Podcasts about mette henriette

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Mette Henriette, I.P.A., Gard Nilssen's Supersonic Orchestra, Petter Eldh, Angelika Niescier, Marshall Gilkes & WDR Big Band, Craig Brenan, The Brenan Brothers, Craig Brenan's Autonomic Robots, John Ellis Quartet, Jennifer Wharton's Bonegasm, Darcy James Argue's Secret Society, Erica Seguine & Shon Baker Orchestra, Denin Slage-Koch, Bobby Wiens / Spencer Zweifel / Seth LewisPlaylist: Mette Henriette - DriftingI.P.A - BalletGard Nilssen's Supersonic Orchestra - Boogie Stop ToffelPetter Eldh, featuring Savannah Harris - LorimerAngelika Niescier, Tomeka Reid & Savannah Harris - A Dance, to Never EndMarshall Gilkes and the WDR Big Band - Fresh StartCraig Brenan / Florian Ross - Everything I LoveThe Brenan Brothers - Valley of SilenceCraig Brenan's Autonomic Robots - Rocket SauceJohn Ellis Quartet - HabaneraJennifer Wharton's Bonegasm - Be NormalDarcy James Argue's Secret Society - Single-Cell JitterbugErica Seguine & Shon Baker Orchestra - ReelDenin Slage-Koch, featuring Ryan Keberle & Shane Endsley - ContinueSpencer Zweifel, Bobby Wiens & Seth Lewis - Border Song

Mette Henriette || Mette Henriette, sax | Tanja Orning, clo | Ayumi Tanaka, p | INNtöne Jazz Festival, Buchmannhof, Scheune, Diersbach, Österreich, Juli 2023 (Sendung vom 16.3.)

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The cats launch into 24 with the second part of the best of 2023 with sounds from the likes of Vanessa Perica, Mette Henriette, Manuel Valera and Kendrick Scott

Jūsų dėmesiui Domanto Razausko geriausių praėjusių metų albumų apžvalga. Klasika, džiazas ir pasaulio muzika. Antroje dalyje - geriausi džiazo ir improvizacinės muzikos leidiniai!Albumų sąrašas:For Mahalia, With Love. James Brandon Lewis / Red Lily Quintet. Išleido „TAO Forms“;Den sämsta lösningen av alla. Per Texas Johansson. Išleido „Moserobie Music Production“;Drifting. Mette Henriette. Išleido ECM;Echoes. Fire! Orchestra. Išleido „Rune Grammofon“;The Omnichord Real Book. Meshell Ndegeocello. Išleido „Blue Note“;When we were that what wept for the sea. Colin Stetson. Išleido „52hz“;M_unit: Beyond Orbits. Miho Hazama. Išleido „Edition Records“;Refract. Blankfor.ms, Jason Moran, Marcus Gilmore. Išleido „Red Hook Records“;Since Time Is Gravity. Natural Information Society. Išleido „Eremite“.Dance Kobina. Joe Chambers. Išleido „Blue Note“;Ved. Domantas Razauskas

durée : 01:00:26 - Made in 2023 - Air - par : Nathalie Piolé -

Hun genierklæres av de største internasjonalt i miljøet - på alle parameter. Hun spiller på, komponerer til og presterer på de største scenene i verden  - og gir ut musikk på sjangerens mest anerkjente plateselskap. Den 33 år gamle jazz-saksofonisten Mette Henriette fra Trondheim vekker oppsikt på en måte som gjorde meg grunnleggende nysgjerrig. Hvordan havnet hun på disse scenene? Hva har gjort henne så oppsiktsvekkende god? Hva er hennes viktigste kriterier i jakten på prestasjon? Og hva jakter hun? Utvikling eller stjernestatus? Mens hun nå jobber med sin første konsert i den norske operaen, tok hun seg tid til oss. Og svaret på spørsmålet «Idrett?»: Livet! Lytt gjerne - vi har en ekte kunstner i huset.

It's London Jazz Festival 2023! The cats look forward to some of the best sounds in town including Mette Henriette, Gareth Lockrane, Binker Golding and The Headhunters!

Ultima puntata della stagione 2022-2023, con una playlist relax chill out-space out...con Alice Coltrane, Pharaoh Sanders, Butch Morris, Zeena Parkins, Mette Henriette, Fire Orchestra, e altri ancora...enjoy

Space is the place_jazz e dintorni del 27 giugno 2023Ultima puntata della stagione 2022-2023, con una playlist relax chill out-space out...con Alice Coltrane, Pharaoh Sanders, Butch Morris, Zeena Parkins, Mette Henriette, Fire Orchestra, e altri ancora...enjoy Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-27-giugno-2023 Tutti i podcast di Space is the place: https://www.radiotandem.it/category/space-is-the-place

MIXOLOGIE, mardi, jeudi et samedi de 19h à 20h. Serge Mariani nous fait partager sa playlist Mixologie Vol. 29. On a longtemps cru que les planètes Vénus et Mars ne s'entendaient que pour s'opposer et que l'une était femme quand l'autre était homme. Quoi qu'il en soit, le fait est qu'entre les mois de février et d'avril, ce n'est pas celui de Vénus qui s'intercale. Malgré tout, pour cette nouvelle Mixologie, 29ème du nom, Mars sera femme. 13 musiciennes, de jazz, mais pas seulement, ont nourri de leur intense créativité cette playlist. Le programme détaillé est sur la page dédiée à l'émission et la matière, pendant environ une heure, ici-même sur Art District radio. Bonne dégustation ! . Au Bar Combat, une soirée mixologique spéciale le 8 mars . C'est assis au comptoir d'un nouveau bar, affichant fièrement en façade son  nom,  Combat, que j'ai imaginé ma première playlist mensuelle de jazz pour la webradio et que je l'ai aussitôt intitulée «Mixologie». J'ai donc été heureusement surpris par l'annonce de  la soirée spéciale qui y est programmée ce 8 mars, avec à la carte des cocktails avec ou sans alcool créés pour l'occasion et dont le bénéfice des ventes sera reversé à l'association La Maison des Femmes de Paris. Au Bar Combat, ouvert sur la rue de Belleville voilà 4 ou 5 ans, alors que j'habitais encore tout près, je suis venu plusieurs fois passer un bon moment, assez tard, en général en revenant d'un concert. Et j'ai pu y découvrir de délicieux cocktails. Depuis, j'essaie d'être "playlistiquement" à la hauteur de leur science mixologique. Merci donc, et bravo, à Margot Lecarpentier et Elena Schmitt, les maîtresses du lieu. Cette Mixologie #29 leur est en quelque sorte dédicacée ! 1/ Lenna Willmark / Anders Jormin / album Pasado En Claro / The Woman Of The Long Ice / 5.40 2/ Zoé Besmond de Senneville / album Sourdre / Chaude Puis Froide / 1.50 3/ Naïssam Jalal / album Healing Rituals / Rituel des Collines / 4.30 4/ Suzanne / album Berthe / Her Place Near The River / 6.00 5/ Olga Amelchenko / album Slaying the Dream / Golden Tear / 5.50 6/ Senem Diyici / album Nara / Negire Çaw Rindamın / 4.15 7/ Julia Perminova / album Freedom / Dear Diary / 6.25 8/ Jane Ira Bloom / album Bloom/Helias/Previte 2.3.23 / Hawk Migration 4.45 9/ Nefertiti / album Frameless / Mysterium / 5.55 10/ Mette Henriette / album Drifting / Rue du Renard / 2.50 11/ Izo Fitzroy / album A Good Woman / Hope Divine / 4.35 12/ Olivia Belli / album Sonus Noctis / Valse / 2.20 13/ Leïla Martial / album Warm Canto / Warm Canto / 3.30

Space is the place_jazz e dintorni del 9 maggio 2023Seconda puntata dedicata alle novità discografiche del 2023, con Baba Sissoko, Roots Magic Sextet, Mette Henriette, Francesco Cusa, Jason Moran. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-9-maggio-2023 Tutti i podcast di Space is the place: https://www.radiotandem.it/category/space-is-the-place

Seconda puntata dedicata alle novità discografiche del 2023, con Baba Sissoko, Roots Magic Sextet, Mette Henriette, Francesco Cusa, Jason Moran.

Featuring a new jam from Nashville sax master Jake Botts' debut LP; South African/Congalese production duo Montparnasse Musique dropping some serious knowledge; new ECM sounds from Mette Henriette; fresh stuff from NYC composer/drummer Tomas Fujiwara and his genre bending “Triple Double” ensemble; Rokia Kone & Jacknife Lee showcasing the stellar artistry of 2022's “Bamanan”; indie darlings Dawn Richard and Spencer Zahn laying down soft pillows of sound; Italian composer Olivia Belli channels the past masters; pianist Jason Crosby takes a stab at one of the deepest Grateful Dead cuts; and finally, UK modern masters The Comet is Coming.

In this 18th episode of the podcast, we are joined by the Norwegian saxophonist-composer Mette Henriette, whose sophomore recording for the label, “Drifting”, was just released and finds her in an intimate trio setting with Johann Lindvall on piano and Judith Hamann on violoncello. Mette talks about the relationship between improvisation and composition, how important it is to give ideas time to let them mature, as well as about the recording, mixing and mastering of her new album in Oslo, France and Munich.

Nuestra portada fue el nuevo trabajo del batería y compositor Xavi Reija, quien junto a su Electric Trio publicó en 2022 el estupendo Workplace. Después escuchamos uno de los últimos trabajos del guitarrista uruguayo Beledo, quien en 2021 publicó para MoonJune Records, Seriously Deep Nuestro Clásico de la Semana fue Guardian Angels, toda una curiosidad esta reunión de Miroslav Vitous, Kenny Kirkland, John Scofield, George Ohtsuka & Mabumi Yamaguchi en 1978. También escuchamos lo nuevo del veterano pianista Hal Galper y su East Coast Trio, Invitation to Openness, de 2022. Seguir leyendo La Montaña Rusa 06. 2023. Xavi Reija Electric Trio. Beledo. Guardian Angels. Hal Galper Trio. Sergi Sirvent. Mette Henriette. en La Montaña Rusa Radio Jazz.

The painstaking job of unearthing subtle nuances which were lost in earlier mixes of five of his albums is at the heart of the remastering labor of love that Ben Allison [pictured] has embarked on during the pandemic. During the first part of our show we focus on listening with new ears to some of our old favorites from those album. Then we turn to other musicians that strive to discover new angles and perspectives about old tunes, or to examine how sound, textures, and silence, also play a key role in the process of discovering compelling harmonies and melodies. The playlist also features Romain Pilon; Jo Lawry, Linda May Han Oh, Allison Miller; Mette Henriette; Joon; Raffaele Casarano. Detailed playlist available at (up to "Malaspina"). Happy listening!

After Mette Henriette's critically acclaimed, self-titled first recording comes Drifting – an album pervaded by trio conversations of the idiosyncratic and original expression. Mette: “Drifting vividly captures a moment in time. I can hear everything still growing – in motion – on the record and how to present my imagination is. Prior to the recording, I had a lot of time to sit down and focus on this new music. From the very beginning, I wanted to create material that could grow, expand and contract in different formats.”Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Aus dem Dschungel der Neuveröffentlichungen - Mette Henriette: Drifting | Paul Bernewitz: Someday | Christoph Irniger Pilgrim: Ghost Cat (Sendung vom 19.1.)

Our latest isolatedmix comes from Mark Nelson, who as Pan•American, or as part of Labradford or even Anjou, has garnered relative cult status amongst the ambient and experimental lifers and tape community. Forming a big part of the Kranky label history from its very first release, Mark recently returned with a new album after a three-year hiatus, and the mature, refined instrumentalism on The Patience Fader is a subtle reminder of the quality Mark has retained over the years - quite an achievement, given his first Pan•American record on Kranky goes back to 1997. I took the chance to send over some questions to Mark to shed some light on the new record and the music that exists in his life right now, alongside his tasteful and electic isolatedmix. The Patience Fader by Pan•AmericanHi Mark, where are you right now and what have you been listening to lately? I'm at home in Evanston IL-just north of Chicago. Drinking coffee after work and listening to the water running through the filter of our pet turtle's tank and the music of Mette Henriette. If you're not familiar with her she's a Norwegian composer and saxophone player who put out a record on ECM a couple of years ago it's so beautiful-one of those records I only let me listen to occasionally because I don't want to become too familiar with it. worried the magic might lessen-but magic never really does. Last few days I've been listening to lots of the music that made it onto the mix-Mike Cooper, African Head Charge, Ulla, my friend Robert Donne's incredible track Touch my Camera Through the Fence, Takagi Masakatsu. The most recent music that I've really liked are the 3 cd comp by Fubutsushi on Cached Media and my friend Francis Harris' beautiful new record Thresholds that I was lucky enough to contribute to. Running a label myself, and given you had the honor of being the very first release on Kranky, with Labradford, I'm interested in the details of how that very first album and relationship came about? It's hard to believe but back then you could put out a 7" single-maybe 300 copies-and be pretty confident all the key distributors, zines, record store buyers and radio stations would find out about it and boost it up if they liked it. Joel and Bruce worked at Cargo-an independent distributor based in Chicago. Our single came across Joel's desk and he felt good enough about it to set in motion the plan he'd been forming to start a label. I remember my friend Andrew who put the single out told me a guy from Cargo was going to call me and I stayed close to the (landline) phone for the next couple days. Joel called, we talked and the rest has unfolded very naturally. A blend of luck and trying to manifest something in the world around the music. “Romantic minimalism” is used in the text for your new album The Patience Fader, and it's an apt term for the delicate, perhaps even more ‘focused' approach on this one. Do you think there is a clear connection between the effects of the past year and the type of music it inspires? Was that the case here? Yes-absolutely in my case. Both from within and without. Not consciously of course, but Patience Fader was made during the summer and fall of 2020, so Covid, Trumpism, BLM/George Floyd protests were all in full flight. At the same time, my father was dying in a hospice in Virginia that we couldn't visit because of Covid. In some respects, emotions were very simple for me in this time. Right and wrong, life and death joy and sorrow seemed very plainly mapped out. The album features some smaller ‘vignette' type tracks, which I personally love. What was your intention behind these as part of the greater album flow? Is there a hidden narrative? Not a narrative really, no. I would say there's a theme of Roots throughout the record and trying to find different ways to approach what roots and being grounded can mean. So guitar and harmonica as the instruments used speak literally to the basic grounding of American music. The field recording of a summer afternoon and slamming screen door on Baitshop is evocative to me of childhood. There's even a song called Grounded. We were all literally grounded by Covid and I was searching for a sense of Grounding amidst the unraveling. It seems like you come from the ‘instrumental first' school of ambient music (as I sometimes like to put it), integrating your instruments as source material, especially on your latest. What does the process for creating a PA album usually look like? It tends to come out of the daily practice of playing. I like practicing and trying to be "better" as a guitar player. Sometimes it can even feel like if I get an idea I need to dig into, it interrupts just simple, repetitive practice that in some ways I enjoy more. I think I've gotten pretty good at recognizing when an idea needs to be followed through and I do feel like I have an obligation to not let it go. Although in the end, most don't make it. Eventually, I tend to establish something that feels like the first song for an album and the last song, and that's when I know that something new is really emerging. The Lapsteel / Pedal steel was perhaps brought to ‘ambient fame' by the KLF's Chill Out, especially to those who run in more general ‘ambient' music terms. And I definitely get a similar vibe to that album with The Patience Fader. …“the ghost of rust belts and dust bowls looming in a horizon of deepening dusk.” as the press text puts it. As a foreigner in the US, I've always wondered about this romanticism and never really experienced it outside of trips to the desert here in the west. How does this come to life for you personally? Is it something you seek out? I'm a big fan of Chill Out-but I think Brian Eno and Daniel Lanois got there first on Apollo! Also, the Paris Texas soundtrack and Ry Cooder's slide playing cemented some of those connections that I guess now verge on cliche. Funny enough I'm a bit of an outsider here as well-my Father was a US diplomat and I didn't live in the US until I was a teenager. I've always looked for a way in I guess, and music-rock n roll, country, blues, jazz seemed like a kind of skeleton key. A key to a series of doors that open and close constantly and I seem to remain disoriented. I certainly returned to these roots (literal and figurative) in music for an explanation or comfort as Trump set fire to whatever remained of the Better Angels of what (for some reason) is referred to as the American Experiment. Mixed results. You speak of the notion of “lighthouse music,” radiance cast from a stable vantage point, sending “a signal to help others through rocks and dangerous currents.” My perception and ‘unromanticizing' of this after listening to the album, is that you have tried to create very clear, and comforting music, something that will cut through easier and not need too much thought for it to work. I love this overall sentiment - could you expand upon it in your own words? It's an effort to be uncluttered and go straight for the heart. The beauty in country music is the same effort or effect. It's ok if it's a formula to an extent that's comforting! The songs on my record share a very similar structure and palette to one another-I really wanted to create a world that would be very quickly recognized-meaning the boundaries would be clear right away-and the work could be done within those boundaries. There's certainly much to recommend pushing beyond known boundaries and limits-for me though it's where known elements within a world blur, overlap, merge, surrender and change like water that's what I'm interested in! New possibilities come from new combinations, and new layering of familiar material. Hybrid forms, mutations. I think what we're looking for is here-it's just up to us to make it visible.~ astrangelyisolatedplace · isolatedmix 118 - Pan•AmericanListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Willie Nelson- Sad Songs and Waltzes02. Ulla - New Poem03. Michael Grigoni - Little Cliffs04. Sosena Gebre Eyesus - Seqelew Eyalu05. Maurizio - MO7A (edit)06. Mike Cooper - After Rain07. African Head Charge - Bazarre08. Takagi Masakatsu - Uter 109. Mary Lattimore - We Just Found Out She Died10. Loren Connors - Blues #511. Robert Donne - Touch My Camera Through the Fence12. Lokai - Histoire DSPan•American: Website | Bandcamp | Soundcloud | Discogs

Con The Russian Song de Misha Alperin con Arkady Shilkloper, y Anja Lechner a Morning Song de Jakob Bro, Arve Henriksen y Jorge Rossy, The wind that shakes the bramble de Peter Broderick, oOo de Mette Henriette, Come Sunday de Duke Ellington con Mahalia Jackson y One de Tom van der Geld, Bill Connors y Roger Jannotta. Escuchar audio

In the new episode of the Nordics Unveiled, Eldbjørg Hemsing is joint by the exceptional multi-faceted artist Mette Henriette. Norwegian Sami saxophonist, composer and performing artist has been captivating audiences and critiques around the globe – the youngest artist to be signed to the legendary label ECM, Mette's debut album was also named the “Jazz Record of the year” (Independent)."Having both Norwegian and Sami roots, this diverse origin taught me a lot about the cultural perspective. In contrast to the Western cultures, indigenous people have nurtured the relationship to the nature in a different way. And here the landscape has profoundly shaped people's emotional as well as their time perception." Mette Henriette, The Nordics UnveiledAn artistic voice of today, Mette Henriette joins Eldbjørg Hemsing for a conversation about her inspiration and connection to the nature in the North, discovery of her Sami heritage and the Nordic sound."I think all the impressions and experiences that we have and we share here in the North are unique. Nature is certainly one of the big shapers on how to interact with our surroundings. Just looking at the spectrum of emotions, in lightness and light or the darkness. Too frequently it is either negative or positive connotations, instead of being the beauty that can be explored through creative crafts and expression forms" Mette Henriette, The Nordics UnveiledMore information about Mette Henriette and her music on the following link.

De eerste helft van deze aflevering van Vrije Geluiden 2 Go staat in het teken van bands die zwetende, doordenderende grooves tot een kunst verheffen. In de jazz waren die grooves lange tijd het domein van de orgeltrio's: met een mengeling van jazz, soul, gospel en funk zorgde ze voor dampende clubs; niet zelden kwam het funky resultaat decennia later via samples terecht in hiphopnummers. Recent zijn er ook bands die die hiphop toevoegen aan het klankpalet van het orgeltrio. Of heb je helemaal geen orgel meer nodig om funky te zijn? Na al deze grooves is het tijd voor wat bezinning: vier van de meest opvallende muzikanten van de jongste jazzgeneratie vertellen over hoe zij kijken naar de grote aardverschuivingen die hebben plaatsgevonden in de jazz. Saxofonisten Kika Sprangers en Gideon Tazelaar, vocalist Sanne Rambags en gitarist Jasper Stadhouders zijn het er in ieder geval over eens dat muziek tegenwoordig minder grenzen kent dan toen. Maar moet je wel in termen als 'aardverschuivingen' denken? Met (fragmenten uit) deze muziek: Butcher Brown – Fonkadelica (#KingButch) Butcher Brown – Cabbage (#KingButch) Soulive – Steppin' (live-opname 26-03-2006) Soulive – Steppin' (Turn it Out) Grant Green – Down Here on the Ground (Alive!) Delvon Lamarr Organ Trio – Concussion BadBadNotGood ft. Kaytranada – Lavender Kika Sprangers – Cécile (Human Traits) The Fletcher Henderson Orchestra – My Pretty Girl Randy Weston Quintet – Beef Blues Stew (At The Five Spot) Gideon Tazelaar – Meldou (Live-opname 13-12-2016 Benefietconcert Nederlands Jazz Archief) Sanne Rambags – Separation (SONNA) Under the Surface – Moksha (Trinity) Jasper Stadhouders Polyband – (Eigen opname VPRO Transition 2017) Mette Henriette – .oOo. (Mette Henriette)

  This mix came about because I wanted to find a vehicle for some of the great music coming out of Lost Tribe Sound and their Fearful Void series. The bundle of releases includes 15 albums to be released between June 2020 and June 2021. You can find more info here...   https://losttribesound.bandcamp.com/album/fearful-void-series   Like the website says Lost Tribe Sound "specializes in organic and exploratory music that transcends genre, technique, or trend." The music in this new series is both grounded and otherworldly. I wanted to take that mostly acoustic, organic sound and spread it throughout this mix. There are a lot of wind instruments in this set. I find myself more and more drawn to sound and texture of sax, alto clarinet, oboe, trombone, etc. and this mix presented a great way to include some of that music.   The title doesn't really mean anything, I just like the sound of it. It's the title of a Laurie Anderson track on a live album from the 80s. I have it on a list of mix titles I keep in a google doc that I use for ideas and inspiration.   Cheers!     T R A C K L I S T : 00:00    Vieo Abiungo - A Cold Calculus (At Once, There Was No Horizon 2020) 06:27    Iñigo Ugarteburu - Tomodachi (For The Unknown 2013) 11:35    Esmerine - Sweet Surrender Be True (If Only A Sweet Surrender To The Nights To Come Be True 2003) 16:16    Seabuckthorn - Clears (Through A Vulnerable Occur 2020) 19:19    William Ryan Fritch - What's Left Unfilched (The Letdown 2020) 21:12    Mette Henriette - in circles (Mette Henriette 2015) 24:30    Clariloops - Part 1 (Mindful Movement 2020) 30:30    Claire Deak & Tony Dupé - the rain (the old capital 2020) 33:55    Michel Banabila & Joshua Samson - Unfinished Business (To Yemen With Love 2020) 38:15    Microwolf - Mara Instrumental (My Cauliflower Ears Instrumentals 2020) 43:53    Laurence Pike - Prophecy (Prophecy 2020) 47:49    Claire Deak & Tony Dupé - from a rooftop (the old capital 2020) 52:18    Spheruleus - Hollow Bloom (Home Diaries 006 2020) 54:54    Wodwo - Karenia (Chematica 2020) 56:11    Brambles - Pink & Golden Billows (Charcoal 2012) 58:30    William Ryan Fritch - Devi's Last Deal (Album: TBA)      

...................#.70................ By Elder Almeida “A man who lies to himself, and believes his own lies, becomes unable to recognize truth, either in himself or in anyone else, and he ends up losing respect for himself and for others. When he has no respect for anyone, he can no longer love, and in him, he yields to his impulses, indulges in the lowest form of pleasure, and behaves in the end like an animal in satisfying his vices. And it all comes from lying — to others and to yourself.” Fyodor Dostoevsky (in “The Brothers Karamazov”) ********** 01 – Halο – “Sea and Sand” (00:21) 02 – Halο – “Winter's Passage” (05:14) 03 – Mette Henriette – “Passé” (06:57) 04 – Mette Henriette – “.oOo.” (11:42) 05 – Michael Price – “Colliding Redux” (15:03) 06 – Zvuku – “Coldsong (Tiny Leaves Remix)” (21:47) 07 – Luis Berra – “Sleepwalking Deers” (29:17) 08 – Memory Drawings – “There Is A Last Time For Everything” (32:54) 09 – Kid Koala – “Fallaway (feat. Emilíana Torrini)” (38:15) 10 – Groove Armada – “At the River” (41:40) 11 – Echo And The Bunnymen – “All My Colours” (48:03) 12 – Joy Division – “Atmosphere” (51:56) 13 – Joy Division – “Love Will Tear Us Apart” (56:03) A photo by Tom Coppen Total Time: 00:59:42 >>>>>>>>>>>>>>>>>>>> Please visit my blog and podcast at: http://ondasdamusica.blogspot.com/ http://efmalmeida.podomatic.com/ My videos on YouTube: http://www.youtube.com/channel/UCyeuqR69vKfjn4W85cX3ohQ phase 108.1: http://www.phase108.net/Show.aspx?podcastId=15 http://www.phase108.net/Show.aspx?contributorId=14 >>>>>>>>>>>>>>>>>>>>

Because of the drones, atmospheric field recordings and insect sounds, this mix will be labeled as an 'ambient' mix by most listeners. And of course it is.... but at the same time it isn't. It simply isn't 'unobtrusive' enough to be 'ambient'. An hour-long journey of scene changes, meandering between *Kitsch* and *Kult* - a bit more 'psychedelic' than 'ambient', in fact. --- originally published on Ambientblog --- This particular mix was created as a submission to Secret Thirteen's 'New Blood' invitation to send in 'kaleidoscopic mixes' for their mix series (that's why their logo is in the image). The '41' refers to the number of track samples that are used in this mix. Playlist:[Start Time] [Sample Length] [Artist] - [Title][Album, Year, Label] 00:00 01:59 Tatsuro Kojima - Kokoro Asu Wa Yoi Hi(Refraction and Reflection, 2015, Audiobulb AB063)00:25 01:55 Trio Mediaeval, David Lang - Just (After Song of Songs)(Youth OST, 2015, Indigo Film 399 773 - 2)01:54 01:35 Agnieszka Waligorska & Pekka Sirén - Achinech(Islas Resonantes, 2009)02:00 02:08 Ugasanie - The Phenomenon(Eye of Tunguska, 2015, Cryo Chamber CRYO 021)03:33 01:53 Norn - Droom Van Zinken Naar Het Holst Van Een Naamloze Diepte(Usotsuki, 2015, Moving Furniture Records MFR023)05:04 01:02 Alan Howarth - Space Ambience(Real Hollywood Sound Effects, 1997, GNP Crescendo GNPD 8054)05:35 01:33 Alan Howarth - Interdimensional Vortex(Real Hollywood Sound Effects, 1997, GNP Crescendo GNPD 8054)06:15 01:42 Mette Henriette - & The Silver Fox(Mette Henriette, 2015, ECM 2460/61)07:30 01:24 Stéphane Marin - Bourrasque(Matins D'Ariège, 2015, Galaverna GAL 0122)08:15 01:37 Michel Banabila - The End of The Web(Feedback + Modular + Radiowaves, 2015, Tapu Records 011TR)09:16 00:36 Michel Banabila - Fan(Eyes Closed, 2015, Tapu Records 010TR)09:38 02:25 Various (Bigo & Twigetti) Artists - Another Direction(Variables, 2015, Bigo & Twigetti)11:38 01:47 Elian - Red(Cutting Up The Sun, 2015, Longstoryshort Recording Company TLSRC2)12:57 02:50 David Toop - Caberima Night Insects, Birds And Moths(Lost Shadows In Defence Of The Soul - Yanomami Shamanism, Songs, Ritual, 015 Sub Rosa SR379)13:30 01:52 Mynoise.net - ASMR Whisper(online stream)14:20 02:50 Jacaszek & Kwartludium - From A Seashell(Catalogue Des Arbres, 2014, Touch TO:94)17:03 01:58 Giya Kancheli - Chiaroscuro(Chiaroscuro, 2015, ECM Records 2442)18:28 03:01 Mathias Delplanque - Débris (For Ephraim Wegner)(Siebzehn Bis 8, 215, Crónica 096)20:50 03:19 Sonmi 451 - Limbic Lobe(The Limbic System, 2015, Time Released Sound TRS050)23:13 04:21 Michael Begg / Human Greed - Da Pacem (Apres Pärt)(Hivernant, 2015, Omnempathy OMCD06)27:08 00:38 Trio Mediaeval, David Lang - Just (After Song of Songs)(Youth OST, 2015, Indigo Film 399 773 - 2)27:40 00:55 Kronos Quartet - Flugufrelsarinn(Plays Sigur Ros, 2007, Nonesuch 307452)28:04 02:16 Sakana Hosomi - Ma.Org Re.Mx(Ma.Org.Pa.Git Re.Mx, 2015, Crónica 092)28:04 03:16 Kreng - Bargaining(The Summoner, 2015 Miasmah MIACD030)30:43 02:30 Thomas Ragsdale - The Uncertainty Principle(Bait, 2015, This Is It Forever TIIF002)32:58 00:50 Thomas Newman & Rick Cox - Goldmine Nectarine(35 Whirlpools Below Sound, 2014, Cold Blue Music CB0040)33:13 00:38 Louis Sarno - Bobé Spirits Calling(Song From The Forest, 2014, Gruenrecorder GRUEN150)33:30 02:41 Dronny Darko & Protou - Primate (50 Million Years Ago)(Earth Songs, 2015, Cryo Chamber CRYO019)34:44 00:56 Larry Clinton - Deep Purple (Reprise)(Lost River OST, 2015, Italians Do It Better)35:35 02:17 Glass Candy - Shell Game(Lost River OST, 2015, Italians Do It Better)37:44 02:53 Alva Noto - Xerrox Spark(Xerrox Vol. 3, 2015, Raster-Noton R-N 159)40:00 02:15 Woob - Intervision Intermission(Ambient Disaster Movie, 2014, Bigamoebasounds BAS017)41:46 02:40 Todd Tobias - Teluk Dalam(Tristes Tropiques, 2015, Tiny Room Records TR005)42:53 05:17 Kristoffer Oustad - Row Me Over(Filth Haven, 2015, Malignant Records TumorCD84)45:33 03:11 Porcje Rosolowe - Metua Tympanis(Insects 4-7, 2015, Crónica 093)47:11 05:07 Masaya Kato - IV(Trace Of Voices, 2015, Time Released Sounds TRS-49)51:47 03:26 Arve Henriksen - Sanmyake(Sakuteiki, 2001, Rune Grammofon RCD2021)54:08 03:47 Chris Dooks & Darren McClure - Ayr Scaffold Resonance(Site-Specific Works, 2015, Bandcamp)55:25 00:24 Trio Mediaeval, David Lang - Just (After Song of Songs)(Youth OST, 2015, Indigo Film 399 773 - 2)55:46 01:44 Mark Lyken & Emma Dove - Chenrey Hoose(Mirror Lands, 2015, Time Released Sounds TRS055)57:20 02:40 Giya Kancheli - Chiaroscuro(Chiaroscuro, 2015, ECM Records 2442)

Manfred Eicher has a recurring nightmare where the Jazz Bastard does an episode devoted to his hugely influential label, ECM - or is the dream REAL?? Also, Pat really hates microtonality. Steve Tibbetts – SAFE JOURNEY; Mette Henriette – TRIO, ENSEMBLE; Mike and Joe Maineri – BLESSED; Edward Vesala - ODE TO THE DEATH OF JAZZ.

Amok Amor es el nombre de un cuarteto en el que tres músicos residentes en Berlín (el contrabajista Petter Eldh, el baterista Christian Lillinger y el saxofonista Wanja Slavin) se reúnen con el extraterrestre de la trompeta, Peter Evans. En esta edición de 'Club de Jazz' del 21 de febrero de 2016 nos agitamos con la urgencia de su música o de la del trompetista Axel Dörner (con el que colabora Lillinger en un proyecto de 2011) y equilibramos con el tiempo suspendido de la saxofonista noruega Mette Henriette en su debut en ECM. Un doble disco sin título en formación de trío en el primero y con agrupación camerística de trece instrumentistas en el segundo. El pianista y escritor gallego Quinito López Mourelle presenta "Lontananza", trío junto al saxofonista Roberto Somoza y al intérprete de bombardino Ignacio Fernández. "In Lak'ech Hala K'in" es el título para el disco del quinteto del saxofonista Luis Verde, del que forman parte los cubanos Ariel Brínguez, Michael Olivera y Reinier Elizarde "El Negrón", además del pianista menorquín Marco Mezquida. Toda la información y derechos: http://www.elclubdejazz.com

Amok Amor es el nombre de un cuarteto en el que tres músicos residentes en Berlín (el contrabajista Petter Eldh, el baterista Christian Lillinger y el saxofonista Wanja Slavin) se reúnen con el extraterrestre de la trompeta, Peter Evans. En esta edición de 'Club de Jazz' del 21 de febrero de 2016 nos agitamos con la urgencia de su música o de la del trompetista Axel Dörner (con el que colabora Lillinger en un proyecto de 2011) y equilibramos con el tiempo suspendido de la saxofonista noruega Mette Henriette en su debut en ECM. Un doble disco sin título en formación de trío en el primero y con agrupación camerística de trece instrumentistas en el segundo. El pianista y escritor gallego Quinito López Mourelle presenta "Lontananza", trío junto al saxofonista Roberto Somoza y al intérprete de bombardino Ignacio Fernández. "In Lak'ech Hala K'in" es el título para el disco del quinteto del saxofonista Luis Verde, del que forman parte los cubanos Ariel Brínguez, Michael Olivera y Reinier Elizarde "El Negrón", además del pianista menorquín Marco Mezquida. Toda la información y derechos: http://www.elclubdejazz.com

Style préféré des mélomanes ayant passé la cinquantaine, le jazz souffre d’une image vieillotte que Flying Lotus et les talents de son label Brainfeeder semblent enfin dépoussiérer. Exploration musicale avec Narjes Bahar (Mouv’) et Damien Besançon (The Drone), spécialement conviés pour l’occasion.Avec Narjes Bahar (@__Narjes_, Mouv') et Damien Besançon (@damien_laitdbac, The Drone)RÉFÉRENCES CITÉES DANS L'ÉMISSION :Flying Lotus, Brainfeeder, Kendrick Lamar (To Pimp a Butterfly, 2015), Los Angeles (Flying Lotus, 2008), Alice Coltrane, Stones Throw Records, Madlib, J Dilla, Plug Research, Warp Records, Daddy Kev, The Gaslamp Killer, Kuthmah, Daedelus, Nobody, 1983 (Flying Lotus, 2006), A Love Supreme (John Coltrane, 1965), Dr. Dre, Cosmogramma (Flying Lotus, 2010), ThunderCats, Miguel Atwood-Ferguson, Erykah Badu, Ravi Coltrane, Intelligent Dance Music, Brainfeeder, Until the Quiet Comes (Flying Lotus, 2012), Teebs, Austin Peralta, MONOPOLY, The Epic (Kamasi Washington, 2015), Tokimonsta, Rappatamatantra (Jeremiah Jae, 2011), Raw Money Raps (Jeremiah Jae, 2012), Rainer Maria Rilke, Mette Henriette (album de Mette Henriette, 2015)COUPS DE COEUR :Narjes Bahar : Notes sur la mélodie des choses, de Rainer Maria Rilke (Éd. Allia) http://www.editions-allia.com/fr/livre/157/notes-sur-la-melodie-des-chosesDamien Besançon : Mette Henriette, l’album de Mette Henriette, (ECM Records, 2015) http://www.discogs.com/Mette-Henriette-Mette-Henriette/release/7661839 PLAYLIST DE L'ÉMISSIONhttps://www.youtube.com/playlist?list=PLGt4caHD8XatjkjZOQjjFIQfO79uSRZ6hRETROUVEZ NOFUN SUR LES INTERNETS :https://soundcloud.com/nofunshow www.facebook.com/NoFunShow www.twitter.com/NoFunShow http://www.dailymotion.com/nofunshow www.youtube.com/channel/UCOQc7plmG6-MlPq7-CD3T7A www.mixcloud.com/NoFunShow/ www.deezer.com/show/13867 www.stitcher.com/podcast/nofun/ CRÉDITS :Enregistré le 6 janvier 2015 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Sébastien Salis. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) réalisé par Nodey. Image : Flying Lotus / Brainfeeder. See acast.com/privacy for privacy and opt-out information.

Mette Henriette (Saxophon) | Johan Lindvall (Klavier) | Katrine Schiott (Violoncello) | Henrik Norstebo (Posaune) | Eivind Lonning (Trompete) | Per Zanussi (Bass) | Per Oddvar Johansen (Schlagzeug) u.a.