Podcasts about Day for night

We say it often on this podcast: the 90s is a bottomless pit of incredible rock music as wide as it is deep. And if you grew up in the United States like we did, you may have slept on arguably the greatest Canadian rock band of all time: The Tragically Hip. From the cryptically beautiful lyricism of frontman Gord Downie to the catchy hooks and song structures of the band behind him, we deep dive into their 1994 record Day For Night and ask the question we find ourselves asking constantly on this podcast: where has this band been all our lives? Tracklist The Tragically Hip - Daredevil The Tragically Hip - Yawning Or Snarling The Tragically Hip - Inevitability Of Death The Tragically Hip - Emergency The Tragically Hip - Impossibilium This show is part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

We say it often on this podcast: the 90s is a bottomless pit of incredible rock music as wide as it is deep. And if you grew up in the United States like we did, you may have slept on arguably the greatest Canadian rock band of all time: The Tragically Hip. From the cryptically beautiful lyricism of frontman Gord Downie to the catchy hooks and song structures of the band behind him, we deep dive into their 1994 record Day For Night and ask the question we find ourselves asking constantly on this podcast: where has this band been all our lives? Tracklist The Tragically Hip - Daredevil The Tragically Hip - Yawning Or Snarling The Tragically Hip - Inevitability Of Death The Tragically Hip - Emergency The Tragically Hip - Impossibilium This show is part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Oui! Oui! You got it! Hawe, Hawe, Hawe...On this episode, the 'bots honor movies with French elements.  To be clear, there will be no discussion of French classics like "The 400 Blows," "Day For Night" or "Jules and Jim." On this show you'll get...Jim's very detailed breakdown of the French escape scene from the much-maligned Jerry Lewis classic "Cracking Up..."Joseph's great story on how Jason never met William Friedkin or Quentin Tarantino...The reason why network TV had to have more Winger...An explanation of why "the dude playing the doom is disguised as another doom..."Jason verifying he's still a big Didi Conn fan...Shocking evidence that proves Alan Arkin played a legendary French character in the worst film of a legendary franchise...Joseph's plans to confront a giant carrot...And, most importantly, you'll get he real reason it's called "The Nutsack Olympics!"So put on your beret and don't miss this big baguette of an episode! The French Episode!  Hawe Hawe Hawe! Au revoir Dummy See you Pari'!

Learn more at TheCityLife.org --- Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Episode#363-Hector, Jason and Ian answer the question to life, the universe and everything! Also discussed on this episode: the latest Deadpool and Wolverine, the 2003 film Oldboy, Hannibal, X-Men '97, Pedro Pascal and a whole mess more!For all things Mind Grenade: MindGrenadeStudios.com Leave us an e-mail at MGTwenty14@gmail.com

Artist Title Duration Album Year ProgPhonic 140 Intro 0:40 LeSoir Push Back The Horizon 5:15 HOPE 2024 Spock's Beard Skin 3:46 Day For Night 1999 Violent Jasper Promise 4:22 Control 2023 Kansas A Glimpse of Home 6:20 Box Set Disc 2 1994 Emerald City Council Realize II: Brutal Camouflage 4:59 Motion Carries 2024 Emerald City […]

A child suffers mute the unutterable horrors of our past. Every step forward is a descent. Trust no family or institution that worships the god of your destruction. Guest Preacher: Betsy Winchester (TSMBT short film The Dog The Boy; current VO artist betsywinchester.com IG: @betsywindy; formerly of Murderfist and Skulk, The Hulking) Featuring: Marcus Parks, Ed Larson, Holden McNeely, Jackie Zebrowski Curtain Call Liturgical Reading: “Day for Night” The Chalmsening One episode left before our break to switch into seasons! The last one will be a gosh darn doooooozy PATREON: https://www.patreon.com/tsmbt MERCH: http://BabyNeedsDaddy.com BOOKS: http://thestorymustbetold.com

On this episode of Showcase, watch: Sinead O'Connor Passes 00:02 Ordinary People 04:19 Day for Night 07:02 Ubumuntu Arts Fest 11:53 The Beanie Bubble 13:20 My Adventures with Superman 16:22 Bolshoi in China 20:12 Metaverse of Acute Art 22:38

The best film about filmmaking

Marcus Gorman joins Brian for a discussion of Francois Truffaut's Day for Night, which won the Oscar for Best Foreign Language Film! They also talk about Truffaut's astonishing career and pick his three best movies. DAY FOR NIGHT is available on YouTube: https://www.youtube.com/watch?v=xG_w3ae4B2o

https://notesonfilm1.com/2023/04/09/thinking-aloud-about-film-beware-of-the-holy-whore-rainer-werner-fassbinder-west-germany-1971/ I've been watching all the Fassbinder films I can get my hands on in chronological order and find this the culmination of his early works, a great film about filmmaking to rank alongside Minnelli's TWO WEEKS IN ANOTHER TOWN (1962) Godard's CONTEMPT (1963) or Truffaut's DAY FOR NIGHT (1973). Richard hasn't seen a Fassbinder film for two decades and finds it harder to get into. We discuss the structure, the marvellous visual and dramatic handling of a very large cast, the gorgeous glossy look –surprising in Fassbinder films to this point -- and snake-like long takes (Michael Ballhaus is the cinematographer), the psycho-sexual power dynamics in the narrative and we admire Hannah Schygulla. A main take-away from this conversation with Richard is how Fassbinder's early work points to a type of cinema and a type of queer representation that the AIDS pandemic brought an end to and of which QUERELLE might be a nodal point. BEWARE OF THE WHOLY WHORE is ostensibly based on Fassbinder's experience of filming WHITY (1971) but it is a difficult film to see at this point and that aspect has largely been left out of the discussion.

Winifred Jacqueline Fraser Bisset came into this world in the latter days of WWII, in the Fall of 1944 to a Scotch GP and French lawyer cum housewife who biked her way into an airlift out of Occupied France and her new life in the rather rural climes of Surrey. A short modeling career led to roles in such disparate films (in quality as well as  type) as The Knack and How to Get It, Audrey Hepburn vehicle Two For the Road and Roman Polanski's Cul de Sac, launching her into a career in cinema marked by roles in such highlights as The Detective (with Frank Sinatra), Bullitt (with Steve McQueen), Le Magnifique (with Jean Paul Belmondo), The Mephisto Waltz (with Alan Alda) and Truffaut's excellent Day For Night, before settling into big budget all star oddities like the multi-director Casino Royale, Airport, the Albert Finney Murder on the Orient Express, Who is Killing the Great Chefs of Europe (with George Segal), St. Ives (with Charles Bronson), The Deep (with Nick Nolte) and even Wild Orchid (with Mickey Rourke), smoking up the screen in a manner not altogether dissimilar to the previously covered Charlotte Rampling and earning herself both Golden Globes and France's Legion d'Honneur for her efforts.  Join us as we talk another of our favorite ladies of 70's cinema, the lovely and talented Jacqueline Bissett! Weird Scenes Week 94 (4/6/23): Class and Style: The Unusual Career of Jacqueline Bissett https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast

And then there were two. With the departure of Mike Byrne and Nicole Fiorentino, Corgan led the charge with guitarist Jeff Schroeder to make 2014's Monuments To An Elegy. An album with nods to its rock past as well as the Pumpkins' synthy future. Joining Frank as guest co-host to do a track-by-track breakdown of this album is former guest of the 'kast, ⁠Stephen Patrick Zapata-Kelly⁠! Down a drummer, Corgan & Schroeder turned to Mötley Crüe's Tommy Lee for an assist to achieve the bombastic and skilled attack needed to match the energy of the songs (as well as Rage Against The Machine's Brad Wilk on drums and The Killer's Mark Stoermer on bass for live shows). As the Teargarden project aspirations faded away (and with the subsequent abandonment of the Day For Night album), the future of the Pumpkins was looking dire once again. Luckily, time has shown that the Pumpkins are still going strong and with hindsight, a revisit of Monuments yields great rewards. Especially for fans who may not love the sounds of CYR or Atum (even though we get some glances in a few of Monuments' tracks). Ultimately, Monuments is an album that Stephen and Frank agree is "like a good slice of pizza". Lover, you're strange if you miss this episode! How to support the 'kast: NEW ! ⁠⁠MERCH⁠⁠ ⁠⁠Our PATREON⁠⁠ ⁠⁠buymeacoffee.com/Pumpkast⁠⁠ Please rate and review us! Follow us on the socials: Twitter: ⁠⁠@PumpkinsPodcast⁠⁠ Instagram: ⁠⁠@smashingpumpkast⁠⁠ TikTok: ⁠⁠@smashingpumpkast⁠⁠

Calum and Chris discuss the 1974 nominees for Best Original Screenplay, which were Alice Doesn't Live Here Anymore, Chinatown, The Conversation, Day For Night, and Harry and Tonto. Alice Doesn't Live Here Anymore: 03:19 - 18:03The Conversation: 18:03 - 34:56Day For Night: 34:56 - 49:51Harry and Tonto: 49:51 - 1:01:47Chinatown: 1:01:47 - 1:14:40Listener Questions: 1:14:40 - 1:28:37Conclusions/Ranking: 1:28:37 - 1:39:55

Rob and David discuss the influence of 8 1/2 on these two works, their merits and weaknesses, and riff a bit on the Oscar nominees. --- Send in a voice message: https://podcasters.spotify.com/pod/show/david-koepsell/message Support this podcast: https://podcasters.spotify.com/pod/show/david-koepsell/support

Hola Gerardo aqui en otro episodio de Simplemente Yo; La selección de esta semana es Day for Night, es una película francesa de 1973 dirigida por François Truffaut, protagonizada por Jacqueline Bisset, Jean-Pierre Léaud y el propio Truffaut. El título de esta película sale de la tecnica cinematográfica mediante el cual las secuencias filmadas al aire libre a la luz del día se filman con un filtro sobre la lente de la cámara  para que parezca que se están desarrollando de noche.  Plot: Un director de cine comprometido lucha por completar su película mientras se enfrenta a una gran cantidad de crisis, personales y profesionales, entre el elenco y el equipo de producción Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters dive into Jordan Peele's NOPE, and the visual effects by MPC.

Forgive me, Valentina La clip della cerimonia degli Oscar 1975 è tratta dal canale YouTube Oscars all rights reserved. Nella foto, Ingrid Bergman che sul palco applaude Valentina Cortese in platea durante la premiazione

Porta (s)cortese La clip è tratta da “Effetto notte” scritto e diretto da François Truffaut (con Valentina Cortese, Jean-Pierre Léaud, Jacqueline Bisset-produzione Les Films du Carrosse, PECF, PIC-1973 all rights reserved). Nell'immagine, Valentina Cortese nella scena della porta sbagliata

Truffaut's 1973 ensemble comedy is a movie about making a movie. Jacqueline Bissett was one of the cast members and principal lead. The movie won an Oscar for Best Foreign Film in 1974 with French filmmaker Truffaut accepting the award. It is one of his best films and worth re-watching. --- Send in a voice message: https://anchor.fm/james-herlihy/message

NOTE: THIS IS A PREVIEW, NOT THE FULL EPISODE. In this bonus episode of THE ONE-INCH BARRIER, we talk about Bosnia & Herzegovina's official submission to the 93rd Academy Awards for Best International Feature Film: Jasmila Žbanić's QUO VADIS, AIDA?. This week's guest is Mattie Lucas, film critic at From the Front Row and In Review Online. They were also the guest on the episode discussing DAY FOR NIGHT and the films of 1973. This episode is part of the 2020 retrospective that celebrates the four films that were nominated alongside that year's winner, ANOTHER ROUND. Find us on the internet! Mattie Lucas: @matthew_lucas From the Front Row: http://www.fromthefrontrow.net/ Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier Bonus episodes are accessible in full via Patreon for only $4/month. Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening and Ending: "Aida" - Antoni Łazarkiewicz

This week, Matt and Glennis watch two films assigned for Glennis's class: François Truffaut's 1973 "Day For Night," and "The Player," directed by Robert Altman. Watch the films, listen to the show, and then join us on Facebook to share your thoughts! We love hearing from you!

** Episode 33- Live on Electromagnetic Radio**   ***TRACKLISTING*** 1. Rich...Yeah Yeah Yeahs 2. In My Dreams...Scanners 3. Low Life...Roland Orzabal 4. Hand To The Sound...Division Day 5. Simulation Swarm...Big Thief 6. Cool Kids...FIT 7. Hang Me Up To Dry...Cold War Kids 8. Satellite...Spoon 9. Love, Love, Love (Love, Love)...As Tall As Lions 10. Skin & Bones...The Sundays 11. Day For Night...Matthew Sweet 12. St. Dymphna...Nicole Atkins 13. Don't Do It...Courtney Barnett 14. House...Far Caspian 15. All The Money...The Winter Kids 16. Disposable Parts...Enon 17. Age of Consent...Neverending White Lights feat. Nick Hexum 18. Anytime...Neil Finn 19. Panic/Life On A Chain (live)...Pete Yorn 20. Ancient Walls of Flowers...Marcy Playground 21. Developing Active People...Via Audio 22. Things Will Be Fine...Metronomy 23. Laughing Boy...Duran Duran    

This week, it's two transcendent European movies about Europeans makin' movies: 2021's Bergman Island and 1973's Day For Night. 

This week, we explore the work of French New Wave filmmaker François Truffaut and his 1973 Oscar-winning drama DAY FOR NIGHT, a film about filmmaking itself. Hosted by Austin Johnson and Connor Eyzaguirre Music by Cooley Cal New episodes every Sunday! E-mail us at filmgazm@gmail.com, subscribe on iTunes, Spotify, Google Podcasts, Breaker, Overcast, Pocket Casts, RadioPublic, Amazon Music, or Anchor.fm, follow us on Twitter, Facebook, Instagram, YouTube or leave a comment below if there's a movie you want us to review! Visit https://www.filmgazm.com for movie reviews, articles, podcasts, and trailers of upcoming movies. DISCLAIMER - We do not own nor do we pretend to own any posters, artwork, music, or trailers. We mean only to review and discuss movies fairly and without bias. All trademarks are the property of the respective trademark owners. --- Support this podcast: https://anchor.fm/the-filmgazm-podcast/support

Episode 32: excerpt from C & I by Caridad Svich. --- Support this podcast: https://anchor.fm/caridad-svich/support

Shark Night 3D (2011) wasn't screened in 3D but you can still tell it was in 3D so that's fun. As for the rest of it… ehhh… there's a plot twist that takes this in a direction none of us were expecting. What starts as the simple tale of college kids being eaten by a… Continue Reading BMFcast523 – Shark Night 3D – Shark Day For Night The post BMFcast523 – Shark Night 3D – Shark Day For Night first appeared on Bad Movie Fiends Podcast - The BMFcast.

Episode 31: from THEATRE: A LOVE STORY by Caridad Svich. --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 30: untitled free writing sequence by Caridad Svich --- Support this podcast: https://anchor.fm/caridad-svich/support

Ep 29: poems from Mi Cuba suite, part one by Caridad Svich. (In English and Spanish) --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 28: excerpt from MEMORIES OF OVERDEVELOPMENT by Caridad Svich --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 27: excerpt from essay "In a Shakespearean Key" by Caridad Svich from the book Shakespeare and Latinidad edited by Trevor Boffone and Carla Della Gatta (Edinburgh University Press, 2021), and from Dan O'Brien's book A Story That Happens (CB editions, 2021). --- Support this podcast: https://anchor.fm/caridad-svich/support

MotA-Minute: Battle for The Minute of the Apes - Minute 50The music uses one of the oldest tropes in the world, making all child activities seem naive and unaware, to the point of sounding like a “Brady Bunch” rejected cue. The lack of simple film tricks, flipping angles from positive to negative could have opened the moment and made the forces feel bigger, but was it the budget and time crunch that kept them from executing?Follow us on:Facebook @MinuteOfTheApesTwitter @MinuteOfTheApesEmail: podcast@minuteoftheapes.comWebsite: https://www.minuteoftheapes.com/http://moviesbyminutes.com/https://www.zeuscomics.com/http://divebarboombox.com/Follow Nala on Instagram: holla_its_nala1

This week on THE ONE-INCH BARRIER, we talk about France's comedy about filmmaking and compromise that won at the 46th Academy Awards: François Truffaut's DAY FOR NIGHT. This week's guest is Mattie Lucas, film critic at From the Front Row and In Review Online. Find us on the internet! Mattie Lucas: @matthew_lucas From the Front Row: http://www.fromthefrontrow.net/ Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier You can now support this podcast via Patreon! Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening and Ending: "La nuit américaine" - Georges Delarue

Episode 26: excerpt from STAND by Caridad Svich. * Content warning: occasional swearing. --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 25: from untitled new piece by Caridad Svich, and excerpt from "On a Rainy River" by Tim O'Brien. --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 24: excerpts from JARMAN (all this maddening beauty) by Caridad Svich. Published by Intellect Books (2016) and also as a single edition from NoPassport Press. --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 23: untitled new writing by Caridad Svich, and excerpt from the short story "Featherweight" by Sterling HolyWhiteMountain (published by The New Yorker, April 5, 2021 issue). --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 22: excerpt from Interview with a Punk Goddess by Caridad Svich (originally written for Period Piece), and excerpt from the short story Long Live the Girl Detective by Megan Pillow (published in Electric Literature). * --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 21: untitled piece by Caridad Svich, and excerpt from Tim Crouch's Total Immediate Collective Imminent Terrestrial Salvation (published by Oberon Modern Plays, 2019). --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 20: factory scene from new piece by Caridad Svich, and Communism by Smith & Sveen (Andy Smith and Arnuld Sveen) with a nod too to Communism: A new aesthetics of the real by Nick Dicx and Pascal Gielen (2018, Valiz). --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 19: untitled nurse speech by Caridad Svich (2021) and excerpt from Sam Shepard's Spy of the First Person (2017, Knopf). * --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 18: untitled reptile piece by Caridad Svich and an excerpt from Kae Tempest's "Let Them Eat Chaos" (Published by Bloomsbury). --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 17: On the Act of Regarding Another by Caridad Svich. published in JARMAN (all this maddening beauty) and other plays. Intellect Books. --- Support this podcast: https://anchor.fm/caridad-svich/support

Season 2, Episode 16: untitled punk lover piece by Caridad Svich, and excerpt from "Looking at Birds" by Megan Sandberg-Zakian (published in issue 2, Winter 2020 of The Flashpaper) --- Support this podcast: https://anchor.fm/caridad-svich/support

Episode 15: excerpt from STEAL BACK LIGHT FROM THE VIRTUAL by Caridad Svich, and from THE COLD RECORD by Kirk Lynn. --- Support this podcast: https://anchor.fm/caridad-svich/support

A week later than originally planned but nonetheless there is a new episode of That Night in Toronto up. It covers Day for Night. Tune in for stories about life in Edmonton, the journey that Day for Night set the Hip on and some nuggets on the material. Tune in on Apple Podcasts, Stitcher, Anchor.fm, Spotify and PocketCasts. The official twitter account is @tnitpod and you can email me at tnitpod@gmail.com.

Greg Baron joins the feast as this week's guest of honor, serving up some serious knowledge of the French New Wave as he, Craig, and Ryan dig into "Day for Night," Truffaut's loving takedown of the studio system. It's the episode so nice, it kicked off a series on the French New Wave. Enjoy!

"What is a film director?  A man who's asked questions about everything.  Sometimes he knows the answers." Day for Night (1973) is probably popular in the history of cinema for creating a rift between two founders of the French New Wave, Francois Truffaut and Jean-Luc Godard.  Truffaut was accused by Godard (and others) of selling out with this film, presumably by catering to the masses and also lying about his own personal life in the script. Either way you look at it, Day for Night is not a love letter to cinema, but the procedure of creating cinema.  Told in a documentary style, it depicts the drama among the cast and crew of a typical (and not very good) movie.  It is Truffaut's comical commentary on his professional world, and remains, at its very least, a delightful little trifle of a movie. Have a comment or question for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter via @1001MoviesPC, and look for the podcast's Facebook page.

Dave and Alonso talk about That Superhero Movie, but also another Straub-Huillet movie and the latest in the "Make Me" series of films they're making each other watch. Subscribe (and review us) at iTunes, follow us on Facebook, Twitter and Instagram @linoleumcast, en pile ou face. Join our club, won't you? Dave's DVD pick of the week: BELLADONNA OF SADNESS Alonso's DVD pick of the week: DAY FOR NIGHT