Podcasts about Corbet

SUMMARY: Paul organizes an 'Improv for Podcasting' workshop in Pennsylvania. Matt enjoys the thrill of victory at a soccer game and the agony of the feces while buying a cake. Jacob gets chased down The Strip and whipped, then helps a neighbor with a car battery. Also, Scoop Mail and a Scoopardy.Go to poduty.com for info on "Improvisation for Podcasting with Paul Mattingly," coming May 24 at Poduty Live's Podcast Theater at Harrisons on Corbet in Tarentum, Pa.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Wilson & Denise L'Estrange-Corbet.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Wilson & Denise L'Estrange-Corbet. The trio discuss an Auckland coalition's call for consultation on neighbourhood speed limit changes, and an upcoming lawn mower race. Simon Wilson is a senior writer at the NZ Herald. Denise L'Estrange-Corbet is the co-founder of the WORLD fashion label. [picture id="4L9WDMY_Speed_signs_12_jpg" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet & Chris Clarke. They discuss Simeon Brown's health reforms, and a coalition lobbying for the return of a container deposit scheme. Denise L'Estrange-Corbet is a fashion designer and businesswoman. Chris Clarke is the CEO of Wilberforce Foundation and Chairperson of Emergency Alliance. [picture id="4KAX3FPĪmage_10_jpg" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman is joined by panellists Denise L'Estrange-Corbet & Chris Clarke. They discuss whether local councils should have four year terms, and our lack of sea safety knowledge. Denise L'Estrange-Corbet is a fashion designer and businesswoman. Chris Clarke is the CEO of Wilberforce Foundation and Chairperson of Emergency Alliance. [picture id="4NHEFJ3_copyrightīmage_184143" crop="16x10" layout="full"]

Muchas veces criticamos las películas, comentamos lo que nos ha parecido y por qué nos gusta má o menos, pero muchas otras queremos llegar a más. No lo hacemos por tiempo o simplemente porque nunca queremos estropear a nadie el visionado con spoilers. Por eso de vez en cuando y cuando sintamos que hay más que explorar vamos a tratar de hacerlo en estos especiales THE BRUTALIST Huyendo de la Europa de la posguerra, el visionario arquitecto László Toth llega a Estados Unidos para reconstruir su vida, su obra y su matrimonio con su esposa Erzsébet tras verse obligados a separarse durante la guerra a causa de los cambios de fronteras y regímenes. Solo y en un nuevo país totalmente desconocido para él, László se establece en Pensilvania, donde el adinerado y prominente empresario industrial Harrison Lee Van Buren reconoce su talento para la arquitectura. Pero amasar poder y forjarse un legado tiene su precio… Rodada en tan solo 30 días y con un presupuesto de 10 millones de dólares para una cinta de casi cuatro horas

Today we're talking about all things ‘Kings & Queens of Corbet's' with Alex Hackel, who has podiumed both times he's competed in the event. Alex Hackel just took 2nd place at Kings & Queens, he's also 2-times X-games medalist, he's the co-founder of 1000skis, and he's a terrific filmmaker. Jonathan sat down with Alex in Jackson Hole after the comp to talk about all of this and a whole lot more.RELATED LINKSAlex's Kings & Queen's RunAlex's YouTube Channel1000 SkisBlister Rec. Shop: Spokane Alpine HausBLISTER+ Get Yourself Covered: Blister Summit 2025 Join Us! TOPICS & TIMES:Big Blister Summit Updates (1:43)Spokane Alpine Haus (2:28)How ‘Kings & Queens' Works (3:32)How Inspections Works (8:05)Alex's Breakdown of His Run (11:43)Dropping In (13:34)Feelings Upon Finishing (25:03)Athlete Conversations, Athlete Judging, & Scoring (27:23)Comps vs Filming (32:34)Evolution of the Pro Skier (36:47)Co-Founding 1000 Skis (42:12)Pick One: Flex Pattern or Mount Point? (43:13)Favorite X Games Tricks this Year? (45:51)Is the Talent Level Peaking in Freeskiing? (46:46)Where Is the Most Progression Currently? (49:16)What Are Your Off-Mountain Interests? (51:37)Film Talk (58:12)Why Did You Become a BLISTER+ Member? (1:05:02)CHECK OUT OUR OTHER PODCASTS:Blister CinematicCRAFTED Bikes & Big IdeasGEAR:30 Hosted on Acast. See acast.com/privacy for more information.

durée : 00:27:31 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma : "The Brutalist" de Brady Corbet et "Les Damnés" de Roberto Minervini. - réalisation : Laurence Malonda - invités : Antoine Guillot Journaliste, critique de cinéma et de bandes dessinées, producteur de l'émission "Plan large" sur France Culture; Murielle Joudet Critique de cinéma pour Le Monde

Le cinéma, c'est toujours une question de point de vue. Pour The Brutalist, Brady Corbet annonce d'emblée qu'il voit grand. La toute première image de son film est un logo oublié. Celui de la VistaVision, un format de prises de vues plus grand que le Cinémascope, élargissant l'image en faisant circuler la pellicule horizontalement. Il est né au milieu des années 50. Pas très loin de la période d'un récit suivant la reconstruction mentale d'un architecte hongrois ayant fui l'Europe nazie pour s'essayer au rêve américain. Le rêve de Corbet, acteur croisé chez Haneke, Lars Von Trier ou Bertrand Bonello, est de renouer avec le cinéma hollywoodien pour raconter, plus qu'un nouveau départ, la seconde naissance de l'Amérique, celle du capitalisme dévorant. Ce sera au travers du chantier colossal d'une mini-cité commandée à l'émigré par un richissime industriel. Plus les murs s'érigent, plus la relation entre les deux hommes se fissure, le mécène se dévoilant à la tête d'un clan familial de prédateurs. Corbet construit autour d'eux une œuvre somme, sorte de roman national américain comme il n'y en avait pas eu depuis There Will Be Blood ou le Coppola du Parrain 2. D'autant plus impressionnant que réalisé avec un budget minime, The Brutalist renoue avec le souffle épique de ces grandes fresques opératiques comme leur capacité à scruter la face sombre de la civilisation moderne.À leur manière, les belges de Strip-tease intégral font eux aussi dans la dissection de la société. Au cœur des années 80, cette émission avait transformé les codes du documentaire télé, par de saisissants portraits de spécimens humains. Pour fêter ses quarante ans, la revoilà au cinéma avec un film compilation de cinq reportages, passant les mœurs des années 2000 à la loupe. Immersion chez des influenceuses à Dubaï, une singulière famille d'écolos, un hypo-hypercondriaque ou une stand-uppeuse amatrice, Strip-tease intégral joue plus que jamais d'un effet miroir quand le point commun à ses segments est la résurgence de l'apparence et du narcissisme. Toujours sur le même modèle d'un filmage sans commentaire, cette collection d'ego-trips s'en permet pourtant un via un fil rouge menant à une estomaquante dernière partie, affirmant que l'exhibitionnisme somatique généralisé touche désormais littéralement jusque dans nos chairs. À la télé, Strip-tease intégral avait pour slogan, "l'émission qui vous déshabille". Au cinéma, elle vient de rhabiller le regard documentaire par un mélange de sidération et de compassion, sur l'ordinaire de l'époque, entre vanités et quête de reconnaissance.The Brutalist, Strip-tease intégral. En salles le 12 février.

James Corbett is an independent journalist and researcher, known for his work through "The Corbett Report," which he started in 2007. He has been living and working in Japan since 2004. His platform focuses on critical analysis of politics, society, history, and economics, offering podcasts, interviews, articles, and videos on various controversial topics including 9/11 Truth, false flag terrorism, the police state, eugenics, geopolitics, and central banking.Cornerstone Forum ‘25https://www.showpass.com/cornerstone25/Contribute to the new SNP StudioE-transfer here: shaunnewmanpodcast@gmail.comGet your voice heard: Text Shaun 587-217-8500Substack:https://open.substack.com/pub/shaunnewmanpodcastSilver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100

This segment explores the current mortgage market landscape, emphasizing interest rate trends, relocation patterns, the challenges of reverse mortgages, and the impact of tariffs, while reinforcing the importance of creative strategies to help borrowers navigate today's housing market.

This week, we discuss two films involving Brady Corbet, the director of The Brutalist. The first is Vox Lux (2018), a musical drama written and directed by Brady Corbet, from a story by Corbet and Mona Fastvold. It follows a pop star who rises to fame after a traumatic event, exploring the intersection of celebrity and personal history. The second is Mysterious Skin (2004), a coming-of-age drama written, produced and directed by Gregg Araki, adapted from Scott Heim's 1995 novel of the same name. The film follows two young men on separate but interconnected journeys of self-discovery as they confront their pasts.   Timestamps What we've been watching (00:01:05) –  The Brutalist, The Red and the White, Close Encounters of the Third Kind, AVPR: Aliens vs Predator - Requiem, The Collapse Vox Lux (00:28:26) Mysterious Skin (00:50:40) Coin toss (01:17:40)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

Tonight on The Panel, Wallace Chapman and panellists Denise L'Estrange-Corbet & Alan McElroy discuss the aftermath of Waitangi day, the state of public housing and why we don't have any internationally renowned events. Plus... Would you have a problem with living next door to a solar farm? Dame Denise L'Estrange-Corbet - Co-founder fashion brand WORLD Alan McElroy - Comedian [picture id="4KCF0C6Īmage_68_jpg" crop="16x10" layout="full"]

Tonight on The Panel, Wallace Chapman and panellists Denise L'Estrange-Corbet & Alan McElroy discuss why sports keep getting faster, and the best way to boil an egg - is 32 minutes too long?! Plus do you have the rate Harry Potter book that's valued at thousands of dollars. Dame Denise L'Estrange-Corbet - Co-founder fashion brand WORLD Alan McElroy - Comedian [picture id="4LZRN1M_copyrightīmage_282713" crop="16x10" layout="full"]

Academy Award®-nominated composer Daniel Blumberg joins guest host Jon Burlingame to discuss his evocative and unconventional music for "The Brutalist," directed by Brady Corbet, which earned the film an Oscar® nomination for Best Original Score. Blumberg shares how his long-time friendship with Corbet influenced the creative process, how he crafted the film's musical language using improvisational techniques, and how he recorded some of the score's most striking pieces — including a live jazz sequence and a prepared piano overture, which was played on set to help choreograph the movement of one of the film's opening sequences."[Brady Corbet] wanted to shoot the overture [of] Laszlo leaving the Holocaust behind, arriving in New York, and the optimism of seeing the Statue of Liberty to music. So that was one of my first priorities: To create a demo that would work on set… I had this sample of a piano that I'd prepared in London. This sort of percussive piano where you interfere with the strings… John Cage put screws in between strings, and that was a sound that felt right… A few weeks later, we were playing it really loud on the set. And it was great because the cinematographer could move to the music and Adrian could move to the music and the music could cue the extras… I think it was successful in terms of having an impact for the opening of the film.”—Daniel Blumberg, Composer, "The Brutalist"Be sure to check out “The Brutalist,” now playing in theaters.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This segment explores the impact of AI-driven market volatility, the secondary mortgage market's response to unexpected financial events, and the potential economic implications of tariffs, emphasizing the need for disciplined risk management and preparation in uncertain financial

Maratonskih 215 minut (s 15-minutnim odmorom), mrakobno ozračje ter zgodba o obskurnem arhitekturnem gibanju in priseljenski izkušnji, posneta na pozabljen format VistaVision – kdo bi si mislil, da lahko film s takimi vhodnimi parametri v kinematografe privabi toliko občinstva, kot trenutno uspeva Brutalistu. Nepopustljiva estetika filma v režiji Bradyja Corbeta odslikava etos arhitekturnega sloga, ki mu je podaril naslov: grob je, surov in prav nič se ne trudi, da bi občinstvu olajšal gledalsko izkušnjo, ob tem pa ni niti malo dolgočasen. Zgodba se spleta okoli izmišljenega madžarskega arhitekta Lászla Tótha (igra ga Adrien Brody); ta med vojno emigrira v ZDA in si poskuša ustvariti novo življenje. Sreča se mu nasmehne, ko spozna bogatega industrialca Harrisona Van Burna. Ta ga vzame pod svoje pokroviteljstvo in mu naroči načrt za megalomansko stavbo, posvečeno njegovi pokojni materi. Sprva je videti, da je Lázslu uspel veliki met, a se kmalu izkaže, da ne bo šlo tako gladko. Corbet nam to da slutiti že v uvodni sekvenci s simbolno vizualno gesto – na glavo obrnjenim kipom svobode – ki skriva ključ do osrednje teme filma: Brutalist prežveči in izpljune idejo Amerike kot obljubljene dežele, v kateri lahko vsakdo najde svoj kotiček pod soncem in razvije svoje potenciale, če je le dovolj sposoben in prizadeven. Brutalistični arhitekturni slog se je porodil na ruševinah evropskih mest po koncu druge svetovne vojne kot odgovor na povečane potrebe po poceni zgradbah. Še posebno dobro se je prijel v socialističnih in komunističnih okoljih, ki so v egalitarnosti betona prepoznale odklon od buržoazne arhitekture, zato ne preseneča, da je, obložen s takšno ideološko konotacijo, v Ameriki najpogosteje naletel na odpor in nerazumevanje. V Brutalistu monumentalen objekt, ki ga je načrtoval László Tóth, učinkuje kot metafora tujca ali, bolje rečeno, tujka, ki se ga je treba znebiti. Amerika, ki se navzven kaže kot napredna in odprta dežela priložnosti, se izkaže za zavrto, nazadnjaško in ksenofobno družbo, ki ji vlada elita, našemljena v oblačila starih aristokracij, navznoter pa puhla, brez kulture, vrednot in tradicije, ki bi pomagale obrzdati napuh in zajeziti psihopatološki potencial na hitro pridobljenega bogastva. Vse to pooseblja Lászlóv mecen Van Buren. Ta je sicer očaran nad ustvarjalno močjo svojega varovanca, a v njej ne zmore uživati, dokler se je ne polasti. Cena ni pomembna; ker se duša ne ukloni, se poloti telesa. V fascinantni, diabolično morasti sekvenci, postavljeni v drobovje kamnoloma carrarskega marmorja, ki kot velika rana zeva sredi idiličnega toskanskega hribovja, se razpre bolestna lakomnost zahodnega sveta. Če ne prej, nam na tej točki postane jasno, da Corbet v resnici ne pripoveduje le o Ameriki, ampak nam kaže svet, v katerem živimo. Brezkompromisno in brez olepšav. Piše: Špela Barlič Bere: Ajda Sokler

New Releases Presence Steven Soderbergh returns to the supernatural thriller genre with Presence, a film that offers a unique perspective—literally. Shot entirely from the viewpoint of a poltergeist, the film follows a family struggling with grief, personal turmoil, and eerie disturbances in their new home. Starring Lucy Liu, Chris Sullivan, and Callina Liang, Presence delivers a deeply immersive experience that plays with perception and psychological horror. But does the concept hold up for a full-length feature? We discuss! The Brutalist Adrien Brody leads The Brutalist, a sweeping period drama directed by Brady Corbet. The film follows a Hungarian-Jewish architect and Holocaust survivor as he rebuilds his life in post-war America. With Felicity Jones, Guy Pearce, and Joe Alwyn rounding out the cast, The Brutalist dives deep into themes of artistic ambition, prejudice, and resilience. How does this slow-burn drama hold up against Corbet's previous work? We break it down. Classic Rewind Erin Brockovich (2000) In honor of Steven Soderbergh's Presence, we revisit one of his most acclaimed films, Erin Brockovich. Starring Julia Roberts in an Oscar-winning performance, this legal drama tells the true story of a determined woman who takes on a corporate giant responsible for environmental pollution. Does the film still pack the same punch today? We take a look back at this powerhouse performance and its lasting impact. Follow & Support Us! Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

The Brutalist tells the story of László Tóth (Adrian Brody) a Hungarian-Jewish architect who survives the Holocaust and emigrates to the United States. He meets a wealthy industrialist, Harrison Lee Van Buren (Guy Pierce), who recognizes his talent, and commissions him to design a grand community center. The opportunity presents both a chance for redemption and a descent into a dangerous power dynamic. Cinematographer Lol Crawley, BSC is currently nominated for an Academy Award for his stunning work on The Brutalist. He and director Brady Corbet chose to shoot on VistaVision, which uses 35mm film horizontally instead of vertically, significantly increasing the image area and resolution. Corbet was always interested in shooting on a larger format in order to capture the landscapes and architecture in the film. VistaVision proved to be a less expensive way to shoot on large format, especially since many rental companies were reluctant to rent their 65mm cameras to a modestly budgeted, independent feature. Lol knew fellow cinematographer Robbie Ryan had also used VistaVision for parts of Poor Things. He was able to use the same technicians Robbie used while The Brutalist shot in Budapest. The choice of VistaVision was not just about technical specifications. For The Brutalist, set in the early late 1940s and early 1950s, Lol felt it was appropriate to use a camera and film stock that evoked the era. Even the photochemical process of film itself added a unique character. “What we have chosen to do with the Kodak stock is to abuse the stock slightly, to underexpose it, to push process it, to come up with a more painterly image or something that we feel depicts a certain era,” says Lol. “And we've found that by underexposing the stock and distressing the dye layers, then forcing the image back up, you're dragging up colors within the shadows that we find to be very pleasing, interesting and more impressionistic or painterly image.” One of the most striking sequences in The Brutalist is the opening scene, a single continuous take following László through a ship as he disembarks in America. Lol, who also operated the camera in most of the film, used a smaller handheld camera for the scene. To accentuate the disorientation as László gets off the boat, the editor decided to flip the images around. “The idea is supposed to be that he comes to America, and it's a new hope,” says Lol. “But the fact that it's untethered and disorientating and flipped on its head is a really ingenious way of representing that László's time in the US is not going to be all he imagined.” Lol's approach to cinematography emphasizes a balance between documenting reality and fiction. “I've always thought that my cinematography was about responsiveness,” he says. "Cinematography is about light, camera movement, and composition. If I had to get rid of one or let one of those things go, it would be the lighting. What I like to do is to have one foot in documentary and one foot in fiction, and be open to respond. So I tend to shotlist less, I tend to storyboard less.” The cinematographer Christopher Doyle told him once, “In Western cinema, you say, 'Here's the frame, how do we fill it?' In Asian cinema we say, 'Here's the world, how do I frame it?'” You can see The Brutalist in theaters. Find Lol Crawley: https://lolcrawley.com/ Instagram: @crawleylol Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://aputure.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: Conclave/A Complete Unknown/The Brutalist Movie Review! First up is Conclave (2024). Then we move on to A Complete Unknown (2024). Finally we review The Brutalist (2024).Conclave is a 2024 political thriller film directed by Edward Berger and written by Peter Straughan, based on the 2016 novel by Robert Harris. The film stars Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. In the film, Cardinal Thomas Lawrence (Fiennes) organises a conclave to elect the next Pope and finds himself investigating secrets and scandals about the major candidates.Conclave premiered at the 51st Telluride Film Festival on 30 August 2024, was released in theatres in the United States by Focus Features on 25 October 2024 and in the United Kingdom by Black Bear UK on 29 November. The film received positive reviews from critics, with praise for the performances, directing, screenplay and cinematography, and grossed $82.4 million worldwide. It was named one of the top 10 films of 2024 by the National Board of Review and the American Film Institute. Among other accolades, it received eight nominations at the 97th Academy Awards (including Best Picture), six at the Golden Globe Awards (winning Best Screenplay), and tied Wicked with a leading 11 nominations at the 30th Critics' Choice Awards (including Best Picture).A Complete Unknown is a 2024 American biographical musical drama film directed by James Mangold, who co-wrote the screenplay with Jay Cocks, about American singer-songwriter Bob Dylan. Based on the 2015 book Dylan Goes Electric! by Elijah Wald, the film portrays Dylan through his earliest folk music success until the momentous controversy over his use of electric instruments at the 1965 Newport Folk Festival. Timothée Chalamet (who also produces) stars as Dylan, with Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, Big Bill Morganfield, Will Harrison, and Scoot McNairy in supporting roles. The film's title is derived from the chorus of Dylan's 1965 single "Like a Rolling Stone".A Complete Unknown premiered at the Dolby Theatre in Los Angeles on December 10, 2024, and was released in the United States by Searchlight Pictures on December 25, 2024. The film has grossed $74.2 million worldwide and received generally positive reviews from critics. It was named one of the top ten films of 2024 by the American Film Institute and the National Board of Review, the latter of which also awarded Fanning Best Supporting Actress.The film earned eight nominations at the 97th Academy Awards, including Best Picture, Best Director, Best Actor (Chalamet), Best Supporting Actor (Norton), and Best Supporting Actress (Barbaro). It also received three nominations at the 82nd Golden Globe Awards (including Best Motion Picture – Drama), three at the Critics Choice Awards (including Best Picture), four at the 31st Screen Actors Guild Awards (including Outstanding Performance by a Cast in a Motion Picture) and six at the British Academy Film Awards (including Best Film).The Brutalist is a 2024 epic period drama film directed and produced by Brady Corbet from a script he co-wrote with Mona Fastvold. A co-production between the United States, United Kingdom, and Hungary, it stars Adrien Brody as a Hungarian-born Jewish Holocaust survivor who immigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life. The cast also features Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, and Alessandro Nivola.The Brutalist premiered at the 81st Venice International Film Festival on September 1, 2024, where Corbet was awarded the Silver Lion for Best Direction, and was named one of the top ten films of 2024 by the American Film Institute. The film earned 10 nominations at the 97th Academy Awards (including Best Picture, Best Director, Best Actor for Brody, Best Supporting Actress for Jones, and Best Supporting Actor for Pearce), and at the 82nd Golden Globe Awards won three awards, including Best Motion Picture – Drama.[7][8] It was released in the United States by A24 on December 20, 2024, and in the United Kingdom by Universal Pictures and Focus Features on January 24, 2025.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Caite Zeliff a professional skier from North Conway, New Hampshire, grew up in a ski-centric community that fueled her passion for the sport. Thanks to a local program providing free lessons and equipment, she discovered skiing as a first grader, despite the financial challenges faced by her single mother. Falling in love with the slopes, Caite pursued ski racing, competing nationally and internationally before attending college as a Division 1 athlete. ⁣ After a ski injury in college, Caite left the University of New Hampshire and moved to Jackson, Wyoming, to embrace big mountain skiing. Starting as a barback, she immersed herself in the local ski culture and gained backcountry expertise. Her breakthrough came in 2018, winning the Red Bull "Kings and Queens of Corbet's" competition, a pivotal moment that launched her professional career and earned sponsorships from The North Face. ⁣ Caite's  journey reflects resilience and a deep connection to her roots. She has competed in major events, filmed with Warren Miller and Teton Gravity Research, and even tackled Alaska's peaks. However, injuries, including a traumatic brain injury, have reshaped her perspective, shifting her focus from risk to growth, community, and cultural exploration through skiing.

Tum Tod des Sesamstraßen-Stars Horst Janson. Ein Nachruf von Moritz Holfelder / Die Kritik überschlägt sich mit Lobeshymnen, nun kommt das dreieinhalbstunden Epos "The Bruatlist" Brady von Corbet auch bei uns in die Kinos. Eine Filmbesprechung von Bettina Dunkel / Anfänge eines Autors: die Feuilleton-Texte des Romanciers Wolfgang Koeppen neu aufgelegt. Von Niels Beintker

The Brutalist is a 2024 epic period drama film directed and produced by Brady Corbet from a script he co-wrote with Mona Fastvold. An international co-production between the United States, United Kingdom, and Hungary, it stars Adrien Brody as a Hungarian-born Jewish Holocaust survivor who immigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life. The cast also features Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, and Alessandro Nivola. The Brutalist premiered at the 81st Venice International Film Festival on September 1, 2024, where Corbet was awarded the Silver Lion for Best Direction, and was named one of the top ten films of 2024 by the American Film Institute. The film earned 10 nominations at the 97th Academy Awards (including Best Picture, Best Director, Best Actor for Brody, Best Supporting Actress for Jones, and Best Supporting Actor for Pearce), and at the 82nd Golden Globe Awards won three awards, including Best Motion Picture – Drama. It was released in the United States by A24 on December 20, 2024, and is set to be released in the United Kingdom by Universal Pictures and Focus Features on January 24, 2025.

Mona Fastvold talks to Christina about the award-winning epic 'The Brutalist' which she co-wrote with partner and director Brady Corbet! On her writing process & collaboration with Corbet, the filmmakers personal connections to the story and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Brutalist" and "The Room Next Door" had their world premieres at the 2024 Venice International Film Festival, where they received critical acclaim, with the former winning the festival's Best Director prize while the latter won the coveted Golden Lion. Both films have something in common, though; they each starred acclaimed character actor Alessandro Nivola. Revered for many years for his performances in film, television, and theater, the 52-year-old actor starred opposite Golden Globe winner Adrien Brody in Corbet's film as Attila, a Hungarian Jew who has assimilated into America and is helping Lazslo get settled in with his custom furniture business. In Almodovar's film, he plays a policeman who confronts Ingrid (played by Julianne Moore) about the apparent suicide of her friend Martha (played by Tilda Swinton). Nivola was kind enough to spend some time speaking with us about his work on both films, which you can listen to or watch below. Please be sure to check out "The Brutalist," which is now playing in theaters from A24 and will expand nationwide on January 24th, while "The Room Next Door" is now playing nationwide from Sony Pictures Classics. Both films are up for your consideration at this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne and Ryan digest the architectural drama, THE BRUTALIST starring Adrien Brody, Felicity Jones, Guy Pearce, and Joe Alwyn. Directed by Brady Corbet and written by Corbet and Mona Fastvold, THE BRUTALIST follows a fictional Hungarian-Jewish architect László Tóth (Brody) as he immigrates to America and falls under the patronage of a wealthy industrialist Harrison Lee Van Buren (Pearce). A critical hit and Oscar front-runner, THE BRUTALIST is undoubtedly epic in its ambition, length, and use of VistaVision, but is the film as monumental as the hype? Join us for a brutally honest discussion that takes some diversions into Wicked, Babygirl, Dave Eggers, Bradley Cooper, Funny Games, The Godfather, The Fountainhead and much, much more! THE BRUTALIST is currently in theaters.

Kelsi and Trey dive into Brady Corbet's The Brutalist, a sprawling, visually stunning epic that explores the intersection of art, legacy, and the immigrant experience. We unpack its breathtaking opening sequence, the haunting score by Daniel Blumberg, and its ambitious narrative following László Tóth (Adrien Brody), a Holocaust survivor and architect navigating postwar America under the oppressive control of a manipulative patron (Guy Pearce). While we admire Corbet's big filmmaking choices and meticulous design, we critique the film's reliance on archetypes, tired tropes, blunt symbolism, and its reluctance to fully trust its audience. Is The Brutalist a modern cinematic masterpiece or a monument that struggles to stand out among giants? ⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Mike and Blake Corbet discuss the intersection of healthcare and technology, particularly focusing on the role of AI in improving healthcare efficiency. Blake shares insights on evaluating tech companies in a rapidly changing market, the state of Canadian tech, and the importance of tax policy in attracting capital. He also provides investment strategies for individuals looking to navigate the tech sector.See omnystudio.com/listener for privacy information.

Warner Bros. has parted ways with its marketing chief and president of international distribution. What’s behind the shakeup at the studio and how does that affect the company’s slate of 2025 releases? Kim Masters and Matt Belloni dive in.    Plus, Masters speaks to The Brutalist co-writer & director Brady Corbet and co-writer Mona Fastvold. The pair talk about the seven-year battle to get their post war epic to the big screen. They also explain their audacious decision to make a three and a half hour film with an intermission, share thoughts on the state of the country, and Corbet reveals his thoughts about Trump’s plans to demolish brutalist federal buildings.  

Demi Moore het op die Golden Globe-toekennings in Los Angeles haar eerste Golden Globe ooit gewen. Moore is die beste ondersteunende aktrise vir haar rol in The Substance. Colin Farrell is die beste akteur in 'n beperkte reeks vir The Penguin, en Jodie Foster is die beste aktrise in dieselfde kategorie vir True Detective: Night Country. Brady Corbet het die toekenning vir beste regisseur ontvang vir sy rolprent, wat hy ook help skryf het, The Brutalist. Corbet het ‘n roerende toespraak gelewer.

Sean is joined by Adam Nayman for an extensive examination of the themes, production, and style of Brady Corbet's ‘The Brutalist,' one of the most anticipated and audacious movies of the year (1:00). They discuss the idea of a new movie aiming at the canon, Corbet's filmmaking style and the marketing associated with it, the chapterized structure of the storytelling, the performances both at the center and on the edges of the frame, and more. Sean is then joined by Corbet (1:17:00) to discuss the circuitous route to getting the film on the big screen; how he sees a director's job; writing with his partner, Mona Fastvold; working with Adrien Brody; and more. Finally, Brody joins the show to talk about what was so appealing about the 'Brutalist' script, how he accessed the personal themes of the character he plays, the different technological hurdles of shooting in the long-dormant VistaVision format, and more (2:08:00). Host: Sean Fennessey Guests: Adam Nayman, Brady Corbet, and Adrien Brody Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us for an extended conversation with professional big mountain skier, Caite Zeliff. Hailing from the small town of Conway, New Hampshire, Caite has risen to the top of the skiing world, winning the King & Queen of Corbet's twice and starring in numerous ski films. In this special Christmas episode, we delve into Caite's incredible journey, from her early days on the slopes to her groundbreaking achievements in big mountain skiing. We discuss her passion for the sport, the challenges she's faced, and her insights into the world of filmmaking. We also get a little sidetracked, trash-talking the Cybertruck and sharing some laughs. Tune in for an inspiring and entertaining conversation with one of the most talented and down-to-earth skiers of our time. Be sure to check out the Ski Rex Media Partners, as well: Whaleback Mountain ⁝ Imbrace  Join the Ski Rex Media Community! Share your voice! We love hearing from listeners. Share your skiing and snowboarding stories, favorite winter memories, or holiday traditions on social media using the hashtag #SkiRexMedia. You might just be featured in an upcoming episode! Stay connected! Follow us on social media for updates, behind-the-scenes content, and exclusive offers: Facebook, Twitter, & Instagram: @skirexmedia Got a question, comment, or topic suggestion? We'd love to hear from you! Email us: contact@skirexmedia.com Leave us a voicemail: Ski Rex Media Voicemail at Speakpipe Visit our website: skirexmedia.com for more information about the show, past episodes, and exclusive content.

On the latest episode of Cinema Royale, film critics Travis Hopson and Joblo.com's Chris Bumbray talk about Brady Corbet's searing American epic, THE BRUTALIST! Is it a modern day masterpiece? Will it take all of the awards at the Oscars? Or will it be a critically-acclaimed film that won't be fully appreciated until years later?All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#TheBrutalist #moviereview #adrienbrody

Brady Corbet's The Brutalist is epic. In fact, it's a three hour and 35 minute epic that afforded Felicity Jones a rather unique performance opportunity. Her character, Erzsébet Tóth, doesn't appear on screen until about halfway through the film, after its 15-minute intermission. The Brutalist begins by focusing on Adrien Brody's László Toth, a famous architect who flees post-war Europe with hopes of building a new life in America. Separated from his wife, Jones' Erzsébet, during the war, he settles in Pennsylvania alone with hopes she'll join him there soon. Eventually, László gets what appears to be a dreamy offer from a wealthy industrialist, Guy Pearce's Harrison Lee Van Buren. After coming to learn about László's famed work overseas, Harrison hires him to craft his own dream project, to build a grand scale community center in honor of his late mother. It's an opportunity for László to establish a foundation in his new home no doubt, but it's also one that's riddled with complications involving legacy and power.While Jones may not appear on screen during that period, Erzsébet's presence is felt via her own voice over and what she means to László. Essentially, the audience spends half the film awaiting her arrival and fantasizing about how it might play out. When the moment does finally come, anticipation is through the roof, and Jones makes the most of it. When Erzsébet enters the picture, alongside their niece Zsófia (Raffey Cassidy), it quickly becomes abundantly clear that she is an undeniable force determined to build the best possible life for her family in their new home.With The Brutalist now playing in select theaters, Jones joined me for a Collider Ladies Night interview to revisit the path she's carved for herself in cinema thus far, and to discuss making The Brutalist with Corbet, including her experience working on one particularly intense emotional beat that might very well be one of the best scenes of 2024. Hosted on Acast. See acast.com/privacy for more information.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Wilson and Denise L'Estrange-Corbet to discuss one retailer's unique approach to Black Friday and the rising reliance first-home buyers have on the bank of mum and dad.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Wilson and Denise L'Estrange-Corbet discuss the potential demolition of Wellington's City to Sea bridge, a Christchurch bar banning men wearing handbags, and the capital's last remaining Christmas Parade.

Caite Zeliff grew up in New Hampshire's White Mountains, where she fell in love with skiing through racing. Eventually, she moved to Jackson, Wyoming, to chase the big mountain skiing dream—and she achieved it. With back-to-back Queen of Corbet's titles and segments with top-tier ski production companies, her career has been filled with huge milestones.This past spring while filming in Alaska, Caite took two hard falls that changed her life. What seemed like a “normal concussion” turned out to be much more serious. As her symptoms persisted and intensified, Caite sought medical help, uncovering the extent of the damage to her brain and nervous system. Now, she's focused on a full recovery, diving deep into understanding her body and mind.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Pound & Dame Denise L'Estrange-Corbet to discuss new research that shows $17.3 b of benefits contributed by the live peformance sector and the panel meet New Zealand's arm wrestling hero.

Tonight on The Panel, Wallace Chapman is joined by panellists Simon Pound & Dame Denise L'Estrange-Corbet to discuss today's Hikoi. Plus the panel discuss the recent member's bill to shut down the last four licensing trusts.

Bob Harig, author and writer for Sports Illustrated and Emma Corbet from Elv8 Golf introducing Elv8 Elites. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This podcast hit paid subscribers' inboxes on Oct. 31. It dropped for free subscribers on Nov. 7. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoGeordie Gillett, Managing Director and General Manager of Grand Targhee, WyomingRecorded onSeptember 30, 2024About Grand TargheeClick here for a mountain stats overviewOwned by: The Gillett FamilyLocated in: Alta, WyomingYear founded: 1969Pass affiliations: Mountain Collective: 2 days, no blackoutsClosest neighboring ski areas: Jackson Hole (1:11), Snow King (1:22), Kelly Canyon (1:34) – travel times vary considerably given time of day, time of year, and weather conditions.Base elevation: 7,650 feet (bottom of Sacajawea Lift)Summit elevation: 9,862 feet at top of Fred's Mountain; hike to 9,920 feet on Mary's NippleVertical drop: 2,212 feet (lift-served); 2,270 feet (hike-to)Skiable Acres: 2,602 acresAverage annual snowfall: 500 inchesTrail count: 95 (10% beginner, 70% intermediate, 15% advanced, 5% expert)Lift count: 6 (1 six-pack, 2 high-speed quads, 2 fixed-grip quads, 1 carpet – view Lift Blog's inventory of Grand Targhee's lift fleet)Why I interviewed himHere are some true facts about Grand Targhee:* Targhee is the 19th-largest ski area in the United States, with 2,602 lift-served acres.* That makes Targhee larger than Jackson Hole, Snowbird, Copper, or Sun Valley.* Targhee is the third-largest U.S. ski area (behind Whitefish and Powder Mountain) that is not a member of the Epic or Ikon passes.* Targhee is the fourth-largest independently owned and operated ski area in America, behind Whitefish, Powder Mountain, and Alta.* Targhee is the fifth-largest U.S. ski area outside of Colorado, California, and Utah (following Big Sky, Bachelor, Whitefish, and Schweitzer).And yet. Who do you know who has skied Grand Targhee who has not skied everywhere? Targhee is not exactly unknown, but it's a little lost in skiing's Bermuda Triangle of Jackson Hole, Sun Valley, and Big Sky, a sunken ship loaded with treasure for whoever's willing to dive a little deeper.Most ski resort rankings will plant Alta-Snowbird or Whistler or Aspen or Vail at the top. Understandably so – these are all great ski areas. But I appreciate this take on Targhee from skibum.net, a site that hasn't been updated in a couple of years, but is nonetheless an excellent encyclopedia of U.S. skiing (boldface added by me for emphasis):You can start easy, then get as wild and remote as you dare. Roughly 20% of the lift-served terrain (Fred's Mountain) is groomed. The snowcat area (Peaked Mountain) is completely ungroomed, completely powder, totally incredible [Peaked is lift-served as of 2022]. Comparisons to Jackson Hole are inevitable, as GT & JH share the same mountain range. Targhee is on the west side, and receives oodles more snow…and therefore more weather. Not all of it good; a local nickname is Grand Foggy. The locals ski Targhee 9 days out of 10, then shift to Jackson Hole when the forecast is less than promising. (Jackson Hole, on the east side, receives less snow and virtually none of the fog). On days when the weather is good, Targhee beats Jackson for snow quality and shorter liftlines. Some claim Targhee wins on scenery as well. It's just a much different, less crowded, less commercialized resort, with outstanding skiing. Some will argue the quality of Utah powder…and they're right, but there are fewer skiers at Targhee, so it stays longer. Some of the runs at Targhee are steep, but not as steep as the couloirs at Jackson Hole. Much more of an intermediate mountain; has a very “open” feel on virtually all of the trails. And when the powder is good, there is none better than Grand Targhee. #1 ski area in the USA when the weather is right. Hotshots, golfcondoskiers and young skiers looking for “action” (I'm over 40, so I don't remember exactly what that entails) are just about the only people who won't call Grand Targhee their all-time favorite. For the pure skier, this resort is number one.Which may lead you to ask: OK Tough Guy then why did it take you five years to talk about this mountain on your podcast? Well I get that question about once a month, and I don't really have a good answer other than that there are a lot of ski areas and I can only talk about one at a time. But here you go. And from the way this one went, I don't think it will be my last conversation with the good folks at Grand old Targhee.What we talked aboutContinued refinement of the Colter lift and Peaked Mountain expansion; upgrading cats; “we do put skiing first here”; there's a reason that finance people “aren't the only ones in the room making decisions for ski areas”; how the Peaked expansion changed Targhee; the Teton Pass highway collapse; building, and then dismantling, Booth Creek; how ignoring an answering machine message led to the purchase of Targhee; first impressions of Targhee: “How is this not the most popular ski resort in America?”; imagining Booth Creek in an Epkonic alt reality; Targhee's commitment to independence; could Targhee ever acquire another mountain?; the insane price that the Gilletts paid for Targhee; the first time you see the Rockies; massive expansion potential; corn; fixed-grip versus detach; Targhee's high percentage of intermediate terrain and whether that matters; being next-door neighbors with “the most aspirational brand in skiing”; the hardest part of expanding a ski area; potential infill lifts; the ski run Gillett would like to eliminate and why; why we're unlikely to see a lift to the true summit; and why Targhee joined Mountain Collective but hasn't joined the Ikon Pass (and whether the mountain ever would).Why I thought that now was a good time for this interviewA few things make Targhee extra relevant to our current ski moment:* Targhee is the only U.S. ski area aside from Sugar Bowl to join the Mountain Collective pass while staying off of Ikon.* In 2022, Targhee (sort of) quietly opened one of the largest lift-served North American ski expansions in the past decade, the 600-acre Peaked Mountain pod, served by the six-pack Colter lift.* The majority of large U.S. ski areas positioned on Forest Service land are bashful about their masterplans, which are publicly available documents that most resort officials wish we didn't know about. That's because these plans outline potential future expansions and upgrades that resorts would rather not prematurely acknowledge, lest they piss off the Chipmunk Police. So often when I'm like “Hey tell us about this 500-acre bowl-skiing expansion off the backside,” I get an answer that's something like, “well we look forward to working with our partners at the Forest Service to maybe consider doing that around the year 3000 after we complete our long-term study of mayfly migration routes.” But Geordie is just like, “Hell yes we want to blow the resort out in every direction like yesterday” (not an exact quote). And I freaking love the energy there.* Most large Western ski areas fall into one of two categories: big, modern, and busy (Vail, Big Sky, Palisades, Snowbird), or big, somewhat antiquated, and unknown (Discovery, Lost Trail, Silver). But Targhee has split the difference, being big, modern, and lesser-known, that rare oasis that gives you modern infrastructure (like fast lifts), without modern crowds (most of the time). It's kind of strange and kind of glorious, and probably too awesome to stay true forever, so I wanted to get there before the Brobot Bus unloaded.* Even 500-inches-in-an-average-winter Targhee has a small snowmaking system. Isn't that interesting?What I got wrong* I said that $20 million “might buy you a couple houses on the slopes at Jackson Hole.” It kind of depends on how you define “on the slopes,” and whether or not you can live without enough acreage for your private hippo zoo. If not, $24.5 million will get you this (I'm not positive that this one is zoned for immediate hippo occupation).* I said that 70 percent of Targhee's terrain was intermediate; Geordie indicated that that statistic had likely changed with the addition of the Peaked Mountain expansion. I'm working with Targhee to get updated numbers.Why you should ski Grand TargheeThe disconnect between people who write about skiing and what most people actually ski leads to outsized coverage of niche corners of this already niche activity. What percentage of skiers think that skiing uphill is fun? Can accomplish a mid-air backflip? Have ever leapt off a cliff more than four feet high? Commute via helicopter to the summit of their favorite Alaskan powder lines? The answer on all counts is probably a statistically insignificant number. But 99 percent of contemporary ski media focuses on exactly such marginal activities.In some ways I understand this. Most basketball media devote their attention to the NBA, not the playground knuckleheads at some cracked-concrete, bent-rim Harlem streetball court. It makes sense to look at the best and say wow. No one wants to watch intermediate skiers skiing intermediate terrain. But the magnifying glass hovering over the gnar sometimes clouds consumer choice. An average skier, infected by cliffity-hucking YouTubes and social media Man Bro boasting, thinks they want Corbet's and KT-22 and The Cirque at Snowbird. Which OK if you zigzag across the fall line yeah you can get down just about anything. But what most skiers need is Grand Targhee, big and approachable, mostly skiable by mostly anyone, with lots of good and light snow and a low chance of descent-by-tomahawk.Targhee's stats page puts the mountain's share of intermediate terrain at 70 percent, likely the highest of any major North American ski area (Northstar, another big-time intermediate-oriented mountain, claims 60 percent blue runs). I suspect this contributes to the resort's relatively low profile among destination skiers. Broseph Jones and his Brobot buddies examine the statistical breakdown of major resorts and are like “Yo cuz we want some Jackson trammage because we roll hard see.” Even though Targhee is bigger and gets more snow (both true) and offers a more realistic experience for the Brosephs.That's not to say that you shouldn't ski Jackson Hole. Everyone should. But steeps all day are mentally and physically draining. It's nice most of the time to not be parkouring down an elevator shaft. So go to Targhee too. And you can whoo-hoo through the deep empty trees and say “dang Brah this is hella rad Brah.” And it is.Podcast NotesOn the Peaked Mountain expansionThe Peaked Mountain terrain has been marked on Targhee's trailmap for years, but up until 2022, it was accessible mostly via snowcat:In 2022, the resort dropped a six-pack back there, better defined the trail network, and brought Peaked into the lift-served terrain package:On Grand Targhee's masterplanHere's the overview of Targhee's Forest Service master development plan. You can see potential expansions below Blackfoot (left in the image below), looker's right of Peaked/Colter (upper right), and below Sacajawea (lower right):Here's a better look at the so-called South Bowl proposal, which would add a big terrain pod contiguous with the recent Peaked expansion:Here's the MDP's inventory of proposed lifts. These things often change, and the “Peaked DC-4” listed below actualized as the Colter high-speed sixer:Targhee's snowmaking system is limited, but long-term aspirations show potential snowmaking stretching toward the top of the Dreamcatcher lift:On opposition to all of this potential expansionThere are groups of people masquerading as environmental commandos who I suspect oppose everything just to oppose it. Like oh a bobcat pooped next to that tree so we need to fence the area off from human activity for the next thousand years. But Targhee sits within a vast and amazing wilderness, the majority of which is and should be protected forever. But humans need space too, and developing a few hundred acres directly adjacent to already-developed ski terrain is the most sustainable and responsible way to do this. It's not like Targhee is saying “hey we're going to build a zipline connecting the resort to the Grand Teton.” But nothing in U.S. America can be achieved without a minimum of 45 lawsuits (it's in the Constitution), so these histrionic bozos will continue to exist.On Net Promoter Score and RRCI'm going to hurt myself if I try to overexplain this, so I'll just point toward RRC's Net Promoter Score overview page and the company's blog archive highlighting various reports. RRC sits quietly behind the ski industry but wields tremendous influence, assembling the annual Kotke end-of-season statistical report, which offers the most comprehensive annual overview of the state of U.S. skiing.On the reason I couldn't go to Grand Targhee last yearSo I was all set up to hit Targhee for a day last year and then I woke up in the middle of the night thinking “Gee I feel like I'm gonna die soon” and so I did not go skiing that day. Here's the full story if you are curious how I ended up not dying.On the Peaked terrain expansion being the hypothetical largest ski area in New HampshireI'll admit that East-West ski area size comparisons are fundamentally flawed. Eastern mountains not named Killington, Smugglers' Notch, and Sugarloaf tend to measure skiable terrain by acreage of cut trails and maintained glades (Sugarbush, one of the largest ski areas in the East by pure footprint, doesn't even count the latter). Western mountains generally count everything within their boundary. Fair enough – trying to ski most natural-growth eastern woods is like trying to ski down the stands of a packed football stadium. You're going to hit something. Western trees tend to be higher altitude, older-growth, less cluttered with undergrowth, and, um, more snow-covered. Meaning it's not unfair to include even unmarked sectors of the ski area as part of the ski area.Which is a long way of saying that numbers are hard, and that relying on ski area stats pages for accurate ski area comparisons isn't going to get you into NASA's astronaut training academy. Here's a side-by-side of 464-acre Bretton Woods – New Hampshire's largest ski area – and Targhee's 600-acre Peaked Mountain expansion, both at the same scale in Google Maps. Clearly Bretton Woods covers more area, but the majority of those trees are too dense to ski:And here's an inventory of all New Hampshire ski areas, if you're curious:On the Teton Pass highway collapseYeah so this was wild:On Booth CreekGrand Targhee was once part of the Booth Creek ski conglomerate, which now exists only as the overlord for Sierra-at-Tahoe. Here's a little history:On the ski areas at Snoqualmie Pass being “insane”We talk a bit about the “insane” terrain at Summit at Snoqualmie, a quirky ski resort now owned by Boyne. The mountain was Frankensteined together out of four legacy ski areas, three of which share a ridge and are interconnected. And then there's Alpental, marooned across the interstate, much taller and infinitely rowdier than its ho-hum brothers. Alpy, as a brand and as a badass, is criminally unknown outside of its immediate market, despite being on the Ikon Pass since 2018. But, as Gillett notes, it is one of the roughest, toughest mountains going:On Targhee's sinkholePer Jackson Hole News and Guide in September of last year:About two weeks ago, a day or so after torrential rain, and a few days after a downhill mountain biking race concluded on the Blondie trail, Targhee ski patrollers noticed that something was amiss. Only feet away from the muddy meander that mountain bikers had zipped down, a mound of earth had disappeared.In its place, there was a hole of unknown, but concerning, size.Subsequent investigations — largely, throwing rocks into the hole while the resort waits for more technical tools — indicate that the sinkhole is at least 8 feet wide and about 40 feet deep, if not more. There are layers of ice caking the walls a few feet down, and the abyss is smack dab in the middle of the resort's prized ski run.Falling into a sinkhole would be a ridiculous way to go. Like getting crushed by a falling piano or flattened under a steamroller. Imagine your last thought on earth is “Bro are you freaking kidding me with this s**t?”On the overlap between Mountain Collective and IkonMountain Collective and Ikon share a remarkable 26 partner ski areas. Only Targhee, Sugar Bowl, Marmot Basin, Bromont, Le Massif du Charlevoix, and newly added Megève have joined Mountain Collective while holding out on Ikon.The Storm explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 70/100 in 2024, and number 570 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

This podcast hit paid subscribers' inboxes on Oct. 11. It dropped for free subscribers on Oct. 18. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoAndy Cohen, General Manager of Fernie Alpine Resort, British ColumbiaRecorded onSeptember 3, 2024About FernieClick here for a mountain stats overviewOwned by: Resorts of the Canadian Rockies, which also owns:Located in: Fernie, British ColumbiaPass affiliations:* Epic Pass: 7 days, shared with Kicking Horse, Kimberley, Nakiska, Stoneham, and Mont-Sainte Anne* RCR Rockies Season Pass: unlimited access, along with Kicking Horse, Kimberley, and NakiskaClosest neighboring ski areas: Fairmont Hot Springs (1:15), Kimberley (1:27), Panorama (1:45) – travel times vary considerably given time of year and weather conditionsBase elevation: 3,450 feet/1,052 metersSummit elevation: 7,000 feet/2,134 metersVertical drop: 3,550 feet/1,082 metersSkiable Acres: 2,500+Average annual snowfall: 360 inches/914 Canadian inches (also called centimeters)Trail count: 145 named runs plus five alpine bowls and tree skiing (4% extreme, 21% expert, 32% advanced, 30% intermediate, 13% novice)Lift count: 10 (2 high-speed quads, 2 fixed-grip quads, 3 triples, 1 T-bar, 1 Poma, 1 conveyor - view Lift Blog's inventory of Fernie's lift fleet)Why I interviewed himOne of the most irritating dwellers of the #SkiInternet is Shoosh Emoji Bro. This Digital Daniel Boone, having boldly piloted his Subaru beyond the civilized bounds of Interstate 70, considers all outlying mountains to be his personal domain. So empowered, he patrols the digital sphere, dropping shoosh emojis on any poster that dares to mention Lost Trail or White Pass or Baker or Wolf Creek. Like an overzealous pamphleteer, he slings his brand haphazardly, toward any mountain kingdom he deems worthy of his forcefield. Shoosh Emoji Bro once Shoosh Emoji-ed me over a post about Alta.

In this episode of Lykken on Lending, we explore the critical importance of the Bank Secrecy Act (BSA) and Anti-Money Laundering (AML) regulations for mortgage lenders. David Lykken is joined by industry experts Bob Simpson, David Kittle, Alice Alvey, and Bill Corbet to discuss how these regulations affect lenders, the responsibilities around filing Suspicious Activity Reports (SARs), and the role of compliance in preventing fraud. With real-world insights from Bob's extensive experience in mortgage fraud investigation and contributions from Alice and Bill on best practices for training and risk management, this episode provides essential guidance for navigating the complexities of BSA and AML in the mortgage industry.

Tonight on The Panel, Wallace Chapman and panellists Simon Wilson and Dame Denise L'Estrange-Corbet discuss the urgent Council meeting called by Wellington Mayor Tory Whanau and the great cycling lane debate: is it really a change in driving culture we need?

Tonight on the second half of The Panel, Wallace Chapman and panellists Simon Wilson and Dame Denise L'Estrange-Corbet discuss accusations that State Premiers in Australia have "insulted" King Charles by announcing they won't attend his welcoming ceremony and what beautifying berms can do for a community.

On episode 257 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello talk about some of our favorite (and not so favorite) films we saw at 62nd New York Film Festival and then look at them through the lens of the pending Oscar race. Kicking things off we start with The Brutalist, Brady Corbet's sprawling epic about a Hungarian architect, played by Adrien Brody, who emigrates to the United States post-World War II. Corbet won the Best Director award at the Venice Film Festival. You can read Sophia's review of that film here. Next we go into the Venice Golden Lion winner for Best Film, Pedro Almodóvar's The Room Next Door, starring Tilda Swinton and Julianne Moore, the director's first major festival top film win. Ryan's review of the maestro's festival favorite can be found here. The conversation here, about older directors creating films now that stand up against their best early work, moves to what we felt as a far less successful version of that, Francis Ford Coppola's Megalopolis (read Ryan's review here) but then we're back to the festival high of Luca Guadagnino's Queer, his adaptation of the 1985 William S. Burroughs short novel starring Daniel Craig and Drew Starkey, a drug-induced story of gay love and longing set among the lives of American expats in Mexico City in the late 1940s. You can read my review of Queer here. We also venture into some quick talk of other films we saw and loved at the festival, including Mike Leigh's Hard Truths and David Siegel and Scott McGehee's The Friend, starring the biggest attention getter of the fest, Bing the great Dane. From there we look at how looks at these films have shaped or changed our earlier Oscar predictions, what's out in front, what is falling off and the complete unknown entities coming up that could change race completely. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h16m. We will be back in two weeks to discuss AFI FEST and update our Oscar predictions. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this episode of the Yoga in the Therapy Room, we discuss the transformative effects of incorporating spirituality and intuition into therapy sessions. We look at the differences between spirituality and religion and provide practical tips and ethical considerations for therapists. We also look into the benefits of brain spotting, the power of manifestation, and the importance of daily practices for both clients and therapists. This episode aims to help therapists create a deeper healing experience and support their clients' mental health journey.MEET Cherie Lindberg & Heather CorbetCherie is a seasoned transformational coach, speaker, advisor, and psychotherapist, holding a completed doctorate. Her life's work is dedicated to guiding mentors, leaders, and high performers in embracing their life's purpose and achieving personal flourishing. She specializes in helping individuals recognize and highlight their unique abilities, empowering them to contribute positively to the world. As a Brainspotting Trainer and Consultant, she integrates Brainspotting and Internal Family Systems (IFS) coaching approaches. This unique combination allows her to provide deep, transformative experiences that unlock her clients' fullest potential.Find out more at Cherie Lindberg and connect with Cherie on Instagram and Facebook Elevated Life AcademyEpisode 194 Healing Through Brainspotting & Parts Work: Interview With Cherie LindbergMEET Heather CorbetHeather Corbet is an Occupational Therapist, Spiritual Advisor, Holistic Healer, Brainspotting Consultant & Specialty Workshop Presenter, and Coach with over 20 years in the human development field. As a Spiritual Advisor & Coach, she is dedicated to the profound healing and spiritual well-being, and evolution of her clients. Her commitment lies in nurturing and supporting individuals as they embark on their sacred journey of intuition and self-discovery. It is with deepest joy that Heather guides souls to the fulfillment of their life's purpose and the realization of their most cherished dreams."There are various components of spirituality. What drives you or what guides you is helping you through some of those struggles and it just feels really important to be able to bring that into the conversation." -Heather CorbetFind out more at Heather Corbet and Heather Corbert Spiritual AdvisorDefining Spirituality and IntuitionImportance of Spirituality in TherapyEthical Considerations and Practical TipsBrainspotting and SpiritualityManifestation and Flow StatesTraining and Community BuildingConnect With Me Instagram: @chris_mcdonald58Facebook: Yoga In The Therapy PodcastJoin the private Facebook Group:

Tonight on The Panel, Wallace Chapman and panellists Denise L'estrange-Corbet & Hon Peter Dunne CNZM to discuss the rise of the right in Germany and whether frozen veggies are as nutritious as fresh. Plus does driving a manual make you a better driver? Denise L'estrange-Corbet is the co-founder of fashion house WORLD est. 1989. Hon Peter Dunne CNZM is a former MP turned political commentator.

World golf HFer Lee Trevino tells stories as only Merry Mex can! Aly Wells talks all things Gateway PGA and Emma Corbet updates us on Elv8 Golf Golf with Jay Delsing is brought to you by the Ascension Charity Classic:

Jake Hopfinger created a name for himself in skiing at the Kings and Queens of Corbet's in Jackson Hole. The double backflip he threw there for a 3rd instantly made his name known worldwide. While the dollars and travel budgets are now coming in, Jake was once an aspiring D1 East Coast ski racer who could never finish a race. Then he quit racing, moved to Montana, and learned to ski powder. The rest is history in the making. Parkin Costain and Jonnie Merrill ask the Inappropriate Questions. Jake Hopfinger Show Notes: 5:00:  AK, thoughts on climate change, growing up in Western NY, ski racing, partying, and other hobbies. 12:00:  Competitive mentality, being a grom, Jon Olson, jr nationals, who was he in HS, D1 ski racing, not finishing races, are racers better skiers and not spinning as much as the park kids 22:00  Stanley:  Get up 60% off at Stanley1913.com Best Day Brewing:  All of the flavor of your favorite IPA or Kolsch, without the alcohol, the calories and sugar. 25:15:  Transferring to Montana State, making friends through slacklining, sponsorship, plug boots, money, his lucrative side hustle, Benshi Creative, interesting way into TGR, and intimidating trips Elan Skis:  Over 75 years of innovation that makes you better. 42:00:  Peter Glenn Ski and Sports:  Over 60 years of getting you out there.  Outdoor Research:  Click here for 25% off Outdoor Research products (not valid on sale items or pro products) 44:00:  Independent media, Kings and Queens of Corbet's, the Crankworks fiasco, triples, and Ben Richards 56:00:  Inappropriate Questions with Jonnie Merrill and Parkin Costain