you talking about? Talk about your equipment. What you got. Oh, I got a same like Alex 600 front wing hand wing is six meter and a 10 inch tail. Trying to go as fast as you guys. They should have a category of their own, oh yeah. Listen to you. It's called oil company owners. So yeah. We'll add that next time. Oh yeah. So we see you. And then hope you enjoy the race. Okay, so I got Derek Kawasaki and Brian Rio here with me, and we're gonna do a little voiceover of this race. So thanks for joining me guys. Yeah, no problem. Awesome. Thanks for having us. Yeah. So we're gonna talk a little bit about. The race. Do a little race recap, talk about who is in the race, the equipment strategy, technique, conditions, training the upcoming races in July. And then also, how, how standup foiling compares with the wing foiling. And the first part of the video is a shorter recap of the race with some cool drone footage from several sources. So we got Lucas filming at the beginning for some. Water shots from Derek and also Jeff Chang. And then Harold is the guy in that dingy who's, who filmed the whole race with his cell phone. So we got some cool footage of the whole race. In the second part of the video, we're gonna show a little bit more detail and go into like more detailed stuff about racing and winging and. Standup foiling and all that. I tried to get Kane to Wild on to join us too, but I didn't hear back from him, unfortunately. So I'm trying to get this video up by tomorrow, Saturday, a week later after the race. Pretty exciting. So maybe you guys talk a little bit about the start, right? Go ahead, Derek. Okay. The start was Pretty, it was pretty organized. People was spread apart, wingers were drifting further up, wind. We could fly up wind and then just sit with the sub guys going down. So we all just hung out. They gave us a one minute prior to they said we're ready to go. And then Everybody's sitting down on their boards or crouching down on the boards. And once it said go, it was on the wind was cranking out there. It was nice and it was a steady flow. I know a lot of people said they had a hard time getting up in the beginning cuz the bumps was outrageous, which is good. Yeah. What, how was your start, Brian? Yeah, it was good. It was hectic. A lot of people around A lot of people, you got your wingers starting, some are going right, some are going left, and then you have your sub coilers pretty much starting straight down swell. So if you weren't on the end and you were in the middle of the pack, there was a lot of traffic. So getting up fast was critical. Yeah. Yeah. Yeah. You definitely wanna get up quick and get going in front of everybody. That way you don't have to dodge everyone. And then also whatever boats or safety, and vessels was out there, the skis or whatever. Sometimes you gotta go chew their things and then you cannot push it. You want to just get through and whatnot. But it was, yeah, it was real. Get up and try to stay in front, yeah. I thought one thing about the start that went worked well compared to last year that at the Blue Water race, it was really spread out the start line, right? This time they had like a couple jet skis going back and forth. So they made a line like where nobody could get way ahead of everyone else. So that, and plus everyone had to sit on their boards at the start. So I thought the start, it was a pretty, pretty fair start for everyone. Like you said, you did have to make sure you don't have someone right your way as you're take trying to take off. Otherwise you're like especially cuz Yeah, the. Boiler, the standup boilers, we're going straight down wind, and we have to go a little bit at an angle to the wind, right? Yeah. Yeah. I think next time, like when sitting at the dinner table, you go with somebody that's getting up on one right? Reach and you get the other person sitting up on the opposite reach, you don't wanna be going crossing, right? Yep. True. So this is Kane the wild harold followed Kane pretty much the whole race with his dingy. So we got a lot of footage of Kane and then I think this is you Derek. Yeah. Yeah, I think you and I crossing back and forth in between. Yeah. And then this is getting close to the finish line, and as you can see, there was like a buoy on the outside of the waves. But then there was the wave, the surf was pretty big. And you couldn't really see where the finish was. Yeah, I couldn't, there was like, I was right. I came in first. I had no idea. I like, I just didn't know the area very well. But you can see here, there's that channel and I ended up too far. Upwind coming in too far. Upwind of the channel. And then you also came up in too far up when yet Derek? Yeah, I hooked around the buoy and then I, but I came in cause I saw you. So I pulled back up when, and I came into the finish line, but. Unfortunately when we were in that channel, there was no buoys. Oh crap. And yeah. So then all of a sudden there's both of us didn't see the finish line and went to the wrong, cuz you went too far upwind. And then and then Brian. Yeah. What happened when you came in? You saw us too? Or what? What happened? No, I thought you guys finished already. I came in before I hit that red buoy I fell cause I was too busy looking at where the channel was cuz you couldn't see anything. I was just focusing on where's the channel looking right? And I wound up breaching, falling. It's on the video too. And then I'm scrambling to get back up and made the right and I shot straight for the white condos. And then at the top of the swell I saw Jeff on the inside on the ski. And I just tried to shoot for the ski when I could see it. And I barely snuck in on the town side of the channel. I wound up going right at the pilings dry reef area and Saw that last second and hooked right. And snuck in there. But it was definitely a, it was tough to spot that channel. Yeah. Yeah. Congrats on that. So Brian won the race and then Derek came in second. Yeah, I guess so Derek, you were able to turn around and go back out and back in again? Or like how did you end up finish? Yeah. Yeah, so initially when I first came in, I saw you and I was like, okay, right on Robert first, and then I'll just come in behind, and because I didn't see any of the suppers too, so I was like, oh, okay. Awesome. But. When I was coming in, there was set waves, so in front of me was all white water. I couldn't see the reef, nothing at all. And then behind me, the wave was overhead, so I just had to hold onto my wing and just hope for the best, yeah. You just focusing on me at all. Yeah. I didn't wanna fall and get cleaned out by the. White water behind me. So just went in and then once we went in and realized, okay, this is the wrong spot. Went to turn, hit the reef and went down, I'm like, oh, crap. And then while I was in the water trying to get up, I looked over towards the west and I noticed the ski and the other buoys and go, oh, crap, too early. Okay. So I was able, there's enough wind coming in that area for the foil that I was on and my weight. Get back on foil. Come up and fly around. And then when I was coming around, I saw Brian's wing that was inside. So I was like, oh, okay that's it. So came in like just skirted the reef on that channel and then just came around and then passed the boy evening and then did that. Cool. All right. So here we have the start again. So we doing a little bit extended version of the race again here, and then Harold's following Kane to Wild, and you can see he got a really good start, like pretty much on the second bump that went under Hemi. He was able to take off and then he just took off at high speed. I, he has a lift 900 foil, I think. So really pretty small foil for standup foiling. And he was flying, he was making really good time. Yeah, it's actually I was amazed how fast he was going. Cuz I, I thought I was going pretty fast with the Mike's lab five 40, which is a pretty fast foil. And the wing and the, the wind was pretty strong. But he was right there. He was like, we were just head to head for quite a while and then, Actually the only other person I saw Rami was Derek. And you were more on the inside, right? Yes. You took more of an inside line, right? Yes. But let's talk a little bit about the difference between wing foiling and standup downward foiling. So I guess one of the things is definitely that you can tell is that you can see I'm like zigzagging a little bit back and forth. I. And then the more I turn down wind, the less wind I have in the wing and Kane is just going straight down wind in a straight line almost, like doing some turns and stuff. But I guess that's one of the things that we can probably go faster, but it's harder for us to go straight down, win, right? Yeah, we cover more distance, but yeah they they can just go, we go faster and more distance, but they can just go straight, straight or line. Yeah. I think if it was windier. If it was windier and we can actually go straight down wind, that's another story but's, it's gotta blow real hard for that with a big wing, but Yeah. Yeah. But the thing is also that once you're going straight down wind, Then no matter how windy does it usually, like you end up going faster than the wind. A lot. If you're on a bump going straight down wind, basically the wind is almost there's just no wind in your sail. So no matter how big your wing is, it's gonna be in the way. Actually in the bigger the wing is, the more drag it has too. Yeah that one training run I tried using an eight meter wing and it did have more power, so I could go a little bit steeper angle down one, but then once you are going faster than the wind, then it's such a big wing and it's in the way more, it's harder to jive and handle in the air. So in this race I was using a six meter, which that's the size you were using too, Derek, right? How is it? Yes. How is six meters for you? It was perfect. I was able to use it as a almost an umbrella holding down wind and use it as straight, they didn't really need to go left and right, could just hold it up and down like the center truck. Just straight up and down and just, I just had to make sure I wasn't going through a trough or, not in anybody's way. But yeah, it was pretty good. Really good. What about you Brian? What was your strategy for trying to go fast? I. Just I tried to go farther outside hoping the wind was a little better out there. It was still good everywhere, but yeah, I just, I tried to go left a little more and just try to go get as far outside without going too crazy. And then just whatever bumps I ride, continue left and just keep trying to go left. So when it's time to go down, wind it's a little easier for me, but, Yeah, I was looking for you guys outside thinking your way outside and I didn't, I wasn't seeing you. So then I finally, I looked on the inside and I was like, oh, there's Derek and Rob. But yeah. Did you feel like, it seemed to me like in the middle of the race, like closer as we were getting closer to Diamond at, it seemed like it was like flattened out a little bit. Yeah, it would the bumps were really nice in the beginning. Yeah. And then there was a little, there kinda a middle part that was not as good. Yeah, I felt to having, I had to pump the wing a lot just to keep the same speed as I had in the beginning between pumping the foil and pumping the wing. Yeah, there was definitely a little bit of a lighter in the middle. Yeah. I think the ground as well was, actually, let me talk about this real quick. I'm sorry. Kane. Oh, Kane this is where Kane fell in. I didn't see it happening, but he said he thought he hit a fish maybe underwater, like it just his foil just stopped and he, so he went over the handlebars and then his board is like super narrow on the bottom. It just pretty much just rounded off bottom with a very small flat area. And and that, and then this was all, and it was Derek, so yeah, I was like, oh, come on Kane, go. So the board is so tippy and narrow. And then this was the area where it was a little bit flatter, not as, the bumps were a little bit and the wind was lighter. So it was actually, he said it was pretty hard for him to get going again and he actually like pulled himself off the board here trying to get on one. But, so it's actually pretty impressive that even though he fell in, he was still able to win the race. And then that was also cause. You can see here that several guys passed him and then, but then he was still able to pull, catch him at the end. Yeah. And just get him in the end. And so you really, you can tell how big of a difference it makes if you just fall in or a anything, get delayed for a little bit. Can't get up on foot right away. Cuz everyone's so close together, moving so fast that yeah, just a small. And everyone else is like now way ahead of him. Like you can see our our wings are like kind of way in the distance. Yeah. Yeah. So what about your Derek what was your strategy? I noticed you were a little bit more on the inside, right? Yeah. Never really had a strategy. It just was follow you. That's pretty much how I was doing so, but the one thing I learned is when I was coming by Diamond Ed, I felt fell in actually I fell three, three times I fell. Oh. And one thing I learned was don't use polarized glasses out there. Cause it, it gives you a false sense of depth perception. Oh I can see, I could see through the wave and a few times I went left to go over that swell and to the next one. And my rail was just caught into the wave and I was like, what the heck? Fell, get back up, go in again. And then as soon as I fell twice, I took off Myla, put my glasses on top of my hat, and then I was like, okay, now I can see the, through the true, Height the depth of the wave. And then I was good and then the last time I fell was inside on that shallow reef and then had to fly again. But yeah just follow the line. Sometimes it's hard. I know even when it is doing regular Santa braces and when you're in a front, it's hard because you don't have anything really pushing you. But sometimes when you behind somebody, you can just trail 'em and find their good stuff. But I did learn not to follow Rob to the ending because he never had, he didn't have his, he usually don't have his glasses and he. Wrong turn or whatever. Then you follow him and you're like, oh man, what's going on? Yeah. When I'm driving, I'm wearing glasses cuz my vision is not the best. So Yeah. Don't follow me at the finish, especially if I have no one else to follow. Yeah. Yeah. Yeah. Yeah. But that was good. It was a strategy. I just went on the inside, the fastest line, and then even when it got lighter on the inside, when I seen you got, people was breaking away, I was able to just hold my wing straight up and down and just pump it that way and then try to get going. So I, instead of switching hands how like you would go hill side, toe side, whatever, I would just stay. Side and just raise the wing straight up and down with the leading edge up, point it up to the sky and hold it that way. And then go angle it left a little bit if I wanted to or Right. And then that way I don't waste time switching hands and stuff like that. Okay. Yeah. So basically you always keep your hands in the same position. You just even if you turn out a little bit, Turn in, majority of the time. Yes. Yeah. That's a good strategy basically. And then the more you can go straight towards the finish, the better. Yeah. Yeah. Yeah. Brian and Robert were you guys using your extra leash or the long leash to catch more when deal? Like a kite ish reach. No, I wasn't. Just cuz I've had, I've fallen a couple times when I let the front handle go and use the leash. It works fantastic, but I have to pay too much attention to the wing when a gust comes and then less attention to the swell and the waves and then I wind up crashing or something. I have less control of the wing with it in the, in these down, in the bigger down winter days. But like surfing, absolutely like surf when we go out in the White planes, whatever. Absolutely. But not this situation. No. No. Ok. Yeah, same here. I've tried that in the past where I just let the wing fly a little bit higher cuz you can, it seems like you can catch a little bit more wind up higher. But yeah, like Brian said, you just don't have as much control of the wing, especially like I find myself going faster than the wind, a lot of times, like I said, when I turn straight down wind and I'm going on a fast bump, I'm actually holding the wing up, up on top of my head, flatten air, and sometimes with the leading edge. Pointing forward, because that's where the apparent wind is coming from, and then as I slow down, then I turn back in, then I turn it back into the wind, so doing a little bit of a dance with the wing and you need to have really good control of the wing to do that, obviously. Yeah. So you gotta hold it, hold onto it real tight. Yeah. Using those sharp handles. Yeah, definitely. Yeah. And what about the foils? Let's talk a little bit about the foil. The foil wings you guys were using, you, you were both on the same go foils wings? No. I think Derek had the 600, I had the six 50 I had the six 50 with the 12 long tail. Derek, what did you have? I had R six. 600 front wing and a 10 inch long tail. So a lot, little bit faster, but more stability than the shorter ones. The shorter feizer, especially since we wanted to, just overtake bumps and stuff like that. Yeah, we wasn't really surfing that one bump or going right and left. I found it more just going over and keeping, like leapfrogging kind of stuff. Especially in a way if the wind allows you, in your wing to catch bumps versus riding swells. Yeah. And then here along, along Diamond head, the bumps got really nice again. Yeah. There were some good fast moving bumps right here. Yeah. Yeah. Great conditions on me. Hit diamond head. Yeah. So you was I noticed Rob, you were on an outside ish and then you shot in, Slingshot in right? Yeah. I kept looking for, I trying to look for where the wind was. And it seemed like the, just the wind line was, to me it's, it looked like it was windier further out. So I tried to stay further out. And then at the end, I figured it's probably better to stay a little bit further out until I get closer and then come in, to avoid any like light wind areas close to diamond after Diamond Lighthouse. Yeah. Cause we did the days before, we did couple trial runs and into the original. So on the race day, they changed the. Channel to a further one further west, which is more towards Waikiki, which is more wind shadowed. So we practice at one. Came out the second day when we came to practice and Jeff said, no, that's not it. It's the next one over. So we went to the next one over and we went in and out a few times and were like, okay, this is gonna be a breeze. We got it. Okay. We lined up the park and all that. And then the restate, I said, no, not those ones. The next one. So yeah, and by the way, there's huge surf and you can't really see where you're going, so yeah. But it was a good call. But they did tell us, actually they did tell us aim for that first building. Like Brian was saying, he aim at the condo building, which was smart. And then I remember. Also Todd Bradley's telling us before the race to make sure you don't go too early, cuz then you get stuck by the reef at suicides and sure enough, that's where we ended up. Yeah. Remember Todd saying, do not cut the corner. It's okay. Don't cut the corner. Yeah. So when you get your shot, go Yeah. Yeah. Excellent. Yeah. Ahead. No, but that was a good call because the waves were large. There were surfers in the water, the wind around the corner, but what, was like it, it did a little funkiness, so it was a good call for them to move everything little bit further down the coast, but it still was black, pretty black diamond ish that day of the race. Yeah, for sure. Yeah. Wow. Yeah. So the finish like coming in through the surf. Yeah, that was Also a little bit scary, right? You don't want to get don't wanna end up in the wrong place coming in through big surf. But here you can see everybody lined up in front of him. So there's what are their names? I think one of them is Nick. And Nick. When he got in the surf, he, I think he fell and broke his paddle. Oh I read that and then that's how Kane was able to pass him and win the race. But you can see I think Derek and me in the front there. Yeah. But yeah, so that it just like the, just because you're leading the race doesn't mean you're gonna win it. So just making it to the finish line is important. Not just in, in racing, but in life as well. So gotta, yeah. Yeah. Make it to the right goal. Not just get ahead. So anyway. And then, but it's kinda cool. Cool. Brian, for you to win this race, cuz you, you're in the Coast Guard, right? And you you're mo getting moved soon, right? Yeah, I'm moving in one week to Sitco Alaska. Yeah. Sunny Tropical, warm Sitco, Alaska. Yeah. He is taking his trophy with him, bragging right. Everything. Yeah, it's awesome. So yeah, it's awesome that you were able to win this race and it's cool too cause we've been all been winging, practicing together. We did a bunch of long runs together. Yeah. And so it's cool that all of us did well and then E Eli as well, Eli was always coming with us too, and just, yeah. Yeah. To have all of us in the front is, was pretty cool. Yes. Yeah. Yeah, definitely. Fun times. Yeah. Yeah. It is the end. That was definitely a hectic end. Yeah. Yeah. The ending. So some parts of the ending I that I see and then what I noticed was there would probably be, and this was the first one, so you know, like we can only improve from here, is just tell the guys, and I see it in the sub world, the a, the o C one canoes. As soon as you pass, just keep going. Like what happened a bunch of times, and I know some of the wingers were saying that the guys would pump to the end and as soon as they crossed the booth, they would stop and sit down and be right in away. And we're coming in and we're like, oh shucks, you guys gotta move. And then not a clear path to, to come in. Cause that channel was fairly small. Yeah. The width of it wasn't too wide at all. Yeah. So when you sit down right at the finish line, you're blocking the entrance of the channel, basically. Yeah. Yeah. That's true. Yeah. Yeah. And if, especially if you had a wing or something, oh man. Yeah. No, you're right. And then so Harold was obviously didn't want to go inside the surf with his dingy, but he stayed outside by that orange buoy and kept filming until he said until his phone died. Good footage of everyone going in there. Coming true. Yeah. Yeah. It was definitely pretty hectic. And like you can see that there's, it's hard to see where the, even where the finish line is. You can see that orange buoy, which is good that they put that out. But that's me falling right there. Oh, that was you? That's me flipping the wing back over and getting back up right there. Okay. So I fell right before the, and I thought that was it, but I managed to get back up fairly quick. Yeah and I think there was like, I think there was three standup foils that came in front ahead of you, right? Yeah. There was a couple sitting in the finish line channel and yeah, it was definitely tight. Yeah. And there was hard, there was no good escape either. You went in and you had to, if you wanted to go back out, you had to go back out the same small way you went in. And it was hard cause everyone else was coming in. So you just had to Eddie, Eddie passed me once we were in, he passed me and went right to the beach on foil. Went over the shallow reef. I was like, oh, that's a great idea. So I just followed Eddie once I got back up on to the beach. Oh, okay. I ended up, oh I think I ended up just going back out and heading up to Diamondhead, cuz that's where we parked our cars. Yeah. Here's Eli coming in and I think. Yeah, so I guess Derek I'm still on the inside. I was getting worked by the waves. I couldn't really get up back up on foil cuz the waves kept pushing me in and the reef was shallow, so I had to go out drifting around the reef and then it took me probably five minutes to get to the finish line, which I was so bummed out. Yeah. That was super unfortunate. Yeah. Yeah. Cause he was, yeah, the whole way he was up there and then you went in Yeah. And then I guess you came in yeah. You can't see Derek, but you came in, you went back out and then came in and finished second, right. Derrick? Yes. And then you could just Josh was the son that turquoise wing and I was just drifting in and he came in before I did. And then I came in and then next was Nani. I think This is Nani. Yeah. Nani was the first female finisher, so she was she also won the blue water race last year. She's really fast, so I wouldn't be surprised if she's She's one of the top contenders for the races moloka and moloka Ma Moloka and Moloka. Tohu, I think were the females. Yeah. And then I'm not sure who this was. Do you know? No. Set, maybe. Anyway. Oh, go ahead. Yeah, so the, this finish was definitely a little bit challenging for me especially. I think this was, is this Eddie with the PPC Wing? Yeah. He's got a ppc. Yeah, might have been. Yeah. Yeah. Yeah. Cuz I know the first, the couple days that we went be prior to it was like you coming in and it was. Pretty much flat, no waves at all. Yeah. And we would be flying in and going okay, there's a reef. There's a reef. Okay, I can come in here. Okay, I can get as close as I can and, cut this corner here and whatnot. The day of the race, as you can see with all that white water there, it was, there's no even if you was to cut it or go wide or go whatevers, you couldn't see the reef, before, before days before. You look at the, whitewater and you go, okay, I know Reef is there. Saturday, man, there was white water everywhere. It was pretty much had closed all sets from Diamond Head all the way to what is that? Suicides or Kaimana Beach or something. Yeah. And then there's like breaking white water right behind you. So you're like, who don't, I don't wanna fall, don't breathe, don't preach. And it's like the last thing you looking for is where's the finish line? It's just just make it in through the surf, right? Yeah. But yeah. Yeah. Once you made that turn, you were committed. And if you, a lot of people missed the channel, passed it on the town side, and yeah. You couldn't turn around That was it. Like they, I don't think anyone tried to really turn around cause they couldn't. Yeah. By the time they realized Brad, I think I tried. Yeah. I think on the list, if you look at the official listing, there's a lot of people that had d n s did not. I don't know what it was, start or finish, but Jeff didn't clock anybody that didn't come in front of the buoy and in front of the jet ski. So all the guys who passed him and went over the reef. And had to walk, on the sand and whatnot. He didn't, he just didn't have time to look around and clock him. So pretty much everybody finished, like they did the whole course. They came in, nobody had to be rescued. But if you didn't go in front of the jet ski, the official one, then you did not get a official okay you finished the race. Yeah, I noticed that too. Only about half of the participants had a time next, next to their name, right? Yes. Like on both the wing foiling and the standup foiling. But yeah. In terms of total racers, I think this might be a record. A number of racers here at the Voyager race Voyager wet Feet race, they had over a hundred people signed up for the race. Oh, nice. Pretty impressive. How many people were at the starting line now. It was cool seeing, yes. Yeah, it was cool seeing everybody out there. Yeah. Yeah. I did notice I don't know if you guys knew other people, but I did notice people from Maui, Kauai, Oahu, and I did hear somebody came from the mainland that was just in town and they're like, yeah I'll participate. But I'm not sure if any international travelers have ever here. Not sure. I wouldn't be surprised if people come to this race in the future cuz it's it was, yeah, it was definitely a cool event for sure. Yeah. Good conditions. Good. Heck hectic, beginning, hectic end, but great downwind conditions. Yeah, for sure. What is do you think that there could be a different format or scenario for. Like for the finish or just overall champion or would it be just fine that one and done kind of deal? I don't know. What do you think? I, the, I guess the finish was part of the challenge of this race, I would say. Yeah. Yeah. No, I just was thinking like out of the box if they do it again. Like different classes, everybody go. Yeah, definitely different classes cuz you want to include everyone. You don't want the guys to pay, their entry fee and then they come in 10, but that's their personal goal when they get it and you don't, you just want to like, yeah, you did great or whatevers. But I always thinking the first crew goal, the first, everybody go one time and then from there, the top 10 people that cross you take them up and say, okay, now we're gonna do another run. And then you eliminate that, then this way, you know what wing works for you. You know where the finish line is, you know where this is. So you can do a elimination thing and if even if you wanted to, you could go from the top 10 people take, okay? The last round, which is gonna be a finals, will be the top five or four or three. And then from there you'll be like, okay, whoever win this, come in. And then by that time, If everybody's still interested, they're gonna be on the beach with cameras and watching and like they're gonna fully focus on this last crew of five people coming in, which, which could be really interesting, yeah. If you get dedicated shuttle drivers, it could all happen pretty quick, I think too. That's a great idea. Just cause it's a 25 minute run, so Yeah. Definitely. Yeah. Yeah. Cause how long it took for us to get our gear together, pump up, screw everything, do this, drive up, drive back, and then we was on the water like shock so quick. Yeah. But yeah, that would be, yeah, that's an interesting concept for sure. Yeah. Yeah, because like this one, if you known, if we known it, it might have been a different result. And then we could also choose, okay, we can change the different foil, we can get a bigger hand wing follow this guy. Go way outside, go way inside. It could, you could have varies, but you could also just had that little elimination kind of deal. Yeah, I know right now we're just in the infant stages of it, this is the way that you could would show great competition kind of deal. Yeah. It's almost like the prone, the pros I think just kept doing runs and runs and they could have changed gear and did whatever they wanted between runs and the airport so he could get his plate. Yeah, something like that. But like a little bit of an elimination too. Yeah. Cuz that's the prone, the prones were un right? Like you said they could just go from 1230 to four and doing as fast as they can. The wind, if the wind changes, the flow change or whatever, and, it's you're fastest timing. That's it. Now you're the champ, but. Yeah. You can do multiple runs and do whatever whatever it takes out. And I think that's a cool idea. So this was after the race you got you guys went to to go ride some waves, huh? Oh, yes, for sure. Yeah, that definitely was like after the race, it like, Okay. What now? There's waves, there's wind, we gotta go. So we, we packed up a few people. We just went down to by the airport and we just rode some waves. Yeah, I was too beat. I, like when I came in at Diamond, I, it hit the reef with my new foil and I was like so bummed out. But the finish and then banging my foil, I was like, okay, I'm gonna go home. Yeah, we saw that. We inspected your foil that was up there. Oh man. Yeah, that was, that's a rough one. Yeah. Yeah. But then I was, I came out with you guys the next day and surfed a spot and that was super fun. Big waves. Clean waves and strong wind. It was a nice combination right there. Yes. Yeah. And it was stress free, no. Gotta, we can just take your time coming out. Let the wave come to you, surf it, blast and Alex from Maui was in town too. He came for the race. So he was able to surf some of our south shore spots. Yeah. Your sponsor, foil sponsor, right? Yeah. Yeah. And he was pretty stoked that, that the team, like he was still on the camaraderie of all the different four and everybody else, but also the, how, the, how well the team did. So that was good too. Show for sure. Cause I think the Gofoil team got like the, it was Brian, Derek, and then Eli top three spots you got right. All on go foils. Yes. Yeah. Congrats Brian. Brian carried the team for us. Brian got lucky. Yeah. Yeah. Lucky Brian got very lucky. You got it. Yeah. But that was awesome. Not just luck. Yeah. So follow the right path. Yeah. Yeah. So let's talk this spot right there. Yeah. Let's talk a little bit about the races coming up. So we I'm super excited about Maui in a couple weeks. Derek, you wanna talk a little bit about what we're planning to do? Yeah, so they got the moca coming up, which is a race from Maui, Fleming Beach to. AKA Kai, I believe, AKA Molokai. And that's another channel crossing between the islands. I believe it's 27 miles. So we're a bunch of, there's a bunch of people that's gonna do that race on wings, on standup boards, race boards, canoes, then whatnot. But our plan is to go up on Thursday, do a couple Mako runs on Friday, do the race crossover. Hang out on Molokai on Friday and then Saturday there's another Kamala Run, which is a 10 mile run, and we're gonna participate in that too. Yeah. And then on the day after that race, we were planning to just wing back from Molokai back to Oahu. Yes. And we got like an escort boat to go with us as well, with our group. Yeah. Sunday, maybe two depending on Yeah I guess two escort boats on that Sunday. So yeah I'm super excited about that, that basically we were just gonna fly to Mali and then Wing back to, yeah, wing back from Maui to Molokai to Oahu. Pretty exciting. Yeah. And then, yeah, maybe we can meet up with some of the Maui crew on that Thursday before the race and just do some winging or foiling, right? Yeah. Yeah. So we got what, 27 miles in the length of moca and then another 32 miles to Oahu. So it's gonna be a pretty long trip, but. The good part. There's Harold. That's Harold right there. Harold's the guy in the dingy. Yeah. Yeah. He is the dingy. Yeah. But the good part is the last stretch, which is the longest. We're gonna just be cruising to get back home. We're, we won't be like pushing the limits. We're just going go as fast as the slowest person yeah. Yeah, we can relax, yeah, and that was really fun too when we did that. White planes run that. We also made a video about that. It was cool to be able to just take our time and but also, and it's not that you can't go fast, it's just that you can still go fast. You just turn around and then if you're ahead of people, you just wait. And yes, if you get way behind, then you try to go a little bit faster, right? Catch up. Yeah. So catch up or slow down, go upwind a little bit, whatever, so circle around. Yeah. Yeah. Not that hard to stick together as a group. No. With the wings for sure. Yeah, definitely. We can all share, if we had a stop board, then it would be unless you're one of the wonder ones that can pump up wind, then yeah. It'll be hard to stay together. But It'll be good too. Cause after Sunday, once we get back, we'll watch the boat and whatnot. Then we can probably take a few days off. I don't know about you Rob, but because we have a, we have the next crossing the Molokai to Oahu coming up right after. I, in two weeks after. Two weeks after that. Yeah. Yeah. So then that's really the biggest race of the year probably for foiling. The moca race is the. The big one. Yeah. So yeah, I definitely wanna be ready for that. Yeah. Yeah. Rest up for that. And then hopefully next year we'll have a race in Alaska that we can do, and Brian will coordinate that, right? Yeah. Foil group one guy. Yeah. Yeah. There you go. Yeah, no, I'll hopefully get back here for that next year. Come for a visit. Yeah. Yeah, for sure. We can get the, we can do a team stuff too, if God will just, try to save up on, on the cost of the boat and whatnot, whatnot. But can definitely do teams or however do make it work. Maybe you can do a crossing from Hawaii to Alaska or the other way around Alaska to Hawaii. Yeah. Straight down, right? Oh, man. Definitely. At least we know some Coast Guard guys, yeah. If we have to have a escort yeah. Right there. Yeah. Yeah. All right. Any last words actually, do you wanna mention anything about safety being from with the Coast Guard, Brian? Oh. Nothing that's not already been mentioned already by you and Derek before the white planes run. You covered, you, you covered everything on the beach before. The white planes run between just always have, the biggest things just have a way to signal people carry the radio, a phone something. So when everything goes wrong, you can get in touch with somebody. For multiple reasons, but yeah, pH phones are huge. It's get a waterproof bag. We always all carry phones in our, however, and carry a phone. Nine one one works fantastic. Yeah, a good backup would be vhf. But for, at least for this area, everything's within a couple miles of the beach. Phones always pretty much always have reception here. Yeah, for the channel races, it's probably better to rely on a V HF radio or e or something like that. Or something satellite E vhf or, yeah. They, like when I go to Alaska the Garmin's got the satellite texting device. I forgot what it's called, but that's what's gonna be in my pocket cause there's no cell service up there and, yeah. Go. I forgot what it's called, but they work fantastic. I know which one you talking about. Yeah. Yeah, like a small handheld gps. Yeah. Yeah. Holy smokes. There's a lot of change coming from here, huh? Oh, who me? Yeah. Oh yeah. It's yeah, it's gonna be interesting. I don't know what's gonna go in like my pack, but. It's gonna be a lot more, you'll be wearing a thick wetsuit and booties and gloves and the hood. Yeah. Five mil boots. Not gonna be able to feel the board. Cause the seven mil of rubber between my heel and the board and the fitting, my hand in the wing loop is gonna be another. Oh, that's right. Yeah. Yeah. So we'll see how that works. And then yeah, I think just the, like the mitigating the safety risk. Because there's no, there's very little rescue assets out there. Like there are, there's tons here. And it's, you have exposure problems out there. You don't have that, yeah. You don't last that long if something goes wrong. Yeah. Yeah. No, here you can, you can last a long time out there and just put it in first gear and paddle and, but you can't really do that out there. Come up, see what we got and come up with a plan and try and maybe convince people to foil out there that's not, yeah, no, that would be a great, be who wants to go, Phil? Yeah. So if anyone's watching here on YouTube from Alaska, that is anywhere close to Brian, maybe reach out. Yeah. What is your Brian, what is your Instagram Brian Trick? I think Brian, t r i c, like a underscore in between or something? Or just Brian, t r i c. One minute I don't look. Yeah, you look at yourself. And what about you, Derek? Where, how can people find you online? Oh, just on Instagram at Derek comma no spaces. D e r e k h a m a. Okay. I just wanted to say too, Derek recently won the subs surfing US championships, right? Oh, yeah. Yeah. For that and you massive stand paddle anymore, so that's pretty, pretty impressive that you still got it, yeah. Yeah. Just gotta go. You just got two moves and it can just, just go keep to the two moves, don't get fancy. And then, the rest will just take care of itself. Yeah. I guess your cutbacks, you still do on this foil too, right? It's the same move almost. Oh yeah. Similar. Yeah. Apply the same surfing back. Yeah. Yeah. That's what I've been trying to do in a ways, is try to apply. The same surfing maneuvers, bottom turn, top turns, hit the whitewater full on roundhouse and with the wings and foils, which I know is doable. It's just so tricky because you get the chance of cavitation or just breaching and whatnot. But yeah, I think if you just trust yourself and push the fo the foil you. Should be able to make those kind of maneuvers. I've seen you do it, so I know you can. Oh yeah. Thanks. Thanks. Alright. What is Brian? Brian, what is your quick one? What was your Instagram Brian so that they you up? It's Brian trick with underscore after the C of the last letter, okay. Okay. That's perfect. Brian Underscore. Do you know if there's any a community, foiling community or any kind of gear for sale up on in Sitka? So right now I saw one Foil for sale on Facebook a couple months ago. I haven't seen it lately. So that might be it. FOILING community might the one, foiling community might be gone, but, oh yeah. No, I. Jack has a friend who left said, who did wing foil when he was up there. So I gotta get in contact with him just to get some info about the area so I don't start from scratch. Ok. With conditions and everything and just conditions and zones and safety and see, just pick his brain. But he said he was the only one there doing it, so Yeah. Oh, nice. It'll be fun. Nice. And you have some gear too, like if somebody does want to join you, you'd be able to. Bring them along. At least I have plenty of extra stuff. Yeah. Oh, okay. Hit 'em up, hit Brian out. Probably sell some to be alone. Yeah, plenty of extra gear. Yeah. Okay. Nice. Awesome. All right, guys. Any last words? No thanks. Just get out there, get on the water. Yeah. Thank you. All right I'm gonna wrap this up and put it on YouTube so people can watch it tomorrow. Awesome. Yeah, thanks for joining me. All right. Congratulations, Brian, once again. Keep in touch, man. We'll get out there and try to get stationed back to Hawaii so we can, again. There you go. Absolutely. All right, take care guys. Thanks for joining me. Have a good night. Aloha all.
Asian-American students are being used as the face of attempts to eliminate affirmative action or race-consciousness in college admissions. The post Jeff Chang & Jeannie Park on Asian Americans and Affirmative Action appeared first on FAIR.
We're going back to 1983 with the release of the kung-fu film "Shaolin and Wu Tang" and its influence on the iconic New York hip-hop collective, Wu-Tang Clan. KEXP's Janice Headley leads a roundtable discussion with content producer Martin Douglas, DJs Gabriel Teodros, Mike Ramos, and Larry Mizell Jr., as well as two special guests: Jeff Chang, author of the award-winning book “Can't Stop Won't Stop: A History of the Hip-Hop Generation”; and Sophia Chang (no relation), widely regarded as the “first Asian woman in hip-hop" and author of the memoir “The Baddest Bitch in the Room.” Written and produced by Janice Headley. Mixed and mastered by Roddy Nikpour. Support the podcast: kexp.org/50hiphop See omnystudio.com/listener for privacy information.
In this KEEN ON episode, Andrew talks to FREEDOM MOVES co-editor H. Samy Alim about Hip Hop knowledges, pedagogies and futures H. Samy Alim is the David O. Sears Presidential Endowed Chair in the Social Sciences and Professor of Anthropology at UCLA. He also serves as the Associate Director of the Ralph J. Bunche Center for African American Studies, where he is Faculty Director of the UCLA Hip Hop Initiative with Tabia Shawel and Samuel Lamontagne, and editor, with Jeff Chang, of the University of California Press Hip Hop Studies Book Series. Alim has been researching and writing about Hip Hop Culture for over 25 years. His most recent book, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures (2023, with Jeff Chang and Casey Wong) travels across generations and beyond borders to understand hip hop's transformative power as one of the most important cultural movements of our times. Alim is author or editor of twelve books and has written extensively about Black Language and Hip Hop Culture globally—across the U.S., Spain, and South Africa—in his books, including Street Conscious Rap (1999, with James G. Spady and Charles G. Lee), Roc the Mic Right: The Language of Hip Hop Culture (2006), Tha Global Cipha: Hip Hop Culture and Consciousness (2006, with James G. Spady and Samir Meghelli), Talkin Black Talk (2007, with John Baugh), Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language (2009, with Award Ibrahim and Alastair Pennycook) and Culturally Sustaining Pedagogies: Teaching and Learning for Justice in a Changing World (2017, with Django Paris). Name as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week – Jeff Chang talks to Nikole Hannah-Jones, one of today's foremost investigative journalists. Her reporting on civil rights and racial justice, including school segregation, has earned her numerous awards, chief among them a Pulitzer Prize for her work on the 1619 Project. It's an ongoing initiative from the New York Times that reframes the way we understand America's history by examining the modern legacy of slavery and the contributions of Black Americans. This month, an adaptation for video premieres on Hulu. On November 29, 2021, Nikole Hannah-Jones came to San Francisco to celebrate the release of the book version of the 1619 Project. Joining her was one of the book's contributors, Barry Jenkins, the Academy-Award-winning director of Moonlight, and most recently, a television adaptation of Colson Whitehead's “The Underground Railroad”. But before the two sat down to talk to Jeff Chang, Forrest Hamer read his poem “Race Riot”.
Jason Tangalin and Pono Matthews and the Foil Fever Ohana organized the Foilers of Aloha Classic foil contest on Kauai, held on Nov. 26th, 2022. The event was blessed with great conditions, a stoked community of foilers and next level performance in the waves. This interview contains drone footage of the contest, the second half also has footage documenting our 3 day trip with the crew from Oahu, we scored good wing foiling conditions on the Friday before the event. If you can, watch it at high resolution on a big screen, enjoy! Watch the foil surf contest highlights video here: https://youtu.be/BUQSkESvnjg We hope you liked the video, please give it a thumbs up and subscribe to the blueplanetsurf YouTube channel, we post a new video every Saturday morning, Aloha! Please come visit one of our shops on Oahu: Hale'iwa shop and rental location: Blue Planet Hale'iwa 62-620F Kamehameha Highway Haleiwa, Hawaii 96712 Tel (808) 888 0786 Open daily, 9 am to 5 pm http://www.blueplanetadventure.com Honolulu store- - Hawaii's SUP and Foil HQ: Blue Planet Surf 1221 Kona St Honolulu, Hi 96814 Tel (808) 596 7755 open 10 am to 5 pm Hawaii Time, closed Wednesdays and Sundays http://www.blueplanetsurf.com Like us on Facebook: https://www.facebook.com/bpsurf/ Follow us on Instagram: https://www.instagram.com/blueplanetsurf Find Paradise Aloha! Transcript: Aloha friends, it's Robert Stehlik. Welcome to another episode of the Blue Planet Show. I know it's been a while since I posted the last show, but today's show is awesome. You don't wanna miss it if you love foiling. And I also have two more interviews scheduled. I'm really excited about those. One is with Mike's lab, Mike and Stefano, they make some of the fastest foils available. I just got one after waiting for many months for it, and I'm excited to try it and talk about it on that show. And then also I have an interview scheduled with Ken Winter, who I've been get trying to get for a very long time. He's a former windsurfing world champion and the designer of the wings at Duo Tone. So I'm really excited to talk to him about wing design and so on. So stay tuned for those two episodes. And today's show is all about the Foil Fever Ohana, Jason Tangalin and Pono Matthews, the organizers of the Foyers of Aloha Classic event, which was held last weekend at Kalapaki Beach, which had some of the most amazing performance and conditions in any foil contest to date. So you don't wanna miss it. And if you have a high speed internet connection, You are gonna want to watch it at full resolution on a big screen cuz the footage is amazing. But of course you can also listen to it as a podcast on your favorite podcast app. During the interview, I only played the footage from the contest, which is of the first half of the interview. And then we just kept talking story for a long time. So I also included footage from our first day on Kauai, where we had two really good wing foil sessions, some really good footage from of wing foiling on Kauai in the second half. And then also the day after the contest, some surf foiling mark Surf foiling at Kak Beach. So I really hope you enjoy this episode of the Foyers of Aloha Classic. And without further ado, please welcome Jason and Pono from the Foil Fever Ohana. Welcome Jason and Pono to the Blue Planet Show. Thanks so much for being my guest today. Yeah, no problem. Right on. So yeah, I just got back last weekend you guys had that awesome contest at KAK Beach and the conditions were amazing. I was just telling Jason, I think it was, probably the best foil contest yet, in terms of the performance to a whole nother level and then the conditions and everything. Just an amazing event. And yeah, congratulations on putting together this awesome. Thank you. Thank you very much. Yeah. And then also, just the whole community that you put together, all the people that are involved in it and the, the party afterwards with food and everything. And it was, it is just a, it was just a great experience for everybody. And myself and a few others from Oahu we went over there to actually to do the, do wind race. And then unfortunately that the wind just died. Like we had super strong wind the whole week before, and then the week of the contest had just died off. Yeah. God, that's God telling us. Okay. One day's good enough for you, . Yeah. Yeah, so yeah, talk a little bit maybe about all the work that's involved in putting together contest like this. It starts with the big thing is trying to get the permits and we can't really do anything put anything out on social media to receives the authorization from Koi for us to get to put on a contest. But this year we tried to put out a little bit more social media than usual. We knew it was gonna come to be a lot of hard work cause of the first year we did it, it was a lot of hard work. But I don't know. It worked out making the shirts, getting all the sponsors. Initially on our first contest, we made it work. So Koi was the host. We made it where 60% of the competitors was from Koi, their hometown. And then 40% is spread it all over the state in California and Texas to give the local boys their an opportunity to join. And there was a lot of 'em that did the first contest that wanted, they wanted to just watch on this one. So it allowed me to invite a lot more from the state, which was good. And I try to, we try to invite invite the best of the best, and from the first contest to now, three years later the progression has gone on a whole nother level that we never thought it would ever be, because on our first one we're like, oh, I can't wait for next year. Yeah. I was like, but three years later it's a whole new world, that's for sure. Yeah. So the first one the first inaugural event was in 2019. And then basically, Whole pandemic came in the way. And then, so you this is really the second contest you guys are holding and Yeah, like you said the whole yeah, the performance just went through the roof, it seemed it just yeah, it's like crazy how exciting it was to watch the whole thing. Yeah. But, okay and I have a whole bunch of video. I posted that video with the highlights and then I made a longer video for this interview that we, we can show it and talk about it, but we still want to make it fun to listen to as a podcast as well. But I'm gonna actually just start screen sharing while we're talking. So that way welcome to comment on the video or just talk about the, your, whatever we're talking about. But I'm just gonna play this in the background. So this was the contest events item I'm just gonna play versus that video of the highlights. And can you guys see the video? Okay? Yes, you can. That's JD Irons. Okay. . So yeah, just actually let's talk a little bit about the conditions, cuz it, like the day before and the day after, it was just normal small waves and then this day was just yeah. Let's talk about that a little bit. Yeah, for sure. The day before we were all there doing the, we had the beach. On Friday. So we saw some other guys out there practicing and we were like, oh, there's some waves. It's like normal cak waves kinda slow. Me and my uncle and some of the other guys were talking and we were we hope there's waves tomorrow. Cause we weren't too sure. Like we never anticipated this swell to hit. Some of us were talking about it like, oh, okay, there's a big north swell and we know kak will get it if we have that trade winds also. And then Friday, I think we're talking about how the the soil is actually gonna switch directions for more northeast well, so we're like, oh, okay, we're definitely gonna have waves. But the trippy part about, its when we got there at 30 in the morning, I believe to set up the canoe club and then all we see is just water, covering water and boulder's big, huge rocks just covering up the road and we can hear the waves breaking over the brick wall. And we're like, we look at each other and we're like, oh my goodness, it's bombing it. It's gotta be really good. So that , I think that was the most exciting part, was just seeing that sunrise come over the mountain and just seeing the sets just rolling. And it was just definitely un unbelievable for all of us. I think we never anticipated it. It all worked out in the end, swallow all day long. Good waves. Yeah, and kak too. It's like the whole place is a little bit almost like an am amphitheater where like everyone's sitting around watching and and just the crowd, the, like the whole, the audio from the crowd. I wish I had recorded that to put with the video cuz it was just like cool to , hear all the comments and the cheers and whatever, it was just, yeah, it was just an experience to, to everyone was super excited about, the whole contest and watching every ride and like cheering everyone on. So that was definitely a good part of it. And a lot lot of good white pods, like this one . Yeah. That was me. Yeah. Yeah. That was, yeah, that was a good one. So a lot of, there was like a lot of kinda sick double ups Yeah. Where the thing just like would drop out from underneath you, it seemed right? Yeah. That's from the lower tide. Huh? So it's crazy because the last time we had a swell, like this was hurricane in Wow. It was never this big, and we didn't anticipate how glassy it would. Because the first contest, it was as big as this, but it wasn't glassy. It was really windy, very stormy. So all the really good guys got it was very hard for them. And that's why the guys, they're so used to it. They got really, they did really good on that one home advantage if, you know that wave, right? Yeah. It gets a, it gets tricky out there. Especially with this kind of swell too. And on that low tide, it was super shallow out there. Like some of these sets when we had to duck dive, we're duck diving on dry reef. So we would get stuck on the reef trying to duck dive and just get smashed. Yeah. Oh my God. I think Kane actually did a a bottom turn and he hit reef Wow. On one of his waves. Yeah. So it was shallow, like no one knew it was that shallow on the inside. Yeah. On this video I put in as much as I could at trying to get everybody's rides on there. Like even, some of the not so perfect rides and all the wipe outs and stuff like that. Just so you can see a little bit how it definitely was a pretty challenging, the conditions were pretty challenging. There's a lot of a lot of wipe outs, a lot. The takeoff was tricky cuz you couldn't take off too far inside, cuz then it backed off and then, but yet, so you had to be in just the right place to take off. But yeah, maybe talk a little bit about the conditions and challenges. So on the high tide it's a little bit easier to take off at. We call this shoulders, it's called. And so in the beginning of the heat or the beginning of the contest, a lot of guys was taking off on the outside. But when that low tide came in, a lot of guys like Jack was smart. He would stay way inside, do a chip shot, and then go out and catch that one big wave. Because that's the one that everyone was looking at from the start, taking out that big bottom turn. Pono and I think JD was in the, on the outside, local guys was on the outside trying to paddle into it, which, it helped them. But then like I know one of the wave. The wave that the, was, that 3 43 wave dropped the wipe out . But then what they didn't see was your drop into that wave, that drop into that wave was heavy. So for him to take that drop and you can't really, yeah, the floors are seeing it from the judge's point, but they're not really, for some reason, they weren't looking at those type of critical drop-ins. They were waiting for the second wave on seeing what, because it's oh, okay, that's gonna see what he got. And those three for three was probably the best three wins I've ever seen. Whole time. That was literally one after another . Yeah. Yeah, it was amazing. But yeah, if you seen Ponos drop, cause like I said, Pono and JD Irons was hanging on the outside trying to take out yeah, that was more my mentality. Cause this is a spot I always foil, so I look for those steeper takeoffs, those more critical sections on the, those takeoffs. Cause if you stick those takeoffs, it's a lot harder to do compared to a chip in shot. For me, that was my mentality to try to take off as deep as I could. And if I I make it. If I don't try. But yeah. Yeah. Sorry. I think for some reason it's like I, I played the same video over and over here. Wait, I s's a great thought. Think I the wrong one here. This is be exciting . It's pretty dope. And I was watching it on my phone and I was like, so now I'm watching it on the big screen. I'm like, Ooh, wow. It looks way more heavy. , I gotta plug it through my, to my big tv. Yeah. Yeah. And I actually, I rendered it in high resolution, like for k I think so, so it should be pretty cool to watch on the big screen too. So sorry. I had the was playing the, just the short version. But yeah. So in this one I just tried to put as much footage as I had into it. The different riders and stuff, everybody can check it out. I was trying to turn off the volume. That's what happened. Okay. There go. Okay. So actually the question that people had was about the rules. So let's go over the contest rules what were the rules for proning? What were the rules for stand paddling and so on. Maybe go over that a little bit. On our first contest, I got my cousins together, other people that I was. Helped me start the whole foiling evolution going on. And it was it wasn't easy because as a foreigner, that foiling can go in any direction towards the end. We got into, arguments and this and that we, we needed to just stick with one point. But our idea was to, whatever we do in the contest is what we as a fo fever guys like to see in the real world means of safety wise. So leash required our big thing is not coming in within 20 feet of another person as the other guy, as the other person drops in. And then obviously no dropping in and stuff like that. But those are the two main parts of it. The stand up and everybody else have the same rules except for the stand ups. They, they could use straps if they wanted to. . Yeah, so I talk a little bit about that. Cause I know it's a little bit controversial that the foot strap thing. So why, what is your reasoning behind not allowing foot straps for the, for prone foiling? The big reason is not a lot of guys foil strap. So it'd be unfair for the straps and the straps go against each other. So it was easier for us to have straps because the guys with straps, they would have to buy a board that has straps or put on straps and it would be a lot easier if we went the other way around. And this contest, in the beginning I had an expression session for straps, but in the long run I wanted, we wanted to make sure that we had everybody surf at least twice. So I took up that straps expression session for that one heat. But that's the main reason. Plus, you gotta look at the score too. If versus one guy with straps versus another guy without straps, the whole scoring would be totally different because if the strap guy is doing just a front side whitewater whack, compared to a guy doing a strapless whitewater wax, same thing. I would rather score the guy without straps higher points than the guy with chefs because it's a lot more critical and it's a lot harder to do without straps. Yeah, agreed. And it's amazing that there is so many aerial maneuvers without straps, that Yeah. Yeah. I dunno who it was, but somebody did a back flip. . Yeah. Back flip, double rail, grab back flip . I saw that. I, oh, so and then Mateo was doing 360 airs. Yeah. And he threw the boosting air. So it's not to say that you cannot do these things, do without straps. It's possible. It nof legal's doing it. Why can't we? But yeah, it's just because of that less money spent on trying to get a board with straps. I wanted to make it even for everyone. Yeah. Oh, ammonias. Yeah. And then this was the wave on the right side of the bay. And I was, there was like some ma beautiful barrels coming through Yeah. On that side too. Yeah. This is my favorite RA in the whole wide world for surfing. We won't say the name, but, yeah. Yeah. Let's keep that a secret . Okay. But yeah, just, the waves were just unreal. And they just kept coming too. It wasn't like, just one set, it was just like, it seemed like just, it just, the waves just kept coming and coming. It was pretty impressive. Yeah. Cause the next day we arrived and it was half the, And there was a lot of laws. And same thing with the first contest. It was literally, it was like just as big as this contest and then the next day went completely flat. So I don't know how, or I don't know, God's giving us some good waves and, and some, I believe that the locals are like they should know that every time they know that we have a contest they should know that had waves. So guaranteed huge waves, right? ? Yeah, I think it's like an overall, everyone, we did the beach cleanup. The camaraderie inside and outside the water, all the support that we've had. All the hard work we put into this, people flying from all over, supporting this contest, supporting the cause for, the maana women in need. I think overall, I think that is what helped us have these kind of waves. To me it, because the day before and the day after was totally different compared to our contest. So I truly believe that it was in all together everybody coming together as a whole for this contest. Made it happen. Yeah, definitely. The good energy brought nature brought it to together definitely. And nobody knows about Thursday Pono and I went out when it was going like 30, 40 miles an hour. Winds we're winging and we paid the price for that one. We were the only two guys out at Calak and we didn't have the right equipment and it was blowing so hard that we couldn't make it back. So we ended up in, we ended up in the harbor, holy back. And I felt so bad. But then I turned around 10 minutes later and I seen pono behind me is okay, good. I don't feel, I don't feel like a retard now. . So what the wind direction, is it kinda offshore there or or which what's the wind direction when it's Tradewinds? Yeah, it's basically straight offshore. But what's a good about Calak is it tells you where the swell is on the island, except for that northwest or a straight west swell. Cause it'll this, when the big salt swell it'll still break, break like this except for that surf on the right hand side. So it'll tell you this bay will tell you where the salt side has. Or the east side waves or the Northeast will have waves. This is a totally indication of the whole island, basically. It's pretty cool. Yeah. I mean it's amazing cuz it seems like a fairly small entrance into the, into that bay for it to catch so many swell directions, and it's same direction that 40 degree direction that Kahan Bay has. Ka Yeah. Which is like a every time. So every time I'm surfing, I'm foing at Kahan Bay. I already know that Kak Bay is going on all Cause we would call each other. We would call each other and be like, what? Kak? Yep. Kak Gateway. What? Kohan? Yep. . . Yep. That's pretty cool. Okay okay, so let's go back to the to the rules cuz actually Derek had some questions about that and stuff too. Like in, in terms of the the scoring criteria, like what were the judges looking for? To, for the points and stuff? Wello I'm sorry, the Danny. Yeah, I know. It's so distraction. It's unreal. Sorry, watching the video. Yeah. points wise was wanted to make it like the surfing, speed, power flow as surfing. I don't see us as, a little bit, we're not a considered ourselves the way we surf the same way or foil the same way we surf. Years, few years ago no one was doing it and then we started to do it years ago and like, why can't we surf it foiled it like a surf surfboard. And I wanted to make sure that the progression goes towards that end. And on the judging scale standing critical traditions the type of waves Jack won the prone for many different reasons, but he is also caught one of the biggest waves of the day. And then so on a foil, the speed is there. So we have no comparison to two surfing. But yeah, we just want to judge it the same way we do surfing style. Ok. Kinda stay more in that critical section in that pocket. And instead of just staying away from all the white water and all that, we wanna see, be able to come back, cut back and hit it if possible. On this day it was, you'd be on a whole nother level if you're cracking it. White water snapped off the top on a bomb set, in front of me too. And he landed it, that's the type of stuff. It's just unreal, but didn't do it in the finals. But yeah, those are the type of stuff that you'll, you rarely see on a foil. And it is good this year, and that's where the progression we thought would be three years ago. And looking at it now, it's, we never thought would well hit white water or doing the airs, Arizona, the foil, but these guys are doing it on pretty big waves now and going for the barrel too. That was going for the barrel. Yeah. . Yeah. Yeah. And, but the crazy thing is these guys going for the barrel that they know is gonna close out like pono and two waves in a row, he knows it's gonna close out, but he the adrenaline of the competition and he can, he, I ask him like, when you came out, did you hear the crowd? And he was like, dude, you can totally hear the crowd. I was like, . Oh. Cause you rob, you were out there and oh my gosh. The crowd was just so pumped. It was unreal. Oh yeah. It was a great, I couldn't hear the crowd. It was like a, almost like a live concert or something like that is what it felt like. A little way I could hear, I, it's like reaction more than I could hear you announcing . Oh really? I, how loud it was. Yeah, because I was speechless. That's why , yeah. I mean there was that one where you just like pointed, maybe talk about that one wave where you just like flying down the line. There was backside grabbing the rail and then just so fast that you just couldn't keep the foil in the water. Oh was, that was j. That was jd. Jd, sorry. JD Irons and that wave Ash won him the white ball. Hopeful the wipe out of the day. Cause everybody was getting wipe outs, but the amount of speed that he was getting on that wave and was a big set, we had to give him that. Cause it was just, I felt my eardrums pop when heed. And that was backside too. That's even more crazy. Yeah. More scary. Riley. Yeah, I that's the speed that he was flying on the reve and then just coming to a complete stop. Just what? Hitting the water. Full speed. yeah's. It's not a fun, it doesn't good, but it good to the crowd. . Yeah. You get his ways so good. Okay. Right on. Yeah. So and then originally you had planned for the Sunday to do like a down wind race, right? So where would that have been? Like what was the plan course, if there was wind and yeah. What was the plan for the down race? Cuz Yeah, that was so pri primarily we wanted Caia to end it at the Jeti right here in Coate Bay. Okay. It's about a, I don't know, maybe a 10, 12 mile stretch straight northeast. And it was looking good, but that wind started to come early Thursday, Friday, which thank God, because Saturday would've been my, my God. It would've been so heavy on if the winds came out on Saturday it would be like outta control, but would've been a whole different scene. Yeah. All the boys, you know that no whole new thing is the winging and everyone is really, actually excited about that. But yeah. Bummer that we had to not hold it but it was a good time next time, I guess on Saturday. Yeah. Yeah. I thought this kid, Mateo was a real standout as well cuz he was doing both the standup division and the prone division. Yeah. Yep. And this is his second time doing that. Yeah, same thing. Back in 2019, he won first Inop and second in pro. Yeah. And then it's pretty amazing cuz he went like from, and there was like no break between the heats too. So he went like from the pro standup final straight switchboards and straight into the prone final. Yeah. . And, it happens that way. That's the consequences of trying to enter so much divisions. You're gonna have those moments where you go back to back. But it is not even 20. I don't believe. So I, his energy level is on a, on another level. Yeah. For sure. Yeah. If that was me, I would've been like, oh no, thanks. I'm good. . Yeah. Take. Yeah. What was I gonna ask? Yeah. Oh yeah. The different divisions and the results. Are the, have final results posted somewhere? Sort of. I, did, I post everything but the pro cause we lost the results. . Okay. And I'm still searching for it. I know someone took a picture of it, but yeah, I know. I don't even have the results in front of me. Is it double? No worries. But yeah, I, some maybe I can put, maybe you can send me the results later or whatever I can post on this video as well. But people were asking like, what are the, cause you only announced three finishes or whatever. Alright. But and then yeah, they were asked, people were asking, what about making a two day event? Also the judging like is it's on the side of the bay, almost facing away from the break. Like the, cuz the break, the wave breaks away from the judge's stand. They were saying, is that the best location? Wouldn't it be better to have it judging from straight on or from the other side of the bay? What's your take on that? We got those houses right there on the cliff that we could rent. That's an option. Or maybe to get a room at the Marriott. But it was so much easier accessible for us to do it at the Canoe Club. And people's gotta realize that most of this money's coming out of Pono and i's pocket. So for us to even rent the room at the Marriott, it's probably impossible. . Yeah. I then plus, and then plus if we was to set up like on the beach or something, you would've to think about whole scaffolding, scaffolding on the beach and then getting permits to do that on the beach. It's a lot of things that we would have to think about in order to try to do that. Especially on this day, we weren't expecting for it to have this much barrels to actually hold up nice and clean. A lot of them you were, if you were on it and you went for the barrel, you'd be able to make it up easily. That's good. That's how good and clean it and. With a canoe club. If we didn't have these kind of barrel sections and whatnot, it's a perfect spot to be for the judges to be the top story. And you could actually see everything from there. Yeah. And the judges were upstairs on the second floor too, so you had a pretty good vantage point of the waves from the upstairs. So they they could see, I was up there most of the time and we could see pretty good. only part it was hard was in the morning time when that sun was directly over. We couldn't decisive the color jerseys, but that's it. Especially when they're pumping out. Cause I was up on the top for the first two heats and then guys would be pumping out and then as soon as they turn around to just go straight down, catch a wave, like they get lost in the sun. But as soon as they, as soon as they reach the the break, we could see their jersey colors. . we have to kinda work that out. Be like, Hey, okay, we're not, so we're not judging them on watching them glide into the wave. We're only watching, we're only scoring them on the more critical section when the wave actually breaks. So we have to kind figure that out first thing in the morning. Yeah, that makes sense. We had seven judges, so three judges, three judges, scoring. A head judge and then three spotters. And that's one of the things we learned from the first contest to make sure we have a spotter per judge just to call out. Because, and that's the reason, one of the reasons why we kept the two for one max per ride. Cause otherwise guys like Jack and Mateo would be doing 10 for once and yeah. So actually let's talk about that a little bit. So basically the rule was you can take off on a wave, ride it, and then pump out and get a second wave, but that was it, right? You couldn't get more than two waves in one to for one score, right? Correct. Correct. And the reason for that is cause just to make it more of an even playing field for guys that can't pump like an 18 year old . Yeah, exactly. And then, so on a smaller day you would see like they'll do two for ones. My thought process was like somebody like pono can do so much wa so much turns in on that one wave than they would somebody else is doing two waves. They're doing as much as turns so that it gave everybody that, that chance to score. If that makes sense, but, oh yeah. Yeah. No, I mean I think that rule makes sense. Cuz you don't, yeah. You don't want it to turn just into a pumping contest. Also, then people would probably use bigger foils which don't perform as well on the wave and stuff like that. We're sticking to that whole performance side of Foley. Yeah, I noticed too. On the standup paddle board side, like it seemed like the guys with the really long, the longer boards were got the best scores. Yeah. Because cuz they were able to catch the waves easier and stuff like that. It seemed yeah, I like Dave and Mateo, but that's a big board for Mateo. So board it looked like the do board. Yeah. Cause like guys, Derek looked like he was having a hard time trying to, cause it's so much water moving at that point. Yeah, Derek was on his tiny wing fo board, so it wasn't even to stand paddle board. So yeah, you can double it. Sorry. Him and Nick Ben is always my top two picks, but this day, when it's bigger on a smaller day they would, just tear it up. But because it was so much water moving at that, think that's had a hard time. But the first two places, Nick Bennett the third, but the first two places, Mattel and Daniel. They had bigger boards, so they were catching most of the waves. Yeah. So for prone foiling po talk a little bit about your equipment. What were you using and what would you say would've been like perfect equipment for this day of foil surfing I was riding my Freedom Fusion board. It's like a 4, 5 17, 3 quarters and 28 liters. And then I was writing my fo was access 7 99 front wing with a silly short piece lodge 3 25 progressive tailw wing. A lot of guys were, yeah, a lot of guys were riding that more high aspect kinda wing for that speed. I know a lot of guys was running the lifts. 90, Jack was running, riding the 90. I think we were all planning on riding those smaller wings for just for that speed. And we can carve, but I think the only guy in the prone division that was riding a big wing was Jake. Jake pers Yeah. He rips on the big wings. I think he's the only prone Foiler I, I know of that can rip on a two 10 go foil. Yeah, like a shortboard. And he rips that thing like it's. No other, everybody else was riding those small wings. He was riding a big wing and just ripping on it. That just shows the progression in who you are as a person and what you're capable of. Yeah. And the seven, the 7 99 access, I have that one too for wing filling, but it's a pretty small foil. It has, it doesn't have much drag, but you need to maintain that speed. So it's not that easy to pump. You gotta really keep up the speed, right? Yeah. It definitely needs the speed to keep it going. But once you're in that rhythm, it's all about mainly that rhythm and the technique for your pumping style. , if you can keep that then, you're, you can go for quite a while compared to a, for me I would rather ride a smaller wing than a big wing. In any condition. I even ride over here like one, two foot days. I ride my small wing. Cause I like it super loose, super carv. I can almost ride it like my surf wing as well. That's why. Yeah. And is this more efficient? You have less drag, right? So it's easier to maintain the speed too, because you don't have to work as hard to go faster it seems yeah. Yes. Ooh. And yeah, the two, like what about the holding it over two days? Have you thought about that or I guess the plan was to have one day of surfing and one day of ra down wind racing kind of thing. So we just did it one day. That's how we started it in 2019. And then three months later, we actually had a contest in Maui that we had to cancel three weeks prior cuz of the pandemic. So we had every set up, everything else for Maui, everything was ready to go. That was scheduled for two days. We just kept it down to one day, and then this year we're like, okay let's go ahead and add the the wing race to it. But we're gonna keep the koi one to one day for Calak. . Few reasons. One, I don't wanna take away two days away from the local boys out there. I think one day, one day is long enough, especially on the swell like this. But so COI is always gonna be that one day I call pa and then hopefully the next day is a race. But the Maui if we have an a Maui, it's gonna be at guard rails and those are gonna be two days, two day events. Okay. And then, so yeah, so Maui do you like actually talk a little bit about your plans for the future, because you said that you had something planned in Tennessee next summer, is that right? Yeah, we trying to do a wake foil contest in Tennessee in July on the 14th, 15th, I believe. And I still of wanted to do something in Hawaii in May, whether it's at Kaco or in, or guards on Maui. Okay. So that's the plan. And then back to Koi, the weekend after Thanksgiving. Awesome. Kaka ACO would be cool. That's our backyard, so Yeah, that's, but but for Tennessee, like what, like awake wake foiling contest? How would that work and what would be the criteria and stuff? It's curious. And and that's what we're trying to figure out. So they had an invite maybe about two months ago. Brian grew up then I think it was in Orlando, I believe. And they scored it more like wake style foiling. . So we're gonna try and do that same thing, but have different division. Whether it's strap and strapless, that's gonna be something new to us. We've been doing in the last couple years, doing the whole traveling to the wake side of it. We did a tour last, like a few months ago actually. Just do, went from lake to lake just to see how many people are out there foiling. It's actually unreal the amount of people that's foiling because the, what was it, the surf wake I believe or waking, I should say. Those are starting to go away and now they're starting to foil a lot more. So the competitions right now, it's, especially for the the foil side, it's still fresh and we always wanted to be one of the guys who actually push it out. So we did, did our homework trying to travel around to different, to see what r Wanda talent, and then two, how, what are people doing the bolts they use. I learned, I starting to learn about different type of bolts. The size of the waves how many waves are behind. It's unreal how they do it. So last year we did it at the Wakefest and we got invited to do. Road record. How many boilers behind the wake? I think we only got 16. The, right now the record is 30, 31 or 32, I believe, by the Cohesions. So next year because we were from the 50th state our number is 50. I wanna try to see if I can get 50 guys behind the wake on the foil. Wow. The weekend before Wakefest and then at Wakefest. We're gonna try again. You're gonna give us this past year wake Fest is the first time Wake allowed any other sport in Wakefest, and they gave us two runs per day, which was pretty amazing. Wow. The crowd here was one at Kak was one thing, but they have 1500 wake boats in the water lined up screaming when the foresters came down. And it was such an intense experience. And next year I'll make sure the foil fever. We're gonna go go check it out and put on our contest. My friend Brian from Flight Deck, Tennessee, he's out there and he's doing a lot of the leg work for us. We've been doing it for the last, I don't know, four or five months now. When I called them like the day after this contest and I was like, okay, let's go. Let's get started. Working on the Tennessee contest. So we're gonna putting it out maybe in January. I would say to the public we already got a place to stay. It just, there's a lot more logistics trying to get a the lake because, it's open. Especially the lakes in Tennessee, you have three different states that goes through that lake. So you got guys from Ohio, Kentucky, and Tennessee that shares the same lake. There's a lot of people on that lake. But most of them Go ahead. Oh, I was gonna say, you said what, 150 wake boats on the lake or something like that. That sounds crazy. It was cool cuz they were all like tied up to each other. Oh. And it was like a big, it was like the cars, they call it walkie, but it was such a huge crowd and you get the, we stayed on the houseboats that was behind it. It was so intense. So intense. So hopefully on this first one that we do, we know it's not gonna be as big, I don't think any contest, any oil contest that we do is gonna be, can beat this. We said that 2019, but yeah. Saturday was way. Way bigger. It definitely, I think it definitely topped our first contest. Yeah, I just like the waves and the performance both were just, yeah. Just amazing. And I don't think anything like this has helped, been helped before, so it's just really cool to be there in person and see it happen. For sure. Oh, we're happy that you came down. Yeah, me too. I was stoked. Actually one thing I wanted to mention, somebody in the, on my video commented how was I able to get my drone to fly? Because this is a kind of really close to the airport and it's not in the flight line, but it's like in this blue zone, which is a restricted flight area for drones. You're not you need authorization to fly there, . And when I first tried it and I brought two drones and all my batteries and everything like that, and I couldn't get it to work, I was really frustrated cuz I showed up with all my stuff and then I couldn't fly and then cuz I had a DJ I flight controller and then I, I tried all this stuff that, that it said to do and it just kept rejecting my my thing. And then I finally tried my older controller, which works with my phone. And then while I was logged into the d I account using my older controller, maybe I didn't update it or something like that, but for some reason I was able to like self authorize, just go through that and then it worked, I was lucky to be able to fly cuz it took me like an hour to figure out how to make it work. But so basically, yeah, the way I was able to make it work was like self authorizing through my phone being connected to the, the phone controller on the dj Oh. Photo could tell you. Right there. Let me see you right there. That's where Polo's drone is right in this area. I know. I Oh, that was your drone Oneo. Yeah, I think we got pretty close a few times. Yeah. . Yeah. No, my drone is actually in Kak. Oh, in the water. Yeah. So I lost like few months ago, Uhhuh, I was flying it and then it automatically just went to auto landing. While I was out above the water flying, it just started landing, coming down slowly and slowly, almost close to the water. And I tried to shoot it to shore on the sand and it just barely, almost reached the sand, but it landed right in the water and it was like, oh, it's gone. That's, so we spent all day trying to swim for it. all day for two days. . A lot of times it is usually happy just to get the SD card back with the footage, right? Cause you know the time, once it's in the salt water's probably not gonna survive it anyways. But at least you can get the footage outta it, right? Yeah. Oh yeah. I actually have the footage. It landing in the water. Oh. And it was connected to my phone, so I got the footage from that, cause I was recording that whole flight while it was landing Oh yeah. That's, it's pretty hilarious. Yeah. But yeah, that's something to be aware of that it's actually not an automatic thing that you can find the drone there, . Yeah. It depends on the size of your drone too. Yeah. So I had the airs. It was, it worked until, up until that day. Even the Minis, I know Chris Christian Park, he was flying his drone, so I think he had the DJ J Mini. Yeah. So he was able to fly it out there. It depends on the size of drone you have. Yeah. I guess that might be it too. But yeah. And then I also wanted to mention Alex, a GU from Gofo was there with a, I guess he had a telephoto lens and was shooting from the beach. And he posted a video too on YouTube that couple days ago. And that one has you can hear the comments from the crowd and the crowd cheering and stuff like that, which is definitely, that, that part is missing from the drone video for sure. That you don't get that. Oh yeah. The audio from the crowd is pretty cool. And then announcing Yeah. You get so pumped. You hear the crowd going, I was telling people the last few days, it's if we didn't have the contest and it was just a free for all regular session, you wouldn't see guys be pulling in like that or doing the crazy stuff that they were doing Saturday. But because these guys are like pushing each other, and that's a cool thing about the foyers, it's just no matter if you're in competition or not, everyone's pushing and hollering on the side yelling go. It's such a cool vibe, the spoilers, and that's hopefully, it's, it lasts a little bit longer. But even though, in the competition, the boilers we're something different, we're something special, I believe. I agree with that. Totally. And what do you think what's the cause of that? Like why is, why are boilers so much more open and yeah, like more open to sharing and just enjoying it together versus most of these foresters are surfers and in the lineup, on a surfboard you can sit in a water for an hour and might catch two waves. Where on a foil you can sit in a corner, tiny half a foot, white. And have the time of your life and catch two for one, three for one and or whatever. But when you get done, you're so tired, you're like, you're resting for 15 minutes anyway. Yeah, but, and it's so funny cuz I was pointing head and one of the uncles, the locals, and he's at the top of the hill and we, I walk up to the top and he goes, how come every time I see you spoilers, you guys always smiling Oh yeah, remember that? And yeah, I was like and I told him, cause after an hour session, avoiding to climb up that cliffs hill and make it , we're like, oh, our legs are so tired. And the last thing we wanna do is climb up that cliff. But it's true. All the floaters you see the positive attitude, the positive feedback from everybody trying. You'll never have a surfer go, Hey, come here, let me teach you how to serve where porters they're welcoming. I wanna teach you because they know the consequences of porters. We wanna teach and we do. We have free lessons, we have free demonstrations to the public that we put on once in a while for the whole safety. How can we tell these guys don't do this, don't do that when or when we are not out there actually teaching 'em how the right way of doing it. Because it is dangerous. Yeah. And even if we're somebody that has a lot of experience surfing and they think they can just jump on a foil and learn it easily because they already know how to surf sometimes that's the most dangerous because they're like, yeah. They you have that mentality already. Yeah. Mentality that they don't need any advice or whatever. True. But you can be on a one foot wave, on a foil and no matter what, you have to be on your toes. You start to be, you gotta be humble the whole time. And whether it's 20 feet or one feet the same humbleness is exactly the same. Yeah. Either way. Either way. You can end up with 20 stitches on your head if you know what you're doing. True. Either you'll get the stitches or some you'll do it to somebody else. That's what we are trying to avoid. I think something worth mentioning is that despite, everybody like having pretty gnarly wipe outs, in the most critical section, everything like that one and the foil Yeah. Tumbling around your head and stuff like that. Like nobody got injured, right? There was no injuries in this event, right? Or were they, did they miss so. There was one somebody grabbed a foil, I think by his hand. Oh. That was it. I forget who it was, but oh, was it Kane? Maybe. I'm not sure. Got the hand sliced open or something? His foot. Yeah. Oh, his foot was his foot. Okay. I know you keep on his foot. Yeah. Somebody contest or whatnot, but I saw Kane the next day we was out foiling again at Cak. , not bad, but yeah. Anyways so it looks really dangerous, but I guess if you if you know what you're doing and know how to avoid the foil it can actually be relatively safe, I would say. Oh, so the number one rule and when I taught pono how to foil when we got started and how I started that, these words will always stick to my head. And I always tell the same thing to anybody who wants to learn how to foil and foiling is, it's not how you foil, it's how you fall. And so when we started to learn have the confidence in falling hitting the white water, like I have full confidence on hitting the white water because I have full confidence on how I know how to bail, but I know how to. Once you start having that tendency of, or not confident in falling, that's basically when you get hurt. Yeah. And you gotta stay humbled. Of course you're gonna get hurt. It's not if it's wet. Yeah. I think the biggest tip for beginners is when you're surfing sometimes, like if you lose your balance and you're starting to fall off, you can catch yourself and you basically try to pull off the maneuver until you hit the water. And if, if you hit the water, then you're, then you crash. But foiling like as soon as you lose your balance a little bit or you feel like the foils not right out underneath you, it's just time to bail out right away and not try to correct it or save yourself in falling. It's a lot easier to come back to catch another wave than get hurt. Wait, couple weeks, , and then For sure. Let's talk a little bit about your background. Like what, how did you grow up and how did you get into foiling and all that? I'm curious Bono yeah, start with pono. Oh. I pretty much grew up here on Coi, here on Oahu a lot. Was back and forth between islands. Fondest memory of be learning how to surf was probably at Huy Little Beach here on Kauai. At the river mouth. Yeah, trying to learn how to surf. And then I got into body board when I moved up to Oahu, body boarded at a spot called tumble Lands in Mali. And then, yeah, and then pretty much moved back here, surf. And then I actually got started with Four Lane back in 20 20 18 from this guy, my uncle he was for before me and then he came over for New Years. Him and Uncle Cleve was like, Hey, you need to try this. So I tried it and I was pretty much hooked. I was watching guys Foley, I call ay for quite a while before I even started and I always was like, wow, that looks so cool, but looks so dangerous. Or maybe that's not for me. Sorry. It was actually Uncle Cark, I would always see him out on his sub foiling. . I was like just, I think he was like one of the only ones that I actually saw like ripping on a foil so early in the game. Back in what, 2018? Yeah. He was definitely a pioneer, right? Yeah, for sure. He was one of the first guys and then my uncle Jason set me up with a foil and a board. I was pretty much fucked ever since. And still am. It's literally an addiction. Talk, maybe talk a little bit about your first session. Like how was that , what did you learn on your first session? My first session That what foot waves? Or like 10 foot waves. It's scary. , I, that was the first day. The first, yeah, the first day I landed actually on the rail on my ribs. But the second day was like three to four foots. Oh, . And he couldn't even catch a weight. That's how, three, four foot horns on a perfect day. It gets really double gnarly. Super good. And I wanted to go out there, so I took Bono and he didn't catch. It was gnarly. That was my first of shame. Yeah. And he got humbled so bad. It just, and I got humbled as well too that day. But being his second day and taking him out there that, that was funny. Yeah. So what about you, Jason? Are you from Kauai as well originally or? Yeah, from Coi. I live about this is my home break right surface since I was five years old. And then, I went back first day of Foing what my friends and my cousin then was like, oh, we need to get up or you get you on. Foing was like, okay, I'll just try. I actually waited a few months for me to try it because I knew this is one of the sport that you'll like, so that's why you don't want do it. One, it's really knew how expensive it was and then how addictive it was. We really knew that before we even got one, one of these. It's like one of those sports that don't wanna do it because of that. But once I got on, that's why. Yeah, so I got it away. First base, first time was a kak bit, got super humbled, flew back the next day, went straight to Hawaiian water sports and bought my first set. And I was on the phone with my cousins, kale and Ola, and I was asking, what do you need? And the whole time, the whole drive all the way to a pulled into the parking lot, . And he was telling me all this stuff and you telling me about, you're gonna get hurt, this and that. And so that's how I started. And then just got, and then I ended up just pointing Queens after I came back. I got my gear. I learned how to fo like queens and pops and canoes. So what was your first foil? What did you start on? That was the first foil was John Mu bar, the Nubi and the eba Go Foil, Eva fo, which, it wants to fly it. The those right there, that set just wants to fly. So I have no problem learning on one of those for sure. It just doesn't wanna fly too fast. ? Not, yeah. Compared to what these guys are running and what we are running nowadays, it's a whole new ball game you have to, the progression, like from 2019, the progression, yes. Talent and confidence on your foil. But the gear has gone through, I mean it's so crazy the progression on the gear, the foils and the boards. I remember the boards back then. I remember one guy came out for real, the foam, a Clark foam had says Clark Foam on it and he basically no shape it, nothing. He didn't take a sand to it. He glassed the foam and stuck a underneath. I mean it was here in Oahu and I was laughing, but he was writing it. It was super flex of course, cuz there was like no carbon back. It was just straight stringer. It didn't last very long, but but I thought it was pretty classic, but the boards back then was just, yeah. Compared to now it's different. And then Oh, totally. So what do you ride now? What's your for foiling? So my setup is a magic 8 0 8 board made by Glen thing. Four, five left 17 and a half at 28 meters is my board. And then my foils are, we write access like the 82 82 centimeter use of mass and with the city short. And I ride a little bit bigger wing now cause gain a little bit weight as like the seven 40, I believe, the seven 40 PSC and a three 50 wing. Those things are so good for us. , a lot of people ask especially beginners is like what foil or what equipment should I buy? And that's one of the biggest, I wish, my cousin guys helped me, but now we have more options. Oh yeah. Every day there's new equipment coming in and like Honolulu, every other guy here shapes sports. You can get boards all over now, but guys like ing, guys from Freedom, those guys learned in the beginning the hard way, but now they've, they learn so much. And now the progression and how solid the boards are and how light the boards are, it's unreal. Super cool. Yeah. And then people, a lot of times people think that the board's not that important cuz you're just writing the foil, but it, the board does make a big difference cuz Yeah, like that the board is what kind of gets you up on the foil right in the first place. So without the right board, it's hard to even get up on the foil. Oh, for sure. And then in terms of length have you gone a little bit longer? It seems like for a while everybody's going as short as possible and then now people are using a little bit longer boards again? Or what's been your experience or progression? Oh, exactly. So we all started what, 3 10, 10 and wider was that 22 inches wide and like 35 liters. But now it's, the length Glen was like, oh, a little bit wider or longer and less say, okay, but I gotta come more narrow to make. For what I wanted to do. . So we went all the way down to 17 inches wide and the length we did go about, but yeah, three, four inches longer. And then we just started to pull in the leaders, the volume on our boards. Cause we noticed that you can feel the foil even more, it's way more responsive. Having that tail dropped in on the other bit. But yeah, it's insane. Yeah. Progression, the equipment, I for and for wing footing. Have you guys been wk foiling at all or are you getting into that at all, or? Yeah, not so much. Oh we've both definitely been wing foing. I can say was hooked on wing. Cause all he talks about every time is, Ooh look get. And it's barely that's yeah. What happened there? It looks like it is like the bottom dropped out from underneath you. Huh? So I told him that way. If he went, if he had a longer fuselage, he may, he would, he might would've had a chance. That one. Cause the shorter fuselage makes it more like a more loose on the front and back. So if, when you see him drops. He's going so hard and he was trying to correct it, and the thing just went, woo. Oh, was that the double up? Yeah. That one was crazy. So on that wave, that was the finals. So as the tide was, was lower dropping, I could see that the barrels was more like, it was a lot more wide open, more on the inside of the the brake. Away from shoulders where everybody was taking off. So it was forming the a frame section more on the inside. So I was like, oh, okay, if I pump out, let me see if I can connect and get one of those. So as I'm going out and pumping it, I was like, ah, don't, I don't have a set here, but I see this wave. So its like, oh, ok, I'll just go for it. And as I'm pumping, I see a double up. I'm like, and I'm already behind the set. So I'm like, oh my goodness. What am I gonna do? So in that video, there's like a split second where I looks like I'm relaxed, but I'm like, should I go or should I not? And then in that split second, I'm like, ah, just go for it. . Yeah. It looks like you, you try to drop the nose down into the way, like you try to just go straight down the face, right? Yeah. Straight down. And try to correct it at the bottom of the way. But I was like, way too late. I was like, oh, crashed Yeah. Yeah, that was definitely tricky and there's a few times where you could see there were actually like sometimes the guys on the wave and then the wave right in front, there's another wave right in front breaking, and then they're yeah, it's and then doubling up or whatever. It was definitely a little bit, definitely tricky, right? Not just a smooth ride . No, everybody stepped, everybody who was out there in the waters stepped up their game. It was un unreal on how much progression there was. And we were all cheering each other on, like I was in, when I was in my heats, I was cheering on the guys that was in my heats, cheering on the guys that was in the next heat. We were trying to push each other and just, everybody's just charging us just sending it. It's so unreal to just see that, like in the water. Yeah, for sure. Yeah, I've never seen that many people trying to pull into barrels on it's every other way. So we like try to duck under the lip and there was a few, actually a few rides that people pulled off. Fully barrel and then coming back out. It, I don't think I really got those, but definitely a few. It looks so perfect. Yeah. Not at all. Yeah. We were actually talking about maybe renting a house on the, on that other side of the bay. Oh, that was the, when you have your event and then maybe we could have the judges sitting on the balcony there, Oh yeah. And then of course, mother Nature's gonna provide waves again. , cause usually the waves like break further on the inside too, not, it's not always breaking that far out. Yeah. But anyways, yeah, I mean it's just a beautiful setup too. And then, yeah. So let's talk a little bit about the other division. So you had the gro division. What ages were the Gros? 14 and below s. Okay. And who, who won that? The gro division. Caden Pritchard from Maui. Cool. Yeah, I actually interviewed Caden for a wing full interview. He's also a really good wing foiler. He's, yeah, he's good. He's a charger for Little Gro. He's a grab it's charge. Yeah. Very cool kid. You had the, sorry, go ahead. The women's? , Glen was my pick on that. When every time, when the waves are this big our pick is always Glen now. Cause she's the only one that I know that charges super hard. She's charging all the way to I don't know, six, seven months pregnant. It was. And then and we had the Capona League, the 60 and above. Cause we did that one for the people of Koi. Cause a lot of uncles actually foiled at the spot and they always just wanted to, I'm not gonna put them against somebody like Al or yeah. Mateo or whatever the case would be. But, so it was actually really good that we actually ended up having a division for them. So it was pretty good. And KA is 60 and over, right? Yeah, 60 and over. Okay. What's out? I think a Coco makes 60 next year. Yeah. So they gotta be careful. , you can enter that one next year. . Yeah. Yeah. Oh, the boys are down. So there's upstairs where the judges were sitting at, up on the top of the new hall. Oh, there you go. Oh, and then, yeah, afterwards you had a cool event. Lots of cool prizes and everything. Nice dinner. So that was cool too. Live music, everything. So yeah, that was a great event. I have to say. You guys did a really good job and I know it's a lot of work to do something like this thank you for putting it on and yeah, making it no was so cool. Especially the first competition that we've done. In 2019 we put this on po I went to po you're gonna contest. Okay, let's do it. And out of all everybody that on the staff Ohana, my sister, it was my sister, my mom my, my daughters. None of em. Foil, none. I won't foil none of 'em really serve the competition contest wise, nobody's done it. Initially I was in the contest of 2019 and then my buddy Cle, the head judge is like, there's no way you can foil this contest. We are gonna need help . So after that I, these guys told me I, I'm not allowed to foil any of our contests ever. So that's how we, now it's, it was just funny cuz like everybody's doing this. The only guys that foil is the judges. That's the only people on the staff that actually foils, which is cool. Which is amazing, having that support like we just, we volunteered them, not volunteered, them kind help us out with the contest and they're all up for, they saw our vision and the supported us from the get go. To have that support is like unreal. Yeah. That's awesome. Yeah. So do you think I guess here on Oahu, like the foil contests are usually kind of part of other like the buffalo surf meat, they add like a foil division and stuff like that. But it seems yeah, it seems like there aren't really that many real surf foiling competitions yet. Yeah. Yeah. We are the I believe we were the first one ever in 2000. Yeah. A full foil contest. Yeah. Yeah. Because like you said, Rob, it was a part of part of Duke's, part of the buffalo. So this is the first time I think we had, I didn't know the contest I did with you. Was it the Pumping? Yeah. The hundred Waves contest or whatever. Hundred man one I think was the boys man one. And that was awesome. That was that. Oh, you guys got this on. So I actually, I was gonna play this kind of do a separate video outta this, but this was like when we got there on Friday, the day before the event we went straight from the airport to to this spot and it was like blowing. We like all excited about, went out in the water and I. Good wing foiling session and yeah, and I only brought my wing foiling gear. I didn't even bring any, anything else, but cuz I was looking forward to trying to do that down downward race, oh yeah. Glad you guys scored at Hon Ma Beach. Yeah. Was a super fun spot too. Why didn't we go there? ? You didn't wanna, you wanted to go call. Oh, okay. But yeah, I'll probably do this, share this another time, but, so yeah, get back to you guys and but yeah so let's talk a little bit more about foiling and like for people that are getting into foiling, want to wanna get better. Like what are your pointers or like what were like some breakthroughs for you or like good tips that you can share with people, both of you behind the boat, in the river or a lake, getting food. I think that's the easiest and safest way to, to learn and the fastest, instead of trying to take off on waves, not knowing how actual foil works. And then, yeah, like on a bigger board, bigger foil to it, it it'll help you get up easier and faster instead of a smaller setup where, It's a little bit harder to get up on foil at first. Once, once you figure out how the foil will react to like your foot placement, your body weight, front to back foot ratio, all that you have to take into consideration in order to get the right height on foil. And then just trying to be safe on the foil. I I think each time you go out every session, you gotta remember okay, this didn't work. Oh, okay, wait, this work. Okay, let me try this. It's a step by step process. You can't just go out one session and be like, oh, I'm ripping, or I know everything about Foing because the next session you'll get humbled really quick. Yeah. And it seems like a lot of people they try it a couple times and then they just give up. They find it too challenge. Yeah. With foing you have to be like consistent, go every day. Cause I think when I first started, I think I went six months straight every day, seven days a week. literally limited. Yeah. Until I got it like fully down. I think the more consistent you are, the faster you learn. And the better you become at a whole new sport. Just the feeling alone gets you out there in the water just to be up on foil and just flying. Just fly straight. Just flying straight is always fun. I think that was the main goal from like the beginning. So for me, I forward at c Coffee, that's where I learned. And then my goal in the beginning was always try to make it to shore. Just go straight and make it to shore without getting her . Yeah. What about you Jason? You got some tips? Yeah. So once you get on, so I actually, when I teach people, I take on my ski and I have a six, six blue planet that I actually use to to teach. And to me, that's one of the really good board to learn cause it's long enough and it's a lot easier to control. They can actually stand up on the thing without lying down with knees, doing all, you bypass all that part, go to the stand up, hold the rope and you just take off. So I always tell guys when we start to learn is everybody just wants to fly and they wanna stay up there, it's like everybody wants to be like 10 steps ahead, we need to step back a little bit, I always tell like one of guys like, crawl, walk, run. There's no rush. Once you can get up on foil, I tell the people to push it all the way back down and then go back up again and then push it all the way back down. That way, how much pressure each leg or are you standing in the right spot to push it down to control, learning how to control once you get up to that 36 inches or whatever left your real foil is because that's when you start to get hurt and when you start to breach. So always if you start to control yourself at like 12 inches, go up, go back down and just keep on doing that, then by a time when you get to your 30 inches, whatever case you have control to stay at that spot. But that's one of the, one of the other things that, that we like to teach too. Cause there's no rush in learning how to but expect nowadays you got, these 10 year old kids learning how to foil on the very first day. Yeah. Yeah. I thought one. Go ahead. Yeah, I think part of that is just, yeah the equipment's so much better and more dialed in. And if you have, if you have the right equipment and the right instructions, then yeah, it's possible to learn it quickly, especially for young kids that just pick it up easily. Yeah. But yeah, that, I think that Sam pa always say, stay low and in control, right? Low and in control. Low and in control. Still to today, if I'm coming down the line, he'll say those exact same words to me. Sam never changes. He'll, no matter who how good you, and that's the thing we talked to with Sam PAs we don't care how good you are or how good you think you are, you're going to get humbled or hurt somebody. So you got to stay on your toes at all time and, be focused on a foil by you being on a board. But once you get up, you have to stay focused which is amazing. I think that's why we're so addicted to this sport, because n
Jeff Chang has such a special view of race and culture in America that it's almost impossible to do him justice. He draws on his Hawaiian/Chinese roots and his background as a hip hop DJ and indie label founder to help us better understand culture, politics, the arts, and music. Jeff was formerly the Vice President of Narrative, Arts, and Culture at Race Forward. He now serves as a Senior Advisor and leads the Butterfly Lab for Immigrant Narrative Strategy. Jeff also served as the Executive Director of the Institute for Diversity in the Arts at Stanford University. He has written for The Guardian, Slate, The Nation, the New York Times, the San Francisco Chronicle, The Los Angeles Review of Books, The Believer, Foreign Policy, N+1, Mother Jones, Salon, and Buzzfeed, and is the author of three really terrific books: Can't Stop Won't Stop: A History of the Hip-Hop Generation, Who We Be: The Colorization of America, and We Gon' Be Alright: Notes on Race and Resegregation. Jeff and Eric discuss the political voice of hip hop, the Chris Rock/Will Smith Oscars moment, what it means to be an American, and a lot more. Tune in and listen to Jeff walk on wings!
Jeff Chang has such a special view of race and culture in America that it's almost impossible to do him justice. He draws on his Hawaiian/Chinese roots and his background as a hip hop DJ and indie label founder to help us better understand culture, politics, the arts, and music. Jeff was formerly the Vice President of Narrative, Arts, and Culture at Race Forward. He now serves as a Senior Advisor and leads the Butterfly Lab for Immigrant Narrative Strategy. Jeff also served as the Executive Director of the Institute for Diversity in the Arts at Stanford University. He has written for The Guardian, Slate, The Nation, the New York Times, the San Francisco Chronicle, The Los Angeles Review of Books, The Believer, Foreign Policy, N+1, Mother Jones, Salon, and Buzzfeed, and is the author of three really terrific books: Can't Stop Won't Stop: A History of the Hip-Hop Generation, Who We Be: The Colorization of America, and We Gon' Be Alright: Notes on Race and Resegregation. Jeff and Eric discuss the political voice of hip hop, the Chris Rock/Will Smith Oscars moment, what it means to be an American, and a lot more. Tune in and listen to Jeff walk on wings!
Hip-Hop began in the Bronx but quickly spread across the country and the world. In this episode, Davey D and Jeff Chang are back to talk about the spread of hip-hop from the east coast to the west coast, and all the places in between. Plus, Busy Bee rejoins Caz to recount their journey from the Bronx to Japan and how they brought the foundations of hip-hop around the world. Grab your ticket because hip-hop is going global on this track. See acast.com/privacy for privacy and opt-out information.
Mind-altering substances have always had an influence on popular culture and music, but for hip-hop it wasn't just in the music. In the late ‘70s and ‘80s drugs were in communities and homes all around the city. As the epidemic tore through the Bronx, hip-hop was an escape and way for people to tell their stories. In this episode Caz invites scholar and author Jeff Chang to talk about the role drugs have played in hip-hop music and culture in the Bronx, walking us through the evolution of substance use and hip-hop through time. Legendary MC Busy Bee and Sha Rock return to talk about their personal experiences and how they rose above and beyond the strife with hip-hop at their side.If you or someone you know is struggling with substance abuse or a mental health disorder, call the SAMHSA National Helpline 1-800-662-HELP (4357) or visit https://www.samhsa.gov/ for free, confidential treatment referral and information, 24/7 See acast.com/privacy for privacy and opt-out information.
Maori chats with kindred spirit and prolific writer Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Generation. In their conversation they time travel back to the 80's and 90's, looking at how hip-hop transformed their politics and shaped their outlooks on the world. They also discuss how to learn from failure, Black and Asian solidarity, and the significance of chosen family.
A sneak peek at Season 2 of Many Lumens with Maori Karmael Holmes. Produced by BlackStar Projects, this season premieres May 11, 2022 and will feature 12 new conversations with the most groundbreaking artists, change makers, and cultural workers in the game. Subscribe to Many Lumens wherever you listen to your podcasts.Follow us on Instagram and Twitter @manylumens. Trailer features Season 2 guests Imani Perry, Jeff Chang, Sky Hopinka, and Yaba Blay.
In this episode Matt talks with Jeff Chang, a Police sniper subject matter expert. Jeff is a U.S. Marine Corps Veteran who deployed to two wars as a scout sniper and a private contractor. Jeff also spent the last 12 years on a major metropolitan SWAT team, finishing his time as the sniper team leader. Listen in as Jeff shares his story about being a sniper and going from military to law enforcement service, with all the lessons learned. Standing OffhandInstagram & Facebook: @standing_offhandhttps://www.standingoffhand.com/The OpTempo Training Group website for an updated list of classes:https://optempotraining.com/@optempotraining on Instagram and FacebookFind us on Youtube at https://www.youtube.com/channel/UC4kBpYUjDdve9BULTHRF2Bw/featured?view_as=subscriberLowa BootsIG: @lowa.professional and @lowabootshttps://www.lowaboots.com/
In this episode, from our series on Teach the Black Freedom Struggle, our host, Jesse Hagopian, a high school teacher and Rethinking Schools editor, facilitates a conversation between authors Jeff Chang and Dave “Davey D” Cook on their new young adult version of Can't Stop Won't Stop: A Hip-Hop History. Chang and Davey D catalogue the role of urban policy, marginalization of Black and Brown youth in places like New York and Los Angeles, and how that influenced both the politics and the development of hip-hop. The struggle for Black Power played a direct role in shaping the music from its onset. Our guests also discussed how hip-hop shapes both the movement for Black lives and why young people should learn about the history, aesthetics, and politics of hip-hop. Read about the event and find related resources.
Aloha friends is Robert Stehlik. Thank you for tuning into another episode of the blue planet show. on the blue planet show. I interview Wingfoil athletes, designers and thought leaders. And I asked them questions, not just about wing foil equipment and technique, but I'm also trying to get to know them a little bit better, their background, what inspires them and how they live their best life. You can watch this show on YouTube for visual content, or you can also listen to it as a podcast on the go to search for the blue planet show on your favorite podcast. I haven't come out with a new blue planet show for awhile. It's cause I've been super busy. You might've heard that. We took over a new shop in Haleiwa on Oahu's north shore, formerly known as tropical rush. We just opened there and I've been super busy, getting everything set up. It's really exciting, but it also, it takes a lot of time. So I haven't had as much time for the YouTube channel and the blue planet show, but I've been waiting for a long time for Alex to come onto the show and he finally had some time to do it. So I got a great interview with him. Alex is nutty about wing foiling. He's coming out with GoFoil Wing foil boards and wings. And of course he plays such an important role in the development of the sport. He basically invented the foil that allowed Kai Lenny to do downwinders on a big long board. And basically kick-started this whole sport of foiling in the surf and now with wings. So thank you for that, Alex. And without further ado, this is the interview with Alex. All right, Alex Aguera. Thank you so much for joining me on the blue planet show. So how are you doing today? Doing great early in the morning, over here. How are you doing Robert? I'm good. Yeah. So I'm on here on a Oahu. You're on Maui, nine o'clock on a Wednesday. So yeah. So tell us, let's start a little bit with your background. Where did you grow up and how did he get into water sports and like early childhood to start from the very beginning? For getting into water sports, it started when I was let's see about 14. We went on a family vacation. I grew up in Clearwater, Florida, by the way. And. We went on a family vacation to the Virgin islands, British Virgin islands, and we're going to be on a sailboat and, do the bareboat charters where you travel around to each of the islands. And it's, it was just a fun, two week trip in the, in a place where we'd never been in places that were super clear water like that crazy, it was just fantastic. But anyway, the captain of our boat, we had hired a captain who would sail us around to the, for the first week. And then we were on our own. The second week, the the guy would put this wind surfer in the water at this one place where we first started called Soper Sol and Tortola. Any of, they would start sailing around with him and his other captain, buddy friend, on this funny looking sailing craft that, ended up being one of the original. Baja style windsurfers. So this would be for the original windsurfer was some of the first boards that oil swipes, or it may, and it looked like a big, giant, long board made out of a fiberglass. But anyway, when we got back to Florida after the chip, my dad wanted to check this out as a possible, get the kids doing this. Cause we were riding motorcycles and stuff at the time you wanted to get us off of motorcycles. So he calls up Hoyle Sweitzer, which was windsurfing international or whatever. They called themselves. At that time, this was really early. This is like 1975. And oil tells him, he goes, Hey, I'll sell you six of them and make you a dealer, so it was like, okay, we were the first dealer and in Florida and it all started from there. We started wind surfing right in 1975. And that's how I got into all these other sports that have evolved since then. Oh, that's so cool. Yeah. Foil Schweitzer is Zane Schweitzer's grandfather who basically invented the sport and had the patent and everything. Yeah. So your dad became the first either the first wind surf dealer in Florida. Yeah. Like district nine or whatever, what are they? I can't remember fleet nine or something, the, for the ninth, one in the United States. So that's when the books were still made out of wood and stuff like that. And the bowl we're still out of wood. There was a daggerboard was still out of wood. We hadn't progressed to, a composite looking white daggerboard yet. And we hadn't invented harnesses yet foot straps or anything. Okay. And then, okay. And then what happened next? After that, we Pursue to get better and better at wind surfing. And my dad started to be the distributor for the Southeast United States. And we were really in the winter and our whole life changed from, he was working at Honeywell, which is one of the firms down there in Florida. He was a engineer. And then he switched over to just going to be wind surfing. We're going to go all in, into this wind surfing thing. So from there, we add a whole bunch of people in Florida that we were the original Florida wind surfing crew. We called ourselves the fearless flying Floridians there for a couple of years. And it was a real close crew there in the Clearwater Sarasota area that we always raced against each other. And we just got better and better. And then pretty soon we were doing well in the national and world championships. Awesome. And then. How old were you when you did that kind of the racing and your first world championship? I guess? My first national championship was the following year. What Hoyle used to do back then was we would do these big district championships. There was like maybe five or six throughout United States and whoever had won their district championship would get a free trip to the nationals. So the nationals then following year in 76, I'm 15 years old, a win, a free airfare to Berkeley, California, where we're going to do the nationals. And I traded it in for money to buy a bus ticket and pay for my hotel when I'm over there. So just imagine you're 15 years old, you're traveling in a Greyhound bus, cross country. Get over there, you rent your own wind surfer back then they would have, rental packages where you just come in, rent your own gear and then raise. So at 15, that was quite an experience, to have my parents to be able to let me go, all the way across the country and do that all by yourself was, looking back at it now back then, seem oh, that's okay. I can do this. We'll look back at it. Now. I was like, God, I would never put my kids through that. But that was a fantastic Regata because. What happened was, so it was 76. We're at Berkeley. We had a lot of wind and stuff, but as first time I get to meet Mike waltz and Matt Sweitzer, who were like the gurus back then of windshield, because they had a thing called the windsurfing news, which was like a little paper back, like a magazine, the early wind surfing magazine was a paperback called wind surfing news. And it was always the swipe tours and like waltz and this and that. So we get over there, meet Matt and Mike can win or goes for his first championship with all the boys. And Robbie Nash does his first championship. All the boys, he, so little 12 year old blonde kid comes in from Kailua. So it was like, all of us got together for the first time at that time. And he was Robbie Nash is two years younger than you about, okay, so you were 14 and then there's someone even younger than you showing up. Yeah. Yeah, that was, how did you do in that? Oh, I got beat up. It was blowing really hard. And in Florida where I learned, I was just learning to race around and, barely get planing kind of conditions, which we have in Florida coming up to that summertime, you get to Berkeley, it's blowing 20 to 20 fives, sometimes gusting 30 and one of the races. And I don't think I got across the starting line. I got beat up. I was just rag dolling. Cause you only had one, one sail and it was pretty big. I probably weighed 125 pounds at the time. And I remember there was these divas, these sisters, the SWAT tech sisters. There was Susie and Martha and The girls just beat up on me. I was getting whooped up on by girls mad. It was like, oh, bad. It was, I was humbled when I went there, but watching some of the stuff that was just then evolving because Robbie had come over and he started doing this railroad thing, it's the first time any of us see a rail ride. And I was like, oh my God, what is that kid doing? Who is that kid? And then by the time, the week it ended max White's here. And I think Mike had picked it up and Ken were all doing railroads by the end of the week. They had figured it out. But when you first saw that, I was like, what the heck? That's something new. And then we did one of the, I think it was, could have been the very first freestyle event there. And. The guide who Dennis Davidson, who was one of the original Kailua windsurfers was putting a little teeny fin on his board. He was doing these super fast tax and stuff. And we were like, wow. And he ended up winning the very first freestyle. Oh. And then again, so that's awesome. And so then how did that progress it, you became a professional windsurfer, right? Yeah. That that was many years later in about 1980, started getting paid to do wind surfing races by wind surfing international and oil spikes or, and we would go over to Maui for the first time. We were going to do the Pan-Am world cup was a real big race. It was for high wind and it was in Kailua. And the first year I didn't go to, it was in 79. There wasn't any wind. So they had to race in Waikiki. The next year, oil flies us out. I spend six weeks on Maui practicing with Mike waltz. He had told me, Hey, you gotta come over here and see this place. If it blows all the time, he had just discovered Okinawa, within the last six months. And he goes, there's nobody around the wind's blowing all the time. There's waves. So my brother and I went over there and hung out with Mike for about six weeks. Then we went to Kailua to do the first real pan Emmerich's. It was blowing hard and it's like the windiest day you've ever been in Kailua now is what we experienced for a whole. And we were like, oh my God, this place is gnarly. We were scared to death coming from Florida and seeing that kind of stuff. And that was one of the very first, big, high wind regattas and wind surfing history. Wow. Cool. And you said your dad was an engineer at Honeywell. So did you ever get any like formal education as an engineer or any kind of like that kind of thing? Or is it, are you just all self-taught on the side? Yeah, on that side, it's been mostly self-taught. I went to, some business classes in community college after I got out of high school, but I moved over to Maui after that 1980 trip. I was like, oh, I'm selling everything. I'm moving to Maui. As soon as I can. It took me about a year and a half to be able to pull it off. Then I moved back in 1982 to become a professional. Nice. Yeah. And then, so how was that getting started on Maui in the eighties? That was something, it was great. We were, I don't know if Paya very well, but back then there was, it was hardly anybody in pyuria. There's no traffic light. We rented a place. It's right next to where mana foods is now, back then, there wasn't any model foods yet, but we rented a Quonset hut there. That is where they still store some of their, use it for storage of some of the stuff that the store. But anyway, there was at some time, six of us staying in this Quonset hut for 250 bucks a month rent. So we're all paying like 40 bucks a month rent and living in Maui, nobody around we're going to hokey every day and just having a blast, nobody around on the road, everybody you saw on the road was a windsurfer. You knew everybody. It's like now it's all tourist going by. Yeah. Molly has changed a lot. I lived there in the nineties or late eighties and early nineties. I lived in Peggy too, like really close over there. So I remember those days we lived in a basement apartment, which is super cheap, but yeah. And then driving old Molly cruisers rusted out cars, all that. And then, and then at that time, when surfing was developing really rapidly and changing and stuff. And did you start making equipment back then already? Or how did that, how did you get into business that business? I used to, I was sponsored by high-tech surf sports and Craig Masonville, who was the original guy for high-tech used to shape all of my boards. And we were riding the old asymmetrical, wind surfing boards that we used to ride at hook. I want a couple of the big contests that hook keep a riding those. And then I was always on the pro world tour for wind surfing. And eventually it was hard to get the boards that you wanted, because I had to start working for my French guys Tega and they were making me boards and then Craig was making me boards and it was hard to get boards on time sometimes through the high-tech factory. And I said, oh the heck with this, I'm going to try and start building boards myself. So in 1989 was probably the first time I was racing on one of my own boards. I remember racing in the Gorge and doing really well on that. And at the high-tech surf summer series I won a couple races on my own board and I was all proud. I was like, oh yeah, I might be able to do this. So that's how long ago I started. Yeah. Nice. So those are, slalom racing boards is, were your first boards you built? I got the first boys were slalom racing boards. The way boards is a little bit more technical cause it's easier to break those. So the first law and boards, I didn't have any sandwich on them. They were just covered with carbon and I had some elaborate process for stretching the cloth over it and wetting it all out and keeping the rock or shape, and then learn how to do vacuum bagging and sandwich construction after that. Yeah, I was working for hunt Hawaii in those days and he, we were, he was still building boards with using polyester as in, but then I guess at that time it would switched over to Potsie. So is that, what do you use the proxy or polio? My first boards from Masonville were always polyester. Then we started switching to a poxy in about 1985. I've got a slot onboard that Dave calling on, who was the laminator for high-tech back then we started experimenting with styrofoam and carbon fiber, and I raced the first one in 1985. I think it was. And that's where we're like, oh man, this is white, stiff and strong. And we're like, the lightness was just incredible compared to polyester. And I won the Gorge the second year in a row on that board. And I won the Japan world cup that year and in the spring on that court. But we learned a lot of things about, styrofoam construction goes back. We would just sink the boxes into the styrofoam. And then by the time I had finished the Japan race, my deck box had collapsed into the board. There was a big hollow spot inside. Okay. We were learning a whole new phone core and what to do with it. There was a lot of learning in that. Luckily the board stayed together until the race was over. Yeah. Classic. And then use like vacuum bagging and all that kind of stuff too, or just regular later. Yeah. When I started, I got my first vacuum bag bored by this guy, Gary efforting, who was a, you might remember him. He was the guy that made Hypertech in the Gorge and him and Keith notary would do these. They called it a clam sandwich or something where they were doing vacuum bagging. But Gary and I, he was a friend of mine because we all grew up in the same area in Clearwater, Florida. And he was showing, he made one of my original 12 foot long boards that we used to raise some world cup. And he was using this new aircraft technology called sandwich, construction. And he was the first guy that I saw doing sandwiches on boards. And slowly I learned how to do all of those process. A lot of it was trial and error, but eventually I was, I had retired from the pro wind surfing tour and started running the probe windsurfing tour. And then at the same time as being the race director, I started building boards for top guys like Kevin Pritchard and Mike abou Zionist. And those were all, they had to be super custom, super like sandwich boards. Wow. Okay. And then I guess when tiding came around, you got into kite surfing or yeah. W what happened there? The kite surfing, it was it was funny because we were sitting over here. We're all wind surfers. Layered was still a wind surfer. And he started playing with this kite and my other buddy maneuver Tom from France was starting to experiment with this kite thing and we'd see him at home Keepa. The guys were takeoff with these funny, real bars and all kinds of weird hiding stuff and start sailing this kite and go cruise down the coast, and ended up down at Kanawha or wherever. And I'm like, wow, that looks pretty interesting. What the heck is that? I didn't want to do it until somebody got back to the beach. They started out, I'm not really into this down winter and you're out there, on this thing, out in the blue water, with the, whatever could go wrong in palette around with the shark. So okay. If you could get back to where you started, that's what I finally started getting into it now. I don't know, in 97 or 98 or whatever, somebody was finally making it back. But what really got me into it was flash. Austin had moved over from Florida. He was lived in Daytona and he came over and he was this new kite guru guy. And I would watch him jump and he's 25 feet in the air and just hang in there and then come down real soft of flashy to have great Ky control. He still does. And I was just watching that going, wind surfing. If you jumped 25 feet in the air, you come down hard. I don't care what kind of stuff you're doing. It's that there's an impact. So I was like, I really want to do that. That's what really got me interested in kiting was watching flashed land softly. I'm like, okay, now I want to go boosting. So when you got into D did they still have those reels where you had two reel in the kite, if you get, if you drop it in the water. Yeah. Those guys were still using that, but I'm Brett lyrical and all those guys had their kite reels and I'm like, no, I'm not playing with that. Cut real. Does they look like you eat it? And then there's all this metal and stuff in your face. I started out with one of the two line whip, mocha kites, and then progressed to a two line Nash guy. And then eventually we started making four line kites and it got a little bit easier, those original to lion whip because, and stuff, they were all that was around, but they were a little bit dangerous. There was a lot of accidents in those early days. It took a while before at least five years before the kites got, safe enough to where, people weren't hurting themselves so bad anymore. Yeah. And then I guess around that same time the strap crew I guess layered and restaurant, all those guys started foiling, right? Torn, foiling and jaws and stuff like that. So when was the first time you tried foiling and how did you get into that? Foiling. I didn't try foiling until much later. Those guys were all into these BNN, bindings and strapped into this little board and everything weighed about 60 pounds. It seemed and big aluminum, mass and just super heavy. And then of course, these guys were real right. They were like, Hey, we're going to go to jobs. We're going to ride out or spread, it was like, you're all in, or you're not, and I'm like, they're like, Hey Alex, you got to try this. And I'm like, no way, man. I'm not going to be strapped into that tank and going over the falls. And that looks dangerous. But those guys there, they really were into it at the time. And we were all towing too at the time. With, our little tow strap boards. And I remember one day we were out at Spreckels mill and rush Randall is towing around. It's pretty small for tow day. We like to tow it. It's eight foot plus, and have some fun and it's four feet occasionally. And you're waiting for a set, but rush is going around in circles, just on his foil, cruising around at least doing backflips, going out with this thing while he's getting pulled with the checks. And we're like, man, what the heck? Russia's having a lot more fun than we are. So that was one of the first times where I really looked at it and go, wow, this could be fun. But for me to actually get into it myself, I was kite foiling at the time I had start, this is a, it was a funny story because I had stopped kiting for like about five years, Jesse Richmond, who was the world champion at the time. And his brother, Sean, they were like the best or kiters on Maui. And Jesse goes, Hey, you got to start making some kite or some tight race boards for us. I'm getting beat by girls out on the course. We just started this tight racing thing. So Jesse got me into kiting again. So I built a few boards. Then I had to test them with those guys. And that's how I got back into kiting then. So this lasted for. Maybe three years of kite racing. That was the one that we had the big, three fins on it. And you're, racing up when, so then my buddy in Martha's vineyard, we started foiling back then they were riding all kinds of funky foils, but it was the early days of foils. Most of them came out of France back then and he goes, Alex, I need you to make me a kite foil board and I'll trade you this foil, you got to start getting into foiling and you I'll trade it for a board. So I did this with my buddy, Rob Douglas, he's the world speed record holder for kiting back in the day. And he goes, okay, we're going to do a trade. So that was my introduction into kite foiling. And he gave me this foil that he had already beat up. He weighs about 2 35 or breaks the heck out of everything. And it was all wobbly and I had to keep fixing it. I was breaking it and stuff, and that's how I got. My first initiation into foiling and how to build foils. Cause I was always fixing it. And then I started making my own wings, and that's that was, started me all into foiling. Yeah. And on those foils for kite, for them back then were tiny, right? Really small wings and really long mass and so on. Or is that kind of what you started on? That's what we all started on because back then it was the same thing with layered in those guys. We had these really thin foils cause we were only interested in speed. We wanted to go faster and faster. Nobody wanted to make something to go slower. So everything back then it was, they were small, they were thin, everything was like the fast race foils were less than, 13 millimeters thick. They were, 14 or 15 millimeters was a fat foil. So that's what that's what we used to do. Yeah. And then at, and did you, when you made your own fuzzy, like CNC of them out of G 10, or what kind of how did you make your own foil? Basically what I did in the beginning was I would take some existing foil that I had, and then I would reshape it and try to figure out how to make molds. So I was making molds and figuring out how to do that. It was a whole different process. I was used to building boards and sandwich, construction, vacuum bag now on a changed to, Hey, you got to learn how to make molds and make these wings. So it was a big learning curve. I've made a lot of mistakes. I burned up a lot of molds. I did all kinds of crazy stuff. It was just like learning to build boards. You've got, there's a big learning curve, but that's what I ended up doing. And I would take some of the wings that I got and that I wanted it bigger or smaller or whatever, and I would reshape them and then make molds off of them. And then when did you actually start your business? The gold foil business and started making foils to sell? Like when was that? Yeah, and I think for Gofoil, I probably was in maybe 2013 or 14. First I put the, a name on my kite foils. Then I went to Vietnam to have my buddies over there at kinetic T. I taught them how to build the foils and then I changed it to go for it. I had this idea I'm over there with the boys in Vietnam and it, they don't speak English, super well. So I'm telling them, what do you guys think about this name? It's like gold foil, just go for it. They'd were like, yeah, I don't get it. I had to go for by myself cause I couldn't get anybody to confirm that, Hey, that's a good idea at the time, but I got my buddies over there to make me the logos and stuff. And that's where I came up with. The name go foil was when I first went over to Vietnam and started putting it in production that's way before any of the foils that everybody knows as gold foil. Now. So the kinetic factory was making your first kite surfing. Foils. Yeah. So the ones in production at first, I was building it all here, custom and I started building boards and the foils over there at Connecticut. Okay. I'm gonna, I'm going to screen share a little bit here. And then at some point He made a foil for Kailani. And then he posted this video that kind of took, I guess now it has over 5 million views, which is just amazing. But can you tell us a little bit about the backstory behind, behind this and how that all came about? There's a long story behind that, if you want to go into it, the, we want to hear all about it. Okay. In the beginning, this was about maybe eight months prior to this Kai was riding my kite foils and we decided that we were going to put one of them on his one of his standup boards. So we put a Tuttle box and one of his, I think he had an eight foot standup order, 76 or something at the time. And we put the kite foil on it and he was going to go stand up foil. And I never really heard back from Kai about it. He comes back about six or eight months later and he goes, Hey Alex, we gotta redo that thing about going down, wind foiling again. And I go what happened with the first foil? And he goes it's dangerous and there's not enough lift. And it was really hard to ride and I'm like, okay let me think about it. And I'll try and come up with something. We'll try it again. So what ended up happening was I spent two weeks taking one of the old kite foils that I had that I really liked that had the most lift and I kept changing it. And adding on, I had this idea that we got to rethink all of this, that, thin foils is not what you need to get going under your own power. We need something that's going to be a slower foil that can lift up more weight, at a slow speed. And I'm thinking shoot, these big aircraft planes that are lifting tanks and stuff go by having bigger thicker wings and different foil sections. And I started trying to mimic that on one of my kite foils. So I would build it up Bondo and AB foam, reshape it and glass in and kept playing with it. And about two weeks before I finally said, okay, you've done enough remodeling here. Cause you're never going to get it. Perfect. You have a little bumps here or whatever, and you're like, okay, let's try. So I call up Kai or I sent him a text and Kai is oh, I'm in LA, I'm on my way to Europe. I'm doing the indoor in in Paris with Robbie. We're doing, it's a wind surfing indoor. Okay I'll try it out and see how it works. So I go down to sugar coat, which is here on Mallee, which is a kind of a bumpy funky way when it's fairly big. And it's like head high Peaky sets all over the place and kind of gnarly, for trying to foil for the first time I go out and say, what the heck I'm going for it. And actually Jeffrey and fin Spencer are in the water surfing and my dentist Barclays in the water. So we've got all these guys witnessing me going out there and trying to kill myself. So I go out big standup paddleboard, or what did you put the foil on? Yeah, I had made a board that was. I think it was eight, six or nine foot was my standup board. I put a total box in it about 24 inches from the tail and I'm thinking, okay, this should be good. Where I want to stand on. It will give me a little bit of lift. Cause I moved it forward compared to what I do on my kite foil. And I use the kite mass though, which is 38, 39 inches tall. I've got this new front wing, which ended up being the original Kaiwei. And so I put that on there, go out. I had a tail wing that I didn't like for kiting, cause it had too much lift. So I used that for the sup foil to cause I needed more or less. So I'm like, okay, I'll try that. See if it works, get out there. All of a sudden I rise up and I'm like, I got plenty of lift and then I roll over and I'm looking at these wings in my life because I'm on this giant mask, and it's just, I kept looking at the wings. After about five near misses of hitting that wing with my face. I go into the beach and I'm thinking to myself now I know what Kai's talking about now. I know why it's dangerous to the masters too tall. So I go back to the shop, cut the thing in half, I cut it down to 18 inches or something and go back to lower lowers it. the next day. And actually take my GoPro and film myself writing. I remember I went over an Eagle Ray or something that day got a nice video and I'm going like, at times almost 50 yards, I'm like, whoa, I could do this. And it was just like amazing. And a couple of my buddies were in the water and saw that fuck buck saw it and Jerry Rodriguez saw it. And these guys were just like, they couldn't believe it. They're like, oh my God, he's doing it. But anyway, is this on your YouTube channel? I put it in Facebook back then Facebook. I put it in Facebook. I've got it somewhere. I can find it. I don't think I ever put it in YouTube. I don't know. I might've. Yeah, but you go that far back, but yeah, I tagged Kai on it and then Kai saw it. He goes, oh, wow, man. I've got to try that as soon as I get back. So he was all stoked. And then when Kai came back, you put Khan on the same board, the same thing. And it's hard to describe right now. We take it for granted that, what are you watching Tom Brady? I couldn't believe that's ridiculous. But anyway while I'm a big fan of the Tampa bay Buccaneers, so he's brought it back to my town. So he's like my hero. He was always a hero for me, but now he's like a super hero, but anyway, Comes back jumps on the same equipment and it's hard. Describe the first time you see a guy who's foiling and he goes, past the peak goes way out to the left, comes back across the peak goes way over to the right and keeps going back and forth. And you're looking at them going, what the heck is he doing? It's just, it was mind boggling to see somebody do that for the first time. And I was like, oh my God, what the heck is going on here? Maybe we have something here. And, Kai is just a freak. He was just doing stuff that was, unbelievable at the time. And I was just like, oh, maybe I should make a patent out of this. This is it. It was just like a revelation seeing something like that for the first time. Yeah. And that, the first foil I got we jet my friend, Jeff Chang, and I'd tried it on a kite foil at first, be behind a jet ski and stuff. And we were really struggling in same thing. Like almost killed ourselves, falling into the foil and stuff like that. But then when we got the first Chi foil, that was like, oh, this is so much easier, but it's funny because at that time, the Chi foils seemed like a huge foil, but now it's actually a kind of a small foil. Most people start on a much bigger flow. Yeah, exactly. That's a really small foil. Now, getting back to the story, how that evolved to your video. Okay. Kai was just riding in the waves that sugarcoat doing this stuff. Henry Spencer took a video of him that was like the first time where you see this going crazy. And then he starts going. He goes, okay. We got to, I got to talk to Rob. We got to put this on one of my downwind boards because we tried it on my downwind board, the same board that we were riding in the surf, and I'd go out there with Kai. He has his 12, six, his regular, Nash board. We're paddling down. When I cannot get up to save my life, no way, especially on a Chi foil. So he goes, Hey, let me try that. Give it to Chi and Chi proceeds to get up like seven times on the way down to sugar coat, like immediately, even on that standup board. And I'm like, the kids are free. He just paddles his weight to strength ratio is just off the chart when he's battling. So he's all over the place. We get all the way down to sugarcoat. He takes off from the outside, which is like at least a hundred and 150 yards outside. And he cruises all the way into the beach and it was like, wow, this is something he spends the next week, trying to talk Robbie into being able to turn one of his Nash boards and put a total box in it. So I go, okay. We'll do that. Just keep talking to Robbie. See if you can pull it off. Eventually Robbie gives him the, okay. Okay. You're going to do it on that board and blah, blah, blah. So we put a tunnel box in at 48 inches. Cause Kai says, that's where I stand. I think that's going to be the good place to put the tunnel box. So we put it in there. I get this text he's down at the Harbor practicing and he goes, Houston, we have a problem. And then he goes on to describe that I'm going plenty, fast enough to get foiling, but the tail is hitting the water and I can't get up just because the total box is so far forward, his tail would drag and bring him down again. So he goes, okay, let's put a tunnel box at 24 inches. Like it is on the other board. And w we should be able to get up and I go why don't we just cut the tail off, and see about it. Like in this video, you can see how I cut the tail off of that board. Put like little diamonds. Yeah. So the next day he shows up at the shop with the board, I said, yeah, we'll put the fellow box. And he goes, Hey, I think you're right. Let's cut the tail off and just leave the total box where it is. That'll give me less bored after he thought about it overnight. And then within about two weeks, he makes this crazy video of him just jamming down the coast on this. And one of the, one of the scenes from the video that really caught my eye was Dave Kalama. And Jr is his cousin are in a two man canoe, which is two man Outrigger, which is the fastest boat. Usually in Maui the pattern and he goes right by them and it was just like, oh my God, what is going on there? It was just amazing. It was like, oh, we've got possibilities now. Yeah. They always screws. That's the dream to be able to just surf the open ocean swells and just be able to keep going indefinitely. And then something that layered had always talked about, we always played volleyball and we were always around together. We always played at Brett's house and layered would always talk about that going. I think we're going to be able to just cruise for miles down the coast on one of these foils. And then, like 10 or 15 years later this is what we. Yeah. That's amazing. And then, yeah. And then what happened after that? Pretty soon after that, Nash started making foils as well. So how did you feel about that? I did not feel super stoked about that. And it was like, Hey, we've got it. All right here. You could just, we could build it for you to put your logo on it and you can go from there and then I could make some money out of it. And Robby was, he's always, do it all yourself and keep it inside the company. And they wanted to do it all ourselves and Mickey, he had told me one day he goes out, he really going to be bummed if we do this all by ourselves, because Rodney wants to do it himself. And I'm like I'll be bombed, but we'll still be friends. And I guess you did, you did that with star boards for awhile, right? You put the Starboard's logo on or co-branded with Starboard's was starboard logos as well. We had done a lot of them were just go foil and a lot of them were starboard Gofoil. So there was both of them were branded at the same time for a while. There we were in the early days we were connected with starboard. And then you got a patent on the, on your foil design. So how come you never, did you ever try to enforce that? I Obviously like now there's so many companies making foils. Is there any way, like anything you ever were able to do with that patent or was it just not feasible? He never really pursued it. If there was a lawyer out there who wanted to pursue it, and work at his, work on his dime and then split it, 90, he takes 90% of the profits. We get. Then we could do something, but it's something where, you don't really want to jump into that game unless, it's financially feasible. We've got patents on the patent that all kinds of aspects of, the surf foiling and stand up for healing. And basically as being, a new thing and, thickness of foils being thicker than the norm and all of that. So there's a bunch of aspects to the patent, but we never really pursued that to where it gets expensive, and you'd rather, nobody wants to take that on, and get their own money. You would do a 90 10 split, huh? Split. Get that out there. That would do it. Oh, rate is 8% is royalties that all the companies should be paying you, they could get 90% of the 8%, but yeah, that's just one of those things in the beginning, we went for that patent to, it was like, wow this could really be something big. And is it a utility patent or did design patent, do you know? I'm not even sure which one it is. It's the more expensive ones and that's a utility patent. That means that, that means it doesn't have to be like, even if it's not an exact copy, if it's the same concept and yeah. Basically. Yeah. Yeah. That's what we went for. And we have a big time patent lawyer firm that did it, but it's hard to enforce, obviously you have to prove that it's and he was going to chase it, on their own diamond set of you paying for these lawyers because the lawyers and all that gets expensive, we've got the patent and the us China and. Australia, we didn't pursue the other countries because you got to pursue every country separately. And then how, and then how did you, did it evolve? Like I know in the early days, like everybody wanted to buy foils and there, you couldn't just couldn't get them, like you couldn't make them fast enough. And like, how did you ramp up production and what kind of issues did he run into? Yeah, you're in the early days, you, haven't a lot of problems with how to construct this and how to keep it from breaking in me. I always making wind surfers in the early days. I really hated warranties that will end up ruining your business. You do all of this work and then you got to give the guy another board or fixes board or whatever. So in the beginning, we didn't even want to put out the product till we were pretty sure that we weren't going to break it. So that stalls your production and stuff. And then once you do ramp it up to get, full on production going, then you end up, you have to watch out that things are evolving so fast to not make too much of the, something that might be outdated by the time you get it, because it takes a long time for these factories to build our stuff. What happened with us, which was unique with us is that my two brother-in-laws build canoes over in China. My one brother-in-law owns the factory because he got burned by some Chinese factory he was working with. So he decided to do his own us own Chinese factory. And then he got asked to jump through all the hoops to do that. But anyway, they were making the canoes. And he makes a bunch of different models that you see around in Hawaii and the manager of the factory, my other brother, a brother-in-law Michael Gamblin is my other sister's husband that owns the factory. He's the genius behind, put it all together. He's the guy that I do all the CAD work with and building the foils and the wings and stuff. He's really super smart. And he's, can pull all of this stuff together. It has the drive to do it where people go, oh, wait a minute. That's way overwhelming. I'm not going to do my own Chinese factory. That's going to be too many things to overcome. But anyway, what happened was I had been building stuff in Vietnam. And it was getting to where it was hard to get stuff out of Vietnam fast enough. And I was seeing that these foils you're going to need a lot of these are going to need thousands of these things, cause it's in hot demand. So I asked my brother-in-law Michael, Hey, do you want to start building these at your factory in China? And I showed him the video of Kai and the 5 million views. He's oh my God. He just went by Dave Kalama and junior on the two man. Okay. We're all in. Let's do it. And that's how it started. And now it's a whole family business and we build all of the main hydrofoils in China at his factory. So I guess in the beginning, like I remember the first one I got it started to crack right by the mass of base, like between the base and the Tableau box. And then also on the fuselage. That's, those were the main points where a lot of. You had a lot of issues, right? Yeah. You have issues like that in the beginning where there's a, it's a process of trying to get your carbon fiber loaded, just right. The direction ability or, you're 45 degree angles and how much materials in there and, the compression, there's a lot of issues that you had to overcome. I like the first one I got we got one from the factory in China comes over and we had all of the fiberglass or carbon aligned in the wrong direction. And I snapped the front wing right off writing, riding. All of a sudden my front wings gone. And it's just a matter of, you've got to have fibers going the right way and the 40 fives and everything to work perfectly, especially with prepregs is a whole different animal where there are layers and layers put together in the middle. Okay. So they're made as a union directly. Think of it as the strands are uni directional. Like these are the strands are the carbon. Each sheet is like this, you can align it like this or whatever. And you cut these all, put them in the wall in a certain way. So there was a lot of learning curves to get, not all right in the beginning and how much should be here and how much should be there. And where are the weak points and all that kind stuff. Yeah. We went through all that too. So very frustrating to get stuff back that just breaks, right? Yeah. I know. Warranties. Yeah. And then again, then, sorry. And then and then what happened then? The develop, what was the development after that? Like how did you ramp it up and become a global brand. In the beginning, it was easy because nobody else had any foils. So we were, we went globally right in the beginning. And we were selling shoes couple thousand or 3000 foils in those first couple of years, just because we were the only guys who had foils. So that was easy. So then we got around worldwide, fairly easy in the beginning, then it becomes harder and harder because you've got, 10 guys get in, want to make foils. And you've got 20 guys who come in and then you got 50 guys. You've got people you'd never even heard of or trying to build foils. And everybody wants to jump in on this bandwagon. It's like the early days of wind surfing or stand up, everybody jumped into the show to try and be. So that makes it harder. So you've got to, you've got to keep up really good quality. Don't you don't want warranties to come back to ruin the business, but at the same time, you're trying to make faster stuff or easier stuff or, whatever and try and keep progressing is the way we try to do it over here. Yeah. And then, so you got into more high aspect, foils and fast, faster designs, thinner foils, smaller for us and so on. What do you, what are you working on now? It's like your latest latest designs and what's, what do you see for the future? What we're going to do in the future is we're going to try and weave the last couple of years, we've gone into speed and try to get faster and faster, and we've made a bunch of. So the wings to go a lot faster because in the beginning, everybody was hitting on us going, oh, your oils are outdated. They're so slow in this and that and blah, blah, blah. So then we worked on our speed. So now we've gotten to where we were like about the fastest foils out there. So now we want to try and get back to, without losing some of that, you'll have those lines of fast, easy foils to ride, but then something that is really easy to ride it, doesn't accelerate on the turn, something that's a little bit user-friendly for the intermediate type guys, the guys that are really advanced and ride. These are NL wings, which are super fast and, tourney and everything. But the the intermediate is get a little bit, shy away from that. It's we're going to make the GL is a really good one for winging it for the intermediate people, but I'm going to try for next year to make something that's super easy. So we're going to have a different line. We'll have three different lines, basically. So are you making a foil that's specifically designed for wing foiling or are they all all around foils for Steph prone, foiling, standup foiling and wink foiling, or depending on the size of the wing or like how, yeah. They all can cross over. So we're finding out that, you want one, that's supposed to be erasing foil. Okay. So we're thinking downwind or are racing for wings or or towing falls into that category. If you're in really big waves, you need some super fast and Then you have the other wings, like the NL, which are great for stand up. They're great for surfing the smaller ones, prone surfing, but they're really good for winging also. So it's funny how all of them, you can almost do every one of the sports on each one of those wings. It's just a different style of riding you have to do, or a different size riders, weight, might like the bigger wing where the smaller guys like, oh my God, I can't write that thing. I need a little tiny thing. But all of them seem to cross over. I can tow on, on different size waves on any of the wings I can wing on any of the wings. I need particular amount of, a lot of wind for the small toe wings, but on the Raceway. Like when I'm paddling downwind, a lot of the wings crossover to me, paddling downwind too. So there's, it's funny. They all have their moments and can crossover. Yeah. So I guess the same design just in different sizes works for different things. I guess when you're Don flooding, you probably needed a little bit more surface area, a bigger wing, to keep going. Yeah. Yeah, definitely. Cool. Yeah. And then how did you get into wink foiling? What I know you were one of the early wing furthers. You were on an ozone and stuff like that. Posting videos of you riding at lanes and stuff like that. So how did you get into that? A wing foiling started with the way it started over here was flash. Austin was always tightened down there with us and riding. Type foils and stuff just decided to put together this funky wing thing with some windsurfing battens and some old kite material and just put this whole thing together. And he goes, Alex, I need one of your foils. I think I can get distinct foiling. And I'm like, what are you talking about? He goes, yeah, I've been hiding down at the sewer plant, try and testing this thing. So get him a foil on it. He comes up there, we take pictures of them. These are the first things we see of the new of evolution of Wingfoot and where it started. So we kite and rode this thing at the same place where Ken winners, right next door to us, he does all of his kite testing there too. And then Ken saw him one day and he's oh my God, what is that? I'm going to put that in production. I'm going to build a couple of those and we'll start doing experimenting with it. So Ken takes it from there and puts the boom on it. Cause Ken's an old time windsurfer and he just liked the book. And the very first wings that I tried were kin winners, duotone wings. And that's how we first learned. Alan could, is got me down there one day. We were down there with Alan at canal and he goes here, go try it. And then I proceed to get up and cruise around. After about 10 minutes I was riding it pretty well. Cause I already had, was really good kite for her. So it was easy for me to learn, oh, I used to be a windsurfer and then my wife tried it and stuff. And then from there it was like, oh my God, this is fun. So the first year I went to the Gorge with, it was maybe three years ago and I was on a, do a tone. And then I got to try ozone for the first time they had a couple ozones there at the show and they gave me one of those. So then I was using the ozone and the duotone at the hatchery and just having a blast. I was like, oh my God, this is fun. It's like the early days of wind surfing. Where were you working? Everybody was super stoked and feeding off of each other. And it's just a bunch of fun between everybody and they're all talking about, Hey, what are you writing? What I'm I learned this, what should I do? I'm having problems with this. And it's like the whole same atmosphere of the early wind surfing days. Yeah. And people are very open about sharing their ideas and their knowledge and what they learned is pretty cool. That it's not as close hold as in some other disciplines, I think. Yeah. And then what, so what are the like behind see those two boards and like what is, what are you working on now? What are you latest products and yeah. Tell me what you're up to. Latest thing now is we'll be getting in our boards from the kinetic factory. I worked with the kinetic factory again that used to build my kite boards to start making a wing boards. Their full sandwich, Connecticut is known for making. Some of the best boards in the world, as far as the factory goes, they're super solid. They, anybody who's gotten any new Jimmy Lewis boards in the last five years knows that they're built very well. So we get a container of those come in. Yep. That you can see the they've all the boards and the first container will have a total and a plate. There's all kinds of foot straps placements. You can see that has a handle there in the middle. And just the typical things that you need to have on a wing board, as you could see how the volume of this is in a pretty volume forward on my boards. I like to have a lot of volume up forward when I'm winging, because we're going shorter and shorter board. And you have a tendency when you're standing up forward, the board goes underwater. So like you come down off the plane and then all of a sudden the front goes under. It does a summary. So as you can see some of these, can you show us yeah. Maybe pick one up and move that chair out of the way. I'd show us the shape a little bit. Yeah. Let's look here. This is 105 liter board is five, six, and you can see how we have a lot of thickness up in the front of here. Cause we get the five, six you get up forward. If you have the traditional theater noses that look really cool, they sink on their water. When you stand up here, basically we move the flotation of forward. It's a little bit bigger, fuller outline up forward as compared to the tail. So it's reverse of what a lot of the boards are. That bigger tails, a lot of float in the back. I like to have the full rotation of forward. We've gone shorter and shorter, and it's easier to stand on something when it's like that this one you can see has the traditional, like wind surfing style footsteps. This is 45 degrees here, and I have one strap in the back. I like to ride wind shift and style. It's really easy to switch your feet and stuff. You go from strap. A lot of people are coming from surfing background, have a problem with switching your feet. And so then you have foot straps that can go straight. Like you're just going to go one direction. So it has the answer it's for going riding with just one set or footsteps, or you've got the list surfing style where you can switch your feet and go forward and start to learn how to go both ways. Because if you get in a problem where you're trying to get up and really like when TOSA. You're crossed up on your bad tack. It's hard to get up like that. And it's hard to go up wind like that. So if you do get into light winds, it's easier to switch your feet better to learn in the beginning, because once you start going just tow side all the time, you never switch feet again. The deck is pretty much flat. Or do you have like concave in the deck? Any kind of, I don't like on caves so much. I want everything to be a flat platform for my feet and nothing weird. And I don't concave too, because. I'd rather, if you fall on it, I want it to be flat and not have a little bit of a rounded edge to hit your shins or your knees or whatever. I'd rather we're getting back on is easier on a slide deck. I find it. And you don't hit your elbow or whatever on that hitch. Yeah. Yeah. Like I used to ride on Connor. Baxter's, downwind board, he's got this big scoop out, all those star wars at the Umar and I'd fall on that thing. I'm like, oh my God. And he has whacked myself with this heavy concave. So it's cut that system. I don't like that. So I figure if it works, don't make it all fancy. Like the same thing with the bottom sheets are real flat so that it has an easier release to pop up when you're planning it real light. Is it a, if slat all the way to the nose and you have a little bit of convex in the nose, it was pretty much flat. The holes in soft rails, the rails in the back towards the tail of the board would have been, it's a little bit round here and you have a little bit of a kick in the last, behind your total box and your plates. And can you show that the profile, the contour, like you said, it's a little bit thinner in the tail than in the notes. No. They're about the same thickness, but now are thicker in the front and thinner and the thickness keep about the same thickness. So don't go crazy with, making a super sick. I don't like the way that feels when I'm winning. I want a lot of float up for, because most of the time on these short boards, like this board is my four, six. I tow with this and I wing with this and can kite with this also. But even with this board, it was one of the things too, when you're out of your boards you want the bone flow to be about the same so that when you sinking it, especially on sinker, it seems evenly because more of my boards, I have a pretty big it's a little bit thicker in the front than the back. And I float like this and I go down and it's hard when you're sinking like that. Not really far forward and concentrate on the nose going down. So there's all types of, trial and error and into figuring out what really feels good for me. Always made my own board so I can go ahead and, make a board that week and test it again. But I don't make custom boards anymore for other people, but the family still gets nice. Thanks for showing us that I'm going to show the screen share again real quick. Oh, sorry. Let me let me go back to that. So are you going to show your bottom here? You can see all of what the, oh, you got the measurement for where to place the foil and the bottom handle. Yeah, I guess guide there. So like you use your, this is how far you are from the tail and the measurements. And then if you like your plate in certain position, you remember what your number is to go, okay I like it at, seven inches or whatever it is for the plate title of course goes in just one place. When you got a, a nice. It's nice to have a handle on a wing board because getting in and out of the water is much more for me. And then on the deck, you don't have a handle though. So I don't like the handle on the deck because when I'm stepping all over the place and my toe gets in there, I've had a couple of problems with almost breaking my toe, like having all the dash. Yeah. But then I guess when you're carrying them without the foil attaches, it's off balance, but you can, I guess you can still carry with that bottom, but you could still carry it. It feels a little bit nose heavy, especially on the bigger six oh board, but you can always, the smaller words really. Yeah. Not that hard to carry it. Yeah. And I was going to show the different sizes you have available here. I guess you have a 46 by 44 liters, five oh, by 87 liters, five six by 106 liters and then 600 by 134 liters. So four different sizes. And when are those going to be available? Next week, I think container arrives next week could be the following week. I don't know how much we get stuck with, trucking and customs in Honolulu. It's already in Honolulu. So I'm just going through the, the process of getting it over here. Nice. And then, oh, I think I had this on here too. So tell us a little bit about the co also making your own wings now, right? Is that Craig, is this one of your prototypes? This is one of the prototypes. This is the actual version of the three. Which will it'll have stripes on it. It's got all the logos and stuff, and I moved the windows closer to the middle strut on the production style, but I've been using this thing since I want to say February or something, it's the the quality of it feels really good. I haven't stretched it out, and it hasn't blown apart. And I put it through some tail this day is probably, a regular 25 to 30 knots. And just imagine some of the days where we're 35 to 40 and I'm still using that week. So they're built super solid. And what I like about my wings is what we did was make the bladders a little bit bigger to make them stiffer. So when your sheet in with these things are not moving all over the place, like some of the wings, we got a little bit more of a, it feels like a windsurfing sail you shoot in, and it doesn't move all over the place. Yeah. And that makes them more powerful too, I'm, the Armstrong rings are like that, that they're really thick flatters, which make it more rigid and powerful. It seems yeah. It looks like you made the wing tips pretty squared off. So you have less of a wing span to, is that one of the things you were working on or, just maybe talk us through the different prototypes, you try it out and what you've learned from trying different things. We did with this is basically our, we call it our elliptical style. It's more of a standard style, but we do bring the wingtips closer together than some of the wings. Cause you'll notice how on, F1 or Armstrong have pretty long wingtips and you have a tendency to touch those in the water very easily. So my wing tips are broadened together a little bit more on that. Ellipticals. So you got a little bit more cord in the middle. So think of it as a longer strut in the middle shorter wingspan, just to make it easier to turn without touching your tips. Then we have a square model, which is the one that I was writing at home keep. Or the one day you might've seen that with the square model is better for really light wind so that when you're, you get on those bigger wings and you're having problems pumping, to get up. So they like you're, you just want to get foil, like that one, that's the square model. You see how that one's way more square than that elliptical style you just saw. This looks almost a little bit more like a, that slick wing at a new Ken winners. S duotone one. Yeah that closer to a slick, whether you score off the ball just so that what I like about this is I do a lot of windsurfing style wave riding, hurting like that. When I call it cheating in, you can keep the tip further up out of the water, but the main advantage of this one, forget all this hotdogs and stuff that I'm doing here is when it's really light. When you have problems pumping up to get onto a foil, it's a day where you're out. It's Hey, I wonder if I can get foiling today, and you go to the pump, and you keep touching your tip in the water and it stops the whole progression of trying to get up. You got to start all over again. So the square tips are made for that to where when you pump it, it's easier to pop up the foil and have a lot less problem of the wing tip touching while you're trying to accomplish them. That's the biggest advantage of these square model. So the square models are made in the bigger size. It's like a four or five, a five, five and a six, five. Yeah, I totally agree with that. And that's one of the things about some of the earlier designs is when, you think you could use a bigger size to get it going in lighter winds, but then then the wing tips were so wide that you couldn't really create a lot of power with it because of it has, because it's like the wingtips is drag and you can't really bring it vertical. You give you that forward power, this just lifts up, but you can't really get that forward momentum with it. That's where that, I think the square design makes a lot of sense. So you actually have two different wing designs or is it just by size or how does that work? You can wing styles, but it's by size where they convert over to the other ones. So by elliptical side, Those 2, 2, 2 7, 2 7 is like a main state here in Maui. Everybody, when they get lit up over here, the two seven is really nice. I ride the three, five, and then the four or five. So those are the ellipticals. You got 2, 2, 2 7, 3, 5, 4 or five. Now the square model, like you saw in that last video is a four or 5, 5, 5, and six five. So it's more towards the higher end because when I, those ones don't loft is easy. They're a little bit more unstable if you're just luffing and want to cruise down the coast and, hi, I win. So the medical ones, I like a little bit better for that. And my feedback from my riders that, you've got to get it, some of the intermediate and beginner riders, because feeling stuff that's different than you and they get on it all the way out. This elliptical is way easier for me to. In handled. But when you get into that day, when it's six to eight knots and you cannot get foiling, like even my wife, she was, didn't like the square model, having all kinds of problems with it. And I'm like, I put her out in it's fairly windy. Then we have one day where it's not very windy. She goes out with the four or five elliptical and she kept touching the tips and she's getting all upset. And I go, okay, here now try the square model. She goes, gets right up. She was like, oh, okay. Now I get fantastic. So those wings you have available now for sale, you have them on Maui. No those are all prototypes as everybody who are having problems, getting wings, those will probably show up in September. If we're lucky. I said, yeah, we're going to start building them in August and we're going to ship them in September, then. Nice. Oh, my shipping, do they have to go in a container or do I get a good rate to air freight them then what we won't know until we actually have the product and see how you take the ship. Yeah, let's talk about that a little bit. The whole pandemic thing and like what, how did it affect you and your business? I know shipping has been a nightmare, like getting stuff shipped in containers and stuff like that. But other than that, like how did the whole pandemic workout for you at Maui? The pandemic here on Maui, it was we're out in the, to where, there's not as many people over here, they shut down the islands, nobody was loud and, people didn't want to leave because they couldn't get back in type of thing. So I was in Florida when all this happened, we were doing a tour over there and demos all over the place. And then they're like, Hey, they're going to shut down the state. We got to fly back to. On a mad rush to get back home. And then I stayed there for a, since last March. No. Did I go anywhere? I think I went to a wahoo last month when they finally opened it up to where I could go without all kinds of tests and get my nose probed and everything. I went anywhere. Maui is they closed down the beaches. We're not allowed to go to canal hall. They closed it all down and that's where we were all winging it from. But you're allowed to go to the Harbor. So you go to the Harbor and what ended up happening was everybody had nothing to do and started learning how to go when they closed down the canoe guys, because the six man canoe, as you're too close to quarters and they wouldn't let them do a six man canoes and they have all the lessons and stuff from the teaching and races. So they closed down. Basically the canoes were. The wing foiling, and then the wing Oilers just took over. There was no trap boat, traffic, and all, there was a bunch of wing boilers and all of a sudden you've got kids and grandmas and old windsurfers who had, and wind surfed in 25 years coming back into the water. And it's, it was just crazy. There's some days there was 50 or 60 people down there and it's still going on down there now it's started a whole, a whinging. This COVID started a winging revolution on a big community down there. Yeah, that's awesome. And then more recently you had that you had a gold foil get together at that at a big house over there. And I know my friend, Derek, Thomas Saki went over there and stuff. And talk a little bit about that. That was great. We do this usually once a year, we have we rent we have a friends that have the access to the house down. Yeah. And he lets us go into it for a weekend or whatever we're trying to do. So we do go foil weekend and i
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Jeff Chang is a renowned historian, journalist, Stanford University Professor and critic on the music, culture and politics of hip hop. His books, Can't Stop Won't Stop, Who We Be, and We Gon' Be Alright have become acclaimed assets to the analysis and understanding of the culture. In this episode, Adrian and Jeff discuss hip hop's evolution from its community roots to its worldwide phenomena. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Part 2 of 2. If you missed it, go back to last week's episode where we dig into the journeys of hip hop journalists-DJs-political activists-college professors Jeff Chang and Davey D Cook, authors of Can't Stop Won't Stop: A Hip-Hop History. In part 2, we dive deeper into the political and social context that has driven the worldwide explosion of hip hop culture and how it continues to impact politics. Click now for great hip hop stories. Make sure you pick up a copy at https://cantstopwontstop.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Part 1 of 2. There's so much good stuff in this interview we had to split it into two parts. Jeff Chang and Davey D have written the definitive hip hop history. They should know. They're both hip hop journalists, and DJs, and political activists, and college professors. Dave has been tearing the Bay Area airwaves and the internets since like forever. As we discuss, his charts and playlists played a big role in spreading the knowledge of underground hip hop around the world. Jeff was a founder of the SoleSides Crew responsible for bringing us artists like DJ Shadow and Lyrics Born and helped Josh get his first job out of college. So there's that. Our interview tracks the development of their careers along parallel paths before converging on the re-imagining of Jeff's book — originally published in 2005 — for young adults. They may have cleaned up some of the language, and also added some pivotal stories from hip hop's evolution from then until the present day. In particular, the new version expands on women's role in hip hop as well as how the culture has spread to literally every corner on earth. We also uncover some things they learned through the writing process, and how they leaned on each other to produce a product that's truly inspiring. Make sure you pick up a copy at https://cantstopwontstop.com Check out some other links mentioned in the show and learn about the authors here: https://www.instagram.com/rockyrivera/ http://jeffchang.net http://daveyd.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Host Jim DeRogatis and Greg Kot interview authors Jeff Chang and Davey D about their new edition of "Can't Stop Won't Stop," the essential hip hop history first published 16 years ago. Plus Jim and Greg review new albums by Dry Cleaning and Dawn Richard and hear what song got Beach Bunny inspired to pursue music as a career. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Dawn Richard, "Boomerang," Second Line, Merge, 2021Dawn Richard, "Bussifame," Second Line, Merge, 2021Dawn Richard, "Mornin Streetlights," Second Line, Merge, 2021Dawn Richard, "Jacuzzi," Second Line, Merge, 2021Dry Cleaning, "Her Hippo," New Long Leg, 4AD, 2021Dry Cleaning, "Scratchcard Lanyard," New Long Leg, 4AD, 2021Dry Cleaning, "More Big Birds," New Long Leg, 4AD, 2021E-40, From The Ground Up (feat. Too $hort and K-Ci and JoJo), "E-40," The Element Of Surprise, Jive, 1998Rapsody, "12 Problems," 12 Problems (Single), Roc Nation, 2020Kendrick Lamar, "Alright," To Pimp A Butterfly, TDE, 2015Young M.A., "Ooouuu," Her-story, M.A. Music, 2016Tyler, the Creator, "I Ain't Got Time!," Flower Boy, Columbia, 2017LL Cool J, "I Need Love," Bigger and Deffer, Def Jam, 1987Living Legends, "Loose Cannon," Angelz Wit Dirty Faces, Outhouse, 2000The Disposable Heroes of Hiphoprisy, "Language of Violence," Hypocrisy Is the Greatest Luxury, Island, 1992Kanye West, "Roses," Late Registration, Roc-A-Fella, 2005Beach Bunny, "Cloud 9 (feat. Tegan and Sara)," Cloud 9 (feat. Tegan and Sara) (Single), Mom+Pop, 2021Grimes, "Kill V. Maim," Art Angels, 4AD, 2015Heart, "Crazy On You," Dreamboat Annie, Mushroom, 1975
In this episode of TNL, Preach (@preachjacobs) talks to hip-hop historian, radio host, and author Davey D (@mrdaveyd) talking about the release of his book 'Can't Stop Won't Stop' co-authored with Jeff Chang). We talk about the origins of the book, West Coast hip-hop, Eazy-E and Pac stories, and more. Intro music by Ski Beatz (@skibeatz) Sponsored by Mo' Betta Soul www.mobettasoul.com To donate: $MoBettasoul
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