Podcast appearances and mentions of Kim Masters

Kim Masters talks to Barry Diller about his memoir, Who Knew? The legendary studio exec reflects on his quick rise at ABC and how helped transform the third-ranked broadcast network into a force to be reckoned with. He also remembers a much happier time at Paramount, where he presided over a studio staffed with future industry stars. He also opens up about why none of his friends in the business are having much fun these days. Plus, summer movie season is heating up, with F1, Jurassic World: Rebirth, and a highly anticipated Superman reboot staking their claims at the box office. But is there room left for Disney's big bet with Fantastic Four: First Steps? Kim Masters and Matt Belloni break down the wins and worries shaping Hollywood's high-stakes summer.

Kim Masters talks to writer & director Larry Charles about his new memoir Comedy Samurai. He shares stories about writing for Seinfeld, directing Curb Your Enthusiasm, and his chaotic experiences working with Sacha Baron Cohen on Borat and Bruno. Charles also tells the story of an early morning call from Ari Emanuel that pulled the plug on his Larry David documentary the day before its HBO premiere. Also, it's official: Paramount has settled with Donald Trump over a long-disputed 60 Minutes segment. The company agreed to pay $16 million, a move that could clear the path for David Ellison's long-anticipated Skydance merger. Kim Masters and Matt Belloni break down what this means for Paramount's future… and what an Ellison-led studio might look like.

Eric Deggans chats with veteran sitcom showrunner Phil Rosenthal about the current state of the industry. The creator of Everybody Loves Raymond and host of the unscripted Netflix series Somebody Feed Phil reflects on how studios shape viewership data to fit their narratives. Rosenthal recalls challenging flawed testing at CBS early in his career and he reflects on the success of Raymond. He also shares how he pitched his food and travel series as: “Anthony Bourdain if he was afraid of everything.”   But first, we banter! As the Donald Trump-Paramount Global lawsuit continues, a mediator has floated a proposed settlement: $20 million, including a $17 million donation to Trump's presidential foundation, plus legal fees and anti-semitism PSAs. Kim Masters and Matt Belloni unpack the latest chapter in the president's standoff with Shari Redstone.

Kim Masters joins guest host extraordinaire Julia Alexander to unravel the latest twists in the ever-expanding CBS–Trump legal saga: a new mediator proposal, the Paramount-Skydance merger hanging in the balance, and the uncertain fate of ‘60 Minutes' on the other side of a potential settlement. Then, they weigh whether Apple's long-awaited ‘F1' movie could be a defining moment—or a costly misfire—for the streamer's film ambitions. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Disney and Universal sued generative AI company Midjourney last week over claims that the startup plagiarized characters from their movies and shows, such as The Simpsons and Star Wars. After remaining mum on the use of AI in movies and shows so far, studios are getting involved in this debate. But why now? Kim Masters and Matt Belloni break it down. Plus, Masters talks to GLAAD CEO Sarah Kate Ellis about the organization's 2025 Studio Responsibility Index, which evaluates studios on LGBTQ inclusivity in films. Ellis discusses the rise of mid-budget films as spaces for queer stories and shares why she feels optimistic about the newly elected Pope Leo.

Disney and Universal sued generative AI company Midjourney last week over claims that the startup plagiarized characters from their movies and shows, such as The Simpsons and Star Wars. After remaining mum on the use of AI in movies and shows so far, studios are getting involved in this debate. But why now? Kim Masters and Matt Belloni break it down.   Plus, Masters talks to GLAAD CEO Sarah Kate Ellis about the organization’s 2025 Studio Responsibility Index, which evaluates studios on LGBTQ inclusivity in films. Ellis discusses the rise of mid-budget films as spaces for queer stories and shares why she feels optimistic about the newly elected Pope Leo.  

The legendary Kim Masters joins Julia Alexander to examine the MAGA turn of mega producer Brian Grazer, a longtime Democrat, and what his conversion portends for the industry. Plus, whether Trump is coming around on the Ellison-Paramount deal and the latest Disney succession chatter following the Dana Walden-Kamala Harris summit. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Warner Bros Discovery is breaking into two entities: one dedicated to streaming and studios (HBO, DC, and Warner Bros Pictures) and another for global networks (CNN, TNT, TBS). What does this mean for the future of both divisions and CEO David Zaslav's standing in Hollywood? Kim Masters and Matt Belloni unpack it all.  Plus, Eric Deggans talks with Adam Arkin about his career on both sides of the camera. Arkin shares what it was like executive producing and directing episodes of the second season of Poker Face, and the challenge of preserving the show's distinctive tone. Plus, as the son of a legendary actor, he gets candid about the enduring nepo baby conversation.

Warner Bros Discovery is breaking into two entities: one dedicated to streaming and studios (HBO, DC, and Warner Bros Pictures) and another for global networks (CNN, TNT, TBS). What does this mean for the future of both divisions and CEO David Zaslav’s standing in Hollywood? Kim Masters and Matt Belloni unpack it all.    Plus, Eric Deggans talks with Adam Arkin about his career on both sides of the camera. Arkin shares what it was like executive producing and directing episodes of the second season of Poker Face, and the challenge of preserving the show’s distinctive tone. Plus, as the son of a legendary actor, he gets candid about the enduring nepo baby conversation.  

A shareholder revolt is underway at Warner Bros. Discovery… meaning, a 60% vote against CEO David Zaslav’s $52 million pay package for 2024. What drove the investor backlash? Meanwhile, Disney is back in layoff mode, with hundreds affected in the latest wave of budget cuts. Kim Masters and Matt Belloni explain what’s behind both moves.   Plus, Masters talks to Late Night host Seth Meyers about how his years at SNL both shaped and traumatized him. The comedian also shares how fatherhood has given him plenty of material for his standup specials — Lobby Baby and Dad Man Walking. 

A shareholder revolt is underway at Warner Bros. Discovery… meaning, a 60% vote against CEO David Zaslav's $52 million pay package for 2024. What drove the investor backlash? Meanwhile, Disney is back in layoff mode, with hundreds affected in the latest wave of budget cuts. Kim Masters and Matt Belloni explain what's behind both moves.Plus, Masters talks to Late Night host Seth Meyers about how his years at SNL both shaped and traumatized him. The comedian also shares how fatherhood has given him plenty of material for his standup specials — Lobby Baby and Dad Man Walking.

As the Trump administration moves to slash NPR’s federal funding, the network and three Colorado stations have fired back with a First Amendment lawsuit. Meanwhile, Hollywood’s theatrical business is booming. Memorial Day weekend raked in $326 million — up from $132 million last year — thanks to a packed release slate. Who was the biggest box office winner over the holiday weekend? Kim Masters and Matt Belloni dive in.   Plus, Masters talks to veteran film analyst Kevin Goetz about pivoting from a steady career in acting to a decades long journey in entertainment research. Goetz sheds light on the science and art behind audience testing, and he and Masters swap stories from some infamous test screenings over the years.  

As the Trump administration moves to slash NPR's federal funding, the network and three Colorado stations have fired back with a First Amendment lawsuit. Meanwhile, Hollywood's theatrical business is booming. Memorial Day weekend raked in $326 million — up from $132 million last year — thanks to a packed release slate. Who was the biggest box office winner over the holiday weekend? Kim Masters and Matt Belloni dive in. Plus, Masters talks to veteran film analyst Kevin Goetz about pivoting from a steady career in acting to a decades long journey in entertainment research. Goetz sheds light on the science and art behind audience testing, and he and Masters swap stories from some infamous test screenings over the years.

CBS News president Wendy McMahon has stepped down from her post as tensions escalate over ongoing Paramount Global-Trump settlement talks. With the deal already under scrutiny from senators, what’s in store for Shari Redstone's Skydance merger? Kim Masters and Matt Belloni dive into this and more major media shake-up stories. Plus, Masters talks to director Matt Wolf about Pee-wee as Himself, which looks beyond the iconic character to the complicated man who created him. The two-part series draws from more than 40 hours of Wolf’s interviews with Paul Reubens, who spent much of his life guarding his privacy. The filmmaker also explains how those conversations revealed Reubens’ inner conflicts and why HBO pushed for more when it came to telling the late actor’s story.

CBS News president Wendy McMahon has stepped down from her post as tensions escalate over ongoing Paramount Global-Trump settlement talks. With the deal already under scrutiny from senators, what's in store for Shari Redstone's Skydance merger? Kim Masters and Matt Belloni dive into this and more major media shake-up stories. Plus, Masters talks to director Matt Wolf about Pee-wee as Himself, which looks beyond the iconic character to the complicated man who created him. The two-part series draws from more than 40 hours of Wolf's interviews with Paul Reubens, who spent much of his life guarding his privacy. The filmmaker also explains how those conversations revealed Reubens' inner conflicts and why HBO pushed for more when it came to telling the late actor's story.

On this week's episode of Here Comes Pod, Hollywood royalty Kim Masters talked about her amazing career as a reporter, broadcaster, author and host of the industry flagship radio show and podcast, The Business. We chatted about her early career working for Ben Bradlee at the Washington Post, her big stories at The Hollywood Reporter, writing the definitive Hollywood studio book Hit And Run and her new start at Puck News. Enjoy!You can find Here Comes Pod on Apple Podcasts, Spotify, Amazon or most other podcast outlets. If you enjoyed this episode of Here Comes Pod please do leave a review on Apple Podcasts, Spotify or wherever you listen to your podcasts

Warner Bros. Discovery has renamed its streaming service once again. Beginning in the summer of 2025, “Max” will be “HBO Max” again. The company dropped “HBO” from its name in 2023, a move which was widely recognized as the company's attempt to become more competitive with a company like Netflix in its programming variety. The name change signals a renewed focus on the associations between HBO and a certain caliber of TV. What's next for WBD and the streaming landscape writ large? Kim Masters and Matt Belloni are on deck to talk it through. Plus, NPR TV critic Eric Deggans talks with comedian and actor Ramy Youssef on creating #1 Happy Family USA. The new series marks Youssef's first foray into animation. His latest comedy shares a lot of DNA with the award-winning series Ramy — drawing even more inspiration from childhood memories of growing up in a Muslim family in New Jersey post-9/11.

Warner Bros. Discovery has renamed its streaming service once again. Beginning in the summer of 2025, “Max” will be “HBO Max” again. The company dropped “HBO” from its name in 2023, a move which was widely recognized as the company’s attempt to become more competitive with a company like Netflix in its programming variety. The name change signals a renewed focus on the associations between HBO and a certain caliber of TV. What’s next for WBD and the streaming landscape writ large? Kim Masters and Matt Belloni are on deck to talk it through. Plus, NPR TV critic Eric Deggans talks with comedian and actor Ramy Youssef on creating #1 Happy Family USA. The new series marks Youssef’s first foray into animation. His latest comedy shares a lot of DNA with the award-winning series Ramy — drawing even more inspiration from childhood memories of growing up in a Muslim family in New Jersey post-9/11. 

President Trump stunned Hollywood over the weekend with his announcement of a 100% tariff on films produced outside the U.S., framing it as a move to revive domestic production and counter foreign incentives. The industry responded with confusion and concern, warning that such tariffs could sharply raise production costs, reduce the number of films made, and hit moviegoers with higher ticket prices. Kim Masters and Matt Belloni dig into the details. Plus, the papal conclave recently concluded to reveal the next pope — 69-year-old Chicago-native Pope Leo XIV. Masters revisits her interview with Edward Berger about his latest film, Conclave. The German director tells us how studying filmmaking at NYU in the 90s led him to an internship at the indie production company Good Machine. He also sings the praises of Netflix, which he reveals was the only financier daring enough to pay for his grim German-language war film All Quiet on the Western Front. The film went on to receive four Academy Awards, including Best International Feature Film.

The Trump administration's scorched-earth media strategy has claimed new casualties at the Corporation for Public Broadcasting, including Sony Film Chief Tom Rothman. Meanwhile, the president's $20 billion lawsuit against Paramount Global continues to force Shari Redstone into what could be a legacy-defining moment. But how will the CBS News staff react to a settlement with Trump? Kim Masters and Matt Belloni investigate. Plus, NPR TV Critic Eric Deggans chats with Bosch star Titus Welliver about his journey from supporting roles on police procedurals, to portraying detective Harry Bosch for a decade. He talks about his reaction when the spinoff series, Bosch: Legacy was abruptly cancelled after three seasons, and explains how he puts his executive producer credit to good use.

The Trump administration’s scorched-earth media strategy has claimed new casualties at the Corporation for Public Broadcasting, including Sony Film Chief Tom Rothman. Meanwhile, the president’s $20 billion lawsuit against Paramount Global continues to force Shari Redstone into what could be a legacy-defining moment. But how will the CBS News staff react to a settlement with Trump? Kim Masters and Matt Belloni investigate.   Plus, NPR TV Critic Eric Deggans chats with Bosch star Titus Welliver about his journey from supporting roles on police procedurals, to portraying detective Harry Bosch for a decade. He talks about his reaction when the spinoff series, Bosch: Legacy was abruptly cancelled after three seasons, and explains how he puts his executive producer credit to good use.  

Kim Masters joins Peter to unpack the latest twists in the ongoing Paramount-Skydance saga, from Shari Redstone's settlement calculus to Brendan Carr's F.C.C shenanigans, and what Donald Trump might be angling for in his multibillion-dollar lawsuit against CBS. Then Kim discusses Trump's “special ambassadors to Hollywood”: Sylvester Stallone, Mel Gibson, and Jon Voight. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

60 Minutes executive producer Bill Owens has resigned amid mounting pressure on Paramount Global to settle a $20 billion lawsuit from Donald Trump. What could a deal with the president mean for Shari Redstone's legacy? Kim Masters and Matt Belloni dive in. Plus, Masters speaks to Jared Hess about his pop-culture-shifting filmography which includes cult classics Napoleon Dynamite, Nacho Libre. He's currently enjoying the wild success of A Minecraft Movie, as that 2025 video game adaptation careens towards a billion dollar box office haul. Hess reflects on the unpredictable nature of success in filmmaking, and says he's especially grateful to producer Mary Parent for understanding his oddball comedic sensibilities and inviting him into the world of Minecraft.

60 Minutes executive producer Bill Owens has resigned amid mounting pressure on Paramount Global to settle a $20 billion lawsuit from Donald Trump. What could a deal with the president mean for Shari Redstone’s legacy? Kim Masters and Matt Belloni dive in.   Plus, Masters speaks to Jared Hess about his pop-culture-shifting filmography which includes cult classics Napoleon Dynamite, Nacho Libre. He’s currently enjoying the wild success of A Minecraft Movie, as that 2025 video game adaptation careens towards a billion dollar box office haul. Hess reflects on the unpredictable nature of success in filmmaking, and says he’s especially grateful to producer Mary Parent for understanding his oddball comedic sensibilities and inviting him into the world of Minecraft.  

After opening investigations into several media companies in recent months, The FCC has found its latest target– MSNBC. Why did FCC chairman Brenan Carr claim that specific broadcasts on MSNBC were not in “public interest?” Also, what's behind the Writers Guild's decision to block members from working on a Martin Scorsese produced film? Kim Masters and Matt Belloni investigate.  Plus, Masters speaks with actress, activist, and filmmaker Daryl Hannah, whose new concert film, Coastal, offers an intimate look at her husband, the legendary Neil Young, on his 2023 solo tour. Hannah also recounts a painful experience with Harvey Weinstein on the Kill Bill press tour, and reveals what prompted her to proclaim “Slava Ukraini” at this year's Oscars.

After opening investigations into several media companies in recent months, The FCC has found its latest target– MSNBC. Why did FCC chairman Brenan Carr claim that specific broadcasts on MSNBC were not in “public interest?” Also, what’s behind the Writers Guild’s decision to block members from working on a Martin Scorsese produced film? Kim Masters and Matt Belloni investigate.  Plus, Masters speaks with actress, activist, and filmmaker Daryl Hannah, whose new concert film, Coastal, offers an intimate look at her husband, the legendary Neil Young, on his 2023 solo tour. Hannah also recounts a painful experience with Harvey Weinstein on the Kill Bill press tour, and reveals what prompted her to proclaim “Slava Ukraini” at this year’s Oscars.

Kim Masters joins Peter to discuss the anxieties in Hollywood regarding Trump's influence over the Town's executives and entertainment businesses, before turning to the latest chatter surrounding the fate of Warner Bros. Discovery's film studio co-heads Mike De Luca and Pam Abdy. After the success of their new ‘Minecraft' movie, are they one sleeper hit away from avoiding what seemed to be an inevitable defenestration? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Listen to a special preview of Kim Masters’ conversation with Daryl Hannah about her documentary Coastal. The film will be in theaters worldwide for one night only, on April 17th.

As the Trump administration announces (and delays) tariffs, Hollywood is bracing itself for industry disruptions. What's on the horizon for the entertainment industry amid erratic stock market fluctuations? Kim Masters and Matt Belloni investigate.  Plus, Masters speaks to Michael Shannon about his directorial debut, Eric LaRue. The actor tells us how the film's producers managed to quickly pack up and relocate from Little Rock to North Carolina after Arkansas enacted a strict abortion ban. Shannon also admits that despite the movie's dark subject matter, he found making it surprisingly fun. Plus, we get a taste of his R.E.M. cover band, which just wrapped a nationwide tour.

As the Trump administration announces (and delays) tariffs, Hollywood is bracing itself for industry disruptions. What’s on the horizon for the entertainment industry amid erratic stock market fluctuations? Kim Masters and Matt Belloni investigate. (The Banter runs from 00:01:01 to 00:07:48.)  Plus, Masters speaks to Michael Shannon about his directorial debut, Eric LaRue. The actor tells us how the film's producers managed to quickly pack up and relocate from Little Rock to North Carolina after Arkansas enacted a strict abortion ban. Shannon also admits that despite the movie's dark subject matter, he found making it surprisingly fun. Plus, we get a taste of his R.E.M. cover band, which just wrapped a nationwide tour. (The interview segment begins at 00:07:49.)

Lionsgate touts a live performance from The Weeknd, Leonardo DiCaprio unveils explosive footage from his new Paul Thomas Anderson film, and James Gunn teases his take on Superman; Matt Belloni reports the big bets being placed by studios at CinemaCon in Las Vegas. Also, what led to the ousting of Amazon MGM Studios chief Jen Salke? Kim Masters and Matt Belloni dive in with a heaping helping of banter.     Plus, Masters speaks to Rebecca Rhine about the Entertainment Union Coalition’s fight to keep film and television productions shooting in California. Rhine explains how local production incentives work, and how they differ from the ones luring studios to spend their money in other states and overseas. She also lays out the coalition’s plan to create a surge of middle class production jobs in the golden state, and tells us how she’d feel about meeting with Trump’s special ambassadors to Hollywood: John Voight, Sylvester Stallone, and Mel Gibson.  

Lionsgate touts a live performance from The Weeknd, Leonardo DiCaprio unveils explosive footage from his new Paul Thomas Anderson film, and James Gunn teases his take on Superman; Matt Belloni reports the big bets being placed by studios at CinemaCon in Las Vegas. Also, what led to the ousting of Amazon MGM Studios chief Jen Salke? Kim Masters and Matt Belloni dive in with a heaping helping of banter.   Plus, Masters speaks to Rebecca Rhine about the Entertainment Union Coalition's fight to keep film and television productions shooting in California. Rhine explains how local production incentives work, and how they differ from the ones luring studios to spend their money in other states and overseas. She also lays out the coalition's plan to create a surge of middle class production jobs in the golden state, and tells us how she'd feel about meeting with Trump's special ambassadors to Hollywood: John Voight, Sylvester Stallone, and Mel Gibson.

It's no surprise that a majority of Gen Z prefers content creators over traditional entertainment, but can the Hollywood establishment find a way to feed the next generation's media diet? Matt Belloni and The Hollywood Reporter's Alex Weprin investigate.  Plus, we revisit Kim Masters' conversation with Rob Reiner and Albert Brooks about Reiner's HBO documentary, Albert Brooks: Defending My Life. The legendary filmmakers talk about their early years in the industry and they talk about the drastically changing landscape of entertainment. 

It’s no surprise that a majority of Gen Z prefers content creators over traditional entertainment, but can the Hollywood establishment find a way to feed the next generation’s media diet? Matt Belloni and The Hollywood Reporter’s Alex Weprin investigate.    Plus, we revisit Kim Masters’ conversation with Rob Reiner and Albert Brooks about Reiner’s HBO documentary, Albert Brooks: Defending My Life. The legendary filmmakers talk about their early years in the industry and they talk about the drastically changing landscape of entertainment.    

In Hollywood's latest changing of the guards, Jeremy Zimmer has announced that he will be shifting from his post as CEO of United Talent Agency to executive board member. What's behind the shuffle?  Plus, longtime Warner Bros partner, Village Roadshow recently filed for bankruptcy — even as arbitration continues over alleged financial losses due to the WB's decision to release the Village Roadshow backed The Matrix Resurrections (2021) simultaneously in movie theaters and on Max. Kim Masters and Matt Belloni are here to unpack. Masters also speaks to documentarian Alex Gibney about his mysterious new HBO project — The Dark Money Game. Gibney shares some big news about a change within Jigsaw (his production company). Plus, he reveals a very busy slate that includes projects on college culture wars, Luigi Mangione, and an ever-expanding documentary series about Elon Musk. 

In Hollywood’s latest changing of the guards, Jeremy Zimmer has announced that he will be shifting from his post as CEO of United Talent Agency to executive board member. What’s behind the shuffle?  Plus, longtime Warner Bros partner, Village Roadshow recently filed for bankruptcy — even as arbitration continues over alleged financial losses due to the WB’s decision to release the Village Roadshow backed The Matrix Resurrections (2021) simultaneously in movie theaters and on Max. Kim Masters and Matt Belloni are here to unpack.   Masters also speaks to documentarian Alex Gibney about his mysterious new HBO project — The Dark Money Game. Gibney shares some big news about a change within Jigsaw (his production company). Plus, he reveals a very busy slate that includes projects on college culture wars, Luigi Mangione, and an ever-expanding documentary series about Elon Musk.   

Disney is dialing back the rollout of its upcoming, live action Snow White remake starring Rachel Zegler and Gal Gadot. Why is the studio pulling its talent from red carpet press appearances at the film's US premiere? Kim Masters and Matt Belloni are on the case.  Plus, Masters speaks to director Lesli Linka Glatter about her Netflix limited series, Zero Day. Glatter, whose work in television includes Twin Peaks, Mad Men, and The West Wing, shares stories of being mentored by George Miller, Steven Spielberg, and David Lynch. She also reveals some of the more absurd aspects of directing for streamers.

Disney is dialing back the rollout of its upcoming live action Snow White remake starring Rachel Zegler and Gal Gadot.  Why is the studio pulling its talent from red carpet press appearances at the film’s US premiere? Kim Masters and Matt Belloni are on the case.  Plus, Masters speaks to director Lesli Linka Glatter about her Netflix limited series, Zero Day. Glatter, whose work in television includes Twin Peaks, Mad Men, and The West Wing, shares stories of being mentored by George Miller, Steven Spielberg, and David Lynch. She also reveals some of the more absurd aspects of directing for streamers.

The 97th annual Academy Awards broadcast saw a 1% increase in viewership from last year's telecast. What's behind the ratings boost? Might this have any  effect on where the awards show lands after ABC's deal with the academy ends in 2028? Also, is the Disney CEO succession race heating up? Kim Masters and Matt Belloni investigate.Plus, Eric Deggans speaks with Muslim Matchmaker creator Smriti Mundhra about her diverse body of work. She has a slew of dating series spread across streamers, and has made a couple of Oscar nominated documentary shorts, including last year's I am Ready, Warden. She also talks about working as a production secretary for the Coen brothers on the films O Brother Where art Thou? and The Man Who Wasn't There.

The 97th annual Academy Awards broadcast saw a 1% increase in viewership from last year’s telecast. What’s behind the ratings boost? Might this have any  effect on where the awards show lands after ABC’s deal with the academy ends in 2028? Also, is the Disney CEO succession race heating up? Kim Masters and Matt Belloni investigate. Plus, Eric Deggans speaks with Muslim Matchmaker creator Smriti Mundhra about her diverse body of work. She has a slew of dating series spread across streamers, and has made a couple of Oscar nominated documentary shorts, including last year’s I am Ready, Warden. She also talks about working as a production secretary for the Coen brothers on the films O Brother Where art Thou? and The Man Who Wasn’t There.

Puck's famed journalist-centric publishing model is changing. Sort of. The news outlet debuted in 2021 with its journalists as the company's audience-facing focal point, not the publication. People would subscribe less so to Puck than to Matthew Belloni's or Julia Ioffe's newsletters via Puck. And Puck's journalists were, in part, compensated directly for the subscribers they attracted. Lately though, Puck's newsletters have come to resemble publications in their own right. “You almost have sub-brands under Puck that are franchises anchored by core talent versus in probably that first two years, it was a newsletter anchored by core talent,” said Puck CEO Sarah Personette on the latest Digiday Podcast episode. Belloni's entertainment-oriented “What I'm Hearing” newsletter, for example, has enlisted contributors like legal expert Eriq Gardner and, most recently, former The Hollywood Reporter editor Kim Masters. Similarly, Lauren Sherman's fashion-centric “Line Sheet” regularly features entries from retail writer Sarah Shapiro and beauty journalist Rachel Strugatz. This development has coincided with Puck's paid subscriber base growing by 30% in the past year, with Personette expecting the company to become profitable this year. “Putting journalists at the center of our model still exists, but what we are trying to do, as our subscriber base has experienced incredible growth over the last few years, we want to make sure that we're rounding out the stories and we're rounding out the coverage by bringing other journalists in,” said Personette. The expanding nature of Puck's newsletters raises the question of to what extent does Puck's compensation model also have to change. Puck gained a lot of initial attention for paying bonuses to its journalists for the new subscribers their articles attract as well as for the subscribers they retain. But how's that work if an article by Masters attracts a subscriber via Belloni's newsletter? “So [Belloni] is a franchise manager, and there are different benefits to being a franchise manager. And he also is driving a ton of his own subs. And then we also want to make sure that the individuals that are contributing to that franchise also get bonus-ed,” Personette said.

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate.    Plus, NPR’s Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the musical world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón’s bigoted social media posts.  

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate.  Plus, NPR's Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the operatic world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón's bigoted social media posts.

The ongoing Murdoch family drama is ramping up again; this time coming in the form of courtroom details released from a private trial in Nevada. Also, why is Harvey Weinstein suing his brother? Kim Masters and Matt Belloni investigate.  Plus, Masters speaks to Pamela Anderson about starring in The Last Showgirl. The actress, who says she was a shy girl from a small town in Canada, shares how a chance appearance on a jumbotron at a football game catapulted her into the world of entertainment. She also recalls that her now-former agent nearly cost her the starring role in The Last Showgirl, which has brought her a SAG-AFTRA nomination for Best Actress.

The ongoing Murdoch family drama is ramping up again; this time coming in the form of courtroom details released from a private trial in Nevada. Also, why is Harvey Weinstein suing his brother? Kim Masters and Matt Belloni investigate.  Plus, Masters speaks to Pamela Anderson about starring in The Last Showgirl. The actress, who says she was a shy girl from a small town in Canada, shares how a chance appearance on a jumbotron at a football game catapulted her into the world of entertainment. She also recalls that her now-former agent nearly cost her the starring role in The Last Showgirl, which has brought her a SAG-AFTRA nomination for Best Actress.

The Trump administration's hostility toward DEI initiatives has led companies like Disney and PBS to reevaluate their stance on advocating for these principles. How will the pendulum swing affect Hollywood under the new presidential administration? Kim Masters and Matt Belloni investigate.   Plus, Masters speaks to Nick Park and Merlin Crossingham, the co-directors of Wallace and Gromit: Vengeance Most Fowl. Park and Crossingham share how they balanced claymation, a notoriously time-consuming medium, with modern filmmaking tools in the latest Wallace and Gromit adventure. And the pair explains why animating even a mostly motionless character — like the menacing criminal mastermind Feathers Mcgraw — is surprisingly difficult.

The Trump administration’s hostility toward DEI initiatives has led companies like Disney and PBS to reevaluate their stance on advocating for these principles. How will the pendulum swing affect Hollywood under the new presidential administration? Kim Masters and Matt Belloni investigate.     Plus, Masters speaks to Nick Park and Merlin Crossingham, the co-directors of Wallace and Gromit: Vengeance Most Fowl. Park and Crossingham share how they balanced claymation, a notoriously time-consuming medium, with modern filmmaking tools in the latest Wallace and Gromit adventure. And the pair explains why animating even a mostly motionless character — like the menacing criminal mastermind Feathers Mcgraw — is surprisingly difficult.  

The FCC has published the raw transcript of a 60 Minutes interview with Kamala Harris following Donald Trump's claims of CBS commiting “election interference.” What's behind the president's attack on the network? Also, Kim Masters and Matt Belloni dive into the Emilia Pérez controversy as the film's director speaks out against his leading actress.   Plus, Masters speaks to Jesse Eisenberg about his Oscar nominated A Real Pain. The film's writer, director, and co-star talks about the challenges of capturing the complicated feelings of the descendents of holocaust survivors while still including humor. They also talk about the special relevance that Majdanek–the concentration camp the two cousins visit in the film–has for Masters.

The FCC has published the raw transcript of a 60 Minutes interview with Kamala Harris following Donald Trump’s claims of CBS commiting “election interference.” What’s behind the president’s attack on the network? Also, Kim Masters and Matt Belloni dive into the Emilia Pérez controversy as the film’s director speaks out against his leading actress.      Plus, Masters speaks to Jesse Eisenberg about his Oscar nominated A Real Pain. The film's writer, director, and co-star talks about the challenges of capturing the complicated feelings of the descendents of holocaust survivors while still including humor. They also talk about the special relevance that Majdanek–the concentration camp the two cousins visit in the film–has for Masters.  

Matthew McConaughey and Woody Harrelson star in an ad asking Texas legislators to create incentives for productions to shoot in their home state. What’s behind the decision to drop the video, which pulls no punches against Hollywood, as Los Angeles seeks to rebuild after the devastating fires? Kim Masters and Matt Belloni investigate.   Plus, Masters speaks to producer Marc Platt about his Oscar nominated film, Wicked. Platt shares how his career as an entertainment lawyer led to running studios like Orion Pictures, Tristar, and Universal Pictures. He also talks about producing the original broadway production of Wicked, and the long journey that led to him hiring Jon M. Chu to direct the show’s film adaptation.