Podcasts about printmakers

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features artist Carrie Ann Plank. Originally inclined towards a medical career, Carrie Ann found her true calling in printmaking. Her work, which combines science and art, is showcased in multiple renowned collections, including the Fine Arts Museums of San Francisco and the Library of Congress. Her latest exhibition, 'Cacophony' at Jonathan Carver Moore, visualizes sound through layered prints. Carrie Ann discusses her process, inspiration from scientific data, and collaboration with scientists. About Artist Carrie Ann Plank:Carrie Ann Plank is a San Francisco based artist working in installation, printmaking, and painting. Focusing on layers of sophisticated geometry, Plank examines the space of intersecting patterns to describe new structures. The work utilizes mathematical equations to create multiple overlapping impressions that reveal additional distinct pattern formations. The resulting forms are space in between, the intercession, of concrete data.Carrie Ann's work is included in multiple collections including the Fine Art Archives of the Library of Congress, Fine Art Museums of San Francisco, Achenbach Foundation for Graphic Arts, the Guanlan Print Art Museum in China, Museum Meermanno in The Hague, Netherlands and Museo Nacional de Bellas Artes, Havana, Cuba. Residencies include Black Church Print in Dublin Ireland, KALA in Berkeley, CA, Konstnärernas Kollektiva Grafikverkstad in Malmö, Sweden, Local Language, Oakland, CA, Taller Experimental de Gráfica de La Habana in Havana, Cuba, the Íslensk Grafík in Reykjavik, Iceland, Edition/Basel in Basel, Switzerland, Mullowney Printing in San Francisco, CA, Haystack Mountain School of Craft in Deer Isle, ME, and Bullseye Glass in Emeryville, CA. Additionally, Plank has had a 20 year teaching career before devoting herself solely to her artist practice in 2018. Plank is active in the Bay Area arts community serving on boards and committees such as Root Division, California Society of Printmakers, and Art for AIDS. She is also a 2024 SECA nominee.Visit Carrie Ann's  Website:  CarrieAnnPlank.comFollow Carrie Ann on Instagram:  @CarrieAnnPlankLearn more about Carrie Ann's exhibit "Cacophony" at Jonathan Carver Moore - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Printmaking encompasses many mediums, and all are welcomed as members of the Printmakers Guild of NY, founded by Rachael Lorimer. She came to Hudson Mohawk Magazine to talk about this first year of the guild, the collective aspect of printmaking, and the 2024 Printmakers Showcase. She spoke with Sina Basila Hickey. The PGNY Printmakers Showcase opens on November 22, 6-8pm at CREATE Community Studios. The Repeating Pattern Linocut Workshop takes place on 11-23 (sold out) and 12-07. Register at https://www.createcommunitystudios.org/calendar-test Learn more: https://printmakersguildny.com/

“I love finding out people's back stories. It's the grittier, it's the weirder, it's the bits where people's lives go wrong that shines a light on their glories later on.” ~Alice Loxton History's most famous figures are remembered only for their great deeds and achievements, but rarely for their lives before. What were the likes of Empress Matilda, Richard Burton or Chaucer like when they were teenagers - when they were just 18? Alice Loxton, one of Britain's most exciting young historians, explores this in her new book Eighteen: A History of Britain in 18 Young Lives. You may have spotted Alice on social media where she has more than 2 million followers. She's also the author of Uproar: Satire, Scandal and Printmakers in Georgian London. Alice explores how, despite narrow curriculums and stuffy history shows on TV, social media is changing how we perceive history, making it more compelling for a wider and younger audience. She explains why she felt it would be so powerful to tell the stories of the 18 year old versions of history's greatest names. And she shares fascinating insights into their lives, highlighting the strange paths many walked before finding fame. In this episode you will learn: How some figures from history are still waiting for their stories to be told. The importance of giving your characters histories and backstories of their own. Why it might be worth your while starting a social media channel. Find out more about Alice here. Your host is inkjockey founder Mark Heywood. Behind The Spine is an inkjockey production, and the audio accompaniment to The Writing Salon. Sign up to the newsletter here. You can buy copies of our anthology series here.  You can view the full transcript here. Connect with the show: Instagram: https://www.instagram.com/behindthespinepodcast/ Facebook: https://www.facebook.com/BehindTheSpine Twitter: https://twitter.com/BehindTheSpine Website: www.behindthespine.co.uk

Join me and Ellis as we assemble a Jane Austen guide to Bath. Together, we'll explore Austen's complex bond with this iconic city, from its social allure to its challenges.We'll dive into Austen's portrayal of Bath in "Northanger Abbey" and "Persuasion," examining how she depicted its social intricacies and landscapes. As we stroll through Bath's streets and assembly rooms, I'll reveal the places Austen frequented, from Lansdowne Crescent to Westgate Buildings.Ellis shares insights into the history of Bath and as a local, she offers personal reflections on Bath's historical tapestry and Austen's connection to it. Whether it's the lively pump rooms or the romance of Lover's Lane, each anecdote adds depth to our understanding of Bath as a character in Austen's world.Join us to uncover the historical charm and literary whispers of Bath—a city that both captivated and challenged Jane Austen.Bath Blog post from Ellis:Georgette Heyer's novels Jane Austen at Home: A Biography by Lucy WorsleyUPROAR!: Satire, Scandal and Printmakers in Georgian London by Alice Loxton Where can you find Ellis? @historian_ellishttps://historianellis.wordpress.com/ The Happy Writer with Marissa MeyerAuthors, from debuts to bestsellers, chat about books, writing, publishing, and joy. Listen on: Apple Podcasts Spotify 31: The Why Behind the WeirdDive into strange but lesser-known true stories from our mysterious world with...Listen on: Apple Podcasts SpotifySupport the Show.Where can you find your host (Izzy)? Website: www.whattheausten.com Podcast Instagram: @whattheaustenPersonal Instagram: @izzy_meakinYoutube: What the Austen? Podcast

Embarking on the journey into the world of mokuhanga, each of us starts with a unique desire. It begins with early prints, guided by exploration, and the innate desire to create something—anything—all viewed through the prism of mokuhanga, shaping our voices in this captivating journey. In this episode of the Unfinished Print, I speak with the burgeoning mokuhanga printmaker Jack Moranetz. We discuss how he got involved in the art form, his early prints, his visit to Japan and meeting David Bull, collaborations, and how he approaches his printmaking.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jack Moranetz - website, YouTube, Etsy  Awagami -  is arguably the largest paper making company in Japan at the moment. With a large International name, Awagami sponsors, and promotes its paper all over the world. More information can be found on its website, here.  Dick Blick Art Supplies - is an art supply store with various brick and mortar stores throughout the United States, as well as online. Founded in 1911 by Dick Blick in Galesburg, Illinois, BLICK, as it's more commonly known, sells various types of art supplies, much like Jerry's Artarama. More info, here. linocut -  is a printmaking technique in which a design is carved into a sheet of linoleum with specialized cutting tools. The carved linoleum surface is then inked, and paper is pressed onto it to create a print. Linocut is a relief printing method, similar to woodcut, but it uses linoleum instead of wood as the printing surface. Linocut is popular for its versatility and is used in both fine art and craft applications. Michael's Art Supplies - is a big box art supply store located throughout North America. More info can be found, here.  brayer - is a roller with a handle used to apply ink to a printing surface. It typically consists of a cylindrical rubber roller attached to a handle. Printmakers use the brayer to evenly distribute ink over the surface of a printing block, such as linoleum or wood, before pressing it onto paper or another substrate. The brayer ensures a smooth and uniform ink coverage, allowing for clear and consistent impressions during the printing process. Artists can control the amount of ink applied by rolling the brayer over an ink slab or palette before transferring it to the printing surface. Brayers are an essential tool in various printmaking techniques, including linocut, woodcut, and monotype. Bender - is a fictional character in the animated television series "Futurama," created by Matt Groening. Bender is a robot with a humanoid appearance and a distinctive metal body. He is known for his irreverent and sarcastic personality, as well as his love for bending girders and other metal objects. He serves as one of the main characters in the series. David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  Chapter 9 - The Seacoast In Winter, from the My Solitudes series (2007) Twitch - is a widely-used live streaming platform, initially focused on video game streaming and e-sports, but later expanding to include diverse content like music and art. Acquired by Amazon in 2014, Twitch allows users to broadcast live video content, interact with viewers through a real-time chat feature, and offers features such as e-motes and subscriptions. Streamers create communities around their content, and viewers can engage by subscribing to channels for exclusive benefits. Twitch has become a prominent platform for live content creation, fostering a sense of community among its users. sumi - is a rich black stick or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. Sumi is made from the soot of burnt lamp oil. Sumi is used predominantly in key blocks in traditional mokuhanga and to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware. McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. Disk Baren - crafted by Akira Kurosaki (1937-2019), is a plastic baren which features a replaceable disc with small surface bumps that ensure uniform pressure application across the paper during the printing process. murasaki baren - is a mid-range mokuhanga baren. “murasaki” meaning “purple” , come in two types of weight (medium and heavy), and two types of sizes (10cm and 12cm). They are a reasonably priced baren.  bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable.  Laura Boswell ARE - is a renowned British printmaker recognized for her expertise in linocut and woodblock printing. Her artistic repertoire includes creating intricate and detailed prints inspired by nature, landscapes, and everyday life. Notably, Boswell is known for her adept use of a bold and vibrant color palette in her prints. Beyond her artistic pursuits, she shares her knowledge by teaching printmaking techniques, conducting workshops, and authoring instructional books on the subject. Her commitment to both creating and educating adds depth to her contributions in the field of printmaking. More info can be found on her website, here. Her interview with The Unfinished Print can be found, here.  Long Grasses up by Westerdale 18"x 7"  Kitsune Prints - is a mokuhanga printmaking studio located in Monsano, Italy. More info can be found, here.  Atelier Sentō - is an art collective located in Biarritz, France. They design images for companies, bookstores, publishers, and mokuhanga. The print that Jack refers to is a print called, The Unseen World: After The Rain, a print published by Shinji Tsuchimochi and the publisher Miyakadori. More info about Atelier Sentō can be found, here. The print mentioned can be purchased from Mokuhankan, here.  11" x 8" (2021) Karen Pittman - is a mokuhanga printmaker based in Austin, Texas. She continues to make beautiful mokuhanga, and explores the craft through her blog Vivid Laboratories. Karen's interview with The Unfinished Print can be found, here. Katherine's Mora River 9" x 6.75" (2023) Daryl Howard - is a mokuhanga printmaker base in Austin, Texas. She apprenticed with Hodaka Yoshida (1926-1995). Her work has been shown around the world. More information about Daryl can be found, here. Daryl's interview with The Unfinished Print can be found, here.  an eternal teardrop...descending from love 15"x20" (2019) Ocooch Hardwoods - is a wood supplier based in Wisconsin. More info can be found, here.  Jackson's Art - is a brick and mortar and online art supply store located in London, England founded in 2000. More info can be found, here.  © Popular Wheat Productions opening and closing musical credit - Television Funeral by Mononegatives (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***              

Made Here here kicks off on the 1st of February.

Virginia Anderson, Curator of American Art at the Baltimore Museum of Art walks us through the BMA's brand-new exhibit, Art/Work: Women Printmakers of the WPA, which explores the importance of women artists many of whom are unknown today, yet who captured the human faces of industrial and domestic labor and its inherent racial, gendered, and class inequities while they used their art to support important reforms led by the era's growing communist and socialist movements. From the Labor Heritage Power Hour radio show, which airs Thursdays at 1p ET on WPFW 89.3 FM in Washington, DC. Singer-songwriter Si Kahn finds poetry in the many names for the third shift, that overnight work period that is the bane of existence for so many. On this week's Labor History in Two: The year was 1936; that was the day that workers at the General Motors plant in Atlanta, Georgia participated in a sit down strike. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory @artbma Artwork: Harlem Dancers, by Elizabeth Olds

Writer and director Glenn Shea on his unabashed new play ‘MI: WI 3027,' unpacking the unlikely friendship between an Indigenous soldier and a Jewish-German ethnologist and prisoner of war, as they bond over the notions of freedom and country; Curator Rona Green unveils ‘Whereabouts: Printmakers Respond,' a new exhibition at the Art Gallery of Ballarat, delving into the connections between artists and their sense of home; Richard Watts reflects on the importance of mental health in the arts space, with Head of Program from the Arts Wellbeing Collective, Jim Rimmer

Deborah Maris Lader is the founder and director of the Chicago Printmakers Collaborative. She exhibits her prints, drawings, photography, and mixed media artwork internationally. Deborah set up the Chicago Printmakers Collaborative to foster dialogue, collaboration, and community among Chicago's printmakers, as well as to educate and share the beauty of the medium with the broader public, both locally and internationally.

Historical Comics: In a programme looking at comics from and about history, Alex Fitch talks to a pair of female creators about their work. Alice Loxton discusses her book Uproar! Satire, Scandal and Printmakers in Georgian London which delves into the lives of early cartoon satirists – Thomas Rowlandson, Isaac Cruikshank and James Gillray – […]

In Platemark s3e29, host Ann Shafer speaks with April Vollmer, an artist working in mokuhanga (Japanese color woodblock printing), who also wrote the indispensable guide to that form: Japanese Woodblock Print Workshop (Berkeley: Watson-Guptill Publications, 2015).   What's mokuhanga, you ask? It's a method developed in Japan that was used to print images that are probably familiar to you, like Hokusai's Great Wave. It allows artists to work with water-based inks (more environmentally friendly) on multiple blocks to build up images, which are printed by hand using a flat paddle called a baren. Each color is carried on a separately carved block and is layered during printing. It means a lot of carving, but it also means one doesn't need a press, chemicals, or a ton of equipment. In other words, it can be done at home in your kitchen.   The range of work made possible in mokuhanga is impressive. Once used for ukiyo-e prints (pictures of the floating world) in the Edo period, now contemporary artists from the world over are experimenting with its possibilities. Including April Vollmer. Episode image: Portia Shao Shiko Munakata (Japanese, 1903–1975). Night Birds (the fence of…), c. 1967. Sumizuri-e. 19.1 x 29.3 cm. Scholten Japanese Art, New York. April Vollmer in her studio. April Vollmer's studio. Yasu Shibata (Japanese, born 1968). 6 White Squares, 2014. Set of six mokuhanga prints. Sheet (each): 11 x 11 in. Aspinwall Editions, Hudson. Tetsuya Noda (Japanese, born 1940). Diary: April 24th '97, 1997. Woodblock and screenprint. Sheet: 74.1 x 52.8 cm. British Museum, London. Keiko Hara (Japanese, born 1942). Published by Lily Press. Verse Space—Light of Black Hole, Monotype with collaged mokuhanga woodblock print. Sheet: 30 x 26 in. Rebecca Salter (British, born 1955). Into the Light II, 2011. Woodblock on Japanese paper. 60 x 90 cm. (23 ½ x 35 ½ in.). Utagawa Kuniyoshi (Japanese, 1797–1861). Earth Spider Attacking Raiko, c. 1820. Color woodblock print. 14 5/8 x 29 5/8 in. Fuji Arts, Ann Arbor. April Vollmer (American, born 1951). Generation, 2002. Mokuhanga on washi. Sheet: 26 x 26 in. Beyshehir Seljuk rug, 13th century Turkey. Found in the Eshrefoglu Mosque in Beyshehir in 1929 by R.M. Riefshahl. Now in the Konya Museum of Ethnography, Konya, Turkey. April Vollmer (American, born 1951). Blackout, 2013. Mokuhanga on Gozen washi. Sheet: 38 x 26 in. April Vollmer (American, born 1951). Eye Cup (Counterfeit), 2008. Mokuhanga and rubber stamp on washi. Sheet: 26 x 11 in. April Vollmer (American, born 1951). Secret Flower, 2006. Mokuhanga. Sheet: 15 ½ x 15 ½ in. April Vollmer (American, born 1951). Migrating Gyre, 2008. Mokuhanga. Sheet: 26 x 26 in. April Vollmer (American, born 1951), printed by Art Print Residence and published by California Society of Printmakers. Great Egret Hunting, from the portfolio Birds on the Edge, 2021. Photo-etching. Sheet: 19 ½ x 15 in.   USEFUL LINKS April's website: https://www.aprilvollmer.com/ Mokuhanga resources: https://www.aprilvollmer.com/category/mokuhanga-resources/ April's Facebook: https://www.facebook.com/april.vollmer April's Instagram: https://www.instagram.com/aprilvollmer_artist/ April Vollmer. Japanese Woodblock Print Workshop: A Modern Guide to the Ancient Art of Mokuhanga. New York: Penguin Random House, 2015. https://www.penguinrandomhouse.com/books/231579/japanese-woodblock-print-workshop-by-april-vollmer/ April Vollmer. “Birds on the Edge: Collaboration and Change.” The California Printmaker: The Journal of the California Society of Printmakers. (2023 Changing Gears Edition) April 2023. https://www.aprilvollmer.com/wp-content/uploads/2023/04/CSP-Birds-on-the-Edge-Vollmer.pdf Nature in the Floating World: Images of Nature in Japanese and Chinese Art. Ulrich Museum of Art, Wichita State University. January 26–May 10, 2023. https://ulrich.wichita.edu/ulrich_exhibition/nature-in-the-floating-world-images-of-nature-in-japanese-and-chinese-art-from-the-ulrich-collection/ International Mokuhanga Conference website https://2021.mokuhanga.org/ International Mokuhanga Conference YouTube channel https://www.youtube.com/channel/UCthTUa5XbGaZsaFf_vDeosg Tuula Moilanen, Kari Laitinen, and Antti Tantuu. The Art and Craft of Woodblock Printmaking. Helsinki: Aalto ARTS Books, 2013. https://www.amazon.com/Art-Craft-Woodblock-Printmaking-Watercolour/dp/B01FIWQXL4 Frogman's Workshop http://frogmans.net/#workshops Anderson Ranch https://www.andersonranch.org/ Kentler International Drawing Space, Red Hook https://kentlergallery.org/ 11 Women of Spirit Part 7. Salon Zürcher, New York. May 15–21, 2023. https://www.galeriezurcher.com/salon-zrcher-28th-edition-11-women-of-spirit-part-7-may-15-21      

Maeve Lynch, Gallery Outreach Manager, was on the show to tell us about Cork Printmakers Exhibition at Lavit GalleryIt runs until June 10th Hosted on Acast. See acast.com/privacy for more information.

Ambition and confidence are two concepts that make an artist. These ideas can take different forms and trajectories, but artists can accomplish anything with talent and a supportive community.  In this episode of The Unfinished Print, I speak with one artist who exudes ambition and confidence. Daryl Howard is a mokuhanga printmaker and artist who lives and works in Austin, Texas. What drew me to Daryl's work is her desire to maintain the mokuhanga tradition, putting both body and soul into her mokuhanga.  Daryl speaks with me about her evolution as a mokuhanga printmaker, her travels, her community, and her time with Hodaka Yoshida.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Daryl Howard - website, Instagram Time Of Smoke That Thunders (2022) Sam Houston State University -  is a public research university located in Huntsville, Texas, USA. Established in 1879 to educate teachers for Texas public schools, SHSU has evolved into a school which offers subjects in criminal justice, Texas studies, and is known for its athletics. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  lithography - is a printing process which requires a stone or aluminum plate, and was invented in the 18th Century. More info, here from the Tate.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  Stanley Lea  (1930-2017) - was a Texas printmaker and teacher of printmaking at Sam Houston State University in Huntsville, Texas.  Texas A&M - established in 1876 as the Agricultural and Mechanical College of Texas, Texas A&M is a research University in College Station, Texas which has a variety of subjects and programs, more info here. Yokota Airbase, Tōkyō (横田飛行場,) -  established in 1940 as Tama Airbase for the Japanese Air Force, converted in 1945 as an American military base used in the Korean War and the Cold War.  Dr. Richard Lane (1926-2002) -  was a collector of Japanese prints. He was also an author and dealer in Japanese art.  Tsukioka Yoshitoshi  1839-1892 (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.   Yūten Shami - Fudō Myōō threatening the priest Yūten Shami (1867) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Tachikawa, Tōkyō - 立川市 - is a city located in the metropolis of Tōkyō. It had an American military presence until 1977. For some tourist info, you can find it here. surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Kunitachi - 国立市 -  is a city located within the metropolis of Tōkyō. Originally a part of the 44 stations Kōshū Kaidō (甲州街道), a road which connected Edo to Kai Prefecture (Yamanashi). Hodaka Yoshida (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures.    White House O.J. From My Collection (1980) lithograph Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Red Canna (1954) Chizuko Yoshida (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Butterfly Dance (1985) zinc plate and mokuhanga Ayomi Yoshida - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) University of Texas at Austin - is a public research university in Austin, Texas, USA. Founded in 1883, the University of Texas at Austin has undergraduate and graduate programs. You can find more information here. Lee Roy Chesney III (1945-2021) - was a printmaker and professor at the Universitty of Texas at Austin.  William Kelly Fearing (1918-2011) - was an award winning painter,  printmaker, and artist who was professor Emiritus at the University of Texas at Austin. His work focused on landscapes, religious imagery, and the human figure. Abstract Figure in Oil (1947) oil on canvas Ban Hua: Chinese woodblock prints - There is a lot of information regarding Chinese woodblock printing. The history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936), who established the Modern Woodcut Movement. First, check out the work of the Muban Educational Trust based in England. More info can be found here and here at Artelino; for Lu Xun's history, you can find more information here.  Victoria Falls - is a large waterfall located on the border of Zambia and Zimbabwe in South Africa. It is also known as Mosi-oa-Tunya or "The Smoke That Thunders" in the Bantu language of Sotho. The falls are 1,708 meters and 108 meters high.  Wacom -Wacom - is a Japanese company that began in 1983. It produces intuitive touch screen display tablets. It has offices in the US and Europe.  Photoshop - is a raster graphics editor created by Adobe. It allows the user to create and edit images for graphic design, typography, and graphic design.  Akua - are water-based pigments used in intaglio, mokuhanga, and monotype.  Winsor & Newton - is a British artist supply company, started in 1832, which sells artist materials such as pigments, brushes, paper, etc. You can find more info, here.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Dallas Museum of Art - is an art museum established in 1903 and contains art collections from all over the world and from many periods of history. Some of the collections on the DMA are African, American, Asian, European, Contemporary, and Pre-Columbian/Pacific Rim. More info can be found here. Impressionism - is an art movement founded by Claude Monet (1840-1926), Edgar Degas (1834-1917) and other artists in France. The movement was from 1874-1886 and focused on suburban leisure outside Paris. The Impressionist movement launched into the public consciousness in 1874 at the Anonymous Society of Sculptors and Painters and Printmakers exhibition. More information about the Impressionist movement can be found here at The Met.  Blanton Museum of Art - founded in 1963 at the University of Texas at Austin. It houses collections of European, modern, contemporary, Latin American, and Western American Art.  You can find more information here.  Albrecht Dührer (1471-1528) was a painter and author famous for making detailed devotional works with woodcuts. You can find out more from The Met here for more information about his life and work. The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Pop Wave Orange by Daryl Howard (2021) Bridge In The Rain (After Hiroshige) - was a painting painted by Vincent Van Gogh (1853-1890) in the style of woodblock print designer Utagawa Hiroshige (1797-1858).  baren - is a Japanese word used to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although the baren has many variations.  Sharpening brushes on shark skin are traditionally used on mokuhanga brushes that were “sharpened” or softening the brushes bristles rubbing up and down on the shark skin. But today, you can use very fine sandpaper made of silicon carbide (dragon skin). Mokuhanga printmaker John Amoss has a beautiful write-up about using shark skin and its uses here.  Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous paper maker is Iwano Ichibei. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. You can find more information in English, and in Japanese.  kizuki kozo - is a handmade Japanese paper with many uses. Of a moderate weight and cooked with caustic soda. It is widely available.  Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.  Itoya - is a stationary store in the Ginza district of Tōkyō. It has been in business for over 100 years. They have stores in Yokohama, in various malls throughout Japan and at Haneda and Narita airports. More info can be found on their web page (Japanese) and their Instagram.  Bunpodo - is a stationery store located in the Jinbōchō district of Tōkyō. It was established in 1887 and is considered the first art store in Japan. More info here. Matcha Japan has a walkthrough of the store here. McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. Cocker-Weber - is a brush manufacturing company based in Philadelphia, Pennsylvania, USA.  It was established in 1892. You can find more information here.  Philadelphia Museum of Art - originating with the Centennial Exhibition of 1876, the PMA has over 200,000 pieces of art and objects and is one of the preeminent museums in the US. James A Michener (1907-1997) - a Pulitzer Prize winning writer, scholar and academic who wrote on Japanese prints, amongst many more topics. Mokuhanga Artists Using Laser - many mokuhnaga printmakers today are exploring using laser engraving for their woodblocks rather than hand cutting. Printmakers who use this method are Cal Carlisle, Endi Poskovich, Shinjji Tsuchimochi, and Benjamin Selby. If you know of others, please let me know! Illustrator - is an Adobe product which creates two-dimensional pieces for artists and illustrators.  James A McGrath - is an educator and artist who served as Director of Arts for American Schools in Europe; he taught design, painting and poetry at the Institute of American Indian Arts and was the Arts and Humanities Coordinator for the US Department of Defence School in Southeast Asia. He also worked on the Hopi Indian Reservation and returned to the Institute of American Indian Art as dean of the college and Museum Director. He is now retired. You can find some of his work and writings here at The Smithsonian.  Hopi Mesa - is the spiritual and physical home of the Hopi tribe in Arizona. It is a group of villages (pueblos) on three mesas. Mesa are flat-topped ridges surrounded by escarpments. More information can be found on Visit Arizona here. National Endowment For The Arts - was established by the US Congress in 1965 and created to fund arts and education in the United States. You can find more information here.  Dawson's Springs Museum - is an art museum located in an old bank and was established in 1986 in Dawson's Springs, Kentucky. Karoo Desert - is a semi-desert located in South America and distinguished by the Great Karoo and the Little Karoo. A great article about the Karoo Desert by The Guardian can be found, here Chobe River - also known as the Kwando, is a river which flows from Angola and Namibia. It is known for its wildlife and runs through various National Parks.   Kachina - these are the religious beliefs of the Hopi, Zuni, Hopi-Tewa, and Kerasan. It incorporates the supernatural, dancing, and dolls through Ancestor worship.  bas relief - is a sculptural technique where figures and designs are carved or moulded onto a flat surface, only slightly raised above the background. Bas relief has been used in art and architecture for thousands of years and is found in various cultures, such as the Egyptians, and Assyrians, during The Rennaisance, until today. Bas relief is used today to decorate buildings, monuments, tombs, and decorative objects such as plaques, medals, and coins. In bas-relief, the figures and designs are typically carved or moulded in shallow relief, with only a few millimetres of depth,  creating a subtle, three-dimensional effect that is less dramatic than the more deeply carved high relief. Bas relief can be made from various materials, including stone, wood, metal, and plaster. sepia - is a reddish brown colour. Can be found in various pigments.  Duomo di Firenze - is the Florence Cathedral, finished in the 15th Century, using some of the finest architects from Italy. It is associated with the Italian Renaissance.  Boston Printmakers -  is an organization of international printmakers started in 1947. It holds a Biennial every two years. You can find more information here. The National Gallery of Art - is a free art gallery in Washington D.C. Founded by financier Andrew W. Mellon. The gallery houses more than 150,000 pieces dedicated to education and culture. Construction finished for the West building in 1941. More info can be found here.  © Popular Wheat Productions opening and closing musical credit - I Got It Bad And That Ain't Good  by The Oscar Peterson Trio (1963) on Verve Records. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Women blown up like balloons about to burst; leaders carving up the globe like a plum pudding; a drunken, bloated prince sprawled surrounded by unpaid invoices – the art of satirists like James Gillray, Thomas Rowlandson and Isaac Cruikshank gives us an unfiltered look at the preposterous highs and grisly lows of Georgian society. Alice Loxton tells Ellie Cawthorne how these artists pricked the pomposity of politicians, mocked the outlandish fashions of the aristocracy and gave the people of London a good laugh while doing so. (Ad) Alice Loxton is the author of Uproar: Satire, Scandal and Printmakers in Georgian London (Icon Books, 2023). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fuproar%2Falice-loxton%2F9781785789540 Learn more about your ad choices. Visit podcastchoices.com/adchoices

What makes caricatures from this period so great? Alice Loxton, author of Uproar: Satire, Scandal & Printmakers in Georgian London, drops by to talk about why these satirical cartoons are misunderstood, and offer us such brilliant insights into how Georgian society worked. Social Media: @zwhitehistory | @history_Alice Buy the book: https://www.amazon.co.uk/UPROAR-Satire-Scandal-Printmakers-Georgian/dp/1785789546/ref=sr_1_1?keywords=uproar+alice+loxton&qid=1677106558&sprefix=uproar%2Caps%2C80&sr=8-1 Unlock exclusive bonus content: https://www.patreon.com/thenapoleonicwarspod

Nerds! Hi! How are you? Good, we hope! Have you made anything interesting lately? In this episode we talk about printmaker superstitions! Turns out we are a superstitious bunch! Some of y'all more than others..... lol! This was a fun lil shorty episode to record, and thanks to all our pals that participated and told us their superstitions! Ok, get to listening! XOXO Gossip Girl @eoverturf @cammyyork @newsprintpod

We met Bernie Reid whose first UK institutional art show is at Edinburgh Printmakers until 16 March. He uses surprising materials and techniques which may have been acquired as an occasional graffiti artist in Edinburgh - and at Edinburgh College of Art where he studied.

The importance of passion cannot be understated.  It can be a wonderful and beautiful thing, and if it's made into a positive part of not only one's own life but for others as well; it's a passion worth pursuing.  On this episode of The Unfinished Print I speak with mokuhanga collector, self taught scholar and instructor, Carol Dorman. Having seen her work and lectures with the Japan Foundation Toronto, on various topics on ukiyo-e history and culture, I found her knowledge and story to be of great interest. I speak with Carol about her journey from working at the CBC for the national news, to working side by side with Stuart Jackson, a mokuhanga gallery owner here in Toronto. Carol speaks on her love of the ukiyo-e period of Japanese woodblock prints, her collecting, how that world has changed dramatically during her time at The Stuart Jackson Gallery, and we discuss her work at the LIFE Institute of Toronto where she teaches and instructs age 50+ students about ukiyo-e history.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Regina, Saskatchewan - is the capital of the Canadian Province of Saskatchewan. Located on the land of the Cree, Saulteaux, Dakota, Nakota, Lakota, and Métis peoples, it is the 16th most populace city in Canada.  The city has many restaurants, museums, and other places of interest. More info can be found at Tourism Regina, here.  University of Toronto -  considered a public research university, U of T is located in the city of Toronto, Ontario, Canada, and was founded in 1827. It has educated any number of famous Canadian authors, scientists, politicians, and the like. More info, here.  Stuart Jackson Gallery - is a ukiyo-e specific gallery located at 882 Queen Street W. in Toronto, Ontario, Canada. It has been doing business in Toronto for almost fifty years. More info, here.  The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here.  The Canadian Broadcasting Corporation - also known as the CBC, is a Canadian Federal Crown corporation and is the oldest broadcasting network in Canada. Founded in 1936, the CBC broadcasts news, original programming, and sports throughout Canada and the world. They broadcast via various digital platforms as well as terrestrial platforms such as television and radio.  More info, here. Meiji Period of Japan (1868-1912)- the Meiji Period in Japanese history is synonymous with turmoil and regime change. The Meiji Period is named after Prince Mutsuhito (1852-1912), who became Emperor after his fathers death, Emperor Kōmei (1846-1867). Mutsuhito's reign came at the end of the Keiō Era, (1865-1868), until his own death in 1912.    Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.    Tsuzoku Suikoden Goketsu Hyakuhachi-nin no Hitori (津属水滸伝後けつ百八人にの一人 ca. 1827)   Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc.  Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history.  Oni Azami Seikichi (鬼あざみ清吉) 1859   Yorkville, Toronto - Yorkville is a neighbourhood located in the heart of Toronto. It has a rich history, politically and culturally. It has become a high end neighbourhood in the city, with many expensive shops,  luxury homes and condos. It is famous for once being the hotbed of folk music in the world, outside of New York City, in the 1960's. Performers such as Neil Young, Joni Mitchell, Bob Dylan amongst others performed in the various clubs in the neighbourhood.    2008 Financial Crisis - was a world wide financial crisis which started in 2007 and lasted throughout 2008 and onwards. This crisis affected housing, mortgages, the automotive industry, and world economic markets.    David Kutcher is the owner and operator of Moonlit Sea Prints, located in Easthampton, Massachusetts. His interview with The Unfinished Print can be found, here.    Fading of Japanese woodblock prints - certain colours, especialy in ukiyo-e period prints (beni), are known to fade over time. Since pigments in mokuhanga are generally water based, they will fade naturally, but more quickly if located near sunlight. There are many reasons why your print will fade, so the website Viewing Japanese Prints has written a fine article regarding those very reasons, amongst other ways you can protect your mokuhanga collection. You can find that article, here.    The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here.    Red Hook, Brooklyn, NY - is a neighbourhood in Brooklyn, New York. Once called South Brooklyn and once an industrial area, Red Hook has evolved over time to house many New Yorkers who are looking to be close to Manhattan and still be able to afford a home. There is a great New York Times article, here, which explores the history of this fascinating area.    Doi Hangaten -  is a mokuhanga print publisher located in Tōkyō, Japan. Once a publisher of prints associated with the shin-hanga movement of the ealry twentieth century, the company continues to publish reproductions of famous Japanese prints, in the old ways. Most recently, the Doi family have collaborated with David Bull and Mokuhankan to publish new verions of some of the old blocks from almost 100 years ago. More info about the Doi Hangaten can be found here, here and here. The collaboration videos produced by Mokuhankan regarding the Doi family and the subsequant collaboration can be found, here.    LIFE Institute - is a learning facility for adults age 50+.  The LIFE Institute began in 1991, and has a membership of 2500 today. The institute offers high quality education in the Arts, Humanities, Science and Technology, amongst others. Courses are conducted in person or online. More info can be found, here.    The National Gallery of Art - is a free art gallery located in Washington D.C. Founded by financier Andrew W. Mellon. The West building was constructed in 1941. The gallery houses more than 150,000 pieces of art and is dedicated to education and culture. More info can be found, here.    Itō Jackuchū (1716-1800) - was a Japanese painter who painted in silk. His work can be seen in scrolls (kakemono), sliding doors (fusuma), and folding screens (byōbu). Known for his wild style of painting, Jackuchū's most popular theme is of birds. There are many books wirtten about Jackuchū and his life and times. More info can be found, here , to get you started.  Rooster (18th Century)   Nishiki-e (錦絵) - is the Japanese phrase for colour woodblock prints, otherwise known as brocade pictures.    Ogata Gekkō (1859-1920) - was a painter, illustrator and mokuhanga designer. Gekkō's work has a delightful water colour style, where the subjects seem to be floating and light, regardless of whether the subject is a beautiful woman or a ghostly fox. Gekkō's subject matter ranged from landscapes, to mythology. Ogata Gekkō had a full career, from working with many publishers for his print designs to founding various art associations. More information about the life and career of Ogata Gekkō can be found, here, on David Humphries' fantastic website about the artist.  Drawing Water from Yoro Waterfall — 養老孝子瀧を汲の図 (1896)   Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan.    Evolution of Pigments in Mokuhanga - the evolution of pigments in mokuhanga began with hand painting in the later 17th Century, to the multi coloured prints of ukiyo-e, shin hanga, and sōsaku hanga. More info regarding the pigment evolution can be found, here, at the Library of Congress.    The Japan Foundation - is a not for profit organization established in 1972, with many offices located around the world. The Japan Foundation Toronto has been active in the city since 1990. More info, here for the JF worldwide, and here for Toronto.    Elizabeth Forrest - is an award-winning Canadian artist and mokuhanga prinmaker. She has been producing mokuhanga since the late 1980's when she lived and studied in Kyoto. She has studied with the late Akira Kurosaki (1937-2019).  More info about Elizabeth's work can be found, here.  And It Began To Rain (2014)   Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Taurus (1973)   Barbara Wybou - is a Canadian mokuhanga artists who lived, worked, and studied in Japan for twenty years. Her home these days is Toronto where she continues to work on her mokuhanga. Notably she studied with the late Tōshi Yoshida (1911-1995). Her work can be found, here.  Rats 3   Toyohara Kunichika (1835-1900) -  was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here.    Onoe Kikugorō V as The British Spencer (1894)   War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here.    Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between two colonial powers, the Imperial Russian and Imperial Japanese military, taking place in China. Information about its background can be found here at history.com, and here.    bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  Itō Shinsui (1898-1972) After Washing Her Hair (1936)   yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga.  Utagawa Yoshiiku (1833-1904) Oyama Doll - Ichikawa Udanji (1893)   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer.   Yamato Take no Mikoto with His Sword Kusanagi - is the print by Ogata Gekkō which Carol mentions as one of her favourite prints.     Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in world war 2, having been stationed in Japan. After his time in the war Statler moved back to Japan, where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as acoomodation, and the 88 Temple Pilgrammage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.”   John Stevenson -  is an American author who has written extenisvely on Tsukioka Yoshitoshi (1839-1892).    Tsukioka Yoshitoshi (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.    The Flower of Edo (1858) Utagawa Kuniyoshi (歌川 國芳) - was a print designer and painter known for his triptychs, yoko-e (horizontal landscape prints), Yokohama-e (prints with Yokohama as its subject), and yakusha-e (actor prints). Considered as one of the last of the "golden age" print designers of the ukiyo-e genre.  Ichikawa Kodanji IV as the ghost of Asakura Togo (possibly 1851) Kunisada/Kuniyoshi Exhibit - was an art exhibition held at the Museum of Fine Arts Boston from August 11 - December 10, 2017. There was also an excellent catalogue printed for this show and would add to any woodblock print fan's library. more info, here. The book I reference about Toyohara Kunichika is "Time Present and Time Past of a Forgotten Master: Toyohara Kunichika 1835-1900"  There are various online print collections that the aspiring mokuhanga scholar can seek out to help in their studies. The Library of Congress has their collection online, as does ukiyo-e.org, who have various impressions af their prints throughout their website.  Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. Acadia Books - is a vintage and unique used bookstore located at Sherbourne and Queent St. East in Toronto, Ontario, Canada. In my opinion it is one of the best bookstores I have had the priviledge to visit. More info, here.  © Popular Wheat Productions opening and closing musical credit - intro music is Spill Yer Lungs and outro music is Tailor  both by Julie Doiron from her album I Can Wonder What You Did With Your Day (2009) on Jagjaguar Records logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

Today on An Artist's Perspective, KMUW commentator Curt Clonts says a printmakers show at City Arts features the work of seasoned and talented makers.

It's had more than 20 years championing the work of this country's print makers. Now Print Council Aotearoa New Zealand has published a book featuring a dazzling array of prints by its members. PCANZ has around 250 printmakers, and many of them are seriously pushing the boundaries with their techniques. In Proof : Two decades of printmaking each artist provides a short note describing their work - some breaking new ground, but many using traditional techniques, like screen printing, lino and wood cuts. Lynn Freeman spoke to two of the print makers who've worked on the book - Kathy Boyle and Heather Partel. Proof : Two decades of printmaking is published by Massey University Press.

Ralph Kiggell has been an important part of the international mokuhanga community for many years. Ralph takes many different elements of mokuhanga, the energy and exploration of an artist, to create some of the most dramatic and ambitious mokuhanga today. On this episode of The Unfinished Print I speak with mokuhanga printmaker Ralph Kiggel about his life in Thailand, using locally sourced materials for his mokuhanga from that country; we also speak on his artistic ambitions, his observations on the current state of the mokuhanga community, and what he would like to see as its future.  Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Ralph Kiggell - website, Instagram, interview with Evil. O Japan and the West - Japan as a country has had an uneasy relationship with the "West." In many cases this relationship has focused solely with the United States. For a fine early description of this particular relationship please read The Making of Modern Japan, by Marius B. Jansen, and Empreror of Japan: Meiji and His World, 1852-1912 by Donald Keene.  ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Rembrandt Harmenszoon van Rijn (1606-1669) - was a Dutch painter, considered to be a part of the Dutch Golden Age of painting. He was notable for his self-portraits, landscape painting, and empathic painting.  Serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper, etc.  Western Engagement with Mokuhanga -  the connection with woodblock prints and the West, predominantly with the United States and Britain, began when the elite of both countries started collecting ukiyo-e. Collecting ukiyo-e was the fashion for wealthier patrons of the arts who saw the beautiful images from Japan and their “Oriental” aesthetic as worth collecting. By the start of the twentieth century ukiyo-e production had began to wane. It wasn't until Watanabe Shōzaburō (1885-1962) who worked in the woodblock print business, and who exported prints to the West to a foreign market, saw the benefit of focusing his business for foreign buyers. He established his publishing house in Tōkyō for making woodblock prints with high end techniques (almost lost at that point) and used the traditional hanmoto system of print production to facilitate the demand. This began a fruitful business which created a new generation of woodblock production and Japanese aesthetic. The two important types of woodblock print styles from this period are shin-hanga (new prints), and sōsaku-hanga (creative prints). shin-hanga - or, new prints, is a style of woodblock print production connected to the early twentieth century in Japan. Attributed to Watanabe Shōzaburō, and were created via the ukiyo-e, hanmoto system. Prints are produced through a hierarchy. This hierarchy is as follows: publisher commissions artist who designs the prints, professional woodblock carvers carve the prints, and professional printers print the prints. This collaboration system helped make shin-hanga into the collectable works we find today. They help to codify a romanticized Japanese aesthetic, for a Western audience.  sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self made prints was a breakthrough for printmakers beginning to move away from where only a select group of carvers, printers and publishers created woodblock prints.  War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here.  The American Occupation and Woodblock Prints - the occupation of Japan occurred after the end of the Pacific theatre (1941-1945) and World War 2 (1939-1945). The Occupation of Japan was from 1945-1952. During this period of nation rebuilding, the Japanese print market as a post-war souvenir was very popular. The rapid growth of the woodblock print in the immediate post-war is attributed to several factors. Robert O. Muller (1911-2003) was an American collector who helped establish print connections with Japan and the United States. From owning the Shima Art Co. of New York City, to working with Shōzaburō in Tōkyō after the war, Robert O. Muller's contribution can be considered unprecedented in woodblock print history.  Kōshirō Onchi (1891-1955) was another factor in the rise of woodblock prints during the Allied Occupation. His First Thursday Society, and with the help of his daughter who worked directly with the Supreme Commander of Allied Powers (SCAP), Onchi was able to spread the word on the creative prints project (sōsaku hanga) by making connections with important collectors in the American military government, as well as recruiting American artists, such as Ernst Hacker (1917-1987).  For more information regarding the American Occupation of Japan and woodblock prints please read, Japanese Prints during the Allied Occupation 1945-1952, and Troubled Times and Beyond: Japanese Prints 1931-1960, published by Nihon no Hanga, Amsterdam. My interview with Maureen de Vries, curator of Nihon no Hanga, can be found, here.  Evolving Techniques in Japanese Woodblock Prints - is a book published by Kodansha International in 1977. It was written by Canadian woodblock printer Gaston Petit, and Amadio Arboleda, who currently apprentices as a violin maker in Tōkyō.  Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies.  入門 - "nyuumon" in the title of the book Ralph speaks about in our interview, where we discuss what the following kanji means. There are a few meanings for this particular kanji, but in regards to the book I believe it to mean, "beginning training." 水生 - "suisei" is a Japanese word meaning, "water based." 刷物 - "surimono" is a Japanese word which means, literally, "printed thing." These were also privately commissioned prints made by wealthier clients for special occasions. These prints usually were extremely extravagant, using high-end techniques and pigments.  I could not in my research find whether or not "surimono" was used more colloquially, rather than "ukiyo-e." kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website. Will Francis - is a British mokuhanga printmaker who works predominantly for American graphic designer Jed Henry, and Mokuhankan.  shina - is a type of Japanese plywood used in mokuhanga. jigsaw cutting - Ralph uses various methods when making his mokuhanga. One such method is jigsaw cutting, where the blocks are cut and those cuts are used to make prints. In this video, Ralph explains his process on making his prints. Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Munakata Shikō 志功棟方 (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. flâneur - is a French word, meaning idler, walker of streets, a way to see a city, to understand it. The freedom to walk a city is a type of freedom that allows someone to truly understand where they are.  While almost always written in French literature [(Charles Baudelaire (1821-1867)], for men there has been a question about why women haven't been associated with the word. Lauren Elkin, an American writer in Paris, tries to understand why women aren't associated with the term. The CBC podcast, IDEAS, interviewed her and it was a great way to understand what makes a flâneur, or flâneuse. You can find it, here.  Alex Kerr and Lost Japan  - Alex Kerr is an American Japanologist who lives and works in Japan. He has written many books on Japan, but is famous for Lost Japan, published in 1993. It describes the modernity of Japan, and what is destroyed when searching for that modernity.  Meiji-jingu (明治神宮) - is a large parkland area near the Harajuku neighbouhood of Tōkyō. It is dedicated to Emperor Meiji (Prince Mutsuhito - [1867-1912]). It is open 365 days of the year and is especially busy during the New Years celebrations.  Black Ships - are associated with the American naval commodore, Matthew C. Perry (1794-1858). The United States wanted to open trading with Japan, who had been in self-imposed isolation with the West since 1635. Matthew C. Perry essentially bullied his way into the conversation of trade with Japan and these "Black Ships" he arrived on, became a symbol of this moment.  Frank Lloyd Wright and the Imperial Hotel - (1867-1959) FLW was an American architect who designed many different buildings in Japan since his first visit in 1905. The Imperial Hotel was located in Tōkyō in the Hibiya district. It was moved to, and reconstructed in 1968 at the Meiji-mura Museum Village in Aichi Prefecture. It was built in the Mayan Revival style. I got a chance to visit it in Aichi and it's pretty spectacular, and smaller than I thought it would be. The Imperial Hotel still exists today.  Kozo paper - is a long fibered mulberry paper used for mokuhanga and cloth making. It is produced in Japan, Thailand, and South America.  Lampang, Thailand -  located in Northern Thailand and is a trading city with tourism, and farming. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Begun with painter Yoshida Kasaburō (1861-1894), made famous by Yoshida Hiroshi (1876-1950) and his work with woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Yoshida Hodaka (1926-1995) - the second son of Hiroshi Yoshida, Hodaka Yoshida seemed to be a bit of the black sheep of the Yoshida family. His desire to become an artist was against his fathers wishes, and his work was an extreme departure from what his father had produced as well as his older brother. Inspired by western artists such as Henri Matisse (1869-1954), and Pablo Picasso (1881-1973), Hodaka began to move away from painting to woodblock prints in the 1950's. Hodaka travelled (the Yoshida family were constant travellers) and was constantly inspired by the world. This was reflected in his woodblock prints and woodblock/photo etching prints.  Yoshida Tsukasa (b.1949) - is the son of Tōshi Yoshida. He is a woodblock printmaker focusing on themes of nature and especially the moon. Bangkok Art Biennale - is an art biennale located in Bangkok, Thailand. It was founded in 2018, and was created for visitors to immerse themselves in Thai culture through various arts installations and shows. The 2022/23 biennale will be from October 22, 2022 - February 23, 2023. (IG) Province of Manitoba, Canada - joined Confederation in 1870, and is known for its natural beauty and vast landscapes. The capital is Winnipeg.  Province of Saskatchewan, Canada - joined Confederation in 1905, and is known for its vast fields and flat land. Its capital is Regina.  April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the authoritative books on the subject and has influenced many up and coming mokuhanga artists.  Natasha Norman - is an artist based in Johannesburg, South Africa. Here mediums are mokuhanga, mokulito, monotype, and paintings. My interview with Natasha Norman can be found, here.  MDF - Medium-density fibreboard is a board made of discarded wood fibres and bonded together by wax and resin, which makes it bad for you if you carve it.  opening and closing credit music - Spadina Sounds as told by the walkway which had a moving sidewalk.  Here are some of the sources used for the above notes: LIPSHULTZ, SANDRA LAWALL. A Japanese Legacy Four Generations of Yoshida Family Artists. Laura W. Allen, Kendall H. Brown, Eugene M. Skibbe, Matthew Welch, Yasunaga Koichi. Held at the Minneapolis Institute of Arts from FEBR. 2 to April 14, 2002. Chicago, Ill: Art Media Resources, 2002. MARTIN, KATHERINE. Highlights of Japanese Printmaking: Part Two - Shin Hanga. Scholten Japanese Art, 2006. DE VRIES, MAUREEN, Chris Uhlenbeck, and Elise Wessels. Troubled Times and Beyond: Japanese Prints 1931-1960. Nihon no Hanga, 2013.  © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Nikki Iles is a pianist, a professor of jazz at the Royal Academy of Music and the Guildhall School of Music & Drama in London, and a composer. In some ways, I think of her as a British jazz gem, but that would do a disservice to the fact that she's very much loved in other jazz communities around the globe. Her musical work in the UK has seen her become a leading figure in the British jazz tradition. She is known for her collaborations with vocalists Norma Winstone and Tina May, and has expanded her reputation as leader of the Nikki Iles Jazz Orchestra since the ensemble debuted at the 2018 EFG London Jazz Festival. She's worked with the Frankfurt Radio Big Band, the WDR Big Band, and led several groups, including The Printmakers comprising a who's-who of British jazz. Most recently, she was awarded a British Empire Medal (BEM) for ‘Services to Music' and an Ivor Novello Jazz Ensemble Composition Prize. We chat about her foray into large ensemble writing, her take on British jazz identity, motherhood, and so much more. Show Notes: Tracklisting: - High Lands (feat. Norma Winstone & The Printmakers) - Wild Oak (for Geri Allen) - Maybe September (feat. Tina May) - Westerly (feat. Norma Winstone & The Printmakers) - The Glide http://www.nikkiiles.co.uk/  Nikki Iles profiled by John Fordham for London Jazz News Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Nikki Iles is a pianist, a professor of jazz at the Royal Academy of Music and the Guildhall School of Music & Drama in London, and a composer. In some ways, I think of her as a British jazz gem, but that would do a disservice to the fact that she's very much loved in other jazz communities around the globe. Her musical work in the UK has seen her become a leading figure in the British jazz tradition. She is known for her collaborations with vocalists Norma Winstone and Tina May, and has expanded her reputation as leader of the Nikki Iles Jazz Orchestra since the ensemble debuted at the 2018 EFG London Jazz Festival. She's worked with the Frankfurt Radio Big Band, the WDR Big Band, and led several groups, including The Printmakers comprising a who's-who of British jazz. Most recently, she was awarded a British Empire Medal (BEM) for ‘Services to Music' and an Ivor Novello Jazz Ensemble Composition Prize. We chat about her foray into large ensemble writing, her take on British jazz identity, motherhood, and so much more. Show Notes: Tracklisting: - High Lands (feat. Norma Winstone & The Printmakers) - Wild Oak (for Geri Allen) - Maybe September (feat. Tina May) - Westerly (feat. Norma Winstone & The Printmakers) - The Glide http://www.nikkiiles.co.uk/  Nikki Iles profiled by John Fordham for London Jazz News Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Nikki Iles is a pianist, a professor of jazz at the Royal Academy of Music and the Guildhall School of Music & Drama in London, and a composer. In some ways, I think of her as a British jazz gem, but that would do a disservice to the fact that she's very much loved in other jazz communities around the globe. Her musical work in the UK has seen her become a leading figure in the British jazz tradition. She is known for her collaborations with vocalists Norma Winstone and Tina May, and has expanded her reputation as leader of the Nikki Iles Jazz Orchestra since the ensemble debuted at the 2018 EFG London Jazz Festival. She's worked with the Frankfurt Radio Big Band, the WDR Big Band, and led several groups, including The Printmakers comprising a who's-who of British jazz. Most recently, she was awarded a British Empire Medal (BEM) for ‘Services to Music' and an Ivor Novello Jazz Ensemble Composition Prize. We chat about her foray into large ensemble writing, her take on British jazz identity, motherhood, and so much more. Show Notes: Tracklisting: - High Lands (feat. Norma Winstone & The Printmakers) - Wild Oak (for Geri Allen) - Maybe September (feat. Tina May) - Westerly (feat. Norma Winstone & The Printmakers) - The Glide http://www.nikkiiles.co.uk/  Nikki Iles profiled by John Fordham for London Jazz News Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

(Apr 7, 2022) A new show at St. Lawrence University in Canton features the work of nine Black women printmakers, a group very underrepresented in the genre. Also: the details of the state budget are coming into focus, including a suspension of the state gas tax this summer.

Lois Reitzes speaks with Karl Davis, the executive director of Crow's Shadow Institute of the Arts and Jeffrey Richmond-Moll, the curator of “Collective Impressions: Modern Native American Printmakers.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode I chat with Aideen Quirke of Cork Printmakers about her career, this special members organisation and some of the fantastic work that is happening including by an interesting group of young people from the migrant community. She talks about art as a "precarious career choice", the importance of making art more accessible and the role of art in culture, in therapy, in communicating big issues and in our cities and country. Enjoy the show!   This show has been brought to you by Fuzion Communications, a Marketing, PR, Graphic Design and Digital Marketing Agency in Ireland with offices in Dublin and Cork. The show is produced by Greg Canty Greg's blog Greg on Twitter  Email Greg with feedback or suggested guests: greg@fuzion.ie 

In this episode of pine|copper|lime Miranda talks with Des McMahon of The Limerick Printmakers, a collective group of working class printmakers in Limerick, Ireland. We'll talk about how he came to printmaking through punk aesthetics and german expressionism, the City of Limerick, and how its (lack?) of printmaking history gave it its own character, printmakers as builders, and the twenty-four-hour print. The Limerick Printmakers http://limerickprintmakers.com Des McMahon http://desmacmahon.ie Shop Talk by pine|copper|lime https://www.patreon.com/pinecopperlime pine|copper|lime YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw pine|copper|lime MERCH www.teepublic.com/user/pinecopperlime pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ www.patreon.com/pinecopperlime Our sponsor Speedball www.speedballart.com

In episode 102, Ann is in the hotseat as Ben asks her about her beginnings as a curator from an internship at the Whitney Museum of American Art during college, to graduate school at Williams College, to the prints and drawings department at the National Gallery of Art, and to the prints, drawings, and photographs department at the Baltimore Museum of Art. Ann talks about how it happened, highlights along the way, and how much it meant to her. Interwoven is a love letter to the many students that passed through the BMA's studyroom, the exhibitions that were most meaningful, and the objects she acquired for the BMA's collection.

Laura Brown is an artist, printmaker, and founder of Postcard Club. We talk about cultivating hope, steps towards creative sustainability, the pandemic as a boundary, having confidence in your creative voice, and how Laura has worked to carve out a place for herself that feels good. Full episode notes here Laura Holway is a writer and coach that helps heart-centered humans build creative businesses that center their values and humanity, and cultivate radical self-trust along the way. Grow From Center shares action steps, mindset shifts, and inspiration to support you as you create what you long to find in your work and life. LINKS: Laura Brown's website Laura Brown on Instagram Join Postcard Club Laura Holway on Instagram  Subscribe to Laura Holway's bi-monthly newsletters for creative humans

This is a 4 part podcast series by National Museums NI, hosted by Curator of Art, Anna Liesching, which looks at exhibitions held in the Ulster Museum through the prism of the art of printmaking. In this episode, Anna chats to Dr Rachel Sloan, Assistant Curator of Works on Paper at The Courtauld, London, about the Ulster Museum’s latest exhibition, ‘Renoir and the New Era’, curated by Anna and which explores the Impressionists by taking Renoir’s masterpiece ‘La Loge’ as its centrepiece, alongside accompanying works on paper from the Ulster Museum’s collection. Anna and Rachel discuss prints in the exhibition, the place of printmaking in Impressionism and how important an artwork’s title can be for understanding its meaning. For a full audio tour of Renoir and The New Era, take the Smartify tour here or download the Smartify app. For further information on the artists and artworks discussed, follow the links below. Links Chicago Institute of Art  https://bit.ly/31wiQFG The Courtauld https://bit.ly/3od7WhI Courtauld Collections https://bit.ly/2HnQVAS Witt library https://bit.ly/3ofJEn8 Jacques Callot in The Courtauld collection https://bit.ly/3dPeQVy William Hogarth in The Courtauld collection https://bit.ly/3jkG4om Queue in front of butcher shop https://bit.ly/2XhIUmH Woman at a Window (1871-72) Edgar Degas (included Sickert’s anecdote in label) https://bit.ly/3jhFRlP Execution of the Emperor Maximillian Lithograph, Édouard Manet   https://bit.ly/2FPfF48 Berthe Morisot (1872) Edouard Manet (1832-1883) Ethcing  (in exhibition)  https://bit.ly/39RiJ95 Berthe Morisot with a Bouquet of Violets Edouard Manet (1832-1883) painting https://bit.ly/34pgjix Berthe Morisot (1872) Edouard Manet (1832-1883) Lithograph https://bit.ly/37sstJj Berthe Morisot drawing, with her daughter (1889) Berthe Morisot (1841-1895) (in exhibition) https://bit.ly/2wl4tHK Young Woman reclining  (1889) Berthe Morisot (1841-1895) (in exhibition) https://bit.ly/3e1su7R Marry Cassatt https://bit.ly/3kk4DTG Market at Gisors Camille Pissarro (1830-1903) (in exhibition) https://bit.ly/3aSGVsN An example of a Degas Monotype https://bit.ly/3kmwDpH Kermis at Hoboken (1559) Pieter Bruegel the Elder (ca. 1525-1569) original drawing https://bit.ly/31tcMNV Canaletto’s etchings of Venice https://bit.ly/34iJdR6

In this episode Miranda speaks with Becci Spruill and Olivia Richardson from The Radical Intersectional Printmakers Guild. Becci and Olivia have taken on forming a new organization in the printworld with accessibility, social justice, and, as the name implies, intersectionality at its heart. They share with us their motivations for taking on this project, the tangible and practical actions they are taking to build an intersectional organization from the ground up, what they are bringing to the print world, and why it's important. RIPG's Interim Board and Founding Members includes Olivia and Becci (both she/her), Kay Seedig (they/them), Ruben Castillo (he/him) and Stephanie Alaniz (she/they). You may remember Stephanie from episode 30 of this podcast. RIPG Instagram https://www.instagram.com/riprintguild/ RIPG YouTube https://www.youtube.com/channel/UC68aPS_mQAC9RnWIu-Zq_wA pine|copper|lime MERCH www.teepublic.com/user/pinecopperlime pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ www.patreon.com/pinecopperlime Our sponsor Speedball www.speedballart.com

This is a 4 part podcast series by National Museums NI, hosted by Curator of Art, Anna Liesching, which looks at exhibitions held in the Ulster Museum through the prism of the art of printmaking. In this episode, Anna speaks to Niamh Kelly, Youth Ambassador for Reimagine Remake Replay, about ’Making Her Mark’ an exhibition curated by Anna in 2018 that explored the impact women artists had on the print tradition. Anna and Niamh discuss Niamh’s role in RRR and the project itself, her first impression of the Making Her Mark exhibition and the role of woman printmakers throughout history. If you want to know more about the exhibition and woman printmakers mentioned, purchase the Making Her Mark publication in the Ulster Museum shop.

Bryn Gleason is a Chicago-based visual artist and printmaker specializing in Intaglio. Her work has been featured in galleries, art shows and festivals in Minneapolis, New York, Denver, and her adopted hometown Chicago. Bryn lends her creative talents to cocktail programs wherever she lives, showcasing specialized knowledge in agave spirits. In our discussion we speak about Bryn’s journey to Chicago,

Fall semester 2020 brings season 3 of the Creativity Conversations podcast.This podcast episode features excerpts the Feb. 2019 conversation between woodcut artist Tom Hück and Michael C. Carlos Museum Curator of Works on Paper Andi McKenzie. Watch the video of the original conversation.Best known for his large-scale woodcuts, Hück's brash sociopolitical commentary draws from great satirists like Hogarth, Daumier, and R. Crumb. His technique, however, is inspired by the famed German woodcut artists of the Northern Renaissance, Albrecht Dürer and Martin Schongauer, among others. Hück and McKenzie discuss these influences and Huck's creative enterprise, Evil Prints, where he creates his own work and trains the next generation of remarkable printmakers.This conversation is introduced by host/Arts at Emory employee Maggie Beker and Emory College student Joel Hines. Beker and Hines introduce the podcast, discuss Hines' own creative works, and enjoy exploring a medium foreign to them both - woodcutting.This program is part of the Rosemary M. Magee Creativity Conversation endowed series.

We're talking Kentucky artists and prints with Julie and Warren Payne of Payne Fine Arts, as well as their new book, Black and White: Kentucky Prints and Printmakers. We cover everything from Harlan Hubbard, to Enid Yandell, to more familiar artists such as Matthew Jouett. I learned a lot during this conversation. You can get your copy of Black and White by clicking this link.

Printmakers Against Racism is a project that launches today, on the day of this recording July 25th, 2020. Desiree Aspiras is the founder of the project which aims to engage printmakers across the world to sell their printss and donate the proceeds to support the fight against systemic racial injustice. In lieu of the project launch, Desiree and I discuss the motivation behind the project, and how a similar movement called @bakersagainstracism provided her with a frame work to set up this global art sale. Learn how Instagram closed her account causing her to rename her handle with little explanation why it happened at all. Desiree is an artist, poet, and therapist, so she has a lot of thoughtful insight into how it's important to take care of ourselves to be able to show up for others. If you still want to sign up, it's simple to get involved, just go to http://printmakersagainstracism.com and sign up. It's up to participants to sell their works and once the funding is collected they can choose the local organization where they would like the proceeds to benefit. The sale runs for one week, July 25th-July 31st, though the parameters are loose enough that you can still sign up even as the project is launching, and there isn't a hard deadline for when you have to sell your prints. It's really about giving artists a prompt to get making art for a good cause. Check out the project and participate in any way you can. Follow Printmaking As Resistance on InstagramFollow The Print Cast 

Whit Print in Eugene is a thriving non profit printmaking studio where members have access 24/7 to the equipment and supplies. The creative community members talk to us about what they are working on, what they love about the studio, and we listen in to a class with an artist new to the wonders of printmaking. Heather Halpern, the Executive Director, takes us on a tour of the facilities, including their rare large presses and rooms next door they will be expanding into. It's a glimpse inside an inspiring art scene! Check out their website: https://www.whitprint.com/.

We discussed: Travels in India, Being a craftsman, Graphic arts, Foil stamping, Book making, Printmaking, Stories of artists selling enough art through social media to make a living, The desire to be financially stable, Dating and relationships with artist and creative people, Artistry and craftsmanship, The concern of return on investment in creating fine art, The difficulty of having time to devote to making artwork, Printmakers are OCD artists, Paper Chase Press, Morgan Conservatory, Dieu Donné , Swoon making paper pulp editions, and Kiki Smith http://nicholasnaughton.com http://theprintcast.com   Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool   For more information about the host, Matthew Dols http://www.matthewdols.com  

We discussed: Travels in India, Being a craftsman, Graphic arts, Foil stamping, Book making, Printmaking, Stories of artists selling enough art through social media to make a living, The desire to be financially stable, Dating and relationships with artist and creative people, Artistry and craftsmanship, The concern of return on investment in creating fine art, The difficulty of having time to devote to making artwork, Printmakers are OCD artists, Paper Chase Press, Morgan Conservatory, Dieu Donné , Swoon making paper pulp editions, and Kiki Smith http://nicholasnaughton.com http://theprintcast.com   Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool   For more information about the host, Matthew Dols http://www.matthewdols.com  

Leah's website: leahmariehamel.com- Abroms-Engels Institute for Visual Arts -Studio by the Tracks-Birmingham Museum of Art-VinegarMake This: Do That Contact:email: podcast@makethisdothat.orgvoicemail: ?(612) 276-2473?

Willy James describes himself as “a friendly neighborhood filmmaker.” In this episode we catch up with Willy about his new project, the Pittsburgh Sleep Podcast. We also chat about his recent coronavirus collaboration with Rick Sebak, the furries' favorite pizza shop and Katz Deli in NYC.    We also share some of the things that local businesses, Flower City Printmakers and The Warren, are doing to give back.

Join us for the second episode of our special “Spring Fling” Big Blend Radio broadcast series with artist Victoria Chick who discusses three 20th century printmakers who made flowers and plants their subjects. These artists include: master printmaker Carl Grupp (1939-1974), Wilbur Niewald (1925-), and Victoria Hutson Huntley (1900-1971). Read her article on BlendRadioandTV.com.  A regular Big Blend expert contributor, Victoria Chick is contemporary figurative artist and early 19th/20th century print collector.  This episode was recorded during Big Blend Radio hosts Nancy J. Reid & Lisa D Smith’s stay at the historic Homestead Inn in Twentynine Palms, California, gateway to Joshua Tree National Park. Featured music is “What’s Your Story, Morning Glory” as featured on Carmen Lundy’s album “Soul to Soul.” 

In his beautiful atelier we discussed: Screen printing, Printmakers, Printmaking, The trend toward specificity and precise titles and descriptions, Working in editions, Cyanotypes, Making art is a passion, Art as a language, p contemporary (Gallery Michaela Seif), Printing an entire tree, Art fairs, Artist statements, The process is not the art, Artist residencies, The need for constructive feedback, An artist statement is an extension of the visual work, Erasmus Programme / study abroad / exchange students, Working collaboratively, Artists needing to store their artwork, Storage needs, and Integrating technology. http://www.michaelwegerer.net https://www.quintscreenprint.com   Michael Wegerer (*1970 in Austria) works with extended methods of printmaking, drawing, sculpture and installations. His work is an ongoing media-reflexive exploration of cultural and historical perceptions of images and data as well as the interweaving of visual media. The starting point are socio-cultural themes, collaged from newspaper clippings and statistics, which he has been collecting for several years in an archive created especially for this occasion. In the course of several international working periods in Great Britain, Ireland, Australia, Sweden and China, he has been developing experimental and versatile screen-printing techniques since 2006. In addition to his national and international exhibition activities, he is also dedicated to the design of glass and façade elements within the framework of Kunst am Bau projects. Education: In 2008, Wegerer graduated with distinction from the University of Applied Arts in Fine and Media Arts. After completing his Master's degree (2009-2011) in Fine Art Practice at the Royal College of Art in London, Wegerer taught as a guest lecturer at RMIT University, Monash University, Charles Darwin University in Australia, Manchester University and at Wimbledon College of Arts in London, Webster University St.Luis, and was a lecturer at the International Summer Academy in Salzburg and at the "Graphische" in Vienna. 2020-2023 Wegerer is an external examiner at the National College of Art and Design in Dublin, Ireland.   Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

In his beautiful atelier we discussed: Screen printing, Printmakers, Printmaking, The trend toward specificity and precise titles and descriptions, Working in editions, Cyanotypes, Making art is a passion, Art as a language, p contemporary (Gallery Michaela Seif), Printing an entire tree, Art fairs, Artist statements, The process is not the art, Artist residencies, The need for constructive feedback, An artist statement is an extension of the visual work, Erasmus Programme / study abroad / exchange students, Working collaboratively, Artists needing to store their artwork, Storage needs, and Integrating technology. http://www.michaelwegerer.net https://www.quintscreenprint.com   Michael Wegerer (*1970 in Austria) works with extended methods of printmaking, drawing, sculpture and installations. His work is an ongoing media-reflexive exploration of cultural and historical perceptions of images and data as well as the interweaving of visual media. The starting point are socio-cultural themes, collaged from newspaper clippings and statistics, which he has been collecting for several years in an archive created especially for this occasion. In the course of several international working periods in Great Britain, Ireland, Australia, Sweden and China, he has been developing experimental and versatile screen-printing techniques since 2006. In addition to his national and international exhibition activities, he is also dedicated to the design of glass and façade elements within the framework of Kunst am Bau projects. Education: In 2008, Wegerer graduated with distinction from the University of Applied Arts in Fine and Media Arts. After completing his Master's degree (2009-2011) in Fine Art Practice at the Royal College of Art in London, Wegerer taught as a guest lecturer at RMIT University, Monash University, Charles Darwin University in Australia, Manchester University and at Wimbledon College of Arts in London, Webster University St.Luis, and was a lecturer at the International Summer Academy in Salzburg and at the "Graphische" in Vienna. 2020-2023 Wegerer is an external examiner at the National College of Art and Design in Dublin, Ireland.   Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

March 3, 2019 at the Boston Athenæum. Topographers, illustrators, and painter-printmakers explored and created images of the Grand Canyon, and the evolution of these genres parallels the history of American printmaking in the late nineteenth and early twentieth centuries. Beginning with geological studies and including prints for tourists and collectors, printmakers have approached the Canyon from the vantage point of line, tone, and pattern. In so doing, they made significant contributions to imaging one of the United States’ most renowned geological monuments, yet their works have not been extensively studied like those of painters and photographers. Sublime Impressions: Prints and Printmakers of the Grand Canyon traces the history of printmaking in the Grand Canyon from the topographical images of the first explorers to the abstracted works of twentieth-century modernists to show how a medium changed the way the Grand Canyon was represented and, thus, the public’s perception of it.

Jess Tobin, Limerick Printmakers (LP) Manager, sits down with #WeAreLimerick host, Cian Reinhardt, to talk about the group reaching the milestone of 20 years, her own background in art and the impact LP has had on the Limerick arts community. #KeepingLimerickPosted Producer/host: Cian Reinhardt Intro/outro: Drops of H2O (The Filtered Water Treatment) by J.Lang Ft: Airtone dig.ccmixter.org/files/djlang59/37792 (c) 2012 Licensed under a Creative Commons Attribution (3.0) license.

Images of Andrew's current space for reference.A design for a simple sled for cutting miters on a table saw. This design can be adapted to a variety of saws and will allow the user to cut accurate, repeatable miters.A design for an out-feed setup. This kind of design can be adapted to a variety of saws. It would also be adaptable to build an extension wing off the side of the table.We discussed a number of options for dust collection and control in a small shop environment. Wood Magazine has an article that runs through a variety of options here. Below is a short list of options, it is by no means complete, but it might point you in the right direction.Festool's line of dust extraction offers a variety of solutions that are directly compatible with their ecosystem of tools and can be adapted to be used with the offerings of other manufacturers.Makita, Fein, and Metabo all have their own line of dust collection similar to what Festool offers.For dealing with the uninsulated, single-pane windows that Andrew has in his space we recommended a 3M Window Insulation kit

The Printmakers Podcast returns as Matt Reno interviews Art Inc. KY President and award winning artist Mark Lenn Johnson. Mark talks about what Art Inc. is and how it benefits local artists. He also discusses his own work and offers practical advice on pricing art. Learn more about Art Inc. KY at: https://www.artinckentucky.org/ https://www.facebook.com/ArtIncKentucky/ https://www.instagram.com/ArtHouseKentucky/ This podcast is brought to you by Bluegrass Printmakers. Learn more about our organization at: https://www.bgprintmakers.org https://www.facebook.com/bgprintmakers/ https://www.instagram.com/bgprintmakers/ This episode was hosted by BGP member Matt Reno: https://mattreno.com/ https://www.instagram.com/mattrenoprints/ Theme music is "Washed Up" by Johnny Conqueroo: https://johnnyconqueroo.bandcamp.com/ http://www.johnnyconqueroo.com/ https://www.instagram.com/johnnyconqueroo/

In the late 19th and early 20th century United States, many printmakers were attracted to architecture as subject matter. Artist Victoria Chick discusses how the dynamics of what was going on in the world of Architecture, largely represented characteristics of the American people and American life during an approximate 50 year period of printmaking. Read Victoria's article here: http://blendradioandtv.com/listing/the-american-character-represented-by-architecture/ Music on this episode is ‘Heart of the City by Wally Lawder.

Episode 26 of our podcast with Scott Minzy! We talk about his journey as an artist and printmaker and what inspires his work and what he has going on now! We connect about what makes printmakers tick and be inspired! Check out more of Scott’s work at scottminzy.com and @scottminzy on social media! Support his work!

We interview Alex and Becky Chipkin who have been providing printmaking workshops at the Info Commons over the last few years. As twin artists and activists they share what printmaking means to them, how they came to the art form and what having a printing press on bicycle is all about.

Topics From Today's Show:How to start selling wall art and keepsakes in your photography business.Why your mindset toward selling products is all wrong, and how to shift it.What you can do today to start attracting clients who want to buy wall art and products.Related Links:Get a 30 day free trial to Swift GalleriesJonathan Canlas on Shooting Film and Refusing to SpecializeAlicia Caine on Why Specialization Matters as a PhotographerFind out which wall art products are right for your businessFree Product Photoshop TemplatesI have a special treat for you because you're a Photo Field Notes listener. You can grab three free product templates through the link. All of the images are customizable—insert your own photos to share on social media to get your clients excited about displaying their final photos in product form.Get the template downloads here.

Aired Wednesday, January 9, 2013. Episode 29 Printmaker and Designer, Nikki Vahle-Schneider shares her process from ideation and creation to cutting the blocks to the printing process.

In GBA 208 we get better acquainted with Jude Cowan Montague. She talks about her show The News Agents on Resonance FM, turning the Reuters newsfeeds into art, improvised singing and the relationship between journalism and the arts. Jude plugs: The Leidenfrost Effect: http://folkwit.com/artists/jude-cowan-and-wim-oudijk The News Agents on Resonance FM - 2.30-3.30 Saturday: http://resonancefm.com/listen And on Mixcloud: https://www.mixcloud.com/Resonance/playlists/the-news-agents/ Her website: http://www.judecowanmontague.com/ I plug: Tragic Summer: http://www.facebook.com/events/1374545949536475/ And Tragic Spring on the Stand Up Tragedy podcast: https://soundcloud.com/standuptragedy We mention: Richard Tyrone Jones: https://soundcloud.com/gettingbetteracquainted/sets/the-richard-tyrone-jones Resonance FM: http://resonancefm.com/ GBA on Resonance: https://soundcloud.com/resonance-fm/sets/getting-better-acquainted Rosie Wilby: https://soundcloud.com/gettingbetteracquainted/gba-live-10-rosie-wilby Reuters: http://www.reuters.com/ ITN: http://www.itn.co.uk/ For the Messangers: http://judecowan.net/ Iain Overton / Action on Armed Violence: https://aoav.org.uk/staff/iain-overton/ Jo Thomas: http://www.jothomas.me/ Pink Guns on Iain Overton's blog: http://www.gunbabygun.com/gun-baby-gun/women-show-off-pink-guns-on-social-media-sites/ Paxman New Agents Manifesto: http://en.wikipedia.org/wiki/Jeremy_Paxman Candle dancing story: http://www.itnsource.com/jp/shotlist/RTV/2007/01/05/RTV22707/?v=1 " A, I" (All India Radio): http://en.wikipedia.org/wiki/All_India_Radio Agnès Varda: http://en.wikipedia.org/wiki/Agn%C3%A8s_Varda French New Wave: http://en.wikipedia.org/wiki/French_New_Wave Associated Press: http://www.ap.org/ My dad: https://soundcloud.com/gettingbetteracquainted/sets/the-dad-episodes Grierson: http://en.wikipedia.org/wiki/John_Grierson BFI: http://www.bfi.org.uk/ BBC: http://www.bbc.co.uk/ Jimmy Saville: http://en.wikipedia.org/wiki/Jimmy_Savile Bermunda Triangle Test Engineers: http://btttb.blogspot.co.uk/ Melanie Clifford: http://melanieclifford.net/ Howard Jacques: https://twitter.com/howardjacques1 Sumatera_Barat: http://id.wikipedia.org/wiki/Sumatera_Barat The Leidenfrost Effect: http://en.wikipedia.org/wiki/Leidenfrost_effect Wim Oudijk: https://soundcloud.com/wim-oudijk Polydor: http://en.wikipedia.org/wiki/Polydor_Records Native Instruments: https://www.native-instruments.com/en/ BBC Radio Shropshire - Genevieve Tudor's Sunday Folkhttp://www.bbc.co.uk/programmes/p001d7lt Disco Fair / Burt Coops: http://www.discofair.nl/ Royal Society of Printmakers: http://www.re-printmakers.com/ Billie Holiday: http://www.billieholiday.com/ Follow @GBApodcast on Twitter. Like Getting Better Acquainted on facebook. Tell your friends. Spread the word!

Joann Moser, senior curator, moderates a discussion among artists Linn Meyers, Michael Platt, Lou Stovall, and Andrea Way, all of whom are featured in the 2011 exhibition "Multiplicity". The artists will talk about their printmaking techniques and the influence the art scene in D.C. has had on their work.

In Jeremy Sweet’s carnivalesque work, Mayan masks brush shoulders with King Kong and Annie Oakley. Sweet’s freewheeling vernacular stands in stark contrast to the cryptic language spoken in William McMahan's work. McMahan’s “Figure Studies” inhabit the mysterious interstices between flora and fauna, figure and ground.

Four graduate students from Indiana University’s Hope School of Fine Arts show off their artistic expression with “False Impressions,”a two-day exhibit, beginning May 1st, that examines printmaking through the context of installation. Assistant Professor of Fine Arts, Althea Murphy-Price explains how the students used the space to help create the art.