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3 episodes with Ted Sarandos
3 episodes with Ted Sarandos
2 episodes with Ted Sarandos
2 episodes with Ted Sarandos
3 episodes with Ted Sarandos
2 episodes with Ted Sarandos
2 episodes with Ted Sarandos
2 episodes with Ted Sarandos
2 episodes with Ted Sarandos
On the ground at Cannes Lions, Janice Min and Natalie Jarvey join Elaine Low to break down the big Rumble(s) on the Riviera. First up: YouTube CEO Neal Mohan fired back at Netflix's Ted Sarandos in Janice's newsmaking interview (come for the fight, stay for the sports, pod and AI talk); then it was all those creators stealing the thunder (and money) from traditional celebrities as they sped-dated with brands amid a historical shift in ad spend. Plus: Is “authenticity” the most overused word of the era?; a spicy moment onstage with Alex Cooper; and Amazon and Netflix go back to TV basics. Learn more about your ad choices. Visit megaphone.fm/adchoices
Live from Cannes Lions, Ankler Media CEO Janice Min hosts a rollicking, wide-ranging conversation with YouTube CEO Neal Mohan about the platform's growing dominance — both on TV screens and across culture — as ad dollars and audience swing decisively toward creators and away from traditional entertainment. Now that YouTube claims a larger share of TV viewership than Netflix, Mohan responds to Netflix co-CEO Ted Sarandos' swipe that YouTube is for “killing time” while Netflix is for “spending time.” “Who am I to say what's spending time, engaging time, quality time, killing time?” Mohan told a packed audience at ADWEEK House. “It's all of us as consumers — the 2 billion people that come to YouTube every single day — we get to decide how to spend our time.” (YouTube Originals shut down in 2022 before Mohan took the CEO seat.) Other highlights: Mohan answers whether YouTube's reported $2 billion per year NFL Sunday Ticket deal is paying off; teases plans for global sports rights expansion; and breaks down how the company has quietly captured massive podcast market share from Apple and Spotify. And stick around until the end — for his final swipe back at Netflix. Learn more about your ad choices. Visit megaphone.fm/adchoices
Netflix ha celebrado sus 10 años en España con un fiestón y con la visita de Ted Sarandos, uno de los hombres más poderosos de la industria audiovisual. En este episodio analizamos las luces y sombras de esta década en nuestro país y comentamos los estrenos en salas. Dreamworks se apunta a la acción real con la readaptación de 'Cómo entrenar a tu dragón' y a las puertas del Orgullo llegan propuestas diferentes como 'Miss Carbón', la historia de la mujer trans que abrió camino en las minas de Argentina, o la película rumana 'Tres kilómetros al fin del mundo'. También os recomendamos el drama 'Esmorza amb mi' y, en televisión, celebramos a una estrella como Sara Montiel.
En el Radar Empresarial de hoy analizamos la inversión que hará Netflix en España en los próximos 10 años. 1.000 millones de euros. Eso es lo que destinará la compañía en nuestro país en 2028. En la celebración del décimo aniversario del servicio de streaming en España, Ted Sarandos, CEO de la compañía, destaca que la empresa ha lanzado en este tiempo más de 1.000 películas con sello de origen español, lo que le ha permitido crear más de 20.000 puestos de trabajo para la industria cinematográfica. Es la continuación de una historia que empezó el 20 de octubre de 2015. Ese día llegaba a nuestras fronteras una forma de consumir cine y series que había revolucionado el mercado estadounidense. Por 8 euros al mes, la persona que contrataba este servicio podía disfrutar de todo el catálogo sin restricciones y sin tener que alquilar ciertas películas, como pasaba, por ejemplo, con Rakuten. Conseguía mezclar el consumo de un amplío catálogo con el servicio bajo demanda: ver las películas cuando y como quieras. Después llegaron HBO, Disney Plus o Sky ShowTime, pero Netflix puso la bandera en la cima del streaming de nuestro país. Por todas estas cosas, Sarandos, resalta la importancia de España en los planes de Netflix. El acto también contó con la presencia de Pedro Sánchez. El presidente del Gobierno quiso destacar el momento de gran salud que vive la industria española y reivindicó el papel que juegan las películas en nuestra sociedad. El acto también sirvió a la compañía para reivindicar su posición de poder en nuestro país. En 2024, Netflix contó con 9 millones de suscriptores, el 3% de la cifra total en todo el mundo. Diego Ávalos, vicepresidente de contenidos para España y Portugal, afirma que la compañía ha trabajado con más de 60 productoras españolas. Además, destaca que cuatro de los diez títulos más vistos de la plataforma son españoles. Clave para el desarrollo de estas películas han sido los estudios que ha construido la compañía en Tres Cantos, que han albergado series como La casa de papel o Élite. Para Ávalos. Tal como contó en una entrevista en La Hora 25 de La Ser, son pioneros en la producción de contenido audiovisual internacional. Aunque tampoco España ha sido un camino de rosas para Netflix. El público no aceptó de primeras el plan con anuncios que lanzó la compañía en nuestro país en octubre de 2022 ni la limitación de compartir cuentas. El trimestre siguiente, el canal de streaming perdió alrededor de un millón de usuarios. Eso sí, parece que los suscriptores se han adaptado a esa nueva realidad ya que el porcentaje de usuarios con cuentas con publicidad en 2023 fue del 8%. En 2024 fue del 22.
Matt is joined by Seth Rogen and Evan Goldberg to discuss what they learned from industry executives before writing the show, choosing Netflix's Ted Sarandos over Apple CEO Tim Cook for a cameo, desperately pitching Ice Cube, how they shot in a real Las Vegas casino, and which scenes were cut before they weigh in on the state of theatrical comedy in Hollywood (01:22). For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' click here. Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guests: Seth Rogen and Evan Goldberg Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices
Tous les matins, à 6h45, un récit d'actualité, contextualisé et raconté avec toute l'expérience journalistique de Matthieu Belliard
Sinners holds on strong at the box office for week 2Toxic Avenger's Rotten Tomatoes score is promisingDiscussing 2025 horror movies yet to come Ted Sarandos says Netflix is saving cinemaDiablo trailer review40 Acres trailer reviewSmashing Machine trailer reviewFear Street: Prom Queen trailer reviewWeapons trailer reviewJoin us live each week on YouTube- @spitball_media Audio Podcast available overnight here and at the links below (right click and save):https://api.spreaker.com/v2/episodes/65842958/download.mp3All of our linksLinktr.ee/spitballmediaBonus content and exclusive episodes patreon.com/spitballmediaOpening title music by White Bat Audiosocials:Twitter: @Spitball_media Facebook, Instagram and YouTube: @spitballmediaJon: @iamjondraperShah: @planet.mondo @nuclearheatBrian: @bshowbrian
Bienvenue dans ce 59ème épisode de LDNS ! LDNS, c'est quoi ?Ce sont les initiales de LA NUIT DES SORTIES mais aussi de LES NEWS DE LA SEMAINE, LNDS c'est le format news de la nuit des sorties.Disney, Netflix, Warner, Paramount, Universal, on analyse l'actualité de l'industrie du cinéma sous toutes ces coutures !Au programme :Infos Marvel (Spider-Man 4, Fantastic 4, Margaret Qualley…): 0:00Infos Disney (Predator: Badlands, Shogun saison 2…): 10:59Infos plateformes (David Fincher, Ted Sarandos dit n'importe quoi…): 18:04Split Fiction et Clair Obscur : EXPEDITION 33 au cinéma !: 24:16Casting pour Hunger Games: Sunrise of the Reaping !: 28:22Des remake et reboots en pagailles !: 29:14Scarlet de Mamoru Hosoda sort cette année !: 32:41Le Jury de Cannes révélé !: 33:55Chronique Box-Office !: 35:45Acast: https://shows.acast.com/650efd10f66c690011960c1aSpotify: https://open.spotify.com/show/1UydxAKx8fGt2v8dHbPtLUApple Podcasts: https://podcasts.apple.com/us/podcast/la-nuit-des-sorties/id1709018669Deezer: https://www.deezer.com/fr/show/1000297301Youtube: https://www.youtube.com/@LaNuitDesSortiesTwitch: https://www.twitch.tv/lanuitdessortiesTwitter/X: https://x.com/LanuitdesortiesBlueSky: https://bsky.app/profile/lanuitdessorties.bsky.socialTiktok: https://www.tiktok.com/@la.nuit.des.sorties Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
A Phil Svitek Podcast - A Series From Your 360 Creative Coach
I explore Netflix co-CEO Ted Sarandos' recent claim that the traditional movie theater model is "outmoded" and that Netflix is "saving Hollywood" (https://variety.com/2025/film/news/netflix-ceo-ted-sarandos-movie-theaters-outdated-1236376565/).I dive into how streaming platforms have reshaped audience behavior, impacted creative sustainability, and transformed films from cultural events into disposable content.This isn't about rejecting innovation—it's about examining who benefits when disruption becomes the goal over quality.I'll reflect on why theaters still matter, the irreplaceable nature of shared experiences, and why the future of film deserves more than algorithm-driven entertainment.This episode is an exploration of what's at stake for filmmakers, audiences, and the stories that move us.
Paul and Mesh begin with a discussion of Ryan Coogler's Sinners which continues his stellar trajectory and whether his bespoke deal with WB could become a trend. Next, they discuss Ted Sarandos' comments regarding the theatre experience and shifting consumer preferences. Finally, they celebrate YouTube which turned 20 in April and look back at how it revolutionized video distribution. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Why spend your life making someone else's dreams?"TAPEDECK MONTH ends with ED WOOD! We welcomed our dear friend Kev from Austin Danger Pod and we discussed Ted Sarandos saying theaters are finished, Proto's thoughts on SINNERS, Danny watching a ton of movies on his flight to and from Tokyo, our theme for MAY, and much more. In the uncut extended version of the episode we decided to open the phone lines to speak to some of our live listeners. Yes it involved chicken but we also talked a bit about our next meetup and when we're leaving the East Coast. The post-show ran for an hour so that's like a whole entire bonus episode!Chapters:(00:00:00) Introductions + May's theme(00:08:15) What we watched(00:21:58) Ed Wood(01:11:37) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault like the 1990s Batman movies, Harry Potter, The Matrix, SHIN Godzilla, and over 50 others. Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER, The Letterboxd Show, Austin Danger Pod, Escape Hatch, Will Run For..., Lost Light, The Movie Mixtape, and Twin Vipers.(Gone but not forgotten; Cinenauts + FILM HAGS.)
Nel nuovo episodio del Podcast di Cineguru, Davide Dellacasa e Andrea Francesco Berni tornano dopo una pausa e commentano gli incassi degli ultimi due weekend negli Stati Uniti e in Italia. Se nel nostro paese, tra festività e ponti, il box-office è stato poco movimentato, negli USA il fenomeno I Peccatori merita un approfondimento anche per quanto riguarda le polemiche che hanno coinvolto la stampa di settore. Si parla poi del contratto di Ryan Coogler e di cosa significa questo successo per la Warner Bros. Nell'ultimo segmento si discutono i risultati trimestrali di Netflix, alla luce soprattutto dei commenti di Ted Sarandos sul ruolo di YouTube e del cinema nel "consumo di tempo libero" degli spettatori.Il video di Ryan Coogler citato nel podcast è questo: https://www.youtube.com/watch?v=78Ru62uFM0s
Welkom bij een aflevering van Nerd Culture, in aflevering #206 duiken we in en bespreken we het langverwachte tweede seizoen van Andor, Mythic Quest S4, en de klassieker Captain America: The Winter Soldier. Daarnaast praten we je bij over het laatste nieuws uit de nerdwereld: van Ted Sarandos' uitspraken over Netflix en Hollywood tot de aankomende X-Files reboot van Ryan Coogler. Ook bespreken we nieuwe trailers, figurines en alles wat binnenkort op streaming en in de bioscoop verschijnt. Let's go!Is Andor het allerbeste van Star Wars?Andor seizoen 2 is officieel het best beoordeelde live-action Star Wars-project ooit op Rotten Tomatoes, met een indrukwekkende score van 98%. Daarmee overtreft het zelfs het eerste seizoen van Andor (96%) en klassiekers als The Empire Strikes Back (95%). De volledige twaalf afleveringen zijn vooraf aan critici getoond, wat wijst op vertrouwen in de kwaliteit van het seizoen, ondanks een trage start. Critici prijzen vooral de sterke storytelling en de impact op de bredere Star Wars-wereld. De Rotten Tomatoes-score kan nog veranderen naarmate meer recensies binnenkomen, maar voorlopig lijkt Andor seizoen 2 de nieuwe standaard te zetten voor Star Wars-series. De serie loopt rechtstreeks over in de gebeurtenissen van Rogue One, wat mogelijk ook die film in een nieuw daglicht zet.Netflix is Hollywood aan het reddenTijdens de TIME100 Summit verklaarde Netflix-co-CEO Ted Sarandos dat Netflix “Hollywood redt” in plaats van vernietigt. Volgens Sarandos geeft de consument duidelijk aan liever films thuis te willen kijken, gezien de dalende bioscoopbezoeken en krimpende releasewindows. Hoewel hij zelf van bioscopen houdt, noemde hij de traditionele theaterervaring “een achterhaald idee voor de meeste mensen.” Sarandos benadrukte dat Netflix zich richt op consumentenwensen en films aanbiedt op hun voorwaarden. Daarnaast wees hij erop dat de entertainmentindustrie wereldwijd vaak met extra obstakels te maken heeft, zoals quota en coproductieverplichtingen in China, en beklaagde hij zich over het feit dat de sector soms niet als “echte business” wordt behandeld.Ryan Coogler aan de haal met X-Files rebootRyan Coogler (bekend van Black Panther) heeft bevestigd dat zijn volgende project een reboot van The X-Files wordt. In een podcast liet hij weten enorm enthousiast te zijn en te mikken op afleveringen die “echt f—ing eng” worden. Coogler heeft inmiddels gesproken met Gillian Anderson over een mogelijke terugkeer als Dana Scully. Anderson noemde Coogler “een beetje een genie” en sluit een rol in de reboot niet uit. De originele serie liep van 1993 tot 2002 en kreeg later nog twee films en een korte revival. Coogler wil The X-Files een frisse draai geven met een diverse cast, ondersteund door een deal met Disney TV. Ook originele bedenker Chris Carter staat positief tegenover het project. Fans kunnen dus uitkijken naar een nieuwe interpretatie van de iconische serie.Timestamps:00:00:00 intro00:05:13 Andor00:12:50 Mythic Quest S400:14:32 Captain America: The Winter Soldier00:19:55 The Gorge00:24:34 The Adventures of Buckaroo Banzai Across the 8th Dimension00:29:16 Ghost in the shell00:31:29 Fantastic Four Trailer00:34:52 Netflix redt Hollywood volgens CEO Ted Sarandos00:40:00 Star Wars Episode III Revenge of the Sith nu terug in de bioscoop00:43:09 Hayden Christensen promo voor Revenge of the Sith00:43:48 Andor Season 2 highest rated Star Wars TV show of film00:45:35 Sydney Sweeney in Split Fiction verfilming00:47:42 Michael Bay's Outrun heeft Sydney Sweeney in het vizier00:49:40 Ryan Coogler gaat aan de slag met X-files reboot00:53:16 Geen tekort aan Batman de komende tijd00:58:57 Predator Badlands Trailer01:02:00 Predator kills the Marvel universe01:05:09 Ryan Reynolds bezig met nieuwe Deadpool content01:09:46 Hasbro onthult Marvel Legends figurines drop01:15:39 NECA onthult Shredder figurine uit TMNT cartoon01:18:30 HIM Teaser Trailer
On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including the update on Kathleen Kennedy's status at STAR WARS and why is the Shawn Levy film being rejected by so many actors? Plus, they talk all the SINNERS controversies, the new Oscars rules being DOA, Chronicles of Narnia and new Hunger Games casting, I Know What You Did Last Summer, Weapons and Predators Badlands trailers, details on M. Night Shyamalan's new movie, MI 8 is almost 3 hours long, Thunderbolts first reactions, Carlton Cuse and Nick Cuse to showrun a new Star Wars series, Ted Sarandos claims Netflix saved movies, and more!#starwars #MARVEL #Oscars #Netflix #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:54 Kathleen Kennedy Update, Carlton Cuse to Showrun New Star Wars Series15:08 Shawn Levy Casting Issues for STAR WARS: STARFIGHTER20:12 Star Wars Celebration Thoughts and Reactions25:22 New OSCARS Rules Over Voting and AI Might Be DOA40:21 I Know What You Did Last Summer, Predators Badlands, Weapons Trailers48:35 New Mission Impossible Movie is 3 Hours Long50:12 M Night Shyamalan and Nicholas Sparks Collaborating on New Movie53:44 THUNDERBOLTS* First Reactions56:24 Ted Sarandos Claims NETFLIX Saves Hollywood1:00:35 SINNERS Debate Over Controversies, Reviews and Variety's Article1:31:13 UPDATES on White Queen Narnia Casting, Hunger Games Casting1:35:25 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider PATREON: https://patreon.com/JohnRocha Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.
Netflix's Ted Sarandos reveals his strategy for AI in filmmaking, suggesting a focus on making movies "10% better" rather than just cheaper. Hosts Addy Ghani and Joey Daoud dig into what this means for production costs and Hollywood's future. Plus, surprising findings about audience perception of AI-generated stories, and the deal that gives Ryan Coogler copyright ownership of 'Sinners' after 25 years - a potential shift in studio-filmmaker power dynamics.
Johnny Mac discusses the recent petition to remove the controversial comedy show Kill Tony from Netflix, with over 20,000 signatures. Netflix's Ted Sarandos defends comedic experimentation and free speech. The show also covers various comedy and entertainment news, including Bill Burr's amusing interaction with Eddie Vedder of Pearl Jam, Conan O'Brien's thoughts on his Mark Twain Prize acceptance, Nate Bargatze's upcoming film debut, and speculation about Colin Jost potentially hosting Jeopardy. Other topics include Jeff Ross's allergic reaction, Amber Ruffin's comments on the White House Correspondents' Dinner, and upcoming comedy events in Nashville. The episode wraps up with reviews from the Melbourne Comedy Festival.00:00 Introduction and Petition Against Kill Tony00:35 Ted Sarandos on Comedy and Culture01:51 Tony Hinchcliffe and WWE Collaboration03:12 Bill Burr's Encounter with Eddie Vedder04:32 Conan O'Brien's Mark Twain Prize05:19 Nate Bargatze's Film Debut06:01 Colin Jost and Jeopardy Rumors08:25 Phil Wang Hosts BAFTA Game Awards09:45 Meghan Markle's New Podcast11:51 Jeff Ross's Allergic Reaction13:46 Comedy Festival HighlightsUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which says UNITERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed! You also get 20+ other shows on the network ad-free! This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats! https://linktr.ee/dailycomedynews Contact John at john@thesharkdeck dot com John's free substack about the media: Media Thoughts is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynews Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.
Join Patty and Jessica as they look back on the year and some of their favorite episodes.Featuring: Innovation at the Largest Scale with Donna MorrisThe Company You Keep with Ted SarandosTransparency in Practice with Kara SwisherSelf-Reflections On Growth with Nirav ToliaAI: The Secret to Skill Building with Matt BeaneInvesting In The Next Generation with Sachin ShivaramMinimize Distraction and Maximize Results with Richard E. CytowicBeing a Power Mom with Joann LublinWhat's been your favourite episode? If there's a guest you'd love us to chat to, a topic you want covered, or you have a career confession of your own to submit, get in touch with the show here.TruthWorks is hosted by Jessica Neal and Patty McCord. The show is edited, mixed and produced by Megan Hayward. Our Production Manager is Kathleen Speckert. TruthWorks is an editaudio production.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Starlink is in the White House, Siri is still bad, Pebble is back, up is down, everything is chaos. In this episode, Nilay and David start the show by running through some big gadget news, from a Siri-related shakeup at Apple to the new Google Pixel 9A. After that, The Verge's Lauren Feiner talks us through some of the latest in tech regulation: Trump's illegal firings at the FTC, the confusing state of the TikTok ban, OpenAI and Google arguing their case for free-for-all AI, and more. Finally, in the lightning round, Nilay and David talk about the latest Tesla recall, the hugely popular book about Meta, some exciting ActivityPub news, and Netflix co-CEO Ted Sarandos gently zinging Apple TV Plus. Further reading: From Bloomberg: Apple Shuffles AI Executive Ranks in Bid to Turn Around Siri The first new Pebble smartwatches are coming later this year Europe is trying to get non-Apple smartwatches to work better with iPhones Google's Pixel 9A gets a bigger screen and beefier water resistance Google briefly delays Pixel 9A release to investigate ‘component quality issue' Huawei's new flip phone is weirdly wide Nvidia says ‘the age of generalist robotics is here' Nvidia's cute ‘Digits' AI desktop is coming this summer with a new name and a big brother Nvidia announces Blackwell Ultra GB300 and Vera Rubin, its next AI ‘superchips' Musk's Starlink gets deployed at the White House Federal rural broadband program loses head Oracle is reportedly in the lead to save TikTok from US ban A”high-level” deal to save TikTok can probably happen by the April 5th deadline, Vance says. Democratic FTC commissioners say they were ‘illegally fired' by Trump Fired FTC commissioner warns of the ‘corrupting influence of billionaires' Democratic FCC Commissioner Geoffrey Starks will resign this spring WBEZ, 12 other public media stations under investigation CTIA Announces Ajit Pai as New CEO and President OpenAI and Google ask the government to let them train AI on content they don't own Hundreds of celebrities warn against letting OpenAI and Google ‘freely exploit' Hollywood Google Search charged with breaking EU antitrust rules DHS's airport panopticon is getting people deported and detained Space science is under threat from the anti-DEI purge DOGE stranded USAID workers with laptops full of sensitive data They're removing webpages about Black soldiers by adding ‘DEI' to the URL. ‘Tesla Takedown' protesters planning ‘biggest day of action' Tesla recalls more than 46,000 Cybertrucks after trim starts falling off From NYMag: Elon Musk Has Become Too Toxic for YouTube ‘Careless People' debuts at the top of the NYT best sellers list. Threads finally lets you set the following feed as default Ghost connects its newsletters to the open web Netflix's CEO talks Apple TV, Amazon, and the NFL Email us at vergecast@theverge.com or call us at 866-VERGE11, we love hearing from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Jason Bourne rights being shopped aorund Hollywood, WB shaking up its 2025 slate and the PTA teaser for his new film, Colin Farrell circling the Sgt Rock DC project, new details on the SUPERMAN movie and on Quentin Tarantino's new film, Ted Sarandos's victimhood over Netflix not winning Best Picture at the Oscars, a WB possibly selling Coyote vs Acme update, the Together and Ther Materialists trailers, Darren Aronofsky in line for Cujo, Saw 11 updates, Karen Read documentary series review and more!#marvel #Superman #DC #WB #Netflix #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown2:36 Jason Bourne Rights Are Up For Sale, Will Universal Nab Them Again?10:55 Warner Brothers Shakes Up Its 2025 Slajte20:38 SUPERMAN Updates with Runtime and New Test Screenings22:10 More Warner Brothers Movie Announcements25:41 Sneider Drops Some Buffy the Vampire Slayer News26:35 Coyote vs Acme Update and Is WB 34:00 Colin Farrell for Sgt Rock Reactions and Does It Make Sense?37:24 Darren Aronofsky Rumored to Be Directing CUJO Remake41:35 Ted Sarandos Suggests The Oscars Having a Bias Towards Netflix46:13 Quentin Tarantino Updates on His New Film49:57 Thoughts on SAW 11 Controversy 52:51 The Materialists and Together Trailers Conversation57:14 The Wrap Calls Out VALNET For Their Treatment of Freelancers1:14:05 Streamlabs and Superchat Questions2:00:00 Gal Gadot Hollywood Walk of Fame Controversy 2:05:05 Final Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.
¡Netflix incursiona en la producción de la Mañaneras! Y para hacerlo mandó a su actor principal, Ted Sarandos, a hacer un anunció de inversión mega millonario en nuestro país. ¿A quiénes va a beneficiar y en qué se van a usar esos mil millones de dólares del tío Netflix cuando lleguen a tierras nacionales? De eso y más hablaremos en esta entrega de The Dailies.Puedes suscribirte en YouTube para ayudarnos a producir más contenido de calidad, así como en apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.Bienvenido The Dailies, el mejor programa de análisis sobre temas que afectan al cine, la industria, y a ti como consumidor. Si es la primera vez que llegas, me presento, soy Dan Campos, y por más de veinte años he estado escribiendo sobre estos temas.Notas completas del episodio solo en Patreon. La semana pasada se anunció con bombo y platillo la inversión de Netflix, la cual, a diferencia de un anunció del 2022, sí tenía credibilidad ya que fue el mismo Co-CEO quien la presentó, y no un presidente municipal que después fue desmentido ya que eso del se fuera a construir el estudio de cine más grande de latinoamérica en Ecatepec fue algo que solo ocurrió en su cabeza.La inversión se plantea para el desarrollo de 20 producciones en un periodo de 4 años. Además, se plantea una inversión de 2 millones para optimizar los Estudios Churubusco, lo cual lleva a otra escala la inversión que se hizo en Cine Tonalá para equipar con gran calidad de audio y Roma se pudiera ver en sus salas como debía hacerse. En línea similar, el año pasado se anunció otro fondo de 1 millón de dólares para “desarrollo de carreras en la industria del entretenimiento”.Mil millones suena a mucho dinero, y lo es. Es algo que el capital local y las productoras nacionales no pueden financiar tan fácilmente. El 11 de febrero salió la nota en que Billy Rovzar, de Lemon Studios, anunciaba que buscaban la creación de un fondo de inversión de 50 millones de dólares para producir 32 películas en seis años. Las cantidades son muy dispares, y miren que Lemon Films en su momento era algo así como “el nuevo cine mexicano, que no hace cintas contemplativas sino de género”, como Matando Cabos o KM 31 nos recuerdan… y después cayeron en el olvido, aunque ahora tienen producciones tanto para ViX, Netflix, o Apple TV, pero que no han logrado explotar algo que el mismo Billy dice es su propósito con el nuevo fondo, al enfocarse en la propiedad intelectual. Algo que cuestiono porque sus secuelas de las cintas mencionadas son terribles. Todo mundo quiere decir que está desarrollando personajes o historias que pueden trascender y explotarse como universos multimedia, pero se les olvida que para eso primero necesitan establecerlos como productos explotables, y más importante, interesantes. Me platican cuando encuentren al Spider-Man mexicano.La creación de un ecosistema de producción sustentable, con mano de obra barata, también puede ser una válvula de escape ante las negociaciones que se dan de manera regular con los distintos gremios. Recordemos que por el de guionistas se estuvo casi un año sin producción, aunado a los incendios en Los Ángeles, y el cierre de estudios de animación y post producción a nivel mundial, han hecho que la recuperación sea larga y complicada. Mientras que la moda de apostar por IAs generativas empieza a pasar, el decidir en invertir en la estructura que permite producción continua a nivel internacional es algo más racional, aunque su impacto sea a mediano o largo plazo. Este es el juego que Netflix ha jugado por mucho tiempo, y si bien cosas como el streaming de deportes le han ayudado en meses recientes, su negocio de producción y distribución tiene otras bases, las cuales han sido envidiadas por otros estudios que antes le hacían el feo. Esta entrega fue traída gracias a:Productora Ejecutiva: Blanca LópezProductor Asociado: Juan Carlos Toledo Pérez NúñezCo-Productor: Dany SaadiaCo-Productor: Logan MayerCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Jaime Rosales, Juan Espíritu, Luiso Uribe, Zert, Luis Gallardo, Álvaro Vázquez, Arturo Manrique, Lau Berdejo, Marce, Alejandro Alemán, Arturo Aguilar, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Mariana Padilla, Tania RG y Fernando Alonso
El co-CEO de la compañía responde un par de preguntas a Jimena tras su anuncio de inversión en México, la autopartera se blinda, el banco de moda decepciona en Wall Street y Emilio Azcárraga da detalles de la remodelación.
Meta trabaja en un proyecto que permitiría traducir pensamientos humanos a texto, con la ayuda de IA. Conoce cómo funciona y sus posibles usos. Ted Sarandos, Co-CEO de Netflix, señaló que realizarán producciones locales, con lo que buscan mantener una apuesta por la relocalización del desarrollo de producciones. Capítulos 00:00 - Introducción 00:34 - Meta quiere leer tu mente 02:02 - Netflix invertirá 1,000 millones de dólares en México Learn more about your ad choices. Visit megaphone.fm/adchoices
00:00 Introducción 00:25 La organización benéfica de Meta también elimina sus programas DEI La fundación había asegurado a sus empleados semanas atrás que mantendría el apoyo a la diversidad, pero ahora se echa para atrás. 01:15 Netflix invertirá 1,000 millones de dólares en México Ted Sarandos, Co-CEO de la plataforma, señaló que realizarán producciones locales, con lo que buscan mantener una apuesta por la relocalización del desarrollo de producciones. 02:18 Meta quiere leer tu mente y traducir tus pensamientos a texto con IA Meta trabaja en un proyecto que permitiría traducir pensamientos humanos a texto, con la ayuda de IA. Conoce cómo funciona y sus posibles usos. Learn more about your ad choices. Visit megaphone.fm/adchoices
Goalhanger's Tony Pastor explores building the U.K.'s leading independent podcast production company which includes shows like The Rest is History, The Rest is Politics and The Rest is Football. Episode TranscriptPlease note, this transcript may contain minor inconsistencies compared to the episode audio.Damian: I'm Damian Fowler and welcome to this edition of The Current Podcast. This week we sit down with Tony Pastor, the co-founder of Goalhanger, the UK's leading independent podcast production company. After a career as a TV producer, first at the BBC and then at ITV in the sports department, Tony teamed up with Gary Lineker, the former international football star turned broadcaster, to create the company. It launched its podcast hub in 2019. In just a few years, Goal Hanger has gone from strength to strength with hit podcast shows like The Rest is Football and The Rest is History, which apparently clock up 42 million downloads a month and counting. We'll get into the creative process in a minute about what makes these shows so successful. But first, I wanted to ask Tony about how Goalhanger was created. Tony: I set up Goal Hanger with my co host Gary Lineker, who in the UK is a well known media figure and former [00:01:00] footballer back in 2014. I'd been, a producer at ITV, a big TV company in the UK, and then left to set up my own production company. We concentrated largely on making sports documentaries, and then slowly the business changed, and, by 2019, we were launching our own podcasts, and in the last couple of years, it's become the main part of our business. Damian: You know, the podcast hub was launched, I know more recently than the actual whole production company and it's now like hosting some of the UK's most popular podcasts. I know that the company's just reported record audience figures for the May, July period this 2024. Big hit shows like the rest is football, which is co hosted by Gary Lineker. And the rest is politics and several others, you know, I'm kind of curious to how you achieved this in a world with, let's say, tens of thousands of podcasts. Tony: Well, it's a good question. [00:02:00] And the big challenge in the world of podcasting is discoverability. It's not easy for audiences, listeners to find new content. There's an awful lot of really good podcasts out there, but unfortunately they're not easy to find. We have had a bit of luck on that front because once you build a successful podcast, you can then tell people about anything new that you do. And there's no doubt that the number one way you can make sure that people know about a new podcast is if they're already listening to a podcast because they're on the right platform there, then they're enjoying the right form of medium. Once we had the rest is history at a super successful level, it made the launch of political shows and our entertainment shows and our sports shows that bit easier . Damian: So the rest is history was the kind of vehicle was the kind of prototype as it were. Is that fair? Tony: Well, actually we launched a podcast, that was a real niche podcast, in 2019. It's called we have ways of making you talk and [00:03:00] it's all about the history of the second world war and I did it really almost as a hobby. It was great fun. I launched it with a great historian called James Holland and a comedian called Al Murray, both of whom are real aficionados of the period. It quite quickly became a bit of a cult. No doubt lockdown during the COVID period helped in a way because it meant people were stuck at home seeking content. Podcasts are, producible remotely, we were able to really up the amount of content we produced. Suddenly it went from being very niche to some, to having quite a significant audience. And then the next iteration really was to say, we've got a successful podcaster that is, doing north of a million downloads a month, it's making some money and what would happen if we, did a podcast about more than just six years of history? In fact, let's do the whole of history. And that's how the rest is history was born and it broke out, became a super success and it really showed us that the format of intelligent people talking in an entertaining way about something they know a great deal about [00:04:00] really could work. Damian: That's pretty ambitious. I've got to say, the idea of doing the whole of history. And I've got to say, I am an avid listener to the rest is history. Absolutely fantastic show with the two co-hosts, Dominic Sandbrook and Tom Holland, who've got this got this brilliant rapport. Between them, I'm wondering if you could sort of like for people who haven't heard it just give a kind of distillation of the kind of tone and style of that podcast. Tony: Sure, it's a history podcast. It tells narrative stories, fabulous stories from history. Be that the story of Napoleon or the French revolution or the sinking of the Titanic, the rise of the Nazis. These are all subjects that have been covered extensively in the last 12 months, for example. But what it really does is it's two, people who know an awful lot about the subject, who research it really, really well, but then have a fantastic conversation. Fairly light conversation in a very entertaining, witty, well informed way. The best way I can [00:05:00] describe the tone of voice of The Rest is History is if you could imagine being sat in a bar or a cafe and hearing two people who know each other really well and are good mates chatting about something they're fascinated by in a very entertaining way. That's The Rest is History. Damian: And that formula also kind of carries over into the other podcasts, like for instance, the rest is football similarly, it's like, three guys having a kind of elevated, smart, funny conversation about what's just happened in the week, the week in, whether it be the Premier League or international football or what have you, is that fair? Tony: Yes, I think that is fair. I mean, we don't, create relationships on air with our podcasters. We basically, listen in on relationships that already exist. So Gary Lineker, Micah Richards and Alan Shearer, all great soccer players in their own right. But more important than that, their mates, and you get a real strong sense of that when you listen to them talking, they love their football, they watch it endlessly, they [00:06:00] have a WhatsApp group that frankly you could publish and probably get 100,000 subscribers to, it's so entertaining, it's all about what's going on in football constantly, and they basically bring that conversational style, that very matey friendly, but intelligent and analytical style to their conversations three times a week on a Monday, they look back over the weekend's action on a Wednesday. They try and answer as many of the audience's questions as they can. And on Friday they review the midweek and look forward to the weekend. So it's an ongoing conversation, between three guys who frankly. If we weren't recording it, would be having the same conversations anyway. Damian: I love that, insight. Damian: So I want to shift a little bit to ask you about the, business perspective. And what need, as it were, did you tap in the UK market? Which, obviously has a wide variety and diversity of broadcast options because the BBC is there. So, how did you get that market? Tony: Well, I think first of all, I would say that the BBC does a brilliant, brilliant [00:07:00] job. It's a wonderful broadcast that makes an incredible amount of diverse content, but it has to, it has to serve an awful lot of people so it can, find itself spread a little thin. One of the great attributes of podcasting as we discovered with our second world war history pod is that you can super serve a group of people who want something very specific. So the second world war pod is listened to by about 80 to 100,000 people. But it's listened to by them religiously twice a week and that means we get 1. 2 million downloads a month. That audience is not being served anywhere else. So that was our first insight. We then looked at kind of the broader history offering in traditional radio and it was all slightly stale. It had been the same for a long time when we wanted to have a slightly fresher, newer, more entertainment focused approach and, I'd like to tell you it was super planned, but in fact, it was about getting too [00:08:00] great talent to have good conversations. And, we spent nothing on marketing the entire growth of that podcast. The question I get asked most, which is really insightful in many ways, I think was it, why wasn't history taught like this at school? If it had been taught like this at school, I would never have dropped it as a subject. I've always loved history, but it was always done in such a dry way. Why couldn't it have been taught in this entertaining fashion at school? And I hope that's what we're actually providing for those for all those millions of people who love their history. We're giving them a new access point to it. Damian: Yeah, absolutely. I just listened to the five part series on Martin Luther and I remember going back to my history A level where I had, you know, hopefully she's not listening, but a pretty dull history teacher, but I learned everything about Martin Luther now, all these years later from that podcast. Absolutely brilliant with all its references. Tony: Absolutely, so there's one other thing I'm going to say to you which is, I think the commissioning model is slightly broken. I think the traditional model whereby somebody in their [00:09:00] broadcast ivory tower decides whether or not a pitch, a content pitch, will be the right thing for their audience. I think it just doesn't work anymore. There's, it's too, we've got to a point now where commissioners are trying to satisfy too many things at once. Whereas we can just say, this is what we want to do. We don't need a commissioner. We don't need, the finances of a traditional broadcaster. We'll self fund this. We believe in it. We can experiment. We can try stuff and it's been liberating for us creatively because we can, we can decide we want to do a podcast on Martin Luther which frankly nobody would ever commission and we can do it. And lo and behold it found a terrific audience, likewise we did, you know we did four parts on the falklands war. We did an extended season on custer. We did a long series on the nazis now the nazis will always get covered in traditional media. But, we were able to do, for example, this year, we took the guys to Sarajevo to talk about the start [00:10:00] of the first world war and the first shot that was fired, the assassination of our shoot, Franz ferdinand, you know, that's the kind of thing I just don't think traditional broadcasters are going to commission, but we're able to do it and find an audience with it. Damian: Yeah, I want to ask you a little bit about the revenue model from a business perspective. you know, um, a little bit, we, we keep hearing in the U S about the ad opportunity, especially in podcasts. I'm curious from your perspective, what's that opportunity like in the UK? Tony: Well, the ad part of it is challenging. The UK is not a very big market. It is nothing like the US market. For example, the advertising slash sponsorship market in the US around podcasting is something like $4 billion a year. In the UK it's more like a hundred million. Dollars a year. It's a pretty small pizza in terms of, that needs slicing up between, all the commercial players in the UK and frankly, if the BBC enter into this market as they're [00:11:00] threatening to do, it will be even more challenging for us. We've had to be pretty creative around the commercial side of it. So yes, we're absolutely fishing in the advertising and sponsorship pond, but we're also looking at subscription models. In fact, we've got six very successful subscription clubs for our podcasts. This is where audiences, super fans who really love the pod can get access early, can get it ad free, can get bonus content, can get live show tickets early, et cetera. And that's proved very successful. We also do live shows and the live shows, do very well. You know, the rest is history last night we did it live in Cambridge, in the university center, Cambridge in front of more than a thousand people. The rest is politics is going on a nationwide tour. We're doing seven cities. We've sold 30, 000 tickets across that tour. So yes, we've had to be quite. Smart, frankly, and see disparate potential, financial models for our podcasts so that they can really function. Damian: Yeah, it makes [00:12:00] sense. I know, people talk a lot about the kind of, the special relationship that, Podcast hosts have with their audience and sort of ipso facto that kind of translates a little bit into advertising and how advertising works, whether it be host read or ~whether it comes in, Tony: programmaticly Damian: programmatically. yeah. that's the word. I'm kind of curious to hear what response you've had from advertisers, in terms of what's your pitch to them? Tony: Yeah. I mean, our pitch to them is really relatively straightforward unlike nearly all other forms of media currently we're growing, the traditional TV and radio commercial radio models are shrinking. They're struggling. It's not easy for them. The streamers, Netflix and Apple And all the usual customers are now. Causing traditional TV to have to be very inventive and work with smaller budgets. We're the opposite. We know the, the podcast market is growing. every year. Our audience is very [00:13:00] young, so we skew much younger than all of the other mediums. So, 48 percent of our listeners are under 34. So half of our audience is effectively in their teens, twenties and early thirties, which is, attractive to commercial partners. And, we have very, very long listen times. People are fine, find the content compelling and engaging. So, the rest of history's average listen time is 41 minutes. Now, this is great news. I'm always very reassured by this because people have told me for a long time that young audiences want only bite sized content that they can swipe through and everything has to be a minute or less. What we might call the tick tock generation. Well, we're discovering that's not true People in their twenties and thirties want long form, intelligent, entertaining conversations. They want, they want to hear content that entertains them, that informs them, that educates them. I'm starting to sound positively BBC wreathian, but you know, they basically They basically do want [00:14:00] long form. People are commuting, they're exercising, they're walking dogs, they're cooking. They want to have something that entertains them, that, that informs them and a lot of people we know listen to our podcasts while they're doing something else. So I think the sell to commercial partners really is that, our listeners are super engaged. They're young, they're highly educated and by and large, we've done surveys, by the way, large scale surveys of over 20, 000 of our listeners, they earn really good salaries. They usually are executive and managerial levels in their businesses. These are the movers and shakers, the people who inform the way that, that our nations are moving. So there are really, really interesting and valuable audience. Damian: Yeah, it's, such a cliche now to say that young people have no attention. Clearly that's, that's not the case. Tony: It's, it's, it's absolute nonsense. It's not true. Damian: Yeah, it really is. And It's reassuring to hear that too. You know, in terms of the, you mentioned it's growing. How far can it grow? What's the sort of [00:15:00] scale you can, when you think about I think the statistic I read was that 20 percent of UK listeners listen to a podcast every week. That's a lot of headroom, right? You've got left. Tony: Oh, it's super exciting on that score. We are definitely nowhere near peak podcasting. I can tell you why, because nobody over about 55 is listening to podcasts because they, they never did. They didn't do growing up with it. The older generations, the people who are perhaps retired and who would enjoy our podcast most are just not listening. , They're perhaps didn't grow up with the technology. They're not quite as comfortable, opening an app and downloading audio content. I think that as people age with that native ability to use the technology and enjoy the content, there's a whole generation of people we will add between say 55 and 80, whatever, who will suddenly become listeners. There's probably 30 percent upside just when we start being listened to and enjoyed by an older generation, which is not happening at the moment. Damian: [00:16:00] That's a great point. Yeah, I think as people, get used to the tech, that's it. And then I don't, who knows what's coming up. You also have talked about, pushing podcasts into video as well. And I are talking right now on zoom, but people listening are just listening to this, with their air pods or what have you, what's the benefit in a way of, pushing podcasts, onto video, is it to see those hosts sparring with each other, people are curious. Tony: This is the area that intrigues us most about what we do. The advent of video really came from the US. We started to hear Prominent podcasters talk about watching podcasts rather than listening to podcasts. And we started to ask ourselves, why are they doing that? What is the gain? Surely it's not just for the programmatic ads on YouTube or Facebook. We were determined to trial it and see what the benefits were by practice, by actually trying it out. And what we discovered was, This was [00:17:00] an entirely different audience. So for example, during the euros, as I mentioned, 9. 7 million audio downloads and 10 million video downloads. They're not the same people with that. This was entirely additional audience. The other thing about it is, but there's a couple of things. One is that it helps with cross promotion. We can cut this content up, put a push it out on social, on Insta and Tik TOK and Twitter, et cetera. But also when it comes to having partnerships, you know, with some of the bigger brands, there's that, that hundred million dollar UK podcast market is suddenly much greater. If you're talking to brands about partnerships that include video and social, there's a whole extra set of people you're in conversation with. And so you can effectively turn a podcast back into a show, a 360 show, which. Frankly, we don't mind where people encounter. We don't mind whether you watch, you listen, you see the clips on your social media feeds. As long as you're encountering our [00:18:00] content, we're happy. And that's really why we've pushed so heavily into video. So we take the opposite position of the walled garden. We're not a walled garden. We're not going to tell you to come over to our place and enjoy our content. We're going to say, Where are you comfortable? Where do you want to be? Damian: Yeah, love that. Love that thought. Is podcast growth dependent to a certain extent on those different platforms and platform growth? You know, if people listen through Spotify or Apple, what have you? Tony: Well, I don't know whether it's dependent on that growth. It's an interesting question. What I can say is that we're agnostic. We don't mind where you are. We have a really good relationship with Spotify who are our, ad and sponsorship sales partner. But similarly, you know, we have a great relationship with Apple too, who handle a lot of our subscription clubs. And frankly, as I say, you know if you're there on YouTube or if you're there on Apple or Spotify, that's all fine. Yes, it does require people to be digitally native and comfortable with the digital platforms, but increasingly, as I say, apart from [00:19:00] perhaps my father's generation, who I still have to download podcasts for, you know apart from his generation, I think most people now are pretty comfortable with the media. Damian: So one of the great advantages of podcast production is that you, have a very close relationship with your audience. Could you give me some insight into how that breaks down in terms of subscribers and people who listen for free? What are you seeing? Tony: Sure. What we're seeing is that unlike the traditional, media relationship whereby a production company like us, we're Goalhanger. We would go in to see the commissioner at the BBC or channel four or ITV or NBC and we pitched them our idea and they would either say yes or no, usually no. But if they did commission it, we'd make it for them. We'd hopefully keep doing it. 10 percent production fee, they would then put it out. They would sell the ad slots to, commercial partners and ultimately the relationship between the production company and the final audience is really remote. So ours is [00:20:00] really close. When we put our pods out free to air, the audience listens to them. They contact us. We incorporate their questions. We have a very good relationship, very close relationship, but not nearly as close as we do with our subscribers. We've got about 90, 000 subscribers across our various podcasts. And what they get is a direct personal relationship with us. There's no, advertising. There's no sponsorship. They don't have to wait for a podcast. So for example, we'll, do a, six part series on the sinking of the Titanic. You can listen to that content spread out over three weeks for free with ads, Monday, Thursday, Monday, Thursday, Monday, Thursday, or if you're a subscriber on that first Monday, you can have all six episodes immediately as a box set. That kind of a relationship is, I think, unique to podcasting where you love the content. You decide that for the Cost of an oat milk latte. You can basically get all six episodes immediately. And many of our listeners now are just saying, you know what? I want my content clean. I'd like to just come to you direct. I'll have it [00:21:00] immediately. By the way, I'd love to get prioritized for the live tickets for the show in New York. I'd like to get them ahead of the rest of the public. And so you develop this fantastic relationship with your listeners and your fans. Damian: There seems to be a kind of recognition that staying authentic, is the way to scale. I was just, I was reading some comments by, Netflix boss Ted Sarandos at the RTS conference, Royal Television Society conference, who was saying, one of the big hits this year for them was Baby Reindeer, which is a very UK, British sensibility, but yet it's done really well. They didn't pander to a global audience. They kept it authentic. It seems like that is the same formula that's having success for you. Tony: Well, it's really interesting this, isn't it? Because, I've got three, I've got three, sons, two teenagers and a 20 year old, and they're watching tons of content on Netflix and, uh, and the variety of the streamers, and they're very happy watching, for example, Korean TV with subtitles. They'll watch dramas from Scandinavia with subtitles. They're very comfortable. [00:22:00] Watching authentic drama and cultural content from other nations. I don't know whether the kind of globalization of content has finally happened, the days when, if it didn't, when, if a movie didn't have a, an American star, it could never be watched around the world. I think it's gone. I think people are much more comfortable enjoying content from a variety of nations. Damian: Well, Tony, thank you so much for these insights. Great talking with you. Tony: An absolute pleasure. Thanks very much for having me on. Damian: And that's it for this edition of The Current Podcast. We'll be back next week, so stay tuned. The current podcast theme is by Love Caliber. The current team includes Kat Vesey and Sydney Kearns. And remember, Tony: We're not a walled garden. We're not going to tell you to come over to our place and enjoy our content. We're going to say, Where are you comfortable? Where do you want to be. Damian: I'm Damian and we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also tune into our other podcast, The Current Report.
FBI agents were ordered to fill out a questionnaire by Monday detailing the work they conducted into the Jan. 6 U.S. Capitol attack, including whether they made any arrests or executed any searches. CBS News' Scott MacFarlane has more. Most Americans have until April 15 to file their 2024 tax returns, pay any taxes owed or request and extension to file. CBS News business analyst Jill Schlesinger breaks down what to know. Clinical psychologist Lisa Damour, who consulted on the movie "Inside Out 2," talks about tips for raising teen girls. Damour is out with an updated version of her book, "Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood." Former diplomat, entrepreneur and film producer Nicole Avant talks about her best-selling memoir, "Think You'll Be Happy," which recounts the night when her mother was fatally shot during a 2021 home invasion. Avant's husband, Netflix co-CEO Ted Sarandos, who wrote a new forward to the book, joins Avant on "CBS Mornings." Alton Brown, host of the popular cooking show "Good Eats" joins "CBS Mornings" to talk about his professional journey and new book, "Food for Thought." It's a collection of essays that blend Alton's personal and professional experiences with his unique insights into the culinary world. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, I'm talking with Matt Garman, the CEO of Amazon Web Services. Matt took over as CEO last June — you might recall that we had his predecessor Adam Selipsky on the show just over a year ago. That makes this episode terrific Decoder bait, since I love hearing how new CEOs will decide what to change and what to keep going after they've settled into their role. Links: There's no AI without the cloud, says AWS CEO Adam Selipsky | Decoder Amazon's AWS to invest $11 bln in Georgia to boost AI infrastructure | Reuters Netflix's Ted Sarandos responds to Jake Paul-Mike Tyson glitches | THR The furious contest to unseat Nvidia as king of AI chips | NYT Amazon's moonshot plan to rival Nvidia in AI chips | Bloomberg Amazon invests another $4 billion in Anthropic | The Verge Why Netflix never goes down | The Verge Sam Altman lowers the bar for AGI | The Verge Transcript: https://www.theverge.com/e/24102212 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Long before Ted Sarandos’s company turned “binge watching” into a national pastime, the co-C.E.O. of Netflix stayed up long past his bedtime in order to catch The Jack Benny Program and I Love Lucy, developing a passion for film and television that has guided him ever since. After spending his early career rising through the ranks of the video distribution industry, Sarandos’s acumen caught the attention of Netflix founder Reed Hastings, who pitched Sarandos on his company: what if renting movies and television shows could be done from the couch? Over the following decades, Netflix evolved into the streaming service we know today. And all the while, Sarandos’s keen eye for potential smash-hits such as House of Cards continues to help deliver unforgettable plotlines to homes around the world. On this week’s episode of Table for Two, Sarandos joins host Bruce Bozzi to discuss his early life in Arizona, meeting his wife, Nicole Avant, and the process of writing the prologue to a new edition of her book, Think You’ll Be Happy.See omnystudio.com/listener for privacy information.
Ted Sarandos may be the co-C.E.O. of Netflix, but that doesn't mean he skimps on reading—especially not when Robert Caro or Walter Isaacson's names are on the cover. On this week's bonus episode of Table for Two, the streaming tycoon joins host Bruce Bozzi and discusses the movie that most influenced him, his pet peeve, and the best advice he's ever received.See omnystudio.com/listener for privacy information.
Netflix Co-CEO Ted Sarandos started his career as somewhat of a human movie recommendation algorithm. At his video rental store job in Phoenix, Sarandos had a reputation among locals for knowing exactly which films they've enjoyed in the past, and which other titles in the store they might want next. These days, he's one of the most powerful people in Hollywood, leading the $310 billion entertainment behemoth that started the streaming wars: Netflix. Sarandos sat for an interview for "The David Rubenstein Show: Peer to Peer Conversations" and discussed how Netflix evolved from mailing DVDs to making award-winning original programming. This interview was recorded September 19 at the Johns Hopkins Bloomberg Center in Washington DC.See omnystudio.com/listener for privacy information.
The Nerdpocalypse Docket highlights major developments across film, technology, and entertainment. The week the guys return to discuss Jon Watts, known for Spider-Man: No Way Home, has secured a first-look film deal with Disney. John Cena is set to star in a live-action Matchbox movie based on the Mattel toy line. In a significant legal move, California has passed a law restricting the unauthorized use of AI actors, protecting human talent in entertainment. Netflix's Ted Sarandos criticized traditional movie viewing as inefficient, hinting at the need for modernization. The 2024 Emmy winners were also announced, showcasing top talent in television. Lastly, trailers for anticipated projects like Woman of the Hour, The Franchise, and Mickey 17 provide glimpses into upcoming releases, reflecting broader trends in sci-fi and superhero films.TOPICS - Section 1Director Jon Watts Sets First-Look Film Deal With Walt Disney StudiosJohn Cena To Lead Live-Action MATCHBOX Movie Based On Mattel ToyTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium)$5 a month or $50 for the yearAccess to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcastTOPICS - Section 2California passes law to stop non-sanctioned use of AI actorsTed Sarandos goes after the movie experience as inefficientEmmy ResultsWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/sunsolsTerrence: https://tinyurl.com/fonkieJay: https://tinyurl.com/blnckTRAILERSWoman of the HourThe FranchiseMore info on the showMickey 17
In today's video, Kristian Harloff reacts to the latest drama surrounding Amazon and YouTube superstar MrBeast, who are both involved in a class action lawsuit. Five contestants from the “Beast Games” reality competition series on Amazon have come forward with various claims, sparking a heated debate. Is this lawsuit justified, or is it just a cash grab? We dive into the mrbeast controversy, discussing the beast games, potential injuries, and claims of mistreatment. Plus, we discuss Netflix's Ted Sarandos and his statement that cinema releases are inefficient—do you agree? We also take a first look at the trailer for Mickey 17, the Jedi Survivor trilogy's final game, and the news of a live-action The Sims movie. Join Kristian Harloff and Steph Sabraw as they break down the mrbeast gameshow, mrbeast challenge, and mr beast scandal in the beast games controversy. Tune in for all the latest on beast games Amazon Prime and more! #youtube #mrbeast #amazon #lawsuit #drama #thesims #starwars #games #trailers OUR SPONSORS AG1: Try AG1 and get a FREE bottle of Vitamin D3K2 AND 5 free AG1 Travel Packs with your first purchase at http://www.drinkAG1.com/BIGTHING. That's a $48 value for FREE if you go to drinkAG1.com/BIGTHING JOYMODE: http://www.tryjoymode.com CODE BIG THING BETTERHELP: Http://www.betterhelp.com/bigthing BILT: http://www.joinbilt.com/BIGTHING
Hosts Patty McCord and Jessica Neal are joined by a longtime friend and former colleague Ted Sarandos, Co CEO of Netflix. Through reminiscing, they highlight the value of storytelling in bringing people together and into a shared vision for the company. Join this conversation to feel inspired! Do you have an ongoing work issue you need guidance solving? Or maybe you want to know how Patty and Jess would have dealt with a past problem. Share your stories and questions with our producers here.TruthWorks is hosted by Jessica Neal and Patty McCord. The show is edited, mixed and produced by Megan Hayward and Mik Finnegan. Our Production Manager is Kathleen Speckert. TruthWorks is an editaudio production.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Nicole Avant is the former U.S. Ambassador to the Bahamas and author of a new memoir, 'Think You'll Be Happy: Moving through Grief with Grit, Grace, and Gratitude' which tells the story of her extraordinary family and her mother's tragic death by murder. Her mom, Jacquie was a philanthropist and community activist whose example taught Nicole kindness, respect, and humility. Nicole's father was Clarence Avant, a highly successful music executive who gathered in their Beverly Hills home a mélange* of the most prominent musicians, producers, actors, and politicians. Indicative of the environment in which she grew up, Nicole's godfather is legendary producer, Quincy Jones. Speaking of godfathers, Nicole produced a documentary about her dad called 'The Black Godfather,' which is available on Netflix and is totally amazing. After college, Nicole worked in the music business but got into politics, eventually becoming the Southern Caliornia finance co-chair for the 2008 Presidential campaign of Barack Obama who appointed her Ambassador. Nicole's film about Black the contributions of Black service women during WWII, 'The Six Triple Eight,' was directed by Tyler Perry and comes out later this year. Check out The Black Godfather trailer here and learn more about Nicole's book here. (So you understand the context, the “Ted” to which Nicole refers in this interivew is her husband, Ted Sarandos, Co-CEO of Netflix.)
Instant analysis of Netflix ($NFLX) Q2 earnings, as we hear from CEO Ted Sarandos. More than “beat” or “miss” –the Drill Down Earnings with Futurum Group chief market strategist Cory Johnson has the business stories behind stocks on the move. https://x.com/corytv #Netflix #Earnings @Netflix $NFLX #Technology #Software #CloudComputing #Chips #AI #ArtificialIntelligence #Semiconductors #Stocks #Trading #Business @DrillDownPod Learn more about your ad choices. Visit megaphone.fm/adchoices
We're off for the Fourth of July, but what's a better tribute to America than a conversation about the technology that enables us to endlessly stream TV from the couch? This week, we're bringing you an episode we enjoyed from the recently debuted New York Times podcast The Interview. Lulu Garcia-Navarro interviews Ted Sarandos, co-chief executive of Netflix, about his early days working in a video store, shows to fold your laundry to and the future of the entertainment industry.Guest:Ted Sarandos, Co-CEO of NetflixAdditional Reading: “The Interview”: Ted Sarandos's Plan to Get You to Binge Even More NetflixCan Japan's First Same-Sex Dating Reality Show Change Hearts and Minds?We want to hear from you. Email us at hardfork@nytimes.com.Find “Hard Fork” on YouTube and TikTok.
On this episode of The Hollywood Outsider podcast, we decided it was time to discuss the constant negativity surrounding entertainment these days. Media sites and fandom in general seems to have become less of a positive thing and more likely incites others to clash and fight over every differing opinion. However, it wasn't so long ago that our differences made us relatable and brought us together. So what happened? Why can't fans be more positive? Of course, that's not all as we also debate an insane comparison from Netflix CEO Ted Sarandos using Barbie and Oppenheimer as reference points, Wake Up Dead Man: A Knives Out Mystery gets a fantastic cast, and more. Discussed on this episode (0:00 – 11:32) Opening | Entertainment News: Netflix's Ted Sarandos, Knives Out sequel cast (11:33 - 1:15:23) From the Outside In: Why Can't Fans Be More Positive? Listen to our other podcast, Inspired By A True Story, now available in your favorite podcast feed! Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Join us on Discord Follow us on X @BuyPopcorn Subscribe on Apple Subscribe on Spotify Subscribe via RSS
Your Heard Tell Show is turning down the noise of the news cycle and getting to the information we need to discern our times by digging into the business and cultural factors that cause movie theater box offices to have their worst Memorial Day Weekend in a generation. Film critic Luis Mendez of the Mendez Movie Report returns to talk not just why films like Furiosa and Garfield failed to live up to the usual movie bonanza of the holiday, but also how business changes, streaming, and other factors play a huge role into what does and doesn't make it to the big screen these days. Plus, Luis and host Andrew talk about the head of Netflix giving an insightful interview to the New York Times, and discusses streaming, changing entertainment habits, and the future of movie theaters. Then, Luis updates the Oscars race now that the Cannes Film Festival has come and gone, and talks about the early dominance of Dune 2, and what is coming up later this year that might challenge the epic come awards season.All that and more on this episode of Heard Tell.Luis's piece on the Oscars at Ordinary Times:https://ordinary-times.com/2024/05/28/97th-oscars-projections-the-post-cannes-outlook-for-the-best-picture-race/New York Times interview with Ted Sarandos of Netflix:https://www.nytimes.com/2024/05/25/magazine/ted-sarandos-netflix-interview.html--------------------Heard Tell SubStack Free to subscribe, comes right to your inboxQuestions, comments, concerns, ideas, or epistles? Email us HeardTellShow@gmail.comPlease make sure to follow @Heard Tell, like the program, comment with your thoughts, and share with others.Heard Tell SubStack Free to subscribe, comes right to your inboxSupport Heard Tell here: https://app.redcircle.com/shows/4b87f374-cace-44ea-960c-30f9bf37bcff/donationsSupport this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Netflix won the streaming battle, but the war for your attention isn't over.
Netflix won the streaming battle, but the war for your attention isn't over.
In this deeply moving episode of The HEAL Podcast, Kelly is joined by the remarkable Nicole Avant to discuss her memoir, Think You'll Be Happy: Moving Through Grief with Grit, Grace, and Gratitude. In this profoundly personal account, Nicole bravely shares her journey of resilience and hope in the aftermath of her mother's senseless murder, offering invaluable insights into navigating grief with courage and authenticity. From reflections on forgiveness to the importance of community support, this episode delves into the depths of unexpected and violent loss, finding purpose, and honoring the divinity within ourselves and others. Nicole Avant is a bestselling author, producer, entrepreneur, and philanthropist. Appointed by President Barack Obama and unanimously confirmed by the U.S. Senate, Avant made history as the youngest and first African American woman to hold the prestigious position of U.S. Ambassador to the Bahamas. Her tenure was marked by significant achievements, including her pursuit of key initiatives such as Economic and Small Business Development, Education, Women's Empowerment, Alternative Energy, and advocacy for people with disabilities. She resides in Los Angeles with her husband, Ted Sarandos, co-CEO of Netflix, and embraces her role as a proud stepmother to Tony and Sarah Sarandos. Her life and accomplishments serve as an inspiration to all who aspire to effect positive change and cultivate a legacy of compassion and empowerment. Tune in for a profound conversation filled with empathy, wisdom, and hope. LINKS Nicole Avant on Instagram: https://www.instagram.com/nicoleavant Nicole's Book “Think You'll Be Happy” on Amazon: https://amzn.to/49tsdWR Think You Will Be Happy Website: https://thinkyoullbehappy.com/ SPONSORS PUORI: Go to puori.com/HEAL and use code HEAL for 20% OFF their great products! Learn more about your ad choices. Visit megaphone.fm/adchoices
Rob Lowe and Ted Sarandos love to quote their favorite movies together! Co-CEO of Netflix (and film fanatic) Ted Sarandos joins Rob Lowe to discuss his early days as a video store manager in Arizona, the little-seen Netflix comedy series that he is obsessed with, how the Netflix algorithm and his own fandom led to the company's deal with Adam Sandler, what AI could mean for the entertainment industry, and much more. Plus, Rob shares one of his favorite golf memories! Got a question for Rob? Call our voicemail at (323) 570-4551. Your question could get featured on the show!
We continue Kara's tour of her memoir Burn Book: a Tech Love Story as she gets candid with Netflix co-CEO Ted Sarandos about the nonsensical nature of 1990s/early 2000s tech culture, how technology disrupted media, where Kara's candor comes from and Ted's short-lived career as a journalist. This interview was taped at Live Talks LA on March 4,2024. Questions? Comments? Email us at on@voxmedia.com or find us on social media. We're on Instagram/Threads as @karaswisher and @nayeemaraza Learn more about your ad choices. Visit podcastchoices.com/adchoices
The state of comedy, the Netflix journey, and Chappelle on SNL with Ted Sarandos. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Bridgerton wished us all a very happy Valentine's Day with a couple new teaser clips, and we're here to play them in full for ya, comment on them, and tell you everything we know so far, like the episode dropdates: four episodes on May 16th, and four episodes on June 13th. We also talk sh*t to David Zaslav when we meant Ted Sarandos but the points still stand, and you won't BELIEVE the trivia Jon drops at the end. About one minute of new video, and 30 minutes of your Bridgerton Bros — sounds about right. We can't wait to be back for Bridgerton Season 3! Until then, we keep it going over on Patreon.com/kevinandjon. Follow us over at @thebridgertonbros on Insta, @brosbridgerton on Twitter.
This is our after show interview with Alex Burnett & Brendan McCarthy (Grace & Frankie) about their pilot Localized. Alex's recounts his personal connection to the show, having grown up on Nantucket. You'll hear about the persistence it took to sell this show, their experience working with Mitch Hurwitz (creator of Arrested Development) and their journeys to becoming tv writers. They also share some really great writing insight they received from Mitch Hurwitz during the development process. You won't want to miss this one. Enjoy!For more Dead Pilots Society episodes and information about our live shows, please subscribe to the podcast!Make sure to like us on Facebook, follow us on Instagram, and Twitter, and visit our website at deadpilotssociety.com
Chegando para um Lá do Bunker um tanto amargo, com um blocão sobre a greve de atores em Hollywood. Enquanto os roteiristas chegaram a um acordo, os atores seguem parados, especialmente por conta de uma reivindicação de última hora (tenso). Também falamos sobre a delícia de consumir conteúdos de outros países (incluindo novelas turcas) e terminamos o programa falando sobre atores truqueiros e planos de carreira que gostamos (ou não). Bora ouvir. Tesouros de Ghanor Conheça o financiamento coletivo Tesouros de Ghanor Live especial Crowdfunding Ghanor dia 27/10 Apoie e vote nas miniaturas extras Citados no programa: Sindicato de Atores alerta para uso de fantasias de Halloween durante greve Deadpool 3 pode ter sido adiado por tempo indeterminado, diz site Ted Sarandos, da Netflix, comenta negociações para encerrar greve de atores Atores de Hollywood pressionam sindicato por fim da greve Atores em greve e estúdios de Hollywood vão retomar negociações Avenida Brasil terá remake como novela turca Daniel Radcliffe diz novamente que não será o novo Wolverine Telegram - Lá do Bunker Entre no nosso grupo do Telegram! Apresentação Arthur Eloi - Instagram / Twitter Pri Ganiko -- Instagram / Twitter Edição Doug Bezerra -- Instagram
Chegando para um Lá do Bunker um tanto amargo, com um blocão sobre a greve de atores em Hollywood. Enquanto os roteiristas chegaram a um acordo, os atores seguem parados, especialmente por conta de uma reivindicação de última hora (tenso). Também falamos sobre a delícia de consumir conteúdos de outros países (incluindo novelas turcas) e terminamos o programa falando sobre atores truqueiros e planos de carreira que gostamos (ou não). Bora ouvir. Tesouros de Ghanor Conheça o financiamento coletivo Tesouros de Ghanor Live especial Crowdfunding Ghanor dia 27/10 Apoie e vote nas miniaturas extras Citados no programa: Sindicato de Atores alerta para uso de fantasias de Halloween durante greve Deadpool 3 pode ter sido adiado por tempo indeterminado, diz site Ted Sarandos, da Netflix, comenta negociações para encerrar greve de atores Atores de Hollywood pressionam sindicato por fim da greve Atores em greve e estúdios de Hollywood vão retomar negociações Avenida Brasil terá remake como novela turca Daniel Radcliffe diz novamente que não será o novo Wolverine Telegram - Lá do Bunker Entre no nosso grupo do Telegram! Apresentação Arthur Eloi - Instagram / Twitter Pri Ganiko -- Instagram / Twitter Edição Doug Bezerra -- Instagram
Chegando para um Lá do Bunker um tanto amargo, com um blocão sobre a greve de atores em Hollywood. Enquanto os roteiristas chegaram a um acordo, os atores seguem parados, especialmente por conta de uma reivindicação de última hora (tenso). Também falamos sobre a delícia de consumir conteúdos de outros países (incluindo novelas turcas) e terminamos o programa falando sobre atores truqueiros e planos de carreira que gostamos (ou não). Bora ouvir. Tesouros de Ghanor Conheça o financiamento coletivo Tesouros de Ghanor Live especial Crowdfunding Ghanor dia 27/10 Apoie e vote nas miniaturas extras Citados no programa: Sindicato de Atores alerta para uso de fantasias de Halloween durante greve Deadpool 3 pode ter sido adiado por tempo indeterminado, diz site Ted Sarandos, da Netflix, comenta negociações para encerrar greve de atores Atores de Hollywood pressionam sindicato por fim da greve Atores em greve e estúdios de Hollywood vão retomar negociações Avenida Brasil terá remake como novela turca Daniel Radcliffe diz novamente que não será o novo Wolverine Telegram - Lá do Bunker Entre no nosso grupo do Telegram! Apresentação Arthur Eloi - Instagram / Twitter Pri Ganiko -- Instagram / Twitter Edição Doug Bezerra -- Instagram
With the ongoing strikes in Hollywood, the upcoming fall TV season will likely survive on rations of reruns and unscripted content. Once viewers also run out of bingeable streaming series, the streamers might find themselves in a similar position. We’ll hear what Netflix co-CEO Ted Sarandos had to say about it and get into why the streamers may be better prepared — for now. Plus, we’ll unpack the Biden administration’s war on hidden fees. And, the Women’s World Cup is finally here! Here’s everything we talked about today: “Netflix adds nearly 6 million paid subscribers amid password sharing crackdown” from CNN Business “Biden targets hidden ‘junk fees’ from banks, cable TV, concert tickets” from Reuters “SEC chair warns of AI’s potential to disrupt markets” from Axios “There’s evidence that AI has downsides for the legal industry” from Marketplace “Women’s World Cup likely to draw bigger crowds, revenue” from Marketplace “New Zealand’s Hannah Wilkinson scores goal vs. Norway in 48′” from Fox Sports Join us tomorrow for Economics on Tap. The YouTube livestream starts at 3:30 p.m. Pacific time, 6:30 p.m. Eastern. We'll have news, drinks, a game and more.
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