Podcasts about criseyde

Merriam-Webster's Word of the Day for September 22, 2024 is: heinous • HAY-nus • adjective Heinous describes things—such as acts, deeds, or crimes—that are hatefully or shockingly evil, or in other words, deserving of hate or contempt. // The former dictator will stand trial for the role he played in his government's heinous treatment of political dissidents. See the entry > Examples: “‘I didn't say anything at the time,' Fyodor said. ‘But I don't agree with you. I think killing people is wrong. It is always wrong. Even if you do something really awful or heinous. Nobody should get to kill you.'” — Brandon Taylor, The Late Americans: A Novel, 2023 Did you know? For eons, humans have contrasted love with hate and good with evil, putting love and good on one side, and hate and evil on the other. The association of hate with evil is baked into the etymology of heinous, which English gained directly from Anglo-French in the 14th century with the meaning we still know today; its source is the Anglo-French noun haine, meaning “hate.” Haine in turn comes from a verb of Germanic origin, hair, also meaning “to hate.” (The similarity between this hair and the other hair is coincidental.) Chaucer's poem “Troilus and Criseyde” provides an early example of heinous in English: “He rang them out a story like a bell, against her foe who was called Polyphete, so heinous that men might on it spit.”

Troilus and Criseyde by Geoffrey Chaucer is the tale of love gained and love lost. Heavily impacted by the chivalric codes, is this a story about a frivolous affair or is something else going on? Dive into this work with Dr. Junius Johnson and Fr. Wesley Walker on this episode of The Classical Mind!FYI: there are a few places where the audio might sound a tad choppy. This will be fixed in future episodes. The Classical Mind is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Geoffrey Chaucer's narrative poem Troilus and Criseyde.

Allas, of me, unto the worldes ende,Shal neither been ywriten nor ysongeNo good word, for thise bokes wol me shende.O, rolled shal I been on many a tonge;Thurghout the world my belle shal be ronge;And wommen most wol hate me of alle.Allas, that swich a cas me sholde falle!(Alas! Until the end of the world, no good word will be written or sung about me, because these books will utterly shame me. Oh, I will be rolled on many a tongue, throughout the world my bell will be rung — and women will hate me most of all. Alas, that such a thing should happen to me!)Geoffrey Chaucer's narrative poem Troilus and Criseyde tells a love story — if by “love” you mean romantic obsession, coercion, and worse — all set during the Trojan War. Chris and Suzanne talk about how this book explores the interiority of its characters, how it depicts independence and politics, and how it explores the way narratives unfold within systems of tropes and traditions.Show Notes.Geoffrey Chaucer: Troilus and Criseyde (in the original and in a modernization).Other works by Chaucer: The Canterbury Tales; The Riverside Chaucer (i.e., his complete works).Our episode on the Iliad.(The Spouter-Inn will in fact turn five years old in January.)Boccaccio: Il Filostrato.Our episodes on Paradiso, Consolation of Philosophy, and the Metamorphoses.Support The Spouter-Inn on Patreon and hang out with us in a friendly discord.

Her voice was sweet and liquid, like a streamThat lulls all other streams to sleep and dream;Her eyes like doe's eyes, whose dark gaze would makeA lion lie down dazed, and half awake.She seemed an alphabet of loveliness,Curved letters were the curling of each tress,Straight letters were her stature, and her lipsWere like a letter formed as an ellipse,And all the letters made her like that bowlThat shows the world as an enchanted whole.The story of Layli and Manjun — sometimes written as Layla and Majnun — was most famously recorded in a book-length poem by the twelfth-century Persian poet Nezami Ganjavi. Chris and Suzanne consider what the poem has to say about love, mental illness, and fan culture. SHOW NOTES.Nezami Ganjavi: Layla and Majnun, trans. Dick Davis. [Bookshop.]Our episode on Conference of the Birds.Maria Rosa Menocal: Shards of Love: Exile and the Origin of the Lyric.Our episode on Enkidu from The Epic of Gilgamesh.Raymond Roussel: Locus Solus.Manuscript images of Layli and Majnun at the Metropolitan Museum of Art: 1, 2, 3, 4, 5.And images of Majnun at the Ka'aba with a door knocker: 1, 2.Our episode on Blind Owl.The Letters of Rainer Maria Rilke, 1892–1910.J.R.R. Tolkien: The Hobbit.Next: Geoffrey Chaucer: Troilus and Criseyde. (Bookshop. Also a helpful online modernized and annotated version.)You can support us through our network, Megaphonic, on Patreon.

Chaucer's 14th century tale of ‘double sorrow', Troilus and Criseyde, set during the siege of Troy, is the subject of Irina and Mary's ninth episode of Medieval Beginnings. Based largely on Boccaccio's Il Filostrato, Chaucer's novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadingsIrina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

This recording from December 1, 2022. Find out about the new courses offered at Signum University this coming Spring Term (January 9 – April 2) and meet the professors who will be teaching them! Representatives from the courses will be on hand to explain how the classes work, what people can expect if they sign up, and answer questions from the live audience. Your host, Professor Sparrow Alden, will introduce you to some of our amazing Spring Term professors: Sara Brown, Gabriel Schenk, Liam Daley, and Nelson Goering. The Spring 2023 Courses: Race, Gender, and the Other in Tolkien's Middle-earth – This course explores the issues of race, sexuality, gender, and Othering in the mythological legendarium of J.R.R. Tolkien. The Gothic Tradition – This course will investigate the fascinating and subversive Gothic imagination, identify the historical conditions that have inspired it, and consider how it has developed across time and place and medium. Chaucer I: Visions of Love – This class is the first semester in a two-part survey of Chaucer's major works, looking at his early dream vision poems and his greatest completed work: Troilus and Criseyde. Introduction to Germanic Philology II – This class provides an introduction to Germanic comparative philology in a broad sense. Students are not expected to have prior familiarity with any language other than modern English. To view our course offerings for Spring 2023, please visit: https://signumuniversity.org/degree-p... Gift the joy of learning. Our Anytime Audit Holiday Special runs from now until December 31st. To view a full list of eligible courses and register for a certificate: https://docs.google.com/forms/d/e/1FAIpQLScOqBiJ7akJl37Oo5RPfGKnrBALR0SxtZXoBLNyW_G8fqMA/viewform?vc=0&c=0&w=1&flr=0 To learn more about Signum University: https://signumuniversity.org/about/ For more upcoming news and Signum events: https://signumuniversity.org/news-and...

Geoffrey Chaucer is one of the most famous figures in English literature, and remains widely lauded for his major works such as The Canterbury Tales and Troilus and Criseyde. However, a dark shadow looms over Chaucer's story: a possible case of sexual assault. Dr Euan Roger of The National Archives and Prof Sebastian Sobecki of the University of Toronto, have just published some new findings that provide us with a new take on this – David Musgrove caught up with Euan to discover more. Find out more about the open access material in the Chaucer review at https://scholarlypublishingcollective.org/psup/chaucer Hosted on Acast. See acast.com/privacy for more information.

Part 2 begins with a closer examination of the play's major sources, especially Homer's Iliad, a story of war, and the medieval poet Chaucer's Troilus and Criseyde, a story of love. It goes to examine how Shakespeare undermines these literary traditions, particularly by showing the overlap of love and war in this play — how erotic relationships became the field on which men play out their rivalries with each other. It then analyzes the striking differences between Chaucer's depiction of Cressida and Shakespeare's, to conclude by asking why Shakespeare would create such a corrosive, demystifying revision of this central cultural story — and why it's so valuable for us today.

This week, Thea Lenarduzzi and Lucy Dallas are joined by the critic Muriel Zagha to discuss a new play by Florian Zeller, ‘the most successful representative of contemporary French theatre'; Kathryn Hughes, the author of ‘Victorians Undone: Tales of the flesh in the age of decorum', explores the cultural significance of passing out, from ‘Troilus and Criseyde' to ‘Fifty Shades of Grey', via Shakespeare and Bram Stoker; plus, a poem by Ange Mlinko, ‘Storm Windows' ‘The Forest' by Florian Zeller, translated by Christopher Hampton, Hampstead Theatre, until March 12‘Swoon: A poetics of passing out' by Naomi BoothProduced by Sophia Franklin See acast.com/privacy for privacy and opt-out information.

The post From Troilus and Criseyde by Geoffrey Chaucer appeared first on A Mouthful of Air.

Audio lecture by Viju Kurian

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer's travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer's writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer's travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer's writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooknetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In Episode 7 of Sacred & Profane Love, Professor Jennifer A. Frey speaks with her colleague in the English department at the University of South Carolina, Professor Holly A. Crocker, about the boasts and pledges of love in Geoffrey Chaucer’s famous Middle English poem, Troilus and Criseyde. This wide ranging conversation considers how the courtly love tradition, the Christian tradition, and the classical pagan traditions are put to use in Chaucer’s poem to help us understand the all too human failure to live up to our pledges of love, and to what extent this failure depends on good fortune rather than philosophical and practical wisdom.

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“For now will I go straight to my matter,In which you may the double sorrows hearOf Troilus in loving of Criseyde,And how that she forsook him ere she died.”Troilus and Creseyde by Geoffrey Chaucer Troilus and Cressida is one of Shakespeare’s lesser known plays, and I kind of understand why. The ending is not the most satisfying. However, Shakespeare did not come up with this story. Chaucer did. Or at least, Chaucer wrote it down. Of course, Shakespeare adapted the story for the stage, but the core elements are there.The key difference between Shakespeare’s version and Chaucer’s is that Chaucer was making a clear statement about courtly love. The idea that loving someone brought you closer to the divine. Shakespeare’s play does not have such a clear message. In fact, by shortening the timeline and making the characters more blunt, Shakespeare seems to have an almost nihilistic view of the situation. All the mushy love stuff is stripped away and we are left with harsh reality. Shakespeare adapting source material is nothing new, however, this example is notable because of what changed. Today, Eli and I will be discussing Troilus and Cressida, so strap on your armor, we’re heading to Troy. Sources:Bradbook, M.C. “What Shakespeare Did to Chaucer’s Troilus and Criseyde.” Shakespeare Quarterly, vol. 9, no. 3, 1958, pp. 311-319., doi:10.2307/2867331. Accessed April  2020.Davis-Brown, Kris. “Shakespeare’s Use of Chaucer in ‘Troilus and Cressida’: ‘That the Will is Infinite and he Execution Confined.’” South Central Review, vol. 5, no. 2, 1988, pp. 15-34., doi:10.2307/3189567. Accessed April 2020. Teller of Tales by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4467-teller-of-the-talesLicense: http://creativecommons.org/licenses/by/4.0/ Minstrel Guild by KevinMacLeodLink: https://incompetech.filmmusic.io/song/4056-minstrel-guildLicense: http://creativecommons.org/licenses/by/4.0/

TORCH Book at Lunchtime event on Chaucer: A European Life by Professor Marion Turner. Book at Lunchtime is a series of bite-sized book discussions held fortnightly during term-time, with commentators from a range of disciplines. More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life-yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Bart van Es is Professor of English Literature at the University of Oxford, focusing primarily on Spenser and Shakespeare. Bart is interested in connections between history writing and poetry in early modern England. In recent years his research has focused primarily on Renaissance drama and the material realities of London’s theatre world. The Cut Out Girl, his work of creative non-fiction on World War II in the Netherlands, won the 2018 Costa Book of the Year award. Marion Turner is Associate Professor and Tutorial Fellow in English at Jesus College, University of Oxford. Marion’s research interests lie in late medieval secular literature and history, and she has published very widely on Chaucer, including two books and many articles. Chaucer: A European Life, was her first foray into biography, and she now teaches life-writing as well as medieval literature. Her next book is going to be a global history – or biography – of the Wife of Bath across time. Helen Swift is Associate Professor of Medieval French at the University of Oxford. Having focused for several years on fifteenth-century literary defences of women, she now explores more broadly questions of narrative voice and identity in fourteenth- and fifteenth-century French literature. Her second book, Representing the Dead: Epitaph Fictions in Late-Medieval France examines voices and bodies speaking from beyond the grave and was runner-up for the Society for French Studies R. Gapper Book Prize in 2017. John Watts is Professor of Later Medieval History at the University of Oxford and Chair of the History Faculty Board. John is interested in politics, political culture and political structures in later medieval England and Europe, between the 13th and the early 16th centuries. Most of his published work deals with later medieval English politics and political culture, but he has also written about politics in later medieval Europe. Elleke Boehmer is Professor of World Literature in English at the University of Oxford, Director of the Oxford Centre for Life-Writing and was the Director of TORCH from 2015 to 17. She is a founding figure in the field of colonial and postcolonial studies, and internationally known for her research in anglophone literatures of empire and anti-empire. She is also a novelist and short story writer, most recently of The Shouting in the Dark.

در این اپیزود به بررسی زندگی شخصی آقای جفری چاسر، ملقب به پدر شعر انگلیسی، پرداختیم. سپس آثار مهم این نویسنده، از جمله شعر Troilus and Criseyde و داستان‌های کانتربری رو تحلیل کردیم، و در نهایت از تاثیر غیرقابل‌انکار جفری چاسر روی گسترش زبان عامیانه و افزایش تعداد خوانندگان آثار ادبی سخن گفتیم.

Sacred and Profane Love Episode 7: “Boasts of Love in Troilus and Criseyde” by Sacred and Profane Love

Shadow Lake holds many mysteries – including a disappearing family that haunts its islands and a big scary monster that lurks in in its depths – but Stacey McGill and Sam Thomas's fiery, tumultuous romance is the biggest, juiciest mystery of all. Why is Stacey interested in Sam even though he insists on calling her “Dahling”? Why has Hodges painted Stacey with a pained grimace on her face as she and Sam dance? The boys dig into these pressing questions, with a short break to say a painful goodbye to a sad, old aquatic friend. Recommended reading this week: The 12th Century “Chansons de Geste” (preferably in the Old French), Chaucer's “Canterbury Tales” and “Troilus and Criseyde,” and “1,001 Email Closings and Valedictions,” by Flavio Olcese. Also: It's UGC week this week, so don't blame any of these segments on the boys.  Music credits: “The General's March and Army Song,” by Mike Shetley “Magical Mystery,” by Freddie Hangoler  “All Our Clocks Are Dying,” by Ergo Phizmiz “Halloween's Revenge,” by TeknoAXE “Horror Trailer,” by Sound Tree “Battle Area,” by Fifty Vinc “Sadness,” by AudioRose “Polish Funk,” by Artur Orbelyan “Tanzen” by KieLoBoy “Jazz Sad Hip Hop,” by Black Stone Sound “Sentimental,” by Daniel__St Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Philosophical themes in Chaucer’s “Canterbury Tales” and “Troilus and Criseyde,” as well as Langland’s “Piers Plowman.”

It's a bittersweet installment of Profitcast this week. As excited as we all are for The Real Brian Show to begin and for Brian to let the Real Brian loose, there will be many things to miss about Profitcast. In the words of Geoffrey Chaucer, the late 14th Century poet who knew how to write about love and loss, "All good things must come to an end." (That's from Troilus and Criseyde if you're looking for some light summer reading.) Unlike the tragedies of our favorite dead poets and playwrights, the saga of The Real Brian will continue! This is real life, people. Read more... The post PC 106 | Profit and Success Stories Part 1 appeared first on Profitcast: Profit with Your Podcast.

Tom Sutcliffe talks to AL Kennedy about her latest collection of short stories of love and hurt. The poet Lavinia Greenlaw retells the tragic love story of Chaucer's Troilus and Criseyde. The philosopher Simon Blackburn unpicks the idea of self-love from the myth of Narcissus to today's tv hair adverts: 'because you're worth it', while the humorist David Sedaris uses his own life and loves as the focus of his writing. Producer: Katy Hickman.

Dr. Robert Rice

Melvyn Bragg and guests discuss Geoffrey Chaucer, often called the father of English literature."In Southwark at the Tabard as I lay Redy to wenden on my pilgrymage To Canterbury with ful devout corage, At nyght was come into that hostelrye Wel nyne and twenty in a compaignye Of sundry folk, by aventure yfalle In felaweshipe, and pilgrims were they alle, That toward Canterbury wolden ryde." Geoffrey Chaucer immortalised the medieval pilgrimage and the diversity of 14th century English society in his Canterbury Tales. As each pilgrim takes his, or her, turn to tell their tale on the road to Canterbury, Chaucer brings to life the voices of a knight, a miller, a Wife of Bath and many more besides. Chaucer was born the son of a London vintner, yet rose to high office in the court of Richard II. He travelled throughout France and Italy where he came into contact with the works of Dante, Boccaccio, Machaut and Froissart. He translated Boethius, wrote dream poetry, a defence of women and composed the tragic masterpiece Troilus and Criseyde. As well as the father of English literature, Chaucer was also a philosopher, bureaucrat, courtier and diplomat.So what do we know of Chaucer? How did he introduce the themes of continental writing to an English speaking audience? And why does his poetry still seem to speak so directly to us today? With Carolyne Larrington, Tutor in Medieval English at St John's College, Oxford; Helen Cooper, Professor of Medieval and Renaissance English at the University of Cambridge; Ardis Butterfield, Reader in English at University College London.

Melvyn Bragg and guests discuss Geoffrey Chaucer, often called the father of English literature."In Southwark at the Tabard as I lay Redy to wenden on my pilgrymage To Canterbury with ful devout corage, At nyght was come into that hostelrye Wel nyne and twenty in a compaignye Of sundry folk, by aventure yfalle In felaweshipe, and pilgrims were they alle, That toward Canterbury wolden ryde." Geoffrey Chaucer immortalised the medieval pilgrimage and the diversity of 14th century English society in his Canterbury Tales. As each pilgrim takes his, or her, turn to tell their tale on the road to Canterbury, Chaucer brings to life the voices of a knight, a miller, a Wife of Bath and many more besides. Chaucer was born the son of a London vintner, yet rose to high office in the court of Richard II. He travelled throughout France and Italy where he came into contact with the works of Dante, Boccaccio, Machaut and Froissart. He translated Boethius, wrote dream poetry, a defence of women and composed the tragic masterpiece Troilus and Criseyde. As well as the father of English literature, Chaucer was also a philosopher, bureaucrat, courtier and diplomat.So what do we know of Chaucer? How did he introduce the themes of continental writing to an English speaking audience? And why does his poetry still seem to speak so directly to us today? With Carolyne Larrington, Tutor in Medieval English at St John's College, Oxford; Helen Cooper, Professor of Medieval and Renaissance English at the University of Cambridge; Ardis Butterfield, Reader in English at University College London.