Podcasts about Corbet

The Storm does not cover athletes or gear or hot tubs or whisky bars or helicopters or bros jumping off things. I'm focused on the lift-served skiing world that 99 percent of skiers actually inhabit, and I'm covering it year-round. To support this mission of independent ski journalism, please subscribe to the free or paid versions of the email newsletter.WhoGreg Pack, President and General Manager of Mt. Hood Meadows, OregonRecorded onApril 28, 2025About Mt. Hood MeadowsClick here for a mountain stats overviewOwned by: The Drake Family (and other minority shareholders)Located in: Mt. Hood, OregonYear founded: 1968Pass affiliations:* Indy Pass – 2 days, select blackouts* Indy+ Pass – 2 days, no blackoutsClosest neighboring U.S. ski areas: Summit (:17), Mt. Hood Skibowl (:19), Cooper Spur (:23), Timberline (:26)Base elevation: 4,528 feetSummit elevation: 7,305 feet at top of Cascade Express; 9,000 feet at top of hike-to permit area; 11,249 feet at summit of Mount HoodVertical drop: 2,777 feet lift-served; 4,472 hike-to inbounds; 6,721 feet from Mount Hood summitSkiable acres: 2,150Average annual snowfall: 430 inchesTrail count: 87 (15% beginner, 40% intermediate, 15% advanced, 30% expert)Lift count: 11 (1 six-pack, 5 high-speed quads, 1 fixed-grip quad, 3 doubles, 1 carpet – view Lift Blog's inventory of Mount Hood Meadows' lift fleet)About Cooper SpurClick here for a mountain stats overviewOwned by: The Drake FamilyLocated in: Mt. Hood, OregonYear founded: 1927Pass affiliations: Indy Pass, Indy+ Pass – 2 days, no blackoutsClosest neighboring U.S. ski areas: Mt. Hood Meadows (:22), Summit (:29), Mt. Hood Skibowl (:30), Timberline (:37)Base elevation: 3,969 feetSummit elevation: 4,400 feetVertical drop: 431 feetSkiable acres: 50Average annual snowfall: 250 inchesTrail count: 9 (1 most difficult, 7 more difficult, 1 easier)Lift count: 2 (1 double, 1 ropetow – view Lift Blog's inventory of Cooper Spur's lift fleet)Why I interviewed himVolcanoes are weird. Oh look, an exploding mountain. Because that seems reasonable. Volcanoes sound like something imagined, like dragons or teleportation or dinosaurs*. “So let me get this straight,” I imagine some puzzled Appalachian miner, circa 1852, responding to the fellow across the fire as he tells of his adventures in the Oregon Territory, “you expect me to believe that out thataways they got themselves mountains that just blow their roofs off whenever they feel like it, and shoot off fire and rocks and gas for 50 mile or more, and no one never knows when it's a'comin'? You must think I'm dumber'n that there tree stump.”Turns out volcanoes are real. How humanity survived past day one I have no idea. But here we are, skiing on volcanoes instead of tossing our virgins from the rim as a way of asking the nice mountain to please not explode (seriously how did anyone make it out of the past alive?).And one of the volcanoes we can ski on is Mount Hood. This actually seems more unbelievable to me than the concept of a vengeful nuclear mountain. PNW Nature Bros shield every blade of grass like they're guarding Fort Knox. When, in 2014, federal scientists proposed installing four monitoring stations on Hood, which the U.S. Geological Survey ranks as the sixth-highest threat to erupt out of America's 161 active volcanoes, these morons stalled the process for six years. “I think it is so important to have places like that where we can just step back, out of respect and humility, and appreciate nature for what it is,” a Wilderness Watch official told The New York Times. Personally I think it's so important to install basic monitoring infrastructure so that thousands of people are not incinerated in a predictable volcanic eruption. While “Japan, Iceland and Chile smother their high-threat volcanoes in scientific instruments,” The Times wrote, American Granola Bros say things like, “This is more proof that the Forest Service has abandoned any pretense of administering wilderness as per the letter or spirit of the Wilderness Act.” And Hood and the nation's other volcanoes cackle madly. “These idiots are dumber than the human-sacrifice people,” they say just before belching up an ash cloud that could take down a 747. When officials finally installed these instrument clusters on Hood in 2020, they occupied three boxes that look to be approximately the size of a convenience-store ice freezer, which feels like an acceptable trade-off to mass death and airplanes falling out of the sky.I know that as an outdoor writer I'm supposed to be all pissed off if anyone anywhere suggests any use of even a centimeter of undeveloped land other than giving it back to the deer in a treaty printed on recycled Styrofoam and signed with human blood to symbolize the life we've looted from nature by commandeering 108 square feet to potentially protect millions of lives from volcanic eruption, but this sort of trivial protectionism and willful denial that humans ought to have rights too is the kind of brainless uncompromising overreach that I fear will one day lead to a massive over-correction at the other extreme, in which a federal government exhausted with never being able to do anything strips away or massively dilutes land protections that allow anyone to do anything they can afford. And that's when we get Monster Pete's Arctic Dune Buggies setting up a casino/coal mine/rhinoceros-hunting ranch on the Eliot Glacier and it's like thanks Bros I hope that was worth it to stall the placement of gardenshed-sized public safety infrastructure for six years.Anyway, given the trouble U.S. officials have with installing necessary things on Mount Hood, it's incredible how many unnecessary ones our ancestors were able to build. But in 1927 the good old boys hacked their way into the wilderness and said, “by gum what a spot for snoskiing” and built a bunch of ski areas. And today 31 lifts serve four Mt. Hood ski areas covering a combined 4,845 acres:Which I'm just like, do these Wilderness Watch people not know about this? Perhaps if this and similar groups truly cared about the environmental integrity of Mount Hood they would invest their time, energy, and attention into a long-term regional infrastructure plan that identified parcels for concentrated mixed-use development and non-personal-car-based transit options to mitigate the impact of thousands of skiers traveling up the mountain daily from Portland, rather than in delaying the installation of basic monitoring equipment that notifies humanity of a civilization-shattering volcanic eruption before it happens. But then again I am probably not considering how this would impact the integrity of squirrel poop decomposition below 6,000 feet and the concomitant impacts on pinestand soil erosion which of course would basically end life as we know it on planet Earth.OK this went sideways let me try to salvage it.*Whoops I know dinosaurs were real; I meant to write “the moon landing.” How embarrassing.What we talked aboutA strong 2024-25; recruiting employees in mountains with little nearby housing; why Meadows doesn't compete with Timberline for summer skiing; bye-bye Blue double, Meadows' last standing opening-year chairlift; what it takes to keep an old Riblet operating; the reliability of old versus new chairlifts; Blue's slow-motion demolition and which relics might remain long term; the logic of getting a free anytime buddy lift ticket with your season pass; thoughts on ski area software providers that take a percentage of all sales; why Meadows and Cooper Spur have no pass reciprocity; the ongoing Cooper Spur land exchange; the value of Cooper Spur and Summit on a volcano with three large ski areas; why Meadows hasn't backed away from reciprocal agreements; why Meadows chose Indy over Epic, Ikon, or Mountain Collective; becoming a ski kid when you're not from a ski family; landing at Mountain Creek, New Jersey after a Colorado ski career; how Moonlight Basin started as an independent ski area and eventually became part of Big Sky; the tension underlying Telluride; how the Drake Family, who has managed the ski area since inception, makes decisions; a board that reinvests 100 percent of earnings back into the mountain; why we need large independents in a consolidating world; being independent is “our badge of honor”; whether ownership wants to remain independent long term; potential next lift upgrades; a potential all-new lift line and small expansion; thoughts on a better Heather lift; wild Hood weather and the upper limits of lift service; considering surface lifts on the upper mountain; the challenges of running Cascade Express; the future of the Daisy and Easy Rider doubles; more potential future expansion; and whether we could ever see a ski connection with Timberline Lodge.Why now was a good time for this interviewIt's kind of dumb that 210 episodes into this podcast I've only recorded one Oregon ep: Timberline Lodge President Jeff Kohnstamm, more than three years ago. While Oregon only has 11 active ski areas, and the state ranks 11th-ish in skier visits, it's an important ski state. PNW skiers treat skiing like the Northeast treats baseball or the Midwest treats football or D.C. treats politics: rabid beyond reason. That explains the eight Idaho pods and half dozen each in Washington and B.C. These episodes hit like a hash stand at a Dead show. So why so few Oregon eps?Eh, no reason in particular. There isn't a ski area in North America that I don't want to feature on the podcast, but I can't just order them online like a pizza. Relationships, more than anything, drive the podcast, and The Storm's schedule is primarily opportunity driven. I invite folks on as I meet them or when they do something cool. And sometimes we can connect right away and sometimes it takes months or even years, even if they want to do it. Sometimes we're waiting on contracts or approvals so we can discuss some big project in depth. It can take time to build trust, or to convince a non-podcast person that they have a great story to tell.So we finally get to Meadows. Not to be It-Must-Be-Nice Bro about benefits that arise from clear deliberate life choices, but It must be nice to live in the PNW, where every city sits within 90 minutes of a ripping, open-until-Memorial-Day skyscraper that gets carpet bombed with 400 annual inches but receives between one and four out-of-state visitors per winter. Yeah the ski areas are busy anyway because they don't have enough of them, but busy with Subaru-driving Granola Bros is different than busy with Subaru-driving Granola Bros + Texas Bro whose cowboy boots aren't clicking in right + Florida Bro who bought a Trans Am for his boa constrictor + Midwest Bro rocking Olin 210s he found in Gramp's garage + Hella Rad Cali Bro + New Yorker Bro asking what time they groom Corbet's + Aussie Bro touring the Rockies on a seven-week long weekend + Euro Bro rocking 65 cm underfoot on a two-foot powder day. I have no issue with tourists mind you because I am one but there is something amazing about a ski area that is gigantic and snowy and covered in modern infrastructure while simultaneously being unknown outside of its area code.Yes this is hyperbole. But while everyone in Portland knows that Meadows has the best parking lot views in America and a statistical profile that matches up with Beaver Creek and as many detachable chairlifts as Snowbasin or Snowbird and more snow than Steamboat or Jackson or Palisades or Pow Mow, most of the rest of the world doesn't, and I think they should.Why you should ski Mt. Hood Meadows and Cooper SpurIt's interesting that the 4,845 combined skiable acres of Hood's four ski areas are just a touch larger than the 4,323 acres at Mt. Bachelor, which as far as I know has operated as a single interconnected facility since its 1958 founding. Both are volcanoes whose ski areas operate on U.S. Forest Service land a commutable distance from demographically similar markets, providing a case study in distributed versus centralized management.Bachelor in many ways delivers a better experience. Bachelor's snow is almost always drier and better, an outlier in the kingdom of Cascade Concrete. Skiers can move contiguously across its full acreage, an impossible mission on Balkanized Hood. The mountain runs an efficient, mostly modern 15 lifts to Hood's wild 31, which includes a dozen detachables but also a half dozen vintage Riblet doubles with no safety bars. Bachelor's lifts scale the summit, rather than stopping thousands of feet short as they do on Hood. While neither are Colorado-grade destination ski areas, metro Portland is stuffed with 25 times more people than Bend, and Hood ski areas have an everbusy feel that skiers can often outrun at Bachelor. Bachelor is closer to its mothership – just 26 minutes from Bend to Portland's hour-to-two-hour commutes up to the ski areas. And Bachelor, accessible on all versions of the Ikon Pass and not hamstrung by the confusing counter-branding of multiple ski areas with similar names occupying the same mountain, presents a more clearcut target for the mainstream skier.But Mount Hood's quirky scatterplot ski centers reward skiers in other ways. Four distinct ski areas means four distinct ski cultures, each with its own pace, purpose, customs, traditions, and orientation to the outside world. Timberline Lodge is a funky mix of summertime Bro parks, Government Camp greens, St. Bernards, and its upscale landmark namesake hotel. Cooper Spur is tucked-away, low-key, low-vert family resort skiing. Meadows sprawls, big and steep, with Hood's most interesting terrain. And low-altitude, closest-to-the-city Skibowl is night-lit slowpoke with a vintage all-Riblet lift fleet. Your Epic and Ikon passes are no good here, though Indy gets you Meadows and Cooper Spur. Walk-up lift tickets (still the only way to buy them at Skibowl), are more tier-varied and affordable than those at Bachelor, which can exceed $200 on peak days (though Bachelor heavily discounts access to its beginner lifts, with free access to select novice areas). Bachelor's $1,299 season pass is 30 percent more expensive than Meadows'.This dynamic, of course, showcases single-entity efficiency and market capture versus the messy choice of competition. Yes Free Market Bro you are right sometimes. Hood's ski areas have more inherent motivators to fight on price, forge allegiances like the Timberline-Skibowl joint season pass, invest in risks like night and summer skiing, and run wonky low-tide lift ticket deals. Empowering this flexibility: all four Hood ski areas remain locally owned – Meadows and T-Line by their founding families. Bachelor, of course, is a fiefdom of Park City, Utah-based Powdr, which owns a half-dozen other ski areas across the West.I don't think that Hood is better than Bachelor or that Bachelor is better than Hood. They're different, and you should ski both. But however you dissect the niceties of these not-really-competing-but-close-enough-that-a-comarison-makes-sense ski centers, the on-the-ground reality adds up to this: Hood locals, in general, are a far more contented gang than Bachelor Bros. I don't have any way to quantify this, and Bachelor has its partisans. But I talk to skiers all over the country, all the time. Skiers will complain about anything, and online guttings of even the most beloved mountains exist. But talk to enough people and strong enough patterns emerge to understand that, in general, locals are happy with Mammoth and Alpine Meadows and Sierra-at-Tahoe and A-Basin and Copper and Bridger Bowl and Nub's Nob and Perfect North and Elk and Plattekill and Berkshire East and Smuggs and Loon and Saddleback and, mostly, the Hood ski areas. And locals are generally less happy with Camelback and Seven Springs and Park City and Sunrise and Shasta and Stratton and, lately, former locals' faves Sugarbush and Wildcat. And, as far as I can tell, Bachelor.Potential explanations for Hood happiness versus Bachelor blues abound, all of them partial, none completely satisfactory, all asterisked with the vagaries of skiing and skiers and weather and luck. But my sense is this: Meadows, Timberline, and Skibowl locals are generally content not because they have better skiing than everyplace else or because their ski areas are some grand bargain or because they're not crowded or because they have the best lift systems or terrain parks or grooming or snow conditions, but because Hood, in its haphazard and confounding-to-outsiders borders and layout, has forced its varied operators to hyper-adapt to niche needs in the local market while liberating them from the all-things-to-everyone imperative thrust on isolated operations like Bachelor. They have to decide what they're good at and be good at that all the time, because they have no other option. Hood operators can't be Vail-owned Paoli Peaks, turning in 25-day ski seasons and saying well it's Indiana what do you expect? They have to be independent Perfect North, striving always for triple-digit operating days and saying it's Indiana and we're doing this anyway because if we don't you'll stop coming and we'll all be broke.In this way Hood is a snapshot of old skiing, pre-consolidation, pre-national pass, pre-social media platforms that flung open global windows onto local mountains. Other than Timberline summer parks no one is asking these places to be anything other than very good local ski areas serving rabid local skiers. And they're doing a damn good job.Podcast NotesOn Meadows and Timberline Lodge opening and closing datesOne of the most baffling set of basic facts to get straight in American skiing is the number of ski areas on Mount Hood and the distinction between them. Part of the reason for this is the volcano's famous summer skiing, which takes place not at either of the eponymous ski areas – Mt. Hood Meadows or Mt. Hood Skibowl – but at the awkwardly named Timberline Lodge, which sounds more like a hipster cocktail lounge with a 19th-century fur-trapper aesthetic than the name of a ski resort (which is why no one actually calls it “Timberline Lodge”; I do so only to avoid confusion with the ski area in West Virginia, because people are constantly getting Appalachian ski areas mixed up with those in the Cascades). I couldn't find a comprehensive list of historic closing dates for Meadows and Timberline, but the basic distinction is this: Meadows tends to wrap winter sometime between late April and late May. Timberline goes into August and beyond when it can. Why doesn't Meadows push its season when it is right next door and probably could? We discuss in the pod.On Riblet clipsFun fact about defunct-as-a-company-even-though-a-couple-hundred-of-their-machines-are-still-spinning Riblet chairlifts: rather than clamping on like a vice grip, the end of each chair is woven into the rope via something called an “insert clip.” I wrote about this in my Wildcat pod last year:On Alpental Chair 2A small but vocal segment of Broseph McBros with nothing better to do always reflexively oppose the demolition of legacy fixed-grip lifts to make way for modern machines. Pack does a great job laying out why it's harder to maintain older chairlifts than many skiers may think. I wrote about this here:On Blue's breakover towers and unload rampWe also dropped photos of this into the video version of the pod:On the Cooper Spur land exchangeHere's a somewhat-dated and very biased-against-the-ski-area infographic summarizing the proposed land swap between Meadows and the U.S. Forest Service, from the Cooper Spur Wild & Free Coalition, an organization that “first came together in 2002 to fight Mt. Hood Meadows' plans to develop a sprawling destination resort on the slopes of Mt. Hood near Cooper Spur”:While I find the sanctimonious language in this timeline off-putting, I'm more sympathetic to Enviro Bro here than I was with the eruption-detection controversy discussed up top. Opposing small-footprint, high-impact catastrophe-monitoring equipment on an active volcano to save five bushes but potentially endanger millions of human lives is foolish. But checking sprawling wilderness development by identifying smaller parcels adjacent to already-disturbed lands as alternative sites for denser, hopefully walkable, hopefully mixed-use projects is exactly the sort of thing that every mountain community ought to prioritize.On the combination of Summit and Timberline LodgeThe small Summit Pass ski area in Government Camp operated as an independent entity from its 1927 founding until Timberline Lodge purchased the ski area in 2018. In 2021, the owners connected the two – at least in one direction. Skiers can move 4,540 vertical feet from the top of Timberline's Palmer chair to the base of Summit. While Palmer tends to open late in the season and Summit tends to close early, and while skiers will have to ride shuttles back up to the Timberline lifts until the resort builds a much anticipated gondola connecting the full height, this is technically America's largest lift-served vertical drop.On Meadows' reciprocalsMeadows only has three season pass reciprocal partners, but they're all aspirational spots that passholders would actually travel for: Baker, Schweitzer, and Whitefish. I ask Pack why he continues to offer these exchanges even as larger ski areas such as Brundage and Tamarack move away from them. One bit of context I neglected to include, however, is that neighboring Timberline Lodge and Mount Hood Skibowl not only offer a joint pass, but are longtime members of Powder Alliance, which is an incredible regional reciprocal pass that's free for passholders at any of these mountains:On Ski Broadmoor, ColoradoColorado Springs is less convenient to skiing than the name implies – skiers are driving a couple of hours, minimum, to access Monarch or the Summit County ski areas. So I was surprised, when I looked up Pack's original home mountain of Ski Broadmoor, to see that it sat on the city's outskirts:This was never a big ski area, with 600 vertical feet served by an “America The Beautiful Lift” that sounds as though it was named by Donald Trump:The “famous” Broadmoor Hotel built and operated the ski area, according to Colorado Ski History. They sold the hotel in 1986 to the city, which promptly sold it to Vail Associates (now Vail Resorts), in 1988. Vail closed the ski area in 1991 – the only mountain they ever surrendered on. I'll update all my charts and such to reflect this soon.On pre-high-speed KeystoneIt's kind of amazing that Keystone, which now spins seven high-speed chairlifts, didn't install its first detachable until 1990, nearly a decade after neighboring Breckenridge installed the world's first, in 1981. As with many resorts that have aggressively modernized, this means that Keystone once ran more chairlifts than it does today. When Pack started his ski career at the mountain in 1989, Keystone ran 10 frontside aerial lifts (8 doubles, 1 triple, 1 gondola) compared to just six today (2 doubles, 2 sixers, a high-speed quad, and a higher-capacity gondy).On Mountain CreekI've talked about the bananas-ness of Mountain Creek many times. I love this unhinged New Jersey bump in the same way I loved my crazy late uncle who would get wasted at the Bay City fireworks and yell at people driving Toyotas to “Buy American!” (This was the ‘80s in Michigan, dudes. I don't know what to tell you. The auto industry was falling apart and everybody was tripping, especially dudes who worked in – or, in my uncle's case, adjacent to (steel) – the auto industry.)On IntrawestOne of the reasons I did this insane timeline project was so that I would no longer have to sink 30 minutes into Google every time someone said the word “Intrawest.” The timeline was a pain in the ass, but worth it, because now whenever I think “wait exactly what did Intrawest own and when?” I can just say “oh yeah I already did that here you go”:On Moonlight Basin and merging with Big SkyIt's kind of weird how many now-united ski areas started out as separate operations: Beaver Creek and Arrowhead (merged 1997), Canyons and Park City (2014), Whistler and Blackcomb (1997), Alpine Meadows and Squaw Valley (connected via gondola in 2022), Carinthia and Mount Snow (1986), Sugarbush and Mount Ellen (connected via chairlift in 1995). Sometimes – Beaver Creek, Mount Snow – the terrain and culture mergers are seamless. Other times – Alpine and the Palisades side of what is now Palisades Tahoe – the connection feels like opening a store that sells four-wheelers and 74-piece high-end dinnerware sets. Like, these things don't go together, Man. But when Big Sky absorbed Moonlight Basin and Spanish Peaks in 2013, everyone immediately forgot that it was ever any different. This suggests that Big Sky's 2032 Yellowstone Club acquisition will be seamless.**Kidding, Brah. Maybe.On Lehman BrothersNearly two decades later, it's still astonishing how quickly Lehman Brothers, in business for 158 years, collapsed in 2008.On the “mutiny” at TellurideEvery now and then, a reader will ask the very reasonable question about why I never pay any attention to Telluride, one of America's great ski resorts, and one that Pack once led. Mostly it's because management is unstable, making long-term skier experience stories of the sort I mostly focus on hard to tell. And management is mostly unstable because the resort's owner is, by all accounts, willful and boorish and sort of unhinged. Blevins, in The Colorado Sun's “Outsider” newsletter earlier this week:A few months ago, locals in Telluride and Mountain Village began publicly blasting the resort's owner, a rare revolt by a community that has grown weary of the erratic Chuck Horning.For years, residents around the resort had quietly lamented the antics and decisions of the temperamental Horning, the 81-year-old California real estate investor who acquired Telluride Ski & Golf Resort in 2004. It's the only resort Horning has ever owned and over the last 21 years, he has fired several veteran ski area executives — including, earlier this year, his son, Chad.Now, unnamed locals have launched a website, publicly detailing the resort owner's messy management of the Telluride ski area and other businesses across the country.“For years, Chuck Horning has caused harm to us all, both individually and collectively,” reads the opening paragraph of ChuckChuck.ski — which originated when a Telluride councilman in March said that it was “time to chuck Chuck.” “The community deserves something better. For years, we've whispered about the stories, the incidents, the poor decisions we've witnessed. Those stories should no longer be kept secret from everyone that relies on our ski resort for our wellbeing.”The chuckchuck.ski site drags skeletons out of Horning's closet. There are a lot of skeletons in there. The website details a long history of lawsuits across the country accusing Horning and the Newport Federal Financial investment firm he founded in 1970 of fraud.It's a pretty amazing site.On Bogus BasinI was surprised that ostensibly for-profit Meadows regularly re-invests 100 percent of profits into the ski area. Such a model is more typical for explicitly nonprofit outfits such as Bogus Basin, Idaho. Longtime GM Brad Wilson outlined how that ski area functions a few years back:The Storm explores the world of lift-served skiing year-round. Join us. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet and Chris Wikaira. First, they're joined by political analyst Grant Duncan to discuss the UK's landmark decision to lower the voting age to 16, and the position that puts New Zealand in. Then, school holidays can put a huge strain on parents - should they be shortened?

What is it like to live in a campervan fulltime as an older person? Malcolm Keoghan joins the panel to explain the experience. Finally, they head to Greytown where the sixth annual Festival of Christmas is drawing thousands of people to the tiny town.

Tonight on The Panel, Wallace Chapman is joined by panellists Denise Le Strange-Corbet and Anton Matthews With economist Brad Olsen they discuss the latest GDP data; is the NZ economy a race car or an old jalopy? They also examine the issue around a collection of schools urging NZ Rugby to block an exclusive boys' first XV competition. [picture id="4MD7F38_copyrightīmage_258676" crop="16x10" layout="full"]

This half hour the panel hears from Predator Free Wellington and the disturbing news that we may be losing thousands of baby birds every day. [picture id="4M1DIAQ_copyrightīmage_279679" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet and Chris Wikaira. They discuss cuts to science and tech funding in Budget 2025, speed sign confusion around schools in Auckland, and an iconic NZ fashion label shutting down their retail store.

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet and Chris Wikaira. They discuss the return of The Southerner, a train between Christchurch and Dunedin, a decision to keep the official name of Northland town Russell as it is, and the surprising advice from a microbiologist on whether to shower morning or night.  

Welcome to the Personal Development Trailblazers Podcast! In today's episode, we'll explore how joy isn't just a fleeting feeling—it's a fundamental truth that shapes who we are and how we move through the world.Kelly is a mindfulness teacher who blends cutting-edge neuroscience with ancient wisdom to help people rediscover joy and elevate their brain function. While focusing on JOY might seem trivial—who associates joy with serious change?—the truth is that joy has a profound impact on every aspect of life. From aging and sleep to academic performance, relationships, physical health, and even pain perception, prioritizing joy can dramatically improve our lives. It's anything but frivolous.Brains work best when they are freed from stress.  We are born stress-free, but often forget it as we get “should-ed” through life.  Through the work she calls “The Practice, she helps people remember that!  (Sometimes she even says she teaches “not-forgetfulness.”). To support The Practice, she writes books (three so far, with a fourth in the works) and articles, and shares her insights as often as possible, with as many people as possible.Though she holds a Harvard degree in public policy, and once ran an international environmental consulting firm, she now knows the most effective way to make a meaningful difference in the world starts with nurturing inner wisdom.  When we empower ourselves with clarity and joy, we unlock our capacity for finding the very best solutions—not only for ourselves, but for the planet.Connect with Kelly Here: https://www.instagram.com/kelly_corbet/https://www.linkedin.com/in/kelly-corbet-weinschenkhttps://www.kellycorbet.com/Grab the freebie here: https://www.kellycorbet.com/trailblazer   PW:  Trailblazer===================================If you enjoyed this episode, remember to hit the like button and subscribe. Then share this episode with your friends.Thanks for watching the Personal Development Trailblazers Podcast. This podcast is part of the Digital Trailblazer family of podcasts. To learn more about Digital Trailblazer and what we do to help entrepreneurs, go to DigitalTrailblazer.com.Are you a coach, consultant, expert, or online course creator? Then we'd love to invite you to our FREE Facebook Group where you can learn the best strategies to land more high-ticket clients and customers. QUICK LINKS: APPLY TO BE FEATURED: https://app.digitaltrailblazer.com/podcast-guest-applicationDIGITAL TRAILBLAZER: https://digitaltrailblazer.com/

Falls euch cogitamus gefällt, lasst bitte ein Abo da und/oder empfehlt uns weiter. YouTube: https://www.youtube.com/@cogitamus Instagram: https://www.instagram.com/cogitamus.podcast/ Finanziell unterstützen könnt ihr uns ebenfalls: paypal.me/cogitamus oder cogitamus@posteo.de. 1937 wurde Hannah Arendt ausgebürgert, 1951 US-amerikanische Staatsbürgerin. 14 Jahre lang war sie staatenlos, weltlos, ausgeschlossen aus jeder politischen Ordnung – das Schicksal abertausender jüdischer Menschen. Diese existenzielle Erfahrung prägt ihr Denken über Menschenrechte, Zugehörigkeit und politische Verantwortung. In ihrem Essay Wir Flüchtlinge (1943) benennt sie nicht nur den individuellen Verlust, sondern auch das Versagen Europas: „Die Gesellschaft der europäischen Völker zerbrach, als und weil sie es zuließ, dass ihr schwächstes Mitglied verfolgt wurde.“ In dieser Folge sprechen wir über das Schicksal geflüchteter Menschen, die nur zwei Möglichkeiten haben: Assimilation oder Staatsgründung. Was bedeutet es, entrechtet zu sein? Warum versagt das Konzept der Menschenrechte genau dort, wo es am dringendsten gebraucht wird? Welche politischen Auswege denkt Arendt – Assimilation, Neugründung, Revolution? Und wie ordnet sie die Gründung Israels ein, welchen Zwiespalt sieht sie im Zionismus? Kapitel 00:00 Intro, Inhalte & Hinweise 05:52 Historisch-biographische Einordnung 11:08 Problem der Staatenlosigkeit & Menschenrechte 19:36 Assimilation als Identitätsverlust 25:12 Notwendigkeit des Zionismus 33:07 Kritik am Zionismus & an Nationen 40:09 Fazit Literatur/Links/Quellen Arendt, Hannah: Elemente und Ursprünge totaler Herrschaft. Piper Verlag, 2023. Arendt, Hannah: Wir Flüchtlinge/We refugees, in: South As A State Of Mind, Heft 6, 2015 [1943], abgerufen unter: https://www.documenta14.de/de/south/35_we_refugees (zuletzt: 06.03.2025) Corbet, Brady/Mona Fastvold: The Brutalist. Final Shooting Draft, 2023. Abgerufen unter: https://a24awards.com/assets/The-Brutalist-screenplay.pdf (zuletzt: 21.03.2025) Hacke, Jens: „Denken am Abgrund. Hannah Arendts monumentale Geschichte totalitärer Gegenwart. Nachwort.“, in: Arendt, Hannah: Elemente und Ursprünge totaler Herrschaft. Erweiterte Neuauflage, München, Piper Verlag, 2023. [1951] Khalidi, Rashid: Der hundertjährige Krieg um Palästina. Zürich, Unionsverlag 2024. Meyer, Thomas: Hannah Arendt über Flüchtlinge – ‚Es bedeutet den Zusammenbruch unserer privaten Welt‘. Deutschlandfunk, 2015. Abgerufen unter: https://www.deutschlandfunk.de/hannah-arendt-ueber-fluechtlinge-es-bedeutet-den-100.html (zuletzt: 24.03.2025)

SUMMARY: Paul organizes an 'Improv for Podcasting' workshop in Pennsylvania. Matt enjoys the thrill of victory at a soccer game and the agony of the feces while buying a cake. Jacob gets chased down The Strip and whipped, then helps a neighbor with a car battery. Also, Scoop Mail and a Scoopardy.Go to poduty.com for info on "Improvisation for Podcasting with Paul Mattingly," coming May 24 at Poduty Live's Podcast Theater at Harrisons on Corbet in Tarentum, Pa.

Tonight on The Panel, Wallace Chapman is joined by panellists Dame Denise L'Estrange-Corbet & Anton Mathews.  They discuss the death of Pope Francis and the state of the Catholic Church, along with accusations Air New Zealand is being tone deaf for announcing new uniforms at a time of high regional fares.

Tonight on The Panel, Wallace Chapman is joined by panelists Dame Denise L'Estrange-Corbet & Anton Mathews . They discuss whether New Zealand should have compulsory third party car insurance, and do Christchurch people really care what school you went to? Plus they talk to a publican who's taking a personal stand against Donald Trump's tariffs. 

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Wilson & Denise L'Estrange-Corbet.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Wilson & Denise L'Estrange-Corbet. The trio discuss an Auckland coalition's call for consultation on neighbourhood speed limit changes, and an upcoming lawn mower race. Simon Wilson is a senior writer at the NZ Herald. Denise L'Estrange-Corbet is the co-founder of the WORLD fashion label. [picture id="4L9WDMY_Speed_signs_12_jpg" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet & Chris Clarke. They discuss Simeon Brown's health reforms, and a coalition lobbying for the return of a container deposit scheme. Denise L'Estrange-Corbet is a fashion designer and businesswoman. Chris Clarke is the CEO of Wilberforce Foundation and Chairperson of Emergency Alliance. [picture id="4KAX3FPĪmage_10_jpg" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet & Chris Clarke. They discuss whether local councils should have four year terms, and our lack of sea safety knowledge. Denise L'Estrange-Corbet is a fashion designer and businesswoman. Chris Clarke is the CEO of Wilberforce Foundation and Chairperson of Emergency Alliance. [picture id="4NHEFJ3_copyrightīmage_184143" crop="16x10" layout="full"]

Today we're talking about all things ‘Kings & Queens of Corbet's' with Alex Hackel, who has podiumed both times he's competed in the event. Alex Hackel just took 2nd place at Kings & Queens, he's also 2-times X-games medalist, he's the co-founder of 1000skis, and he's a terrific filmmaker. Jonathan sat down with Alex in Jackson Hole after the comp to talk about all of this and a whole lot more.RELATED LINKSAlex's Kings & Queen's RunAlex's YouTube Channel1000 SkisBlister Rec. Shop: Spokane Alpine HausBLISTER+ Get Yourself Covered: Blister Summit 2025 Join Us! TOPICS & TIMES:Big Blister Summit Updates (1:43)Spokane Alpine Haus (2:28)How ‘Kings & Queens' Works (3:32)How Inspections Works (8:05)Alex's Breakdown of His Run (11:43)Dropping In (13:34)Feelings Upon Finishing (25:03)Athlete Conversations, Athlete Judging, & Scoring (27:23)Comps vs Filming (32:34)Evolution of the Pro Skier (36:47)Co-Founding 1000 Skis (42:12)Pick One: Flex Pattern or Mount Point? (43:13)Favorite X Games Tricks this Year? (45:51)Is the Talent Level Peaking in Freeskiing? (46:46)Where Is the Most Progression Currently? (49:16)What Are Your Off-Mountain Interests? (51:37)Film Talk (58:12)Why Did You Become a BLISTER+ Member? (1:05:02)CHECK OUT OUR OTHER PODCASTS:Blister CinematicCRAFTED Bikes & Big IdeasGEAR:30 Hosted on Acast. See acast.com/privacy for more information.

durée : 00:27:31 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma : "The Brutalist" de Brady Corbet et "Les Damnés" de Roberto Minervini. - réalisation : Laurence Malonda - invités : Antoine Guillot Journaliste, critique de cinéma et de bandes dessinées, producteur de l'émission "Plan large" sur France Culture; Murielle Joudet Critique de cinéma pour Le Monde

James Corbett is an independent journalist and researcher, known for his work through "The Corbett Report," which he started in 2007. He has been living and working in Japan since 2004. His platform focuses on critical analysis of politics, society, history, and economics, offering podcasts, interviews, articles, and videos on various controversial topics including 9/11 Truth, false flag terrorism, the police state, eugenics, geopolitics, and central banking.Cornerstone Forum ‘25https://www.showpass.com/cornerstone25/Contribute to the new SNP StudioE-transfer here: shaunnewmanpodcast@gmail.comGet your voice heard: Text Shaun 587-217-8500Substack:https://open.substack.com/pub/shaunnewmanpodcastSilver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100

This segment explores the current mortgage market landscape, emphasizing interest rate trends, relocation patterns, the challenges of reverse mortgages, and the impact of tariffs, while reinforcing the importance of creative strategies to help borrowers navigate today's housing market.

Tonight on The Panel, Wallace Chapman and panellists Denise L'Estrange-Corbet & Alan McElroy discuss why sports keep getting faster, and the best way to boil an egg - is 32 minutes too long?! Plus do you have the rate Harry Potter book that's valued at thousands of dollars. Dame Denise L'Estrange-Corbet - Co-founder fashion brand WORLD Alan McElroy - Comedian [picture id="4LZRN1M_copyrightīmage_282713" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman and panellists Denise L'Estrange-Corbet & Alan McElroy discuss the aftermath of Waitangi day, the state of public housing and why we don't have any internationally renowned events. Plus... Would you have a problem with living next door to a solar farm? Dame Denise L'Estrange-Corbet - Co-founder fashion brand WORLD Alan McElroy - Comedian [picture id="4KCF0C6Īmage_68_jpg" crop="16x10" layout="full"]

Academy Award®-nominated composer Daniel Blumberg joins guest host Jon Burlingame to discuss his evocative and unconventional music for "The Brutalist," directed by Brady Corbet, which earned the film an Oscar® nomination for Best Original Score. Blumberg shares how his long-time friendship with Corbet influenced the creative process, how he crafted the film's musical language using improvisational techniques, and how he recorded some of the score's most striking pieces — including a live jazz sequence and a prepared piano overture, which was played on set to help choreograph the movement of one of the film's opening sequences."[Brady Corbet] wanted to shoot the overture [of] Laszlo leaving the Holocaust behind, arriving in New York, and the optimism of seeing the Statue of Liberty to music. So that was one of my first priorities: To create a demo that would work on set… I had this sample of a piano that I'd prepared in London. This sort of percussive piano where you interfere with the strings… John Cage put screws in between strings, and that was a sound that felt right… A few weeks later, we were playing it really loud on the set. And it was great because the cinematographer could move to the music and Adrian could move to the music and the music could cue the extras… I think it was successful in terms of having an impact for the opening of the film.”—Daniel Blumberg, Composer, "The Brutalist"Be sure to check out “The Brutalist,” now playing in theaters.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This segment explores the impact of AI-driven market volatility, the secondary mortgage market's response to unexpected financial events, and the potential economic implications of tariffs, emphasizing the need for disciplined risk management and preparation in uncertain financial

New Releases Presence Steven Soderbergh returns to the supernatural thriller genre with Presence, a film that offers a unique perspective—literally. Shot entirely from the viewpoint of a poltergeist, the film follows a family struggling with grief, personal turmoil, and eerie disturbances in their new home. Starring Lucy Liu, Chris Sullivan, and Callina Liang, Presence delivers a deeply immersive experience that plays with perception and psychological horror. But does the concept hold up for a full-length feature? We discuss! The Brutalist Adrien Brody leads The Brutalist, a sweeping period drama directed by Brady Corbet. The film follows a Hungarian-Jewish architect and Holocaust survivor as he rebuilds his life in post-war America. With Felicity Jones, Guy Pearce, and Joe Alwyn rounding out the cast, The Brutalist dives deep into themes of artistic ambition, prejudice, and resilience. How does this slow-burn drama hold up against Corbet's previous work? We break it down. Classic Rewind Erin Brockovich (2000) In honor of Steven Soderbergh's Presence, we revisit one of his most acclaimed films, Erin Brockovich. Starring Julia Roberts in an Oscar-winning performance, this legal drama tells the true story of a determined woman who takes on a corporate giant responsible for environmental pollution. Does the film still pack the same punch today? We take a look back at this powerhouse performance and its lasting impact. Follow & Support Us! Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

The Brutalist tells the story of László Tóth (Adrian Brody) a Hungarian-Jewish architect who survives the Holocaust and emigrates to the United States. He meets a wealthy industrialist, Harrison Lee Van Buren (Guy Pierce), who recognizes his talent, and commissions him to design a grand community center. The opportunity presents both a chance for redemption and a descent into a dangerous power dynamic. Cinematographer Lol Crawley, BSC is currently nominated for an Academy Award for his stunning work on The Brutalist. He and director Brady Corbet chose to shoot on VistaVision, which uses 35mm film horizontally instead of vertically, significantly increasing the image area and resolution. Corbet was always interested in shooting on a larger format in order to capture the landscapes and architecture in the film. VistaVision proved to be a less expensive way to shoot on large format, especially since many rental companies were reluctant to rent their 65mm cameras to a modestly budgeted, independent feature. Lol knew fellow cinematographer Robbie Ryan had also used VistaVision for parts of Poor Things. He was able to use the same technicians Robbie used while The Brutalist shot in Budapest. The choice of VistaVision was not just about technical specifications. For The Brutalist, set in the early late 1940s and early 1950s, Lol felt it was appropriate to use a camera and film stock that evoked the era. Even the photochemical process of film itself added a unique character. “What we have chosen to do with the Kodak stock is to abuse the stock slightly, to underexpose it, to push process it, to come up with a more painterly image or something that we feel depicts a certain era,” says Lol. “And we've found that by underexposing the stock and distressing the dye layers, then forcing the image back up, you're dragging up colors within the shadows that we find to be very pleasing, interesting and more impressionistic or painterly image.” One of the most striking sequences in The Brutalist is the opening scene, a single continuous take following László through a ship as he disembarks in America. Lol, who also operated the camera in most of the film, used a smaller handheld camera for the scene. To accentuate the disorientation as László gets off the boat, the editor decided to flip the images around. “The idea is supposed to be that he comes to America, and it's a new hope,” says Lol. “But the fact that it's untethered and disorientating and flipped on its head is a really ingenious way of representing that László's time in the US is not going to be all he imagined.” Lol's approach to cinematography emphasizes a balance between documenting reality and fiction. “I've always thought that my cinematography was about responsiveness,” he says. "Cinematography is about light, camera movement, and composition. If I had to get rid of one or let one of those things go, it would be the lighting. What I like to do is to have one foot in documentary and one foot in fiction, and be open to respond. So I tend to shotlist less, I tend to storyboard less.” The cinematographer Christopher Doyle told him once, “In Western cinema, you say, 'Here's the frame, how do we fill it?' In Asian cinema we say, 'Here's the world, how do I frame it?'” You can see The Brutalist in theaters. Find Lol Crawley: https://lolcrawley.com/ Instagram: @crawleylol Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://aputure.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: Conclave/A Complete Unknown/The Brutalist Movie Review! First up is Conclave (2024). Then we move on to A Complete Unknown (2024). Finally we review The Brutalist (2024).Conclave is a 2024 political thriller film directed by Edward Berger and written by Peter Straughan, based on the 2016 novel by Robert Harris. The film stars Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. In the film, Cardinal Thomas Lawrence (Fiennes) organises a conclave to elect the next Pope and finds himself investigating secrets and scandals about the major candidates.Conclave premiered at the 51st Telluride Film Festival on 30 August 2024, was released in theatres in the United States by Focus Features on 25 October 2024 and in the United Kingdom by Black Bear UK on 29 November. The film received positive reviews from critics, with praise for the performances, directing, screenplay and cinematography, and grossed $82.4 million worldwide. It was named one of the top 10 films of 2024 by the National Board of Review and the American Film Institute. Among other accolades, it received eight nominations at the 97th Academy Awards (including Best Picture), six at the Golden Globe Awards (winning Best Screenplay), and tied Wicked with a leading 11 nominations at the 30th Critics' Choice Awards (including Best Picture).A Complete Unknown is a 2024 American biographical musical drama film directed by James Mangold, who co-wrote the screenplay with Jay Cocks, about American singer-songwriter Bob Dylan. Based on the 2015 book Dylan Goes Electric! by Elijah Wald, the film portrays Dylan through his earliest folk music success until the momentous controversy over his use of electric instruments at the 1965 Newport Folk Festival. Timothée Chalamet (who also produces) stars as Dylan, with Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, Big Bill Morganfield, Will Harrison, and Scoot McNairy in supporting roles. The film's title is derived from the chorus of Dylan's 1965 single "Like a Rolling Stone".A Complete Unknown premiered at the Dolby Theatre in Los Angeles on December 10, 2024, and was released in the United States by Searchlight Pictures on December 25, 2024. The film has grossed $74.2 million worldwide and received generally positive reviews from critics. It was named one of the top ten films of 2024 by the American Film Institute and the National Board of Review, the latter of which also awarded Fanning Best Supporting Actress.The film earned eight nominations at the 97th Academy Awards, including Best Picture, Best Director, Best Actor (Chalamet), Best Supporting Actor (Norton), and Best Supporting Actress (Barbaro). It also received three nominations at the 82nd Golden Globe Awards (including Best Motion Picture – Drama), three at the Critics Choice Awards (including Best Picture), four at the 31st Screen Actors Guild Awards (including Outstanding Performance by a Cast in a Motion Picture) and six at the British Academy Film Awards (including Best Film).The Brutalist is a 2024 epic period drama film directed and produced by Brady Corbet from a script he co-wrote with Mona Fastvold. A co-production between the United States, United Kingdom, and Hungary, it stars Adrien Brody as a Hungarian-born Jewish Holocaust survivor who immigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life. The cast also features Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, and Alessandro Nivola.The Brutalist premiered at the 81st Venice International Film Festival on September 1, 2024, where Corbet was awarded the Silver Lion for Best Direction, and was named one of the top ten films of 2024 by the American Film Institute. The film earned 10 nominations at the 97th Academy Awards (including Best Picture, Best Director, Best Actor for Brody, Best Supporting Actress for Jones, and Best Supporting Actor for Pearce), and at the 82nd Golden Globe Awards won three awards, including Best Motion Picture – Drama.[7][8] It was released in the United States by A24 on December 20, 2024, and in the United Kingdom by Universal Pictures and Focus Features on January 24, 2025.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Caite Zeliff a professional skier from North Conway, New Hampshire, grew up in a ski-centric community that fueled her passion for the sport. Thanks to a local program providing free lessons and equipment, she discovered skiing as a first grader, despite the financial challenges faced by her single mother. Falling in love with the slopes, Caite pursued ski racing, competing nationally and internationally before attending college as a Division 1 athlete. ⁣ After a ski injury in college, Caite left the University of New Hampshire and moved to Jackson, Wyoming, to embrace big mountain skiing. Starting as a barback, she immersed herself in the local ski culture and gained backcountry expertise. Her breakthrough came in 2018, winning the Red Bull "Kings and Queens of Corbet's" competition, a pivotal moment that launched her professional career and earned sponsorships from The North Face. ⁣ Caite's  journey reflects resilience and a deep connection to her roots. She has competed in major events, filmed with Warren Miller and Teton Gravity Research, and even tackled Alaska's peaks. However, injuries, including a traumatic brain injury, have reshaped her perspective, shifting her focus from risk to growth, community, and cultural exploration through skiing.

Tum Tod des Sesamstraßen-Stars Horst Janson. Ein Nachruf von Moritz Holfelder / Die Kritik überschlägt sich mit Lobeshymnen, nun kommt das dreieinhalbstunden Epos "The Bruatlist" Brady von Corbet auch bei uns in die Kinos. Eine Filmbesprechung von Bettina Dunkel / Anfänge eines Autors: die Feuilleton-Texte des Romanciers Wolfgang Koeppen neu aufgelegt. Von Niels Beintker

The Brutalist is a 2024 epic period drama film directed and produced by Brady Corbet from a script he co-wrote with Mona Fastvold. An international co-production between the United States, United Kingdom, and Hungary, it stars Adrien Brody as a Hungarian-born Jewish Holocaust survivor who immigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life. The cast also features Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, and Alessandro Nivola. The Brutalist premiered at the 81st Venice International Film Festival on September 1, 2024, where Corbet was awarded the Silver Lion for Best Direction, and was named one of the top ten films of 2024 by the American Film Institute. The film earned 10 nominations at the 97th Academy Awards (including Best Picture, Best Director, Best Actor for Brody, Best Supporting Actress for Jones, and Best Supporting Actor for Pearce), and at the 82nd Golden Globe Awards won three awards, including Best Motion Picture – Drama. It was released in the United States by A24 on December 20, 2024, and is set to be released in the United Kingdom by Universal Pictures and Focus Features on January 24, 2025.

Mona Fastvold talks to Christina about the award-winning epic 'The Brutalist' which she co-wrote with partner and director Brady Corbet! On her writing process & collaboration with Corbet, the filmmakers personal connections to the story and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Brutalist" and "The Room Next Door" had their world premieres at the 2024 Venice International Film Festival, where they received critical acclaim, with the former winning the festival's Best Director prize while the latter won the coveted Golden Lion. Both films have something in common, though; they each starred acclaimed character actor Alessandro Nivola. Revered for many years for his performances in film, television, and theater, the 52-year-old actor starred opposite Golden Globe winner Adrien Brody in Corbet's film as Attila, a Hungarian Jew who has assimilated into America and is helping Lazslo get settled in with his custom furniture business. In Almodovar's film, he plays a policeman who confronts Ingrid (played by Julianne Moore) about the apparent suicide of her friend Martha (played by Tilda Swinton). Nivola was kind enough to spend some time speaking with us about his work on both films, which you can listen to or watch below. Please be sure to check out "The Brutalist," which is now playing in theaters from A24 and will expand nationwide on January 24th, while "The Room Next Door" is now playing nationwide from Sony Pictures Classics. Both films are up for your consideration at this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne and Ryan digest the architectural drama, THE BRUTALIST starring Adrien Brody, Felicity Jones, Guy Pearce, and Joe Alwyn. Directed by Brady Corbet and written by Corbet and Mona Fastvold, THE BRUTALIST follows a fictional Hungarian-Jewish architect László Tóth (Brody) as he immigrates to America and falls under the patronage of a wealthy industrialist Harrison Lee Van Buren (Pearce). A critical hit and Oscar front-runner, THE BRUTALIST is undoubtedly epic in its ambition, length, and use of VistaVision, but is the film as monumental as the hype? Join us for a brutally honest discussion that takes some diversions into Wicked, Babygirl, Dave Eggers, Bradley Cooper, Funny Games, The Godfather, The Fountainhead and much, much more! THE BRUTALIST is currently in theaters.

Kelsi and Trey dive into Brady Corbet's The Brutalist, a sprawling, visually stunning epic that explores the intersection of art, legacy, and the immigrant experience. We unpack its breathtaking opening sequence, the haunting score by Daniel Blumberg, and its ambitious narrative following László Tóth (Adrien Brody), a Holocaust survivor and architect navigating postwar America under the oppressive control of a manipulative patron (Guy Pearce). While we admire Corbet's big filmmaking choices and meticulous design, we critique the film's reliance on archetypes, tired tropes, blunt symbolism, and its reluctance to fully trust its audience. Is The Brutalist a modern cinematic masterpiece or a monument that struggles to stand out among giants? ⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Mike and Blake Corbet discuss the intersection of healthcare and technology, particularly focusing on the role of AI in improving healthcare efficiency. Blake shares insights on evaluating tech companies in a rapidly changing market, the state of Canadian tech, and the importance of tax policy in attracting capital. He also provides investment strategies for individuals looking to navigate the tech sector.See omnystudio.com/listener for privacy information.

Warner Bros. has parted ways with its marketing chief and president of international distribution. What’s behind the shakeup at the studio and how does that affect the company’s slate of 2025 releases? Kim Masters and Matt Belloni dive in.    Plus, Masters speaks to The Brutalist co-writer & director Brady Corbet and co-writer Mona Fastvold. The pair talk about the seven-year battle to get their post war epic to the big screen. They also explain their audacious decision to make a three and a half hour film with an intermission, share thoughts on the state of the country, and Corbet reveals his thoughts about Trump’s plans to demolish brutalist federal buildings.  

Warner Bros. has parted ways with its marketing chief and president of international distribution. What's behind the shakeup at the studio and how does that affect the company's slate of 2025 releases? Kim Masters and Matt Belloni dive in.  Plus, Masters speaks to The Brutalist co-writer & director Brady Corbet and co-writer Mona Fastvold. The pair talk about the seven-year battle to get their post war epic to the big screen. They also explain their audacious decision to make a three and a half hour film with an intermission, share thoughts on the state of the country, and Corbet reveals his thoughts about Trump's plans to demolish brutalist federal buildings.

Demi Moore het op die Golden Globe-toekennings in Los Angeles haar eerste Golden Globe ooit gewen. Moore is die beste ondersteunende aktrise vir haar rol in The Substance. Colin Farrell is die beste akteur in 'n beperkte reeks vir The Penguin, en Jodie Foster is die beste aktrise in dieselfde kategorie vir True Detective: Night Country. Brady Corbet het die toekenning vir beste regisseur ontvang vir sy rolprent, wat hy ook help skryf het, The Brutalist. Corbet het ‘n roerende toespraak gelewer.

Sean is joined by Adam Nayman for an extensive examination of the themes, production, and style of Brady Corbet's ‘The Brutalist,' one of the most anticipated and audacious movies of the year (1:00). They discuss the idea of a new movie aiming at the canon, Corbet's filmmaking style and the marketing associated with it, the chapterized structure of the storytelling, the performances both at the center and on the edges of the frame, and more. Sean is then joined by Corbet (1:17:00) to discuss the circuitous route to getting the film on the big screen; how he sees a director's job; writing with his partner, Mona Fastvold; working with Adrien Brody; and more. Finally, Brody joins the show to talk about what was so appealing about the 'Brutalist' script, how he accessed the personal themes of the character he plays, the different technological hurdles of shooting in the long-dormant VistaVision format, and more (2:08:00). Host: Sean Fennessey Guests: Adam Nayman, Brady Corbet, and Adrien Brody Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us for an extended conversation with professional big mountain skier, Caite Zeliff. Hailing from the small town of Conway, New Hampshire, Caite has risen to the top of the skiing world, winning the King & Queen of Corbet's twice and starring in numerous ski films. In this special Christmas episode, we delve into Caite's incredible journey, from her early days on the slopes to her groundbreaking achievements in big mountain skiing. We discuss her passion for the sport, the challenges she's faced, and her insights into the world of filmmaking. We also get a little sidetracked, trash-talking the Cybertruck and sharing some laughs. Tune in for an inspiring and entertaining conversation with one of the most talented and down-to-earth skiers of our time. Be sure to check out the Ski Rex Media Partners, as well: Whaleback Mountain ⁝ Imbrace  Join the Ski Rex Media Community! Share your voice! We love hearing from listeners. Share your skiing and snowboarding stories, favorite winter memories, or holiday traditions on social media using the hashtag #SkiRexMedia. You might just be featured in an upcoming episode! Stay connected! Follow us on social media for updates, behind-the-scenes content, and exclusive offers: Facebook, Twitter, & Instagram: @skirexmedia Got a question, comment, or topic suggestion? We'd love to hear from you! Email us: contact@skirexmedia.com Leave us a voicemail: Ski Rex Media Voicemail at Speakpipe Visit our website: skirexmedia.com for more information about the show, past episodes, and exclusive content.

Brady Corbet's The Brutalist is epic. In fact, it's a three hour and 35 minute epic that afforded Felicity Jones a rather unique performance opportunity. Her character, Erzsébet Tóth, doesn't appear on screen until about halfway through the film, after its 15-minute intermission. The Brutalist begins by focusing on Adrien Brody's László Toth, a famous architect who flees post-war Europe with hopes of building a new life in America. Separated from his wife, Jones' Erzsébet, during the war, he settles in Pennsylvania alone with hopes she'll join him there soon. Eventually, László gets what appears to be a dreamy offer from a wealthy industrialist, Guy Pearce's Harrison Lee Van Buren. After coming to learn about László's famed work overseas, Harrison hires him to craft his own dream project, to build a grand scale community center in honor of his late mother. It's an opportunity for László to establish a foundation in his new home no doubt, but it's also one that's riddled with complications involving legacy and power.While Jones may not appear on screen during that period, Erzsébet's presence is felt via her own voice over and what she means to László. Essentially, the audience spends half the film awaiting her arrival and fantasizing about how it might play out. When the moment does finally come, anticipation is through the roof, and Jones makes the most of it. When Erzsébet enters the picture, alongside their niece Zsófia (Raffey Cassidy), it quickly becomes abundantly clear that she is an undeniable force determined to build the best possible life for her family in their new home.With The Brutalist now playing in select theaters, Jones joined me for a Collider Ladies Night interview to revisit the path she's carved for herself in cinema thus far, and to discuss making The Brutalist with Corbet, including her experience working on one particularly intense emotional beat that might very well be one of the best scenes of 2024. Hosted on Acast. See acast.com/privacy for more information.

Caite Zeliff grew up in New Hampshire's White Mountains, where she fell in love with skiing through racing. Eventually, she moved to Jackson, Wyoming, to chase the big mountain skiing dream—and she achieved it. With back-to-back Queen of Corbet's titles and segments with top-tier ski production companies, her career has been filled with huge milestones.This past spring while filming in Alaska, Caite took two hard falls that changed her life. What seemed like a “normal concussion” turned out to be much more serious. As her symptoms persisted and intensified, Caite sought medical help, uncovering the extent of the damage to her brain and nervous system. Now, she's focused on a full recovery, diving deep into understanding her body and mind.

Bob Harig, author and writer for Sports Illustrated and Emma Corbet from Elv8 Golf introducing Elv8 Elites. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bob Harig, author and writer for Sports Illustrated and Emma Corbet from Elv8 Golf introducing Elv8 Elites. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This podcast hit paid subscribers' inboxes on Oct. 31. It dropped for free subscribers on Nov. 7. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoGeordie Gillett, Managing Director and General Manager of Grand Targhee, WyomingRecorded onSeptember 30, 2024About Grand TargheeClick here for a mountain stats overviewOwned by: The Gillett FamilyLocated in: Alta, WyomingYear founded: 1969Pass affiliations: Mountain Collective: 2 days, no blackoutsClosest neighboring ski areas: Jackson Hole (1:11), Snow King (1:22), Kelly Canyon (1:34) – travel times vary considerably given time of day, time of year, and weather conditions.Base elevation: 7,650 feet (bottom of Sacajawea Lift)Summit elevation: 9,862 feet at top of Fred's Mountain; hike to 9,920 feet on Mary's NippleVertical drop: 2,212 feet (lift-served); 2,270 feet (hike-to)Skiable Acres: 2,602 acresAverage annual snowfall: 500 inchesTrail count: 95 (10% beginner, 70% intermediate, 15% advanced, 5% expert)Lift count: 6 (1 six-pack, 2 high-speed quads, 2 fixed-grip quads, 1 carpet – view Lift Blog's inventory of Grand Targhee's lift fleet)Why I interviewed himHere are some true facts about Grand Targhee:* Targhee is the 19th-largest ski area in the United States, with 2,602 lift-served acres.* That makes Targhee larger than Jackson Hole, Snowbird, Copper, or Sun Valley.* Targhee is the third-largest U.S. ski area (behind Whitefish and Powder Mountain) that is not a member of the Epic or Ikon passes.* Targhee is the fourth-largest independently owned and operated ski area in America, behind Whitefish, Powder Mountain, and Alta.* Targhee is the fifth-largest U.S. ski area outside of Colorado, California, and Utah (following Big Sky, Bachelor, Whitefish, and Schweitzer).And yet. Who do you know who has skied Grand Targhee who has not skied everywhere? Targhee is not exactly unknown, but it's a little lost in skiing's Bermuda Triangle of Jackson Hole, Sun Valley, and Big Sky, a sunken ship loaded with treasure for whoever's willing to dive a little deeper.Most ski resort rankings will plant Alta-Snowbird or Whistler or Aspen or Vail at the top. Understandably so – these are all great ski areas. But I appreciate this take on Targhee from skibum.net, a site that hasn't been updated in a couple of years, but is nonetheless an excellent encyclopedia of U.S. skiing (boldface added by me for emphasis):You can start easy, then get as wild and remote as you dare. Roughly 20% of the lift-served terrain (Fred's Mountain) is groomed. The snowcat area (Peaked Mountain) is completely ungroomed, completely powder, totally incredible [Peaked is lift-served as of 2022]. Comparisons to Jackson Hole are inevitable, as GT & JH share the same mountain range. Targhee is on the west side, and receives oodles more snow…and therefore more weather. Not all of it good; a local nickname is Grand Foggy. The locals ski Targhee 9 days out of 10, then shift to Jackson Hole when the forecast is less than promising. (Jackson Hole, on the east side, receives less snow and virtually none of the fog). On days when the weather is good, Targhee beats Jackson for snow quality and shorter liftlines. Some claim Targhee wins on scenery as well. It's just a much different, less crowded, less commercialized resort, with outstanding skiing. Some will argue the quality of Utah powder…and they're right, but there are fewer skiers at Targhee, so it stays longer. Some of the runs at Targhee are steep, but not as steep as the couloirs at Jackson Hole. Much more of an intermediate mountain; has a very “open” feel on virtually all of the trails. And when the powder is good, there is none better than Grand Targhee. #1 ski area in the USA when the weather is right. Hotshots, golfcondoskiers and young skiers looking for “action” (I'm over 40, so I don't remember exactly what that entails) are just about the only people who won't call Grand Targhee their all-time favorite. For the pure skier, this resort is number one.Which may lead you to ask: OK Tough Guy then why did it take you five years to talk about this mountain on your podcast? Well I get that question about once a month, and I don't really have a good answer other than that there are a lot of ski areas and I can only talk about one at a time. But here you go. And from the way this one went, I don't think it will be my last conversation with the good folks at Grand old Targhee.What we talked aboutContinued refinement of the Colter lift and Peaked Mountain expansion; upgrading cats; “we do put skiing first here”; there's a reason that finance people “aren't the only ones in the room making decisions for ski areas”; how the Peaked expansion changed Targhee; the Teton Pass highway collapse; building, and then dismantling, Booth Creek; how ignoring an answering machine message led to the purchase of Targhee; first impressions of Targhee: “How is this not the most popular ski resort in America?”; imagining Booth Creek in an Epkonic alt reality; Targhee's commitment to independence; could Targhee ever acquire another mountain?; the insane price that the Gilletts paid for Targhee; the first time you see the Rockies; massive expansion potential; corn; fixed-grip versus detach; Targhee's high percentage of intermediate terrain and whether that matters; being next-door neighbors with “the most aspirational brand in skiing”; the hardest part of expanding a ski area; potential infill lifts; the ski run Gillett would like to eliminate and why; why we're unlikely to see a lift to the true summit; and why Targhee joined Mountain Collective but hasn't joined the Ikon Pass (and whether the mountain ever would).Why I thought that now was a good time for this interviewA few things make Targhee extra relevant to our current ski moment:* Targhee is the only U.S. ski area aside from Sugar Bowl to join the Mountain Collective pass while staying off of Ikon.* In 2022, Targhee (sort of) quietly opened one of the largest lift-served North American ski expansions in the past decade, the 600-acre Peaked Mountain pod, served by the six-pack Colter lift.* The majority of large U.S. ski areas positioned on Forest Service land are bashful about their masterplans, which are publicly available documents that most resort officials wish we didn't know about. That's because these plans outline potential future expansions and upgrades that resorts would rather not prematurely acknowledge, lest they piss off the Chipmunk Police. So often when I'm like “Hey tell us about this 500-acre bowl-skiing expansion off the backside,” I get an answer that's something like, “well we look forward to working with our partners at the Forest Service to maybe consider doing that around the year 3000 after we complete our long-term study of mayfly migration routes.” But Geordie is just like, “Hell yes we want to blow the resort out in every direction like yesterday” (not an exact quote). And I freaking love the energy there.* Most large Western ski areas fall into one of two categories: big, modern, and busy (Vail, Big Sky, Palisades, Snowbird), or big, somewhat antiquated, and unknown (Discovery, Lost Trail, Silver). But Targhee has split the difference, being big, modern, and lesser-known, that rare oasis that gives you modern infrastructure (like fast lifts), without modern crowds (most of the time). It's kind of strange and kind of glorious, and probably too awesome to stay true forever, so I wanted to get there before the Brobot Bus unloaded.* Even 500-inches-in-an-average-winter Targhee has a small snowmaking system. Isn't that interesting?What I got wrong* I said that $20 million “might buy you a couple houses on the slopes at Jackson Hole.” It kind of depends on how you define “on the slopes,” and whether or not you can live without enough acreage for your private hippo zoo. If not, $24.5 million will get you this (I'm not positive that this one is zoned for immediate hippo occupation).* I said that 70 percent of Targhee's terrain was intermediate; Geordie indicated that that statistic had likely changed with the addition of the Peaked Mountain expansion. I'm working with Targhee to get updated numbers.Why you should ski Grand TargheeThe disconnect between people who write about skiing and what most people actually ski leads to outsized coverage of niche corners of this already niche activity. What percentage of skiers think that skiing uphill is fun? Can accomplish a mid-air backflip? Have ever leapt off a cliff more than four feet high? Commute via helicopter to the summit of their favorite Alaskan powder lines? The answer on all counts is probably a statistically insignificant number. But 99 percent of contemporary ski media focuses on exactly such marginal activities.In some ways I understand this. Most basketball media devote their attention to the NBA, not the playground knuckleheads at some cracked-concrete, bent-rim Harlem streetball court. It makes sense to look at the best and say wow. No one wants to watch intermediate skiers skiing intermediate terrain. But the magnifying glass hovering over the gnar sometimes clouds consumer choice. An average skier, infected by cliffity-hucking YouTubes and social media Man Bro boasting, thinks they want Corbet's and KT-22 and The Cirque at Snowbird. Which OK if you zigzag across the fall line yeah you can get down just about anything. But what most skiers need is Grand Targhee, big and approachable, mostly skiable by mostly anyone, with lots of good and light snow and a low chance of descent-by-tomahawk.Targhee's stats page puts the mountain's share of intermediate terrain at 70 percent, likely the highest of any major North American ski area (Northstar, another big-time intermediate-oriented mountain, claims 60 percent blue runs). I suspect this contributes to the resort's relatively low profile among destination skiers. Broseph Jones and his Brobot buddies examine the statistical breakdown of major resorts and are like “Yo cuz we want some Jackson trammage because we roll hard see.” Even though Targhee is bigger and gets more snow (both true) and offers a more realistic experience for the Brosephs.That's not to say that you shouldn't ski Jackson Hole. Everyone should. But steeps all day are mentally and physically draining. It's nice most of the time to not be parkouring down an elevator shaft. So go to Targhee too. And you can whoo-hoo through the deep empty trees and say “dang Brah this is hella rad Brah.” And it is.Podcast NotesOn the Peaked Mountain expansionThe Peaked Mountain terrain has been marked on Targhee's trailmap for years, but up until 2022, it was accessible mostly via snowcat:In 2022, the resort dropped a six-pack back there, better defined the trail network, and brought Peaked into the lift-served terrain package:On Grand Targhee's masterplanHere's the overview of Targhee's Forest Service master development plan. You can see potential expansions below Blackfoot (left in the image below), looker's right of Peaked/Colter (upper right), and below Sacajawea (lower right):Here's a better look at the so-called South Bowl proposal, which would add a big terrain pod contiguous with the recent Peaked expansion:Here's the MDP's inventory of proposed lifts. These things often change, and the “Peaked DC-4” listed below actualized as the Colter high-speed sixer:Targhee's snowmaking system is limited, but long-term aspirations show potential snowmaking stretching toward the top of the Dreamcatcher lift:On opposition to all of this potential expansionThere are groups of people masquerading as environmental commandos who I suspect oppose everything just to oppose it. Like oh a bobcat pooped next to that tree so we need to fence the area off from human activity for the next thousand years. But Targhee sits within a vast and amazing wilderness, the majority of which is and should be protected forever. But humans need space too, and developing a few hundred acres directly adjacent to already-developed ski terrain is the most sustainable and responsible way to do this. It's not like Targhee is saying “hey we're going to build a zipline connecting the resort to the Grand Teton.” But nothing in U.S. America can be achieved without a minimum of 45 lawsuits (it's in the Constitution), so these histrionic bozos will continue to exist.On Net Promoter Score and RRCI'm going to hurt myself if I try to overexplain this, so I'll just point toward RRC's Net Promoter Score overview page and the company's blog archive highlighting various reports. RRC sits quietly behind the ski industry but wields tremendous influence, assembling the annual Kotke end-of-season statistical report, which offers the most comprehensive annual overview of the state of U.S. skiing.On the reason I couldn't go to Grand Targhee last yearSo I was all set up to hit Targhee for a day last year and then I woke up in the middle of the night thinking “Gee I feel like I'm gonna die soon” and so I did not go skiing that day. Here's the full story if you are curious how I ended up not dying.On the Peaked terrain expansion being the hypothetical largest ski area in New HampshireI'll admit that East-West ski area size comparisons are fundamentally flawed. Eastern mountains not named Killington, Smugglers' Notch, and Sugarloaf tend to measure skiable terrain by acreage of cut trails and maintained glades (Sugarbush, one of the largest ski areas in the East by pure footprint, doesn't even count the latter). Western mountains generally count everything within their boundary. Fair enough – trying to ski most natural-growth eastern woods is like trying to ski down the stands of a packed football stadium. You're going to hit something. Western trees tend to be higher altitude, older-growth, less cluttered with undergrowth, and, um, more snow-covered. Meaning it's not unfair to include even unmarked sectors of the ski area as part of the ski area.Which is a long way of saying that numbers are hard, and that relying on ski area stats pages for accurate ski area comparisons isn't going to get you into NASA's astronaut training academy. Here's a side-by-side of 464-acre Bretton Woods – New Hampshire's largest ski area – and Targhee's 600-acre Peaked Mountain expansion, both at the same scale in Google Maps. Clearly Bretton Woods covers more area, but the majority of those trees are too dense to ski:And here's an inventory of all New Hampshire ski areas, if you're curious:On the Teton Pass highway collapseYeah so this was wild:On Booth CreekGrand Targhee was once part of the Booth Creek ski conglomerate, which now exists only as the overlord for Sierra-at-Tahoe. Here's a little history:On the ski areas at Snoqualmie Pass being “insane”We talk a bit about the “insane” terrain at Summit at Snoqualmie, a quirky ski resort now owned by Boyne. The mountain was Frankensteined together out of four legacy ski areas, three of which share a ridge and are interconnected. And then there's Alpental, marooned across the interstate, much taller and infinitely rowdier than its ho-hum brothers. Alpy, as a brand and as a badass, is criminally unknown outside of its immediate market, despite being on the Ikon Pass since 2018. But, as Gillett notes, it is one of the roughest, toughest mountains going:On Targhee's sinkholePer Jackson Hole News and Guide in September of last year:About two weeks ago, a day or so after torrential rain, and a few days after a downhill mountain biking race concluded on the Blondie trail, Targhee ski patrollers noticed that something was amiss. Only feet away from the muddy meander that mountain bikers had zipped down, a mound of earth had disappeared.In its place, there was a hole of unknown, but concerning, size.Subsequent investigations — largely, throwing rocks into the hole while the resort waits for more technical tools — indicate that the sinkhole is at least 8 feet wide and about 40 feet deep, if not more. There are layers of ice caking the walls a few feet down, and the abyss is smack dab in the middle of the resort's prized ski run.Falling into a sinkhole would be a ridiculous way to go. Like getting crushed by a falling piano or flattened under a steamroller. Imagine your last thought on earth is “Bro are you freaking kidding me with this s**t?”On the overlap between Mountain Collective and IkonMountain Collective and Ikon share a remarkable 26 partner ski areas. Only Targhee, Sugar Bowl, Marmot Basin, Bromont, Le Massif du Charlevoix, and newly added Megève have joined Mountain Collective while holding out on Ikon.The Storm explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 70/100 in 2024, and number 570 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

This podcast hit paid subscribers' inboxes on Oct. 11. It dropped for free subscribers on Oct. 18. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoAndy Cohen, General Manager of Fernie Alpine Resort, British ColumbiaRecorded onSeptember 3, 2024About FernieClick here for a mountain stats overviewOwned by: Resorts of the Canadian Rockies, which also owns:Located in: Fernie, British ColumbiaPass affiliations:* Epic Pass: 7 days, shared with Kicking Horse, Kimberley, Nakiska, Stoneham, and Mont-Sainte Anne* RCR Rockies Season Pass: unlimited access, along with Kicking Horse, Kimberley, and NakiskaClosest neighboring ski areas: Fairmont Hot Springs (1:15), Kimberley (1:27), Panorama (1:45) – travel times vary considerably given time of year and weather conditionsBase elevation: 3,450 feet/1,052 metersSummit elevation: 7,000 feet/2,134 metersVertical drop: 3,550 feet/1,082 metersSkiable Acres: 2,500+Average annual snowfall: 360 inches/914 Canadian inches (also called centimeters)Trail count: 145 named runs plus five alpine bowls and tree skiing (4% extreme, 21% expert, 32% advanced, 30% intermediate, 13% novice)Lift count: 10 (2 high-speed quads, 2 fixed-grip quads, 3 triples, 1 T-bar, 1 Poma, 1 conveyor - view Lift Blog's inventory of Fernie's lift fleet)Why I interviewed himOne of the most irritating dwellers of the #SkiInternet is Shoosh Emoji Bro. This Digital Daniel Boone, having boldly piloted his Subaru beyond the civilized bounds of Interstate 70, considers all outlying mountains to be his personal domain. So empowered, he patrols the digital sphere, dropping shoosh emojis on any poster that dares to mention Lost Trail or White Pass or Baker or Wolf Creek. Like an overzealous pamphleteer, he slings his brand haphazardly, toward any mountain kingdom he deems worthy of his forcefield. Shoosh Emoji Bro once Shoosh Emoji-ed me over a post about Alta.

In this episode of Lykken on Lending, we explore the critical importance of the Bank Secrecy Act (BSA) and Anti-Money Laundering (AML) regulations for mortgage lenders. David Lykken is joined by industry experts Bob Simpson, David Kittle, Alice Alvey, and Bill Corbet to discuss how these regulations affect lenders, the responsibilities around filing Suspicious Activity Reports (SARs), and the role of compliance in preventing fraud. With real-world insights from Bob's extensive experience in mortgage fraud investigation and contributions from Alice and Bill on best practices for training and risk management, this episode provides essential guidance for navigating the complexities of BSA and AML in the mortgage industry.

On episode 257 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello talk about some of our favorite (and not so favorite) films we saw at 62nd New York Film Festival and then look at them through the lens of the pending Oscar race. Kicking things off we start with The Brutalist, Brady Corbet's sprawling epic about a Hungarian architect, played by Adrien Brody, who emigrates to the United States post-World War II. Corbet won the Best Director award at the Venice Film Festival. You can read Sophia's review of that film here. Next we go into the Venice Golden Lion winner for Best Film, Pedro Almodóvar's The Room Next Door, starring Tilda Swinton and Julianne Moore, the director's first major festival top film win. Ryan's review of the maestro's festival favorite can be found here. The conversation here, about older directors creating films now that stand up against their best early work, moves to what we felt as a far less successful version of that, Francis Ford Coppola's Megalopolis (read Ryan's review here) but then we're back to the festival high of Luca Guadagnino's Queer, his adaptation of the 1985 William S. Burroughs short novel starring Daniel Craig and Drew Starkey, a drug-induced story of gay love and longing set among the lives of American expats in Mexico City in the late 1940s. You can read my review of Queer here. We also venture into some quick talk of other films we saw and loved at the festival, including Mike Leigh's Hard Truths and David Siegel and Scott McGehee's The Friend, starring the biggest attention getter of the fest, Bing the great Dane. From there we look at how looks at these films have shaped or changed our earlier Oscar predictions, what's out in front, what is falling off and the complete unknown entities coming up that could change race completely. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h16m. We will be back in two weeks to discuss AFI FEST and update our Oscar predictions. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this episode of the Yoga in the Therapy Room, we discuss the transformative effects of incorporating spirituality and intuition into therapy sessions. We look at the differences between spirituality and religion and provide practical tips and ethical considerations for therapists. We also look into the benefits of brain spotting, the power of manifestation, and the importance of daily practices for both clients and therapists. This episode aims to help therapists create a deeper healing experience and support their clients' mental health journey.MEET Cherie Lindberg & Heather CorbetCherie is a seasoned transformational coach, speaker, advisor, and psychotherapist, holding a completed doctorate. Her life's work is dedicated to guiding mentors, leaders, and high performers in embracing their life's purpose and achieving personal flourishing. She specializes in helping individuals recognize and highlight their unique abilities, empowering them to contribute positively to the world. As a Brainspotting Trainer and Consultant, she integrates Brainspotting and Internal Family Systems (IFS) coaching approaches. This unique combination allows her to provide deep, transformative experiences that unlock her clients' fullest potential.Find out more at Cherie Lindberg and connect with Cherie on Instagram and Facebook Elevated Life AcademyEpisode 194 Healing Through Brainspotting & Parts Work: Interview With Cherie LindbergMEET Heather CorbetHeather Corbet is an Occupational Therapist, Spiritual Advisor, Holistic Healer, Brainspotting Consultant & Specialty Workshop Presenter, and Coach with over 20 years in the human development field. As a Spiritual Advisor & Coach, she is dedicated to the profound healing and spiritual well-being, and evolution of her clients. Her commitment lies in nurturing and supporting individuals as they embark on their sacred journey of intuition and self-discovery. It is with deepest joy that Heather guides souls to the fulfillment of their life's purpose and the realization of their most cherished dreams."There are various components of spirituality. What drives you or what guides you is helping you through some of those struggles and it just feels really important to be able to bring that into the conversation." -Heather CorbetFind out more at Heather Corbet and Heather Corbert Spiritual AdvisorDefining Spirituality and IntuitionImportance of Spirituality in TherapyEthical Considerations and Practical TipsBrainspotting and SpiritualityManifestation and Flow StatesTraining and Community BuildingConnect With Me Instagram: @chris_mcdonald58Facebook: Yoga In The Therapy PodcastJoin the private Facebook Group:

World golf HFer Lee Trevino tells stories as only Merry Mex can! Aly Wells talks all things Gateway PGA and Emma Corbet updates us on Elv8 Golf Golf with Jay Delsing is brought to you by the Ascension Charity Classic: