Podcasts about expanded field

Shuso Laura Trippi gives the eighth talk of the "Living by Vow" 2025 Series on 'Forms in the Expanded Field"  to the Dharma Seminar as the focus of the Everyday Zen 2025 Practice Period. These lectures reference Shohaku Okumura's book "Living by Vow; A Practical Introduction to Eight Essential Zen Chants and Texts." Suggested donation: $7 https://bit.ly/donate-edz-online-teachings We cannot continue offering teachings online without it. Thank you! https://s3.us-west-1.amazonaws.com/edz.assets/wp-content/uploads/2025/03/Living-by-Vow-Talk-8-2025-Series-Shuso-Laura-Trippi-Forms-in-the-Expanded-Field.mp3

Episode Notes Books Beardsley, John. Earthworks and Beyond: Contemporary Art in the Landscape. New York: Abbeville Press, 1998. https://archive.org/details/earthworksbeyond0000bear Smithson, Robert. The Collected Writings of Robert Smithson. Edited by Jack Flam. Berkeley: University of California Press, 1996. https://www.ucpress.edu/book/9780520203853/the-collected-writings Holt, Nancy. The Writings of Robert Smithson: Essays with Illustrations. New York University Press, 1979. https://archive.org/details/writingsofrobert0000smit Tufnell, Ben. Land Art. London: Tate Publishing, 2006. https://www.tate.org.uk/art/artists/robert-smithson-1979 Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002. https://mitpress.mit.edu/9780262612029/one-place-after-another Shapiro, Gary. Earthwards: Robert Smithson and Art After Babel. Berkeley: University of California Press, 1997. https://www.ucpress.edu/book/9780520214132/earthwards Journal Articles Boettger, Suzaan. “Global Warnings: Robert Smithson's Spiral Jetty in the Era of Climate Change.” Art Journal 67, no. 2 (2008): 24-45. https://doi.org/10.1080/00043249.2008.10791327 Krauss, Rosalind. "Sculpture in the Expanded Field." October 8 (Spring 1979): 30–44. https://doi.org/10.2307/778224 Roberts, Jennifer L. "The Mirror Displaced: Robert Smithson's 'Spiral Jetty' and the Mirror Travel Works." October 100 (Spring 2002): 21-50. https://www.mitpressjournals.org/doi/10.1162/016228702753711781 Foster, Hal. “The Crux of Minimalism.” October 30 (Fall 1984): 31-46. https://doi.org/10.2307/778357 Strain, Ellen. "Desert Sites: 'Spiral Jetty' and the Cultural Construction of an American Wilderness." The Yale Journal of Criticism 12, no. 2 (1999): 257-281. https://muse.jhu.edu/article/13137 Documentary Films and Multimedia Spiral Jetty: The First 50 Years. Directed by George Trimmer. Documentary Educational Resources, 2020. https://www.der.org/spiral-jetty-the-first-50-years/ Holt, Nancy, and Robert Smithson. Spiral Jetty: A Film by Robert Smithson. Electronic Arts Intermix, 1970. https://www.eai.org/titles/spiral-jetty PBS. “Land Art: Robert Smithson and Spiral Jetty.” Art21: Art in the 21st Century. PBS, 2001. https://art21.org/watch/spiral-jetty/ Exhibition Catalogs Whitney Museum of American Art. Robert Smithson: Retrospective Works 1955-1973. New York: Whitney Museum, 1985. https://whitney.org/exhibitions/robert-smithson Dia Art Foundation. Robert Smithson: Spiral Jetty and Other Works. New York: Dia Art Foundation, 2004. https://www.diaart.org/exhibition/exhibitions-projects/robert-smithson Online Resources and Archives Dia Art Foundation. "Spiral Jetty." Accessed October 25, 2024. https://www.diaart.org/visit/visit/robert-smithson-spiral-jetty Utah Museum of Fine Arts. “Robert Smithson's Spiral Jetty: A Guide.” Last modified 2020. https://umfa.utah.edu/spiral-jetty Holt/Smithson Foundation. “Spiral Jetty: A Legacy.” Accessed October 25, 2024. https://holtsmithsonfoundation.org/spiral-jetty Find out more at https://three-minute-modernist.pinecast.co

reference: Sri Aurobindo and the Mother, The Hidden Forces of Life, Ch. 2 Hidden Forces Within, pg.29 This episode is also available as a blog post at https://sriaurobindostudies.wordpress.com/2024/03/24/the-expanded-field-of-consciousness-beyond-the-external-awareness/ YouTube Channel www.youtube.com/@santoshkrinsky871 More information about Sri Aurobindo can be found at http://www.aurobindo.net The US editions and links to e-book editions of Sri Aurobindo's writings can be found at http://www.lotuspress.com 

Hi Everyone, I'm thrilled to host Cara Blue Adams today on the podcast. We talked about her stellar short story, "Vision," available from Joyland Magazine. I met Cara years ago at the Kenyon Writers Workshop (which I highly recommend by the way...) so it was great fun to reconnect on the podcast. Cara's work was recommended by Vincent Perrone, who is a part owner of the co-op bookstore, Book Suey, in Hamtramck, MI, so he joined us for the podcast as well. See his bio below, and please consider buying from Bookshop or even directly from Book Suey to support local bookstores! Enjoy the show and see you on April 1st! Kelly Cara Blue Adams is the author of the interlinked story collection You Never Get It Back (University of Iowa Press, 2021), named a New York Times Editors' Choice and awarded the John Simmons Short Fiction Prize, judged by Brandon Taylor, who calls it “a modern classic.” The collection was shortlisted for the Mary McCarthy Prize and longlisted for the Story Prize. Over twenty-five of her stories appear in magazines like the Granta, The Kenyon Review, Epoch, American Short Fiction, and Electric Literature, and her nonfiction appears in Bookforum and The Believer. She has received the Kenyon Review Short Fiction Prize, the Missouri Review William Peden Prize, and the Meringoff Prize in Fiction, along with a 2018 Center for Fiction Emerging Writer fellowship and selection as a Pushcart Prize Notable. She has also received support from the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, the VCCA, the Lighthouse Works, the Kimmel Harding Nelson Center for the Arts, and the New York State Council on the Arts. Cara earned a B.A. in English Language and Literature from Smith College and an MFA from the University of Arizona. Originally from Vermont, she has lived in Boston, Tucson, Montreal, Maine, South Carolina, and Baton Rouge. She is a former coeditor of The Southern Review. Currently, she is an associate professor in the MFA program at Temple University and lives in Brooklyn and the Hudson Valley. Purchase Cara's book at Book Suey (link above) or Book Shop or Amazon. My co-host: Vincent James Perrone is the author of the poetry collection, Starving Romantic (11:11 Press, 2018), the microchap, Travelogue For The Dispossessed (Ghost City Press, 2021), and a contributor to the anthology, Collected Voices in the Expanded Field (11:11 Press, 2020). His recent and forthcoming work can be found in Pithead Chapel, New Flash Fiction Review, TIMBER, Storm Cellar, and A Common Well Journal. Vincent lives in Detroit where he teaches at Wayne State University. He reads for Conduit and is a member-owner of the co-op bookstore, Book Suey. #shortstories #creativewriting #joylandmag #kenyonreview #booksuey

Nora Maité Nieves is currently an artist in residence at The Norton Museum of Art in West Palm Beach. In her exhibit “Clouds in the Expanded Field,” connects her Caribbean roots to the skies above whatever city she might find herself in.

Isaac Aden is an American artist. Aden's work has always engaged painting from the periphery and approached content as a conceptualist. Deeply informed by Art history, Aden implements a structuralist theory developed Rosalind Krauss in her seminal text Sculpture in the Expanded Field to painting. One aspect of Aden's work remains true to the tradition of painting while the other veers into new territory. Aden has exhibited internationally, including: dOCUMENTA 13, MassMOCA, The Fidericianum, White Box, Kassel Werkstadt, Gallerie Rasch, Ulrike Petschel Gallerie, Ethan Cohen Fine Art, SPRING/BREAK, Art Miami, Contemporary Istanbul, VOLTA Basel, Sotheby's, The Jerome A. Cohen and Joan Lebold Cohen Center for Art. The Bertha and Karl Luebsdorf Gallery, The International Gallery of Contemporary Art, The Parthenon Museum, The New York Public Library and the World Trade Center. He has been awarded Fellowships from the Kossak Foundation, Creative Capital, The New York Foundation for the Arts and the United States State Department. Isaac Aden, The Numinous Sublime (installation view), 2021, oil on canvas, 144 x 108 each in., Photography by Yao Zu Lu, courtesy of David Richard Gallery Isaac Aden, The Luminous Sublime (for John Friedrick Kensett), 2023, oil on canvas, 144 x 324 in., and Saturn Devouring His Son, 2021, oil on canvas 144 x 108 in., Photography by Yao Zu Lu, courtesy of David Richard Gallery Isaac Aden, The Numinous Sublime (installation view), 2021, oil on canvas, 144 x 108 each in., Photography by Yao Zu Lu, courtesy of David Richard Gallery

Catch up on all the headlines in NBA, NFL, College Football, MLB and RSL news with "What is Trending" for April 28, 2023.See omnystudio.com/listener for privacy information.

Episode No. 589 is a holiday clips episode featuring artist Rose B. Simpson. Rose B. Simpson is included in two ongoing presentations in New England: her Counterculture is installed at Field Farm, a Trustees property in Williamstown, Mass.; and in "Ceramics in the Expanded Field," at MASS MoCA through April 10. Counterculture was organized by Jamilee Lacy and will be on view through April 30, 2023. "Ceramics," which is up until April 10, was curated by Susan Cross. Elsewhere, the Fabric Workshop and Museum in Philadelphia is featuring "Rose B. Simpson: Dream House" through May 7, and Simpson is included with in "Thick as Mud" at the Henry Art Gallery at the University of Washington. The exhibition examines how eight artists use mud as material or subject. Curated by Nina Bozicnik, it's on view through May 7. Across ceramic sculpture, performance, installation, and more, Simpson's work addresses ideas as far ranging as resistance, apocalypse, spirituality, and automobile design. Museums such as the University of New Mexico Art Museum (Simpson lives in Santa Clara Pueblo), Nevada Museum of Art, the Savannah College of Art and Design's SCAD Museum of Art, and the Pomona College Museum of Art have all presented solo exhibitions of her work, and Simpson has been in group shows at the Henry Art Gallery, the Pennsylvania Academy of Fine Arts, the Cleveland Museum of Art, the Denver Museum of Art, and plenty more. The program was taped on the occasion of these shows and the ICA Boston exhibition "Rose B. Simpson: Legacies."  From the program: Video from Simpson's 2013 Denver Art Museum performance. For images, see Episode No. 567. Air date: February 16, 2023.

Emily Bilman, PhD is a poet-scholar who lives and writes Geneva, Switzerland. Her dissertation, The Psychodynamics of Poetry: Poetic Virtuality and Oedipal Sublimation in the Poetry of T.S. Eliot and Paul Valéry, with her poetry translations, was published by Lambert Academic in 2010 and Modern Ekphrasis in 2013 by Peter Lang, CH. Her poetry books, A Woman By A Well (2015), Resilience (2015), The Threshold of Broken Waters (2018), and Apperception (2020) were published by Troubador, UK. “The Tear-Catcher” won the first prize in depth poetry by The New York Literary Magazine. Poems were published in Deronda Review, The London Magazine, San Antonio Review, The Wisconsin Review, Expanded Field, Poetics Research, The Blue Nib, Tipton Poetry Journal, North of Oxford Journal, Otherwise Engaged Magazine, Literary Heist, The High Window, Wild Court, Remington Review, Book of Matches, Lothlorien Poetry Journal, Poets Live Anthology 4, OxMag, San Diego Poetry Anthology, Contemporary Poetry 2022, Ballast Journal, Soren Lit, Southern Arizona Press Anthologies, Poetry Salzburg Review. She blogs on her website. http://www.emiliebilman.wix.com/emily-bilman SOREN LIT...A Southern Renaissance of women, femmes, and/or non-binary creatives exploring the lingering South... www.sorenlit.com Producer & Founding Editor: Melodie J. Rodgers, MFA --- Send in a voice message: https://podcasters.spotify.com/pod/show/melodie-rodgers/message

This recording is part of a video commissioned for 'Writing in the Expanded Field IV: Touching Feeling Writing' developed in conjunction with ACCA's exhibition ‘Paul Yore: WORD MADE FLESH' (23 September – 20 November 2022). The digital publishing project exploring new compositional modes and publics for art writing will be released in early 2023. Credits: Rebecca Bracewell, sound editor Sofie McClure, videographer Lucinda Strahan, editor and program leader Loni Jeffs, editorial coordinator Michaela Bear, participant Ange Crawford, participant Mig Dann, participant Rachel Keir-Smith, participant Carmen-Sibha Keiso, participant Shari Kocher, participant Josephine Mead, participant Nasim Patel, participant Sofia Stavrou, participant Denise Thwaites, participant Presented in partnership with RMIT University non/fictionLab. Read more and watch the video here: https://acca.melbourne/program/writing-in-the-expanded-field-iv-touching-feeling-writing/

Episode No. 567 features artist Rose B. Simpson and author Brent Martin. The Institute for Contemporary Art, Boston is showing "Rose B. Simpson: Legacies," an exhibition of 14 sculptures Simpson has made over the last eight years. It was curated by Jeffrey De Blois and is on view through January 29, 2023. Rose B. Simpson is included in two other New England presentations: her Counterculture is installed at Field Farm, a Trustees property in Williamstown, Mass.; and in "Ceramics in the Expanded Field," at MASS MoCA. Counterculture was organized by Jamilee Lacy and will be on view through April 30, 2023. "Ceramics," which is up until early March 2023, was curated by Susan Cross. This fall The Fabric Workshop and Museum in Philadelphia will feature "Rose B. Simpson: Dream House." The exhibition opens October 7. Across ceramic sculpture, performance, installation, and more, Simpson's work addresses ideas as far ranging as resistance, apocalypse, spirituality, and automobile design. Museums such as the University of New Mexico Art Museum (Simpson lives in Santa Clara Pueblo), Nevada Museum of Art, the Savannah College of Art and Design's SCAD Museum of Art, and the Pomona College Museum of Art have all presented solo exhibitions of her work, and Simpson has been in group shows at the Henry Art Gallery, the Pennsylvania Academy of Fine Arts, the Cleveland Museum of Art, the Denver Museum of Art, and plenty more. Martin discusses his new book "George Masa's Wild Vision," which was recently published by Hub City Press. Masa was an Asheville, North Carolina-based photographer who had a significant impact on the establishment of Great Smoky Mountains National Park and on determining the Southern route of the Appalachian Trail, the two crown jewels of the eastern United States' natural infrastructure. Amazon and Indiebound offer the book for around $25.

Lucas and Blaine react to the news of an expanded CFP, and Ben McKee of GoVols247 joins the show to talk about the Ball State game. The guys call their shot on the way out.See omnystudio.com/listener for privacy information.

Sound Ecology is a continuation of our Season 2 theme, Art Meets Science. In this episode we experience the work of sound artists and musicians. We're moving at a meditative pace and providing listeners with a contemplative, relaxing experience. First up will be a six minute sound experience entitled "Shivering Sands," the contemplative ambient music project of singer-songwriter Angela James and multi-instrumentalist Jordan Martins. After "Shivering Sands" is an interview with sound artist, Norman W. Long, followed by his sound piece entitled "Expanded Field." Norman's practice involves walking, listening, improvising, performing, recording and composing to create environments and situations in which he and the audience are engaged in dialogues about memory, place, ecology, culture, race, value, silence and the invisible. Norman Long has performed and exhibited at Experimental Sound Studio, Kavi Gupta Gallery, Links Hall, Elastic Arts,Green Line Performing Arts Center, Chicago Humanities Festival, Chicago Cultural Center and 2021 Chicago Architecture Biennial. Norman has performed with Damon Locks, Tatsuya Nakatani, Cher Jey, Sara Zalek, Cristal Sabbagh, Xris Espinoza, Adam Zanolini, Dan Bitney and Todd Carter and performed and toured with Angel Bat Dawid and the Brothahood. He has released his compositions on Hausu Mountain, Reserve Matinee and Room40 labels. His latest release, BLACK BROWN GRAY GREEN, was released in September 2021 on Hausu Mountain.The Pivot Arts Podcast is created and produced by Julieanne Ehre with sound engineering by Hannah Foerschler and original music composed by Andrew Hansen. Generous support for the podcast is provided by FLATS, a Chicago-based apartment community. For more information on Pivot Arts visit pivotarts.org.

Kim Thomas: The Escape and Beyond A prolific borosilicate flameworker producing highly recognizable works in functional and sculptural glass, Kim Thomas aka Zii is changing the face of flameworking. From detailed and realistic human teeth and severed finger pipes to her latest kinetic sculpture, the artist is redefining what is possible at the torch. From January – April, 2021, recent works The Cloud Capturing Apparatus and The Cloud Riding Contraption were exhibited in Glass in The Expanded Field at the Hunterdon Art Museum, Clinton, New Jersey.  Thomas also participated in Hunterdon's companion symposium, Pipe Art: Understudied Glass, which considered the glass pipe as a fluid work of art fundamental to the art history of glass. Celebrated artists Dan Coyle and Luken Sheafe, whose artist name is SALT, presented their intensely wrought, figural, and in the case of Thomas, sometimes kinetic, pipes. Joined by Susie J. Silbert, Curator at the Corning Museum of Glass, these artists further contextualized their work within the burgeoning field of pipe-making.  Following graduation from the Rhode Island School of Design with a BFA in ceramics, Thomas attended The Make Up Designory and later worked as an assistant to award-winning special effects make-up artist Kevin Haney. In 2009, when she answered an advertisement for a studio apprentice in North Hollywood, California, Thomas discovered her passion for flameworking. With lessons from her studio mates and observation she quickly learned the medium and turned her practice into a career. Now making work from the Urban Pheasant Glass Studio, Detroit, Michigan, Thomas is a former professor of glass at Salem Community College in New Jersey, and guest instructor at various schools and studios including Penland School of Craft, Snow Farm, and the Pilchuck School of Glass. She has demonstrated her techniques at The International Flameworking Conference and The Glass Art Society Conference, and exhibits her work in museums and galleries across the United States. Her attention to detail and regard for realism have resulted in a highly recognizable aesthetic signature. In a world where the inherent beauty of glass is regularly exploited, Thomas relies on a gritty realism to set her work apart. Few, if any, artists create similar work.  As Thomas continues to work on The Escape series –  she prepares to teach classes at Penland School of Craft, July 18 – August 2 and Snow Farm from August 8 – 13. Both classes are full with waiting lists. She will also participate in an emerging artist residency at Pilchuck Glass School, October 6 – November 22, 2021.  Nicknamed after her classic 1978 Camaro Z28, Zii believes the most creative and engaging work is influenced by the things that find their way into your dreams. She says: “It's easy with pipemaking to get pigeonholed into making one type of piece –- if you're doing it as a living, you have to please your fans and make things they will buy. As an artist, if you want to grow and develop, and have some sort of message, you can't just make one thing over and over.”   

ACCA and the non/fictionLab at RMIT are pleased to present a live snapshot of outcomes and processes from the 2021 program of Writing in the Expanded Field Volume 3: Overlapping Writing, developed in conjunction with ACCA’s summer show Overlapping Magisteria. Program participants: Des Barry, Anna Kate Blair, Alisa Blakeney, Sophia Cai, Kate Jama, Peta Murray, Diego Ramirez, Autumn Royal, Audrey Schmidt and Tina Stefanou. Encompassing living organisms, kinetic installations and immersive assemblages, Overlapping Magisteria pays attention to multiple ways of knowing, sensing, feeling and interacting with the world. The works by participating artists draw on various social, cultural, technical and material forms, unsettling the lingering divide between nature and culture towards more complex realms of knowledge and experience. Participants from Writing in the Expanded Field, Volume 3: Overlapping Writing have taken these exhibition themes as a provocation for further exploring what is possible when we shift position so that instead of writing about art we write with and from art. Building on the discoveries of Writing in the Expanded Field Volume 1 and Volume 2, and the ongoing inquiries of RMIT non/fictionLab, writer/participants are exploring embodiment, feeling, and intuition in the writer’s encounter with art, situating material, poetic and playful ways of knowing alongside critical and curatorial perspectives. Writers have also participated in an overlapping, or ‘cross-over writing’, methodology that explores decentred authorship and cacophonous voice alongside the development of individual pieces.

In this episode, I interview Andrew Wilt from 11:11 Press. He is not just a publisher. Andrew has also been working professionally in writing for over a decade. He is the author of Age of Agility: The New Tools for Career Success, which is currently being used as a textbook in universities, nonprofits, and Fortune 500 companies. Timestamps 00:00 -- Intro 01:42 -- The Midwest Hello 04:26 -- Nonconformists, Like Everyone Else 07:38 -- 11:11 Press 10:55 -- Maudlin House 13:45 -- COVID 19:20 -- The News 25:21 -- Music 28:06 -- Yogananda 31:30 -- Brave New World 33:15 -- Playing Music/Religion 44:50 -- The US Work Ethic/Individualism 46:00 -- Poised Apple Records (2008)/FBI Interrogation 53:50 -- Transition to Writing/Politics 2008-now 58:58 -- Seattle/Small Presses 66:45 -- Andrew Reads from Collected Voices in the Expanded Field 78:35 -- Closing Books/authors mentioned in this podcast: Alain de Botton (The News: A User's Manual), Douglas Adams (The Restaurant at the End of the Universe), Aldous Huxley (Brave New World), Anton LaVey (The Satanic Bible), Paramhansa Yogananda (Autobiography of a Yogi), Alan Watts (The Wisdom of Insecurity), Robert Wright (The Moral Animal, The Evolution of God, Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment), Mallory Smart (I Want to Feel Happy but I Only Feel _ _ .), Collected Voices in the Expanded Field (34 Authors in 34 Chapters) Support Textual Healing with Mallory Smart by donating to their Tip Jar: https://tips.pinecast.com/jar/textual-healing

Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands. Episode 14: gardens of fear scene from This Thing of Ours by Caridad Svich & excerpt from Alan Read's Theatre in the Expanded Field (Bloomsbury Drama). Listener support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

Leah's website: leahmariehamel.com- Abroms-Engels Institute for Visual Arts -Studio by the Tracks-Birmingham Museum of Art-VinegarMake This: Do That Contact:email: podcast@makethisdothat.orgvoicemail: ?(612) 276-2473?

Images of Andrew's current space for reference.A design for a simple sled for cutting miters on a table saw. This design can be adapted to a variety of saws and will allow the user to cut accurate, repeatable miters.A design for an out-feed setup. This kind of design can be adapted to a variety of saws. It would also be adaptable to build an extension wing off the side of the table.We discussed a number of options for dust collection and control in a small shop environment. Wood Magazine has an article that runs through a variety of options here. Below is a short list of options, it is by no means complete, but it might point you in the right direction.Festool's line of dust extraction offers a variety of solutions that are directly compatible with their ecosystem of tools and can be adapted to be used with the offerings of other manufacturers.Makita, Fein, and Metabo all have their own line of dust collection similar to what Festool offers.For dealing with the uninsulated, single-pane windows that Andrew has in his space we recommended a 3M Window Insulation kit

This event formed the public outcome of ACCA’s new writing program, Writing in the Expanded Field, alongside ACCA's exhibition Eva Rothschild: Kosmos (2018). In this public forum, writers, artists and performers who took part in the writing program, share results of the writing workshops and reflect on the future of art writing, criticism and publishing. Presented in partnership with RMIT University non/fictionLab and supported by Art+Australia, Art Guide Australia and The Lifted Brow, Writing in the Expanded Field explores new methodologies for art writing and criticism, opening writing to an ‘expanded field’ in which the encounter between writer and artwork, and the relations of this engagement, may be animated by various writing positions between the critical, the personal and the imaginary. Writing in the Expanded Field was developed in collaboration with Lucinda Strahan, writer and researcher at the RMIT non/fictionLab. More info: http://acca.melbourne/program/writing-in-the-expanded-field/ https://www.rmit.edu.au/research/research-institutes-centres-and-groups/research-groups/nonfictionlab

Lyn Hejinian is the author of numerous books, including most recently The Book of a Thousand Eyes and The Wide Road, written in collaboration with Carla Harryman. In fall 2012, Wesleyan University Press published A Guide to Poetics Journal: Writing in the Expanded Field 1982-1998, an anthology of works on key issues in poetics first published in Poetics Journal, co-edited by Hejinian and Barrett Watten. And in fall 2013 Wesleyan will republish her best-known book, My Life, in an edition that will include her related work, My Life in the Nineties. In addition to literary writing, editing, and translating, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she teaches. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24350]

Lyn Hejinian is the author of numerous books, including most recently The Book of a Thousand Eyes and The Wide Road, written in collaboration with Carla Harryman. In fall 2012, Wesleyan University Press published A Guide to Poetics Journal: Writing in the Expanded Field 1982-1998, an anthology of works on key issues in poetics first published in Poetics Journal, co-edited by Hejinian and Barrett Watten. And in fall 2013 Wesleyan will republish her best-known book, My Life, in an edition that will include her related work, My Life in the Nineties. In addition to literary writing, editing, and translating, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she teaches. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24350]

Lyn Hejinian is the author of numerous books, including most recently The Book of a Thousand Eyes and The Wide Road, written in collaboration with Carla Harryman. In fall 2012, Wesleyan University Press published A Guide to Poetics Journal: Writing in the Expanded Field 1982-1998, an anthology of works on key issues in poetics first published in Poetics Journal, co-edited by Hejinian and Barrett Watten. And in fall 2013 Wesleyan will republish her best-known book, My Life, in an edition that will include her related work, My Life in the Nineties. In addition to literary writing, editing, and translating, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she teaches. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24350]

Lyn Hejinian is the author of numerous books, including most recently The Book of a Thousand Eyes and The Wide Road, written in collaboration with Carla Harryman. In fall 2012, Wesleyan University Press published A Guide to Poetics Journal: Writing in the Expanded Field 1982-1998, an anthology of works on key issues in poetics first published in Poetics Journal, co-edited by Hejinian and Barrett Watten. And in fall 2013 Wesleyan will republish her best-known book, My Life, in an edition that will include her related work, My Life in the Nineties. In addition to literary writing, editing, and translating, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she teaches. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24350]

Lyn Hejinian is the author of numerous books, including most recently The Book of a Thousand Eyes and The Wide Road, written in collaboration with Carla Harryman. In fall 2012, Wesleyan University Press published A Guide to Poetics Journal: Writing in the Expanded Field 1982-1998, an anthology of works on key issues in poetics first published in Poetics Journal, co-edited by Hejinian and Barrett Watten. And in fall 2013 Wesleyan will republish her best-known book, My Life, in an edition that will include her related work, My Life in the Nineties. In addition to literary writing, editing, and translating, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she teaches. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24350]

Lyn Hejinian is the author of numerous books, including most recently The Book of a Thousand Eyes and The Wide Road, written in collaboration with Carla Harryman. In fall 2012, Wesleyan University Press published A Guide to Poetics Journal: Writing in the Expanded Field 1982-1998, an anthology of works on key issues in poetics first published in Poetics Journal, co-edited by Hejinian and Barrett Watten. And in fall 2013 Wesleyan will republish her best-known book, My Life, in an edition that will include her related work, My Life in the Nineties. In addition to literary writing, editing, and translating, she has in recent years been involved in anti-privatization activism at the University of California, Berkeley, where she teaches. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24350]

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